#twelve/origins

[camellia-salazar]

January's Set of Fan Art/Doodles

OH GOD I ALMOST FORGOT TO POST THIS!! Good thing I just remembered before it was too late. I didn't get to draw and post this the day of but at least I got to post it before January ends.

I also tried to match the art style just like with other characters from other shows and stuff.

The set of Kindergarten fan doodles took forever to finish. It also felt forever getting back into the game. Idk why I put it off for so long I loved the game so much back in 9th grade.

Shit I failed to change the Hexley twin's sleeves back to long hhh

Characters from my January interests (besides Willow I just wanted to draw him). 4 characters I drew because of reactions, 3 because I got into them myself, and Alastor for both and because I'm also watching Hazbin Hotel with my parents and sister. Also I miss Geologist Randy, ngl. 🥲 And I didn't even watch 101DS yet I'm watching the 90s show first and there's like 65 episodes 💀 AND THE SECOND MOVIE AFTER 😭 idek if they matter for 101DS

I just felt like drawing them. Probably my two most favorite villains of WC. They were also the two most heart broken. Huh.

Just a quick draw of Hollyleaf (or Hollypaw cause of no scars). Nothing much to say on it I just drew her, just because.

Thanks for viewing my fan art! Hope you had a great January 2024!! 💖✨👋

Read more down below if you want to ⬇️:

Oh and I also drew Warrior Cats x Hazbin Hotel AU. I had a blast with that, so if any one wants to see it let me know. (I also made a Warriors x BJHM AU a while back, not as proud of it as I am of WC x HH but I might show you that one before the other one just because its older).

There was gonna be another page of fan doodles but my tablet died and I don't think I'll have enough time to finish it when it's charged before midnight (my fault for putting it off tbh). So I'm gonna post it for February. Thanks for waiting on me to post it. Man am I hooked on new content this month and probably next month too. Can't wait to watch em.

I got a few sort of new fan art that I'll post next month just because I want to put in tags for them.

But anyway thanks again! Cya in February!! 💖✨👋

(curse the tag limit... Why couldn't it be 50 tags instead of 30?)

[skyfirewolf]

Imp

[queenbread]

UPDATED INTRO

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name: BreadQueen (Bread, QueenBread, etc)

I have AuDHD among other things, please be patient and straightforward with me

age: 16-26

interests: indie shows, music, writing, art always hyperfixating on something new

Petpyves fan

Fixations/special interests: gravity falls, citizen soldier, twelve/origins

Ask about interests, rambler.

DNI: NSFW, v*re, ableists, any sort of discrimination

extra: Writer and rper, just posting anything and everything

Send asks and questions about me or my OCS!

#BreadQueenOCs I will post all my ocs under this tag soon

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(I have an unhealthy love with these userboxes but they're so nice to communicate stuff that's hard to say and pretty)

[noughticalcrossings]

Put thee not on Silent

[ID: A 4 panel comic made of digital paintings of a zoom meeting between the knights of the Round Table.

Sir Galahad, Queen Guinevere, Sir Gawain, Sir Lancelot, Sir Bedivere, have their own individual screens, and one screen shows a conference room with King Arthur, Sir Mordred, and others who are not named.

Both Sir Lancelot and Queen Guinevere have their cameras turned off, and microphones muted, the entire time.

Panel 1 shows King Arthur with a few of his knights, with Sir Mordred brooding beside him in shadows, and a hand reaching from offscreen to steal snacks from a bowl.

Sir Galahad has his microphone muted, and is in a forest, looking up and to the side. He has brown hair up above his head and very pale skin.

King Arthur asks, "Sir Gawain, canst thou see the PowerPoint slides?"

Panel 2 shows Sir Gawain, who has brown skin, black hair, green clothes, and heterochromia, with one green eye and one dark, replies, "Verily I cannot, I think it be a miasma of the sight."

Behind him for the background is a section from the Green Knight manuscript, showing faded lettering and a green knight on a green horse standing in front of someone with a large axe while a crowd of spectators watch from the sides.

Sir Galahad's screen is now slightly motion-blurred, showing a reddragon's open mouth in front of Sir Galahad's face.

Panel 3 shows Sir Bedivere, labeled Tech Support, who wears a blue shirt and a plumed knight's helm, looking exhaustedly into the camera, pushing his helmet visor up with one hand. He is lit by blue light and has bags under his eyes, asking: "Hast thou sharest the screen?"

His background is of a library. Sir Galahad's screen is now taken up by the motion-blurred side of the dragon that is attacking him.

Panel 4 shows Sir Gawain turned slightly to the side, looking derisively at the camera, saying: "Yea, but I cannot hear Sir Galahad."

The only thing left in Sir Galahad's screen is the motion-blurred, spade shaped tail tip of the dragon chasing him.

End ID.]

Description very kindly added by @describe-things

[morganbritton132]

Want to make a minor adjustment to my Steve With Much Older Siblings post from yesterday. I think it’d be a much more interesting dynamic if he’s actually their half sibling from an affair.

Their father had an affair with his secretary and then married her when she got pregnant. It broke up their family and they blamed Steve for it for years.

When they stayed over for their weekend with Dad, they were either outright cruel to him or pretended he didn’t exist. When they were old enough to stop coming over, they did. It’s only after growing up and maturing that (most of) his siblings were able to acknowledge that Steve was never at fault for their family breaking up.

They tried to mend their relationship with him, especially after realizing how absent his parents are, but by then Steve was old enough to build up his own resentment. It’s an uphill battle.

It’s a lot of actually coming around for holidays and a lot of teasing when they do. It’s actually picking the phone when the hospital calls, something that’s happening with increasing frequency.

Steve has never asked any of them for anything until one day, he shows up on Richie’s front porch smelling like death and gasoline. He’s got blood drying all over him and is visibly shaking, and Richie thinks that he’s been hurt in the earthquake but Steve barely acknowledges the concern, “I need you to represent my friend.”

“What?”

“You’re the only lawyer I know, and -“ Steve takes a big shuttering breath. “They’ll kill him, Rich. He never hurt anybody but no one will listen. They’ll lock him up and it won’t be fair, and Dustin can’t… I never ask you for anything but. But I need…”

“Eddie Munson?” He asks incredulous. “You’re friends with Eddie Munson?”

[queenbread]

So you're telling me you're losing interest in cotl...

SO YOU'RE TELLING ME ITS THE PERFECT TIME TO DRAG YOU INT MY SPECIAL INTERESTS

Yall im losing interest in cotl kind of

Anyways take this dumb cotl comic I made of Sassparilla (my cotl oc)

GIVE ME IDEAS IN WHAT TO DRAW PLSSSS!!!!

[melannen]

Dracula cross-stitch sampler pattern

Since I've had time on vacation, I finished up a cross-stitch pattern I started a year ago in the first Dracula Daily round, based on the words Dracula uses to greet Jonathan Harker when he comes to the castle: "Welcome to my house. Come freely, go safely, and leave some of the happiness you bring".

I wanted a sampler for my front hall, but all the patterns I could find were very Hot Topic Goth. Nothing wrong with that, but my goth aesthetic is more "creepy thing found behind the wall in an old attic", and I wanted a pattern that my aunt wouldn't realize was anything out of the ordinary. I was looking around for inspiration and stumbled on an 1871 sampler by 12-year-old Jemima Clements in the Victoria & Albert Museum in London. It's a little bit early for Dracula but the aesthetic was spot on, so I spent a long time squinting at a zoom of the best download of it they had to copy the wolves and the letters, and then left it for almost a year because I got frustrated trying to figure out how to get a good-formatted pattern out.

When we came up on a year I transcended frustrated and went with the good-old fashioned grandma method and transferred my pixels to a spreadsheet. So on the off chance you want a creepy Dracula sampler for your front hall, I now have it in .pdf and a downloadable Google Sheet. The .pdf is formatted to print on legal paper, but it will be a bit small that way; you are welcome to fiddle with the spreadsheets to get it the size you want.

PDF of the pattern of the Dracula quote ^this will not work if your browser redirects to https because my webhost messed that up, but it should work if you force http

Google Drive link to a shareable/downloadable Sheets file

The pattern uses 7-10 different thread colors; I don't believe in locking in brand-name floss, so the pattern includes color description and it's up to you to find stuff in your stash that looks good together.

I could not come up with a decision on the border, so the options are:

Make all the flowers plain lavender

Use a variegated purple for the flowers

Pick 4-6 different shades of lavender/light purple and alternate them - this is most similar to Jemima's border

Use the "allium flower" pixel art pattern I coded into the pattern (recommended only if you recognized the allium flower pixel art pattern I used.)

[dynared]

Someone made a sequel to the “Hilda murders all the stars of female targeted shows” picture and I can’t even find an artist to credit. Please let me know so I can credit them.

[mrs-sherlock-holmes]

Saw this tumblr text post and I just had to 😅

[bookshelf-in-progress]

Story Ideas I'm Never Going to Write #1: The Midnight Door

A mashup retelling of "Cinderella" and "The Twelve Dancing Princesses"

Main character is a young woman who is heiress to an estate and fortune that can pass down along the female line. Her father has remarried a woman with two sons of her own. Stepmother resents that Cinderella is going to get everything while she has two sons who get nothing.

Cinderella is in love with a seventh son who's also a soldier. An upcoming ball is going to be Cinderella's last chance to see him before he goes off to war.

Cinderella's father disapproves of this relationship, believing the soldier to be a fortune hunter. To keep Cinderella away from him, he forbids her from going to the ball and the family leaves her behind.

As Cinderella is mourning this, she is visited by a fairy who offers to help, giving her a ballgown and transportation to the ball (as well as magically ensuring that her family doesn't recognize her) so long as she returns by midnight.

Cinderella has a wonderful evening, bids her beloved a fond farewell after promises of everlasting devotion, and returns at the stroke of twelve. She thanks the fairy profusely, wondering how she can ever repay her.

The fairy says she'll think of something.

The next night, at the stroke of midnight, a door appears in Cinderella's room. When Cinderella walks through, she finds herself in a magical garden. The fairy states that the door will appear in Cinderella's room each night, which will allow her to come to the fairy's home and complete a few small tasks to show her gratitude for the help she received in getting to the ball. If Cinderella refuses, this will be proof that she is a wicked, ungrateful child deserving of magical punishment.

Cinderella has no choice but to agree. The door appears each night, and Cinderella spends each night completing tasks for the fairy--sometimes ordinary cleaning or gardening tasks that she doesn't want to waste magic on, sometimes on quests into the magical wilds to find items that are best retrieved by a pure-hearted human. Sometimes, the fairy offers magical help with these tasks, which only gives Cinderella more debt to work off.

This leaves Cinderella exhausted during the daytime, and eventually, her family notices. The stepmother thinks that this is proof that Cinderella is living a pampered, worthless lifestyle, and she convinces her husband that Cinderella needs to take up more responsibilities if she wants to live up to her role as heiress to the estate.

Cinderella tries not going through the door a few times, but time always stays frozen at the stroke of midnight until she goes through the door.

Cinderella's father figures out that she's going somewhere at night, but since the magic keeps everyone in the house asleep while she's gone, and keeps her from telling anyone the truth, he's unable to figure it out.

He recruits the help of some eligible young men in the area (hoping that this will also help her forget about the soldier and agree to marry a suitable man). Since the bonds of marriage are stronger than the bonds of gratitude that bind Cinderella to the fairy's service, the fairy gets worried that she might lose the best servant she's ever had, so she takes the precaution of stealing away the young men who try to solve the mystery, turning them to stone, and leaving them as statues in her garden.

The fairy has a brother who eventually comes by and learns about the situation. The brother doesn't approve of his sister's cruelty in general (which is why he interacts with her as little as possible), and he has a sympathy for humans after spending a portion of his young life as a changeling. He learns that his sister has no intention of ever allowing Cinderella to work off the debt, and he tries to force her to set Cinderella (and the stone suitors) free.

The sister is enraged, and with her stronger magic, she casts her brother out into the human world, leaving him weak and nearly powerless .

He's in this weakened state when a soldier comes by and offers help. Taking food from a human will leave the fairy in a debt to him similar to the one that binds Cinderella to his sister's service, but he's too weak to care much.

A conversation with the soldier reveals that he's actually Cinderella's sweetheart, newly returned from the war. The fairy is unable to directly tell him what's happening to Cinderella, but since he's now bound to the soldier's service, it is totally legal for him to set up a situation where the soldier can figure out what's going on for himself.

The fairy gives the soldier an invisibility cloak, and advises him to go to Cinderella's father and offer to solve the mystery. The father figures that this is a win-win situation--either the soldier solves the mystery and they resolve the situation that's harming Cinderella and stealing away these young men, or the soldier will get stolen away and her father won't have to worry about this unsuitable suitor chasing after her.

The cloak and the fairy bound to his service protect the soldier from any detection by the sister's magic, and he follows Cinderella and figures out what's going on. They could break Cinderella's bond of service by getting married, but Cinderella refuses to free herself until she can free all the innocent men who've been caught up in this.

The three of them figure out a way to save the suitors and defeat the evil fairy, Cinderella's father learns the truth and agrees to let Cinderella marry her true love, and everyone lives happily ever after.

[camellia-salazar]

More Digital Colored Doodles (I lost count)

Most of my recent interests. I'm still into TD, Clone High, and Bluey the most. But I will always love all the other stuff, too. 💖✨

[galahadwilder]

Ten: THE LAWS OF TIME ARE MINE AND THEY WILL OBEY ME!

Twelve: *smacks him in the head with the TARDIS manual*

[jadeyarts]

amelia and millicent but i missed amelia having bright purple hair and i shrank them in the wash so theyre chibis again and

[jeglly-bean]

As much as I love my current artstyle, I don't really think it's the best for animating my magical girl project, especially considering I intend to use 3d animation

So for now, I'm gonna be using a more standard anime style for this project ^_^

[minweber]

I kinda find it interesting that up until now all Dragon Age protagonists, as well as most companions for whom being of a particular age (usually older that the rest) was not a part of their characterization, were essentially all the same age - that is, a part of the same generation.

It's been noted that Inquisition's cast is generally older that that of Origins and 2, but we do also meet them about ten years later, which squares quite nicely - the cast of the games set in 9:30 starts out in their varying 20s, while the cast of the game set in 9:40 is in their 30s and up.

But the Veilguard crew seems to be another matter - by 9:50 you are either squarely in your 40s and 50s (which most of the companions and, by extension, Rook, don't really seem to be) or were born significantly later than previously mentioned characters.

I think that when I started writing this down I was leading up to some kind of joke about millennials and gen z, but now I am just thinking how fascinating it is that the narrative of the franchise has gone on long enough for there to be characters who probably grew up among the consequences of the earlier games' events, the ones for whom the world-changing events of the Age of the Dragon are the norm, if not already history. How cool is that! I really hope the writers of Veilguard found it as compelling an idea as I do and it gets explored a bit in the game.

[demonmew25]

Skibidi Toilet idk I'm not One of the Cool kids 💀