#ultra stage video

[dekusheroacademia]

I kept chasing after you

[dcyliqht]

my kink is watching you.

[angstics]

Highlights from the AJ Pen webcast on the My Chemical Romance Foundations Tour set and lighting design book:

“[Gerard Way] was the most- he was the one that I was interfacing with most to come up with this design. Although the rest of the band did have their own say in one way or another. And he in his other life is a comic book author who wrote the Umbrella Academy. So I did a deep dive into comic books to sort of, understand his world a bit more. And I thought I'd throw a little nod to the comic book world with this sort of cartoonish call-out box [in the design book].”

“This picture from a Nine Inch Nails show is something that Gerard sent me. And he was, when he was asking me to make the color palette look washed out and not necessarily all bold colors, he wanted it to sort of have a sense of being weathered.”

“We took an approach where each song had its own kind of color and it wasn't just one color across all of the lights. We'd take groups of lights, randomize the selection set over the whole rig, and then sort of stretch that make the colors in a neighborhood.”

“That drape is actually black. That's lit with just four or five Mac ultras to give it this lovely red color.”

“Thank you to Gerard Way for working so directly with me on the creative for this project. And then the rest of the band, Ray, Mikey, and Frank, they all had their own say and their own take on this project. And it was a very collaborative effort with me and the band.”

“One cool thing about this band is they play, they're analog. They just play. The drummer listens to a metronome that's just coming off his iPad. So there's no time code. There's no reference. All I know is that more or less they're going to be playing at the same tempos. Although sometimes he would shut off mid song because he would push and pull the tempo bottom style.”

“I will say that for this band the drummer that plays with them didn't chart on most of the records... And he likes to try to really recreate what each drummer that tracked the records was doing.”

"We didn't have any video content to play. Other than there were a few things that our video director, Robbie came up with to mix in with the IMAG. So we did carry IMAG screens and he did mix in a little bit of content, but for the most part, it was basically IMAG and a set on stage.”

“The reason that this set worked without like, a bunch of video screens on stage really well for this band was they never played the same set list twice. And I don't mean that they just had a set list that they had a couple of songs they'd swap out. I had to plead with them to keep the first song to be the same so that we could drop the Kabuki in the same place every day.”

“So once that first song was out of the way, they literally crumpled up the set list from the night before, threw it out... And that's why this sort of set design approach worked. The band would tell their own story because they know their music. I never had a set list feel like it was dragging or wasn't telling the story in some way of what's within their music. They know how to rearrange things and we just programmed each song so that it would stand on its own and work no matter where it ended up in the set list.”

Watch the webcast here! Take a look at the book here!

[bakuhatsufallinlove]

Back in winter 2022, Kobayashi Ryōta (Katsuki's stage actor) sang a short cover of Wacci's song "Koi Daro" in honor of volume 36, which ends with chapter 362.

I made a fan video for the Ultra Stage set to his version. I also translated the lyrics and included them as subtitles.

Please enjoy. <3

[oladthepancake]

HELLOOO EVERYONE!

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HERE

LOOK

I put off publishing this post for a long time because I was too lazy to write all the information that I want to put here, but here I am, showing you my two models for vitubing, created entirely by myself with my own hands on my laptop!

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but before that I think it’s worth starting with an idea! And the idea came mega spontaneously:

This handsome man and I watched a couple of videos with Neuro-Sama and suddenly this dialogue appears:

- How about we become VTubers?

- seriously?

- yeah

- Let's go.

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Even though this decision was mega harsh and rather profane, it charged me with motivation and allowed me to get out of the art block a little

After all, I REALLY love learning new programs and things for myself.

✦ · · · · · · · · · · · · ·

Time:

• 5 days to draw both models

• A week to animate them

Programs:

Krita (drawing)

life2D + his brother (animation of models and adding additional emotions)

Vtube Studio (Launch models)

Obs (video filming)

Energy Source:

God knows

✦ · · · · · · · · · · · · ·

So who were my victims of this experiment?

As expected, my avatar was my alter ego Temmie, and for our mega partner/boyfriend we chose his alter ego Sans from Freedomtale!

Since the path is completely new and unfamiliar to me, I desperately searched on YouTube for all kinds of videos and tutorials, as a result of which I found the most understandable and enjoyable series of videos from Lazu-Tan, which I mainly relied on when making avatars

Next, having found it on the Internet and installed the necessary programs on the laptop, I scribbled sketches that would later grow into models:3

after this stage there is a boring process of drawing the models directly, grouping a bunch of layers (a separate layer was needed for each moving object, such as separate layers for each strand of hair and grouping into a common group with hair. This was an unusual thing and made me really strain my brain)

Having saved both files in .psd format, I put them into a new program called Life2D! I needed this program to create animations of the very layers that I had distributed and grouped earlier. head turns, hair physics, eye blinks, additional emotions - this is all the merit of the great Life2D and those 43 days of the trial of the full version, which he so kindly provided me with for creativity... in fact, I thank you for the conditional “deadline”, because without it, God knows when I would have finished this project under other circumstances

When working, there were a lot of problems due to insufficient knowledge about the operation of the application, which is why sometimes I felt like a would-be programmer who couldn’t find an error in his code for several days (I tried to program, I know what I’m talking about)

It would seem hurray, everything is ready! however, here the finishing touches await us.

Those additional emotions (like blush, stars, tears) that should be activated by assigned keys must first be configured through a separate program that is installed with Life2D

in general, the procedure is not complicated, and I even found it somewhat pleasant

After this, the models can be considered ready, they just need to be put into the files of an application such as Vitube Studio, after which you can play your character at the camera or use them for streaming or making videos!

I published videos demonstrating the capabilities of my models on my YouTube

It was an ultra-mega interesting experience, and I will not hesitate to say this, and I am proud of the results:3

for streaming, however, all that remains is to turn my little potato into a more or less tolerable laptop, but I think sooner or later I will be able to solve this issue

@thefreedomskeleton

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Thank you if you are reading this and wish you a wonderful time of day!

[mookymilksims]

ULTIMATE REALISTIC Sims 3 Roleplay Guide | Transform Your Slice of Life Gameplay! | Part 1

What is up my little MooMoo's, welcome back to my channel! If you are new, thanks for dropping by.

So I promised you all a slice-of-life roleplay guide, and here it is! This might be the single most important guide for my ultra-realism roleplaying series in The Sims 3. Traditional roleplaying in this game is a bit tricky, so you’ve got to get creative. With mods, you can maximize your roleplaying efforts with little to no labor.

And whenever you look up how to roleplay in the sims 3, you'll find yourself quickly being redirected to challenges, except when you come across my input.

I have so much planned to show and teach you all in this guide. We’ve got a lot of ground to cover, but I promise to make it simple and effortless. This guide is easy enough for beginners who’ve never roleplayed before, yet packed with fresh ideas and twists for veteran roleplayers.

I want you to think of roleplaying as a Sims 3 challenge, but not as strict or difficult. Everything I show you in this video are just suggestions, meant to inspire you and ignite your creativity. I want to excite you into playing this game differently and unlock the true potential of The Sims 3.

Unfortunately because there is so much ground to cover I am going to have to break this guide up into several parts.

There are in total 10 sections of this guide I want to be able to teach you, in today's guide we are going to be focusing on section 1: Basic Roleplaying: and things you need to understand about the game.

So, let's break down exactly what we're going to cover today:

Basic Roleplaying - Things you need to understand about the game.

Curating Your Sim's World - Setting the stage before you play them.

Personality Templates - Creating Sims you care about.

Style and Taste Bud Palettes - Refining your character's personality.

Hobbies and Routines - Enhancing your Sim's day-to-day lifestyle.

Vacations and Traveling - Adding excitement and variety.

Socializing Roleplay - Making your Sims’ interactions meaningful.

Mods for Day-to-Day Gameplay - Essential mods for realism.

Challenges and How to Transform Them - Keeping things interesting.

Storylines and Easy Ways to Put Them Together - Creating compelling narratives.

I care about your time, so we’re going to steamroll through all of these sections and videos together! Let’s dive right in and get started!

Basic Roleplaying

Remember when I said earlier that you need to have the right perspective to roleplay in this game? Most of you have been roleplaying to some extent even if you think you haven't.

Challenges are basically stricter roleplaying incentives. They give you a set of rules to follow in-game, where doing the opposite wouldn't make sense.

And this is the crux of roleplaying, essentially. It's about understanding the person you are playing as and what they would realistically do. It’s not just about completing goals, but about making choices that reflect your Sim’s personality, desires, and circumstances.

So, what exactly is roleplaying? At its core, roleplaying is acting out the life of a character you create. You’re not just controlling them like a puppet; you’re thinking and making decisions as if you are that character. It’s about stepping into their shoes and seeing the world through their eyes.

For example, if your Sim is an artist, you might decide that they spend their mornings painting in the park, meeting other creative Sims, and visiting art galleries for inspiration. On the other hand, if your Sim is a fitness enthusiast, they might start their day with a jog, followed by a healthy meal, and then head to the gym.

Roleplaying is about adding layers to your Sim's story. It's not just about what they do, but why they do it. Every decision should reflect their personality and circumstances. If your Sim is shy, they might struggle with social interactions, but if they’re outgoing, they’ll thrive at parties and gatherings.

This perspective transforms the game from a series of tasks into a rich, immersive experience. You're not just playing The Sims; you're living a story. And the best part? It’s your story, crafted by your imagination and choices.

What actions do you find yourself doing more than anything else in the game? What action is it that you focus on the most?

Skills. Jobs. School. And motive maintenance. These are the actions you find yourself doing the most in your gameplay instead of creating memories and developing your story.

What if I told you that skills, jobs, high school, and elementary school are actually not as important in the game as you think? There is nothing in the game that requires you to master a skill. So why are you maxing out their skills?

You don't always have to become the leader of the free world, especially if it's not even a lifetime wish for your Sim. The only thing you need to pass school is to not have a consistent F. Your children and teens were going to graduate regardless.

There are hundreds of mods dedicated to rebalancing The Sims 3 motive decay that would allow you more time in your day playing as your Sim instead of just feeding them.

When you change the way you think The Sims 3 was meant to be played, you begin to see just how much fun you could really be having in this game. I'm only saying this as the kid who stressed out about getting a B in-game, not getting that promotion by the end of the day, and freaking out every time my Sim's hunger bar got halfway full.

We should be having fun, relaxed, and enjoying our Sims' actual lives. Once you remove this stress from the equation, you're left with a bunch of freed-up open time in your Sims' day. And now, you have to fill it with creative roleplaying scenarios.

But don't worry, I've already got you covered on that in sections 5-10.

LifeSpans

If you already watched my lifespan and relativity guide, then you already saw me extensively go over this entire system. I realized very quickly how important a Sim's lifespan was to my roleplay. If the lifespan is too short, I don't have enough time in-game to care about my Sims, develop their stories, and complete pivotal moments in their character development. I used to turn their aging off, but in doing so, I missed out on the natural progressions of not just my active household but also everyone else.

A well-balanced lifespan is crucial for meaningful roleplay because it allows you to:

Build Deep Connections: With a longer lifespan, you have the time to truly get to know your Sims, form deep bonds, and invest in their personal stories. You'll witness them grow, change, and evolve over time, making their journeys feel more significant.

Develop Complex Storylines: Longer lifespans give you the freedom to create intricate story arcs. You can explore your Sims' lives in great detail, from their childhood dreams to their golden years, ensuring that no pivotal moment is rushed.

Experience Generational Play: Watching multiple generations of Sims grow up, interact, and leave their marks on the family legacy is one of the most rewarding aspects of the game. It brings a sense of continuity and history to your Sims' world.

Allow for Realistic Progression: A longer lifespan lets your Sims achieve their goals at a more natural pace. So that if the roleplay allows it, they can climb the career ladder, master skills, and pursue hobbies without the pressure of an imminent aging up.

Thank goodness I learned how to curate a mods list and create my own mods that addressed all of these issues. And thank goodness I shared it with all of you, so you don't have to do anything but install them and jump into the game.

Remember, a well-thought-out lifespan not only enhances your roleplaying experience but also enriches the entire game world, making every Sim's life story more impactful and memorable.

Questionnaires

Questionnaires are a great way to delve into the mind of your character, understand them inside and out, and effectively roleplay them in-game.

Think of this section as breathing life into your Sims' lungs. I personally find this portion to be fun while also gaining incredible insight into how my Sims think, act, and feel in-game.

This practice gives me so much confidence when roleplaying them. Without it, I find myself improvising without as much confidence, making certain interactions more awkward for me. I have to rewrite the interaction in my head, out of the game, to rectify it, when I could've just used this practice and character breakdown beforehand.

Why Use Questionnaires?

Character Depth: Questionnaires help you create multifaceted characters with rich backstories, motivations, and unique personalities. This depth makes your Sims feel more real and relatable.

Consistency in Roleplay: By understanding your Sims' traits, goals, and quirks, you can ensure consistent behavior and decision-making throughout their lives. This consistency enhances the realism and immersion of your gameplay.

Enhanced Storytelling: Detailed character profiles allow you to craft more compelling and believable stories. You'll have a clear sense of your Sims' desires and conflicts, making their journeys more engaging.

Improved Interaction: With a solid understanding of your Sims, you'll navigate social interactions more naturally. Knowing their preferences and relationships helps you respond authentically in various scenarios.

Reduced Improvisation Stress: Having a well-thought-out character profile minimizes the need for on-the-spot improvisation. You'll feel more prepared and confident, leading to smoother and more enjoyable gameplay.

How to Use the Questionnaires

Now, you don't always have to answer every question. You should aim to answer just enough questions in just enough categories to confidently roleplay your character in improv gameplay scenarios. Use the link below to the character question generator and begin breaking down your character. This practice not only enhances your roleplaying experience but also brings your Sims to life in ways you never imagined.

Remember, only answer enough questions where you get to know your sim inside and out. To enhance this further, consider their fashion style, and mini backstories behind their favorite food and color. Write this down somewhere where you keep a back up of your save file, so you can always reference it in the future if you get stuck on what they would do in a roleplay scenarios.

Link to Character Question Generator!

Conclusion

So here is where I feel is a good time to end the video, since I've given all of you a lot to think about. Let's quickly recap what we've covered so far:

Basic Roleplaying: We explored how to shift your perspective on gameplay, understanding that roleplaying involves making choices that align with your Sims' personalities and realistic behaviors.

LifeSpans: We discussed the importance of adjusting your Sims' lifespans to allow for more meaningful story development and character progression. I shared my mods and settings to make this process seamless.

Questionnaires: We delved into the practice of using questionnaires to breathe life into your Sims. This helps you understand your characters deeply, ensuring consistent and engaging roleplay.

Make sure to subscribe and hit that notification bell to become a part of the Milky Way Squad on your way out, so that you can be notified and come back for Part 2!

Thank you for watching and see you in the next video!

[johnslittlespoon]

all the actor/celebrity au posts lately combined with troye bringing ross on stage last night for one of your girls has got me thinking...

a musician x musician au where gale is a troye sivan–esque ultra–famous queer pop star, and john's the singer of a well known indie rock band, and he gets asked by gale's team to star in a music video similar to one of your girls...

to everyone who doesn't know him personally, gale feels like this untouchable pop star. he's been in the industry for years, one of those classic 'i used to make music in my bedroom in my small town' stories, working his ass off before finally a song of his blows up and gets traction and then it's such a fast rise to stardom that he doesn't have time to wrap his head around it.

he never gets used to it, but he doesn't get an ego from it; he still hangs out with the same group of friends he's had since high school, and his team does most of his social media posting for him, because it freaks him out having all that attention, as grateful as he is. he's not shy by any means, not like he was when he started out, but he's not the biggest fan of all the fanfare and interviews and being put on a pedestal and all that. he keeps himself pretty distant online, and that coupled with the diva/superstar energy in his music/projects gives him this air of being on another level– a rare type of star all around.

john has a similar story, the whole growing up on the internet thing, making music in his basement in high school with the friends he's now in a pretty popular indie rock band with, working tirelessly to make a name for him and his friends. but that's kinda where their similarities end.

because john is known for being an absolute shit–poster, a little fiend online, a running joke in his fandom that 'john doesn't know that he's famous', 'should someone remind him this isn't a finsta?' type of vibe. he feels so accessible and down to earth, and while he's just as level headed and humble about his celebrity status as gale is, he displays it by being more present and trying to show the human side of it all, vs gale trying to create distance between gale cleven and the gale persona the world knows.

the band is first and foremost john's thing, but as he's grown in popularity, he's of course gotten offers for other avenues here and there, and at the insistence of his manager he decides to agree to try out a modelling shoot one day. he's not naive; he's more than aware of all the comments going on about his looks, stumbles across more tiktok thirst trap edits of him sweaty and shirtless on stage than he can count, isn't all too sfw in some of his band's songs, either.

he finds it all funny, but he also is someone who will always jump on new opportunities/experiences, and he ends up having a good time modelling, and picks up more gigs as time goes on. this is how gale becomes aware of him, somewhat because gale does occasional modelling too, but mostly because he's worked with a lot of big fashion names for tours and videos, so his and john's circles occasionally crossover, though they never actually meet in person.

so then comes this music video shoot, one that gale's been agonizing over for months, planning every little detail and making sure everything is perfect. it's something that drives his manager (marge? <3 gotta include the angel in every au obvs) insane because gale's got so much on his plate as is, but he likes to be so hands on with his projects, and she knows by now there's no talking him out of that. and everything is going great, until the person who's meant to be starring opposite gale has to pull out last minute due to a scheduling conflict or personal emergency or something.

and the usually very collected and put together gale is freaking out. it's the day before the shoot, everyone involved has already travelled to be on location, choreography is set in stone– this is his nightmare scenario, never doing well in situations where he has a lack of control. it's half of what scares him so much about being as famous as he is, is that he doesn't have a lot of autonomy or control over his own image or how he's perceived in the public eye (and digging deeper into backstory, probably stems from wanting to take back control after a childhood filled with being controlled by family.)

but it's situations like these where he's reminded why marge is his manager and he isn't, because she leaps into action the moment they find out about the cancellation, calming gale down so they can put their heads together to find a replacement. they reach out to a few of the names they have connections to, but it's too short notice for all of them, so maybe marge even just resorts to going through the people gale follows on instagram, and stumbles across john's page. he's got a good rep in industry and has worked on less 'conventional' projects before, so marge shuts down gale's fretting over "would he be comfortable with something like this?" by telling him there's only one way to find out, and contacting john's manager.

john agrees before he even hears the full pitch, and he's just as keen afterwards (albeit a bit nervous because by no means is he a professional dancer), knowing it'll be good publicity, and curious to explore a more artsy/out there gig, but also curious about the illusive gale, who he'd been surprised to receive a follow from a few weeks back.

john is flown out that night to the city of the shoot location, barely having a few minutes to change and head to the rehearsal space, where he meets a very frazzled but very thankful gale for the first time.

maybe they both have some preconceived notions about each other, despite having mutual respect and no actual interactions; john probably expects gale to be a bit stand–offish or conceited given his high celebrity status, but finds gale's actually bashful and quiet and easygoing when the cameras are off (when they're on, it's like he flips a switch, slipping into this persona, exuding confidence and sexuality and it honestly blows john's mind to witness in person).

gale probably expects to john to be loud and abrasive based off his well known social media posts, maybe even a little uncomfortable around gale, who is openly queer, whereas john isn't– maybe john hasn't ever stated his sexuality, has never given much thought to it, it doesn't matter much to him. instead he finds john's actually a little shy, much less bravado than he'd anticipated, but very enthusiastic and eager to learn and get the choreo and everything else right, assuring gale repeatedly that he's down to do whatever is needed.

so the two of them rehearse till the early hours of the morning, john taking it as seriously as though it's his own project he's invested months into, and gale gains such admiration for his commitment and willingness to stick his neck out for a borderline stranger (even though he's obviously aware this is a big boost for john's career). john gains a newfound appreciation for gale's work ethic and how much effort goes into every little thing for a huge artist like him.

and inevitably... there is sexual tension during the rehearsals. they're both overtired and sweaty and it's such a strange situation to meet for like five minutes and then jump right into dancing together so intimately, having to shed any inhibitions and self consciousness, but it's a blessing in the sense that they have to get comfortable around each other so quickly. there's no room for modesty or shyness, and john is genuinely speechless at how gale puts business first, and after double checking that john isn't uncomfortable, how he has no qualms about physically directing john, moving him how he wants him.

it's hot to john, the way gale knows exactly what he wants and is so passionate about his vision, and he'd be lying if he said the combination of being starstruck and being lowkey manhandled isn't getting to his head a bit. which is a whole other thing to unpack, because aside from vague acknowledgement of some men being attractive/beautiful, he's never actually found himself flustered by one like this, and it catches him off guard. he stays professional, but he still can't help but let his naturally flirtatious/joking personality slip out as the night drags on; he's like that with everyone he works with or hangs out with, and he thinks it would be weirder if he wasn't like that with gale, like everyone else would somehow notice.

meanwhile gale is fighting his own demons because he's got a very sought–after, very hot, very straight man dropping everything for him and letting him puppeteer him, on top of being so stubborn that even though gale can tell he's exhausted, john's refusing to call it a night until gale does, and THEN as if all that's not enough, john's effortlessly witty and complimentary and flirty. and gale's not one to mix business and pleasure, so he's not even entertaining these emotions, but he can't help but feel flattered by it all, while also reminding himself that john probably doesn't swing that way.

basically they both are discovering they have competence kinks lmao, like objectively they both find the other attractive, but it's not like they aren't constantly surrounded by beautiful humans in their lines of work, so it's more so the emotional side/work ethic that gets them both flustered, coupled with the inherent sexuality of dancing with very little clothing, hands on sweaty skin and toned muscles. but neither of them act on it, too tired by the time they call it a night even if they'd wanted to, and then it's back to their respective hotels to get a few hours of sleep before the shoot.

john isn't called to be on location until mid afternoon, and when he wakes up to his phone ringing and glances at the time, he freaks out, thinking he's slept through the shoot or something because he'd expected to be called early in the morning. he's told that he didn't sleep through it, but he's disoriented until he shows up, when he's told that gale had moved things around, filming as many scenes as he could without him before john was needed for his part, so that john could get more rest. (john swoons. just a little.)

he gets swept up in the capable hands of hair and makeup and wardrobe in his own trailer, and he doesn't see gale until it's time to film, and when he does, he almost doesn't believe it's gale. the glam makeup, the long blonde wig, the form–fitting sheer black dress and heels– gale's pretty as is, but with his features accentuated like that, john doesn't even know what to do with himself, feels like he's going through a midlife crisis at the ripe age of 25. he'd known gale would be in some sort of getup for their choreo, but nothing could've prepared him for this.

it makes it even more endearing that gale seems so awkward about it when he greets john, clearly out of his comfort zone in the ensemble, but john knows there's no way gale doesn't know how stunning he is, it's not a lack of confidence that's making him awkward. john keeps it together, reminds himself to be professional. tells gale it was really sweet that he let him sleep in, that he didn't have to do that, to which gale waves him off like it's no big deal. and he compliments gale too as they walk onto set, tells him, "you look great, wow," tame as he can be, and gale tells him "could say the same for you," and john snorts, gesturing to his simple jeans and boots and lack of shirt, says "feeling a bit underdressed, actually," and it gets a laugh out of gale.

when the cameras are rolling, any of that visible discomfort or awkwardness in gale disappears like someone's snapped their fingers and rid him of it, movements fluid like water, not an ounce of anything other than confidence and power and sensuality seeping through as he commands the camera with his energy. despite his aching body, john's grateful they ran the routine into the ground last night to the point that it's nearly muscle memory, because it's hard to concentrate when gale's looking down at him through long faux–lashes and gloss–plumped lips, caressing his jaw, playing with his hair, the sway of his hips and roll of his waist beneath john's hands so mesmerizing, john's half convinced he's being serenaded by a siren.

the tension would be insane, but equally confusing because neither of them would be able to discern what's an act and what's not, or if it's all just an act, pushing and pulling at an invisible line but never quite stepping over it even once the shoot wraps, both for the sake of professionalism but also for fear of rejection.

maybe after it all, john's on his flight back home and realizes in the whirlwind of everything, he never got gale's number (has a moment of 'why would i need it? this was just a gig' lol okay yearner). john's not even sure at that point what/how he's feeling about gale, the conflicting emotions of feeling attraction to him while in borderline drag doing nothing to help the confusion, especially because he can't excuse the attraction as just that when he was feeling things during rehearsal in casual clothes too.

he knows he could easily ask his manager to reach out to gale's manager for his number, but then he gets in his head convincing himself that if gale had wanted to talk further, surely he would've asked for john's number, since gale has way more reason to be selective with his own with his status.

he doesn't realize that on the other end of things, gale's realizing he also never got john's number, only he's talking himself out of reaching out because he doesn't want to read into john's friendliness as something flirtatious when as far as he knows, john is straight, and this was likely just a job for john, as well as they seemed to get along.

cue miscommunication when one of them actually works up the courage to dm the other on instagram since they're mutuals– either john dms gale something simple, a 'thanks again for the opportunity', and because gale is never on his socials and gale's team doesn't check messages much, it's weeks before anyone clocks john's message, during which john becomes sure he's nothing more than a coworker to gale, which he understands but is sad about. or, gale dms john, but from a private account with an innocuous username that he has just for friends and family, and john never even opens it because the lack of profile picture and generic user blends in with all the other message requests he gets a day.

they only end up reconnecting when the music video actually drops, because obviously it breaks the internet, and john happens to be doing promo interviews and radio shows at the time for his band's new album and tour, so an interviewer of course asks him what the experience was like working on a set like that and working with gale. john gives a glowing review, goes out of his way to praise gale– "the nicest guy you'll ever meet, and the craziest work ethic i've ever witnessed firsthand in hollywood."

when the interviewer asks if john would ever consider working with him again, y'know, the classic question an interviewer has to ask so they can drum up clicks with a 'john egan hints at possible future project with gale cleven!' title, john lays it on thick the way he always does with a wink at the camera and a "he can call me up anytime," but then adds a serious "no, really, i would love to work with him again, he was great."

predictably, the people who are already losing their shit over the music video and making edits and fan theories about the two of them go even crazier, spam–tagging gale and his team in the comments of this interview post, which leads to it eventually making its way to gale, and gale then realizes that john hasn't been uninterested; he must've just not seen his message since surely he would've replied if he had (marge looks at him with so much disappointment when gale mentions his attempt to reach out– "gale, no one with that kind of following is going through dm requests from faceless, private instagram pages, you of all people should know this").

gale hasn't told marge about his possible feelings, but marge isn't dumb; she didn't stand on set for nearly 24 hours with her eagle–eyes and not notice the way gale had been looking at john. to anyone else, it might've just seemed like he was leaning into his persona, but marge has known gale for a long time, and she could tell it wasn't all him playing it up for the cameras.

so marge puts her manager–brain and best friend–brain together and decides that with all the hype surrounding the new song and video, the two of them being seen together in public and making a few posts together would be a great boost for both of them. but she knows gale will never go for it if she voices this to him, because he'd see it as using john for popularity; she reasons that if he doesn't know, it can't be using. so she reaches out to john's manager and figures out when they'll both be back in the same city, and relays her plan as if it's just business, asking for john's manager to let john know that gale will be in town the next week if he wants to set something up, and she gives the manager gale's number for john to contact.

when gale wakes up one morning to a 'hi, this is john! my manager passed on your number to me, hope that's okay. i was told you're in town next week? :)' and then 'egan. btw. lots of johns out there.' and then 'the music video guy.' (john, absolutely panicking on his end, worrying that gale might not even remember his name, not knowing gale's been stalking his socials and confusion–pining just as much as john has been doing the same.)

and then more miscommunication after they arrange to hang out, because john assumes this is just for publicity based on what his manager told him, and he understands, as much as he wishes they're hanging out properly. but gale assumes this is a genuine hangout, because john never says otherwise, until the end of the evening, when gale has to leave for a dinner event and john says "we better take those pics for the 'gram before we say goodbye, or the big guns'll have a fit."

and either gale masks his surprise and then disappointment and goes along with it, thinking maybe he missed a memo or misread things, and this conflict and miscommunication is dragged out even longer, or gale doesn't hide his confusion in time, and john is then equally confused, says "your manager didn't...?" and gale says "sorry, i didn't know; i guess i misread your texts," feeling stupid that he's been thinking the hangout is anything other than a pr stunt. and then there's the awkward "no! no– well, yeah, i was told that this was to promote the video, so i thought– i mean, i would've liked to hang anyway, i just didn't think you wanted to?" from john.

gale is slowly connecting the dots in his head and he's so embarrassed, but also relieved that he hasn't misread things and made a fool of himself. john looks on the verge jumping out of his skin as gale sits quietly, so gale puts him out of his misery, smiles and pushes his irritation about the incident down and says "i do want to, john. i think marge– it doesn't matter. it was a miscommunication, i guess." and all the tension evaporates out of john's body, and he lets out a laugh, and a "oh, thank god. fuck. i was about to walk into the street," and gale lets himself relax too, scoffing at john.

so they decide to have a redo the next week, since they both do feel obligated to take their stupid pictures now to please their teams (and the internet), and thus a tentative friendship is born, the two of them dancing around each other and around feelings because everything is confusing as is, let alone with the way their careers affect every aspect of their lives. so much slowburn, lots of john trying to figure his attraction out and gale keeping his walls up because the thought of literally becoming the person he's singing about in his music video is laughable, he doesn't wanna be strung around or used as an experiment for john.

and john respects this unspoken boundary and also appreciates that they can get to know each other as friends while he tries to stop freaking out every time he pictures him and gale doing less than platonic things. probably a whole lot of chaos on john's end with the absolute tornado that he is, ie: '4am 'am i gay' quizzes taken in the dark of his bunk on a tour bus, asking an openly queer friend from his band if his feelings toward gale are normal, rumours started by a fan that they saw john in a gay club after a show, etc.

because john doesn't do anything halfway– he's ready to literally go out and kiss men and explore his newfound feelings, not just to prove himself to gale, but to figure himself out, because he's terrified of hurting gale since john doesn't have the best track record with relationships. overthinks the shit out of everything and doesn't realize it's not that deep, that liking gale doesn't mean he's suddenly attracted to all men, that all gale wants is for john to be confident in himself and his feelings for him before pursuing anything.

there's a lot of back and forth and messiness and emotions stacked on top of their already crazy hectic schedules and lives, the theorizing and prying from fans and paparazzi, caution from management, but when they eventually have their point of no return moment and cross that line from friends to more, the chemistry is so intense that both of them feel stupid for dragging things out for so long.

when the initial new relationship shyness wears off, the sex is also insane, all the exploration and playfulness (and inevitability of the whole feminization thing coming back into play since that's what starts everything in the first place lol). they're barely able to keep their hands off each other, almost always spending the night at each other's places, stealing as much time as they can to make up for the time apart when there are tours or other events separating them.

they try to keep things private for a while, but with how active john is online, he slips up a good few times– tiktoks where a hat or something of gale's is accidentally left in the background, story posts where john's wearing one of gale's hoodies unthinkingly, mirror selfies where there's a mystery hand or leg in the background. the internet is torn, some convinced it's coincidence, some certain it's all a pr stunt to get people talking, some adamant that they're in a secret relationship. gale's never upset about it; they both just know how much things will change if they go public.

months are spent sneaking around, rarely going on public dates, the odd paparazzi shots still leaking out until it finally gets to the point that there's no point hiding things anymore, it's obvious that they're not just friends. they never actually announce it or make some relationship launch post; they just stop caring, and it's freeing and neither of them expect to be so affected by being able to publicly show affection for each other, but it's such a sweet thing and makes things feel so much more real.

john goes to gale's sold out arena shows and stares up at him in awe and can't believe that gale chooses him every day, and gale goes to john's band's high energy festival sets and watches his golden boy light up with joy every time he glances at him side stage and can't believe john chooses him too.

:-)

lol this post was meant to just be the two lines above the cut but then i got to thinking about origin stories and whoops new au drabble because i'm a master at getting carried away!!

[mariacallous]

A theatrical production based on the memoir of an ex-Hasidic transgender rabbi and activist, set to premiere in New York early next year, is scrambling to find a new home after its landlord rejected the script last week.

The landlord? The Roman Catholic Archdiocese of New York.

The production has become a casualty of a dispute between the East Village’s Connelly Theater, which had long staged provocative works, and the archdiocese, which owns the venue. The archdiocese has recently placed the theater under increased scrutiny, exercising a clause that gives it approval of plays shown at its property. The Catholic school that serves as the go-between between the church and the theater said it is “suspending all operations of its theater,” The New York Times reported.

Abby Stein, author of the 2019 memoir “Becoming Eve: My Journey from Ultra-Orthodox Rabbi to Transgender Woman,” was alerted last Wednesday that the adaptation of her book would no longer be permitted at the Connelly Theater.

“I can’t say I’m surprised,” Stein said in an interview. “I’m not going to come up and pretend, ‘Oh my God, the Catholic Church doesn’t like trans people, I’m shocked.’ I wouldn’t say that. I think we all know that. It’s just extremely frustrating that even in a place like New York, it’s still something you need to think about.”

She added, “It feels like we’re taking one step forward, two steps back. This shouldn’t be something we’re still worried about.”

Josh Luxenberg, the Off Broadway theater’s general manager for the past 10 years, resigned last Friday, telling The New York Times that he was reluctant to serve as a “censor rather than an advocate of artistic freedom.” The theater was built in the 1860s, according to its “About Us” page, which still lists Luxenburg as general manager and calls itself “a home for adventurous independent theater productions.” Its main stage theater seats 200.

The Archdiocese of New York did not respond to a request for comment. Its director of communications told the Times that the decision reflected longstanding norms about its oversight of content shared in its buildings. The archdiocese has previously required public schools renting space it owns to hold sex education instruction off-campus.

“It is the standard practice of the archdiocese that nothing should take place on church-owned property that is contrary to the teaching of the church,” Joseph Zwilling told the newspaper. “That applies as well to plays, television shows or movies being shot, music videos being recorded, or other performances.”

“Becoming Eve” tells the story of Stein’s journey as a rabbi and heir to a prominent Hasidic dynasty who left her insular community in 2012 and publicly came out as transgender in 2015. The book became a bestseller, and she became an advocate for the LGBTQ+ community and for Hasidic Jews who leave their communities. Stein is currently a part-time rabbi at the independent congregation Kolot Chayeinu in Brooklyn as well as an activist on causes including opposing Israel’s war in Gaza.

“I did not expect myself to be at the crosshairs of the Archdiocese of New York,” Stein said.

As an adaptation of Stein’s memoir, the play “centers on a conversation between Abby, her devout father and a young liberal rabbi, as they reckon with questions of gender and faith,” according to Playbill.

“Becoming Eve” is one of at least three shows booted out of the Connelly Theater by the Archdiocese. SheNYC, a summer theater festival for plays by female, nonbinary and transgender artists, said in a statement that it has also been told by the Archdiocese that it cannot use the theater next summer.

“It’s a total shock that somehow, strict conservative ideals are dictating what can happen in a NYC theater,” SheNYC posted on Instagram. “We’re heartbroken by this loss. And we’re not going to lie – this puts us in a tough spot for our 2025 season, which is also our 10-year anniversary.”

The comedy show “Jack Tucker: Comedy Standup Hour,” a solo show by comedian Zach Zucker, who is Jewish, featuring his alter-ego Jack Tucker, was in the works to transfer to the Connelly Theater in early September for a limited run following a successful turn at the SoHo Playhouse. But the archdiocese rejected the show days before it was set to begin. Zucker had to relocate and postpone the show.

In an Instagram post announcing the new dates and location, Zucker said of the Ccurch, “Why’d they do this? We’ll never know. But what I do know is that God will never stop me.”

“Becoming Eve” is written by Em Weinstein, produced by Dayna Bloom and Brian Lee, and directed by Tyne Rafaeli. It will be in previews in March and is set to premiere in April of 2025.

New York Theatre Workshop, which is producing the play, is in the process of finding an alternate venue.

“We remain fiercely committed to presenting Emil Weinstein’s compelling and singular play, Becoming Eve, in our season,” New York Theatre Workshop said in a statement. “We are profoundly disappointed by the Archdiocese’s decision and reaffirm our unwavering commitment to produce this powerful story. We are in talks with a new venue and look forward to sharing the details very soon. We are proud to produce this compelling story and to champion its artists and ethos.”

[sharacarly]

An ultra married an Alien Mefilas?! Meet Stolas Mefilas and Ultrawoman Rouge along with their daughter, Milena. They have a very lovey-dovey relationship with them being a power couple, starting one of the Nebula M78 biggest entertainment company, Giga Satsu.

Ultrawoman Rouge (an Ultra from V393) A renowned ultra actress and singer from all around the galaxy! A very mature, yet elegant ultra who's presence steals everyone else's spotlight when she performs. But off stage, she's quite a slobby person and a big foodie trying out different types of cuisines in the galaxy. In her spare time, she does Mukbang videos and dragging Stolas in some of her food ventures. Currently she resides in Land of Light (LoL) as a singer. She started her career from being a gravure model and a adult actress in her planet. A few years later, she met Stolas in the entertainment industry.

Rouge's bio page - https://toyhou.se/21644781.rouge

Stolas Mefilas

He comes from a noble family, and the Founder and Manager of Giga Satsu. Like any other Mefilas', he detests violence and is a courteous gentleman. But don't be deceived by his good looks since he's quite fond of Rouge being a slob and they have a very uncouth love life. Stolas started his journey by working in different jobs than invading planets since he doesn't want to be an invader like some Mefilas'. Years later, he met Rouge in a AV shoot that started their relationship. He's really dedicated with the company by following the law and give the workers the freedom of their rights if they don't want to take certain projects in the entertainment industry.

Stolas's bio page - https://toyhou.se/27743727.stolas-mefilas

Milena

Their sweet daughter Milena will grow up and works as a yoga instructor and a part-time dance choreographer at her parents company.

[mooniemilkieway]

The Most Random Creepypasta Headcanons (HALLOWEEN SPECIAL POST RAHHH)

- Laughing Jack has done trad goth styled makeup because he has found fond of it whenever he sees his “victims” (teenagers…) started doing it around the 1970s and 80s. He also really loves trad goth bands such as “Flesh for Lulu” and “Exces Nocturne”

- Eyeless Jack has a blood kink….you can’t tell me he wouldn’t I know that motherfucker does

- BEN Drowned and Sonic.Exe have beef with each other and would constantly argue over a discord call about who’s the better video game mascot and franchise. Slender man would overhear BEN’s screaming and would tell him to shut up and to go to bed

- Nina the Killer’s room has a shit ton of Sanrio plushies and a wall of the Monster Energy Ultra Rosa cans and even made a gun using those cans and is hanging up on her wall

- I would like to think that Clockwork died of an infection because of her literally mutilating her mouth and replacing her eye with a clock but got resurrected by Slender Man because Ticci Toby knew her while they were in their talking stage.

- Jane the Killer lowkey had a Taylor Swift and a One Direction fan and snuck into a Harry Styles concert just to relieve her childhood.

- Sally Williams would possess a Teddy Bear and would chase around Jeff with a Knife because he would insult her stuff animals

- If the Slender Mansion was an actual thing and all the creepypastas lived there and it was a reality show it would either be like The Kardashians or Bad Girls Club

- Slender Man secretly watches Total Drama and would imagine himself being like Chris McLean hosting a deadly reality show with his proxies being contestants. His favorite season is World Tour and would hum some of the songs the characters sung

- Laughing Jack used to live in an abandoned carnival but one day and for some reason a bunch of rednecks set the carnival on fire while he was on a killing spree so for now he resides in the Slender Mansion

- Jeff the Killer is the equivalent of Eric Cartman

- If Jeff The Killer sees you with a Nirvana shirt, he would go up to you and ask you “name three songs from them”

- BEN Drowned is a SoundCloud rapper and has made multiple diss tracks on Sonic.Exe and his album covers are literally anime girls with vapor wave backgrounds because he thinks it’s “edgy.”

- Ticci Toby that kind of person to say that he’s a smoker but he only ever had one cigarette and had a coughing attack after one inhale

- Jane The Killer is a crystal girlie who has a crystal collection and cleanses them during the full moon and does witchcraft (she just like me)

[endlich-allein]

If you could describe Till with just five qualities, what would they be?

Till has many qualities, even if he doesn't always realise it himself. I could tell you that he's perfectionist, hard-working, sensitive (even if he hides it very well), thoughtful, intelligent, independent but also attached to the group, supportive, down-to-earth, full of humour (ironic and often dark, very teasing), extremely loyal in friendship (I specify in friendship because in love he's not, in his own words), very very creative (I'd even say that artistic polymathy describes him perfectly), ultra charismatic, etc

But I'll choose five to answer your question :

• Humble : Till is often described as "a humble human being" (Olaf Heine). Despite his fame, he shows a great deal of humility, confessing that he welcomes success "with a lot of humility. And it also scares me a little. It brings responsibility and extreme pressure". He also knows that he is nothing without others, without his friends at Rammstein, without his teams, without the many people he works with, and he never hesitates to put them forward, to recognise their importance and their contribution, to make them feel good and to make sure they don't need anything. As Flake says, "He never pretends to be a great artist who needs to express his deep feelings. He prefers to think about what else can be lit on stage." It reminds me of when Joern Heitmann was doing the video for "Mutter" and Till didn't want to be alone in the video before giving in and saying "Why me ? I'm not special"... Yes, Till, you are special !

• Generous : A man with a big heart, Till shows generosity in his life as an artist, but also in his personal life. As Zoran says, "Till has a heart bigger than a football pitch". Till is very committed to charities and various social causes: sick children, the fight against cancer, Ukraine, refugees, LGBT rights, and so on. He also supports young artists by offering them opportunities to make a name for themselves and by encouraging them. Till is also very generous to us fans. One of the things that means the most to him is giving us the best shows possible, and he puts his heart and soul into them, a true conductor and master of scenography. And this has been the case since the beginning of his career, as Flake says: "An effective and well thought-out stage show was always more important to him."

• Dedicated and willing : Till is extremely dedicated to his art, even if it means compromising his well-being. We've already talked about the fact that he's done a few shows while ill or injured, that he'll do anything to make his videos as realistic as possible, even if it means getting punched in the face. He puts a lot of time and energy into making sure that everything he does is a unique experience. Till is a man of action, he's very pragmatic and prefers to act rather than talk. He is able to turn ideas that were initially theoretical into tangible facts. It is no doubt thanks to this pragmatism that all his projects come to fruition with varying degrees of success. Man of action, he is also very strong-willed. Admittedly, Rammstein has no leader and Till has never wanted to take over the leadership of the band, but we know that he is an authority figure and that when he speaks out, he is listened to. He's capable of making decisions when others are still dithering. Paul said : "We are very lucky with him - I should actually kneel down every day and thank him that we have him."

• Resilient : Throughout his life, he has faced and overcome a variety of personal and professional challenges, including criticism, controversy and media pressure. From an early age, Till has faced major challenges. First the swimming school, separation with his family, long training sessions, iron discipline and intensive doping. Then came the serious accident that put an end to his swimming career and plunged him into uncertainty. The various jobs he took on, and his rebellious and provocative behaviour, didn't help him to find stability. His eldest daughter, Nele, whom he brought up alone, dropping her off at school in the morning before going with his friends to steal and sell cars on the border with the Czech Republic, and picking her up again in the evening. His career as a musician, playing wherever he was needed, sometimes bass, sometimes drums. His violent relationship with his father and their inability to understand each other. And then there's Rammstein. A band for which, despite his shyness and introversion, he occupies the roles of singer, frontman and songwriter. Roles that he assumes, despite the enormous pressure and violent criticism, for better or for worse. A band he believed in from the start, and during the second concert he shouted : "Remember the name Rammstein !" And there's everything else we don't know, many other things, and of which Paul said : "We are lucky to have a man with life experience at the front. He went through things that none of us want to experience. Very bad things, but they are useful to us now." Yes, we're lucky that you're here, Till, that you're still here.

• Authentic and unconventional : Till is someone who, off stage, is known for being himself, not conforming to the expectations of others or society. He addresses you with polite honesty, his clear gaze plunged into yours, never twinkling. This honesty is very frank, sometimes sharp but always realistic. Till shows himself as he is, unpretentious, sincere, passionate and sometimes vulnerable. He remains a simple man, attached to his roots, his family. Gitta, his mother said : "Home, that's Mecklenburg. His homeland, his roots, his source of strength." He does not give in to the commercial demands of the music industry, preferring to retain his artistic freedom. And this artistic freedom is expressed with the provocation that has always stuck with him. But this provocation is never gratuitous, it always provokes reactions and reflection. Till is an artist and a man who doesn't fit into any box, prizes and awards leave him indifferent, what he prefers is to do what he loves in his own way...

[putschki1969]

First Anime Tie-In Announced!

KEIKO’s first physical single Yūyami no uta will be released on January 24, 2024, it has been chosen as the ending theme for the upcoming three-cour Sengoku Youko anime adaptation which will begin airing in Japan on January 10.

Comment: Oh wow, I‘m hyped for this. An anime tie-in for Keiko composed by Yuki Kajiura, I‘d say that‘s pretty much a guaranteed hit. Wonder what that will do for Keiko’s solo career. The snippet sounds ultra promising.

Watch a trailer for the first part of the anime HERE! It features short snippets of the OP and ED.

【Release Information】

KEIKO NEW single “夕闇のうた / Yūyami no Uta”(Song of Dusk)

Release: January 24, 2024

Lyrics, composition, arrangement: Yuki Kajiura

■CD+DVD AVCD-61395/B ¥2,000+tax

M1. Yūyami no Uta

M2. TBA

M3. Yūyami no Uta (Instrumental)

M4. TBA (Instrumental)

<DVD>

“Yūyami no Uta” Music Video

“Yūyami no Uta” Making Video

■CD+Blu-ray AVCD-61396/B ¥2,200+tax

M1. Yūyami no Uta

M2. TBA

M3. Yūyami no Uta (Instrumental)

M4. TBA (Instrumental)

<Blu-ray>

“Yūyami no Uta” Music Video

“Yūyami no Uta” Making Video

■CD ONLY AVCD-61397 ¥1,400+tax

M1. Yūyami no Uta

M2. TBA

M3. Yūyami no Uta (Instrumental)

M4. TBA (Instrumental)

M5. Yūyami no Uta (TV size ver.)

M6. Yūyami no Uta (Special Edit ver.)

【Live Information】

KEIKO Billboard Live 2024 "Yūyami no Uta K015-018"

■March 11, 2024 Billboard Live Tokyo 1st stage 17:00 / 18:00 2nd stage 20:00 / 21:00

■March 19, 2024 Billboard Live Osaka 1st stage 17:00 / 18:00 2nd stage 20:00 / 21:00

■Price: Service area ¥9,000/Casual area ¥8,500

■Tickets: December 11, 2023 KEIKO Official FC advanced ticket lottery (→ https://tristone.co.jp/niku-chocolate/) January 10, 2024 Club BBL members advance January 17, 2024 General Sale

[lotus--petal]

MHA: Ultra Stage Subtitled Videos!

Here is a link to subtitled songs for the MHA Ultra Stage 1! I'm already working on the next show, but I'd like to share what I have so far since YouTube is giving me copyright issues -- newest releases will be on Youtube: https://www.youtube.com/channel/UCndgOagjcO8HODoyRH8KlNQ

Some videos are missing captions for dialogue pieces I don't know -- if anyone knows them, I'm happy to go back and add them in!

Enjoy!

[misc-obeyme]

wait wait wait, is it just me or has there just...never been a diavolo-centric event yet? ARE YOU KIDDING ME? and are there any other characters who haven't gotten a single event yet? like, i'm a solomon lover but damn him, barbatos etc. (or just them?) have gotten two events and then there's (supposedly, i think, idk i'm asking) diavolo and...presumably others (who i'm not aware of because i honestly do not keep up with events apart from looking for enough spoilers to see if it's worth it for me to go search up more about it, but never play it myself obviously lol) as well? like...am i missing out on something? i think i might be? isn't that unfair or is there something i was supposed to know? because i haven't seen a single SOUL ask about him so far (or am i not looking hard enough?)???

Okay, anon. This question sent me down the rabbit hole because I was like I need to look this up.

So with the help of the Obey Me! Wiki, I have determined a few things about the Spotlight events.

I had noticed that sometimes events were focused on a character, but didn't list them as being in the spotlight. For instance, the Scroll of Thirst event was very much about Solomon, but no spotlight was listed. I felt like the Chess event was also very focused on Belphie, but again no spotlight. Or the Blue Para event being mostly about Levi.

This happens when it's a Celestial Blessing event and there are outfits for multiple characters. Those events seem to be focused on those characters, as if they were having a spotlight event. But there is no mention of the spotlight and I suppose it's because they don't want players to think that there's only one outfit for that character? Either way, that seems to be the distinction.

That being said, there are plenty of events that do list specific spotlights. So with that in mind, I went through them to see who we have had spotlighted.

The results are rather uneven. The events were either a solo spotlight or a shared spotlight with two characters. Here's the breakdown:

Lucifer - 1 solo, 1 shared Mammon - 2 solo, 2 shared Levi - 1 shared Satan - 2 solo, 1 shared Asmo - 2 solo, 2 shared Beel - 1 solo Belphie - 1 solo

Diavolo - none Barbatos - 3 solo Simeon - 1 solo, 1 shared Solomon - 1 solo Luke - none

Not sure how much people care about Luke, but for the record he also hasn't had a spotlight.

I was SHOCKED to see that Lucifer only had one solo event. And inexplicably Barb has had THREE??? LOL two of them were about sports and the other one was about video games. Make it make sense.

Anyway, as you can see Diavolo has also not had one. I think you could argue that Levi hasn't either, since he's only had one that he shared with Satan.

So you aren't missing anything, it is an unfair distribution. I know it took us forever to get Beel & Belphie events. I don't know why they're doing it this way, but it's pretty dumb. I can only assume we'll eventually get a Diavolo spotlight event because aside from Luke, he's the only one who hasn't had one.

For reference, here is the list of the spotlight events in the order they happened and which characters they spotlighted. Putting it under a read more because this post is already really long lol.

Starting with events that were only in OG.

Satan: A Star for You Barbatos: Super Smash Devils Mammon & Asmo: Princess Rose Simeon: A Weird White Day

The rest of these were in NB as well.

Lucifer & Asmo: The Cursed Seed and the Fertilizing Flame Simeon & Mammon: RAD on Stage Satan & Levi: Whisked Away Mammon: Hell Marine Festival Lucifer: Terrible Time Trouble Asmo: Devil's Water Panic! Barbatos: Fangol Ultra Bowl Mammon: An A-mazing Adventure Asmo: Fabulicious Beel: The Great Devildom Outdoors Satan: Exciting Inn-cidents! Solomon: Bon Voyage! Belphie: Poison Hunting & Candy Making! Barbatos: Dust Storm Panic

[brokehorrorfan]

The Warriors will be released on 4K Ultra HD and Blu-ray on December 12 via Arrow Video. Laurie Greasley designed the new cover art for the 1979 action thriller; the original poster is on the reverse side.

Walter Hill (48 Hrs., Deadwood) directs from a script he co-wrote with David Shaber (Nighthawks), based on Sol Yurick's 1965 novel. Michael Beck, James Remar, Deborah Van Valkenburgh, Marcelino Sánchez, and David Harris lead the ensemble cast.

The limited edition set comes with a 100-page book featuring new writing by film critic Dennis Cozzalio plus archival material, a double-sided poster, six art carts, and gang logo stickers.

Both the theatrical cut and the 2005 alternate version have been newly restored in 4K from the original camera negative, approved by Hill, with Dolby Vision. The theatrical cut is presented in its original 1.85:1 with original uncompressed mono, stereo 2.0, and Dolby Atmos audio. The alternate cut has stereo 2.0 and DTS-HD MA 5.1 audio.

Special features for the two-disc set are listed below, where you can also see more of the packaging and contents.

Disc 1 - Theatrical Cut:

Audio commentary by A Walter Hill Film author Walter Chaw (new)

Isolated score option

Interview with director Walter Hill (new)

Roundtable discussion on The Warriors with filmmakers Josh Olson (A History of Violence), Lexi Alexander (Green Street), and Robert D. Krzykowski (The Man Who Killed Hitler and then Bigfoot) (new)

Interview with editor Billy Weber (new)

Interview with costume designer Bobbie Mannix (new)

Costume designs and photographs from the archive of designer Bobbie Mannix (new)

Sound of the Streets - An appreciation on Barry De Vorzon's The Warriors score by film historian Neil Brand (new)

Filming location tour (new)

The Beginning - Making-of featurette with director Walter Hill, producer Lawrence Gordon, actor James Remar, and editor David Holden

Battleground - Featurette on shooting in New York City with director Walter Hill and assistant director David O. Sosna

The Way Home - Featurette on the look of the film with director of photography Andrew Laszlo

The Phenomenon - Featurette on the film's legacy with director Walter Hill and cast members

Theatrical trailer

Image gallery

Disc 2 - Alternate Version:

Introduction by director Walter Hill

Also included:

100-page book with new writing by film critic Dennis Cozzalio plus archival material

Double-sided fold-out poster with original and new art

6 postcard-sized art cards

Gang logo stickers

In New York the gangs outnumber the cops by 5-1. Together, they could rule the city. Gang-leader Cyrus has a dream to do just that and calls a summit. The gangs of New York gather in their thousands, Cyrus takes the stage. From somewhere in the crowd a shot rings out and Cyrus falls down dead. In the chaos that follows, a small gang from Coney Island – the Warriors – are blamed. Now everyone is out to get them. On foot, in enemy territory, can they make it through the night to get back across the city to the safety of home turf?

Pre-order The Warriors.