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korasonata · 3 years ago

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So, the original plan was to do these quotes until Joe and Cleo finished their models, which was half accomplished during this stream (yay Cleo!). Question is should I still continue these after Joe has finished his model, or have we had enough now? Favourite moments of Joe and Cleo model stream part 7! Link to the video is below and time stamps are above each set of quotes!

Link: https://m.twitch.tv/videos/1155955572

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00:32:05

Joe: This is our weekly paper craft stream. I’m joined today by ZombieCleo, who you can find at—

Cleo: Hiiiiiiiiii!!!

Joe: — twitch.tv/zombiecleo. You don’t need to type the “hi” in the middle. Although it is adorable, and so I wouldn’t blame you.

—

00:56:25

Cleo (in response to someone saying they like Hershey’s chocolate): I mean you can like the chocolate. It’s ok to be wrong. It’s fine. You know, you can—

Joe: A certain amount of the other person being wrong is to be expected in any relationship.

Cleo: Yeah! Look at my relationship with you, Joe.

Joe: Yeah, I mean we’re— we’re off the charts for that.

—

01:01:15

Joe (changing into his chroma green tank top): We can’t have people seeing my torso.

Cleo: Oh you know, yeah you— you are a cryptid.

—

01:02:04

Joe (doing a face camera expansion): these chains I’ve forged in life are about to begin pulling me down to the deep below! Enter the Jhoooooooost!

Cleo: Can I just point out that “life” was very southern. At that point. (Heavy southern accent) Life.

Joe (heavy southern accent): Life.

Cleo: Laaaaaffe

Joe: Liiiiife *both laughing* These chains I’ve forged in—

Both: laaaaffe!!

Joe (heavy twang): Pullin’ me daaan to the deep behlooow!

—

01:07:16

Cleo (in response to Joe having a laughing fit): And that is one of the rare times where Joe has a complete, absolute giggle fit on stream

Joe (still laughing): Ok I’m sorry, but “puritans go home” is the best thing to put on anything worth— ok im gonna start making a— ok. (Serious) Im gonna start making an actual checklist cause, um, (actually writing down a checklist of things he’s taking to his parents for thanksgiving) ok thanks—giving twenty twenty—one. Ok so, salad cream.

Cleo: *wheezing*

Joe (reading list): “Puritans go Home” icing on pie…Um, you know let’s just throw iron brew in there. Why not! Irn-Bru and vodka!

Cleo (laughing): Sure! Why not!

Joe: Yeah. Well, so, my maternal grandmother was Scottish and—

Cleo: oh I’m sorry.

Joe: —so I think my mom would get a kick out of Irn-Bru. As like “oh! Here’s something from the old country!”

Cleo: *physically wheezing* from the old country!

—

01:29:43

Joe: Oh, it’s really fun. Did you know that a bunch of people on Tumblr care a lot about how tall each of us are?

Cleo: Yeah. Yeah.

Joe: Yeah, oh man I’ve been spreading information and taking weird height pictures with people at conventions for years. It’s like— *Cleo laughing* I’ll intentionally like stand on things or like, uh, or like stand in such a way that you can’t tell I’m crouching, so people are like “Ok, so Joe’s like taller than Bdubs but shorter than, uh, like— Stress or something. It’s like how does that happen?!” *trying not to laugh* Because I’m screwing with you.

—

01:31:11

Joe: See that’s the thing is— is sometimes people think things are about power. I think they’re just about being obnoxious.

Cleo: I mean, you think most things are about being obnoxious which is why it’s a power move for you. Cause being obnoxious is your power move. It’s where you’ve got the most power, Joe.

Joe: Hm, that makes sense.

Cleo: Sometimes I do. I try not to when I’m with you, because— it’s easier.

Joe: Yeah. You don’t wanna give me any actual like workab— or usable intelligence.

��

01:42:47

Joe (reading chat): I’ve been on Hermitcraft since season one— yeah. That was only like 10 years ago though.

Cleo: I’ve been on Hermitcraft since season 2.

Joe: Yay Cleo!

Cleo: Which was only because Joe asked me to come on, or pu— vouched for me.

Joe (genuine): Well I am glad you joined.

Cleo: I mean I was— I was at the point where I was just like “is this what I wanna do for the rest of my life? Should I just go full ham into teaching?” And, uh, then you made that offer and I thought “well, I’ll see how it goes”. And it did quite well for me. So…you know.

Joe (quietly): I am so glad

Cleo: You are the reason why I’m still doing Minecraft content.

—

01:44:19

Joe (reading chat): Attasked says “Only you can judge whether you’re hot” no plenty of people can tell I’m hot, Graved. It’s— pretty blatantly obvious. You don’t— you don’t have to be good at judging to be able to tell. Like, that’s not an only me thing.

—

02:00:54

Cleo: You ever have those moments where you’re just questioning your choices in life?

Joe: *having a breakdown* Moments!

Cleo: *cackling*

Joe (through tears): I’m sorry, you’re just the best Cleo.

Cleo: *laughing, but genuine* Awe, I’m sorry, I didn’t mean to depress you today!

Joe: No it’s— *inaudible sobbing* Today—

Cleo: *dying*

Joe (quietly to himself): Is this is frame? Sorry, I was cutting this out of frame. My bad.

Cleo (still laughing): I like how everyone’s just sort of gone quiet and gone “…is Joe ok?”

Joe: nOO!!!

Cleo: We’ve established that Joe is not ok.

Joe: But I’m really good at it!

Cleo: *spitting out her drink*

—

01:49:52

Joe: Let’s go down the Mississippi, Cleo.

Cleo: I mean, that I think we could probably do. Let’s go down the Mississippi, Joe.

Joe: yay!

Cleo: On a flimsy raft.

Joe: Yeah, we can actually— there’s a lot nicer boats now though. Like—

Cleo: I mean— yeah, but do we— do— you know…it’s the Huckleberry Finn experience.

Joe: I mean, here’s the thing, is if you actually came here and I was like “Cleo, let’s go to the Mississippi River and go down the river a few miles”. I think you’d be more likely to actually say yes if I had an actual boat lined up than if I had a flimsy raft.

Cleo (excited): If it— if it— if it makes you feel better, I— I would do the flimsy raft. Like, hands down. It seems more fun.

Joe (realizing that she’s serious): I— you say that, but I don’t think you’ve seen the Mississippi River. Like, the problem is it’s full of these giant barges these days, the wakes of which would just throw your raft over.

Cleo (dead serious): I can swim.

Joe (attempting to compromise, completely lost as to how he has somehow managed to be the voice of reason): Ok…Alternatively we can go down a smaller river…In a raft…

—

02:04:43

Joe: Sorry, I’ll stop monologuing. Uh, but yeah sorry I was in the process of—

Cleo: I’LL STOP MONOLOGUING! Yeah, yeah that’s gonna happen.

Joe: yeah, I’ll- I’ll say I’m gonna stop monologuing and I’ll warn you that-

Cleo: And then he just continues

Joe: -that Cleo you should probably be ready to start talking sometime in the next 8-12 minutes.

—

02:15:26

Joe: Oh, I need to get a green screen suit jacket. Um, I realized. Cause I got the green screen, um, uh dress shirt. That I wear under existing suits, but I don’t have an actual like green screen suit.

Cleo: I— I am always amused by your definition of “need”

Joe: My definition of what?

Cleo: Need.

Joe: Need.

Cleo: I need a green suit.

Joe: Ok, I’m sorry Cleo, the people need me to get a green suit.

—

02:30:23

Cleo (reading chat): “Joe-Getters and Go-Getters” yeah, Joe’s not a Go-Getter, he’s a Joe-Getter. Which is infinitely worse.

Joe: You say being a Joe-Getter is infinitely worse, but you also frequently lament that you get me. So, maybe you’re a Joe-Getter. Have you considered that?

Cleo: I am a Joe-Getter. I do get you, Joe. Which is terrible. It’s— It’s a trauma, actually Joe, I’ll have you know.

Joe: Yeah, comprehend me and despair, Cleo.

Cleo: I looked too deep into the abyss. The Joe-byss, sorry.

Joe: Thank you, yeah we’ve got a brand. Always be branding.

Cleo: *giggling* A.B.B. - Always Be Branding.

Joe: That’s not an infinite void of despair. That’s an infinite void of—

Both: Joe’s despair.

—

02:34:31

Joe: Let’s just leave it at don’t push me off a roof. Like *laughing* I feel like anything I could add to that would undermine the overall theme of just encouraging people to not do that.

Cleo: Um, let me put it like this. I always had the capacity. Always. But! I never acted on it, Joe.

Joe: Mhm, yeah thank you.

Cleo: …yet…I’ll try not to.

Joe: Yeah. And— and also keep in mind Cleo, I mean, given, you know, how well we’ve managed to work together over the last decade. Even if you did push me or throw me off a roof. *grinning* What makes you think that you’re not coming with me?

Cleo (slightly proud): That felt like a threat. It felt like a threat. I’m not gonna lie.

Joe (through giggles): Yeah, that was the, like— I spent 90 seconds figuring out how to revise that so is it was not blatantly like a violent threat.

Cleo: I mean…yeah, I think— I think— I think between the tw— it— it’s a mutual aggression pact at this point.

—

02:51:53

Cleo (holding up seemingly two identical pictures of turret towers): Am I— am I going actually insane? Are they not…the same turret?

Joe (examining pages on screen): …y—you know there might be…subtle differences that, uh, a— you know, skilled crafts person would find unavoidably blatant. Um…I make no such claim Cleo.

Cleo: Good, because, you know…trauma…Yours, not mine.

Joe: *laughing* yeah I was gonna say. Trauma as a verb. I’m just gonna trauma you.

Cleo: *laughing* I’m gonna trauma you so hard right now.

Joe: Yeah, if you don’t calm down and agree with me.

Cleo: If you don’t agree with me, that’s— that’s your mistake.

—

03:38:48

Cleo (about authors): just be careful who you like and just recognize the faults in any media that you do like. Just don’t imagine that everything’s perfect, because it’s not. Just be open to the fact it’s not perfect.

Joe: The only perfect media is YouTube videos produced by ZombieCleo.

Cleo: Fact.

—

04:00:34

(Having finished her model)

Cleo (tiredly): No booshes. No booshes. I know it’s got places for booshes, but I don’t want to do booshes because…there’s a limit.

Joe (currently in the United States): Yeah. Well, now you can come over here and help me Cleo, is what chat’s saying.

Cleo: Ok.

Joe: Go help Joe hold this stuff he can’t glue.

Cleo (Currently in England): Hang on, hang on. *rummaging on desk* What do you need? I’ve got lots of things, what do you need?

#hermitcraft #hermitblr #zombie cleo #zombiecleo #joehills #joe hills

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swiftgronmasterpost · 4 years ago

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The Swiftgron Timeline Remastered

Hey Guys! It’s Cam from @whatiwillsay

It’s high time the Swiftgron Masterpost was updated with more content and a cross reference of the Achele timeline and other newly learned information.

Now if you’re just looking to prove that Swiftgron is real to your friends click here for a more succinct summation of proof. But if you want to read the sad, beautiful, tragic (no that’s not a Swiftgron song) story of Swiftgron, to go through the ups and downs, from the Hunger Games to SNL this is the place for you!

I was inspired to do this partially by this conversation. TL;DR is there was some lively discourse in the fandom about who the breakup songs on Red are about.

Personally, it doesn’t make sense to me for them to be about Dianna when the falling in love songs are obviously about her (mentions of green eyes, her name in the 22 liner notes, ect.) For one quick example: the songs The Last Time and Come Back...Be Here were written and recorded right around the same time.

I’m sorry but I just cannot fathom those two songs being about the same person. One is about the softest start to a relationship you’ve ever imagined - pining away and missing someone you barely know but are already infatuated with and the other is a gut wrenching heartbreak song about someone you’ve been on and off with for a long time.

Furthermore the Swiftgron masterpost and timeline was laid out by either Kaylors or general Gaylors, but no one who seems to have an in depth knowledge of Achele or even of Taylor’s relationships before Dianna, other than Emily which by all accounts ended in 2008.

So I wanted to fill in all the blanks left open on the original Swiftgron masterpost to see if it’s possible that it missed anything.

Plenty of this data will still come from the original Swiftgron masterpost and shoutout to them for building such an amazing document! It’s a great primer but it does gloss over a lot of events such as the Glee tour in the summer of 2011, the circumstances around all the early Swiftgron meetings, and the obvious Achele interactions through early winter 2012, and of course it’s missing all the weird late stage Swiftgron social media shenanigans.

I wanted to make this masterpost to be able to stand alone so I ripped some gif sets and other info (mostly on Achele) that I didn’t personally build because I don’t ever want anyone running into dead links. If you see an edit or content you made that I haven’t credited please let me know and I will credit you or remove it if you really want me to.

The other reason I made this was I wanted to have one succinct and chronological place to store every single Swiftgron photo, video, or media of any other type. If it’s Swiftgron related I will find it and add it here. If I missed something you can let me know by reaching out to me on my usual blog @swiftgron-get-married.

For those of you that are new to Gaylor here’s a few notes:

1. If Taylor seems fruity to you it’s cause she does to everyone else. Welcome.

2. Swiftgron is the pairing of Taylor Swift and Dianna Agron.

3. Achele is the pairing of Dianna Agron and Lea Michele. It happened before Swiftgron (I think summer 2009 - Early 2012). Achele was real 100%. Go to Achele References on Tumblr for more info but just know I have reason to believe Achele actually dated beyond public information. Take that with a grain of salt of course and look at the evidence for yourself.

4. At some points in this document I reference a forum called The L Chat - that place is a wasteland of biphobia, transphobia, and other gross things but they did closely track Swiftgron and Achele. I don’t recommend going there as it can be very triggering to some. I have gone and pulled out relevant data so you don’t have to go there.

5. There is a notion in the Gaylor fandom that Dianna was toxic, a serial cheater, and I’ve even heard the word “abusive” thrown around due to the fact that the breakup songs on Red do seem to be about a toxic relationship - Taylor has said as much.

Given what I’ve heard about DIanna from people who have actually had contact with her - this would be incredibly out of character. She does have the reputation of being a bit of a player but is literally famous for how kind, giving, compassionate, and amiable she is to fans, coworkers, and friends alike.

I believe that this document proves that due to events on the timeline that although Swiftgron definitely had their ups and downs (Babe definitely suggests at least one instance of a lack of faithfulness, and I’ve clocked at least two obvious breakups before Taylor commits to Karlie and the Swiftgron romance is over for good) however the idea that it was a completely toxic mess is just not supported by actual public data, gathered evidence, and Taylor’s own music and words.

With that enjoy! The pandemic has done some weird things to people hasn’t it? This what I did instead of going outdoors. (I streamed Folklore six billion times while building this, honestly it was a blast!)

Click here to keep reading!

Orrrr

If you want to skip all the preamble of Achele and Tayliz click here to jump into the Swiftgron Spring!

Table of Contents

Early Stages - Ships Passing in the Night

The 2011 Vanity Fair Oscar Party

Spring 2011 - The Achele of it All

The 2011 Met Gala Klossgron Extravaganza

Glee Live Tour Part 1 - Achele is ON

Glee Live Tour Part 2 - Rivergron in Paris

Glee Live Tour Part 3 - Seriously what the fuck was Shirtgate

Glee Tour Part 4 - Dianna’s Gay Panic Shirtgate Essay

Let’s Check In With Taylor - Speak Now Tour and Tayliz

Fairfax Flee Market - Finally Some Swiftgron!

Fall 2011 - Red and Achele winds down

Winter 2012 - Achele sunset / Swiftgron dawn

The Swiftgron Spring - Everything Changes

Shirley MacLaine’s Birthday

Dianna’s 26th Birthday

The Swiftgron Summer Part 1 - Dominick’s and The Glaad Awards

The Swiftgron Summer Part 2 - Hyiannis Port and The First Breakup

Fall 2012 - They Reuinte in Paris and Haylor Rises

Winter 2013 - The Beginning of the End

Spring 2013 - Fall 2013 - The End?

Winter 2014 - Taylor is Clean but then Swiftgron never goes out of Style

Late Stage Part 1 Spring 2014 - Winter 2018

Late Stage Part 2 Spring 2018 (Babe!) - Fall 2019 (SNL!)

Late Stage Part 3 Folklore Shenanigans

Late Stage Part 4 Evermore!

#part 1 #welcome

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tokyokookmin · 3 years ago

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Let's be realistic, fanservice? Really meh?

Do people really think that jkk is based on fanservice? How much will they try to deny it? It's obvious that they do so, but the actions and emotions that they portray towards each other when they are doing 'it' doesn't really make me comfortable to call it as 'fanservice'. These terms are so weird tbh lol.

Back then Jimin used to be extremely attracted and sort of touchy towards JK. ( JK was going through puberty during that period) Jimin used to constantly say that jungkook was [HE STILL IS] attractive and that he loves JK. They both were teens, Jimin probably didn't knew what feelings he had towards JK or he probably knew that he was in love we don't know. Try watching their past logs + how both of them used to behave around each other when the whole group attended an event or just old BangtanTv videos.

(not sure if the first pic is real )

Jungkook used to push Jimin away (distance himself?) from jm. (not in bad a way tho). Jungkook was flustered and shy , he didn't know how to react. He was young, love was in the air. Kookie acted all tough and cool and dismissive with jimin. He was 16 for god sakes, teens are insecure during that phase it isn't like he didn't like jimin, he actually liked jm's presence and appreciated the attention he gotten from Jm . Try watching a few behind the scenes vids. He would say stuff like "jimin is really nice to me, he seems to really like me" and many more! From what I saw through their growth was that during 2015/2016 Jungkook some sort was attracted towards JM. (sexually attracted?) Soon then Jungkook was being sort of clingy? Jimin kept distance with JK because that boi was definitely ( I'm pretty sure both of them knew what they were dealing with it was pure LOVE) You could clearly see that Jungkook became possessive towards Jimin. " Jeonlous " . - yup thats the word that many use. [ I do not fully agree with the link that i attached, it's an example ]

" Jeonlous " - well I sort of disagree with this term as well, many do. Jealous shouldn't be a word to describe Jk's attitude when Jimin is distracted by someone or you know "relationship stuffs". I'm not going to talk much about this topic because my I don't wanna meddle in here. Well YES he does get possesive at times, he loves Jimin a LOT. One thing is wrong tho, the way jkk-ers portray Jungkook action as resentful. NO THAT'S PURE WRONG. Jungkook isn't treated unfairly, JK & JM spends a lot of time with each other.

[ Ask me!, I would love to hear your opinion regarding this issue]

Not related but Jungkook's reaction here had me laughing lmao the audacity of that army tho lol.

Enough of me ranting lol. But now let's talk about Jungkook actions during 2016-2021. I loved the way Jungkook made up with Jimin in almost every aspect. Jungkook really loves Jimin and it really is visible. His expressions, behaviour, and actions really depicts his love towards JM. If you did pay close attention towards the "ranking the member visuals " thingy you would know that JM would be ranked as the last . I felt a little bad for Jimin here, he was clearly uncomfortable. He was probably expecting a better rank by Jk, after all he gave JK a lot of attention. I suppose JM felt hurt and stopped giving TOO much of attention towards JK. He still is insecure about his visual. { well first of all they shouldn't even had proceeded with this ranking thingy, it's a serious issue.. NOT ONLY FOR JM BUT JUST IMAGINE if it was another member. This will do no good for their self- esteem.}

youtube

Read the article below, Jungkook ranked Jimin as no.1!

I even received an ask a few days ago by my lovely anon, anon mentioned about how Jungkook tends to act soft and not competitive with JM during run bts, whatever shows lol. ... It's true, Jungkook really softens when he's around Jimin. Examples: Jungkook doesn't even care about the competition when he around Jm (depends also lol).

I couldn't resist adding this pic in here, Jungkook's gaze here melts my heart. *sobbing* Jungkook went into comfort mode here. There are many JKK moments in run bts but it's impossible to add all of em in here. { tumblr 10 pics limit smh }

CONCERTS

trust me, click on that link!

youtube

There are plenty of crazy jkk moments during concerts. I don't even think that I would have to elaborate about how EXTRA they are. Take a look at the pictures that I have attached above, fanservice really meh ?

A FEW JIKOOK LINKS YOU WOULD LOVE TO GO BACK TO ~

jungkook being jimin's personal pillow - a cute and soft jikook thread

jikook being domestic boyfriends and going on dates ; a soft thread

Jikook date list

when jikook were extra flirty picking the paper for each other while hugging

#JIKOOK: flirty + awkward

Taehyung: jiminssi, what makes you happy these days? Jungkook: of course it’s me, isn’t it?

jikook facetime

jikook facetime 2.0

jikook facetime 3.0 + trans

That's all. xoxo. stay safe . <3 sincerely, kesh. I try to write my blogs with simple english as I am aware that there are many readers around the world and their language or mother tongue might not be English. I hope that I made reading easier and more fun. lots of luv bye ~

#Youtube #jikookers #jikook #kookmin #so flirty #eye contact #jimin jungkook #bts park jimin #bts jungkook #no hate #kookminisreal

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skepticalarrie · 3 years ago

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Hi. I just have a couple questions about Larry. Now I'm not a Larry shipper (only because I'm waiting for them to confirm it themselves. If they do then I will definitely support them). But my question is how come Louis and Harry are able to be themselves like be more open about themselves, write songs that have lyrics linking to one another but they can't tell the world about their relationship (if it's real I don't know if it is). If they're not allowed to come out as a couple then how come they're allowed to release the songs that are kind of linked to the other person. So for example "Come so far from primcess park" is probably the most obvious lyric. If Louis knew the Larry shippers would know who he was talking about and he's being forced to hide his relationship with Harry then how come he was allowed to release the song and other songs that have song lyrics that are linked to Harry? Basically how come Harry and Louis can release songs that are linked to each other but they can't come out as a couple (if they are a couple)? I'm just a little confused because a lot of shippers are saying they are being forced to stay closeted (which I don't know for sure if they are) but surely their management teams wouldn't let Harry and Louis release music about one another when they know for sure that the Larry fans would immediately be able to tell who their songs are about. Don't get me wrong I am definitely not an anti Larry I will support them if Larry is actually real but there are just some things which I am confused about. Thank you in advance.

P.s I love your page😁

Hello anon, how are you? No worries, it wasn’t confusing at all, I totally understand your question. However can I just correct something real quick first? I usually just brush this off but I think that when you’re referring to “larry shippers” you mean larries, right? I’m assuming that for the kind of question you’re asking and also because you’re on my blog. We don’t really call ourselves (and by that I mean me and my mutuals here on tumblr, I can’t really talk for people further than that) larry shippers anymore. We did it at some point for the lack of a better term and that’s why I usually don’t even bother but now it means something else. Larries believe Harry and Louis are together, larry shippers simply ship them together but don’t necessarily believe they’re actually together. I just thought it was important to point that out, since I’m not a larry shipper but a larrie. Just… terminologies 🤷‍♀️

Back to your question, the answer to that is quite simple, actually. The lyric interpretations, parallels and reaches we make… these are only theories until proven otherwise. No one can prove larry is real because of princess park. If anyone could this wouldn’t even be a discussion right now, they would simply be out. We can, however, start to add things up to a point there’s so many connections and coincidences that it can’t really be brushed off as coincidences over and over again. What they do with these kind of things, like the lyrics, it’s called plausible deniability. I have a tag for that and I recommend you to check that out. So all of that could have other explanations… is it likely though?! Does it make sense on a bigger picture? That’s up to each of us individually. Here’s a practical example: princess park is where Harry and Louis undeniably lived together right? It’s directly associated with Harry. However, all the boys lived in princess park too, although H&L lived together. So on the track by track video, Louis goes on and on about Habit being about his job and the band, but it’s also a love song (about A GIRL!! he put emphasis on that) - and Louis does that a lot, mixing his love life and clear references to 1D in the same context of a song, so he always needs to give these weird ass explanations. He actually talks about the princess park reference, because that’s where he lived with the band. And the song it’s about the band too, his job. So there’s your plausible deniability. Nowadays I think they can do that more freely by just adding a stunt line here and there and stuff like that, I fully believe they have a lot of creative freedom. But I don’t think plausible deniability saved their asses every single time in the past, it’s not because we’re not seeing what is happening behind the scenes that they were not punished for it at some point for “going too far” and outings themselves too many times.

#ask #plausible deniability #habit #princess park #long post

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lucemferto · 4 years ago

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WE NEED TO TALK ABOUT PH1LZA (or Why Philza is a Victim of Narrative Circumstance)

Heyo! Per request I am posting the script to my video of the same name here on tumblr. I must warn you that just reading the script will probably not give you the full experience, so I would encourage you to watch the video (linked above).

There might also still be a lot of grammatical errors in the text, because I don’t proofread.

Intro

LAST TIME ON LUCEM FERTO

Okay, so! I don’t want this to turn into a reaction channel OR a Dream SMP channel for that matter! [echo]

Well, I lied.

[Intro to “Luc is pretentious about the funny blockmen. Episode 2”]

I swear, I’m working on other stuff. It’s just that my dumb lizard brain has only capacity for one interest at a time!

So, something you might not know about me, is that I am on tumblr – who am I kidding, most of you will know me from tumblr. Before starting this whole YouTube thing, I thought that website died years ago – but as per usual reality proves me wrong. I’m also on Twitter and Reddit, but I get the most engagement on tumblr – by far! – and I need those sweet, sweet numbers for the serotonin!

Anyways, one of my favourite past-times on tumblr is to razz Philza Hardcore Minecraft – that’s his full name – for being a frankly awful father [clicking away] – wait, wait, no! Philza fans, this isn’t a hit piece on him, I promise! Please come back!

This is video is meant to be a companion piece to my previous video about Technoblade and the Doomsday event – you can tell by the shared nomenclature – so you should probably watch that one before you proceed. Unless you don’t want to, which is also perfectly understandable.

DISCLAIMER: This video is mostly about the character Philza plays on the Dream SMP. Whenever I talk about the content creator Philza, I will say so properly. Also, Spoiler Warning for Dream SMP Season 2.

… What is that? You’re wondering what the Dream SMP is? Well, if you had just watched the other video like I told you to do, you would know, because I explained it pretty well there. But in case you don’t know, here’s the cliff notes.

Dream SMP is the hottest New Media Series on Twitch right now! It has it all: gaslighting, child soldiers, Machiavellian political intrigue, Hamilton roleplay, desecration of the dead, shounen protagonists, SO! MUCH! AMNESIA! Filicide, furries, a red egg that’s definitely homophobic and teenagers inventing nuclear warfare. And it’s all done in Minecraft – yes, the funny block game where the only way to emote is to crouch.

And you say the perfect brief doesn’t exist!

Now, you might be wondering, why do I want to talk about this? Well, it’s because Content Creator Philza is one of least controversial internet personalities that I can think of. That man exudes pure comfort. So, it’s just very, very amusing to me that his character became one of the most controversial figures on the SMP, only outshone by Tommy and Technoblade.

And it’s not just amusing, it’s also extremely interesting! I want to dig deep to uncover and discuss the dynamics behind why that is. How did it come to this point? How did a man who appears genuinely so pleasant create a character that inspires so much discourse!

Now, if you watched that Technoblade video – like I told you to twice now! – you might know, that I am the resident character analyses hater of fandom! And that impression is false and slanderous! Don’t tell other people that I hate character analyses! I love them!

It’s just that, in the Dream SMP in particular, there is an abundance of character analyses! Every streamer has at least two very good essays written about them, exploring every possible angle to view their characters and backgrounds and everything. All I’m saying is: I don’t have anything to add on that front.

So, instead I want to pursue a different approach – something, that I feel is a bit underrepresented in the fandom! And I’m not just talking narrative analysis – that’s right, this episode we’re going even more pretentious! – I’m talking Transtextual Analysis!

Now, what is Transtextuality? Well, unfortunately it has very little to do with actual Trans people – #transrights, just in case that wasn’t obvious – but instead describes a mode of analysis with which to put – to quote French literary theorist Gérard Genette – “the text in a relationship, whether obvious or concealed, with other texts”.

Basically, you know how the L’Manburg War of Independence heavily quotes and borrows from the hit musical Hamilton? That’s transtextuality! A lot of the analyses surrounding how Tommy mirrors the Greek hero Theseus, who was invoked by Technoblade multiple times in the series, are already doing transtextual analysis! So, it’s really not something that’s new to the Dream SMP fandom.

But how does this apply to Philza and how he is looked at and judged by his parental skills? Well, there are multiple forms of transtextuality, two of which we will discuss today.

But before we continue, I gotta do that annoying YouTuber thing. I know these videos don’t look like much, but I spend a really long time making them. I work fulltime and I try my best to keep up, but sometimes I can’t. So please, like, subscribe, comment to give me some algorithm juice – I really need it – and most importantly share it! Share it with your friends, share it with your family – I’m sure Grandma is very interested in what I have to say about Philza Minecraft.

And I’m trying to be better! If I sound at all different for this video, it’s because I finally bought a new pop filter, so I can hit my plosives without it sounding like there’s a thunderstorm in my room. I hope it makes a difference; it was a very cheap pop filter, so maybe it doesn’t. Maybe it sounds worse – that would be bad!

What was I talking about? Oh yeah, CHILD NEGLEGT!

Intertextuality: Why is Dadza?

You know what’s really interesting about the Dream SMP – aside from, you know, most things about it? Very few of the characters have concrete, fleshed-out backstories – and that’s pretty weird! In no other medium or genre could you get away with something like that – at least for long-form storytelling!

So, how does Dream SMP get away with this? Well, it’s because every character on the Dream SMP is basically a self-insert – and I don’t mean that in the “This character is based on me”-kinda way, but in the “This character, for all intents and purposes, is me!”-way. This, like many things that are fascinating about the Dream SMP, is owed to the fact that this series didn’t start off as a continuous drama – it started off as a Let’s Play.

And while we can talk about how someone’s on-camera/on-mic persona is in some ways a character, it’s still miles off of being an actual, fully-realized, separate character in a storyline.

This is where Intertextuality comes in.

Intertextuality is a subset of Transtextuality. It describes how the hypertext, which is the text, you’re currently engaged with, uses another text, the hypotext, to supplement itself. The interconnection the hypertext establishes with the hypotext, through stuff like allusion for example, uh-hum [Hamilton], can colour how an audience interprets the hypertext. Basically, Hamilton and Theseus are the hypotexts; the Dream SMP is the hypertext.

So, what does this have to do with backstory? Simple: The backstories of the characters in the Dream SMP consist basically of nothing but intertextual references. Through intertextuality their content effectively substitutes their character’s backstory.

You can see it everywhere. Wilbur’s and Schlatt’s relationship and rivalry is hugely enriched, if you are aware of their shared history like SMPLive, for example – I think anyway. I haven’t watched SMPLive, because … there’s only so many hours in the day and I cannot keep up with the Dream SMP and catch up on SMPLive and live a healthy life – which I already don’t do, so…

BadBoyHalo’s and Skeppy’s relationship, which has become the crux of the Crimson-Storyline of Seasons 2 and 3, is hugely supplemented if you know that they’re also very close as streamers and in real life.

Another great example of intertextuality is basically Technoblade’s entire deal. If you just look at him completely within the text of the Dream SMP and try to transplant his entrance to any other medium: It would be extremely weird! Like, he’s just this guy that comes in in the middle of a very climatic arc, no build-up, no explanation what his deal is, and he’s treated like he has always been there. In any other medium that just wouldn’t work – at least not without a flashback or some sort of exposition!

But because of stuff like Minecraft Mondays, the Potato Wars, his Duel against Dream and SMPEarth, we understand that he is a Big Deal!

Anyways, to bring all of this back to Philza Minecraft: What kind of hypotext informs how the audience sees his character? Well, this is where I will have to talk about SBI.

SBI is an acronym that stand for State Bank of India, the 43rd largest bank in the world and…

It also stands for Sleepy Bois Incorporated. Sleepy Bois Incorporated is a loose assembly of content creators, consisting of Philza, Wilbur Soot, TommyInnit and Technoblade. It is most well-known for its very endearing family dynamic – a dynamic that is frequently acknowledged and played up by the creators involved. Tommy is the youngest brother, Wilbur and Techno are the two older brothers and Philza is of course the dad. And when I say, it’s played up, I really mean it! Wilbur seems to be especially enamoured with the idea and leaves no opportunity untaken to bring it up – which we will come back to.

And I’m not saying that they’re faking this and this is somehow an act. While I know none of these people personally, it appears to me, that this is genuinely how they interact – if a little exaggerated for the streaming experience. Even when they’re not consciously playing into the family dynamic, their interactions still very much lend themselves to that interpretation by the viewers.

Philza especially just radiates Dad-Friend energy – so much so that it has become a huge part of his brand identity – yay, I can bring that back (check out my Christmas video if you want to hear me ramble about that). The nickname Dadza stuck even before SBI was a thing.

So, even if we completely disregard SBI – which we shouldn’t for reasons I’ll get back to – Philza has cultivated an image of strong paternal guidance. He is, in my opinion completely deservedly, regarded very positively. He is highly respected and in turn seen as a voice of reason.

All of this would eventually inform the hypotext of the character Philza within Dream SMP.

Interlude: Before Dadza & November 16th

Okay, so now we have established that a) Dream SMP heavily hinges on intertextual readings by the audience to supplement character backstory and b) that Philza’s entire deal is that he’s the dad-friend – more specifically that he’s the dad of SBI (not the bank). I think you know where this is going.

So, yeah, ever since it was on the table that Philza could join the Dream SMP, it was immediately assumed that he would take on the paternal guardian role all these traumatized people on that server so desperately needed – and with good reason! Like I said before, the audience at this point was trained to take intertextual interpretations as basically canon or at the very least canon-adjacent.

I want to emphasize that this is most likely not done deliberately. I’m sure content creators Wilbur and Philza didn’t sit there and said: “Yes! We will rely entirely on the audience’s inclination to interpret our characters intertextually to define character Philza!”. Like, obviously that did not happen.

But it’s also important to remember that unlike with traditional media and the fanbases cultivated there, the separation between the Dream SMP and its audience is almost non-existent – and purposely so. The story events are streamed live, Chats are acknowledged in canon and even outside of livestreams creators are extremely involved with the fandom. So, the weight of fan-expectations is equally amplified and will more likely be incorporated into the writing process. Case in point:

[Wilbur “I miss Philza”/Philza about Wilbur]

During Wilbur’s villain arc, even before his official involvement, Philza became a prevalent point of discussion. The hope that he would be the one to snap Wilbur out of his downward spiral was not only wish-fulfilment on behalf of the fans; it also very much played off of the intertextual reading of the SBI-dynamic in relation to the Dream SMP.

Of course, this still doesn’t make Philza and Wilbur canonically blood-related – but it definitely used the “paternal”-dynamic of SBI to build-up tension and drama.

And that ultimately brings us to November 16th. The Grand Finale of Season 1 and Philza’s first canonical appearance on the SMP.

Now, for this I want to pull back from the transtextual analysis and talk about simply narrative analysis: What is Philza’s narrative purpose on November 16th?

Philza serves as the last threshold on Wilbur’s Villain’s Journey – to appropriate Vogler’s version of the monomyth for a minute here – he is what Vogler calls the “Threshold Guardian”. He is the last enemy the Hero faces before completing his quest – in this particular case Wilbur’s quest is to blow up L’Manberg. Multiple people have at this point tried to dissuade him from this course of action: Tommy, Quackity, Niki and others. So how come this Philza moment is not redundant in terms of dynamics compared to these prior scenes?

Well, it’s through our intertextual understanding of Wilbur’s and Phil’s relationship. Because Philza does not just occupy the role of the Threshold Guardian – he is also implicitly the Mentor. Before Phil there was no character in the storyline that held a higher position of moral authority than Wilbur – Dream and Schlatt, while at points more powerful in terms of actual authority, were never positioned by the narrative as Wilbur’s superiors in the same way as Wilbur was to Tommy, Tubbo or even Niki.

Before November 16th all challenges Wilbur faced were from people narratively subordinated to him. But that trend is broken with Phil. That is why he is the Threshold Guardian, why this confrontation is at the climax of Wilbur’s arc. Because Phil is the last thing tethering Wilbur to whatever morality he held before his villain arc; Phil is the last, moral obstacle Wilbur has to discard before gaining his reward.

And, just a quick sidenote, because I’ve seen it around the fandom a bunch: When I’m referring to Wilbur denouncing his morality, I’m using that in terms of narrative analysis. I’m mentioning it, because Wilbur’s character can very easily be read as mentally ill or neurodivergent and some people have – rightly! – pointed out that the excessive vilifying when talking about his character is … problematic, to say the least.

So, I just want to make clear, this isn’t a character analysis, I’m being purposely broad when talking about Wilbur and Phil.

In the end, Wilbur takes that final step and gets his “reward”: As his final request his mentor takes his life and vanquishes the evil – the dragon of Wilbur’s story slays the dragon of L’Manburg. It’s very Shakespearean in its tragedy – but beyond the larger theatrics it’s not really used to further characterize Phil – at least in the context of Season 1. There’s not a lot of focus on his characters internal conflict during November 16th.

Phil, like Techno, is very utilitarian in how content creator Wilbur writes him: He serves as a moment of hype; an obstacle Wilbur has to face; a participant in the tragic climax of Wilbur’s character and ultimately takes on his implicit and expected role of mentor and guiding figure to the rest of L’Manburg.

I think not a lot of people talk about how Philza does not join Technoblade during November 16th. He takes the side of L’Manburg – he fights against the withers and he joins Tommy, Tubbo and the others at the L’Mantree, thus framing him as loyal to the L’Manburg administration – even though Season 2 would make his loyalty to Techno central to his character. But more on that later.

What’s also important about November 16th is that this is the day when the general intertextual interpretation became canonized text.

[You’re my son!]

Wilbur is made Phil’s canonical, biological son. The intertextual interpretation of SBI as it pertains to these two characters on the SMP was completely reinforced by the narrative. Or to put it in Fandom terms: The headcanon became actual canon. At least when it came to Wilbur … but what about Philza’s “other” children?

Well, that leads to our second form of transtextual analysis:

Paratextuality: Is Dadza?

These titles are just getting better and better.

The Paratext is defined as all those things in a published work that accompany the text. It comes in two forms: One of them is the Peritext, which are non-diegetic elements directly surrounding the text – like chapter titles, author’s notes, and stuff like that. Translated to the medium of the Dream SMP, it would be stuff like this:

[Examples]

And, trust me, I could make a whole separate video about how people on the SMP use their peritext as a tool for storytelling – I’m looking at you, Ranboo – but that’s not what we will talk about in the context of Dadza.

Instead, we will focus on the second form of Paratext, the Epitext, which consists of all authorial and editorial discussions taking place outside of the text. That’s stuff like interviews, private letters or J. K. Rowling’s Twitter Account – you know, before she decided to become a full-time asshole.

[Wilbur: Transrights]

After Season 1 ended, Wilbur indulged pretty heavily in providing epitext for the Dream SMP, something he had not done prior to November 16th. His paratextual additions ranged from the playful, like assigning DnD alignments to various SMP members, to the extremely impactful, like the whole three lives system!

You probably think, you know where this is going. Wilbur provided some epitext about how Tommy and Techno either are or are not biologically related to him … and I have to be honest I thought that too. But then I began looking into the impenetrable web that is the SBI-canon on the Dream SMP and found this!

[Ghostbur explains family]

So, it wasn’t paratext, it was just straight text. Said in character, in canon, without any implication that we the viewers should question this. The text of the SBI family dynamic was explicitly linked to Dream SMP-exclusive lore, namely Fundy being Wilbur’s and Sally the Salmon’s son. This is as clear as Philza’s anguished declaration on November 16th in establishing the intertext as text. And because Wilbur also had a very heavy hand in the discussion of paratext around that time, it gave his character’s words even more “canonical” weight. Metatextually speaking, this very much read like the author giving exposition through his character – exposition that we should understand as reliable.

And, by the way, before I continue, I need to give a huge, huge shoutout to kateis-cakeis on tumblr, I hope I pronounced that right, who was just so quick in providing me with these crucial clips. Without him I would have looked for days because these people don’t archive their shit! And the Dream SMP Wiki was NO help, by the way! I love what you guys do, but stuff like this belongs in the Trivia section on characters’ pages!

Anyways, basically during the entirety of early Season 2 the SBI family dynamic was basically canon to the SMP. Sometimes it was only alluded implicitly, again letting the intertext fill out the rest.

[Philza clips]

But just as often it was just explicitly talked about – both in the text and in the paratext.

[Fundy clip/Wilbur “Twins” clip/Tommy clip]

So, I know what you’re thinking: “Why is this part called paratext, if the entire family tree is just textual”. Well, that last clip might give you a hint, as to what I will talk about. Notice how Tommy, one of the people most directly impacted by the canonization of SBI lore, is both unaware of and seems generally unenthused about it, to put it nicely? Well, that would soon turn out to be a much bigger deal than anyone could have imagined as he wasn’t the only one.

[Technoblade decanonizes SBI]

Yeah …

This happened on 20th of December. Regular viewers of this channel will remember that I put out a 90-second joke video, where I complain about this very development. And while I was mostly kidding around, the core idea is still true. The paratext provided by Technoblade and established text were in direct contradiction with one another – and that brought a lot of confusion into the fandom. Confusion, that would soon be followed by frustration.

Because Techno only decanonized himself as part of the SBI family dynamic – but what about Tommy and Tubbo, the latter of which was incorporated into the dynamic exclusively within the lore of the Dream SMP. Was this still canon or wasn’t it?

What followed was a muddled mess of contradictions, intertextual implications, text and paratext in conflict with each another. It was for the most part inscrutable to figure out how Tommy and Philza related to one another. I’ll spare you every comment made about this – mostly because I want to spare myself from looking for all of them.

In the end, the current status is that their familial relationship is … unclear. Philza said, again in paratext, that it’s ultimately up to the writers to decide, whether or not Tommy is his son … which, I personally think he and Tommy should be the ones to establish that, but I’ll come back to that later.

But why is all of this important anyway? Why would this ambiguity create such an uproar, such controversy – especially when it comes to Tommy’s character? What makes Tommy’s and Philza’s relationship such a target for discussion in the fandom?

Well … this is where we will have to talk about the storyline of Season 2.

Interlude II: Tommy’s Exile and Dadza in Season 2

Okay, Season 2. This is where the spoilers are, so I will just sneakily drop this again. It took me five seconds to google this gif and I will milk it for every penny it’s worth!

At the beginning of Season 2, Philza’s narrative role has not changed much from where Season 1 ended. He is in L’Manburg dispensing earthly wisdom, being a paternal figure to Fundy, Ghostbur and Tubbo, helping with the nation’s rebuilding efforts; just generally occupying the role of the mentor.

[clips]

And then came … the Exile. The Exile Arc took place between December 3rd and December 15th during Season 2 of the Dream SMP. It revolves around TommyInnit getting exiled from L’Manburg and slowly getting psychologically tortured and broken down by Dream. It’s a really great arc, at least in my opinion, that explores and deepens a lot of Tommy’s character relationships, whether that be Tommy and Dream, Tommy and Tubbo or Tommy and Ranboo. One relationship, however, is noticeably missing.

So, yeah, Philza spends basically the entirety of the exile doing pretty much nothing of consequence. And that’s not a problem specific to him – One big criticism I would levy against the Exile Arc is that a lot of characters are left spinning their wheels. Which is why we get zany stuff like El Rapids, Drywaters, Eret’s Knights of the Roundtable, Boomerville – anyone remember Boomerville, that was a thing for 5 seconds, wasn’t it? – basically a lot of storylines are started and then unceremoniously dropped. Now, I will talk more about this, when I make a video about Season 2 of the Dream SMP … in ten years, look forward to it.

In the case of Philza, this inaction was especially damning, because at this point it was still a considered canon that he was Tommy’s dad. So, the fans were left with a situation, where just a few weeks prior Philza was occupying a paternal role for Fundy and Ghostbur … but now, that his youngest son was in a very concerning predicament – to put it lightly – he was nowhere to be found.

So why is that?

Well, the most obvious answer is that Dream and Tommy didn’t write him into the storyline. We’ve seen that Tommy wasn’t particularly interested in exploring a familial relationship to Philza, at least at the time. And it would just not fit in with what Dream and Tommy tried to do with the Exile Arc: they wanted to tell the story of Tommy being isolated, completely under Dream’s mercy, slowly worn down and manipulated. If Philza had been constant presence for Tommy during that time, it would have definitely shifted the narrative focus. That doesn’t mean that they couldn’t have done that, it’s just a matter of fact that they didn’t.

This also reveals another truth about content creator Philza’s character work, that I think is extremely crucial: He takes what the writers give him. Outside of a few choice moments, he doesn’t seem particularly interested in expanding or even solidifying his character on the SMP.

What I’m saying is that he is very go-with-the-flow: Wilbur wants to enact a Shakespearean tragedy? Philza’s up for it. Fundy wants him as a parental figure and mentor? Philza’s here for him. Tommy, conversely, doesn’t want him as a paternal presence, even though it would make sense for Philza’s character, as it was established so far, to be there? Philza will oblige.

The reason I’m mentioning this is because, while Tommy and Dream were unwilling to utilise Philza in their storyline, someone else was more than happy to. Which leads us back, like it always does, to everyone’s favourite Porky Pig-kinnie in a crown: Technoblade.

Technoblade and Philza, from everything I’ve seen of them, seem to be very good friends – and they share a lot of history even outside SBI. So, it’s commendable that they would collaborate on a storyline together.

A consequence of that, however, is that Philza’s narrative purpose shifts completely with very little transition. His entire character changes from being the Mentor-figure of L’Manberg to being pretty much exclusively defined as Technoblade’s ally; his man on the inside. It is a very sharp turn from the end of Season 1. Their relationship is once again informed via intertext – this time the Antarctic Empire on SMPEarth serves as the hypotext – but there isn’t a huge effort made to smoothly integrate that aspect of Philza’s character into the larger narrative framing around him.

How much the narrative utilisation of Philza has shifted can be very easily observed through the Butcher Army event on December 16th, a story event that I like less and less the more I think about. Here Philza is used to show just how corrupt and violent Tubbo’s administration has becomes. He is no longer the respected mentor, he is now the stand-in for the oppressed populace, similar to Niki’s role in Season 1. On a narrative level, he is here to prove a point.

If you’ve seen my Technoblade video, you know how I feel about … just that entire storyline, so I will not reiterate too much on it. I just want to make clear that I’m not principally against this development – if they wanted to truly explore Tubbo going down a dark path and getting corrupted by power, so much so that he would even treat the person who effectively raised him like a prisoner, I would be extremely here for it, I cannot stress that enough.

The problem I have is that it’s just so sloppily done. It is not coherent with how these characters behaved and, more importantly, how they were narratively framed prior to the Butcher Army event. Fundy gets one token line about Phil being his Grandfather – a far cry from the very emotionally complex relationship they had established at the beginning of Season 2 – and Phil then callously disowns him.

The major problem simply is that we don’t see how Philza changes from Mentor-figure to embittered, oppressed citizen. And there was enough time to build to that. During the entirety of Tommy’s exile Tubbo was pretty much spinning his wheels and Quackity and Fundy were opening up plot cul-de-sacs that didn’t end up going anywhere. This is time they could have spent on developing their relationship to Philza and the dark path they were going down – but again, Season 2 video.

There is not much to say on Philza’s narrative purpose and framing beyond the Butcher Army event. He remains pretty much exclusively Techno’s consigliere with his role as Mentor to L’Manburg a distant memory. He has some cute character moments with Ranboo, because content creator Philza is just big dad-energy whether he wants to or not, and whenever he and Ghostbur share a scene suddenly the narrative remembers that there are people other than Technoblade that should exist in Philza’s inner world. But aside from that, Philza’s storyline in Season 2 remains … pretty definitive is the nicest way I can put it.

Most importantly his relationship with Tommy continues to be completely unexplored – whether by chance or choice – and that combined with ever vaguer paratext leaves “Dadza” in a very peculiar situation.

Conclusion: Is Dadza a Good Dadza?

So, the question to end all questions. The big, obnoxious text, that I will probably have put in the thumbnail – I haven’t made it yet, but I know myself. The honest answer is: I couldn’t tell you.

I have, in the past, been expounding the virtues of narrative analysis. That is because I feel that Narrative Analysis and Textual Analysis, like in this video, can provide certain tools that Character Analysis lacks. Often times I see people trying to get at a writing problem or query and getting frustrated because they’re not using the toolset, they need to figure out what they want to figure out.

But I’d be a hypocrite if I pretended like everything could be solved through the modes of analysis I prefer. And I think the Dadza-issue is exactly such a case.

I set out to explore why the Philza-Tommy-“Dadza”-relationship has become so controversial. It’s a combination of expectations build up through intertextual readings, that were partly canonized – something that is very common for the Dream SMP – conflicting pieces of paratext, which only serve to muddle the issue further and a text that is not only completely uninterested in actually exploring Tommy’s and Philza’s relationship – as it stands right now they might as well be strangers, narratively speaking – but also completely changes Philza’s narrative purpose as it relates to characters like Fundy or Tubbo about half-way through with little to no transition.

That is why I say, that Philza’s character is a victim of narrative circumstance. Because unwittingly, through all of these factors and decisions, there is not coherent reading of Philza that frames his parental skills in a particularly kind light.

The question of how we can judge Phil as a paternal figure ultimately falls within the purview of the character analysis – and that’s a very multifaceted issue, highly dependent on which POV you focus on and how you interpret the other characters in that POV’s periphery.

To put my cards on the table, I think that Philza is a very flawed father/father-figure – and I find that absolutely okay. Flaws are the spice of character building. He is not Cinderella’s Evil Stepmother – but he’s also definitely not Mufasa. If we were to read Philza as a paternal figure, then he would have made a lot of mistakes and decisions to the detriment of his “children” – least of all everything that happened on Doomsday.

But I also have sympathies for Philza fans who are tired of the Dad-Debate and would like to have his character judged independent from his relationship to Ghostbur, Fundy, Tubbo and Tommy.

Ultimately, to bring it all to a point, I’d like to end with saying, that I think that Philza, out of all the characters on the SMP, has the potential to be on of the most intriguing, multifaceted ones. There are all of these different patches of story, character moments and narrative and transtextual implications, that, if brought together, could create a beautiful tapestry of the character Philza.

You have his relationship with Techno, which holds the potential for so much emotional conflict and vulnerabilities, you have his time as mentor of L’Manburg, which is just criminally underused; the complex relationship between him and Ghostbur/Wilbur; and – for me, personally – most intriguingly this weird, almost uncomfortably distant non-relationship with Tommy. That last one is intriguing to me, because it contrasts just so much with our intertextual understanding of the characters and streaming personas – and it just holds the potential for so much conflict, so much drama, so much angst. Which I live for!

And, yes, I do believe that most of this is narrative happenstance, that this was largely not intended by Philza or really any of the writers. It’s just what happens when hybrid-roleplay-improv a long-running, livestreamed storyline in Minecraft.

But I want them to realize the potential they have on their hands, because it could – with barely any adjustments – turn Philza from a victim of narrative circumstance to a champion of it!

Outro

Thank you so much for watching this video. Usually, I don’t record outros this standard, but after this beast of a video I felt it necessary. I hope that whether you’re a Philza fan or a Philza critical or just completely uninvolved in the whole thing, there is at least a little entertainment you could get from this.

I want to take this opportunity to say that my next few videos will probably not be Dream SMP related – a sentence which undoubtedly lost me a bunch of subs – simply because I don’t want to burn out on it. I genuinely enjoy watching the SMP and being exhausted by it would be something I wouldn’t want to force on myself.

But who knows what will happen? The Karl Jacobs video was something I did spur of the moment because the idea just came to me – so I can’t guarantee that the next video won’t be a three-minute joke about Purpled or whatever.

Anyway, my concrete plans for future Dream SMP videos are essays on Season 1 and Season 2 as well as one for Tales from the SMP.

Before that I have a longer video in the works, which I’ve already teased a bunch, so I hope it will finally be finished sometime. And I also may be working on something … eboys-related? Maybe. I’m not making any promises!

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steve0discusses · 4 years ago

Text

Yugioh Season Zero: The Yo-yo Crimes of Jounouchi Pt 2

OK, last we left off, we were in a different Youtube video. This one I grabbed off of 2 different videos (you’ll see their watermark in the corner change) and it makes me appreciate the quality that our other episodes have been, honestly. A little bit of compression going on in these, just to give you even more of that nostalgic feel of watching a bootleg anime from the 90′s your brother got from his weird high school friend’s Napster account.

Because this is done with subtitles on, it takes more caps to cover it. Part of why I rewrite the dialogue in these recaps is to help abridge stuff, and so consider yourself warned...there’s a lot of caps in this one. For most of you, that’s probably not much of a problem. But I’m just letting you know because...I sure wasn’t expecting it to be over 40 caps for half an episode, and I’ll probably just type less to make up for that. (Tumblr keeps Erasing All My Words anyway, so this is for the best, but that’s a tech issue I already went into in another post.)

(read more under the cut)

So, to start off, Yugioh and co. walk up to a bar like a really weird version of a bar joke and are like “do you know where we can find the yo-yo gang?” And, much like a video game npc, the bartender was like “I know EXACTLY what you’re talking about, and I heard every part of their intimate conversation. Let me give you all the details, children.”

Hey, PS, there’s an entire Wikipedia entry about the bar joke. And that is wild. Apparently the first bar joke was from Ancient Sumeria, and Wikipedia was like “Here is the Sumerian joke, but we Do Not Get it. Please don’t try to get it.”

The joke being: "A dog walked into a tavern and said, 'I can't see a thing. I'll open this one'."

Damn. I can’t believe the Sumerians were onto meme humor before we ever invented memes. They were in the Galaxy brain over there in the land before time, holy crap. Depositing their memes knowing that 7,000 years later mankind would look at the world’s first joke and be like “I don’t get it!” while all the millennials and zoomers with our MB of nonsense memes on our phones are like “No. I get it.” Good on you Sumerians, that is freakin the best joke ever made. 7000 years to get to the punch line of confusing the hell out of all us. Bless.

They promptly tell Miho that everything was resolved and that she should go to bed and she was like “Cool!” and exited stage left. Bye, I guess. Anzu also went home, but she didn’t have to be tricked into doing it, she just went the hell to bed.

(PS, I just realized that if I want to write less...I should probably not look up Wikipedia articles about the world’s first ever bar joke. But y’all, habits die so freakin hard, and I just feel like it’s very pertinent to this Yugioh recap, although I know it’s really not.)

Yuugi and Honda decide to visit the warehouse and harass Jounouchi. In the context of the show, they’re going out of their way to pull their best friend out of society’s systemic downward pull of a life of crime and most likely turning into exactly like his Father. But, the way that it’s storyboarded makes it look a lot like these kids just show up out of the corner and this gang was like “Damn it, again? OMG small children, please leave us alone!”

Honda hands over the symbolism sash, to which Jounouchi symbolically says “Nyeh.”

And Honda didn’t take it very well.

After tending to his kidneys for a little while, Honda decided to go back at it again at the Krispy Cream and do some sort of insane parkour over this completely ordinary fence.

Ah, the very first instance of real duel law where you duel over a relationship. In later seasons duel law is invoked for things like Mai’s marriage and the right to date Tea (and then just kind of forgetting you ever won the right to date Tea twice). But to think the very first time was Honda dueling for the right of Jounouchi to be part of nerd gang because Jounouchi had fallen to the dark side yo-yo gang across the street run by some 40 year old man with blue hair.

How many times is Honda gonna fight with a broom? Like are they just magnetized to his location? where are they even coming from?

Freakin janitor powers over here, put him in a Final Fantasy style RPG. I want to see what his limit break would be.

Not like it matters, because Hirotani very quickly explains why these yo-yo’s are at all a threat.

Which honestly shouldn’t be...so lethal? Seems like the weight is all you need, not really the spikes. But it’s at least stronger than Honda’s janitor stuff.

Unfortunate for Honda that he just destroyed an antique.

So with lightning reflexes, Yuugi does what he does most:

The death yo-yo ricochets back and does this little itty bitty scrape to this guy’s face and he’s real bothered by it. Although it’s like...well dude, you’re a 50 year old high schooler, I don’t think people will notice the scrape compared to everything else falling apart in your life.

And so then the Yugioh Season Zero team was like “oh shoot is it time to torture Yuugi???” and they got hella excited.

Like I thought it was just Yuugi’s class that were a bunch of disturbing criminal disasters, but I guess it’s the whole city. Like...was Yuugi’s class the good school?

I mean, it can’t be, there’s no way...

but like...is there a good school in this universe? How does anyone survive till graduation? If you so much as disgrace a yo-yo, you will get the torture treatment that I sure did expect in Yakuza games, but not so much in Yugioh, tbh.

Just a reminder: This is the third time we’ve beat up Yuugi this episode. Within the first meeting of Yuugi and Hirotani, he beat the tar out of Yuugi within eye shot of Jounouchi. So like...Jounouchi was reallllllllllllllllly lax on that deal, right? Like...he took his toot sweet time to realize “yeah this just ain’t ever gonna happen.”

And then the yo-yo wars begin.

Just like Solid Snake crawling through the radiation chamber.

Hirotani throws his Fyper-yoyo, Jounouchi intercepts with his Eireboy, and Hirotani’s completely terrible yo-yo just flies off the string again because Hirotani should have just sticked to using his fists. No wonder they wanted to recruit Jounouchi so badly, their yo-yo game is so off.

We never get a door to darkness in this episode, dipping our enemies into mind horrors. Instead, we get home-alone style traps. But, this makes sense. Not only do the show makers have to make Yuugi avoid solving problems with magic in front of Jounouchi, they also have to make it Jounouchi’s choice to leave Hirotani behind. If Yuugi did it for him in like...some sort of duel law situation...then that sort of leaves out Jounouchi’s choice in the equation.

Not like this ever really comes up in later seasons, since who even follows through with duel law and marries Mai? But like, it does feel like Season Zero calls out the later Seasons a bit in this regard. Honda got beat up because he tried to win Jounouchi back by force (or game, I guess.) That was just another form of coercion on the heels of Hirotani’s. What Jounouchi actually needed was to make his own decision to leave.

...most other anime I’d be like “I’m sure that’s just a translation error” but not this one.

So Yuugi runs to the roof where Jounouchi will never see this.

My audible sigh reading this line about fight club roof.

These stupid gang members went into Yuugi’s native territory, not just a fight club roof, but on a warehouse? They were dead before they arrived.

This was like maybe 3 frames of animation in just rapid succession, it was pretty silly and good.

Reminder that like 4 minutes ago, Yuugi was about to get like executed on a meat hook.

Speaking of getting executed on a meathook:

Hope you like the idea of glass in your eyes, because this anime’s got it.

They chase Yuugi around, in a sequence that was done mostly to conserve frames, so you rarely saw the ground until this shot:

Lots of falling down this episode, but unlike Tea, who fell from a warehouse ceiling once and just kind of rubbed her ass after and was like “ah damn it.” these guys won’t come out of it virtually unscathed.

Also, Honda is here now:

Jumping off of his symbolic sash trapeze, he decides to do in Hirotani for good.

Hey so like...walk the dog is a fairly gentle walk that a yo-yo does slowly on the ground right?

Just pointing out how sensitive Hirotani’s fingies are.

And he...didn’t appear to be dead, so I don’t have to add to the bodycount...but it’s gonna be a real long road for recovery.

And now, with the gang back together Jounouchi is back at school knee deep in make up assignments he’ll probably completely ignore since we know that in a years time, these fools are going to be trapped on Pegasus’ island, and at that point school will be just that place you talk about when you try to remember why you’re friends with Bakura.

---hey aren’t those chairs attached to the desks?

Because...holy crap, Anzu.

Honestly this is what you see before you die, but I guess Jounouchi died off screen after the episode ended, so I don’t have to add him to the deathcount (again). RIP.

Alright! That took like...8 tries to get Tumblr to save this one, but it managed! (well...I guess “managed” isn’t the word you’d use for a typing program that takes 8 tries to save)

Next time, we’ll be back to S5, for an arc I’ve heard is kind of boring. We’ll see. If it truly is, I can condense episodes into fewer posts. Or maybe it’s a secret gem? I guess we shall see.

And if you just got here this is a link to read all the Season Zero recaps from the start:

https://steve0discusses.tumblr.com/tagged/yuugi-muto/chrono

(there’s also a link to read all the Yugioh posts we wrote from the start in chrono order but straight up, this file won’t freakin save, and I just can’t even will myself to look up that link again. It’s on the home page of this blog on the right.)

#YGO #yugioh #yu gi oh #Yuugi Muto #Jounouchi #Honda #Anzu #Miho #yo yo gang #Hirotani #Yuugi and the gang do serious property damage

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nyadversary · 3 years ago

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sorry to rant about this on main rather than on sideblog but i just reblogged a post about it on main so, whatever. going off the post about how the initial english-speaking fandom for the danganronpa games was affected by experiencing the games via a fanslation that was being posted serial-style to a forum. like i said, i read the dr1 lp after it had concluded so i didn't have to wait around for updates; i also don't think i spent much time reading the discussions on something awful itself whenever the sdr2 lp updated, since i don't really remember much about what was being said there. i do unfortunately remember the discussions about it that were happening here, though.

anyway, i guess 2 things: 1) part of why the entire thing was so unpleasant was due to how tumblr as a website functions, and what tumblr fandom communities in ~2013 tended to be like. while i'm sure the something awful forums had their own variety of nonsense going on, that's still a forum, as opposed to on here where everyone gets their own personal soapbox. forums definitely aren't completely level playing fields and can have their own weird social dynamics, but on a forum you can have a discussion thread where everyone with an account gets to comment and (in theory) have equal say, whereas on tumblr everyone has their own blog where they get to post whatever and anyone coming onto your blog to argue with you is at an automatic disadvantage. i'm not saying this is a bad way of doing things necessarily, but it's not an ideal way to go about discussing the mysteries in a mystery story. add in that most of us in the fandom were teenagers and this was the era of everyone trying to evaluate a work through the lens of how "problematic" it / its characters were (honestly i think this is a particularly bad critical lens when applied to danganronpa, but that's a whole other post) and it's no wonder that this led to absolutely nightmarish levels of discourse.

2) the waiting between updates was a huge part of this too. people formed impressions of the characters and the situations based on what happened in the early parts of the game — of course, a lot of what happens early on is deliberately misleading because it's a mystery — and got so bent out of shape arguing at each other about it that they tried doubling down on their early impressions even in the face of updates to the lp that should have made them reevaluate. (this is doubly funny to me as it is something that happens multiple times in-universe with the characters trying to solve the mysteries, and it is directly stated by other characters that this is not a good way to try and figure out a mystery...) i've mentioned this while liveblogging sdr2 on sideblog but a lot of the bad fandom interpretations that you used to see all over the place can be directly linked back to specific moments early on in the game (that were, again, meant to be misleading or hard to interpret without full context from the rest of the game) that people clearly just latched onto and ran with.

this isn't even to say that i think the fanslated let's play was a bad way to experience the game. i think it's really cool that someone devoted time to doing that, and, make no mistake, it was thorough. this guy included all the CGs, all the music (even indicating where the background music changed), all the voice acting and cutscenes. he posted full videos of all the trials. there were plenty of translator's notes. that's part of why the updates took so long. i think the issue was more to do with the way people engage with media via online fandom spaces, and how that tends to be counterproductive to actually discussing said media in a way that matters. danganronpa has some great characters and a ton of really interesting (imo) thematic shit going on and i could talk about it forever, yet i spent over a year in the fandom and the closest anyone got to having a discussion about themes was when arguing about shipping. it's just disappointing to me honestly

#this got Long i am so sorry. this is not even 10% of my thoughts on the matter and i thought i was being brief. hashtag oh well #my nyas?#also i don't think anyone would but pwease no rb. im on MY personal soapbox

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tickle-bugs · 4 years ago

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I had two people ask for some advice on starting up/running a blog, so I thought I’d make a little post for anyone else looking for advice! There’s no one right way to run a blog and I am by no means an expert. This is just a compilation of some of the things I’ve learned :)

Feel free to add advice to this!

- The first thing is something I cannot stress enough. Write for yourself first. You will be absolutely miserable if you’re only writing for attention. I’m not saying it’s easy, but it’s so incredibly important. If you don’t like a prompt, fandom, or scenario? You don’t have to write for it! A personal example: I’m a theatre kid and total musical nerd. I could probably write some compelling Dear Evan Hansen or Hamilton headcanons if I wanted to, but I don’t. That’s fine! I’m allowed to say I won’t write for it and deny prompts/requests for those fandoms.

- Set boundaries. This is a very mixed community with all sorts of creators and participants with hands in different baskets. Don’t want minors to interact? Put minors DNI in your bio. SFW only? Put it in the bio. No RP? Bio. This goes for private conversations/askbox/other interactions as well. If someone comes into your askbox/dms and says something that makes you uncomfy, shut it down.

- My advice is more geared towards writing than art or video, but I suppose you could apply this advice as well. Make what makes you happy! If you’re only in one fandom, feel free to stay there and make content for it. Multi-fandom? Excellent! Completely non-fandom? Epic! Make the content that you want to see and the content that makes you happy to create, especially if you’re in a more niche fandom/area.

- Organization. ...I’ll admit this one is more of a personal pet peeve than something urgent, but it is something that people positively respond to. If you have some sort of consistency/organization to your blog, it’ll make it easier and more enjoyable for people to navigate. Make a fandom list/indicate your fandoms somehow (mostly for prompt purposes. people can’t read your mind, so it’s important to tell them what you will write for and what you won’t, however you want to do that)!

Make a masterpost/link your fic tag! Use a fic tag of some kind. Give your fics summaries and leave a little bit of the fic above the ‘read more’ to intrigue folks (look at #my fics and my masterpost for basic examples of how I do this, if you need!). Use read mores. Please use read mores (if you can, idk if they’re on mobile. regardless no one wants to encounter a three thousand word block of text on their dash). (No seriously though, organize your blog, even if it’s super simple. literally just a ‘mine’ or ‘my fics’ or ‘[pseud] writes’ and a fandom tag. It’ll make it easier for people to find your stuff and support you)

- Practice general internetiquette. Please remember that the people in this community are real people with feelings, boundaries, and lives outside of the blog that they run. Be genuine and people will respond to you! Don’t manipulate people into likes/reblogs/attention. No one wants to be on the other end of that. Being in this community isn’t a transaction or a mosh pit, it’s an experience.

- Be ever-so-liberal with the block button. Someone’s user makes you uncomfortable? They give you bad vibes? They’re a minor/older than you and you don’t want them interacting with your content? You don’t wanna see their blog for some reason? Block em. This goes for anons too. That’s what the button is for. Don’t feel guilty for using it. Use it.

- How you write is 100% a personal choice and not really something that I can give advice on, but embrace your style! take prompts if you want, or don’t. Write oneshots, series, drabbles, or novels. Write romantic, or don’t. Etc. Change things up if you feel like it. Do what you want. Your blog, your style, your rules.

- Numbers matter. Don’t let them define you. This is a bit of a harder one to explain, but I will try. I often say that I don’t care about numbers, and I really don’t, but that’s not to say that I don’t see them and they have zero effect on me. I absolutely notice and am bummed if a fic doesn’t get notes, or at least the notes that I was expecting. That is entirely normal and okay to experience. What isn’t okay, though, is creating for the sake of getting notes/numbers/attention (re: write for yourself first, internetiquette). If you find yourself relying on tumblr for gratification and a reward, I implore you to take a break. I’m not your therapist or your parent, I’m not gonna tell you what to do, but when you make things only for the sake of notes, people notice. Celebrate your milestones. Know that it’s okay to be bummed about low notes/celebrate getting plenty. Just make sure that you don’t depend on the numbers for your happiness, or you will be miserable.

- You’re (probably) doing this for free. You are providing people content: a service. Produce as much or as little as you’re comfy with, but always remember that. No one is entitled to what you make. If someone asks you for headcanons, sends a prompt when prompts are closed, etc, and you don’t feel like fulfilling it? You have no obligation to do that. Getting commissioned is another story entirely, but as long as you’re making free content, you have zero obligation to do anything for anyone and certainly no time constraints. It can take me months to finish prompts, and that’s okay. I do them when I do them and I fill them how I want to. If my prompts are closed, I deny new ones until I’m ready to accept them. Make yourself happy first.

- How you interact with others is up to you! It’s generally considered good practice to like/reblog your mutuals fics/art, but this is not necessarily a hard and fast rule. I veeeeeery rarely reblog fics for fandoms that I’m not in, even from my mutuals. What you can do to show your support (and you should try and show support somehow. No one is in competition. Everyone’s in your boat, whether they have no followers or 1k) is send an ask/reply to the post/leave tags to let the author know you liked it. Like the fic and don’t reblog it, if you don’t want to. Just make sure you show your mutuals (and others in general!) roughly the same support they show you, however you decide to do that. Treat others how you want to be treated, as cheesy as it sounds :)

- Don’t repost content that isn’t yours without express permission from the original creator, and credit them appropriately. If you see a cute piece of tickle art and the artist doesn’t want it reposted? Don’t repost it. Don’t post fics/videos/gifs that aren’t yours (obviously if it’s like a scene from a movie/a clip on youtube that’s different, but don’t take credit for things you didn’t make, including ideas). Can’t tell you how frustrating it is to have work stolen from you. Don’t be that person. ‘Credit to original artist’ and ‘credit unknown’ is total bullshit btw. Link/tag the creator in the original post and make it clear you don’t own the content. Best practice is to ask the original creator if they’re okay with reposting, work inspired by or connected to theirs, etc. This goes doubly for saving/downloading someone’s fics.

- It is not illegal for a minor to have normal, nonsexual, healthy friendships with people older than them. There’s a weird attitude that minors have nothing of value to offer adults besides a relationship/sex, which is...not true? Minors are thinking, living human beings with feelings, thoughts, and opinions. You can talk to them like normal people, because they are. Just obviously don’t talk about/introduce sex or endanger them. Minors don’t bring up sex/activities you’re underage for with an adult. IDK this isn’t a seminar just...don’t be weird. Adults can offer great life experience, support systems, and the basic joys and needs of human connection. Minors can too. Mind your business unless someone’s actually in danger. The next point is a caveat, though:

- If you’re a minor, don’t interact with NSFW blogs/blogs with ‘Minors DNI’, NSFW blogs don’t interact with minors, etc etc. Not your parent or whatever but this is pretty common sense and it’s for everyone’s safety, but especially the NSFW person. internettiquette!

- If you use your TK blog as a side blog (meaning you have another blog as your main blog, not two separate accounts) and don’t want your main exposed, that is up to you. I recommend not liking posts. Also, follow people that you trust. These actions route through your main blog and your main will show up in the notes. You can reblog from a sideblog. If you want to send an ask “as your tk blog”, send an anon and sign it somehow, like ‘hey :) // @/tickle-bugs’. It should tag you in the post so you get a notification when it’s answered!

- Find your people! As an anxious person this one has been hard for me, so I know it’s hard for a lot of people. Fandom is literally a community of shared interest. Peachy and I have an iron bond almost two years later and we met talking over shared interests. You can absolutely find your people here. If someone makes you happy, strike up a conversation! Send an ask! You never know what doors it might open or whose day you might improve :)

- If you were an anon/lurker on someone’s blog and they inspired you to write/submit/start your own, sign your messages!! the common form that I see is either an emoji or [noun/context of the ask]!anon (prodigal!anon (i miss u every day), butterfly!anon, etc.) Let us know how to find and support you!! Those messages produce good brain juice.

- The big finale: Have fun. If you’re not having fun here, maybe you could tweak something to make things enjoyable. Running a blog is like driving a car. Keep your hands on the wheel, respectfully indicate your intentions (flashing lights optional), and be safe. Poebody’s nerfect, y’know. If you make a mistake, course correct. I’m by no means perfect. Your favs aren’t either. Just do your best and have a good time :)

@rosytickles and the anon in my inbox, I hope this helps! Thank you for asking me, I’m very honored that you value my opinon/experience/advice. I apologize if I come off as preachy or aggressive, I envisioned grabbing my younger self by the lapels and shaking me vigorously while I wrote this. Probably a bad idea.

Anywho, hope it helps. Anyone with questions, additions, or comments, my askbox is open! Just be constructive, is all I ask.

#bug speaks #advice tag #sorry again if this sounds preachy or aggressive at any point i literally wrote it like i was grabbing younger me by the lapels #these are all things i learned through experience/observation i promise im not talking out of my ass here #the largest obstacle to maintaining a blog is how you view your happiness in relation to it. talked about it above but yeah.#also like i said: not a professional and not your parent. just giving friendly advice sine i was directly asked for it.#might add more to this if I think of more #my askbox and dms are open for questions/comments/additions just pls be respectful and constructive #other tfb community members feel free to add to this!

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damianwayneweek · 3 years ago

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FAQ

Damian Wayne Week is an event designed to celebrate said character through all creative forms and is open to participants of all skill levels. As fandom events may differ or not everybody may be familiar with them (welcome, first timers), here’s a list of answers to commonly asked questions. If you don’t see yours here, feel free to stop in our ask box or DMs.

What are the important dates?

Prompt submissions will be open from February 14th to February 27th.

Prompt voting will be from February 28th to March 14th.

Prompts will be released on March 15th.

Posting will be from June 12th to June 18th. Late posting is allowed, but please refrain from early posting.

How do I participate?

Simply create something, tag it with #damianwayneweek and #damianwayneweek2022 (within the first 5 tags), and tag us @damianwayneweek

Is there an Ao3 collection I can add to?

Yes

Is shipping okay?

Yes, but we do ask you to refrain from bat-shipping, adult/minor shipping, and NSFW content.

What’s the policy on violence?

Violence is okay as long as it’s not over-the-top graphic and content warnings are tagged properly.

Who are the mods and how can I contact them?

It’s just me, @incorrectbatfam. I know, it’s kind of sad and also a little weird that I use “we” in all the posts but let’s just roll with it. If you want to contact me directly, feel free to send a DM.

What forms of content do you allow?

Any form! Writing, art, edits, moodboards, videos, playlists, cosplays—you name it! Just don’t steal anything. Like... come on, that’s not cool.

Can I include other POV characters or relationships?

Yes, as long as the focus is on Damian.

Are crossovers allowed?

Yes. Again, make sure the focus is on Damian.

I did everything right but my work hasn’t been reblogged.

(Grammatically speaking, that’s not a question.)

But here’s the answer: there might be so many posts that I missed it, or Tumblr’s just not being a functional website. Regardless, if you don’t see it reblogged within 36–48 hours, send a DM with the post link.

#damianwayneweek #damianwayneweek2022 #damian wayne #robin #batfamily #dc comics #fandom event #prompt event #tumblr event #faq

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scoupsy-remade · 4 years ago

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For this gif tutorial I’m going to try to keep it as basic as possible, I may add a few tips for coloring at the end, but for the most part this is going to be how I make my basic gif. Also I’m not going to use my vapoursynth to process the video beforehand, just because I know not everyone uses it and it’s harder to learn. This is going to be just a downloaded mp4 video through the gif process. Don’t let the idea that this is a BASIC TUTORIAL fool you, I’m going to try to teach you a lot of things. It’s gonna get wordy, but i will try my hardest to keep the process easy. I’m just going to explain what things do instead of having you just copy + paste my method and not know what it means. okay? okay.

Before we start though, if you plan of giffing live stages you either need to accept the they will not be super crisp and clear OR learn how to use avisynth/vapoursynth to resize the videos without quality loss.

If you just want to gif music videos or variety shows then this should still give you HQ gifs.

Other notes:

try to ONLY use 1080p and up video if possible, maybe 720p if you’re really desperate, but anything under that... it’s not going to look good at all, so try to avoid using them.

The Photoshop I am using is PS 2020, so all my screenshots will be from that version and with my weird set up. But I’ve been using pretty much the same method since cc 2015 so other than the fact that some placements and names are tweaked, it’s the same. (If you can’t find something on your version shoot me an ask and I’ll try to help! And asks I get on this tutorial I’ll link HERE for future reference)

CUTTING VIDEO

To cut videos I’ll just use my quicktime player.

I use edit > trim to select the portion of the video I plan to gif and save that as it’s own new mov file.

which pops up this tab

that you just slide until the part you want to gif is selected

then just save it as a new video and your done with part 1

ENTER PHOTOSHOP

Now what we’ll do is open our photoshop and import that clip into layers

FILE > IMPORT > VIDEO FRAMES TO LAYERS and select your video.

A small pop up will appear to show the clip you’re opening, you can trim it further here or just keep going by clicking okay

my setup is weird for drawing BUT you should have it looking remotely like this:

The things you will DEFINITELY need to see are TIMELINE, LAYERS, ADJUSTMENTS. If you don’t have these sections you can add them to your screen by clicking on the WINDOW tab at the very top menu bar and clicking on them

LAYERS - this is pretty self explanatory but each row is a layer in the gif. the more layers the bigger the gif will end up, the longer it plays. So bigger clips will have more layers and end up as larger gifs in the end.

TIMELINE - This is where you can edit the gifs timing (make it faster or slower)

We’ll be doing a bit of work with it so it’s important to know it well

ADJUSTMENTS - Best friend and worst nightmare. this is where ALL the tedious recoloring is done. VERY rarely would you not use these. 99.9% of kpop things are filmed through a green or blue lense so you’ll want to fix that to not have ghost idols

So, Let’s make a gif

Step 1 - In the top right corner of your timeline is a set of lines, click there and then click SELECT ALL FRAMES

under each frame is a time stamp (this video’s is 0.04) this decides how fast each clip goes by, or how quickly the gif moves. Personally I prefer slower gifs, but I say anywhere between 0.04-0.06 is a decent speed.

Step 2 - with all the frames selected, click on the small down arrow next to any of the frames and change the speed to your liking. (I’m going to use .06)

Step 3 - in that same tab of lines we’ll now click CONVERT TO VIDEO TIMELINE, which will change our Timeline to look like this:

Step 4 - Back in our very TOP menu we’ll click SELECT > ALL LAYERS, then on the TOP menu click FILTER > CONVERT FOR SMART FILTERS (this might take your computer a minute since our File is still pretty large.) Now our Time line will look like this:

Step 5 - Sharpening

This one is VERY MUCH something you’re going to have to play with to get your settings to be how you like them. It’s also where I’d use topaz adjustments, BUT since I said we’re doing basic PS gif we’re just going to be using smart sharpening. SO:

in the TOP munu again, click FILTER > SHARPEN > SMART SHARPEN

A pop up window will appear and you can edit the settings to your liking. Mine:

Step 6 - Resize your gif or crop it to tumblrs standards: big singal gifs have a 540px width || Two gifs use 268px || and three gifs use 177/178px

To do this we’ll use the crop tool and type in our dimensions in the menu bar:

and then crop to your liking. (this doesnt resize the gif it just crops to the correct ratio so we still have to shrink the gif)

Next, we’ll resize the gif to that size in the TOP menu click IMAGE > IMAGE SIZE a pop up menu will appear and you’ll type in your resize ratio and click enter.

Now technically thats a gif. it’s TECHNICALLY done. but mine is white washed and there are words on it that I dont want so onto the coloring and blurring.

First I’m going to show you how I blur text on gifs. because text is EVERYWHERE in kpop content and it’s hideous and I hate it. so lets kill it.

BLURRING LETTERING

First we’re going to add a new blank layer to our LAYER TAB by clicking the little box with the + inside at the bottom

Sometimes doing this can mess up the timeline’s selection but its SUPER easy to fix so lets do that.

So in our timeline we have these two bars on each side that select what part of the gif will play. this is also where you can readjust your gif if it has extra frames at the end, or it ends up being too large and you have to make the gif smaller to save it. Just click and drag the bars back to where our gif actually ends, and all is fixed!

Now on our new layer we’re gonna take a paint brush (one of the ones with a lot of fade NOT the solid circle ) and paint over where the words are like so:

MAKE SURE ITS ON OUR BLANK LAYER AND NOT THE GIF LAYER!!

I know it looks stupid but trust me okay.

Now in your LAYER tab we’re going to duplicate our gif layer by right clicking on it and selecting duplicate.

Then we’re going to drag the new gif layer so that it’s above the paint layer in our LAYER tab :

Now, right click on the top gif layer and select CREATE CLIPPING MASK. it should put a little down arrow to the left of the picture, toward the paint layer. This means the gif is ONLY visible where that paint is now.

So we’re going to click on FILTER in the TOP menu again (while we still have that top gif selected!) and Go to BLUR > GAUSSIAN BLUR. a pop up menu will appear and you can just drag the radius until the text is as blurry as you want it to be. (also IF you missed part of the text, you can just go add more paint to your paint layer and it will blur wherever you paint!)

so now my gif is like so:

So now we’ll color him, because he’s pretty washed out.

ADJUSTMENTS

This is where I’m going to be the least specific about what I do and more about what tools do, so that you can learn how to color things the way you like them!

The Adjustment tab on Photoshop has 16 options but I’m really only going to talk about 6 of them. We’ll do it in order though. All the actual adjustment tools will open in the PROPERTIES tab

Brightness / Contrast - Pretty self explanatory, but definitely should be toward the end of your coloring, as if can effect the quality a lot. Small adjustments do A LOT so don’t go crazy,

Levels - Levels is all about the balance of how dar or light your gifs will be if you adjust in the RGB layer it will adjust for the entire image, but if you change the selection to RED/GREEN/BLUE it will adjust just those colors hues. Also there are three small droppers to the left of the graph. using those you can select which part of the gif you want the image to recognize as the lightest/darkest part of the gif, and the tool will adjust the gifs coloring to that point. ( play with those droppers! magic happens i swear!)

Curves - Kind of like levels but instead of how light or dark the entire image is it works more on contrast. REALLY play with the curves options, i’m sure most things you can do with other tools can also just be done in curves if you’re patient enough to learn

Vibrance / Saturation - Vibrance will make duller parts of an image higher contract and brighter and saturation will make everything a more neon shade. or in reverse lowering vibrance will dull out the things that were already neutral and saturation will dull out the more vibrant parts of the image (usually reds)

Color Balance - Good for fixing tones. so if a live stage is SUPER BLUE!!!!! you can readjust and calm down the blues to dull them out or get rid of them completely. Again play with this its insane what it can do

Selective Color - adjusts the different colors in your image without touching the other colors. if you wanna touch the reds, make them pinker but not change the blues and greens, you do it here

If you want MORE drawn out explanations of what each of the 16 adjustment layers do here and here are actual articles you can look at. But it’s all about practice. playing with all the adjustments alone and together. Finding out what you like to do!

Now when you gif is ALLLLL colored and you’re ready to save it we do FILE > EXPORT > SAVE FOR THE WEB and a whole new window of options pops up. I’ll give you two examples of how to play with those options and then we’re done!

keep in MIND tumblr’s gif limit is 10MB which is pretty huge now, but still watch your gif size!!!!

AND SAVE your done!

I hope this was helpful! Let me know if you have any questions,again I’ll have an ask tag for it and it’ll get linked HERE if people end up needing help!

Happy giffing!!!

#drm.pst #drm.txt #Gif tutorial #this is LONG okay please be aware of that before you open it #als i did NOT reread it because it took me 3 hours to type out so it's probably a grammatic nightmare #BUT i'm JUST under a new milestone so i'm gifting this early because i had the patience to do it today lmao

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