#trying to get into the flow of drawing again in this style

[nacora-najita]

they have been contained

[poorly-drawn-mdzs]

oh hey! i was reading a fic the other day where Wangji was once misspelled as Wangu. which leads me to: MDZS Pingu-style??? noot noot!

Do you think love can bloom on the sea ice?

[the-acid-pear]

I have. A determination bubbling up inside me. I don't have the courage but the will is starting to materialize. I am starting to visualize the steps to my goal. I am talking of drawing phone cock this isn't about something that serious btw I just have a poet's soul.

[physalian]

Pacing your Story (Or, How to Avoid the "Suddenly...!")

Arguably *the* most important lesson all writers need to learn, even for those who don’t give a damn about themes and motifs and a moral soap box: How your story is paced, whether it’s a comic book, a children’s chapter book, a doorstopper, a mini series, a movie, or a full-length season of TV (old school style), pacing is everything.

Pacing determines how long the story *feels* regardless of how long it actually is. It can make a 2 hour movie feel like 90 mins or double the time you’re trapped in your seat.

There’s very little I can say about pacing that hasn’t been said before, but I’m here to condense all that’s out there into a less intimidating mouthful to chew.

So: What is pacing?

Pacing is how a story flows, how quickly or slowly the creator moves through and between scenes, how long they spend on setting, narration, conversation, arguments, internal monologues, fight scenes, journey scenes. It’s also how smoothly tone transitions throughout the story. A fantasy adventure jumping around sporadically between meandering boredom, high-octane combat, humor, grief, and romance is exhausting to read, no matter how much effort you put into your characters.

Anyone who says the following is wrong:

Good pacing is always fast/bad pacing is always slow

Pacing means you are 100% consistent throughout the entire story

It doesn’t matter as much so long as you have a compelling story/characters/lore/etc

Now let me explain why in conveniently numbered points:

1. Pacing is not about consistency, it’s about giving the right amount of time to the right pieces of your story

This is not intuitive and it takes a long time to learn. So let’s look at some examples:

Lord of the Rings: The movies trimmed a *lot* from the books that just weren’t adaptable to screen, namely all the tedious details and quite a bit of the worldbuilding that wasn’t critical to the journey of the Fellowship. That said, with some exceptions, the battles are as long as they need to be, along with every monologue, every battle speech. When Helm’s Deep is raging on, we cut away to Merry and Pippin with the Ents to let ourselves breathe, then dive right back in just before it gets boring.

The Hobbit Trilogy: The exact opposite from LotR, stretching one kids book into 3 massive films, stuffing it full of filler, meandering side quests, pointless exposition, drawing out battles and conflicts to silly extremes, then rushing through the actual desolation of Smaug for… some reason.

Die Hard (cause it’s the Holidays y’all!): The actiony-est of action movies with lots of fisticuffs and guns and explosions still leaves time for our hero to breathe, lick his wounds, and build a relationship with the cop on the ground. We constantly cut between the hero and the villains, all sharing the same radio frequency, constantly antsy about what they know and when they’ll find out the rest, and when they’ll discover the hero’s kryptonite.

2. Make every scene you write do at least two things at once

This is also tricky. Making every scene pull double duty should be left to after you’ve written the first draft, otherwise you’ll never write that first draft. Pulling double duty means that if you’re giving exposition, the scene should also reveal something about the character saying it. If you absolutely must write the boring trip from A to B, give some foreshadowing, some thoughtful insight from one of your characters, a little anecdote along the way.

Develop at least two of the following:

The plot

The backstory

The romance/friendships

The lore

The exposition

The setting

The goals of the cast

Doing this extremely well means your readers won’t have any idea you’re doing it until they go back and read it again. If you have two characters sitting and talking exposition at a table, and then those same two characters doing some important task with filler dialogue to break up the narrative… try combining those two scenes and see what happens.

**This is going to be incredibly difficult if you struggle with making your stories longer. I do not. I constantly need to compress my stories. **

3. Not every scene needs to be crucial to the plot, but every scene must say something

I distinguish plot from story like a square vs a rectangle. Plot is just a piece of the tale you want to tell, and some scenes exist just to be funny, or romantic, or mysterious, plot be damned.

What if you’re writing a character study with very little plot? How do you make sure your story isn’t too slow if 60% of the narrative is introspection?

Avoid repeating information the audience already has, unless a reminder is crucial to understanding the scene

This isn’t 1860 anymore. Every detail must serve a purpose. Keep character and setting descriptions down to absolute need-to-know and spread it out like icing on a cake – enough to coat, but not give you a mouthful of whipped sugar and zero cake.

Avoid describing generic daily routines, unless the existence of said routine is out of ordinary for the character, or will be rudely interrupted by chaos. No one cares about them brushing their teeth and doing their hair.

Make sure your characters move, but not too much. E.g. two characters sitting and talking – do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them gesture, wave, frown, laugh, cross their legs, their arms, shift around to get comfortable, pound the table, roll their eyes, point, shrug, touch their face, their hair, wring their hands, pick at their nails, yawn, stretch, pout, sneer, smirk, click their tongue, clear their throat, sniff/sniffle, tap their fingers/drum, bounce their feet, doodle, fiddle with buttons or jewelry, scratch an itch, touch their weapons/gadgets/phones, check the time, get up and sit back down, move from chair to table top – the list goes on. Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t – what does that say about the both of them? This is where “show don’t tell” really comes into play.

4. Your entire work should not be paced exactly the same

Just like a paragraph should not be filled with sentences of all the same length and syntax. Some beats deserve more or less time than others. Unfortunately, this is unique to every single story and there is no one size fits all.

General guidelines are as follows:

Action scenes should have short paragraphs and lots of movement. Cut all setting details and descriptors, internal monologues, and the like, unless they service the scene.

Journey/travel scenes must pull double or even triple duty. There’s a reason very few movies are marketed as “single take” and those that are don’t waste time on stuff that doesn’t matter. See 1917.

Romantic scenes are entirely up to you. Make it a thousand words, make it ten thousand, but you must advance either the romantic tension, actual movement of the characters, conversation, or intimacy of the relationship.

Don’t let your conversations run wild. If they start to veer off course, stop, boil it down to its essentials, and cut the rest.

When transitioning between slow to faster pacing and back again, it’s also not one size fits all. Maybe it being jarring is the point – it’s as sudden for the characters as it is for the reader. With that said, try to keep the “suddenly”s to a minimum.

5. Pacing and tone go hand in hand

This means that, generally speaking, the tone of your scene changes with the speed of the narrative. As stated above, a jarring tonal shift usually brings with it a jarring pacing shift.

A character might get in a car crash while speeding away from an abusive relationship. A character who thinks they’re safe from a pursuer might be rudely and terrifyingly proven wrong. An exhausting chase might finally relent when sanctuary is found. A quiet dinner might quickly turn romantic with a look, or confession. Someone casually cleaning up might discover evidence of a lie, a theft, an intruder and begin to panic.

--

Whatever the case may be, a narrative that is all action all the time suffers from lack of meaningful character moments. A narrative that meanders through the character drama often forgets there is a plot they’re supposed to be following.

[phantomwithbreakfast]

FORBIDDEN LOVE

DP phanfic story.

Teaser chapter 09. Hehe.

You can read the story on FanFiction.net—not finished—currently working on chapter 09! Not posted online yet.

———————

Summary:

Pitch Pearl

Genre: Angst — Hurt/Comfort — Romance

TW: Bullying and Harassment — Violence — Emotional Distress — Strong Language)

Rate: T (But maybe it is M)

—

Spoiler loading…

Phantom shot through the sky, his form a blur against the night as the wind whipped around him, cool and refreshing. He could feel it tugging at his hair, swirling through his loose posture as he zigzagged through the open air, darting in and out of view. Each dip and dive filled him with a thrill he hadn’t felt in ages, a rush of pure excitement.

With a burst of speed, he popped back into view right in front of Valerie, stopping so suddenly that her eyes widened, her body tensing as she jerked back just a fraction. He caught the quick flicker of surprise in her face, and it made him chuckle, a low, mischievous sound that echoed through the quiet night. He floated backward slowly, his smirk widening, crossing his arms against his chest as he tilted his body in a relaxed, almost lazy posture. His legs stretched out in front of him, one foot casually crossing over the other as he drifted back, sticking his tongue out at her like a kid daring her to react.

Valerie’s eyes narrowed, but before she could anything, Phantom was on the move again. He shot forward with a laugh, his form shimmering as he phased right through her, that he could feel the chill radiating off her gear. As he passed, he glanced over his shoulder, catching a glimpse of her stunned expression as she spun around, trying to follow his movement.

The laughter bubbled up in his chest, light and joyful, as he soared upward, leaving her behind once more, his body twisting and looping through the air like he was part of the night itself. Every movement was effortless, his limbs loose, his posture fluid, as he relished the freedom of the moment.

———————

Maybe I still change this chapter up a bit, I don’t know yet.

And with that, I drew this one. To get the vision of that specific moment, you know?

And oh geez. Now I have the time again to practice at drawing, what feels like ancient ages ago, I think my own style might change (of course it does), ‘cause I’m searching back for my own style lol. Nothing is perfect, nothing ever will be perfect. Go with the flow, yes!

You have no idea how much I missed drawing Danny! It’s really therapy for me, and that includes the writing too.

And oh. First time I drew Valerie. That was quite fun (the tech suit!).

———————

Made in ProCreate.

DP copyright/rights, belongs to Nickelodeon.

[hijackalx]

Headcanon thingy, but who would the boys (Gale, Astarion, Wyll, and Gortash) react to seeing their lover trying on lingerie?

felt like testing my drabble skills so i added a lil something extra to them 😎💗 enjoy pookie!!

GN!reader

SLIGHT NSFW BELOW

GALE

likes when you surprise him with it. wear some under your clothes as a little treat for when he’s undressing you 😌✨

you look so good that it makes him trip over his words. he’s too busy ogling your body to pay attention to what he’s saying. will have him laughing like a nervous virgin 😹

LOVESSSSS garters. can’t keep his hands off of them. particularly loves the way your thighs strain beneath them when you’re on your knees

instantly wants to enchant the bottoms to make them vibrate and watch you get off like that (don’t ask if that’s actually possible my brain functions on horny not logic)

your outfit is inconspicuous, plain— perfect for covering up the lingerie hiding beneath. you wait patiently in his lap as he unwraps your silken robe, biting back a smirk.

he pauses to take in the sight of the lace hugging your skin, how it flows so delicately around your shape. he tuts, shooting you a familiar, frivolous grin. “feeling naughty tonight, are we?” just moments later, his hands move to rest on your bottoms, a seemingly harmless action that results in a soft buzz and a gasp. “i can work with that.”

ASTARION

insists on going with you to pick some out. follows you into every dressing room to “make sure it fits right” lol. so picky but mostly because he loves watching you try them on

his favorites are flowy/frilly types, like babydoll tops or satin robes. also LOVES stockings of any kind

makes you feel like an actual doll ✨🌸 repeatedly tells you how perfect you are and can’t keep his hands off you. will also try to get you flustered by whispering really dirty stuff about how you look into your ear

likes when you have fun with it and show off for him— be cheeky. do a little spin. bend over in front of him. be prepared for him to pinch or smack your ass though

he sits comfortably on the dressing room bench as you approach him. “how about this one?” you pull your bottom lip in playfully, placing your hands on his shoulders as he takes your body into his grasp.

“mm,” erupts from his throat, watching as his lithe fingers slip over and under the fabric sparsely covering your skin. “now, this one i like.” he places a slow and deliberate kiss to your exposed abdomen, his ruby gaze flitting up to meet yours; there’s an impish glint to them that tells you he doesn’t plan on waiting to have you any longer.

GORTASH

likes to make sketches of you wearing it. has so many drawings of you in compromising positions with it on. definitely keeps them for when he’s alone

loves corsets and bustiers because of how they emphasize your chest, especially in blacks and reds. crotchless panties also drive him INSANE

the sluttier you act while wearing it the better. don’t try to be modest (there’s honestly no reason to be anyway, he’s a freak fr 😹😹)

a sucker for fishnets. likes to take them off and use them to tie your wrists together. will also shove them in your mouth/gag you with them on occasion

his dark irises glance up from his work every so often to study your decorated figure; they follow the arch of your back, the heart shape of your ass, and linger on the exposed area between your thighs more often than not.

“lower,” he directs, and you immediately respond by deepening the angle of your back. he hums contently, scribbles some more, then adds, “spread your legs further.”

you comply once again, happy to flaunt your body under his gaze. the corner of your lip pulls upward, anticipating your reward for being such an obedient little muse.

WYLL

bust this out on your honeymoon and he gets SOOO flustered. i’m talking stuttering/looking away/rubbing his neck

his favorites on you are lacy teddies— especially in blues, purples, and whites. more traditionally sexy styles really get him going

lowkey so obsessed with how you look in it. the kind of thing that’s on his mind 24/7. almost always asking you to put it on for him at the end of the day with a little pout 😹💗

LOVES when you strip for him nice and slow, especially how you tease him by carefully revealing each skimpy garment beneath your clothes. a lapdance is also mandatory

you spot the anxiousness simmering beneath his lax surface— he longs to touch you, but you’d rather toy with him a little more.

prowling closer to where he sits, you slowly unbutton your blouse. with each maneuver of your fingers, you reveal the lingerie lying beneath, watching how his hungry, needy gaze fixates on it.

he inhales sharply as you straddle his lap and take his hand in yours. he lets you guide it over your ornamented body, his eyes heavy with desire as he mutters a low and raspy, “you’ll ruin me.”

[ikimaru]

Hi sunny :D I’m a tad nervous to ask questions but you’re one of my favorite artists soo… 😞😞

I was just wondering if you have any tips regarding making a comic :,3

thank you‼️🫶

heey thank you so much! 🙈 I'm sure I've responded to this multiple times before but I can't even find the asks on my own blog so here we go again dksjd

this is for a shorter type comic, for comics that are a lot longer like many hundreds pages it's more complicated!

1 - write down the plot with main things you want to have happen and divide it into scenes revolving around these things, expanding on what should happen in each scene with dialogue, notes etc. This helps making sure each scene connects well to the next and also gives you a general idea of how long the comic is gonna be

2 - sketch out pages as rough draft (thumbnailing) so you will know how the action will be distributed across the page, I usually sketch all the pages in one scene at the same time so you can know in advance where a scene is gonna end it's not gonna be 2 panels into a new page if u don't want it to

3 - when figuring out how a scene plays out you can sorta imagine it like a movie in your head and you choose angles you like or that make the scene flow nicely! (as for panel shapes and other technical things I suggest looking at tutorials or looking through comics or manga you like to see how they do them)

4 - this is just if you want to carry out a comic from start to finish! never underestimate how long it takes to make comic pages, so if you want a finished comic I suggest trying out doing something shorter of a few pages to see how you feel about that first, find a way to draw and color them that's comfortable for you! I think around 50-60 pages is manageable, if it goes in the hundreds it's gonna be a long haul (I kinda never want to go there again lmao) so imo avoid spending too much time on full coloring/details/backgrounds in every panel, it can look good but ur gonna get burned out SO fast (a lot of comics get dropped for that reason) most long running comics have simpler styles and assistants to help with coloring, adding text etc

hope this helps!

[strawberrystepmom]

narumi x f!reader. implied long distance relationship. silly little fluff ft. kikoru 💖| wc 918, divider thanks to @cafekitsune

No sooner than when you’re finally able to melt into Narumi’s touch, his mouth effortlessly melding against yours, the pounding on the door begins.

“Open up!” Twin sighs leave both of you while twin fists beat on the door. Kikoru’s voice is echoing through the entire room, as bold as she is, and the dull throb at the back of your neck reminds you of just how tired and ready to relax you really are. “I know the import is in there!”

Despite the exhaustion that weighs you down after a very long international flight, you giggle and sigh. Gen glares at the door and wonders if his current annoyance is similar to a zombie or a snake; if the two of you can remain undetectable to her as long as you do not move or speak and she’ll leave. The pair of you wait it out another few seconds, glancing at each other expectantly, your fingers pushing his overgrown bangs off of his face.

“Now Narumi or I’m breaking the door again!”

You raise your brows in surprise, smirking. The man between your arms rolls his eyes, gradually peeling the blanket that is covering both of your (thankfully fully covered although if she’d shown up a few minutes later there’d be no guarantee) bodies back.

“Again? What have you been up to?”

He grumbles below his breath but you can’t quite make out what he’s saying while his bare feet touch the ground and he pads toward the door, flinging it open with the most unenthusiastic expression he can muster.

“Move.”

Kikoru shoves past him and spots you immediately, her blonde hair out of its usual style and flowing around her shoulders. She turns to him and motions for him to leave the room with her hand wordlessly.

“No. This is my room and this is my girlfriend and you can leave right now Shinomiya!”

She sticks her tongue out at him and you decide to sit up and make your way to the edge of the futon, rising fast enough to be captured into a hug. You laugh, hugging the younger woman back, glad to see her again although you could have waited until tomorrow.

“Why didn’t you tell me you were getting here today?” She whines while you immediately start braiding her hair as always despite the unavailability of anything to fasten your work with to make it stay.

“I figured you’d be asleep by the time I finally made it,” you shake your head, glancing over her shoulder toward your boyfriend whose frustration is practically an aura you can see radiating off of him.

“Besides, I gotta keep the Captain happy or else he’ll give you a really bad day tomorrow.”

The blonde scrunches her nose and lets go of you, stepping away. “Ew.”

You shrug. No need to elaborate further when she clearly gets it, arms folded over her chest. Her eyes dance between you and Gen, stopping to roll into the back of her skull.

Reaching to gently grab her shoulder, you smile in her direction, drawing one back from her. “We’ll go shopping tomorrow, okay?”

Now your offended boyfriend finally decides to voice his opinion, taking a few steps and situating himself between you and Kikoru, eyes wide. “No! Tomorrow we are going to that res—“

You shoot Gen a wide eyed glance and he immediately nods at you, picking up that you are trying to get her out of here. Placation isn’t exactly the kindest thing to do but you are tired and desperate for a few minutes of quiet time with the man you’ve given your heart to.

You will make good on your promise, you always do, but for now she needs to go. She looks at you over Gen’s shoulder with raised brows, arms tightly crossing her chest.

“Okay but if you bail on me I’m taking the door off and you’ll get no privacy at all, you got me?”

You salute, accepting the consequences if they are to come. Chances are he’ll be dragged off after training for other official JAKDF business and that will give you at least a few hours to be filled in on Kikoru’s latest crush or frustration that nobody gets her.

She turns on her heel and prepares to leave, glancing over her shoulder one final time. “Good night, import.”

You smile and wave her off, joining Narumi’s side to gently lean against him.

“Good night Kikoru, I’ll see you in the morning.”

Each step puts her further away and Gen mumbles under his breath, one arm wrapped around your waist and the other tucked into the pocket of his sweatpants. “What about me?”

“Don’t keep her too busy you gross asshole, we have a lot of catching up to do!” Shinomiya doesn’t bother turning around this time, only hollering over her shoulder with a flippant wave.

You shake your head and glance over at your beloved, the strongest man you’ve ever known, and rise to your tiptoes to kiss his cheek.

“Come on, you heard her. You better put in good work now while we still have time.”

Despite his annoyance, he chuckles down at you and slides that grip around your hip lower to cup your ass, taking a handful of cheek he has had to wait too long to feel again.

“Don’t forget who is in charge here,” he mutters, dipping his head to rest against your ear. You giggle and drag him toward the futon.

“Prove it.”

[machveil]

Beautiful, cute, dulzura, A quick question, do you have any advice for drawing? I see your drawings and I just fell in love with them, I just started drawing again but it's difficult...

I don't know, sorry, English is not my first language, using translator jiji 🤎🍁

(note: this post is long, grab a snack lol) ah! no problem, don’t worry about the translator haha (pinterest link - this is my masterboard for human references! I’ll talk about it more below)

I think my best advice for anyone wanting to draw is to break down your piece into shapes! (also, depending on your style, using different line weights)

from my experience, while looking at the whole reference is good, it’s easier to break down individual parts! while some parts can look complicated, a lot of things can be broken down into triangles, squares, and circles (or half circles)

I focus on character art, so I’ll be speaking about that - but it can applied to scenery and objects too. a lot of characters clothes are broken up into colored articles already - in the top reference, Ghost has a red bandanna on his arm! that bandanna helps break up his arm: the top near his shoulder is triangular, the bandanna itself is overall rectangular, and the bottom of his sleeve is a square

of course, depending on how you’re posing the character it can change the angle of what we’re seeing - there’s also an accommodation that your art probably won’t be a 1-to-1 copy with your reference. Ghost’s right arm (bandanna) has a white rolled up sleeve - while the model’s sleeve is square, I prefer to draw rolled sleeves more triangular

I think line weight is also important depending on your style! I prefer thicker lines around the entire character, and defining qualities also get thicker lines

I like thinner lines inside the character to help define dimensional shape and form. I use thicker lines on the inside of the body if there’s a shape/area that’s more in the foreground - example: König’s chest and midsection have thick line art to help differentiate from his left arm (behind his body)

I know a common piece of advice is to use real life references, and I agree… but, I never hear people talk about how to use references in a way that actually helps (“just draw from real life”, or “drawing with a reference is good practice”). I experienced that and wasn’t able to take anything away for years!

within the past year or so I seriously took a look at how using references can help me, so I want to try and talk about that - if I had trouble learning from references I’d wager someone else has

here’s my best example of using a reference because I actually remembered to! I labeled the figure to make it a little easier to follow

(1) my first tip is using a reference to figure out how the body ‘flows’. the human body has a lot of soft, rounded lines when you look at a picture - very few things are legitimately straight and sharp. I used the reference specifically to figure out how men’s pecs are shaped (of course, this is just one reference… because this is my headcanon for König’s body type haha)

(1) looking at references can help you understand how muscles move. in the reference with the woman, you notice how her right arm (down) muscles are layered - the shape portrayed by the reference lets you see how an arm’s muscles might be laid out in that position

(2) my second tip from the König reference is to look at negative space! the highlighted red portion between the arm and midsection is roughly the same negative space as the reference. if you’re using a reference and something feels off with the placement of what you’ve drawn I’d recommend looking at the space your reference takes up

(2) the negative space trick helps me line up where proportions should meet up - the distance between her arms lets me gauge how the rest of her body should be proportioned

(2) while it doesn’t match up 1-to-1 with the reference when layered overtop, it doesn’t have to! the negative space between the arms was enough for the sketch to mimic what the reference looks like. art doesn’t have to be a 1-to-1, but negative space can help you figure out ‘why does that arm look funny?’, “that arm looks funny because, compared to the negative space of your reference, it’s too (far away/close) to the body.”

(3) my last tip is the simplest, so I’ll just be referring to the König figure! when using references I look to gauge the distance between different body parts - it helps me get more realistic proportions. the bit I specifically compared to was the man’s stomach placement compared to his waist. I didn’t copy it 1-to-1 because I like the idea König has more of a tummy, but the reference allowed me to figure out an anatomical placement for where König’s stomach would be compared to his waist

I hope my advice wasn’t terrible haha everyone’s art journey is different, but these are tips I would have liked to know a few years ago (specifically the reference material ones lol). I wanted to focus more on the reference material because when people say ‘just use a reference, it’ll help’ it didn’t do it for me

I personally needed a more in depth explanation on why I would use a reference, what should I be looking at - because just drawing a person doesn’t necessarily help, and how should I be learning from it - I accidentally taught myself negative space before I knew what it was

but uhm… yeah, I hope this wasn’t awful! good luck on everyone’s art journeys, just remember that you’re allowed to take your time and try different things

if you guys have any other questions about my art feel free to jump into my inbox; process wise, inspiration, etc - I’ll answer anything I can<3

[cabi-leodrann]

Cabi! Big fan Joffrey here!

I wanted to ask, every time I see your art not only am I stunned by the quality, but also by the sheer uniqueness in style and character design. I've never seen a lamb designed quite like yours, it's so perfectly yours. What went into the inspiration behind the characters design, especially facially? Did you try and mimick a real lamb, or was there a more fantasy-element that you veered toward?

I can't specifically put my finger on it, but it gives me vague Warframe vibes. It's such a beautifully odd design and I can't get enough.

Love your work, love everything you do, can't wait to see what's next!

Hope you're well, stay safe, take care!

First of all, your ask is one of the biggest compliments I ever had in my life, I will keep it forever. You're an absolute chad! Second of all, those are very interesting questions, and I will be very happy to answer to them!

It started more or less with this drawing I made *look at the date* 2 years ago apparently. Way before I even thought of an AU- I didn't had much in mind, beside doing something that looked cool tbh.

I was very happy with the flow of it, and how it came out. And when I drew the Lamb again, I would try to nail THIS design.

The thing is, with time, I had a really big problem: Lamb looked way too young when I thought of them more as an adult. I had too much of the original game design guiding me, making a Lamb that was too cute and childlike for what I wanted. (And also, the head did not go well with the rest of the body holy shi-)

Came those drawings! I was happier with the look, Lamb was older! And I found the colored design quit nice! (I used a sheep picture as reference, but I don't think I used it well, compared to now. I used the reference for details, when I should have gone for overall shape first.) I still wanted something simpler to draw tho. The colored design was nice for an illustration, a one time gig, but I got pretty annoyed pretty fast at trying to nail the face every time. And from those attempt, you get the sketches on the right. (I also wanted to get away from other artiste's interpretation of Lamb, and at the time of those drawing, I didn't felt like I was away enough)

From those previous sketches, the idea for THaB started to emerge. I also still had problem with Lamb's design. Especially the hair. I was inspired by black hair, which is usually not a problem, but I was never happy with how it looked on Lamb specifically. I can draw black hair, I can draw black characters, but this mother-fucker would never feel satisfying to draw or finish 👀

And one day, as THaB was solidifying in my mind, I made a series of sketches that I posted! And one of them was the most important in Lamb's final design. This lil guy! (this design didn't came out of nowhere tho, Lamb was evolving into this as I kept trying. But I wont show those sketches, because those are spoilers =3)

And soon after, I made a comic that was supposed to only be a one shot, just a POV of Lamb and there reaction to Nari' telling them to die for him. But you know, things got out of hand lol

As I continued the comic and doodles on the side, I finally made myself a reference board, with real life images that were close to the vibe of this head drawing. (And I cannot stress enough how those references solidified Lamb's design as a whole. Draw with references, it is life changing. The more reference you get, the more your visual library will get diverse, and the more interesting detail and shape you will add to your art in general.) (I'd also add this: understand what you are drawing, make research and stay curious for every bit of info on everything. You never know when these nuggets of knowledge will help you as you create)

As I kept drawing the Lamb, they evolved! Things changed, slowly, like the shape of the nose, the shape of the eyes, how the hair flowed. You see those change at the face, but also on the body! As the idea of THaB's Lamb got clearer, the design got more specific. (I also got better at drawing! This comic make me draw way more often then before, and it shows)

Something before I finish: the other Cult of the Lamb character's design are way more inspired by their animals, when Lamb is more in the human spectrum. I thought of changing Lamb at some point, to make it fair/coherent, but I loved the design too much to change it again. This AU is something I do for fun, and even if it would have been more logical to change them... I don't want to-

As for the vague Warframe vibes: I play the game! And I found the character design absolutely stunning. So I am definitely influenced by the game without knowing it lol

Thank you very much, again, for your kind words! I also wish you the best, and see you next post =D

TL;DR: Lamb design, at first, wasn't inspired by much, beside the game and my style at the time. But as I retried to make them, added more intent, they got more refined. What really nailed the idea was to have real life references on the side.

[gaywineauntsstuff]

Birthdays

Dicks starts a tradition, for every first birthday one of his loved ones spends with him, he gives them a part of his heart.

Jason: Dick isn't there for Jasons first birthday at the manor because well... he isn't exactly welcome at the manor but he snuck Jason his number weeks in advance to make sure Jay would be at his crappy apartment the day after his birthday. And he gives Jason a collection of poetry his mother had written while they had traveled around the world. He had memorised all of them many years ago but he wanted to give Jason something tangible to connect them together. He might not be related to Bruce, he might not be Jason's brother by law or blood but Jason carries the robin name and Mary Graysons words so he is Dick's brother no matter what Bruce wants to say about it. Some of the poems aren't in English but they all flow beautifully and are written in the same black swirling script. Jason cries real tears and clings to Dick because this isn't something he can say he's had before. When Jason died, Dick took it from Jays room because he didn't allow it to be part of a mausoleum for his brother he wasn't going to let it be part of one for his brother.

After Jason comes back to life, and he's left Gotham he finds that familiar notebook in a safe-house he was sure Nightwing didn't know about with a post-it note on top reading.

I'm so glad you're back little wing

-DG

Tim: Dick and Alfred celebrate Tims birthday alone and Dick knows that Tim is struggling with who he is and his place in the family. Jason needed connection Tim needed purpose. Tim needed something to do to prove his value so on Tim's 13th birthday Dick teaches him the quadruple summersault. he teaches Tim the Full-Twisting Shaposhnikova his mother's favourite move on the bars and the moors. They spend all day practicing together until Tim can do a loose approximation of as many of his parent's signature moves as they can squeeze into one day. And every time Dick sees Tim for the next two months he asks for a spotter and they spend two odd hours practicing the moves. Tim never ends up incorporating the Flying Grayson's moves into his fighting style but he starts to follow Dicks habit of getting up high when he's stressed and working out all his frustration by practicing those moves over and over again until his body is pleasantly sore. Sometimes when Dick is on undercover missions, Tim will do one of the routines to help with the fact he cant reach his brother.

Damian: canonically Dick gave Damian a trapeze bar but that was long into his Robin tenure I believe it was after the Lazarus island debacle. So I think that by the. time Damians 11th birthdays rolls around, Dick and Damian have a pretty solid relationship and the first thing Dick would have given Damian was his father's unfinished sketchbook which contained the original designs for the robin costume. This book is Thick and its not like a modern sketchbook no, John Grayson found this leather bound monstrosity in Egypt and paid pennies for it. Its so dense that its filled with about 3 years of drawings and still has more the half of its pages a yellowed blank canvas. Damian, who is naturally talented at art and was encouraged by Dick to try and find non-vigilante methods of enjoyment has already taken up drawing months prior but this gets him to start practicing with fervour. He tries hard to mimic John Grayson's art style before eventually giving up at trying to create identical pieces and just incorporates various techniques the man used. For Dicks birthday that year he gifts him a portrait of his late parents but unlike the ones he's made for the manor, Dick's parents are in motion, with his John Grayson's grin stolen right off his sons face and Mary Grayson's boisterous laugh as she crashed into her husbands side could be heard in the famous cackle of her son.

now I wanted to do Cass or Steph or (maybe even Babs or Kori if I wanted to pivot from family to romance) but I genuinely the girl who has Mary Graysons wedding ring would

Donna Troy: Dick Gave it to her when they were still wonder girl and boy wonder. They were 14 and it was right after they had started the titans, back when it was a kids club more than a hero organisation. It was accompanied with a whispered confession of his identity, an identity the rest of their team wouldn't learn for another to 2 years. She wears it around her neck with a simple gold chain. She didn't take it off during her wedding or funeral, she was buried in it and came back with its barely there weight a comfort against base of her neck.

[2soulscollide]

10 underrated tips to become a better writer

hello hello, it's me again!

today i want to share some tips to improve your writing!

1. write in a different style

sometimes it's important to step out of our comfort zone, especially when it comes to writing. the next time you sit down to write for a bit, try to do something different from usual... try poetry if you always write prose; try fantasy if your thing is mystery; try adventure if you only write romance. it's up to you, just do it! who knows if you discover a new passion while trying this exercise...

2. write from a different point of view

i know it can be tempting to always write from a certain point of view, or to always use the same narrator voice, but (like on the first topic) sometimes change is needed to improve. you'll see things from another perspective, and maybe you can have a brilliant idea!

3. write with music

this one is one of my favorites! i love music, my spotify is full of playlists, one for each mood. try to create different playlists for your stories, and pick songs that motivate you, or that make you feel like you're one of the characters of your novel. this will not only give you a boost to write but also make you feel inspired.

4. set a timer

i always do this! it's a life changer. i started doing the pomodoro method to study and realized how effective it is. it's the same when it comes to writing: set about thirty minutes to write (it's up to you, depending on for how long you can be productive) and ten to fifteen minutes to relax. you'll see how much more work you can do with this method!

5. use prompts

you know how much i love prompts! i think they're so useful and help us so much to become more creative. they are a great way to step out of our comfort zone and develop someone else's idea in a span of a few minutes or hours.

oh, and if you're feeling adventurous, try this month's writing challenge!

6. write in a different place

guys! change your writing environment sometimes, especially when you're feeling overwhelmed or drained. i know it can be tempting to always sit on your sofa / bed / favorite chair, but sometimes we get so accustomed to the same place, that our creativity slows down, as well as our motivation. try to go outside to a park or a café, it can be so fun and you'll feel like the main character. or maybe, if you don't want to be in public, try another room in your house! just make sure you feel comfortable and don't have distractions around you.

7. change your writing support

do you always write on your computer? try to disconnect for a while, grab a pen and a paper, and let your imagination flow. it can be so freeing to write by hand sometimes, especially when you're plotting a novel! how cool it is to draw a scheme to connect all the characters and locations, and to doodle...!

8. find a writing buddy

personally, i don't have one, but i know it can be such a fun way to keep you motivated and to keep yourself (and the other person) accountable. it's great to have someone to share your ideas with, to give and receive feedback, and to lift you up to write when you don't like doing so.

9. write yourself a letter

trust me, it's amazing. it can be to your present self, past, or future, it's up to you. tell yourself what your writing goals are, what you are writing, how you see yourself in the future, what you're satisfied with your writing style, etc. just let it flow and re-read it whenever you feel unmotivated.

10. write with a sense of humor

i know it's not everyone's cup of tea, but it can be so fun sometimes. try something less serious when you don't feel like writing. try to come up with a joke mid-dialogue, write a fun scene or re-write a serious scene in a less serious way. this exercise can be great to see things from another perspective, to try a different style, or to lift up your mood.

i hope this was useful! have a nice day!

[kimeoshi]

hello it's me again! Your biggest fan (LMAO) The one who asked for tips on coloring...

Another question has came up on me while I was coloring (finally aughhh). How do you shade hair? Without it looking unnatural?

Thank you for your help before!!! 😊

Hello and welcome back! I'm glad my previous advice helped! That is a difficult question as I do admit it is a bit challenging to me as well. It is guesswork + studying references, adjusting tid bits until it looks right, my own process relies on a trial and error approach.

Therefore, I suggest you pick some pieces you like where you find the hair gorgeous, and figuring out how the artist does it, or how might they do it, per active learning principles. Try to deduce it. While the following guide can be good for your starting concepts too, it's important to adapt it to your style and preferences. And I even encourage you to go against it, as creativity thrives on experimentation.

That said, I'll guide you through my own thought process, however. (With a quick Ratio sketch, because I really love to shade his hair; fluffy hair is very forgiving.)

Let's start off here (I'll be skipping the black and white part for simplicity's sake from the previous guide. I'll also be using a white environment with a pale overlight):

For highlights, I begin laying down a Glow Dodge layer with a hard brush that doesn't have full opacity, and draw a halo-like shape. After that, I refine the shape by erasing parts of it with a rough eraser to get the desired effect.

Alternative to the Glow Dodge layer, you can use pure white, or other layer types such as Lighten, Screen, Add and Overlay, etc.

In the following pictures, note that I adjust the layer's opacity freely.

Above, I simply blended it a bit to my own liking.

With an airbrush I softly start introducing shadows (Multiply layer, dark purple/blue color).

Then, I start introducing sharper shadows in a separate layer.

You can use a lasso tool for this to map out a jagged like shape which should remind you of mountains. You can blend this out too at certain segments.

(Sidetrack: if you feel like, I suggest reading up on the balance of hard and soft edges in painting, the topic is very interesting and I am still trying to grasp it as well, yet I find it immeasurably useful. This can come in handy upon rendering principles. A very skillful master of it is the artist Yuming Li.)

Furthermore, I add reflections. I've used a Lighten layer with a subtle blue color. As this is subtle, I want to point it out that it appears on the lower parts.

For a final touch, I pick out the skin's color and airbrush, shift the picked color to a more saturated one and apply it near his face/to the bangs, with an airbrush.

For the fundamentals of hair shading I usually wrap it up here and go off to rendering. I use a painterly brush to do this and pay attention to the jagged shape I mentioned earlier. The brush I use is already tilted, so it's easy to manipulate to make such shapes.

Additionally, I experiment with Overlay, Multiply (or any!) layers with either airbrushes or hardbrushes— as I said there isn't a specified way of doing this. Go wild; for such is the nature of hair. Add any shapes or lines you find appealing, introduce new colors from the environment nearby too to make it moredynamic and interesting as well.

EDIT: An addition! On Rendering tips and advice

(apologies on leaving this out initially! I only realized I should include this now )

Including astray curved lines to simulate how hair flows also builds to the hair-like quality. I also prefer to use it closer to the silhouette of my character as it adds further detailing and a fluffier look in the end!

Attempt to render each strand according to this diagram in mind, note the parabole-like(?) shape for the light, and note standard 3d spheric shading for shadows.

[oppipopi]

fusions... again

It's time to add a hashtag

Plum

very homebody and not an adventurer at all

the social battery is quickly running out

does not get enough sleep (

very controlling, does not tolerate when something goes wrong according to his plan

caring, but shows it badly

loves loose gracefully flowing things

Ring

Pedant

looks and talks as if he is constantly flirting with you, but in reality nothing of the sort

very polite and well-mannered

(obviously it's from King)

Insinuating low voice

Coffee (yoink au)

6 fingers!!!!

prone to Self-admiration

married at work

will keep silent, but with What a face

he likes sweet pastries

the king of mini golf and billiards

SecRed

silly

good guy, but that won't stop him from kicking someone's ass

has poor control over his strength and isn't used to his size

it's useless to try to comb his hair

Peach

AAAAA WOMAN

business aunt

the best mom, loves to spoil her children and perhaps allows them too much

drinks a glass of wine every evening for peace of mind

super non-conflict, master of compromise (in fact, she makes you think that her ideas are your ideas)

if she had a workplace it would be filled with flowers

expensive perfume, as the meaning of life

only linen and cotton clothes

ChoReg

I'm not really a big fan of crackships, but these two… I'm obsessed with them

4 arms to kick someone's ass twice as effectively

the perfect fighter

an extremely strong sense of justice

can't stand weaklings who don't try to get stronger

Violet (tdl+purple)

thinks he's better than others

looks and talks like he's doing a huge favor

pubertal ulcer

wants to be the center of attention, but at a distance from others

secretly wants to be hugged and stroked and told how good and valuable he is

Dark Lily♀️ (tdl+orchid)

quiet, but very intrusive (always looming somewhere nearby and staring, trying to touch, but not daring)

can make a dark joke and get very upset because of it

loves children (maybe eats too…)

may seem shy, but don't be fooled

uncanny valley vibe

Orange (tsc+vic)

drawing - main fighting style

thinks that he has not inherited the powers of Second

hot-tempered, but knows how to express irritation in an environmentally friendly way

Lime (yellow+green)

the personification of the phrase "you're a capable boy, but lazy"

insanely talented and infinitely uninterested

lots of ideas, but too strict with himself to even try to implement them (why if it won't be perfect anyway?)

either indifferent and emotionless, or suffers from sharp changes in bright emotions

[works-of-heart]

hiiiiii ❤️ I love your art but i wanted to ask if you use AI or not? It’s getting harder to find who the real artists are and who keeps faking it I’d love to see how you start your drawing process and wips!

Hello Anon and thank you for the ask!

I understand the concern of not knowing whether any piece uses AI, but I assure you, none of my art work uses any form of AI. I use Clip Studio Paint to do all of my artwork and everything is sketched, inked, and colored by hand. I have shared many of my WIPs with a few friends of mine, but I'll share them with everyone now, as to put any suspicions to rest! =D

These are wip and sketches, so please don't mind the messy process I have lol! At some point I was thinking of streaming my process, so people can watch me work, if they are at all interested. I'm still working on setting it all up.

Below are my WIP for some of my popular Elucien art!

The Elucien kiss, this was just putting down some shading before I worked on the lighting and coloring over the sketch.

My 'anime' style lucien. I had just put down flats and brief shading on his skin. I used the CSP background of a sunset here, adjusting it later and adding some glow.

My Lucien in Illyrian leathers! I was trying out different brushes and mood painting. A lot of this was attempting some monochromatic base painting before adding colors on top.

The sketch and painting of my Elucien garden. I had the HARDEST time trying to get Elain's head to gently touch Lucien's!

I painted the colors down, and started to get into the flow of the tone I wanted, and bigger shapes of Elain's hair. Like AI, hands are the BANE of my existence! I need a lot more study and anatomy practice. Perhaps I can post some of that here too! (I'm just always embarassed of the messy looks and weirdness of the process)

The base colors for my Elucien mother's day painting! This one turned out so pretty, I LOVED How Elain's hair came out in the end, I was pretty shocked! The sky looked sunny too!

Lucien and his wet shirt! This was the first time I've ever tried to paint a wet shirt effect before. I had no idea what I was doing, and had to try and find many different references.

These are the sketches I had done for Lucien and Elain's Final Fantasy pictures I made. Again, I need more anatomy practice, but doing these were so much fun! I listened to Final Fantasy music too to really get me in the mood. ^-^

And this is Elain of that series, in her flat colors!

There ya have it Anon! Here are just some of the WIPs I could find from my painting/drawing process. A lot of it is messy, chaotic, and just ugly looking at the start, but as they say "trust the process!" I certainly hope this helps ease any thoughts or suspicions. I understand its hard to find good work out there that is done with legitimacy, but all my work has hours of blood sweat and tears in them. =D

[entropicbias]

Do u have any johndave hcs youd care to share? Literally anything that comes to mind (height hcs, habits in their coexistence, what kind of food they usually make/eat/order, general opinions towards each others family... just throwing a few out there to get thoughts flowing). I am v intrigued about ur vision for them, ur domestic sketches feel like they have a lot of thought (or at least general vibes) behind them

when i draw john and dave sometimes, i have this very specific universe they live in planned out in my head. most of this is self projecting with me and my own best friend, but i'd be really happy to share anyways!

these are my headcanons for them physically. i am really not sure what race john should be. i always say he's "mystery asian" but honestly, i dunno. dave, to me, is embarrassingly white.

here are two pinterest boards i just made to try and explain their sense of style and their "vibes". i'm sorry if this is shit. i'm no experienced pinterest board creator. dave's board john's board

and on top of that, here are two playlists that highlight what kind of music i think they'd listen to. dave's playlist john's playlist i think john's taste in music is just stuff he's picked up from other people, and movies. dave actually goes out and finds new music he'd like to listen to. john would be the type of person to have 4 songs in a playlist and hit smart shuffle on them. i think john's favorite food is lasagna/burgers and dave's favorite food is spicy chicken wings. but since dave doesn't know how to cook and john is busy most of the time, they'd order takeout frequently. i think john and dave would both be smokers, one more casually than the other one. here is a minecraft house i built for them: https://youtu.be/bXCzLp-S99Y?si=mebaL3FDafxrPt-I but, i'll talk more about it. i think john and dave would rent an apartment in the city together so john could easily go to uni and dave can grow mold in his room. it'd be a really shitty place, but i think with john's efforts they'd manage to make the place look more homely. dave would mostly stay in his room because he has made it so that he could sustain himself in there for a week without having to come out. john wouldn't be on his case about it though as long as the living room isn't filthy. i think john would be able to tolerate a moderate mess.

i think john would be weirded out by bro strider, but then again i don't think those two would cross paths very often. i think in a world where dirk exists as dave's brother consistently he'd get really annoyed by him. that is why i made those dirk comics. i reckon that dave would like john's dad, but for some reason i always imagined he'd be dead or in a different state when john and dave live together. in terms of what they'd do, i think dave would be a college dropout so he'd probably be working some really peculiar short-term one off jobs. like, gigs and costume mascot work. or he'd be doing some really weird crypto shit on the internet, which he'd think is really funny. like, he'd rake in a handful of money during the nft craze. i imagine john and dave trying to live a little and be teenagers during the time. so they'd show up to or have parties and they'd be getting up to some zany and boisterous teenage behavior. i think john would be studying at university and he'd have a job related to that. i'd bet that dad would help him pay for his expenses too. i think john would study computer science or something kind of nerdy like that. he'd be paying for most of the expenses at home. and he'd probably be doing most of the chores, but he wouldn't mind that much cause dave tries to contribute and he makes good company. john and dave would play video games a lot and go out to eat and see movies and stuff. just kind of really casual things. maybe they'd go out to arcades too. i suggest reading deacon_blue's moveout zine, which i enjoy a lot and has a similar basis. it is one of my favorite things produced out of the fandom regarding the beta kids. romantically, i like to imagine they don't actually get together until like, two years of living together. not much i can say about that but when it happens, it happens late. i can't formulate the words to describe this bit, but i'll end up drawing pictures later on. i hope this was enough, i can't really think of anything else unless i'm prompted with specific questions so if you have any i'd love to keep talking about this weird universe i've built in my head around them.