#tv: bbc sherlock
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green-ajah · 1 year ago
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BBC Sherlock (2010 - 2017)
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userautumn · 12 days ago
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john watson being a classist piece of shit AND swooning over sherlock holmes in the same post is what modern media is missing they don't make these bitches annoying and kinda problematic like they used to !!!!!!!!!!!!!!!
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safedistancefrombeingsmart · 6 months ago
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7 times John and Sherlock were unnecessarily close to each other I wanted to do 5, but I couldn't decide. So, now there are 7. Please send complaints into my inbox. 😇
Also, it's sad how this closeness kind of stopped after TRF. I quickly skimmed through S3 and 4, but nothing really.
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killlurdarlings · 1 month ago
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Sherlock | s1 ep3 | The Great Game
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“John is Sherlock’s drug and Sherlock is John’s war.”
That. That’s my roman empire ladies and gentlemen.
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c0nn0rsseur · 2 months ago
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the Deviant Detective
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midnightfistfight1 · 5 months ago
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Starting Sherlock today guys when do they get freaky
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shymoob · 8 months ago
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I recently started watching Sherlock (yes I know I’m like 10 years late) but I am OBSESSED. Please enjoy this drawing. I’ve included the speed paint below. Thanks!
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catboyglover · 5 months ago
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“i love their bromance” they want to fuck each other raw-
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vizual-demon · 5 months ago
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Sherlock
series two (2012)
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green-ajah · 2 years ago
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BBC Sherlock (2010 - 2017)
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userautumn · 12 days ago
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The Blind Banker is just John Watson's last desperate attempt to force distance between him and Sherlock and cling to his heterosexuality after meeting a man that fundamentally rearranged everything he thought he knew about himself and his life
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kmiiasworld · 20 days ago
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He deserves an appreciation post of his own. Please give him all the awards, he deserves them all. Andrew Scott as Jim Moriarty. Can you name a more iconic person? Because I cannot. This portrayal is my Roman Empire, like it is to me, one of the best character portrayals on television period. He took playful, smart and unhinged mastermind to a level that I didn't even know existed. He should be in the villain hall of fame. Look at the material!
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safedistancefrombeingsmart · 10 months ago
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Sherlock: You’re a doctor. In fact, you’re an army doctor. John: Yes. Sherlock: Any good? John: Very good.
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He's a doctor!
Bonus:
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generalsdiary · 6 months ago
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Ratio and Aventurine are Sherlock and Watson coded but not in the way you think. Where one might assume Ratio would be Sherlock because of his intellect and analytic approach to life and the comments he makes, allow me to switch the perspective. Aventurine is an addict. To what? To feeling like shit and endorsing it, to having low self-esteem, to rejecting everyone in a way so no one gets too close and realizes how vulnerable he is, how much he yearns for love. He hid it away so well that he himself isn’t aware anymore of how much he wants it. to be loved, appreciated, and seen as more than just his luck- much like Ratio wants to be seen for more than just his achievements (poor man ain’t aware of how much he wants it either). Aventurine plays this perfect little role of a charismatic, lucky, fun-to-be-around persona. And that’s all it is, a play, a stage act.
let us switch gears back to Sherlock and John. Sherlock is also an addict, depending on at which point in the timeline, it is nicotine, drugs, crime cases, and similar. Here is where the point lies. Who is the one that pulls Sherlock out of that shit, out of the drug den, to hide his cigarettes away? John. We think Sherlock functions fine… before John, sure. After John, after Mary dies; oh no, Sherlock is not well without him. He can barely function, (yes, Mary’s death comes also in account here, but I won’t get sidetracked), living in a mess, doing drugs again, smoking, treating himself like shit and like he is worthless. So, who reminds Sherlock of his worth, of his genius, of the fact that he is human and not just a performance act that he puts on of deducting others? John. Both Sherlock and Aventurine throw these spectacles, these performances, these acts of a grand image, they play it and they dance to the song that others sing, moving to the melody that strangers decide; playing into whatever image that is painted of them no matter how untrue it is, ex. Aventurine will play a gambling alcoholic as much as you wish although he is more than that, and Sherlock will play the killer, the crazy ‘psychopath’ that kidnapped those kids and poisoned them, and he is also more than that. The difference is that Sherlock performs his knowledge and analytic skills, unlike Aventurine who keeps those cards close to his chest- that is how he survives, that is how he survived, his instinct, his trauma making him aware of a lot of things in his surroundings and aware of everyone else; carefully analyzing everyone to ensure his safety. Aventurine is better with his tongue, knowing what to say and when to say it, with much better people skills- that is what got him this far after all; so, he performs with flashy promises, with fun games- gambling with his own life because what is it worth to him anyway anymore? it circles back to his ‘the only survivor trauma’. Sherlock was ready to gamble his own life (S1E1) and who stopped him? John. Well, more like who saved him. The drug addiction that Sherlock has is a bit downplayed and it always ends fast within the episodes, but in its own way, it is also his gamble, him not valuing his life as much as he should.
yes, in a way Ratio and Aventurine can both be Sherlock. But it is not about Sherlock, as much as it is about Watson. And exactly what Watson brings to the table, to their relationship. In the case of Johnlock, Ratio is very much Watson. The one to tell Aventurine his life matters, the one to go along with his plan of deceiving Sunday- because Aventurine had this great plan, a huge gamble. sound familiar? The usual thing about Sherlock with big plans, ex. exposing Mary after getting shot, going to Magnussen’s to sell Mycroft’s PC. And who follows along even when they don’t agree? John.
to take into account Johnlock in the later episodes/at least the second season, when they are closer- we are brought up to speed on where Aventio are. it is a well known fact that Aventio knew each other before the first scene in the hotel of them interacting. So, they have a history, and their period of getting familiar is over. They know each other. we only see John openly criticizing Sherlock later in the series, be it insulting him or calling him out on his bullshit. The same thing happens with Aventio, where Ratio is the one to openly state his thoughts and criticize. While yes, one may argue that that is in Ratio’s character to behave as such, if we recall the scene between Ratio and the MC, he doesn’t behave that way if unprovoked. And Aventurine wasn’t provoking him, hence the conclusion. As much as Ratio seems like the black sheep here, the odd one out (which he is don’t get me wrong), in this perspective it is Aventurine who is that. and yes, Ratio walks on eggshells around him, apologizing for his harsh words. these two aren’t the perfect puzzle pieces for Johnlock, they do differ in the way they walk in public and who leads the way, and of course the point of this isn’t to make them overlap, but to draw parallels. And while writing this, truly a lot of opposing things came to mind, where both couples differ in such vast ways, all four being complex, rich characters- it pained me that Aventurine and Veritas would be compared to Sherlock and John only in the way that the “genius” matched the “genius”. smh.
Now the way Ratio is Sherlock is very simple, he doesn’t consider himself human- more like, doesn’t allow himself to be human, to feel, to connect, to breathe; when he is too much of a human – and the main reason he wasn’t accepted into the genius society. Poor Ratio, cursed because he wants to help and spread knowledge, what a mean fate struck upon the burned out gifted autistic asexual kid. To switch to Sherlock (also very autistic asexual coded), he is the most human out of them all, (I believe Eurus calls him that but I don’t recall the exact quote, also pointed out by Mrs. Hudson, John, and Mycroft), trying to be this analytical machine when his caring bleeds through his skin, evaporating through his pores, his love for John and so many others making him pull himself apart and do anything to protect them, ex. killing Magnussen, giving himself to Smith to a guaranteed death, faking his own suicide to protect Lestrade, John, and Mrs. Hudson. Sherlock who, much like Ratio, wishes to be strict in his way of life, but cannot help wanting to explain and help others, and Ratio here differs by wanting to help everyone improve while Sherlock is willing to help only after the person has shown some amount of will, intelligence, proved themselves in some way (Irene Adler) or he so rarely happened to like them (ex. the kid that was at Mary’s wedding). Although, their shared way of calling others around them idiots is neat. I’d say this is their main connection and outside of it they are extremely different characters, which is why further comparison is pointless and shallow if you just want to compare characters because they are quote on quote the clever one.
Case in point, Aventurine is Sherlock because Ratio is John, and the one that saves him. The one that grounds him, and Aventurine NEEDS him. He needs Veritas. And Sherlock needs John. Therefore, Aventurine isn’t Sherlock without Ratio, much like there is no Sherlock (be it books, movies, or the show) without John. It is more about the relationships between them than the actual characters, and that, honestly, makes it even more beautiful.
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