#twilight analysis

[avoidanceplus]

Per my last posts, I want to talk more about the non-Jacob parts I enjoyed! It’s gonna be a lot of screenshots so I’ll hide it under if anyone wants to check it out

ALSO. OBVIOUSLY.. Spoilers for Nightfall by urnotmyrealmom on AO3 below! :)

This was like what, the second chapter? SO FUCKING FUNNY. I knew I was gonna enjoy this story after the chuck e cheese comment.

CLASSIC hindsight moment. i was so excited to read about her anguish and agony that was to come. genuinely

it was like 1:30am when i was reading this part and i was in my own bed unable to breathe. i LOVE the way this author wrote bella’s breakdowns and could see myself in a lot of it. the wording was always so spot on too

(comments included in this image, thank you discord)

mike was written kind flip-floppy in this version but i feel it worked, being teenagers and all. it was nice that he did care about bella but also had his own broody moments (a la movie theater bathroom scene)

WE LOVE HEALING!!!! WE LOVE GETTING BETTER!!!!! i do enjoy that as she began to lose the numbness, she could still feel the agonizing pain and was still allowed to find hope. i resonated with her here SO STRONGLY.. very beautiful. 

after this i only logged pre-transformation jake scenes and then like 2 things pre-cliff jump and one part post-volturi. i can’t fault the author, since they followed canon quite closely, for the disappointment i get every time the story progresses past the cliff jump and edward gets sucked back in. it’s just not my taste, but the way bella’s trauma was handled for the majority of the story was so amazing to read and i don’t regret a second of it

[powdermelonkeg]

Trying to figure out TP Link's diet based on his environment.

Livestock-wise, we've got cuccos and goats. That means

Eggs

Milk

Butter

Cheese

Potentially meat, but I don't think they get eaten unless they're old. Too valuable otherwise | EDIT: Oh yeah you need to breed goats every couple years to get milk. Add in cabrito veal!

And we know for a fact that Ordon Goat Cheese specifically is a thing. Stamped wheel and everything.

There's also fish

And bees/hornets(? It's called bee larva, but the enemy is a Hylian Hornet)

Useful for bait, but Link can eat them.

Did some more research, and apparently in Japan they eat wasp larvae? Specifically in Kushihara. So I'm counting it.

Then plants-wise we have pumpkins

And...corn. Somehow. I've never seen corn growing, but Link has some hanging in his house, so it exists.

I'm choosing to believe it comes from these plants that grow in patches around Ordon.

That gives us a lot. We've got

Cornstarch

Cornmeal

Corn oil

Corn shoots

Pumpkin seeds

Pumpkin seed oil

Pumpkin flour

Pumpkin blossoms

No source of sugar, but depending on how the pumpkins in Ordon taste, they could be naturally sweet. Like pie pumpkins. Also corn syrup is a thing if it's a sweet corn. So corn syrup needs cream of tartar which comes from grapes and apples and such. It's a byproduct of wine. No corn syrup.

Edit: Malt sugar, though!

Now for hypothetical foods.

Ordon is surrounded by pine trees, so that adds pine needle tea and pine nuts to the mix. I was a little worried about species, but apparently there are a lot of pine trees that make edible seeds, so on the list it goes.

Then there are frogs near Rusl and Uli's house, wild songbirds on cliffs, and a squirrel that talks to Link directly, so those are huntable sources of meat.

Is horse grass a cattail? Maybe? Initially, I thought it was—the ends look like cattail seedpuffs, but the leaves are completely different.

I want to treat them like cattails. Cattails that also are probably the main food source for Epona and the goats.

If we do that, that means, on top of all the other uses cattails have like stuffing and tinder and antiseptic, we get

Roots

Shoots

Ground seeds

Can't find a good match for hawk grass though. Concluding that that's not edible. Equivalent exchange and all.

Side note, how do you think horse grass spreads? It's almost always in groups of two or more plants, so that suggests rhizomes, but the image of Link picking one up to blow and stuffing flying out the end of the horseshoe is hilarious to me.

Up next, there are ferns, primarily near trees. After very careful and way-too-deep analysis of a pixelated fern's leaves, I think it's bracken fern.

Which is mildly poisonous.

And also edible.

On the list it goes!

Then finally, Sera has some kind of herb hanging in her shop.

I don't know what it is. I'm calling it Ordon Spice. Congratulations, Ordon Pumpkin Spice is now a thing.

[sophiamarieispinkbunny-chan]

Twilight's Habit of Observing Yor and Anya

I just noticed how often Twilight observes these two interacting with each other, the anime is inclined of highlighting this since most of these are not in the manga and I love them for that.

Look at how fond his face is when he's looking at Yor and Anya's genuine affection for each other. I think he can saw glimpses of him and his mom through them.

Yor and Anya share a true mother-daughter bond, even though they don't share the same blood. In his world as a spy, where deception and pretenses rule, Yor and Anya's genuine bond is a breath of fresh air for him. It was something that is very much real and it's something that is under his care regardless he is Twilight, Loid Forger or his true self. He was the one who united their family and I think it makes him wonder how an epitome of deception like himself can build something as authentic and genuine as this.

That face he makes, the longing warm stare directed at them. I can't explain it but his eyes are really different when he's looking at them. It's soft. Yep, this man is already into deep.

Also, it makes me wonder, judging at how often he observes these two, how could he not tell something was definitely weird about them? At this rate he must've been constantly and intentionally ignoring those😂

More Yor and Anya interacting with each other in Loid's view:

They were always so bright in his view. I think he associates the both of them as his source of light. That's just so sweet and wholesome😭❤️

[dreamsy990]

you know i used to think it was weird how sora and roxas have such different personalities for supposedly being 'the same person' but after playing a few games i sort of realized that they do have similar personalities, because roxas acts how sora does when he's under extreme stress.

compare roxas to sora in, say, kh1. that's where a lot of peoples idea of sora's personality comes from. sora is generally very upbeat and optimistic in that game. not very similar to roxas, right?

but let's switch the game and talk about a game where sora is ABSOLUTELY GOING THROUGH IT. chain of memories.

sora's resting state is melancholy in com. he only ever cheers up in short bursts, usually when he's joking around with friends. just like roxas.

he's quick to anger, and tends to lash out at the organization members. best example of this is when larxene makes him 'remember' namine, and he swings at her repeatedly, even after she's gone. he only stops when jiminy is able to snap him out of it.

you know what scene that resembles?

sora, while a bit more on the angry side and less sad, continues to act like this in kh2 when he's in stressful situations. (he also has a tendancy to insult people which, while it's not very related to the point, is very funny and sora saying 'gonna cry?' to xigbar is great.) i cant comment any further than that about kh2 off the top of my head.

so, roxas acts like sora does when he's stressed, right? but why is roxas always acting like that? to which i say, he isnt!

he only ever acts like that when he's also in fucked up and stressful situations, which happens to be a CONSTANT in his life. but when he's hanging out with axel and xion, a decidedly NOT stressful situation, he's a lot more like sora. he's teasing his friends and insulting his coworkers and joking around and acting like a normal kid. not really important, but unless i misremembered some sora lines which is VERY possible, both roxas and sora respond to friendly insults with "oh thanks!" a lot. just a funny little detail that felt relevant.

the biggest differences between roxas and sora boil down to environment and... i dont know how to put it besides volume? roxas is very quiet and tends to keep most of his thoughts to himself, while sora is very loud and expressive in comparison.

there is one other huge difference i noticed, which is less character based and more story. sora wanted to get off destiny islands and explore with his friends, but roxas just wanted routine. sora wants adventure, and roxas wants things to stay the same, for days where he gets off work and eats ice cream with his friends to last forever, to keep having conversations about nothing and watching the sunset. roxas wants normalcy, sora wants excitement. it's just interesting seeing their contrast.

not sure if this is very well said or anything i just wanted to talk about my boys

[alasse-earfalas]

Guys wait... I think I just figured out something very important about this panel.

Y'all remember how protective Twi is of his village kiddos?

Yeah, threatening Twi's village kids is like threatening Sky's Zelda. If you're smart, you don't. Because their respective Links will hunt you down and murder you in protective rage.

Now then... what, exactly, did Wild do, again?

Oh. That's right.

He hunted down Dink and tried to murder him in a protective rage.

And Twilight knows that.

Prior to all this, Twilight was more serious and stern with Wild, attempting to model Time, which Wild never jived with.

But now Twilight understands where Wild is coming from. Wild doesn't view Twilight as a mentor: he views Twilight as a friend.

As a brother. As family.

Wild has lost so much that he is murderously protective of anyone he has left. And now Twilight sees that. Viscerally, he understands what it means to go into a blind rage because that person you just hurt is mine and I will not allow it. He knows that because he's been there. And now, he knows that that's how Wild sees him.

And so now they can be brothers.

[jamethinks]

Latest chapter reaffirmed my point that Yor wants peace. Shes not as invested in the war as Loid. She enjoys silence and serenity. To her the news lacking any “important” news is a good thing but to him it’s concerning. They both grew up in hostile chaotic environments but the differences in their lives make them cope differently with the trauma.

Twilight felt helpless and constantly seeks to be in control, he also grew up in total instability and fought for his entire life, even now with a house and some sense of stability he still seeks chaos because that’s all he knows. Yor is the different, she knew peace and had it taken from her and was forced into a life of chaos so peace is more nostalgic and actually comforting.

It’s good to remember the approximate age difference between the both of them when their parents passed. As adults those few years seem minor but for kids those ages can drastically change their knowledge and memories. For context, when Twilight’s parents died he still had an underdeveloped kidney(or bladder i don’t remember). Seems insignificant but consider how he would be more likely to wet the bed than Yor, ie he would need more help than she would. (Granted he probably wasn’t wetting the bed since he had no bed)

Then of course there’s the difference in responsibilities. Twilight was alone but Yor also had a brother. That gave her an added level of responsibility along with caring for herself. That would have made her life more chaotic and anxiety inducing, constantly having to worry about her brother and his well being. For her a big news story could mean her brother was in danger or something could further complicate her life.

It’s a small detail but it really stood out to me. I’ve always considered what makes them different and how their childhoods shapes their current identity. As much as im not completely ecstatic about Yor’s characterization, there are still a few moments where they ace that difference and it’s perfect.

[whateversawesome]

Maybe I'm overthinking this (probably I am) but...

You know that scene in Code White where Twilight (while disguised) grabs a woman's leg and then we realize that this is probably a honey trap?

And then we see that the woman is asleep (or unconscious).

My question is: why didn't he just sleep with her?

I'm sure he's done it before. What's different this time? 😏

Yeah, now he's married.

Now, there's Yor.

My headcanon is that Twilight is a bit demisexual. Someone demisexual is a person who feels sexually attracted to someone only after they've developed an emotional bond with them. In other words, Twilight needs to be in love for him to want sex. I even wrote a fic about this a while ago.

In my opinion, before meeting Yor, Twilight didn't care whether he had sex with someone or not. He did whatever he had to obtain what he wanted and protect peace. Sex was just a tool, not something he wanted or pursued.

But now things have changed, and the fact that he didn't sleep with that woman is very telling. Why was he faithful to his "fake" wife? I mean, that woman was part of his mission, he was wearing a disguise and no one would ever know. So why not just sleep with her?

Could it be that he has developed feelings for his wife?

It's very subtle. Blink and you'll miss it! But his behavior has changed.

Bonus: I love how gentle he is with Yor. This man is in love with his wife.

[piosplayhouse]

Wwx is the only mxtx main protagonist who would not be a my little pony fan. But he does own a 20% cooler shirt

[helioraesol]

[Spy x Family Chapter 86 Spoilers] What I believe Twilight's unfinished thought would have been.

"...Which is why-- I'll make a world where that won't need to be true."

Twilight has built up this reputation of being the perfect spy who can put aside emotion and feeling for the sake of the mission. Yet with Operation Strix, it's the first time that a sliver of his real self behind the Twilight identity he has became, buried deep within his subconscious, is forced to shine. And it's this dim light peering through the walls of his heart that, for the first time in his career as a spy, inadvertently ends up helping his mission. Operation Strix progresses when the hint of real feeling is allowed to take control. He's so used to being the perfect spy who never gets anything wrong and never lets his emotions guide him. Yet, when he acts as Twilight, the man who puts his goals above all else, it strains the relationship between himself and Anya and Yor, and by consequence, the mission.

There's a reason Yor's smiling face is front and center in the panel. He's thinking about her. The mission to capture Winston Wheeler is the first time Twilight gets close to acknowledging that she has affected him. But he's never able to outright say it, because if he did, then that would completely shatter the mask he's worked so hard to maintain. Yet, instead of unpacking the Pandora's box that are his feelings, in his conversation with Nightfall, he re-frames his decision to avoid the reality that the Twilight mask is slipping.

It's at this point that even if Twilight himself doesn't recognize it yet, it's clear he's fallen for Yor. The Yor who is incredibly dense. The Yor who is a terrible cook. The Yor who gets easily flustered; who doesn't understand how to be "normal". That Yor.

Twilight has been with countless women for the sake of missions before. Undoubtedly, he's been with some of them far longer than he has with her. They're certainly not perfect either. So what makes Yor so special? It's because, for the first time in his life, he's able to be his real self, even if partially. And that is terrifying for him. He believes it's a weakness, and in a lot of ways, he has a point. His job is too dangerous for letting his feelings get in the way. And yet, it's those feelings of his that help him advance Operation Strix.

He doesn't want the imperfectly perfect Yor who means too much to him now to go. He will build a better world for her sake.

[silvrash-797]

Some favorite things about the new lu update!

These guys:

They're brothers. I love them 💗

Wild is all of us authors, trying to figure any timeline of anything out 🤣

Time's face

'Nuff said 😆

Four still looks so sad; theres something on his mind about that crystal and I wanna know WHAT it is

And finally, Wolfie's face 🤣🤣

I know Jojo usually doesn't color Twi's eyes in wolf form, so his expression is an exact match for the LAST time Wars made a dog joke

Art credit goes to @linkeduniverse!

[lintwriting]

How to Write a M/M Romance: Scum Villain's Bingqiu

Where Masculinity and Teacher/Student Intersect

Teacher Student Romance is the APPEAL, NOT a Plot Convenience

Easily the most problematic part about Scum Villain (beyond the dubcon papapa to save the world) is the teacher/student relationship baked into the main romance of the work—the one between Shen Qingqiu and Luo Binghe. Not only is it pervasive, it's not even brushed aside for the reader to forget about, the way the problematic aspects of other medias often are.

In fact, unlike the way age is brushed aside in fantasy dramas that have "teenage protagonists" for marketing reasons, such as The Vampire Diaries or Re:Zero, where the age is only there to draw in a teenage audience and otherwise the characters act like young adults, Scum Villain's Teacher x Student is purposely highlighted in a way that makes it clear that the dynamic is part of its main appeal.

For one, Luo Binghe's main form of address for his romantic partner is "Shizun," calling him teacher in a super respectful, almost worshipful way. This is the opposite of weakening the unbalanced dynamic. It's elevating the Teacher/Student power imbalance (in ways that make the reader suspect it's a kink thing for Luo Binghe LMAO).

For two, Shen Qingqiu is cognizant of how bad it looks to be called Shizun in a romantic context, feeling textually weirded out when it happens during romantic relations. Despite this, most of the ways he shows affection to Luo Binghe are very paternalistic (milf-coded), such as scolding him in fond exasperation or kissing him on the forehead like a father. In addition, Luo Binghe is specifically noted for not having older male authority figures in his life other than Shen Qingqiu, as his adopted mother was a single woman and his bio father could not care less about the son his late wife gave up her life for (seemingly for no reason, BUT I'll get to that in a different meta) (AND despite ample evidence that he CAN be a good father to Luo Binghe's cousin).

And while one aspect of it is that the Shizun/disciple dynamic is a genre-wide trope thanks to the influence of the early work, The Return of the Condor Heroes, wherein the Confucian taboo of the teacher/student romance is a source of tension and excitement within the novel, I wouldn't say that that's the whole of why Scum Villain (SVSSS) emphasizes the teacher/student romance.

Why are We Hot For Teacher: Return of the Condor Heroes vs Scum Villain

For one, within Return of the Condor Heroes, the romance is between a male student and a female teacher (because it's a het novel, lol), but SVSSS is a BL novel and wouldn't necessarily need to play into such tropes to create this "taboo"-evoking tension.

A lot of BL novels already play into the way being gay is marginalized or frowned upon to accomplish this, for instance, SVSSS's author's latter work, Mo Dao Zu Shi (MDZS) (The Grandmaster of Demonic Cultivation), wherein the main character has compulsory heterosexuality.

For two, the dynamics of the Return of the Condor Heroes is playing with heteronormative ideas about the roles of men and women in romance. It's notable that the student is the male lover, and the master is the female lover in this relationship, playing with non-traditional ideas about who is submissive and who is dominant—while simultaneously using it to reaffirm traditional pursuer/pursued dynamics.

This male pursuer/female pursued dichotomy is not usually explicitly stated within media as that can seem sexist and clunky, rather it is usually implicit and portrayed through various contrivances. Xiaolongnu is a "cold beauty" who therefore must remain pure/aloof, which is accentuated by her role as a teacher, and while she is "dominant" as the teacher setting the terms for their relationship, it's mostly to emphasize the lengths that Yang Guo, the student, would go to pursue her. He becomes extra romantic for pursuing her while accepting her lead on choices like separating for 16 years.

In addition, the teacher/student relationship is a contrivance that affirms society's implicit bias about gender by giving textual, non-gendered excuses for the man to pursue. In this case, it would be an abuse of a teacher's power for Xiaolongnu to make the first move. Thus, traditional gender dynamics where men are the ones pursuing women are reaffirmed without making clunky statements about gender, even through nontraditional dynamics like a teacher/student relationship where the woman is dominant.

But, again, SVSSS is a BL, so the two main characters are both men, meaning there is no societal answer on who should be pursuer and the pursued. However, it is notable that SVSSS does play with this same dynamic of "cold, aloof teacher" and student who would go to extreme lengths to pursue them, while also purposely describing Luo Binghe as the "peak of masculinity."

This is where we start getting into SVSSS's intersection between Masculinity and the teacher/student relationship.

Because while although Condor Heroes uses the teacher/student relationship to affirm the heteronormative dichotomy of the male pursuer/female pursued, SVSSS's usage of this dynamic is in service of satirically demonstrating the "acceptable" avenues of affection when living as a man (since there's no women, and they're both men lol).

Teacher/Student Romance as a Way to Escape Restrictive Masculine Gender Roles

Teacher/student dynamic is a huge aspect to SVSSS because it’s a way to escape the masculine gender roles critiqued within the work. This is on the face of it obvious. Shen Qingqiu lets Binghe act bizarrely clingy under the assumption that he’s merely taking care of a filial or needy child. The understanding that "masculine men have to be straight" and the understanding that "Binghe is the most manly person within the novel as the stallion protagonist" intersect to ensure that any affection between them is strictly platonic, which is a double edged sword.

Because Shen Qingqiu allows Binghe close to him with the reassurance that Binghe HAS to be straight (a surprisingly common way for straight men to interact), that means that as Binghe ages, his access to affection will also get cut off, since he's supposed to be aging out of the role of a clingy student and into the role of stallion protagonist.

This is even grafted onto the scum villain/protagonist dynamic, as exactly at the point where Binghe's on the cusp of becoming an adult, Shen Qingqiu is forced to be the opposite of affectionate and become the villain by throwing him down into Xianxia hell. Which, to him, means that he's killed his baby student and replaced him with a stallion protagonist out to take him out.

So when Binghe becomes an adult, he loses access to affection along two axises within Shen Qingqiu's mind. The first being that he's now vengeful stallion protagonist out to get him throwing him away, which is the explicit reason Shen Qingqiu rebuffs him. And the second being that he's now a straight adult man who isn't supposed to get affection from his old teacher, which is also a factor.

This loss and transformation into a protagonist causes him to become insane to almost comical proportions, indiscriminately killing people and so distraught that at any point he's liable to self-destruct—all because he's constantly being rebuffed when seeking affection from his teacher, who thinks he wants to take him out for throwing him into hell. It's notable that any time Shen Qingqiu rejects him, Binghe lashes out in an almost stoic anger, rather than with the vulnerable crybaby tears that Binghe used as a kid. All this is highlighting the consequences of toxically masculine gender roles—where a severe lack of emotional vulnerability creates only violence and status as ways to express yourself, leading to severe emotional issues.

Now this is where it gets to the satirical aspects. Because all that before is pretty angsty and not very funny, but Scum Villain is a comedic satire. This is because it's not from the perspective of Luo Binghe—it's from the perspective of Shen Qingqiu.

The Point of Scum Villain's Meta

To all of this, Shen Qingqiu is totally oblivious, as he is still under the impression that everything was platonic. Which I'd argue he SHOULD be, considering that Binghe was a young student in his care that he was only trying to groom into being nice, person not into a sexual relationship 💀💀. Now, the ethics of fiction about raising your spouse is a whole other issue outside of the scope of this discussion, but within the universe of Scum Villain, where we know his intentions, he gets the pass from me!

The reason Shen Qingqiu is oblivious is because one, as the most terminally online hater on the Internet, he's read about stallion protagonist Luo Binghe way before transmigrating into the story. And the Luo Binghe of the original story was a miserable sack of shit who got an unhappy ending despite being the peak of what masculinity "should" be.

A harem of women to show his virility, a stoic facade, and a constant stream of face slapping for hundreds and hundreds of chapters. He's an alpha male to the point of farce because Airplane needed to appeal to the lowest common denominator of teen boys on the internet—Andrew Tate's main demographic. It's not just a satire of YY novels—this, too, is part of Scum Villain's critique of toxic masculinity.

The second reason Shen Qingqiu is oblivious is because he's homophobic, sexist, heteronormative, etc. etc. etc. He was an INTERNET TROLL for a reason. And while people like to joke that he was a feminist king on the forums, I feel like it's more in line with the themes of the story to take him reading this schlock at face value because it's part of Scum Villain's trap! Anytime you feel like complaining about Scum Villain's hack writing, you're one meat bun away from an uno reverse card. The instant you start complaining, the author can hit you with a "Cucumber-bro calm down," and BOOM you're done! Never comment again!

And this is so effective because none of us want to be an un-self-aware, terminally online, trash-reading hater like him.

So, the satire of the novel is taking this kind of guy—both the Andrew Tates of the world and his basement dwelling followers—and wondering "Would gay sex fix them?" And the answer is YES, WHICH is HYSTERICAL to play straight in a romance like this. It's "Fellas, is it gay to like women?" but make it into an actual romance.

On a thematic level, being gay is indeed antithetical to a masculinity that upholds having sex with tons of women as the ideal, so it's doubly poignant for this closeted gay man to realize that the only thing he needed to do to live was to accept himself and the people around him by giving up his need to fit them into boxes—both on a meta "they're not fictional characters to him anymore" level, but also on a "toxic masculinity shouldn't define us" level.

Climaxing

The old Shen Qingqiu is dead. Long live Shen Qingqiu. Gay sex to save the world. Luo Binghe is back to his crybaby self. All is well in the world.

One thing I love about this teacher/student romance that it portrays Bingqiu afterwards as really happy and in love. Logically, nothing about that makes sense — 45 year old stepfather marries 25 year old stepdaughter from a bad home who idolized him, even while he acts like he's embarrassed to be around her and encourages her helplessness—but it makes perfect sense because it's a perfect marriage between all these different layers.

The "bird leaving the nest" conflict

Qingqiu is allowed to be affectionate with a scary adult Binghe because Binghe can be both a clingy student and an adult

2. The scum villain/protagonist conflict

Binghe never wanted to kill Shen Qingqiu, only to be loved by him.

3. The comphet conflict

Binghe never intended to go out and get a harem of women as a sign of masculine status, he just wants to be gay with Shen Qingqiu.

4. The "should I treat them like real people or fictional characters" transmigrator conflict—

Binghe is a real person separate from the character of Luo Binghe because he's no longer that unattainable masculine ideal—he's human and happier for it.

All solved with a student/teacher relationship in service of critiquing toxic masculinity. Now that's economical writing!

(I love the inclusion of the original Luo Binghe meeting them in the Extras, and that Luo Binghe is pretty evenly matched with him. I feel like the idea that someone "is automatically stronger with the power of love, and therefore that's why love is better" is pretty shallow, as it plays into the toxically masculine idea that strength is all that matters. Luo Binghe may not be stronger than the toxically masculine ideal version of himself, but he doesn't feel the need to be because he's happy the way he is. And his ideal self is jealous of him for that—not vice versa.)

On their own, these resolutions would probably still feel as creepy as Lolicon, but in the context of critiquing masculinity, it makes a lot more sense. Masculinity, I think, fascinates as a writing tool because there's a lot of mini tools baked-in its structure, like Shen Qingqiu's comedic plausible deniability thing, as well as assumptions about power.

For instance, since Binghe is quite literally the God-emperor of his world, it feels more like a kink thing for him to call Qingqiu Shizun, and not like he's actually less powerful than Shizun in their dynamic. His bouts of learned helplessness come off as traditionally feminine Sajiao, NOT like the learned behavior of creepy pick-me pedophilia. It's like a cat showing its belly, because we all know it's a murder machine showing its vulnerable side out of trust, not because it feels the need to degrade itself. So, while his behavior emphasizes the Teacher/Student imbalance, the reality is that he's doing it mostly for kinky reasons and that the two of them are on a pretty level playing field. It's extremely funny when people joke that he and Qingqiu are the same age due to all that time Qingqiu spent dead, because they are Not Wrong.

Problematic Kinks

Romance fiction is usually about ways to get certain needs met in ways that would never be possible in real life, which is why a lot of it is problematic. Virginity kink is not about real life virgins, but the idea that your partner is guaranteed to think you're competent in bed. Bodice ripper stories do not reflect the reality of getting raped, but is more about the idea of getting sexually satisfied with none of the shame of "being slutty" for desiring sex, since it was "against your will." Or they're about controlling the fear of getting raped within this safe romantic fantasy where everything turns out all right. Or various other things because kinks are personal.

Shen Qingqiu is the perfect example of this, where he functions as a great insert for female readers who might have shame around sexuality, since he's a "prude" without actually being one, hence his parallel with Xiaolongnu. Instead, he's just comedically under the misconception that he's straight or that Binghe's only platonically in love with his teacher—that's why he's always ashamed and putting on airs. It's a comedic/unrealistic version of comphet, so you don't gotta think about purity culture while reading your silly little stories.

And Luo Binghe is the self-insert fantasy of readers with daddy issues. His strict father who criticized him all the time actually secretly thought he was the bestest-westest, most handsomest boy in the whole wide world, and there was a secret understandable reason he had to be mean to him, and he secretly loves when he acts like a crybaby because that just means an excuse to pamper him.

And while in real life, many of these would be incredibly dysfunctional—within fiction, we can make these fantasies work anyway. If your romance manages to hit at one of these underlying desires in a fantastical way, you've got a hit with one audience of people! Whether that be by making them EVEN MORE dysfunctional (papapa to save the world) or by having them somehow communicate it out into a healthy dynamic (the extras, presumably).

All this to say, if you're a man frustrated with your love life, all you need is a gay, milf-y male teacher to ruin your life.

[avoidanceplus]

Spent all last night and this afternoon after my drive home reading Nightfall by urnotmyrealmom on AO3 and I have to say I can’t believe I loved it so much and was still so disappointed :(

Like it astounds me how people can write Jacob to be so perfect, full of light and beauty, and write Bella as reciprocating so heavily, even while damaged.. and then turn around to go with Smeyer’s own shitty excuse that being a shapeshifter/werewolf would make him so irrational and angry and terrible. 

I go in depth past this so if you WANT to read my opinions, go ahead. I don’t dislike the author at all either! After all, they did write so many amazing scenes that I genuinely want to draw art for and maybe my own drabbles to go with them to fit my own taste.

Like reading this? How can you write her being so effortlessly happy with Jacob (pre-transformation) and then still go with a canon-compliant ending?

Even more...... this is so so SO pro-Jacob, so beautiful. (Still pre-transformation, I know)

One of my favorite scenes... ^

This is the last screenshot I took before the transformation, and I didnt screenshot anything from that either because it was all so depressing and downhill half the time. There were great parts after Jake got her to remember, especially with the Emily stuff.. but once it got to the cliff jump it all sank away.  I’m very sad that Jake coming in after Bella when Alice was at her house wasn’t included and he instead showed up a few days later for the phone call scene.

And then this broke my heart :( I don’t like that imprinting was made into a conflict that drove her away, making it to be something that WOULD happen and happens to them very soon after they transition and not a very rare occurrence (though it wasnt that rare in the series I guess). I WISH she had kept her disdain and anger for him, instead of continuing to fight for the hallucinations and running straight back to him.  Especially since there were the underlying tones/writing of something terrible happening to her as a child and the severe abandonment issues that both of the boys mirrored, I feel like a comparison could’ve been made with the two boys’ and how they both handled abandoning Bella differently showing how one was handled SO MUCH better than the other’s (in my opinion, Jake’s. While treating her terribly, he was advised by his dad and Sam that it would be better that way, but the parties admitted they were wrong to do so and Jake fought to get around the gag order and bring her into his side of the supernatural and make up for breaking his promise) and how the other was as unforgivable as the inciting event because nothing was actually done to rectify it and instead was glossed over and forgiven because “I can’t live without this shitty rich vampire that doesn’t trust me to think and do for myself and has a shitty claim on me” with the excuse that the other party’s shitty claim on her was worse? I’m just rambling like an idiot at this point but what I’m trying to say is I hate reading Jacob’s character get assassinated even when so much was added to make him even better.

[a-bit-too-much-of-a-zelda-fan]

This is one of those moments where Twilight Princess feels like a modern (for the time) successor to Ocarina of Time. Not in the superficial ways that everyone cites, but by using the camera to flesh the subtext of Link's emotions.

I wish I had screenshots of it, but I'm thinking of the scene in OoT where Link returns to the Sacred Forest Meadow as adult and the camera lingers on the stump where Saria used to be. The camerawork serves an obvious purpose: make sure the player knows Saria is missing. But it also serves to give a glimpse into what Link is thinking. He is dwelling on the fact that his friend is not where he expected her to be. He feels the passage of time, that things which used to be certain no longer are. This is something that would be lost if the camera didn't behave the way it did.

Twilight Princess is a lot more generous than OoT generally when it comes to showing Link's emotions. It may be due to the limit on his facial expressions as a wolf, but it is difficult to parse what he is feeling here at first. But the camera could have focused on Colin the whole time. Instead, after he says his bit, it switches to Link. It reminds the player that Link is there, but it is also telling the player to think about what Link is feeling while he witnesses this.

(actually, my screenshots don't do justice to the scene because after Colin says the first bit, the other characters silently react in their own ways before he finishes and the camera switches to Link)

Midna says something afterward to the effect of "wow, sure sucks that your friends don't even know you're there and won't remember that you saved them." And yeah, maybe that is exactly what Link is thinking. But Midna is also an unreliable narrator, at least in the beginning. She's selfish and looks down on Link for being as kind and selfless as he is. She might be projecting onto him. What if that's what she would feel if she were in Link's position?

I think there's truth in what she says, but I think Link has more going on up there here. He reflecting on how he is watching his timid young friend hold onto hope and comfort a girl who is normally not particularly kind to him. He's proud of Colin, but is upset that he can't show it. Plenty of other times in the game, Link shows his affection for Colin through just a simple smile, which the younger Ordon kids hardly afford him. Link wants to smile at Colin, but even if he could be seen, he would be a terrifying beast to him. But hey, maybe I'm projecting.

[sophiamarieispinkbunny-chan]

Loid "Cannot be separated to his wife without missing her for even just a couple of minutes/hours" Forger

This man didn't even touched his cake since he's waiting for his wife to come back so they can eat the cake together while Anya is already devouring her piece 😂😂 It's sweet for him to have this habit that he eats when Yor eats as well. What a husband attitude. And did you see how he defended Yor's innocence in this chapter?

He always gets so defensive when it comes to Yor, since Camilla's party, he defended her in front of her coworkers, in the Eden interview when Swan badmouthed her ability as a mother, he defended her and he was genuinely upset with the way Swan embarrassed his wife, when Nightfall said that Yor's being uncooperative and she should be replaced as his wife, his tone and glare changes into a defensive demeanor. Loid always comes to her defense without missing a beat, and he wasn't calculating those reactions, he did these without the mission on his mind.

This man is already slowly falling in love with her from the very beginning and I think by the time Yor's secret would be revealed to him, not even her real identity as a killer would stop him from being with her for he's already and irrevocably down bad for her

[majorproblems77]

LU Update! So welcome back to the analysis corner with me!

We have another LU update! Called Moving forward we see the heroes leave the town and make their way to the location that Sky found. With learning a little more about the team as a whole.

With 10 pages there's a lot of information to work through so I hope you are sitting comfortably

As always Linked universe (LU) belongs to @linkeduniverse and Jojo, I own none of the pictures I'm using and please give the original post some love. It's very well done and I love this comic so much.

You can find the comic here!

And as always there are spoilers abound for the most recent update!

Now sit back, grab some water and snacks and let's do this!

So before we get started im just gonna say that the brain cell is pinging around this lot so much that I'm bound to miss some stuff. But I shall try my best to get everything I wanna say said.

It was only some of you, captain, dont forget that.

(Oblatory look at my blorbo picture, he's so sweet. Blorbo blorbo blorbo)

Okay I'll behave this time

(No i won't)

I can understand the concern from the captain, as a captain from the army during a time of war secrets are dangerous. He's probably thinking if Twilight has concealed this what else has he concealed.

And then we get snarky wars again

I missed the snarky captain, he's wonderful.

Also the line about double duty, Come on captain, you know full well that patrol is an important part of a group dynamic like this.

This also confirms that the group have had encounters with monsters outside of what we've seen. As the line from wars about missing fights implies that they've fought a bunch of stuff. But we've only really seen wolfie in a fight back in the sunset arc.

Twilight fondly mentioning Midna, I'm so proud of him.

These two are the goddamn brothers ever and I love them dearly. Also, the knowledge we are about to be given about how this works is very exciting.

The brothers ever

All of them

Twilight thinking Wild had more than two brain cells. I love him. And the hug? The hug gives me life.

Also the captain, the captain is a point to talk about here. This feels like an accusatory sentence. The "You dont say?"

Me trying to figure out how time travel works in LU.

Legend, why are you so grumpy about this? Like he looks angry to hear this.

Four thinking about the implications of this sentence. I can literally hear the brain cell bouncing as it pings from hero to hero as they try to figure out this time travel thing.

Wind is a small bean as well look at him. The youngest I love the eyes.

Ahh, so thats the explanation. A spirit wolf that helped guide him on his journey which he trusted so much that he thought that the wolf he saw here was just another spirit until twi changed in front of him.

But this line from him is so sad. "Right after my resurrection" and "we both would have known the grave." This feels like as a person wild is at peace with it but doesn't want others to have to go through what he did. He's a chill dude and i love him for that to be honest.

Meanwhile, my blorbo Sky is out here trying to get actual work done. This is 10/10 the sksw dousing experience if you've not played it. You just swing the sword around while it pings at you until you eventually find what you are looking for.

Fi is trying her best.

Lads all of you need to remember that not all of you have had things that perform transformation magic. Im surprised (But also not surprised) That Time doesn't have anything to say about this. Like my man has used a tone of different transformation masks that change him into various different things and has one that turns him into a god.

The magic users ganging up on the non-magic users, like please behave.

Ahh Time, Time is the disappointed old man that has to coral a bunch of kids. And Wild is like the most kid of them all. (Tell me why I'd love to know! :D) (Which makes sense if we take LU to be at most a few months after the end of his game. Wild would be 18 at most.)

the sort of conversation you dont want to involve yourself in Time trust me on this one.

JUST SOME GUY WILD JUST DESTROYED TWILIGHT OKAY RIP

Feels bad for twi man he earned that title and to have it reduced to just some guy.

Wild is gonna get told off by Time if he ain't careful, that's his blood descendant right there and we all know he has a soft spot for him.

This is important, because I'm pretty sure most of them did at one point.

Another thing that appears to be a constant amongst the team is the need to conceal an identity. Either from them or them to others.

I'm not versed in all of their games so I can't go into full details but these guys ain't the only ones. Pretty much all of them have. The spirit of courage does love secrets, doesn't it?

Thats my blorbo and he's so sad help he

Blorbo blorbo blorbo

Give him a hug and reboot Fi and it'll be fine.

To echo the words of Time.

Curious.

Now this depends on what exactly Sky was dousing, was he dousing the portal, the helmet outside the portal? The postman even?

My money is on the helmet outside the portal, so that Dink came back into this timeline to retrieve it before leaving. But I may be incorrect on that account because Fi is able to track people as well as objects (Sksw would often have you tracking Zelda directly)

OHHHH

I was wondering how they were going to do it. But with Twilight able to track it they'll be able to use a combination of dousing and him sniffing out Dink's scent to be able to find him no matter where he might be.

It's so distinct, twilight you know by saying that you're gonna have some of these guys asking questions. Just wait for the next campfire story time it's gonna come up.

I can see Wind and Twilight having a conversation like this.

"What does Dink smell like?" "What?" "You heard me."

Oh he's so excited look at him!

Oh four.

I wonder if we are gonna have a four and Twilight conversation about this, with four's past he's understandably worried about the use of dark magic in one of his friends.

Oh come on legend lighten up, the child has never seen something like this before.

I'm glad Hyrule is coming in for his defence and all but 5 minutes ago Hyrule you were with Legend and saying to Wild that there's a load of items that do it.

Why is wind just so wonderful?

Look at him go!

Thats gotta be Wind, He's been so excited about this I can't see it being anyone else.

Bark Bark!

Wolfie beloved.

Im here for more brotherly content from the team, they are wonderful.

Now lets go find us a Lizard, or iron knuckle or whatever he transforms into next.

And thats all from me! I loved this update and there was so much to unpack I know I've missed stuff! But I hope you enjoyed it! :)

(Also apologies for spelling mistakes I'm sick rn but wanted to get this done)

Have a great day!

[jamethinks]

One of my favourite arcs in sxf is the bus hijacking arc because it really shows what makes Anya such an amazing character and it uses her powers in one of the most intuitive yet interesting ways. In previous storylines we normally see Anya in dangerous situations with her parents (or Bond) and it often overshadows her abilities, they more or less play a narrative role keeping the audience fully aware. Also Anya is a combination of both of her parents (despite them having no influence over her personality).

She's perceptive like Twilight and reactive like Yor. When she is with her dad he normally knows just as much as she does because of his deductive and inference skills. When she's with her mom Yor acts the same way Anya would regardless of the amount of information she has. It seems at times Anya only reacts the way she does because of the presence of her parents but the bus hijacking arc really shows that it's all Anya and just how amazing it is.

While everyone (and i mean everyone) is panicking and worried about the whole situation, Anya is unbelievable calm. She knows that they are not actually in any immediate danger, that the people orchestrating the kidnapping are not actually going to hurt them, namely the front guy who just wanted to avenge his daughter. But Anya is literally the ONLY person who knows that, nobody in or outside of the bus is aware of that fact. If Twilight was there he would have already called bullshit and Yor would have beaten their ass no worries so it would make sense for Anya to be calm but here we see for a fact that Anya's lax reaction to dangerous situation is not actually because of her parents, she's just chill like that.

And it's good to remember Anya was only so calm because she wasn't in any immediate danger, there was still a looming sense of anxiety over what would happen next but in the moment she knew was safe. Not because her parents were there but because she saw right through their bullshit.

But we also get to see just how anxiety inducing Anya's powers can actually make her to the people around her. Her parents are used to dealing with fear so their reactions to Anya are far more subdued and their able to act rationally even when she is seemingly not. But here no one is acclimatize to this kind of situation and Anya just comes off as reckless, ballsy and selfish. It's aggravating to the people around her but they also have no choice but to rely on her because well she's the only one with balls on the bus. It creates such a tense environment that highlights just how unusual Anya is and how abnormal her behaviour is.

I'll have to make a separate post talking about the end where she cries to Yor bc that's a whole other conversation. Just cannot wait to see how they butcher this arc in the anime by completely missing the point for the sake of comedy hohoho