#but this is what goes more in line with his character

[sukugo]

Do you think gojo makes those freaky ass feral expressions while getting dicked down?

YES YES YESSSSSSSSSSS RAAAAAAAAAHHHH THIS IS SOMETHIGN IM PASSIONATE ABOUT OKAY!!!!!!! YES HE DOES

like, pleasure looks such a specific way on satoru. we can see it in the tojigo fight, the hanami/jogo fight and the sukugo fight. they're the only moments where we truly get to see raw pleasure on him and it's that. eyes popping out and manic grin and laughter bubbling in his torso and body charged, and mannerisms especially crude.

there's something so animalistic about it, his "human" mask slipping from him and showing him in all his monstrous glory, unfiltered and raw and like the freak of nature he truly is

and it's exactly the same thing when it comes to sex. it's all pleasure after all.

[cy-lindric]

bonjour cy-lindric, j'ai une petite question. when I was a young person, I read The Three Musketeers and then eagerly started to read Twenty Years After and was so upset at what had happened to my beloved young heroes that I put the book down and never picked it up. what do you think, should I try again?

Bonjour !

After reading The Three Musketeers, I also wasn't sure I wanted to read Twenty Years After, and I took a break inbetween both to read something entirely different (The Locked Tomb, iirc). I think my reason for that was kind of the opposite of yours ; I enjoyed T3M a lot and loved the characters, flaws and all, but by the end they had somewhat crossed over the line into being Too Awful and the lack of retribution left me a bit frustrated. I didn't see it as a failing of the story - on the contrary, their strong character flaws and downfall in the conflict with Milady is one of the most emotionally intense and compelling parts imo - but I wasn't sure I felt like hanging out with these guys for a few hundred more pages at that point.

If your vision of the characters as a young reader was a very positive and perhaps idealized one, I can imagine why you might not have enjoyed entering into Twenty Years after. The illusion of glory has worn off ; the characters have separated, they live unremarkable lives, and their personalities have evolved drastically with the passing of time. It's almost a brutal return to reality.

For me though, it added layers of characterization to the point where now it's clear to me that this version of the Inseparables is by far the one I prefer.

I hope it's ok if I take the opportunity to talk at length about what I like about TYA below the cut. TL;DR : I love that Twenty Years After is a more realistic look at the big four's personalities and how they evolved while still keeping them thematically coherent, and that TYA makes them confront the reckless and cruel shit they did in their youth.

Spoilers ahead obviously.

We've often talked about how T3M is at its core a story about the end of knighthood. It's a tongue-in-cheek approach at chivalrous initiation, set at edge of the modern world, inbetween the time of ballads about knights in armor and that of adventures about journeying gunmen and soldiers. I think TYA embodies that particularly ; the story of people who have carried the last of these intense, dangerous chivalric ideals in their youths, and who have now grown into middle aged adults who need to find their place in the world.

For a good chunk of the book, the big four are separated into two teams ; that in of itself might discourage some, but imo it's genius. Instead of the natural two-by-pairings, Dumas goes for a d'Artagnan+ Porthos and Athos + Aramis split on opposite sides, which makes for good drama and develops lesser explored dynamics. D'Artagnan and Porthos form a scrappy team of opportunists with money on their minds, and Athos and Aramis a more idealistic duo fighting for a noble lost cause. I think it's a bold choice but also premium sequel writing.

I also love the way the young and wild characters we knew evolve into middle aged men ; at their core, they're still the same, but they've all changed and struggled against the sunset of the golden age in their own ways.

D'Artagnan, after knowing such adventures and subsequent rapid social ascension in his teenage years, has been met in his adult life with the harsh reality that he is, in fact, not a noble knight but a soldier on payroll. His modest origins give him little hope for any further career advancement, and he takes on a new mission in his early 40s for a man he has no devotion for and a cause he doesn't care about, simply because he is bored and broke. D'Artagnan still has his quick wits, his strategic talent, his fencing skills, but he has grown out of the excesses of pride of his teenage years. I loved meeting him again in TYA, and it made so much sense to me that his bouts of anger and aggressivity would be a youthful trait that he'd ended up taming. He also realizes now a lot of what seemed like funny adventures and necessary violence was actually kind of fucked up ; that was a shock to me, as their shenanigans are treated so lightly in T3M, and tbh it healed me a little. Grown up d'Artagnan is cunning, calculating, down to earth and realistic. My foxy little man. I love him.

Porthos, likewise, has been struck by the weight of reality. He has made the sensible choice and got married to the rich widow who sugar mommied him in the first book. Now she's passed, he is rich, but he still fails to earn the respect of the high society he evolves in because he's not high born enough. Like d'Artagnan, he's stagnating and bored and now that he goes back adventuring it has nothing to do with the queen or the kingdom or honour ; it's about getting his damn nobility title.

Athos, on the other hand, is the eternal knight : the only truly high born of the four, and still hopelessly holding on to a time gone by. It's no surprise imo that his storyline brings him into the english civil war, doomed to fail at saving a king who'll end up executed right in front of him. TYA acknowledges more clearly than ever that at 28 yo, Athos was a depressed alcoholic, and an embodiment of what an excess of aristocratic righteousness can do. In TYA, he is sober and moisturized and a DILF, and now he's running around frantically looking for absolution for his numerous crimes. It's delicious.

Aramis is maybe the hardest pill to swallow. TYA confirms the T3M hints that he isn't really the prim and proper romantic boy he acts like he is, and that he's possibly the most hypocritical and ruthless of the four. It might be a harsh one for Aramis fans who like him better as a cute bean, but I love the early onset of remorseless conniving bloodthirsty ambitious Aramis. Another harsh bit might be the evolution of Aramis and d'Artagnan not really liking each other ; they were always the least close combination, and imo it makes sense that their personalities would clash. I think it's clever and compelling conflict.

Now, obviously, if you've cared enough to read all this and if you know me a little, you know that a huge highlight of the book for me was its late-appearing antagonist, Mordaunt. Mordaunt is the son Milady had with her english husband. Because of the Musketeers' intervention, he's grown up in poverty and has been denied his father's inheritance. He's now a Roundhead working for Cromwell, and set on avenging his mother at all costs. Mordaunt, unlike his mother who was this beautiful and dangerous force of nature, is very uncool and pathetic. She was the primordial snake, he's the gutter rat. Obviously, I love that in and of itself, but it's also kind of striking image of the wretchedness of what they've done to her, a fucked up little goblin ghost come back to haunt them as they're trying to make their life worth living again. This time, their enemy is not a cunning political rival with a flamboyance of body and mind akin to their own ; it's a shitty little guy with bad skin who wants to kill the king and punish the murderers. Watch out babes, it's the modern world coming for you.

Of course, they're the Four Musketeers, and they did what they had to do, so they get together again and swear friendship and keep going their way. But they're also old guys with difficult personalities in a world that's never going to be the same. I think it's a cool book.

[darkficsyouneveraskedfor]

Mission Control 5

Warnings: non/dubcon, violence, stalking, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Captain Hydra

Summary: a man marches into your life on a mission

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

The man walks you straight through a yard and into the thicket of trees behind. If he wasn’t so confident, you would think he had no idea where he’s going. His hand stays locked around your arm as he has you staggering over peat and leaves.  

You come out on the other side of the trees to the open highway. A car zooms by but he doesn’t stop. He keeps going, the force of the cars whipping by blowing around you, horns honking. He pushes you towards the cement barrier. Before you can lift your leg, he lifts you. 

He puts you on the other side and follows. He doesn’t miss a step. On and on, across another three lanes and down into a ditch. Across the field. You look back and he yanks you, nearly taking you of your feet. 

A chill creeps through you, numbing you to the terror boiling in your gut. Your legs tremble but don’t stop either. You’re too scared to resist. 

The sky darkens and the moon peeks out from behind another line of pines. On and on. At last, your body gives out. 

Your legs burn as the fold. He catches you. He puts you over his shoulder and presses on. That’s when it really sets in. It’s happening. You don’t know what just that it isn’t good. Your body wracks as your tears flow free, rolling down to your hairline as you hang upside down. 

When he stops, you’re in a clearing. He puts you down. You sit on the dirt as he squats in front of you. The moonlight barely limns his figure. He reaches to his belt. He pulls out a pair of thick cuffs and dangles them. He tilts his head.  

You sniffle, “please, I won’t go.” 

He stares then slowly hooks them back on his belt. He stands and looks around. You hear him in the dark, twigs snapping, leaves rustling. You catch a glimpse of his shadow now and again. The crickets hum and dampness rises from the ground. 

A spark, then a full bloom of flame goes up. The fire casts a light over the barrier built with large rocks and the pile of thick sticks broken to fuel it. The night flickers with the cinder and he approaches you again. He moves you to sit closer to the heat. 

He lowers himself next to you, legs bent, arms resting on his knees. He just sits and watches the flames. You look down and slump. You’re exhausted. 

You flinch as he grips your shoulder. He lowers his legs, crosses them, and pulls you down until you’re on your side. He guides your head onto his thigh. He holds you there. He doesn’t need to give the order. 

The adrenaline never quite evaporates, merely recedes. Your eyes close on their own. You plummet into a pit of darkness. Your head and body ache with the sheer senseless sleep. 

You wake with a chatter. The man still sits. He hasn’t moved. You flutter your lashes at the lightening horizon. 

His hand drifts from your shoulder and crawls up your neck. He brushes along your cheek and over your hair. You hold your breath. Your scalp aches as you brace for another cruel yank. He retracts and pokes your shoulder instead. 

You sit up and stand only when he does. He reaches for you and you cower. He rips your knapsack from your arms as he spins you. He hurls it away into the trees. Then, it’s back to walking. 

You’re stiff from a night sleeping on the ground. Your clothes are damp from the dew and a frigidness lingers in your skin. He keeps you moving until the sun meets its apex. 

You come to a lot in the middle of another highway. It’s empty but for a black motorcycle. He marches you to it and guides you onto the back. He straddles the front and flips up the kickstand. You’re too tired to be confused, to wonder about how and why and what. 

He taps his shoulders. You hesitate but grab onto them. It might not be so bad to fly off but you’re still human. You still have that need to survive. 

He takes off with a roar of the motor. You yipe and squeeze tight. You fight against the wind and lean forward, hooking your arms around him as you feel your grasp slipping. He doesn’t seem to mind as you cling to him. He has a heart. You can hear it through his back. 

You close your eyes as the wind tunnels around you, whipping around the bike and your bodies. He’s a barrier to the brunt of it.  

He rides through the night and beyond. You have to keep awake to stay latched on. He keeps on and on, into another crowd of trees, one so dense that it darkens the daytime.  

When at last you are still, you as good as fall off the motorcycle. You stumble until he grabs onto you. He moves you in front of him and puts his hands on your shoulders. He leads you from behind. Twisting and turning you in a deliberate path.  

You look up at the faded planks on the side of the reclusive house. You clatter up the steps beside him. He stops and tugs the back of your jacket. You think he wants you to stay still. There’s a beep and something clicks. Then something else. 

You look around in confusion. He flicks your cheek. Hard. You wince and hiss and look forward. He points over your shoulder. You follow the gesture to the door as the latch rolls back on its own. 

You stop before the door and just stare. Where the walls are covered in wooden siding, it is metal. You gulp. He reaches around you, stepping flush to you. He pushes the handle down and shoves the door inward. His other hand nudges your lower back. 

You enter and automatic lights flash on. You gape at the room before you. It’s like any other cabin you’ve seen. On television, you were never rich enough for vacation homes. There’s a floral couch and a matching armchair on a round area rug, right before a fireplace, a table with a lamp by the chair. It’s all startlingly normal. Not like him. 

[xtractors]

As my account says I am just here for the headcanon and The angst. So stick with me. [It looks longer than it is, but you can skip the bracketed section for my headcannon]

I've been thinking since I saw Deadpool and Wolverine whether Wolverine knew who Wade was as Deadpool? I came to a pretty solid conclusion, because when Paradox zaps Deadpool away, wolverine's first reaction isn't to be like, "So what's going on?", it's to automatically try and jump Paradox for disappearing Wade [which like maybe it wasn't because he knew it was Wade. Maybe it's just because he just really enjoyed flirting with him, but I think it's cuz he knows who Wade is]. Then in the void it's to attack Wade, which he doesn't seem to be surprised about his healing factor.

And this led me to, if Wade existed in worst wolverine's universe and had a healing factor. Then he probably could have been a version of origin's Deadpool?

And I have decided for THE ANGST, that absolutely origins happened, and worst Wolverine saw what happened to origin's Deadpool.

~~~~

[And here's my thing. I really wish origins had focused more on his relationship with his teammates, especially with the whole him and Wade making eyes at each other. Ignoring my feelings on the Kyla Silverfox lady, like I really wish the movie had just focused more on his teammates and relationship there. I think that he should have been "friends" with Wade and I think when he said "they finally found a way to shut you up" it should have been more emotional, and hurt and less sassy. I also really wish that Wade hadn't been just a mindless machine. Which I suppose we don't know how actually conscious he was, but could you imagine? Wade who's always expressed himself by being sassy and dealt with his trauma and being a mercenary by making jokes being unable to speak at all and unable to control himself as he attacks his friend?

Like I seriously don't think origins Deadpool was that bad of a character. I think there was just no emotional attachment to him. Cuz the whole mouth Sewn shut thing could have meant so much more if Wade was actually friends with Logan. ]

~~~~

Anyways, back to the plot.

So my thing is if there is origins Deadpool in worst wolverines timeline, do you think worst Wolverine ever just thinks about it?Do you think he ever has nightmares about his Wade being the one with the mouth sewn shut?? Unable to make his crude, but adorable jokes? Unable to call him Peanut and honey badger? Nightmares where his Wade, the one who saved him and gave him meaning and a new life, is staring into his eyes, as Logan's voice echos "They finally found a way to shut you up, huh." What if he wakes up guilty, a bitter taste on his tongue hearing how cruel those words really were to someone who means the world to him, someone who he never truly wants to shut up. Worrying his mind over not being able to save him once, not just not being able to save him, but having to kill him? Every once in awhile when he tells Wade "do you ever shut up?"[affectionate], he gets a flash of origins Deadpool in his head and goes quiet and regrets saying it?

could you imagine the angst?

Logan seeing his good "friend" who expressed his trauma through never shutting up unable to talk?Logan's "they finally found a way to shut you up" being breathless and painful and not just mean

Do you think Logan listens to Deadpool chatter and ever think about origins Deadpool and regrets not being able to save him? Regrets that one his last lines was taunting him for finally being unable to ramble?

[writers-potion]

Hi! How do I write a mafia novel?

How To Write A Mafia Novel

The term “mafia novel” makes me think of a few possibilities here. It could be (1) an action-thriller where our hero is either fighting the mafia or is a part of the mafia or (2) a mafia romance novel, where the love interest(s) come from rich mafia backgrounds.

If you’re writing an action/adventure story where mafia are the bad guys:

They need to have a cause – a twisted one. No matter how bloodthirsty these mafias might be, no one works so hard for fun. 

They’re struggling financially. This is a great motive for the bad guys to attack the hero, or use more cruel methods than usual. 

The ones who are going against the mafia would be independent investigative agencies or the Federal Bureau of Investigation, not your typical cop or police. 

They’re allied with other crime groups, even with some backdoor government organizations. I don’t think the depiction of mafia groups as a self-sufficing group always exchanging insults with other groups in inaccurate. Also, this raises the story stakes when your back guys combine with other bad guys to get back at the hero.  

They can’t be threatened with just an incriminating recording or photo, especially if they’re obtained illegally – which means they’re unlikely to have power as evidence.

Mafia leaders realistically won’t force their children to take over – in fact, they’ll want to keep their family out of it altogether. 

If you’re writing an action/adventure story where mafia are the good guys:

Give them a motto that gives them a cause for the higher good. Like ‘manners maketh men’ in the Kingsmen movies. In a loose sense, the Kingsmen are mafia too – they’re a secret society with lots of money, etc. 

A running theme would be that you can afford to use questionable methods as long as the outcomes are good. The mafia would kill, steal, imprison and murder – but they always have a convincing reason. Plus, the bad guys are doing a lot worse. 

The mafia organization is flawed in a critical way. This can be anything – a newbie who starts to question the mafia’s practices, or a corrupt leader, etc. This flaw will cripple this apparently sturdy organization at the end of Act II, raising the stake sky high. 

Give them secret codes, special weapons, a quirky dress code, a tattoo? 

Show how the mafia are tightly networked among themselves, often in a good way. The senior mafia mentoring the newbies, colleagues struggling through their probation periods together, etc. The mafia are a tight-knit organization. 

For a mafia romance, what the mafia really does or how they’re structured, etc. isn’t that important. As long as you get the black suits, expensive Jaguars, and exclusive clubs/hotels vibe right, you have enough mafia worldbuilding. What’s important are the characters. 

If you’re writing a male mafia love interest:

They’re high-ranking, filthy rich, intelligent, and cold-minded individuals who are powerful beyond your usual realm of rationality. The absolute unrealness of these sexy competent men is what’s appealing. 

The mafia background becomes the “hurtful dark backstory”. One of the main selling points of dark mafia love interests is that on the inside, they’re fractured puppies in need of some sunshine to soften up. Give them a good reason why they’re assholes to your female love interest in the beginning. They’re repressed – high time.

They must be able to draw a line between being adorably overprotective and unreasonably controlling. The same goes for their use of violence. Sure, a male mafia love interest may kill that stalker who’s been bugging our heroine but don’t have him putting bullets in the heads of people who just mildly irritate him – that’s a huge turnoff. 

If you’re writing a female mafia love interest:

Your heroine is a clear-minded, physically fit, confident, and competitive mafia queen/princess with both eyes fixed on power and success – until the male love interest comes along, either as an enemy mafia or a clueless softball. 

Alternatively, they’re oppressed by their father/brother(s) who are hard-core, bloodless men. These heroines are capable in ways that are not approved by their mafia family (like a career in social services or running a bakery, whatever) and need someone to understand and remove them from their toxic family – our male love interest. 

Again, feel free to use the mafia background as a source for some juicy, traumatizing backstory.

Hope this helps :) 

─── ･ ｡ﾟ☆: *.☽ .* . ───

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💎Before you ask, check out my masterpost part 1 and part 2 

[demodraws0606]

DRDT CHARACTER THEME PLAYLIST - My Personal Interpretation

Warning : This playlist was deleted by DRDTdev and thus this is mostly meant to be something fun, and also because people have posted a lot of interpretations that I don't agree with (and I've always wanted to make my own).

So a while back DRDTdev made a playlist that they've now deleted, however I've seen a lot of people making their own posts about who fits which song. However since I'm not "like the other girlsTM", i had mixed feelings on how certain songs were assigned.

Some songs will be exactly the same as some other posts, mainly because they make the most sense to me but I do have some interesting shifts here and there that I will try to explain.

However I want to get the obvious ones out of the way first

UNDEAD ENEMY : David Chiem

I think this one is the most obvious song in the playlist. The song talks about a person who has put on a mask and is miserable trying to addear to the expectations of that mask. There is a lot of pent up frustration and anger in those lyrics which also is very fitting for David.

There is also the hints of something more behind those feelings of hatred, despite how much he's learned to hate the world there's still a sliver of him that still wants genuine companionship.

YESMAN : Nico Hakobyan

This song already fits Nico purely from the introvert lines. I'm joking, that's not just why I considering Yesman to be Nico's song. This song fits really well with Nico's frustration with being a pushover (or you could say a Yesman) and just how society has always treated them poorly.

The song itself is about being forced to do something, like a boring job, and despite how much hatred you feel you still keep on trying to keep your head low and do what your told. I think all of that really fits Nico's arc and what we know of them so far. Someone who constantly is pushed down by other and has been taught that they need to accept it.

SHUNRAN : Arei Nageishi

This song could also fit Ace as another aggressive person who just wants companionship but I personally think this song fits Arei way better especially with the beginning line ("I won't pay attention to small fry" has a lot of Arei vibes).

This song fits Arei's desire to want love and the contradiction that comes with her aggressive personality. She feels that it's unfair how life punished her which fits a lot with the line "They say that praying to be loved is a sin" as she was constantly denied that love. The lines as well about your personality slipping and crying reminds me of Arei's breakdown.

Hi-Fi Evolution Theory : Veronika  Grebenshchikova

This song is very vague but despite that it is 100 pourcent a Veronika song.

I don't fully know what the song means in itself but the lyrics really fit Veronika's issues with boredom and her enjoyement of the killing game. There's a lot of lines about laughing and wanting to be entertained which just goes with her really well with her character.

Cartoons : Rose Lacroix

Ok, I think I lied when I said Undead Enemy was the most obvious song, THIS is the most obvious song. I don't think there's much analysis to be done to convince anyone that this is would Rose's theme.

This song reflects well Rose's depression and pain surrounding her talent and just how her life turned out in general. It kinda has that dissociative numbness in the lyrics that just fits her really well.

Sing Along : Teruko Tawaki

This song really fits Teruko extremely well especially her abandonnement issues. The song itself sounds aggressive but it oozes of longing and sadness.

A lot of the lyrics fit her feelings of being betrayed by Xander and Min, people she's gotten close to in a short time but immediatly ended up betraying her. It also fits her feeling towards her brother who ended up leaving her as well.

Now let's take a break and tackle the Instrumental songs !! This is where things start to change from other posts so get ready.

Spitfire (05 Version) : J Rosales

This one just fits J's vibes quite well. It's aggressive but also isn't too serious or intimidating, it just sounds like something J would listen in the car.

It also just has this...manly energy (?) or punk-ish energy that J has, it fits her rejecting the traditional feminity her mom tried to force on her.

Main Theme, Diamond is Unbreakable : Xander Matthews

This song is literally Xander vibes and you can fight me on that, it has a very dramatic and grandiose sound (especially when the piano comes in) that just fits how Xander holds himself (as you can see with that pose).

It's the exact type of theme I would expect from someone being the Ultimate Rebel. There's also more actively aggressive parts that I think also fit Xander, as we see he's got a short tamper when his ideologies are challanged and he also just is surprisingly quick to resort to violence.

desk rotation by RQ laji-2: Charles Cuevas

You can fight me again because you cannot tell this Bill Nye intro ass track doesn't fit Charles. Again it's hard to argue considering assigning instrumental tracks is really just based on vibes however this song really has a huge science show feel to it.

I could imagine hearing it while Charles is doing chemistry stuff or theorizing during the class trial.

Now let's go back to the lyrical songs, and this is where things start to go a bit crazy and I might need to justify myself a bit more.

asymptotic : Min Jeung

I know Charles is considered the resident nerd guy but you cannot NOT give the song about math puns to Min.

I think this song works really well for Min's relationship with Teruko. It especially reminds me of what Teruko says to Min before she gets excecuted that they "should've never gotten attached to one another".

This song is about a romantic relationship that could never happen, which I think represents Min's own feelings towards Teruko. About how they could've been closer but now they'll always be drifting apart.

How Min in a way sacrificed her life for Teruko but again she'll always be "out of reach". A relationship that could never happen under the killing game's circumstances.

RUNAWAY : Levi Fontana

I think this song especially with what Levi revealed to us latest episode REALLY fits him.

A song about a person who is repeteadly failling to try and "become better". The lines about "searching" and "tripping" goes in line with Levi's behavior in chapter 2. He's awkwardly trying to reach an ideal of the person he's supposed to be. He wants to be a "good person" but from the day he was born he was completely denied that ideal (aka "Dreams of who i want to be I'm seeing every empty page")

But there is a silver lining to all of this, the lyrics work with the moral of Levi's character. He doesn't need to run away from who he truly is, that what he considers an obstruction to his goal is simply just a part of himself he should accept. He doesn't need to "run away".

tip toes : Hu Jing

This song already just screams Hu purely from the line "I'm reaching for something more than this feeling of being important". She's a person who wants to protect others, be someone who others can rely on but in part it's very much driven by her own ego.

The lyrics are slightly vague but the parts about her "future" I feel like really gives vibes about how she used to be someone who had givne up on her own life but now is determined to persue it no matter what.

I didn't put this lyric in but "Take this ghost of me with the tide to die" again really feels like it references Hu's past and how she's ashamed of it. The song's lyrics give me a lot of feelings of regret but also determination which I think encapsulate Hu's character well.

Polygonal : Ace Markey

I've never seen people consider this one for Ace which is really surprising but also not because this song is very vague. Despite that, I do think this song 100 pourcent fits Ace purely because of some lines that really fit neatly with Ace's character.

The repeated mentions of how anyone would want to be loved/have someone to laugh with, it reminds me a lot of how Ace reacted to Levi saying he didn't care if he died. Ace desperately someone to give a shit about him, he'd rather take pity than nothing at all but he's also a self sabotager who drives anyone who gets close away from him.

"Your increasing honesty, I hate that about you" Honestly really feels like it's Ace saying that to Levi ? I wouldn't know fully how to explain it but it just really gives that vibe.

The song also seems to go on about a person's suffering about how their life is "full of failures" which again goes unfortunatly with Ace who seems to just have lived a pretty miserable life. Having only one person he could call a friend, being forced into an Ultimate Talent that both ruined his body and mental health .

Drawing Pins : Arturo Giles

Ok this one is probably the most farfetched pick, i'd say ? Considering, however, how little we know about Arturo I feel like this song has a lot of room to fit his characters and certain lines already do in multiple ways.

The parts about not being able to fit in, both makes me think of how he's kind of just, openly mocked within the group. However it also really makes me think about Arturo's family, him wanting to distance himself from them and his apparent disdain from them as well.

"Tell me what you did it for" "Cause I can't figure it out" I honestly think those parts really fit well with Arturo's sister committing suicide. He doesn't know why she did it something like that and he refuses to see it as his fault, it haunts him, he can't figure out why she did it because he can't fathom the idea that in reality it truly was because of him.

The "what do i have to do to be loved by you" parts I think are where things get a bit weird. My thought process would be Arturo's feelings towards "pretty people", him becoming obsessed with J because of her mother really makes me think that he's looking out for some kind of validation in a way.

Good grief : Eden Tobisa

I'm sorry this song is not fucking Whit, it's Eden, y'all can suck it /lh

This song really just fits way to well for me with Eden's feelings about Arei (weither she's the culprit or not even if I don't think she is anymore). The entire of the trial of chapter 2, Eden is struggling with the fact that she lost Arei and what could have been. This song really makes me think about how she tells David that she "knows she's dead and that she's never coming back". The slight upbeat-ness of the song really fits as well with Eden's attempt to try and stay cheerful despite how sad she feels.

I think Arei's death will be a very big sticking point in Eden's character.

Also the time motif with "Every minute and every hour" just fits way too good for it to be ignored.

In terms of other lyrics, I agree some of them fit Whit a bit but there are certain things that click way too well with Eden (and also none of the other songs fit Eden at all). I mean Eden's secret quote literally is "You can't go back no matter how hard you try" so clearly her character is heavily tied with grief as well.

"If you want to be a party animal, you have to learn to live in the jungle...." Really feels to me like Eden having to learn to be stronger and stop blaming herself ? It really just sounds like advice that would be given to someone like Eden who wants to be upbeat and confident but just simply is too prone to be insecure.

"Get drunk, call me a fool. Put me in my place" Again those lyrics really just feel like they fit Arei and Eden's relationship. Arei calling Eden a "fool" and "putting her in her place", it just ends up really matching perfectly in my opinion.

Mistaken Belief of Love : Whit Young

AHAH ! You have fallen into my trap of this post actually being secretly propaganda about how "Mistaken Belief of Love" really fits what's hinted about Whit's character so far !!!

Yeah, no, this song really does not make sense with anyone else other than Whit ? Both the lyrics and vibes do not match with anyone. The song's whole thing is about "love" and Whit's a fucking matchmaker, thematically it just fits like a puzzle piece. Not only that but Whit's whole thing (that actually hasn't rlly appeared in the series itself all that often) is that he seems to not be able to find love himself and is doomed to be single. It reinforces this idea that, yeah Whit's song would be about love in some way or another (I talk about love in general, this song is not a love song despite what you'd think)

It also works really well with Whit's secret quote being "We often idolize the dead" meaning Whit probably saw his mother as someone she wasn't. Perhaps she was abusive or neglectful, or she hid something from him that truly shows that she may not have cared about him at all.

There are also lines that just fit Whit really well like the "deception, boasting, saying "I openly laughed at it"", just really gives giant Whit vibes for me ? Same with the mention of "peekaboo" since we know Whit kinda holds on to childish things like that (his socks, the fact he uses fruity shampoo for kids).

Anyways, this was mostly for fun and also because I desperatly to make my own list because I had some Hot Takes Tm.

[ryuichirou]

Why is Ortho included in ship art? He died as a child, and although he was rebuilt, his emotional intelligence and maturity level stayed the same as that of a child. Although I fully disagree, I do want to understand your reasoning. Especially since Ortho and Idia are related and I saw your art of them kissing. I am genuinely confused.

I’ll be honest, Anon: the amount of people who message us pretending to be genuinely confused while having ill intentions are more than I care to admit, and this is very tiring; this is why I might sound a little dry in my reply. But I don’t mind explaining it if you genuinely want to understand it. That being said, let this be the last time I am ranting about this topic because there is nothing new I can say.

Here is the short answer: Ortho is included in ship art because we ship him with other characters. Ortho having a maturity level, mentality and/or intelligence of a child is a myth that contradicts canon and only exists to antagonise people who view Ortho as anything other than Idia’s baby mascot with zero agency. The fact that Idia and Ortho are related is not a reason not to ship them: shipping is fictional and doesn’t reflect one’s views on irl matters. Exploring taboo and problematic dynamics and tropes in fiction is a part of natural human experience. What I care most about in shipping is characters’ dynamic that I find fun for shipping. Their relation to each other comes second, but I won’t pretend it doesn’t exist if it does exist.

Now I’ll give you a long answer. Starting with “Ortho is a child/8-year-old/5-year-old/toddler” argument.

We actually saw real 8 yo Ortho before his death in Idia’s flashback and, wow, we can see that AI!Ortho and flashback!Ortho aren’t the same Ortho. "My largest amount of birthday data comes from eleven years ago, when I was five” is the line that Ortho says in one of his Birthday vignettes, which indicates that even though he does have memories of dead!Ortho, he is not stuck in the age of 8 – he thinks and feels that his fifth birthday happened eleven years ago.

But also just in general, if you listen to him talk and compare it to how he talked in Idia’s flashback (both the voice and the manner of speech), it becomes pretty clear that he is older. He is younger-looking and has a high-pitched voice but it’s due to the fact that Idia designed him to look that way, and there are a lot of potential reasons why he could’ve done it (all non-canon and theoretical, so we won’t dive into them today), but he is definitely not 8 years old. Ortho’s AI constantly learns new information, learns more about being a human – he is clearly maturing as the story goes, thus showing that he is in fact capable of aging mentally, and he’s been doing it from the moment Idia first created him. He is naive and inexperienced, but that doesn’t make him an infant.

Plus, post ch.6 he is always being grouped with other freshmen who are also sixteen years old. This is his age group. This is how old Ortho would’ve been if he was still alive, and this is how old AI!Ortho feels. He’s a proper first year student just like Ace, Deuce and the rest of the boys, and the story keeps highlighting it in all the events that happened post ch.6.

Speaking of post ch.6. At the end of the story AI!Ortho and real/blot!Ortho actually merged a little, as far as you can remember. Blot!Ortho, wow, is also 16. He’s been stuck in the Underworld since he was 8 and he existed all those years and grew up as well despite his terrible situation and more than unusual company, so we can safely assume his age. His merging with AI!Ortho also influenced him (AI!Ortho) in a way, making him more human as a result as well.

Not to sound mean, but I think the majority of people who still insist that Ortho is mentally 8 either don’t pay attention to his character, his story and how he interacts with others at all, or straight-up choose to believe that lie because it makes it easier to attack shippers or anyone who likes Ortho in general.

But also guess what, none of that matters actually because ultimately he is a fictional boy, and fictional characters’ ages are irrelevant. Just like fictional characters’ family relations are irrelevant. Even if you don’t think it’s right, that doesn’t change the fact that it is irrelevant, and the only thing that could be done about it is that you can block people and/or tags that make you upset. There is no shame about it: I avoid a lot of ships and tropes that make me upset.

I would prefer people to stop accusing me, a real person, of actual vile crimes (or having dark thoughts about them? What the fuck is wrong with you?) because of fictional, made-up things. If I want to, I can unrelate Ortho and Idia, and my fanart would stop being incestuous with a snap of my fingers. I can make them enemies, I can make them kill each other over and over again, I can kill Idia instead of Ortho. I say this to show how little it matters, and no, ~the implications~ don’t count. People make them up and choose to believe that instead of listening to the person in question. About a real person, let me repeat myself. You (plural/neutral you, not you, Anon) cannot make shit up about another person’s thoughts, ideas, and views just because you find it convenient.

As for why I personally ship Ortho with Idia despite them being siblings, you’re in luck because in addition to this already long post I have an even longer post for you to read if you’re interested! It’s been more than a year since I’ve written that post my reasoning is still pretty much the same, so I think it’s a pretty good one to read if you genuinely want to understand us better.

But if you don’t want to read another long post but are still interested, here is a TL;DR:

I love their deep love for each other and don’t want to just explore the platonic aspect of it – there are a lot of other scenarios that I want to play with;

there are a lot of tropes related to this ship that we love (us two against the world; AI in love; causing an apocalypse for the sake of your loved one; unhealthy and codependent relationship; obsession, etc);

their story has a lot of motifs that could be read as romantic (i.e. Orpheus and Eurydice analogy) that we really enjoy;

personal reasons; relatability (not elaborating on that; not related to incest though lol);

they’re sexy lol I love robot parts, size difference and a lot of other aspects that I won’t mention here.

I hope that explained some stuff. Just to be clear: I don’t want to force anyone ship Shroudcest, in fact I don’t care if we are the only people in the world shipping them (that will never be the case though lol). I just love Ortho very much, and I think he is a very fun character that has a lot to offer, and I really don’t like that people want to create this aura of “he’s just baby don’t touch him” that stops people for getting to know his character better. He is cunning, he is smart, he is caring, he is psychopathic, he is a lot of things, and all of those things make me want to see him bossing Idia around, acting cute around Vil, bonding with Malleus over their differences and similarities, all of those things.

[sexypantsriorson]

VIOLET IS SCARED OF THE DARK! BUT WHY? WHAT DOES IT MEAN?

🚨 Spoilers for Fourth Wing and Iron Flame Below 🚨

When reading Fourth Wing one of the many times I've read it I noticed that Violet seemed scared of the dark on several occasions. However, the newest Xaden POV bonus chapter (Ch 27) solidified my crack theory that may mean nothing at all even further.

Fourth Wing:

⚡️Chapter 1: "The Captain nods and points to the open door into the turret. It looks ominously dark in there, and I fight the urge to run like hell."

-> This is the weakest evidence but I wanted to include it. Even though the majority of the fear probably stems from having to cross the parapet and going into the riders quadrant I can't help but notice how the darkness of the turret is pointed out in relation to her wanting to run away.

⚡️Chapter 19: "'Hope you're not afraid of the dark.' He pulls me inside, and suffocating darkness envelopes us as the door closes. This is fine. This is absolutely fine. 'But just incase you are,' Xaden says, his voice at full volume as he snaps. A mage light hovers above our head, Illuminating our surroundings. 'Thanks'"

-> side note: as Nicole from FFG would say ITALICS! Is this a Xaden intinsic moment or is this similar to Ch 27 where he senses her fear down their bond?

⚡️Chapter 27 from Violet's POV: "Xaden lifts a hand a few inches above the table, and shadows pour from underneath our seats, filling the room and turning it dark as midnight in a blink. My heart jumps as my sight goes black."

⚡️Chapter 27 from Xaden's POV: "I lift my palms just enough to clear the table and summon the cooling darkness of the shadows. They stream out from under the table and blanket the room in less than a heartbeat, devouring all traces of light. Panic skitters down the silver bond."

Iron Flame:

⚡️Chapter 36: "He steps forward, raises his arms, and shadows rush in from the wall at our backs, engulfing the formation - and us - in complete darkness. Theres a glimmer of a caress across my cheek, right where it's split to what feels like the bone, and more than one cadet screams."

-> The structure of the first sentence, the emphasis on 'and us' is what clued me into the fear in this chapter. And once again Xaden, who is also the source of the darkness, uses the shadows to comfort her. Based on Ch 19 and Ch 27 of Fourth Wing he likely knows she's scared of the dark at this point.

Noooowwwwww - What does all this mean? Well.... I have no idea!

As mentioned before it might mean nothing at all. Rebecca might have just thrown it in there as a quirky personality trait of Violet's. I personally just don't think that's the case.

According to a study done by John Mayer (the clinical psychologist, not the singer) only 11% of adults in the US are scared of the dark. So, its not that common of a fear. Also the amount of times it's brought up throughout the two books we've had so far makes me think it might be significant.

On July 8th Rebecca Yarros and Red Tower Books released a joint Instagram reel with a small video showing the cover of Onyx Storm for the first time. The caption has the tag line "Are you ready to BRAVE THE DARK?" written just like that with 'brave the dark' in all caps. 'Brave the Dark' is also written on the cover of the book in the same way 'Fly or Die' and 'Burn it Down' was used as a tag line of FW and IF respectively. This is another one of the most prominent reasons I think that these allusions to Violets fear of the dark are more than just a basic character trait. In each of the scenes mentioned (with the exception of chapter 1) Xaden comforts Violet in the darkness. Furthermore, if you search 'dark' in the FW ebook there are over 80 occurrences of the word and almost all of them are in relation to Xaden (I couldn't search IF because I don't have the ebook). We know that OS is going to focus on Violet trying to find a cure for Xaden. Is Xaden part of this darkness Violet is scared of?

The Empyrean Series is my current hyper fixation so I couldn't get this spiral out of my head since yesterday.

Please weigh in on what you think Violets fear of the dark means or where it comes from! I'd love to hear other peoples opinions. Also, if you know of any scenes I missed where Violet is scared of the dark please let me know.

Thank you for coming to my TedTalk TairnTalk. (I stole that from someone else but I can't remember who said it first but credit to them you are hilarious).

[miiserableee]

( 𖤘 ) ▸ tumbling the tumbled : scaramouche x fem! reader !

(!!!) mentions of reader being a cutie patootie ! tsundere to the highest level scara ! cuddly reader & scara ! modern!highschool! au again cause that's all i can ever write AHAHAHAHAHA lmao :D ooc characters ! 1.5k words !

"Oi , wake up ." scaramouche was never the most decent , but he's long since learnt to mind his own business . so , why does he bother with you ? sleeping so leisurely by the far corner of this massive library .

well , maybe it's because , it's been more than half an hour since the bell rung . it's way past lunch break . you ought to be in class . just as him . he isn't quite sure if you're as uncaring of being late or absent for a period or two . he's seen you wake up on time countless of times like clockwork , like a bot programmed to be up and about at the most appropriate of timestamps .

scaramouche , aggravated , scratches at his scalp and messes up his own bedhead . he had also just woken up from his nap . fuck , this really itches him the wrong way for some reason .

he can't seem to walk out , trust him , he's tried .

he glares at you , like that'll do anything while you're playing sleeping beauty . perhaps looking for a needle to prick you with will give him the best outcome , and ability to sweep his meaningless frustrations under rugs .

"Wake up , L/n ." he rearranges his words for the , god knows who time . you remain with no showing of signs of being the least bit disrupted by this , attempt of being awoken . and that's on the said attempts not being in the gentle side either .

one more glare and he'd probably have digging knives for eyes . he clicks at his tongue and took his phone out . it seems it's been 35 minutes , well , it doesn't really matter if he goes to class or not . his classmates were raring in the groupchat , about how their teacher was busy attending on a sick student to practice any lectures .

the vibrations of the notifications having been what awoke him . he looks at the sleeping you again and wonders if he could set his phone vibrating and wake the hell out of you too .

he chose against it as he remembers your close bond with one of his friends . a nagging fit from two chatterboxes will have to grate at his ears for a long while . heizou and kazuha really have a knack at befriending odd people . you setting the best example yet .

there's venti too . that guy really loves your every atom .

right , xiao is kind of way past just knowing you too so he'd really have to go through it if he did something atrocious to you , or at least that's what kazuha will word anything of what he does as a teasing to you would be in the aftermath .

aether would probably join the nagging crew .

he sighs and sits himself on the seat by the right to you . you didn't budge despite all the noise his intentional display of being inconsiderate have played too near you .

cupping a hand to a cheek , he rests on his elbow and ponders over nonsensical things . what else to do when you have almost an hour to waste until the next period begins ?

he looks at your face .

he's seen that face multiple times this year . it's a bit annoying how often , but he's gotten used to it .

you came from the same reading club as the five guys he hangs out with . he was ushered to join said club too but he'd rather do other things .

you didn't have much going on for you . plain and quiet , always on your heels and never at all looking directly at him . well , at least until the formal introductions done by venti was laid ahead .

your e/c eyes really struck at him that time . your eyes feeling oddly perfect being on line as his . it's a shame that your eyes are closed now , as you sleep .

seeing you sleeping so deeply he wonders if your sleeping position is really any that seemingly comfy . he copies you and dives more into pondering .

there were moments wherein you two only had each other as company , excluding this one . the majorities of these was when you two slept hours in the library , reasons and spots utterly different but that's besides the point .

there was a moment when he had to aid you with a wounded arm from an incident in class , he even had to attend to your wound himself . there was that time he gave you a handkerchief of his own when he walked in on you crying in class , at dawn , the class yet to begin , the classroom empty , you with a book and weeping silently .

you two were also paired for a project once .

all those moments together , vulnerabilities and opportunities leading doors of creaking opening , yet you never felt all that special to him , he never felt the need to pry those doors open fully . since to him you were ,

just , some girl his friends are all sheeshaw-sheesh over .

saying you were the most responsible , strong and capable person they know .

scaramouche could only scoff in mind . if only they knew how much of a vulnerable , naive and careless of an existence you truly can be at times .

helping someone from falling badly and hurting yourself in the process . crying just because a character wanted to buy his mother's favorite croissants but couldn't . staring aimlessly at everything the moment you're left alone . saying the most unnecessary things with just a whiff of awkward silence .

he stares at your braided hair .

that was one of those rare acts of yours , you were never one to tie your hair .

he feels sleepy again . he didn't even feel his eyes close . thinking of you is so tiring , it drags on for too long . at times , it even comes to points where he just thinks about you all day long .

"Scara ?"

scaramouche blinks , hearing your voice . he blinks again and again , in a daze . "You dozed off ." you were sitting between his legs , his arms around you .

oh right , you slept here last night and you both woke up past afternoon and decided to have food delivered and watch movies while , eating .

the delivery must have taken so long that he fell asleep . what a deep dream , he almost forgot all his rage in his stream last night .

"Sorry . Is the food here ?" he asks and you shake your head , leaning back after and landing said head on his shoulder . that's good , he didn't want you to eat alone .

your phone back on the table as you reach for his cheeks and squish at them . "Not yet , a few more minutes , the driver said ."

instead of his brows twitching at what you said , he only asks you to sit the other way around and face him .

that , you did . so different from how you would've flinched before at every touch on you he did .

you sit with your legs rested on his thighs and your hands on his shoulders . you tilt your head to the side a bit and smiles .

"You haven't had enough cuddles ?"

"I just , want more ." he kisses your cheek before he pulls you closer to him . arms around you and massaging your back . he leans on the couch and sighs .

"Are you hungry ?" he sounds a bit worried . "For cuddles ? Now that you're being all clingy , yeah , yeah I am ."

"I was asking if you were famished for food , but that's good to know ." scaramouche was never at all near to thinking that your relationship of just being too-far-to-be-friends would now be , this intimate .

"What did you dream about , anyways ? You kept grumbling ."

"I dreamt of that time we slept in the library until it was time to go home ."

"Oh ? High school , right ? When we were 2nd years ?"

"Yeah ,"

"I was wondering why you were beside me when Venti woke us up . They wondered too and asked why you were there and was sure you were awake because you had seen-ed in the gc hours before . Then you said you didn't leave , just because . But like , why really ?" what a detailed recollection , nothing beats your memory after all .

"I don't know . I must've been attracted to you some way even in those moments , despite not being completely aware yet ."

you pull back from him with your brows meeting and he laughs before you say a thing . "Didn't you ask me out before we graduated High School ? You mean , you've liked me since we were in our 2nd years ?!"

"Why are you so shocked ?" the two of you now were 3rd years in college . struggling to even be 4th years next semester , or maybe just you .

"Because ," you trail off and pause completely . "Because ?"

his thumb press a bit on your sides , his hands on either side of your waist . keeping you there , he feels you want to just stand and walk out .

"Because , oh ! The delivery's here ! I'll get it !"

he watches you hurry your way to the door and stays there for a bit . smirking to himself . seems to be stuck in the memory train today , he remembers one thing one of the guys said after a month or two of you two being introduced to each other .

"You know , Y/n seems interested in you ."

perhaps , heizou is worth believing sometimes .

SCARA-LiNE / WORK NAVi !

[bennubee]

𐙚˙⋆.˚ ᡣ𐭩 i think some people are missing the point of the “ who will love you now dumbledore “ line in secrets of dumbledore

i’ve seen a lot of people claim that it’s gellert’s true abusive self coming up to the surface but i don’t thinks that’s fair to his character… in that particular moment gellert is incredibly scared his plan has blown up in his face and he can’t see what his next step would be, in a moment of panic he tries to connect with the only person who can offer him refuge which is albus, he can hardly shout for vinda because that shows weakness, he goes to albus for comfort and aid which he is immediately denied when albus stumbles a few steps back before returning to his brothers side. this is what prompts gellert to shout “ who will love you now “

we could argue that this could be a reflection of the dual in 1899, “ if you listen carefully enough, the past whispers to you “ i wonder if when the dual was finished and ariana laid dead on the floor if gellert reached out to albus for comfort and consumed by his own guilt and panic albus denied him this in favour of running to aberforth, after all gellert didn’t know what it was like to lose a little sister but aberforth was feeling the exact same emotions as he was at that time… feeling rejected and scared gellert then abandoned albus to run back to bathilda’s in order to request a portkey home.

the “ who will love you now dumbledore, you’re all alone “ line while cruel is more a child shouting anything to get attention than anything else, he was scared and feeling rejected and so he shouted whatever he could to get albus to turn around and come back, when we see gellert’s true colours come out he looks completely different, when he taunted newt or called aberforth “ a stupid little boy “ we see that he harboured pleasure in this, he smirked as he said words that would cut deep and he looked forward to the next time he could say something malicious again, but there is not a smirk on his face as he shouts to albus, instead there’s a look of a scared man who doesn’t know what his next step is but believes that he can’t make it without albus’ aid and comfort, he is in darkness and he shouts in hopes that albus will turn on the light…

this is evidently the ways mads was playing that scene because in two ( ? ) interviews i believe he pointed out that he saw gellert as a very lonely man and that his greatest fear was being alone…

what gellert said wasn’t right it was inherently cruel but it wasn’t his ‘ inner abuser ‘ coming out, he wasn’t less genuine when he was sweet on albus at the restaurant, he was simply scared and reaching out in bhutan and snapped slightly when albus wasn’t providing the comfort that he sought so badly

[stitchwraith-stingers]

(some-what of) an analysis on patty possom(?)

inspired by this post on the PE-AZ yes this episode is my fave yes i unironically love patty yes i was a fnaf kid yes i am utterly deranged

some of these r incoherent because its midnight and i wanna post this as fast as possible before i go to bed and wake up at the crack at dawn

yayyy patty ^_^

one of the first things ive noticed post becoming alive like the next frankeinstine is that her eye wasnt fixed by the mechanics, which as ill discuss later imply a sort of negligence (? i think) to the properly, i however dgaf and like to interperate this as her having a lazy eye <3

she seems to be a genuially nice person!!!! um . i dont know how to continue this paragrapth pretend theres something here thats interesting

imagine being born into the world and already having a dreadful fear of being abandoned. crazy, mustve impacted her very hard

though this probably means it gave her fake memories or she was already sorta vaugely away of whats happening?? like psudo sentient?? if that makes sense, how the hell do you know this girl, you havent BEEN to the devils sacrament

the way she goes about it and the ending shows that she has no clue on how to socialize or their cues at all, or just cuz of the pov its intentionally shown as more creepy (which it probably is, you could hear her go "where r u going :(" in a sad tone), shes a massive werido and i love her for that

point is, shes nice but has no idea how to say "nooo dont leave me haha" normally cuz she just appeared 2 seconds ago with no idea of proper communication, does that make sense..... help

heres the thing i love about this the most, shes at the end of the ep shes seen dragging background character #47 in the same tone of voice and hes seen uncomfortable. PAN TO THE NEXT SLIDE IN WHICH THEY SEEM OK IN THEIR PRESENCE

LIKE . THE GUY JUST ACCEPTS HER HAND TO HOLD WHEN SHES SHOCKED..... THEY R BESTIES AND IM TIRED OF PPL OVERLOOKING IT, and the fact that i dont think we get to see him again (cuz they couldnt fit him anywhere in the background? i think) makes it better for me, balding old guy notices furry twice his size scared of being left alone so he decides to stay here just for her.... MANNN

the general area

lets see, were right off the bat were introduced to a good few places, the fun tunnels, the game zone, a claw machine thats rigged, the place with the signature snack which i wont go over because thats kinda of its own gag but its sticky and probably unhealthy, and the main stage

i assume the fun tunnels are made with a holograpthic effect inuniverse, and i think theres some LED lights in there to make it glow, i was going to say its polyethylene plastic but i dont think that exists google stock photos lied to me, also not related but it looks like a horrible spray paint job was done on this thing lol

also acording to the lyrics theres supposed to be 3 more members, a raccoon, cat and turtle . i dont think we see craggle in photo though rip (if theyre not a sphyinx ill be dissapointed), tyrone seems to have a 60's? aesthetic going on, rascal has a punk aesthetic going on and patty has a more modern aesthetic ? i think, the spiked collar is throwing me off

from winns dialouge in the start implying that they havent been here in a good while ("when i was little" ur in 5th grade) and the fact that their instruments are still there, then this was probably a recent desicion, or atleast long enough for a 10 y/o that hasnt been here in awhile to be upset by this and for patty to be immediatly spawned in with abandonment issues

along with a rigged claw machine and the snack i think it implies that the people over there who own this establishment are probably really cheap, and the fact that the PRAMBY snack is really sticky is definatly going to cause some health issues down the line, something something fazbear entertainment

oh and also, theres like a split second frame where this shows up, obviously its just there as a morbid joke but atleast it shows us this establishment is atleast old enough to have someones decaying body be bone by now, which after writing that makes me sound stupid because skeletonization might not take as long as i thought it would ("3 weeks to several years" depending on the surroundings)

whoever was there seemed to have been stuck for 25 days at least and has gone undetected, which means this place is linked to one unsolved missing persons case and they dont have a clue (most likely), also theres ballpit balls inside this thing i fucking guess?? theres no actual ballpit in the place idk what this kid was doing

i have tried to make up a map of how the place looks but im always bad with rooms ? and i had to take a fewwww small creative liberties with this cuz i couldnt figure out where theyd be but close enough👍👍

[soaked-ghost]

it's the annual infodumping post!! yahoo!! have ink when he was slightly younger. also concept for how he actually hears the creators (with a little radio)

[riacte]

so hey guys i finished dungeon meshi yesterday and i'm still thinking about it

[aces-to-apples]

Frankly I think Alistair being mildly shitty to that mage in Ostagar seems pretty in-character for the guy he is before the massive, life-altering trauma that is the Ostagar massacre wherein he sees all of his Grey Warden comrades, his beloved mentor/father figure, and his beloathed half-brother/convenient-target-of-projection absolutely torn to shreds by literal Thedas boogeymen. IIRC Morrigan and Flemeth both comment on his wack behavior after Ostagar and then by the time we get to Lothering Alistair just fully surrenders any and all responsibility (and, frankly, agency) to the player's Warden for the foreseeable future. It can then take anywhere from a couple IRL hours to the entire second act of the game for him to retake almost any amount of it back. And depending on the player's choices in dialogue, and especially whether or not they choose to romance him, we may only see flashes of that guy we met at Ostagar before he potentially morphs into almost someone else entirely (hardened!King!Alistair). All that to say, I don't actually think it's a useful criticism of "characterization" to bring up Alistair's glibness as compared to his behavior in the majority of the game because from where I'm standing (looking directly at his snottiness about Cailan, his complaints about being assigned to the Tower of Ishal, his Templar-esque focusing on Morrigan and Flemeth being apostates, his generally pretty brusque manner with the Warden recruits) it seems fairly in-line with the rest of his behavior at Ostagar.

[volivolition]

suggestion do you have... any wants? like obviously you do but like? suggestion my guy my ourple boy. both the easiest and hardest to write. you need a skill to say something to move conversation along but it doesn't fit any skill in particular? about 80% of the time you can have suggestion say it and it will make sense. but like actually characterizing him... how do i define you dude... what makes your character tick... urgh. i dont get you yet. im trying to understand but you are difficult.

[justafriendofxanders]

i go back and forth a lot on my interpretations of ats s5, ie. what parts of spike are 'in character' or not, but the one thing that stays constant is my belief that spike and angel fucking would have fixed most of this.