#trying to use the thicker lineart

[redbowkid-27]

Can you draw Chara?Pls...

I have no idea what to draw too

Here you go

[yuriyuruandyuraart]

okay but studying can wait a little second until i finish this redraw HGHGHGH 😔<3333

[mothboypoison]

I spent like 2 hours on a drawing and as soon as I finished it I hated it!! Like okay I suppose this is all just a part of improving but god. Annoying. I could've done something else with those two hours.

[hyacinth-sims]

i never really intended for this to be an art blog or anything but i might have to draw tybalt again teehee

[alicenpai]

of course i start lining the morally-grey-at-first characters. yeah this is. definitely not gonna be done today! i guess ill take my time. please peer upon this cursed canvas (little sp character thingies are from here !!)

about to clean up 12 characters wish me luck JDJHDJHDGDGF

[sammydem0n64]

The depression that I know is leading up to the Cycle is ughhhh especially bc it’s trying to convince me my art is shit. Like my brother in Christ I’m redrawing old Pop! Tart! Refs. There is no way you’re saying Vivian’s old art is objectively better than her updated art .

[lilivae]

Hey I love your art and how it's very stylised but feels 3D! So I was wondering if you had any tips on how to do line art and shading well as I find most tutorials on this stuff/effects don't really suit stylised works.

Oh yeah with Hazbin/Helluva I had a hard time trying to figure out how to draw the characters but I also don't limit myself to how I draw them, or try to at least. I feel like I am always changing how I draw them, some characters more than others.

The way I do it is after I finish the lineart I go ahead with my flat colors. Then add a second layer of lineart where I just make certain areas thicker/darker for where I want some weight and variation. The biggest thing for me is at the very end I paint on top of the drawing. Blocking out colors into definitive shapes.

Here is a small example of what I mean. After I finish the drawing I am always going back and adding on top of it. For colors I pick them from what the show has but then dull them down to a more muted tone and that helps with adding weight as well since it makes the bright tones I do use pop out even more.

I'm not the best at explaining stuff but here is just a bit of my chaotic process that I hope can explain some things at least ^^;; Let me know if there is anything more I can answer!

[kristinhateslife]

Okay so last night I was having an "art style panic"? I guess you could call it that? But I was feeling really bad, so i started drawing other peoples art styles and picking points and peaces out of it!

I did this last night when I was really tired and i used a pen so the drawings may not be how i usually do my drawings haha

Ok so first up we have @emjoyzhos-ej !! I recently just found your account but you have a very cool style!!

•Your skull shape is very unique, very rectangle

•your lines are very sketchy (most people I follow have this trait in their art..)

•when you color it looks like you mayy have rook inspiration from itsxroxannex? Idk i wrote that down, maybe it's not true but I guess i thought that last night

But I love your style! Your art is so cool and I had fun trying to replicate it!

Next we have @milkybnnuy ! Omg so I really like you!! Your art is sooo good

•You draw a lot of fell, so i made the drawing of killer like how you made that one fell killer drawing

•when you color you have a very paintly-style and that's cool!!

•your skull shape reminds me of an egg (i guess thats why i said "egg head" last night)

Up in the top I wrote "I did not replicate your art properly enough," and that's true! Your art is so unique and different from what i usually drew so i had a hard time replicating it! But nonetheless, i had a fun time trying and hope you ain't disappointed lol

Btw- I really like the way you draw your fuzz on hoods!! So satisfying to look at!

And now we go onto @voidzphere !

I've followed you for a while, and you're cool to be around and I like when you post! Though i had a hard time finding the art hidden around, I still was able to replicate it (luckily i chose to draw killer for this haha)

•so I see that you usually draw/post doodles, unless i just didn't scroll down far enough haha (plz tell me if you have drawn something big i wanna see)

•I noticed you have more pointy and thicker lines

•you have a certain way you draw your Skulls, I can't really put a shape or object here to describe it

Even though I couldn't find more drawings, I still tried! I hope you like it, friend, cause u cool

Here is @cherrio-krispz ! I just started following you last night, like seriously I had to search you up just now to figure out who you were cuz I forgot, but when i saw your art I immediately recognized you

•you have a very recognizable style!

•again, i did not replicate well.

•very painty-like when color

•sketchy lines, seems like you don't do line art?

•I like ur skulls, they look like skulls

OMG I'VE BEEN WAITING TO TALK ABOUT YOU. YOU. YOUUU. @somegrumpynerd OMG YOUUUUUU. I REALLY LIKE YOUR ARTTT.

•I LIKE IT

•very cartoonish

• noticable art style

•thick lineart

I LOVE seeing posts when they come out!!! They're really really cool and make me feel so happy when I see them! Keep going because you're so cool!

@spookeri haiiii

You're here tooo

i like ur art :)))))) a LOT . Same as the last guy, I get very excited when you post. Your DTIYS were fun, and yeye... Yeah

•Very flat colors

•flat lines

•cool looking skulls

•you have an "air-brush" shading style (i guess you could call it), which isn't a bad thing! Do what you want to do! But maybe try out cell-shading? Idk you don't have to, but idk i feel like cell-shading fits your art style

Also if you look in the bottom you can see a scratched out drawing, that was my first attempt haha

You can see it in the drawing below

@wyllaztopia !! I like your art :)) you have a very noticeable style and when you post I get excited as well!

•clean lines

•you make skulls longer than how other people make their skulls in this last

•I liked replicating it

Idk what else to say ... Its just all really cool!!

And last but not the worst

My art style!

My art style is

•cool

•easy to draw

•and funny lookin'

What did i learn from this whole thing i did? That everyone has a unique style, that even if they try to change it it still stays theirs and it's still unique

I also found out that everyone, small artists and big artists, has flaws! It's comforting to know that everyone has flaws so I know I'm just learning and getting better everyday

Another thing I got from this is that everyone's styles are always changing and warping. But thats fine! Because everyone's moving and changing, and the worlds always moving and changing!

So, don't be so hard on yourself if you're struggling to draw or find an art style, how you draw is unique to you and you'll like it one day

Just keep drawing everyday and you'll get there.

I suggest doing this challenge, on paper or digital, wether you color it or not, or post ot or not!

It's great to try out.

[parisoonic]

Hello! I have a question, how do you draw lineart weight? that is, how do you understand where to make the line wider and where narrower? I've been trying to figure this out for about 2 years now lol. (Sorry for bad english)

hiya!!!

I touched on this in a previous ask here !

I am...not an expert and am very much still learning ;; I ocassionally have little revelations but as I go to write them down or share them I then realise that it fundamentally breaks another 'rule'...so in order to explain one little revelation you need to explain the rule. I tie myself in knots over this Saying that, lineart weight TO ME is fundamentally all about 'rhythm'. human eyes love contrast...lines being thick in one area and then thin in another area is very 'stimulating' (or has high levels of 'appeal', to use the proper term). there are a few rules or guidelines you can use to help you determine where to place your thick and thin such as: - thick lines represent shadow or occlussion...therefore place them on the underside of objects or planes - by an extension of that logic...thick lines can represent gravity or weight or contact between objects (ie: if someone is sitting on the chair...make their bum line thick to represent the 'gravity' of their arse against the chair**). Likewise it feels more natural to render a feather in delicate thin lineart vs super chunky thick lineart - thick lines can represent movement / action / force - thin lines can represent something distant....almost blinking out of the capabiltiy of your eyesight. this means you can use thicker lines to make the object feel closer to the camera **this is actually the rule i've learnt most recently you can really break. if you're drawing a heavy rock on the ground...it makes sense to go 'okay the underside of the rock is shadowed and the rock itself is heavy so i'll draw a nice thick line on the bottom of the rock against the thin lineart of the ground'. BUT maybe....the rock is SO heavy that it is literally compressing its own lineart meaning that you get a thin line between the rock and the ground??? maybe...the THINNEST line?? as it's so heavy that the rock and the ground are almost becoming one? bah sorry i should really be providing images with these concepts Even in consistant-width lineart styles there's still a respect for the concept of 'rhythm' although it becomes the rhythm and harmony between high density and low density areas of detail. Moebius and other 'ligne claire' style artist are often really great examples of this :) learning by studying is always the best though! i spend a lot of time just looking at art i like and trying to understand what is providing the appeal / rhythm within the image and why. my favourites at the moment are: Grant Alexander, Esther Morales, Kerascoet, Hergé and a lot of mid- -century-modern illustrators haha hopefully...this vaguely helps...it's a long path that we're both on but we can do it!

[azolitmin]

On your chibi drawings or drawings with thicker "lineart", you seem to vary the color of the lines a lot. How do you decide where to place the different line colors? Do you have a system, or do you just kind of feel it out?

I apologize for such a delayed response!

I really had to think about this ask, as the easiest response is to say that it's "vibes" based. I don't think I have a particular system but I will try my best to use words to describe the vibes based process haha.

The most important thing I think is to use colours that create a harmonious palette in the end, like complimentary or analogus colours, which is actually almost all colours if used in appropriate spaces (also appropriate hue/shades)

For example this chibi drawing I'm working on, the primary colour I used is green and pink. I could either use green (darker saturation less hue) or purple (dark hue high saturation) for the shoe.

if I used a really light blue here it would be a bit more confusing-- breaking up the shape of the shoe. And it also because it's on such a dark colour it clashes with what's meant to be the lightest colour of the overall piece.

It's similar to when you first learn to colour lineart because it adds dimension to the figure/object you're portraying opening a whole new world of possibilities...!

[squidpedia]

Hi! I wanted to ask for advice on finding an artstyle, I've been drawing for sometime but I still dislike my style.

Thank you in advance :D.

Hi hiii

Whenever my artstyle gets kinda boring to me, I try asking myself questions to figure out what exactly is it about my artstyle that I don’t like. Things like what is it about my art that feels boring to me while this other’s artist’s work excites me? What makes me most insecure about this piece? What do my favorite artists do in their artworks that I don’t do?

This isn’t to put yourself or your work down, make sure to go out of your way to still note anything you like or are particularly proud of in any of your artworks, you work hard on your art and that deserves to be appreciated, even if your artstyle isn’t quite at where you want it to be yet! But this is mainly what I do to try to address reasons my artstyle isn’t giving me as much joy, and what changes I can make that might make me happier. Most of the time I can’t really put my finger on what it is that I dislike about my art, so I keep these questions in the back of my mind while I try experimenting through doodles and messing around with my style in each one. Have some doodles dedicated to things you dont normally try in your artstyle. Varying eye sizes and distance from each other, some doodles with different ways of stylizing noses, trying varying levels of realism vs cartoonishness when drawing characters, and trying different brushes if doing this in digital art. If any specific doodles jump out to you as kinda neat, take note of whatever you did in that doodle and try it more often!

(Sorry i was doing this in a hurry but definitely couldve utilized more full body shots, varying poses, face at more side angles, coloring styles, would 100% reccomend experimenting with that too. But this is mostly what those batches of experiment doodles usually look like for me)

As always, it doesn’t hurt to also study other artists’s whos stuff makes you so happy and figure out what it is about their art style that excites you so much. Whatever that may be, think about if its something you want in your own art style and try replicating and practice doing it if you do want to take your art in that direction.

Quick example from me but november 2023 i remember starting to feel super uninspired with my artstyle. I asked myself what felt like the most unrewarding part of the process for drawing and realized the answer was my lineart. At the time I was seeing a lot of @/bixels ‘s artwork of drawing mlp characters as humans from the 1920’s americana and was so delighted by their lineart. I kept experimenting with brushes in my doodles and realized that using the gel pen reminded me somewhat of bixels’ art, so I took that and ran. It was a neat change after a while of having thicker lineart and actually having fun with pressure sensitivity and how the brush is able to taper.

This is what i found works for myself so im not sure how well it applies to other people or if i worded everything well, but I hope its at least a bit helpful in some way!

[a-scary-lack-of-common-sense]

hello i love your weird doubled lineart can you please show how you do that

Of course! I kind of just wing my drawings, so it's mostly guess-work and just my guts telling me it looks good enough. Nevertheless I'll try my best to explain my process :)

Tutorial under cut!

Let's first talk about the basic types of lines and techniques! :0

There are three types of lines: single, double, and triple. The number of lines will dictate the line-weight and thickness! The more lines there are, the thicker the it'll look. The same applies for how far apart these lines are. We'll talk more about this later.

Now that we know our lines, let's learn how to use them.

Usually when I draw, converging, irregular, and overlapping lines are the most common. They're all very similar, you'll see. Standard lines rarely ever come up. Standard lines are classic doubles lines that are perfectly parallel to one another, and that's very hard to do unless you use specific tools (poly-line tool, bézier curve tool).

So, let's stick with our imperfect, irregular lines and look at this drawing.

You can see a fuck ton of examples of converging, irregular, and overlapping lines here. For example, the face stands out a lot more than the hands behind it, doesn't it? That's because the face is largely composed of closely packed together, overlapping and converging lines. Meanwhile the hands are mostly further apart doubles lines, or single lines.

It's okay if you don't see it, there's a lot going on in that drawing. Let's check out some simpler, hopefully easier to see drawings!

In the first picture, you can clearly see the converging/overlapping lines on the torso area of the hoodie. BUT you can also clearly see the separated double lines on the sleeves. The same goes for the circled areas in the second pic. You get what I mean now?

Irregular lines can also be used to represent shakiness, or general unsteadiness, like in this doodle below. You can see the "nervousness" being shown in the shaky, irregular lines of the speech bubble.

Converging lines can work especially well for folds on clothes, as well as semi-double lines.

But having double lines everywhere can make it a little hard for the eye to pick out shape and detail. That's when reinforced lines come in clutch (featuring @die-06 OC, Finley Albatraum :)

Just look at how much of a difference it made! Simply by outlining the outer edges of the most prominent silhouettes, I was able to add a bit more depth into the drawing.

Another fun little fact about double lines is that you can color in between the lines!

In this collab art I did with @froyocorp (featuring her OC, the Scavenger), it's a little hard to tell but I did the full drawing using the most standard lines as I could and making them as parallel as I could. In between the gaps of the lines, I filled it in with neon pinks, greens, blues and yellows to add a little more color :)

Anyways, hope this made any sense! Sorry if it didn't, it's a little hard to explain my art process. ily! <3

[skeletinmoss]

Tutorial for @mimssides

How I draw with alcohol markers. Beginner edition

First off all I want to specify: this is based on my experience only, so take it with caution. This is also my first tutorial ever.

1) Have an underpaper.

Unless you use some really thick paper, markers will bleed on your next page or table ( depending if you're drawing in a sketchbook or not). I recommend to have one list of some decent paper under the page you're drawing on. Decent means thicker than office paper, can be watercolor paper, it usually perfect for it. It's reusable and over the years mine two look like this:

( you can see there's a lot of stuff going on there)

2) Always, and I mean ALWAYS erase your sketch.

If you're doing a quick try out of color combinations you can skip this step, because you don't need the aesthetic or anything. I'm not sure how useful this tip is for colored pencils ( cuz I never sketch with those), but with regular graphite pencil it's very much important. Graphite smudges your markers, and not only that. It also gets trapped if you go over it with a marker, meaning you wouldn't be able to erase it and it's going to leave you with gray smudges all over. Truly awful.

3) Have your pallets on the same paper you draw on. Or simply - have pallets!

Colors can show differently on different paper, that's why it's important to do color swatches once you buy your markers. They are designed for specific paper, and on your paper they can look a lot darker or really pale. I recommend testing colors before you buy them, it's usually an option in the most craft stores. If you're buying a set just take 30 minutes to do all the swatches and naming them. It also helps visually to see what colors you have.

(I have a lot, but you don't need as much, there's like 60 colors I use usually and the rest are on rare occasions. Build a set you're comfortable with)

4) Make sure your materials all work together.

We already talked about graphite swatches, not the worst thing that can happen to you. Mainly you need to make sure how your materials work together, how they lay on top of each other. Make sure your lineart won't react to your markers, there's special waterproof liners and those are the best for markers ( mine are Pigma Micron from Sakura). See how your pens and liners act before and after you apply markers.

Decide which is better to use before and which after markers

5) No black.

I don't use black in any of my drawings. All you see is different shades of gray. It looks much more pleasant with the rest of the colors and it allows for my lineart to be visible underneath. Sometimes even those grays are too dark and I need to add more shades or white lineart to fix it

6) How to shade.

This is a very subjective thing to talk about. You can shade how you want. I will talk about two ways I shade.

1. Same marker. Markers dry. And when they do you can go over them another time. Usually that makes a darker shade of the same color and it's a pretty safe way to do the shading if you don't know which colors can go together. It doesn't work as well on the light colors and difference can be barely noticeable. It's a nice way to get soft shading

2. The pure chaos. Just kidding... Different color marker. It's hard to explain, and yo always need to test what works for you. If you want sharper shade you need to grab a different color, can be from the same hue ( for yellow - orange, for red - burgundy) or something a little more spicy. You can add different hues to your colors with different shades ( your black with red shades is suddenly looks burgundy, or purple, or blue). Experiment! Fail! Find out which combinations work and which don't!

If color seems a little darker than you expect you can go over it with original color, which might lighten it up. This tip doesn't always work

7) How to do gradients.

1. Choose your colors beforehand, see how well they work together. It's easy to do a gradient from red to pink, but not so much from orange to blue. You might need to choose lighter colors, because if you want smooth transition from one color to another you will need to go over them a couple of times and that will darken them.

2. Add a middle color. Not every gradient needs a middle color, but with it you can make your gradient much smoother, it will be more noticeable the bigger aria you cover. The more middle colors you have the more harder gradients you can do

( without and with a middle color)

3. Act quickly. Markers dry relatively quickly so you need to add colors one after the other, you can't go away before you're done.

4. Blend with the lighter color. You can also start with this color as a base but that doesn't work for all color combinations. Lighter color will go in top a darker and flow into it making it lighter and transition smoother. ( example: you go from red to purple to cyan, you will need to start with red, then purple going over red to soften it, and finally the lightest cyan going over purple and maybe even a little red). You always put darkest first and go over it.

There's other methods of doing the gradients. They are very similar actually, but for second one you will need a blender. For the first one grab two markers you want to use ( more if you're feeling risky) turn one of the markers upside down and touch their tips. Now use your understanding of gravity. Color from the top marker will go into the bottom one. The longer you wait the longer the gradient will be. Usually I don't need to wait longer than 3 seconds.

And you can do the same with a blender

8) How to use a blender.

Blender is a marker with no color. Usually it's named B000 (I recommend buying a blender with brush tip). There are many ways to use it.

Gradients: you can use two markers technique with a blender making gradient fade on one end, or you can mix colors inside the blender.

Fixing mistakes: blender will make a white show through your color, you can use it to get rid of the wrong color. But it doesn't work without some problems. Of course darker colors will likely stay, even if much lighter, and your previous color will try to flee ( likely to other sides, if you're lucky it will go on your underpaper)

That's all I have for you today. Experiment and learn something new. Hope that helps

[sparklecarehospital]

hey if this *really* doesn't bother you, i've recently been tired of the main drawing program i use (medibang), and i draw using a table + pen. i basically keep trying to draw this art the way i want it. problem is, the lines aren't really... "perfect" no matter how much correction/stabilization i put on it. it's like the smallest detail that has me like "gah, i hate this" /srs

so then i was looking at your art, and wow, the curves/lines are perfect like the way i would want to draw them. so then, (as embarrassing as this sounds lol) i tried other programs such as krita, paintdotnet, etc. seeing if they would get the type of curves i wanted, and ended up sleep depriving myself like... ouch. never felt so desperate to perfect a few pixels on my screen in my whole life.

like i said again, if this really doesn't bother you. could you recommend some programs to use for drawing or what kind of program you use? this would be very helpful! thanks! /pos ^^

not a problem at all! i mostly kept the pen settings for crew usage but i dont see why i cant share them for fans to use for fanart/fancomics/etc. i use firealpaca SE (but the regular edition of the program should work fine too) with a stabilizer of 40.

this is the exact brush i use, this pen pressure correction keeps the brush tapering from getting super thin, which is a huge characteristic of the lineart we do for the modern comic. i dont like the super thin tapering anymore, the thicker ends look much cleaner and they're easier for our artists to replicate.

i actually have different 'size' brushes saved, so i dont have to keep editing my pen size manually for when i do different sizes. they all have the same stabilization, just different sizes.

sometimes i edit the size if im doing a different angle/shot than the default one i do for my general art

hope this helps! :]

[quibbs126]

if you havent yet, could you do an almond x latte fankid? i love that ship a lot :)

Here we are, this is Almond Milk Cookie

Funny enough, I was actually trying to go back and find this post after editing something, only to realize I never actually posted it and left it in drafts. Only for one day, but still

Anyways, so on to him

So Almond Milk here is a healer, using almost exclusively milk magic. He started out in Parfaedia, and spent a good portion of time there, until he switched over to the Vanilla Kingdom to learn healing magic, where he now works as a doctor

He’s a very friendly and kind sort, and he’s very dependable. Also, despite what some may think from his profession, he’s quite physically strong as well

However he is self conscious about not being made of “real milk”, instead being made from almonds, and he wonders if his false ingredient hinders his healing abilities. His mother has told him that whether or not his ingredient really counts as “real milk” doesn’t matter, but it’s never been something he’s able to let go. He doesn’t really make it that known anymore though, preferring to keep it to himself

Now on to design things

So I’ve had the name Almond Milk as an almondlatte kid idea for a good while now. Lattes are made of coffee and milk, and there exists a form of milk made of almonds, so it’s the obvious choice

Almond milk:

I made the initial rough sketch some months ago, so I don’t entirely remember the thought process behind it. But it looks nice, and like Latte’s but with one of Almond’s hair colors

I’m not sure why I gave him a thicker body type, but whatever, he has one. It’s not like I’m that good at drawing super skinny Cookies anyways

His outfit was originally going to be more hospital like, and probably somewhat closer to Butter Roll’s, until I decided that maybe I should make it more fantasy looking. Especially with all of my Almond kids generally having more modern looks to them, or at least in the way that Almond is “modern”, I don’t know the right word

The small cloak thing was a bit of a struggle, especially with his smile, but I eventually got something

In the sketch I gave his almond brooch something around it that looked nice, but I wasn’t really sure what it was going into the lineart, so I made it leaves. They probably shouldn’t have lines and should instead be solid green, but whatever

I gave him that spoon last minute in the sketch, since I remembered that as I said prior, I tend to not give my fankids accessories or tools anymore, and I wanted to rectify that. Unfortunately his pose didn’t really lend me well to putting it in his hands, so it’s just slapped on to the back. I’m also noticing now that the spoon itself it too small, at least on the bowl thing. But it’d be a big hassle to try and fix it, so I guess I’m stuck with it annoying the crap out of it

Oh yeah, so as mentioned earlier, I came to edit something in his design, that being his colors. Originally he looked like this

I liked the blue, and it does give him a color scheme unique from his parents, but my big problem was that the colors reminded me of Marcille from Dungeon Meshi. I don’t know if the outfit is exactly like hers, but it was bugging me, so I changed it. I think overall I like the new color scheme better, but I just wanted to mention the old one

I’m actually quite satisfied with how he turned out. Though granted I did have ideas going in about what to do with him, so that probably helped

Anyways, so that’s Almond Milk. I hope you like him

[mel-addams]

Disco Harmony

[Image ID: a digital watercolor illustration, fanart for the game Disco Elysium. The image feels somewhat isolating, the majority of it filled only with a blue sky, nearly empty save for some sparse clouds, plus musical notes floating around two lines, swirling downward together to visually imply whistled tunes. The thicker line is a simple, swaying dark green trail—the other, a dark orange that loops around it in a thin, twisting melody. The lines end above Harry and Kim, who are sitting on an old, rusted swingset, staring out at a car half-sunk into the icy sea before them. They are viewed from behind, near a sparsely-leafed tree in the blurry foreground. The colors around the edges of the image all fade into a soft, Pale grey, which in turn becomes wispy and transparent.]

DRAMA - The tune on your lips forms a strange, yet undeniably beautiful contrast with the surrounding bleakness. KIM KITSURAGI - The lieutenant gives you a quick glance. Then, still looking straight ahead, he joins you with a higher-pitched and slightly more melodic trill. CONCEPTUALIZATION - Two birds on a wire, whistling by the seaside. Looking at the water. And a sunken car.

🎵 Want to be free Burn, baby, burn 🎶 And the trees are green and overhanging Feather-light, free, and everlasting

Doing a bit more watercolor experimentation in Rebelle, trying to wrangle water physics. The description of this scene stuck in my brain—because unless they both knew the song, you don't "just" casually, spontaneously harmonize with someone. They're either both very good with musical improv, and/or so ~in tune~ (hehe) with each other that it Just Works. (Which, yes, it's a symbolic story element of how Kim is perfect good at being adaptably exactly what's needed, a parallel to that one trust exercise idle they do.)

Either way, this struck my brain with the idea of using swirling lines (as ya do) to visualize the song as being the most solid and "real" thing, in what would mostly be isolating, empty sky. Everything else is watercolor (with ink lineart and airbrushed fog)—transient, transparent, and taking on the texture of the canvas—but the "song" was done in solid, opaque pencil.