#truly i do not give a fuck

[annadelveys]

lol i just watched the wicked trailer. i thought we stopped painting black actresses weird colours already. like as a culture i thought like we stopped doing that because you know. its not like i great thing to do.

[lovebunnie]

“i love being aromantic” i say as i feel my chest cavity rotting from the inside at the unquenchable desire for love in a way that is truly a secret third thing but its not a secret i want to keep it is a secret nobody is willing to listen to and im trapped in a state of isolation of my own making because no matter how much love i have to give it will never be enough. it will never be enough. it will never be enough.

[rogueshadeaux]

“I hate the script, the vault dwellers sound so cheesy—“ my Brother in Steel you realize that’s the point, right? They were bred to act like the physical embodiment of an HR e-mail. Did you not catch the memo that Vault-Tec put out regarding their experiment facilities?

[spitefullyjewish]

Okay, this is my third time trying to put this into words. I am very upset, hurt, and honestly terrified. I’m about to share a lot about myself, my family, and a very scary situation happening right now, so for my own safety, I won’t provide too many details.

I live in a secondary city in a South American country. The Jewish community here is very small—around 5,000 people total out of over 50 million. In my city, which has over 3 million people, there are only about 300 Jews. We’re literally on the other side of the world from Israel.

We own a family business, a small clothing factory where we make knitted garments. It was founded by my grandmother 48 years ago. My father is the current manager, and both my sister and I work there. We employ around 80 people. We pay fair and legal wages (not the industry standard in my country), and although times are really hard, we’ve never missed a payment, not once in our 48 years in business. My father paused his own salary and hasn’t received a cent since January, and my sister and I both stopped getting paid for three months. But the people who work with us have always received their salaries as they should.

Now, today, September 30th, (just a couple of days before the start of our high holidays and exactly one week before the first anniversary of October 7th) the biggest and most important public university in my city, in conjunction with the syndicate council, invited the Palestinian ambassador to give a conference about the current situation and the war. Well, apparently, it derailed into open antisemitism and ended up as a conference about how Jews are all thieves and scammers. Because, I kid you not, back in the '90s, a huge group of my country’s biggest companies went bankrupt and couldn’t pay their employees what they owed. One out of about 30 of those companies was owned by Jewish people. So, of course, "we Jews are all liars, scammers, and thieves, just like the Israelis—always trying to take what doesn’t belong to us"

So, what conclusion did they reach at this conference about Palestine and the current war happening on the other side of the world? Well, naturally, they decided to target Jewish-owned businesses in my city (which means our factory and two other small businesses in our area) to protest and vandalize, because we’re all thieves and scammers, and Israel is bad and horrible, and everyone in my city needs to be made aware of that. When are they planning to come? October 7th, of course, when else?

The only reason I even know about this is that one of my Jewish friends decided to attend the conference to hear from the Palestinian ambassador and, risking their own safety, stayed to hear the names of the businesses that are going to be targeted.

I'm hurt and scared and I've been trying not to cry since I found out. These are the people on the left, these we were supposed to be my people, I've marched with them, I've worked and voted with them. I don't know what to do? Please, please tell me how are they different from actual Nazis? How is this situation different from any other jew living in Europe in the 1930's? I guess shannah fucking tovah to me, as if last year wasn't a wake up call. I am fucking awake.

[dipperscavern]

thinkin’ about (fem implied) targaryen!reader introducing cregan to their dragon (silverwing) for the first time

ʚ‎‏ ͜ ̩͙ ︵ ̩͙ ୨ ♡ ୧ ̩͙ ‏︵ ̩͙ ͜ ɞ

though you and cregan had been married for a few moons now, he had always preferred to leave the dragon-taming to you. dragons were formidable beasts, able to wipe out populations with a single breath of fire. truthfully, he had always been weary of them. he preferred for them to stay down south, because capable of a warrior & protector cregan is, there was nothing he could do to tame the temperaments of fire made flesh.

he had no qualms about silverwing specifically — a seemingly calm and gentle beast, who had done cregan the favor of sticking to her cave, unless to hunt or stretch her wings between your visits. while not fully capable of understanding, he thought of the targaryens ancestral connection to their dragons something akin to the starks and their direwolves.

he would watch with bated breaths as you and her took to the skies, becoming one in the art of wings, not words. he would exhale with relief each time you landed unscathed, and waited for you to depart from your dragon before approaching. and thus, you had fallen into routine. cregan stuck to his castle, silverwing stuck to her cave, and that was that.

until you started showing interest in introducing one to the other. the increased mention of your dragon in various conversations, occasionally flying over winterfell itself, when you had not dared such an endeavor before. cregan caught onto your idea long before you actually brought it up, and had been mentally preparing for the conversation he had no doubt would ensue. one fateful night, on the walk to your shared chambers after supper, ensue it did.

“Husband..” you began. “Wife,” was the response you got.

“I’ve been thinking,” you say, gaze flickering to cregans face in uncertainty. he hums, waiting for you to continue. “and it would greatly please me to have your company on the morrow. Whilst I see Silverwing.”

cregan keeps his gaze trained ahead, and you can almost see the gears in his head moving. he speaks, tone not with malice — only interrogative. “You would have me face the she-dragon?”

“Not face, my love. Only… greet.” you see the upward tug of cregans lips that tell you he doesn’t think that much of a difference.

you exhale through your nose, a twinge of annoyance seeping through you. though you can’t blame his hesitance (most men cower at the sight of dragons), you can’t help but feel like as he denies silverwing, he denies you. doesn’t he know you are one and the same?

“I only meant,” cregan says, “that dragons are… formidable creatures.” he’s careful with his words, he knows you view silverwing as an extension of yourself. “To displease a dragon is an err only men now with the gods have made.”

“Silverwing is most temperamental, and you would be safe in my company.” you assure, and you truly mean it. on dragonstone, silverwing is regarded as the gentlest of them all. “I only wish as I embrace Northern culture that you familiarize with mine own.”

cregan hums, knowing you have the right of this situation. marriage is about compromise, and you’ve been steadfast in your assimilation of his culture. you were married in the sight of his gods, you moved to his home, left your family… cregan is aware of the sacrifices you’ve made, indeed. he will meet you in the middle.

“On the morrow, then.”

out of his peripheral, he can see the instant smile that spreads on your face. it tugs on his (thought to be cold) heartstrings, and once you stop at the heavy wooden door, you stand on your tip-toes — pressing a kiss to his cheek. he bends to aid you.

it’s safe to say when morn comes, your mood is most chipper.

you and cregan had decided to do your dragon-embracing in the early morning, hours away from meetings or duties, time carved out where you can simply be. be with one another, silverwing, and if cregan is lucky, the gods. you can almost hear the silent prayers echoing from his mind as you make your way up the hill and to your dragons home.

you register the uncertainty in his gaze, and how his eyes flicker around the stone walls of the cavern entrance. you know you ask much, for him to saunter into the dragons den, but you’re grateful for his effort. excitement bubbles in your stomach at the prospect of seeing your dragon, and introducing her to the one you love.

you’ve not gone far in when you decide to halt (for cregans sake), you’re far enough in to be blocked by the wind, but close enough to the exit to soothe cregans nerves. cregans more than happy to allow you to take the lead, paying attention to your every move. you send him a smile, he attempts to return it.

you dislodge from cregans side, stepping forward as to be the first one silverwing sees. you have brought in tow a stranger, after all.

“Naejot Māzīs, Gēltīkun.” come forth, silverwing.

seconds pass, before you hear a low rumbling, accompanied by the sound of rocks moving — and the sound of something moving. something big.

cregan looks around, waiting to see her emerge, but he underestimates the dragons’ ability to cling to the shadows. had it already seen him, before he even knew it was there?

before he can finish his thoughts of curiosity about the stealth of dragons, the head of one slowly reveals itself, moving into the light, and cregan swallows. her gaze flickers to him only briefly, registering him in the least possible amount, before returning to & staying on you. you reach a hand up and out to her, and she lowers her head to you. cregan sees the brief close of her eyes, one touch from you being all it takes. targaryens, he thinks. targaryens indeed.

you step to silverwing, moving to run your hand from her nose up the expanse of her cheek, and cregan sees her lower her head almost fully to the ground. a part of him almost finds it cute. her lips split as a low rumble escapes her mouth, unlike the noises cregan hears her emit when you both are in the skies. even though cregan knows as much about dragons as you do about the witches of asshai, he would venture as far to say it didn’t sound like a displeased growl. more of an unsure-curiosity-filled-question-mark. still, you don’t take any chances.

“Lykirī.” you mutter, be calm. “Ziry iksos daor se qrinuntys, mērī issa valzȳrys.” he is not the enemy, only my husband.

steam blows from her nostrils in an almost sigh, lighter-toned noises echoing from her throat when you finish speaking. she makes you smile, hands still pressed against the hot, scaled skin of the dragon you share a soul with.

cregan knows not what you said in your ancient tongue, but it seems more than efficient in guiding silverwing toward the acceptance of cregans presence. she is cool-tempered, as you said. he remembers what feels like so long ago that he encountered your brother jacaerys’s dragon, vermax. an ill-tempered beast, he was — cregan would say. though he can’t blame it all on vermax entirely, dragons don’t like the cold.

once you’ve roamed your hands across silverwings neck, drinking her in, you beckon him over. “Come, Cregan.��

you could have went to him and came back to silverwing, but truthfully, you challenge him in a silent test of bravery. will he trust you, as you’ve trusted him?

cregans gaze moves from you, to your dragon — where it stays. he’s cautious, but you can’t fault him for that, and he eventually begins to step forward.

silverwing keeps her gaze trained on cregan, keeping herself unusually still as he approaches. you can’t claim to know the heart of a dragon, but your intuition tells you it’s her gentle nature — she doesn’t want to scare him. you amuse yourself with the thought of meleys or vermax in silverwings current place. meleys’ intimidating horns moving as she tilts her head to the side, challenging anyone to step forward (that isn’t rhaenys), or the light snap of vermax’s jaws as he enjoys toying with the man, watching them jump back from the prospect of his teeth.

when he’s a breath away from her, you decide to take pity, and move from silverwings side. now it is you and cregan, looking into her eyes in a silent understanding.

you slide your hand over his own, and move it up to touch her snout. she could pull away, or leave you a widow, but she doesn’t. she even moves a hair forward, nudging herself into cregans hand. the surprise in his face is palpable.

“She’s warm.” he says.

you nod. “In more ways than one, yes.”

you stand there for minutes, cregan lightly stroking silverwing, and her enjoying the attention. only when cregan himself removes his hand do you pull away.

“As much as I have… thoroughly enjoyed this,” he says, looking at silverwing as if she can speak english. “I think I’ve exercised bravery more than enough, this morn. Winterfell awaits.”

you sigh at the prospect of leaving your dragon and facing your duties. “That it does.”

cregan looks at you, secretly admiring your features. it is one thing to cautiously approach a dragon, and make it out alive. it’s another to slide on its back, and a different thing entirely to speak its language. he can’t deny the certain aura he feels, gazing at your silvery-hair, knowing you share the feature with all of your ancestors.

“Will you join me, or should I expect to return alone, cold and wifeless?” he asks, a smirk breaking its way through his usually-hardened exterior in light of his sarcasm. it makes you smile, so it was well worth it.

“Freezing and lonely, for now.” you say, brushing your cloak aside to show him a glint of your riding attire. the sight of it only etched love in cregans pupils as he reaches out for you, and connects his lips to yours. the kiss is briefer than you both would have liked, but duty unfortunately calls. once you break apart, he looks at silverwing, and with a quick nod of his head, turns to exit the den he’s grown to appreciate.

cregans approaching winterfells gates when he hears the whoosh of wings, and looks up just in time to see a familiar pair fly over him & winterfells walls. the men around him duck, your laugh and silverwings screech intertwining into a euphony fit only for the gods to hear — and as cregan watches you dance with the clouds, he remembers the feeling of dragon-scaled warmth under his palm.

ʚ‎‏ ͜ ̩͙ ︵ ̩͙ ୨ ♡ ୧ ̩͙ ‏︵ ̩͙ ͜ ɞ

[wistfullywaiting2]

The biggest misconception in the bsd fandom ever to me is people constantly portraying Atsushi as someone who trauma dumps excessively when he canonically barely talks about it at all.

The entire point is that Atsushi does not talk about his trauma he’s just constantly reliving it. He can’t escape the memories of his past so he tries not to acknowledge them.

He only mentions it when asked, either directly or when someone asks him to explain himself.

Atsushi doesn’t even give a cohesive explanation for what he saw while under Dogra Magra, he just apologizes to Haruno and Naomi.

If Lucy hadn’t had her whole “you’ve never suffered the way I have” spiel then I doubt even the audience would’ve gotten to find out about his scars

If Akutagawa never asked him how it felt for the orphanage headmaster to die Atsushi would have never told him that he’s been hallucinating.

In the omake where Kyoka asks him why his hair is like that it’s clear he wouldn’t have told her that unless she had asked.

In 55 minutes Atsushi very briefly mentions sleeping on a dirty floor somewhere to Kunikida because he was trying to explain and justify his behavior.

And the thing is there are scenes that implies the other characters see Atsushi behaving strangely and are visibly confused because they do not understand what’s wrong with him.

Remember, we as an audience get to see things about characters that the main cast doesn’t. Just because we see into Atsushi’s mind doesn’t mean the other characters know what’s going on in there.

[sexy-sapphic-sorcerer]

thinking about "it's unreasonable to assume that a character knows what genre they're in" and how in series 1-3, Merlin (and the audience) thinks that he's in a fantasy adventure comedy. no one realises that he's in a tragedy until it's too late.

[ivan-fyodorovich-k]

Today, the country indeed looks alien. The America many of us believed we knew now appears stranger in retrospect: The anger and resentment we may have thought was pitched at a simmer turned out to be at a rollicking boil. And one of liberals’ most cherished shibboleths from 2016—that Trumpism is a movement for aggrieved white men—unraveled in the face of a realignment that saw the GOP appear to give birth to a multiracial working-class movement. A second Trump presidency is the result of this misjudgment.

Democrats are a coalition party of the center-left

The Left has traditionally been associated with egalitarianism, which is by necessity concerned with the masses, the common people, the working class, but also the dispossessed, the marginalized, the disadvantaged

The modern Democratic party traces its roots most directly to the New Deal coalition of the 1930s, which it understands to have been a robust working-class and labor-rights movement

They also see themselves in the 1960s cultural revolutions and their repudiation of hierarchy, itself generally seen as the position of the common person, the masses, but also the dispossessed

The party takes its name from Andrew Jackson, great champion of the Common Man, at least as understood at his time, but it goes back to Thomas Jefferson, famous for declaring that "all men are created equal," and now excoriated for failing to live out that egalitarian principle

The Democrats are a party for the people, understood as capaciously as possible, the party that repudiates narrow nationalism and jingoism, in favor of spreading the benefits of American society widely, in opposition to favoring the privileged few

Why am I reminding you of all these things that you already know?

Because they believe so deeply that they are right in every way that matters, or at least incomparably superior to their opponents, they cannot begin to imagine repudiation from the very people in whose interests they thought they were acting, let alone in favor of the very person they swore was an existential, even murderous threat to those very same people

I think to appreciate the sensation, you might imagine a thief broke into your home, and then your family kicked you out in favor of the thief; someone broke in to ravish your spouse and they called the police on you; a sex offender told your children explicitly what he wanted to do them, and your children fought you to get out of your arms so they could crawl into the van knowing full well they'd never see you again

The shock is so existentially horrifying, such a betrayal of reality itself, that it would require rethinking all your most basic assumptions about the political order, human beings, and worst of all, yourself. Why would they do such a manifestly insane thing? Is there something I don't know? What did I miss? What did I do wrong? What do I do now?

Democrats cannot meaningfully internalize that they are the party of the privileged and the elite, by their own philosophy they are themselves the enemy, they write a blank check for the most lurid excesses of anti-colonial violence and call it "exhilarating" without dealing with the fact that given their assumptions, in this society, they are the power and not the resistance

But it's hard to ask yourself these kinds of questions and most people don't have the nerve for it, and so what we see instead, in another little paradox of human nature, is they're going to blame not the ravisher but the spouse

TL;DR, self-examination is hard, so now Democrats hate Latinos

[thekidsarentalright]

so fobcore to be up for two awards they deserve to win, lose both of them, not even show up to the awards show But dress up in silly outfits for their prerecorded performance. would expect nothing less from the band of all time tbh

[clowningcrows]

hot take i guess but when i watch the scene with billy and agatha where she finds out for sure he’s billy maximoff and starts tearing up, i perceive it as being bc she’s still a bit (read: significantly) heartbroken that he isn’t nicky. he isn’t hers. sure, she might’ve known from the beginning to some degree that he was wanda’s, but she doesn’t know for sure. we see that every time she panics because he’s hurt. we see that in the way she refused to leave his side when he was asleep. we see that when rio herself has to shake agatha out of it, saying, “agatha… that boy isn’t yours.” like YES logically i think she knew he wasn’t nicky, that he couldn’t be but we CAN see how painfully, hopelessly desperate agatha is to think that maybe he could be. so in my mind, she sees billy maximoff standing in front of her, finally being met with indisputable proof that he could not possibly be her lost son. how could she not tear up at that?

[marshymarge]

screaming crying puking shitting pissing why doesnt anybody love farkas why does everyone shit all over him why do they agree with his baseless self-deprecation why why why why why

[sukugo]

Do you think gojo makes those freaky ass feral expressions while getting dicked down?

YES YES YESSSSSSSSSSS RAAAAAAAAAHHHH THIS IS SOMETHIGN IM PASSIONATE ABOUT OKAY!!!!!!! YES HE DOES

like, pleasure looks such a specific way on satoru. we can see it in the tojigo fight, the hanami/jogo fight and the sukugo fight. they're the only moments where we truly get to see raw pleasure on him and it's that. eyes popping out and manic grin and laughter bubbling in his torso and body charged, and mannerisms especially crude.

there's something so animalistic about it, his "human" mask slipping from him and showing him in all his monstrous glory, unfiltered and raw and like the freak of nature he truly is

and it's exactly the same thing when it comes to sex. it's all pleasure after all.

[teddybeartoji]

i love stretch marks so fucking much they're so fucking pretty

[kalashnikovlobotomy]

i really can't phrase it right for the life of me but does it make sense when i say i cant help but love belarus a lot because for some reason i see her as a nationperson as being closer to being a person than a nation. with how unbelievably weird she is it just feels soo right to characterize her as this girlcreature whose government demands no real nation duties from her because she's intrinsically messed up as a person, with nothing to do with her nation identity, and was enabled by her family her entire upbringing and it's less of a hassle to just let her do whatever. and she doesn't understand why this can't be the case for them as well! why can't they all live as a family! she'll do something. she'll do something so that they'll never be separated again.

[bromcommie]

so I was digging through the Vast Legally Grey Junkyards of the Internet in search of better quality footage from AoU for my edits, specifically the scene with the CA FASCIST grafitti in Sokovia—which I unfortunately didn't find, but what I DID find was a bunch of deleted/expanded scenes that I didn't know/didn't care enough to pay attention to before. Which is fine. Most of it is techno babble and rushed plot setup. However. This stupid-ass ten second clip makes me literally insane. It makes me. Want to kill and maim and chew on the bars of my enclosure. And not in the sense that the contents make me oh-so-emotional, but because the potential of them could. Because what do you mean.

What do you mean those four and a half lines were cut for pacing/time when it's a ten second difference and the rest of the scene is in the film anyway. What do you mean you cut it because it didn't fit the narrative. It's literally couched in two minutes of plot it could've been so easy to slip it in there. A passing reference that would add at least a smidgen of depth to both the (already fucking incomprehensible) plot + politics of the antagonists, and to one of the main fucking characters. Like you were SO close what do you mean you cut every feeble attempt that was made to scratch the surface of Steve's character outside the whole nightmare scene we're supposed to feel so bad about what do you MEAN.

The fact that this minimal exchange—paired with that graffiti scene where Steve is confronted with the actual legacy of Captain America and what he's come to mean to people around the world and then quite physically discards the identity + him still circling back to the mantle at the end of the film anyway because he doesn't know how to do or be anything else, feels like he's too changed for this idea of a normal life that stems from before the war and the ice and doesn't know how to live without carrying that, without being useful in this one specific way—has more meat on its bones in the whole lead up to Civil War and ultimately Endgame than half of this movie's sledgehammer-over-the-head lines about home and family with Barton's kids laughing in the background or whatever like some fucked up C list hallmark movie is downright infuriating to me because like. You clearly thought about it. It passed through your head. You wrote some version of it into the scene. You shot it and edited it and watched it a few times and then you went "nah off it goes to the cutting room floor, we have enough of that. Add those seven and a half seconds to the 20-minute long, entirely CGI Hulk sequence, that we need more of. Surely that will fix the pacing issue".

Side note: this is me not even getting into the fact that, at this point in the franchise, this would have been one of the few lines we'd get of Maria actually saying something or interacting with anyone in a way that is even marginally removed (which this barely is) from simply delivering plot information. This is the only time we kinda get her view on something or even an inkling that she used to be a goddamn intelligence agent. And how that history informs her view of the situation and how it could possibly clash with Steve's own. And that woman is in every fucking movie. (Not to mention the fact that the two of them were just in a movie together, for Christ's sake, and going through something together you could pretty fairly characterize as traumatic and bond-inspiring to boot—and in AoU we can barely tell they even know each other. I mean the bar is so low and they still managed to limbo right under it.)

[torahtot]

you can always tell when someone doesn't have maga men in their life and god it makes me angry.. "if you're nice and compassionate you can be the one woman that makes them realize women aren't mean!" my mom bent over backwards for my dad for 25 fucking years he has plenty of other women kissing his ass and it never changed anything. do you really think that before being radicalized they never knew a single kind woman? they were never friends with a nice girl? alt-right men's problem with women isn't just that they've experienced too many mean women and they need to be shown that women can be nice, it's that they think women are inferior and don't deserve rights and don't understand anything so you can do what you want with them. and it takes a lot more than being nice to show someone that you aren't inferior. this isn't a case of being nice even when it's hard for the sake of deradicalization, it's about spending every fucking interaction with someone trying to get them to see you as a human being with value and a functioning intellect while they just laugh and show you that's never going to happen.

i cannot stress this enough: random women are not just going out and Being Mean to men. ur average guy interacts with plenty of women throughout his life- close women amongst their friends and family, casual interactions etc. most people don't start out being shunned by women, they start out being treated as NORMAL. & when they show their disrespect in normal society, it isn't tolerated, but when they go to alt-right spaces (which they're pushed towards online) they're told they're allowed to be as horrible as they want with no consequences because they're entitled to everything. it isn't "women aren't welcoming and the alt-right is so friendly so i'll become alt-right," it's "women don't let me disrespect them and the alt-right tells me fuck them, do whatever you want, you're entitled to it all" and why would you choose the group where you have to be a normal accountable person when there's a group that will reward you for being a shithead who gives no fucks?

the alt-right can afford to be more friendly and welcoming because they can allow bigotry. this can't work the same way for progressive spaces because we can be as kind & welcoming as possible but at the end of the day we have lines where we have to say "this behavior/speech isn't allowed in this space," and for certain people, that just can't win against a space where you can be as nasty as you want. these posts always end with a disclaimer saying "of course being kind doesnt mean you need to tolerate their bigotries" but what they don't realize and what drives me crazy is that women not tolerating bigotry IS the "women are mean" that radicalized them in the first place. they perceive you pushing back on any bigotry or bullshit as you being a meanie and treating them like they're ontologically evil. the 'kindness' they need to be deradicalized is you letting them walk all over you.

idk what the answer is to deradicalizing them and im sure relationships are part of it but you can be as kind as you want and all it will do is destroy you ime. i cant stand to see people (who have never even successfully deradicalized any man by being nice btw they always speak in hypotheticals and not from experience) double down on telling women to do things that will see no results and only hurt them, especially when any woman who has tried can tell you exactly how it went