#true. that's all true. but i think that regardless of that. it's important to remember greg asked if tom wanted him there earlier

[sunseed-fandump]

I saw your tarot analyses, do you have one for the reading in episode 7, the one Fortune Teller Cookie gives the gang in the inn?

*Cracks knuckles*

Alright, first one is a card everyone recognizes, because it's symbolism was used repeatedly throughout both episodes 7 and 8.

XVI - The Tower. Upright, it represents disaster, destruction, upheaval, trauma, sudden change, and chaos.

"The Tower represents change in the most radical and momentous sense. It is for this reason that the card itself visually looks so unnerving. But it doesn't necessarily have to be truly frightening or ominous. Because at the heart of this card, its message is foundational, groundbreaking change.

The kind of event that the Tower card marks does not have to be something terrible, like a disaster or a great loss. Change itself is a normal part of life that one has to embrace. But it can sometimes strike fear, for it means that we must abandon the truths that we have known prior to this event. The old ways are no longer useful, and you must find another set of beliefs, values and processes to take their place."

Next in the lineup seems to be VI - The Lovers. It stands for love, unions, partnerships, relationships, choices, romance, balance, and unity.

"The primary meaning within the Lovers is harmony, attractiveness, and perfection in a relationship. The trust and the unity that the lovers have gives each of them confidence and strength, empowering the other. The bond that they have created is very strong, and it can indicate that the two are joined in marriage, and other close and intimate relationships.

Another meaning behind the lovers card is the concept of choice - a choice between things that are opposing and mutually exclusive. This could be a dilemma that you need to think about carefully and make the best decision for your situation.

A more personal Lovers meaning that can apply to individuals is the development of your own personal belief systems, regardless of what are the societal norms. This is one of the times when you figure out what you are going to stand for, and what your philosophy in life will truly be. You must start making up your mind about what you find important and unimportant in your life. You should be as true to yourself as you can be, so you will be genuine and authentic to the people who are around you."

Now this last one really stumped me, as the symbolism doesn't seem to be too consistent with common depictions I'm familiar with. Then I remembered that these are Shadow Milk-ified Tarots that are supposed to be ominous looking. And then I also remembered that in some depictions of XIX - The Sun, the sun itself is drawn with a single massive eye. And I highly doubt an emo like Truthless Recluse would have a card depicting a happy sunny day in his deck. So we're going to continue assuming this is supposed to be The Sun. If I wind up being wrong, I'll just make an amendment later.

Upright, The Sun represents happiness, success, optimism, vitality, joy, confidence, happiness, and truth.

"The Sun card represents success, abundance, and radiance. Like the sun itself, it gives strength and vitality to all those that are lucky enough to feel its rays. There is much joy and happiness that is coming to you.

Because of your own personal fulfillment, you provide others with inspiration and joy as well. People are drawn to you because they are capable of seeing the warm and beautiful energy which you bring into their lives. You are also in a position in which you are capable of sharing your qualities as well as achievements with other people. You radiate love and affection towards those you care about the most."

All together, this could be seen as one big summary of PV's arc in this story. His emotional spiral, the choice he has to make between embracing despair or fighting through it, followed by his eventual Awakening. But then, what about what TR wrote while giving this reading?

Despite the optimism of the last card, I think TR - and by extension PV... Doubted himself. After all, when presented with a choice, it's always possible to make the wrong decision. And perhaps he was trying to spare himself the need to even make that choice in the first place with this warning. At this point, the Awakening hadn't happened yet, and TR hadn't seen the final outcome of that choice. He hadn't seen his Awakened self.

He's so very happy at the end that he wound up making the right one.

[crescentfool]

having the hc that minato is ace is incredibly funny sometimes when you think about how ryoji is oh so very bi because it's like. "ah. death stole my ability to be attracted to people," in the same way that ryoji stole minato's eye color and energy level. like wow, thanks ryoji, you just keep finding things to steal from minato!

[teenagefeeling]

okay. i have debated making a post like this on and off for about the past decade. and i was always like "well, it didn't directly involve me, and i have 0 evidence, my memory of the details is a little shaky, and i don't think it needs to be a huge deal." but it has been weighing on me more and more recently, and i feel like i should at least tell my mutuals this story because i think about it a lot. and i think it's perhaps a conversation that should be had.

but i wanna preface this first with: this is not an accusation or an assertion that anyone necessarily did anything. not only is this information alleged, it's also something i heard secondhand and not directly from the person (and about 10 years ago) so it would be really hard for me to verify its veracity. wanna make that extremely clear before i imply that someone might have committed a crime. it's a very big MIGHT.

but here's the story: i was on twitter a lot as a teenager and jack and dean used to be pretty friendly with their fans. it was fun, they'd reply to people's tweets, they even commissioned a friend of mine for graphic design work which i thought was really cool. jack, to my knowledge, never dmed any fans in a purely social context. like, he dmed my friend to comission work from her, but they weren't like, chatting bc he didn't do that. dean, however, was a chatter. i never personally talked to dean, but i had a friend who had a friend (that's 2 degrees of separation between me and this story for those keeping count) that used to talk to him i think regularly. one day my friend came into the group chat saying her friend had been messaging dean (we are all about 15/16 here and he would've been like mid-20s) and he was asking her what kind of porn she was into. at the time, i think we as teenage girls were so used to predatory men that all we really did was make fun of him behind his back for a few minutes (iirc he had just gone through a breakup so we were all like "wow, very pathetic that this is what you do when you're depressed"), but i don't think it even occurred to any of us to tell anyone about it. it's like one of those things that happens to you as a kid and ur like fine but you look back on it as an adult and you're like "holy shit how did that adult man think that was okay?"

i thought about it a lot when the cody ko allegations blew up bc imo it's a fairly similar situation, like the victim wasn't even really bothered by it, but it's still obviously wrong. but it just makes me think like, for every cody ko who gets publicly called out, there are probably 10 dean dobbs who just get away with it because the victim never had any intention of speaking up. youtubers just aren't who they say they are. a lot happens when that camera isn't rolling.

[gregoftom]

“do you have all the support that you need [for sweden]?”

[alittlebitofloveliness]

Things I think the fandom needs to remember sometimes

-Ponyboy is not a loner or unpopular. He admits to having a lot of friends at school, and a few of them even visit him when he gets out of the hospital, though he notes it makes him uncomfortable that his middle class friends get to see where he lives. Which brings me to my next point;

-The gang does not spend all their time together, or even most of it. Yes they’re all friends, very CLOSE friends- yes, even Steve and Ponyboy- but they have lives outside of the gang. Pony has school friends, Darry has work or old school friends he skis with, Soda and Steve are inseparable to a degree that their outside lives overlap and their identities within the gang are also interwoven, but they all very much have lives outside the gang. Two bit has his mom and little sister and a revolving door of girls. Dallas only shows up when he feels like it and  he lives at bucks and jockeys in the races. Johnny couch surfs at the curtis’ and Two’s place, but he also regularly camps out in the lot and presumably crashes at Dally’s place sometimes too. Yeah, he’s Ponyboy’s best friend, but they’re not inseparable the way Steve and Soda are. It’s a different dynamic. The whole group has lives outside of the gang and I think it’s important to remember this. 

-The term ‘greaser’ is a derogatory term and originated in the 1800s as a slur against Mexican immigrants. It coloquial meaning changed when readopted by the greaser subculture in the 1950s and 60s (according to wikipedia), to primarily refer to lower working class individuals of mexican or italian ancestry, and becoming more ethnically ambiguous, but it still wasn’t widely used outside the subculture itself. Ponyboy is white, but he probably has some Italian ancestry which is characteristic of the greaser subculture, and he identifies with the word- but it’s still a more loaded term than the fandom sometimes pretends, and it still has racial undertones, regardless of how it’s portrayed in the novel and how it moved away from it's historically primarily racialised usage when adopted by the greaser subculture. Ponyboy makes a point of saying in the book that it’s okay for himself and the gang and others of their social group to use it, but when people outside the group call him it it ‘doesn’t make him feel so hot’. I think this helps illustrate that yeah, it’s an offensive term. ‘Greaser’ carries weight and I think it’s important for the fandom to recognise that.

-Darry is trying, but he isn’t a good guardian, and if he was then his character would not be redeemable after The Slap. The reason Darry Curtis as a character is so sympathetic is because he is twenty years old and trying his best, and his best is never good enough. If Darry was a well equipped guardian who was able to parent Pony AND Soda AND the gang (to an extent) the way his parents did, then him slapping Ponyboy would be unforgivable. It would be the action of a brute instead of the action of an overwhelmed older brother forgetting his new role as guardian. The reason Darry is forgivable and so beloved is because he is not perfect, or even good, at his role but he keeps trying and choosing to be present for his brothers over and over. (Remember, he had to fight very hard for custody, probably harder than Ponyboy realizes.)

-The portrayal of every female character is biased by Ponyboy’s narration- and Ponyboy has a lot of internalized misogyny and classism. It makes sense that he holds these ideas, considering the time period and the male dominated environment he grew up in where (presumably) the only woman he ever had any sort of close relationship with was his mother, but it doesn’t make it any less true. However, the women themselves are few and far between but incredibly important characters. I’ve spoken about it before but I think Sandy’s character and her unplanned teenage pregnancy sheds a small amount of light on how poverty affects women as opposed to men, something the book largely lacks due to the only main(ish) female character being upper class;  whereas Sylvia serves as a foil to Dally, and is essentially written to be the offscreen ‘female version’ of him, basically a representation of the ‘worst’ sort of greaser girl while Dally is the ‘worst’ kind of greaser. The only reason these women receive so much hate is because of misogyny- don’t pretend it’s just about the cheating, because it’s not- and if you want to hear further takes on them you can read my thoughts on the misogyny in the fandom here, and my thoughts on Sandy here.  Even Cherry, whom Ponyboy views positively, is viewed that way because of Ponyboy's biased ideas of what makes a girl 'good' and worthy of respect.

-Ponyboy has a fairly negative view of alcohol and alcoholism, but has a very addictive personality. Ponyboy has tried alcohol but didn’t like the way it made him feel. However, his view of Two-bit, while positive, seems to find him less brave than the rest of the gang as he drinks before the rumble, and Ponyboy ‘would hate to see the day he had to get his nerve from a can’. Soda’s reluctance to drink or smoke also adds to Ponyboy’s worship of him, despite the fact that Ponyboy is addicted to nicotine and caffeine respectively and it has the potential to be his undoing more than anything else in the east side.

-The entire story is built on grief. Johnny and Dally are doomed from the start, and Ponyboy mentions his parents' deaths from the first few pages. But loss of a loved one is not the sole type of grief the novel covers. Darry mourns the life he could have had, Soda mourns his imagined future with Sandy, and by the end of the novel Ponyboy is mourning his childhood and loss of innocence. I could go on, but I think the effect of grief is sometimes missing from analysis or canon compliant fanworks, when it is quite literally the driving force behind the story.

[aardelea]

Love Languages: How They Show Their Affection

Hey everyone! I'm back with another headcanon post, this time diving into how our favorite characters express their love and affection. Whether it's through subtle gestures, grand displays, or tender moments, each one has their own unique way of showing how much you mean to them. I hope you enjoy reading it as much as I enjoyed putting it together!

Jin • Jin is not a man of many words. That’s why it’s important to understand the language of his gestures in order to feel his affection. • He shows his affection in various situations where you can count on being the only person who gets to experience it. For instance, he often lets you decide what you’ll have for dinner. Believe it or not, you won’t even notice if you pick something he has no appetite for. • When he craves closeness, he’ll send you a message, regardless of the time, calling you to his room. It’s more of a command than a request. But if you comply, you’ll find yourself wrapped in his arms on the couch or bed, simply enjoying his presence. That moment belongs to just the two of you. • Whenever you even think about wanting something special, it will appear in your room the next day. He also likes to surprise you with things you hadn’t even thought of. He catches every little detail from your stories about your dreams and passions, and when the opportunity arises, he brings them to life through small gifts.

Tohma • Both of you have strict schedules, so showing affection is key in this relationship if you want to make the most of the time you have together. Tohma knows this well. • When you see each other amidst the hustle and bustle of the academy, he gives you, and only you, his warmest smile. • He’s not a fan of showing physical affection in public, but when he crosses your path, he’ll always pass close enough for your hands to “accidentally” brush. His hand closes slightly, as if trying to hold yours. • If time and circumstances allow, he’ll quickly and wordlessly pull you into an empty room or hallway when you pass by him. He gives you a brief but passionate kiss, brushes a strand of hair from your face, and looks deeply into your eyes before you both go on your way, as if nothing happened.

Luca • Luca is initially reserved about showing his feelings for two reasons. First, he knows his best friend Kaito has feelings for you and doesn’t want to rub it in his face that you didn’t choose him. Second, Luca is a true gentleman who would never do anything to make you feel uncomfortable. • But he never tires of showering you with compliments, all of which he means sincerely. You can see it in his eyes—no man could look at you with more love. • When you’re alone, and you’re facing away from him, he loves to hug you from behind. You both linger in that position, enjoying each other’s warmth. • When you sleep together, he holds you tightly, as if afraid you could be taken from him at any moment.

Kaito • Kaito knows you love it when he makes you something, so he spoils you with plenty of sweets whenever he has time to bake for you. Missing desserts from your homeland? He’ll surprise you with them as soon as he finds a good recipe. • He’ll take many photos of you and the two of you together. While part of him loves to show off, it’s mostly because he still can’t quite believe you and he are real. Your relationship is still beyond his imagination, so he treasures every photo when you’re not with him. • He remembers every detail about you and is always looking for ways to surprise you. Love ice cream? Prepare to visit every renowned ice cream parlor in Tokyo—he’ll take you to all of them. • And of course, you won’t be able to escape his constant messages. He always wants to know what you’re doing and how you’re feeling, not out of worry or jealousy, but because he genuinely cares (though he’s no stranger to those feelings either).

Alan • Do I even need to mention how often he’ll pat your head? • He always checks how you’re doing and makes sure you have everything you need. He’ll also always offer to let you sleep in his T-shirts when you stay over. He just loves seeing you in his oversized clothes, and though he’d never say it out loud, the smile on his face when he sees you in his sleepwear says it all. • His sweetest way of showing affection is his almost casual request for you to join him in nearly everything he does. He loves having you around. Even if you’re not into physical activities like he is, he doesn’t mind—he just wants to be near you. • Wherever you are, Alan will seek your physical closeness. Sometimes, you’re not even sure if he’s doing it consciously or if his feelings just naturally draw him to you. Whether it’s an arm around your waist, moving closer on the couch, or casually holding your hand, he always seeks contact.

Sho • For Sho, love truly comes through food. So rest assured, you’ll never go hungry if this man is yours. Lucky you. • Though Leo is his best friend, he will never allow anyone, not even him, to badmouth you. Never, ever. No one—absolutely no one—touches his sweet girlfriend. • Sho will often give you small gifts in the form of jewelry. Nothing overly expensive, but always something unique. Seeing you wear it makes him incredibly happy, so you’d better wear it, because it’s also his way of marking you as his own. • Though he’d never admit it, Sho actually enjoys public displays of affection. He’s proud to have you by his side, and when you reach for his hand, he’ll pretend he’s only letting it happen for your sake, to make you more comfortable. In reality, his heart is always racing when you do.

Leo

Leo could only accept a partner who is on equal footing with him. That's why he can actually be very sweet in a relationship when he wants to.

Naturally, the maximum amount of physical affection in public will be displayed, as long as you allow it. After all, the world needs to see what a great relationship you two have. It’s a wonder you haven’t yet shared a French kiss on campus. He definitely enjoys making your admirers jealous.

But of course, he’s only doing this for the show and for the clicks when he films you both. It has nothing to do with the fact that he maximally enjoys your closeness and can’t get enough of you. Never. How could you come up with such silly ideas?

He will shower you with gifts that he "just happened to buy somewhere." Does this have anything to do with the fact that he actually listens to you and explicitly searches for things you like and that he hopes will make you happy? Such nonsense.

Haru

Despite his strict schedule, Haru will never miss the chance to show you how much you mean to him.

Every now and then, you'll get messages from him asking where you are, only for him to show up shortly after with all kinds of stuff. Surely, you've forgotten to drink enough today, right? Don’t worry, he’ll take care of you.

You’ll also receive sweet messages from him every day. At first, he’s a bit overwhelmed with flirting properly, but eventually, he gets the hang of it and showers you with subtle love declarations.

Speaking of love declarations: when he sees you on campus, he won’t miss the chance to greet you with a hug and a kiss on the forehead. He doesn't care if others see you.

Towa

Towa is a true romantic. He understands the language of flowers like no other. So, be prepared to receive numerous flowers from him. He takes the effort to present you with a special one every day, just to emphasize how unique you are to him.

He doesn't care what people around you think. He will hug and kiss you in public whenever the mood strikes.

Towa is a good listener, and even though he's not necessarily good with words, he always knows how you feel and what you need at that moment. If it's peace, he'll leave you alone; if it’s closeness, he'll whisk you away to a quiet spot and hold you in his arms until time forces you back to reality.

Wherever you go together, he'll want to hold your hand. It’s important to him to have you by his side at all times.

Ren

Ren is more the type for subtle expressions of love. So, a keen sense of perception is needed if you don't want to starve from lack of affection in a relationship with him.

The most noticeable thing for an attentive observer is Ren's smile when he's around you. He always seems much more relaxed when you’re there, and you're probably the only person who’s ever made him laugh.

In public, he wouldn’t dare show any affection, but when you're alone, he craves your touch. Even though he'll always claim you're the one who wants it and he’s simply complying with your wishes.

He also loves playing with your hair during your evening movie nights. Not having to ask for head massages definitely has its perks.

Romeo

Usually, it's Romeo who receives affection, but even he sometimes gets overwhelmed by longing, and everyone around can see how much you mean to him — and that no one should mess with you because of that.

Romeo is possessive. It’s no different with his partner. You belong to him alone, and everyone who even thinks about getting too close to you should know that. That’s why you're probably the only person on the planet who’s allowed to touch him in public without getting punched.

He lets you sit on his lap in his office when you're talking, and he makes no effort to let you go when one of his lackeys enters the room. After all, everyone knows you belong to him.

You also don’t need to worry about not being stylish enough for Romeo. He'll make sure your wardrobe is perfectly aligned with his. Expect a complete makeover. You won't recognize yourself — in a good way.

Taiga

Regardless of his moods, Taiga is definitely a physical type. This means that he loves to show his affection through hugs and kisses of all kinds, as long as you let him. His lap is your second home.

He may not be greedy or superficial, but he has taken a liking to showering you with gifts. Though, in most cases, you’d better not know where they came from.

Depending on whether you’re okay with it, he’ll either nibble on your ear and cover your neck with kisses when you two are alone. He just loves it.

He practically lets you move into his room because, as his good luck charm, he always wants to have you near.

Ritsu

The first thing anyone who knows Ritsu even a little would notice is the fact that he doesn’t talk to you like a potential client, but actually like his girlfriend. Even though he would never, ever talk to you in a childish manner or give you pet names in public. That’s simply not his style, love or no love.

Ritsu has good manners and knows from several sources that it’s proper to take a lady out to dinner. So, he regularly dresses up and takes you to the finest restaurants Tokyo has to offer.

Since he wants to be taken seriously as a lawyer, he refrains from physical contact in public. But since he still wants people to recognize you as his love, it’s acceptable to link arms with him.

Though he seems rather stiff, he does enjoy hugging and kissing you. It should just happen in private.

Haku

Haku is an incorrigible charmer and will shower you with compliments anytime, although you often have to read between the lines of his jokes to find them. However, the longer you're together, the more serious he becomes with his compliments.

Physical closeness is something Haku finds very comforting, so he loves holding hands or walking with his arm around you.

He also won’t hesitate to kiss you passionately in public. Of course, he’ll refrain from doing so if it makes you uncomfortable.

Additionally, he regularly invites you on dates, making an effort to keep them as varied as possible. By the way, long walks are not considered actual dates for him but rather a standard activity.

Subaru

Due to his stigma and his rather reserved nature, Subaru will initially refrain from showing affection through physical closeness. Instead, he expresses his feelings in a more subtle way through many small gestures.

Even though he values having enough personal space for both of you, he places great importance on seeing or at least hearing from you every day. If you couldn’t meet during the day, he will call you at night to wish you goodnight.

Another way he shows his affection is by sharing his memories and feelings with you. Normally, he doesn't like talking about himself, but with you, it feels so natural to share his deepest thoughts that he doesn't mind at all.

Whenever there's an event he thinks you might enjoy, he’ll make sure to arrange everything so you can attend together. After all, he wants to make sure you're happy and that you experience lots of things together, helping you grow closer.

Zenji

Zenji is a master of words and will primarily express his affection verbally, especially when there are no other alternatives. This might be in the form of poems or songs that he has written exclusively for you, meant only for your ears.

He’ll also always keep you company whenever you need it. He loves staying up with you late into the night, talking about everything under the sun until you fall asleep. Seeing you so peacefully and safely in bed is the greatest gift for him.

You'll often find little hidden notes from him, wishing you a good day, asking for a smile, reciting a short poem, or revealing his feelings. You usually discover them much later because he hides them so well.

Wherever you go, he will watch over you. Even though he may no longer be able to protect you himself, he’ll make sure you’re safe.

Rui

Rui’s days of physical affection are unfortunately behind him, so he has had to find new ways to express his feelings. His first idea was to gift you a small teddy bear, which you can cuddle whenever you feel the urge to hold Rui instead.

If you’ve managed to convince him to enter a relationship, he will generally want you to have something that shows you're taken. So, he'll gift you some sort of special piece of jewelry — most likely a ring. Although Rui's the one constantly surrounded by admirers, he's the one who is deeply afraid of losing you because he believes you're too good for him.

Rui is incredibly attentive and can literally read your wishes from your eyes. If it's within his power, he’ll fulfill them. This also means he always knows how you’re feeling, as he can read you like a book. So be careful what you're thinking!

When you're out together, he gives his full attention to you alone. Even though he may use his usual charm when approached by others, especially women, he never gives you any reason to worry.

Ed

Usually, Ed is the type who craves attention and affection, but he’s also capable of expressing his own feelings.

Social conventions matter little to him, as he doesn’t see himself as part of society. So, you can expect him to show affection at any time or place — whether through hugs, kisses, or his hands wandering elsewhere on your body. That is, if you allow it.

You’re never quite sure if he actually wants to bite you, but he loves passionately kissing along your neck. The fact that he rarely breathes during this makes the situation just as eerie as it is arousing.

He regularly texts you about how much he misses you and what a cruel person you are for leaving an old man alone. After all, he always wants you by his side, no matter what you’re doing together. It’s more than clear that he finds you far more interesting than he would ever admit.

Lyca

Lyca is known for having no experience with women, let alone relationships. Therefore, he reacts quite shyly to anything you do involving physical contact, making it difficult for him to initiate gestures himself.

If you do anything that even remotely puts you in danger, he’ll call you an "idiot." He worries about you practically every second, so don’t hold it against him.

He’s trying his best to live among humans, so he observes people a lot. On campus, he watches couples and tries to pick up certain behaviors from them. Depending on the couple, this can be more or less awkward. Shy attempts to hold your hand, sharing lunch, or stroking your hair — he’s really doing his best to make things work between you.

Most of all, he shows his affection by wanting you to accompany him everywhere, especially when he’s discovering something new. You’re meant to be part of his journey toward humanity.

If you enjoy his drawings, he’ll be more than happy to paint anything you ask him to.

Yuri

Yuri is a very passionate man when it comes to his work and research. However, when it comes to dealing with women, he lacks much experience. Still, his innate enthusiasm for you is definitely in your favor.

He will gradually involve you more in his work, asking you to help him in the lab whenever possible so you can extend your already-too-short time together. He’ll even send Jiro away more often just so you two can be alone.

Whenever Yuri makes a significant discovery or feels proud of an accomplishment, he becomes filled with energy that he needs to release. He'll pick you up, spin you around, and then give you a passionate kiss before turning back to his work. Only after a few moments does he realize what just happened, as you can see from his blushing cheeks — always an adorable sight.

Despite his tight schedule, he’ll try to regularly take a night off to have dinner with you. He understands that variety is key to keeping a relationship alive.

Jiro

Jiro initially struggles to identify his feelings for you, so you'll need to be patient if you want to feel his affection.

He’s not a man of many words, so you're more likely to experience physical affection from him. Once he’s had a taste of you, he’ll want more of that sweet feeling. Why does his heart beat so fast when you touch him? Why can’t he think clearly when your hands brush his cheek? Why do his knees go weak when he feels your skin touching his own? These are all things he needs to thoroughly experiment with to understand the obvious cause.

The most beautiful thing for him is your smile. He’ll do anything to bring it out — whether through jokes, gestures, or giving you flowers. He quickly learns how to behave in ways that get the desired reaction from you.

He’ll also ask you to do ordinary things with him, such as eating or cleaning or activities that foster a deeper relationship. Very soon into your relationship, he’ll realize that everything is better with you by his side.

[violetwolfraven]

Wait wait wait remember that post about how Team Starkid/the Lang brothers are going to be comparable to Shakespeare 500 years from now and it was mostly played for laughs like yeah lol you’ll need a paragraph of footnotes to explain the zefron poster but like

I don’t think that’s actually far off from how Starkid’s place in theatre history might play out and here’s why. Just hear me out

Why is Shakespeare so popular today when he definitely wasn’t the only playwright from that era? When he’s not even the only playwright from that era from England that we have surviving works from?

Two main reasons:

1) Shakespeare’s work is (relatively) universally relatable. The characters do things that are so fundamentally human. They make jokes at their friends’ expense. They complain about being awkward in front of their crush. They have daddy issues. The plot lines of the plays aren’t too complicated. The dick jokes land whether you’re watching in 1611 or 2024, and they probably still will in 2637. Shakespeare’s works are timeless because he didn’t try to outsmart his audience. He wrote about things everyone could relate to rather than trying too hard to peacock his intellect in front of the nobility. This is not true of every playwright.

2) Shakespeare was really popular right around the time England started colonizing everything in sight. Copies of his work got shipped all around the world, translated into dozens of languages, performed probably thousands of times. Setting aside the moral implications of this, the important thing to note is that Shakespeare was about the most easily accessible English playwright during a time of rapid, intense globalization.

Meanwhile, Starkid:

1) Invests hard in meaningful, relatable character arcs instead of spectacle and expensive sets or costumes. Also, lowbrow, immature humor and dick jokes that make A Very Potter Sequel funny and enjoyable regardless of if you’ve ever seen any other Harry Potter media in your life.

2) Posts professional recordings of their musicals to YouTube FOR FREE, making their shows about the easiest, best quality musical theatre you can get pretty much anywhere in the world, regardless of if your area has an active theatre scene. Proshots from other companies are rare and usually not free. Bootlegs are all well and good, but even if the video quality is alright (and that’s a big if) the audio is usually garbage. Starkid has been posting the best quality free recordings they can afford since 2009, shortly after the birth of social media, another time of rapid, intense globalization.

In short, I’m not saying that theatre historians in 500 years won’t remember any our current Broadway faves, but I am saying that in my opinion, Team Starkid is probably going to be more accessible for the general public. If you’re a 26th century English teacher trying to teach your class about narrative structure in 21st century theatre, what are you going to show your students? A bootleg of Hadestown with blurry video and garbage audio? Or the professional recording of Twisted, parts of which they will probably even enjoy, because even long after no one remembers Disney’s Aladdin anymore, your class of 26th century 16-year-olds are still going to laugh at “No One Remembers Achmed.”

[gay-dorito-dust]

Ford wakes up in Dimension 52, hopped up on painkillers after his metal plate installation surgery, and he’s just rambling about how he misses you.

While the surgery may have been a success but Ford was feeling a sense of melancholy within his chest the second he opened his eyes.

‘Y/n?’ His voice slurred as your name was the first thing to leave his lips before realising that you weren’t by his side, the seven eyed oracle Jheselbraum was.

‘They are safe at home, safe from harm.’ She replied with all knowing certainty that still left Ford a little miffed.

‘I miss them,’ Ford began as memories of you being you flashed in the forefront of his mind, ‘they would use to wear my turtlenecks and trenchcoats, I hope they still do even if I’m too far away to see them do so.’ He chuckles halfheartedly as the ache in his chest only grew the more he reminisced. ‘The red turtleneck was their favourite and they looked really cute in it too that I just wanted to squish their cheeks and kiss them…but I’m too cowardly.’ Ford then pouts.

the pain medication was making him spill some truths of his heart that was entirely missing you and your sweet smile, your cute laughter and your well…everything! All the things he wanted to say to you, every thought he ever had about you and even his favourite things about you were coming to light in his post surgery stupor.

but regardless of what was causing Ford’s lips to have become loosened because all he wanted to talk about was you, you, and oh you!

‘Too cowardly to tell them how much I care about them, too cowardly to tell them that the moment I realised what I felt for them was beyond platonic, so much so to the point where I stayed awake at night thinking they’d hate me if I ever told them how I truly felt.’ Ford admits as he looks up to the high ceiling of the room he was slowly recovering in, only to feel the most alone he had ever felt in his entire life.

Ford swallowed thickly as his mouth seemed to keep telling Jheselbraum just how much the lack of your presence had affected him. ‘They kept me sane during times where I believed myself to have gone mad. They kept me company during my late nights of research, not once complaining about their own lack of sleep because they were too busy worrying about mine to notice the dark bags beginning to form under their eyes…but I did and I blamed myself for that.’

Ford trailed off as he distinctly remembered your look of exhaustion and the worry he felt, even now when he was god knows how many dimensions away from you he was, and the reassuring smile you’d give him when you knew he was questioning your ability to keep going.

You were far more stronger than he was but he couldn’t help but wonder how you were doing now, now that he was gone and whether or not you’ve been taking care of yourself.

‘They were the first person to hold my hand and not get scared.’ Ford said with a wide smile. ‘They didn’t care whether I had an extra finger or whatever. To them I was Ford, the loveable but sometimes Insufferable smart ass.’ Ford couldn’t help but hysterically chuckle at your nicknames for him because it was true! He was an insufferable smart ass but then remembered how you’d call him your insufferable smart ass. Your as in he was yours to call an insufferable smart ass, nobody else’s.

‘I miss them so much that I feel an ache here.’ He then sloppily points to what he thinks was his heart, however the pain meds had him pointing at his left arm unknowingly but Jheselbraum knew what he meant, you were indeed an important figure in Ford’s life that he’d find some difficulty trying to navigate a life without you in it. ‘It hurts a lot whenever I think about how much of a distance there is between us now. It hurts even more knowing that they might’ve moved on, while I still hold to hope to one day hold them in my arms once again, breathing them in and that really nice shampoo they use.’ Ford lets his arm drop to his side, eyes never once looking away from the ceiling.

‘I want to go home.’ He then said.

‘And you shall in due time.’ Jheselbraum reassures him.

‘Not to the shack,’ Ford said with a frown, ‘I meant back to them, back to y/n.’ He clarifies. ‘For they are the only home I’ll ever want to go back to.’

‘And like I said Stanford Pines, you shall in due time, but that time is not now.’ Jheselbraum says as she stands up from the chair, brushing herself down as she moves to walk out of the room to leave Ford to rest. ‘But you will see your beloved again, that is for certain.’ She adds.

‘Do you think they’ve missed me?’ Ford wonders aloud.

‘More than anything.’ Was all the oracle said before leaving the room.

A smile crept on Ford’s face as he felt himself succumbing to sleep. ‘I missed them too, more than anything…I’m coming home my dear…don’t stay up too late okay?’

[sci-twi]

I think the most tragic part of Eurylochus’ part in Epic is that his one act of true selfishness (or two acts) are what condemns him not only in the eyes of Odysseus but also most of the audience. Warning: spoilers for all sagas of Epic: The Musical below the cut, up through Thunder Saga.

He’s introduced in the musical in Full Speed Ahead by mentioning wanting to find food to feed the rest of the men of the crew. In the same song, he grows defensive immediately after suspecting a lurking threat, suggesting that they take an offensive approach. He just wants to find what they can (to eat) on the island and keep going so they can all return to their families.

In Polyphemus, his only line in the entire song is him giving credit to Odysseus and Polites for finding the cave and takes note that there are enough sheep to feed everyone.

I have no doubt that he’s fighting along with everyone else in Survive.

But he shows his concern for the others in Remember Them. He is the one who snaps Odysseus out of the brief dissociation he experiences following the slaughter of a handful of his men. He also asks Odysseus what they should do with their “fallen friends.” Of course, we know that if people weren’t buried correctly, they were doomed to an eternity of unrest.

He’s worried about the souls of those men that they lost and is (most likely) not happy about having leave them behind and neglecting such an important ritual.

When Polyphemus awakens after being stabbed in the eye and it becomes apparent that there are more cyclopses in the cave, Eurylochus gets even more concerned and antsy, even pleading with Odysseus for them to just run before things get worse and they lose even more men.

In Storm, Eurylochus’ lines are all about expressing concern for their fleet (although a little pessimistic) and their well-being.

Luck Runs Out is personally one of my favorites and one of the most obvious signs that almost everything Eurylochus does is for the sake of their crew. The entire song is about him looking out for everyone else including Odysseus. “You could be caught off guard and lose your life. Or piss off this guard and infuse us with strife.”

It’s also important to note that the chorus has Eurylochus and the crew singing in unison. Eurylochus expresses his doubts but not because he wants power or to just get under Odysseus’ skin, but because he genuinely cares about everyone on board and just wants to make sure they’re making the right decisions.

And honestly, as a second-in-command, he should get some say or consultation and perhaps this song is him starting to realize that he is not being heard.

“I just don’t want to see another life end. You’re like the brother I could never do without.”

“And suddenly you doubt that I could figure this out?”

This right here is where it becomes apparent to me how dedicated Eurylochus is to Odysseus and the crew. And I can only imagine how he feels after pouring his heart out to only be met Odysseus’ indignant response. Eurylochus wasn’t trying to challenge Odysseus’ authority, but his response is defensive regardless.

Eurylochus switches from referring to him as brother back to referring to him as Captain, maybe sensing that sort of division, maybe sensing that he overstepped in some way. But still, he reiterates his concerns once more before Odysseus pulls him aside.

When Odysseus tells him that he needs to always be devout and comply with whatever he says and tells him to do or else they’ll all die, Eurylochus ultimately agrees. The beginning of that reluctance shows.

He doesn’t really have many noticeable lines in Keep Your Friends Close, but I do want to give you some food for thought that my partner and I @cat-gwyn-gunn discussed. Do you think that Eurylochus would have opened the bag of winds if Odysseus entrusted him with it to guard and made it absolutely clear what is inside and what will happen if he does?

How would you feel if you were your captain’s supposed second-in-command who had led the fight with you and stood by your side for 12 years suddenly came back from a god with a mysterious bag and guards it while staying awake for 9 entire days? Does that not show a severe lack of trust in your crew and would that not make you suspicious? Do you think maybe Eurylochus was sort of egged on by the crew who also thought it was treasure to check?

It’s hard to really put yourself into their shoes because we know how things end and we know that the storm is actually trapped in the bag, but they don’t.

Then, Poseidon comes in Ruthlessness. And Eurylochus sees all those men die. They went from 600 men to just 43 men. While of course he feels guilty for his decision to open the bag, he’s also hearing confirmation that Odysseus is the reason that Poseidon is after them. He probably remembers begging his Captain to just run and escape, and instead Odysseus proceeds to dox himself and all of that leads to that moment.

But still… that guilt does do something. Because after opening the wind bag, we don’t really hear any sort of defiance from Eurylochus for a long time.

In Puppeteer, we get an even further look at this growing divide between the two brothers (in-law). Eurylochus wants so desperately to let Odysseus know what he did, his tone is remorseful, he’s practically pleading for Odysseus to acknowledge him and reassure him. He is incredibly shaken after what happened with Poseidon.

Only for Odysseus to completely wave him off and send him on a mission. Perhaps it’s because Odysseus needs some time to process what happened and strategize or maybe he thinks Eurylochus is going to talk about it and he’s not ready to hear any of it. Or maybe even he’s jumping to being defensive, thinking Eurylochus is defying him again.

Eurylochus, who promised Odysseus that he’d be devout and compliant, and whose one failure to do so attributed to the loss of hundreds of their men, agrees to do what Odysseus says with little fight. However, his fears and concerns are left unaddressed and unacknowledged and he has not received any sort of reassurance.

While he is recounting his (and the crew’s) encounter with Circe, it shows that he is cautious in his decision to not join their men inside with her. Which pays off, since he gets to run back and let Odysseus know what happened.

When Odysseus says that he has to save them and Eurylochus says that they don’t, it almost sounds dismissive, like those men deserved what happened and they’re no longer their problem. This is a cold take and there’s no defending his callousness with leaving the men behind- I won’t defend it.

However, I will point out that with the next line he points out that they’ve already lost so much and gained almost nothing and once more he suggests that they run if only to preserve what little crew they have left. And again shows concern for Odysseus (or at the very least concern for him as their Captain who can get them home) saying that he doesn’t need to play Circe’s game and asking him if he will leave if she proves too hard to kill.

Notice that he says Odysseus doesn’t have to play her game instead of outright telling him not to. He’s trying so hard to be compliant because he just saw what happens when he isn’t.

He might also be wanting to avoid being responsible for even more bloodshed and loss even if slightly.

Eurylochus doesn’t really have any more parts to play during the rest of the Circe saga and throughout the entirety of the Underworld saga. He’s essentially not only just doing what Odysseus tells him to do but he’s also holding onto all this awful guilt and shame for what he did. 

Underworld is almost entirely Odysseus’ point-of-view. We really just see into his world for this saga. He tells his men that no matter what they find, keep going, yet he falls victim to the voices he hears and the guilt that arises and eventually peaks. We have no idea really what anyone else is thinking. For all we know, Eurylochus is drowning in his own visions. He has all this time to think and reflect.

In Monster, Odysseus comes to the conclusion that he will become the monster, he will do whatever it takes to get home to Penelope and Telemachus. I don’t think it’s a stretch to believe that Eurylochus also comes to the conclusion that he will do whatever it takes to make sure that the crew is taken care of and preserved. This is the beginning of when that line that truly divides them starts to be drawn. 

Different Beast is when it starts to become clearer to the crew and Eurylochus that a change has occurred. They start the song by singing along with Odysseus, using “we” and “us”. Odysseus is driving them all to be monsters. His actions are being reflected on the crew as a whole as their Captain.

Odysseus tells the siren that his actions almost cost his life, no longer reflecting on the crew’s toll as a whole, and that he must see his wife. This is when the crew starts to sing that “he” is the monster. And they end by calling his name- confirming that they are now aware that the monster is Odysseus. Really the only times someone’s name is called is when they’re an opponent like Polyphemus or Poseidon. So foreshadowing!

Scylla is where things take a turn for the worse- it’s where that line is nearly fully drawn between Odysseus and Eurylochus. But it doesn’t start off that way. Scylla begins to sing that “deep down you hide a reason for shame.” Immediately after, Eurylochus admits to being the one to open the wind bag and he apologizes profusely and pleads to be forgiven. 

Odysseus doesn’t respond but Scylla does in a way. She continues to goad Odysseus into believing that his actions are merited. It’s what he must do to survive to see his wife and son again. He has always known this deep down- he said it in Just A Man - deep down he would trade the world to see his son and wife.

The next time Odysseus speaks, he tells Eurylochus to light up six torches. Now, I imagine that this is a moment of great relief for Eurylochus. Even after the awful betrayal, Odysseus still trusts him. Going back briefly to Circe when she says “maybe showing one act of kindness leads to kinder souls down the road” maybe this (Odysseus showing trust in Eurylochus) was the act of kindness and Eurylochus picks men he trusts and likes to hold the torches as a way to pass on that kindness. 

Then, all hell breaks loose. 

He watches as all of these men are snatched up one by one by Scylla’s six heads. He comes to the realization that Odysseus knew that was going to happen, that he made him actively participate in the murder of six of their men. That he didn’t communicate anything about what he was about to put his crew through. 

Eurylochus knows what he must do. 

In Mutiny, He goes right out and demands Odysseus to tell him that he didn’t not know that would happen which is a far cry from “please don’t tell me you’re about to do what I think you’ll do.” It’s a direct challenge. He spits out the word “Captain” almost mockingly. He continues to prod at Odysseus, telling him to use his wits (when in Luck Runs Out, he said that people die on it). He brings up that every other time they faced someone Odysseus came up with a plan to save his men, but this one time he runs (when before it was Eurylochus who urged him to run with both Circe and Polyphemus). 

He has pretty much lost trust in Odysseus, but still is trying to give him the opportunity to say something, to explain. However, when Odysseus says he can’t Eurylochus says he’s forced his hand. He doesn’t really want to fight Odysseus, let alone kill him. 

Once again, Eurylochus is the voice of the crew. They know now that Odysseus is willing to do absolutely anything to see Penelope again. They attack him. They voice their doubts in him and echo the sentiment that Eurylochus does which is that Odysseus must be stopped. 

When he awakens, and they’re on the island, Eurylochus is the first man he sees and Eurylochus no longer sounds angry. He uses “we” and “us” telling Odysseus that hunger is so heavy in the crew. Voicing their concerns again. Looking out for them again. 

He holds no malice for Odysseus. He’s resigned; he has lost complete hope in returning home. All he wants is to share one last meal with his brother and friend and the crew. 

He switches to just using “I” stating that he is suffering, he is hungry, he is tired. This is one of the first times (if not the first) where he lets it known what his own desires and complaints are. Every other time it’s been on behalf of the crew. He’s being selfish. He knows this, but he’s so overwhelmed and hopeless that he’s willing to make this impulsive decision. 

Odysseus continues to respond to Eurylochus’ pain with only thoughts of himself. He says that he needs to get home, he pleads with just him. But then the crew comes in and echoes Eurylochus’ sentiments. Odysseus addresses the crew this time, switching to “we” can get home. He knows that he’s fighting a losing battle, that the crew is essentially listening to Eurylochus now, that they don’t trust him. 

And with Eurylochus’ action he declares that he’s just a man. He’s selfish. He’s hungry. He’s tired. He’s suffering. He makes mistakes. He can’t always just push through. He’s flawed.

And when Eurylochus hears the panic in Odysseus’ voice (which panic is not something he has shown before: he’s dissociated/been in shock, been angry, and desolate but never panicked) he realizes what he’s done. He immediately reverts back to seeking Odysseus’ guidance as his Captain. He calls for him by his title.

He’s relinquishing control, but it’s too late at this point.

Thunder Bringer closes out their portrayals of betrayal and brother's final stand arc with Zeus rubbing it in Odysseus’ face that his crew’s hunger is his responsibility. That as their King and Captain, he failed them so badly that they resorted to damning themselves to alleviate that hunger. He’s the one who drove them to mutiny. 

Zeus tells him to choose and the crew already knows what he’s going to pick. They realize now that the monster was with them all along, that Odysseus has come full circle to being the true monster. After they sing their piece and Zeus fills Odysseus’ ears with Penelope’s song, there’s a deafening silence as the decision is being made. 

Eurylochus breaks that silence, calling out one more time. He calls for his Captain but in his voice he’s calling out to his friend. He’s scared. He knows they’re going to die. It’s almost like they’re children. He’s making that final reach for reassurance that he already knows he won’t receive. There is nothing but resignation in his voice. 

When Odysseus confirms his choice, saying that he has to see his wife again, all Eurylochus has to say is “but we’ll die.” Again, he’s scared. He was willing to die over the cow, but that was an impulsive decision. It is very different when imminent death is staring you right in the face and especially when it’s at the hand of someone who you thought you knew and cared for. 

I imagine that as the rest of the crew rushes forward to strike Odysseus down, Eurylochus stays behind and just looks him straight in the eye. He knew all along who Odysseus would choose and he has accepted it. 

It comes full circle. Eurylochus came in as the voice of the crew and he died as the voice of the crew.

[kiwinatorwaffles]

the pushback against the discord mobile update shouldn’t be based upon “if you can get used to it” or not. some people might like it. some people might get used to it faster. but a lot of people won’t. and the point of the pushback is that discord keeps thinking they can change this shit and get away with it.

nobody asked for discord to change its color to a brighter blue. remember that? we all got used to it. but that was one of the first instances of the userbase just tolerating a useless change.

later came the dreaded username change. nobody asked for that. in fact, it caused a fuck ton of trouble. remember the markipkier username situation? yeah. but we all just “got used to it.” i don’t hear anyone talking about it anymore. we moved on, even though it really fucking sucked.

now it’s a complete overhaul of the mobile app that removed pretty much everything people liked about discord in the first place. removing the right swipe to see members and pins just made everything clunky and slow. the swipe to reply they replaced it with doesn’t even work all the time. the nice and cozy gray is now colder and darker, which would be fine, but there’s literally a midnight mode that they just released out of beta after 7 years. (edit: i actually used the app for a little more and realized just how fucking hard it was to read anything with the new contrast. it's a genuine accessibility issue. jesus)

they removed the community. want to see which friends are online? fuck you! click the top of the channel that is much slower and cumbersome than just swiping! want to see the funny and/or important messages you pinned? too bad, because we’re cutting off longer messages and hiding links/images that were attached to the message. and also, you can’t see who sent the message in a dm or group chat. also^2, you have to click into the channel and click into ANOTHER tab to even access the pins. fuck you.

regardless of if you like the changes or not, the point of protesting isn’t due to personal preference. it’s that discord keeps thinking they can change this shit that nobody wanted and get away with it. staying complacent will just let them know they can roll out changes and their userbase will still stick around, even if they hate it. which is not true. because users (including my friends and i) and even NITRO USERS are considering jumping ship to alternatives that don’t hate its userbase.

don’t let discord think it’s invincible. send feedback (go to settings and appearance, and there will be a button), even if it’s likely they won’t read it. review them in the app store. if there’s enough genuine feedback that outlines the faults and focuses on the performance and usability of the app, there’s a chance they might change Some things. because we don’t WANT to move and leave all our friends and communities, but a lot of us will have to if the situation gets worse.

the best case scenario is that they let us choose the format we want, but considering that this is discord we’re talking about, i don’t think it will. the least we can do now is to make sure at least some things get changed back for accessibility and convenience.

[inbarfink]

I think a lot about the Concept of ‘choices that matter’ in video games. Like, in terms of what it is that makes a choice ‘really matter’, what do we perceive as a choice that matters or has a consequence, how do different games with different amounts of branching or non-branching storylines play with those ideas…  Especially because Undertale is one of my favorite games of all time, and it has often been hyped as ‘a game where your choices REALLY matter’ and… honestly, I dunno if all of this hype was fully conducive to Undertale.  Because the way it handles the concept of Video Game Choices is actually a lot more interesting and complex than that simplistic descriptor makes it seem.

Because Undertale actually has a lot of choices that ‘don’t really matter’! Lots of dialogue choices and silly little decisions that on a first playthrough seem like they’re some sort of moral choice or a branching plotline but end up always leading to basically the same result regardless of what you do!

And the game doesn’t really try to hide the fact that these choices are kinda 'Fake'. I mean, on a first playthrough a player might assume there’s gonna be some Massive Consequences for picking the ‘wrong’ drink on Undyne’s date, but the game’s narrative expects for there to be multiple playthroughs and pretty much every Choice that Doesn’t Matter is peppered with that Undertale brand of wacky character-focused humor that inherently makes the moment memorable. Papyrus leading Undyne straight to you no matter what you do is basically a cross-timeline running gag.

On some level I see this as a sort of gag that serves as meta-commentary about the expectations around Choices That Matter in Video Games. As in, a lot of games have their Moral Choices happen in clearly easily marked ‘this is a Moral Choice!’ moments within the story, while the actual gameplay (and any violence the player might cause as part of said gameplay) is basically entirely divorced from any element of narrative-branching and doesn't effect the story at all. Undertale basically entirely inverts this dynamic; the most important factor for which Route you’re own is how you handle your FIGHTs, and what seems like clearly-marked and obvious Moral Choices are just goofy insubstantial minor changes in dialogue. 

But also… there is also a level where you must ask yourself ‘what does it mean when we say that these choices Don’t Matter’. I mean, it’s not like they didn't change anything about the game, the Player still made the character say that other thing, the choice probably led to an alternate piece of dialogue, probably a joke with a call-back at the end of the game… The line between a one-off joke and an actual story-changing moment can be a little blurry if you look at it too deeply.

For example, near the end of the Waterfall part of the game, the Player is given the choice to save Monster Kid even at the risk of having to face down Undyne.

Pretty much anyone who isn’t deliberately trying to be an asshole is going to rush to save them and obviously that includes the Pacifist Route Players. But you can actually leave Monster Kid to die without it 'mattering' in the sense that it wouldn't divert you from the Pacifist Route. Undyne saves them instead of you, and ends up with slightly less HP for her battle (which might Matter for Runs when you try and FIGHT her but obviously not in Pacifist Runs) and… by the end of the game, during the extremely happy True Pacifist Ending, they still clearly remember that you abandoned them and are upset by it.

So… does saving Monster Kid ‘matter’ or not? On one hand, choosing not to save them mostly just changes a few lines of dialogue but… these lines of dialogue kinda recontextualize this happy ending and the Player’s actions in general. Despite the True Pacifist Ending otherwise portraying the Player/Frisk as a kind-hearted and brave hero... they still did this undeniably cowardly (and perhaps even cruel) act to one of their friends .

Was running away and leaving Monster Kid to die a brief but significant moment of weakness that the Player regrets and has cost them what could’ve been the start of a lovely friendship? Or is that simply that being a True Pacifist was always more of a matter of pragmatism rather than ideals? Were they only acting as a Pacifist to get that promised 'Best Ending', and only Monster Kid has an inkling they are not as heroic or kind as everyone thinks they are?

And then there’s the Snowman ‘quest’.

A free healing item given early in the game, with your mission being to carry it along in your inventory for as long as you can without ever consuming it. The only reward you will ever see from it is a few lines of dialogue…

But for many, it is more than enough of an incentive to preserve the Snowman’s Piece. You can do whatever you want with the Snowman without it ‘mattering’ in terms of Ending or consequences. You could carry it through all of your adventures with care and kindness... or you could eat it while he can’t see you and then go back to him and tell him that you ‘lost’ it and then get another piece and eat that as well, you could eat it right in front of his face, horrifying him. 

And much like with Monster Kid, you can STILL get the True Pacifist Ending after doing that, all that would change is a few optional pieces of dialogue from the Snowman… 

And a total recontextualization of the Player’s behavior and the ending. The Snowman sees the Player as a cruel and heartless person who is just pretending to be good so they can be liked - the way they acted with this immobile, powerless Snowman who could do nothing for them and their reputation reveals their true self. And he says their friends will realize that too one day...

Doing a True Reset on the Pacifist Ending is, by definition, a (almost) consequence-free action and yet it changes future Pacifist Routes immeasurably. Turning the Player into a Hypocrite doing the exact same thing they were trying to stop Flowey/Asriel from doing - trapping all of their friends into a time-loop so they can play with them forever while never actually letting them to enjoy freedom on the surface, simply because they are not willing to move on or put their friends' wishes and agency above their own. Nothing in the game actually changes, not one character can even suspect that you did something like that, and yet for the Player - this choice makes the entire Meaning of the game flip on its head. 

Even the most famous and heavily-toted Big Consequence in the whole game - selling your soul to Chara after completing a Murder Route… mostly what it does is just… recontextualize the ending of the Game.

As a game, ‘Undertale’ is very much about the ways in which a Player engages with a game can radically recontextualize it. The huge chasm of difference between the Pacifist and Muder Routes is just the most literal example of it. But, in a way, even the tiny little Dialogue Options - where the lack of real choice and consequences is Obviously a Joke - matter. Because of the way they can recontextualize the Player Character’s behavior.

(Okay, maybe not this one, but hear me out…)

Do you trust Papyrus to not betray you, even after you spied on him with Undyne?

Do you have the integrity to admit you forgot something or got it wrong even when there’s no consequences for just lying about it?

Are you a hypocrite for trying to get Alphys to be truthful with Undyne only to then immediately turn around and lie to Undyne yourself?  

None of these choices matter for the ending, some of them don’t even get, like, a call-back joke or anything, but… if you are engaged in this story as a narrative, if you are invested in these characters as if they were people, if you are honestly trying to be the best person you can be, if you are trying to self-reflect at the way you approach this game… even the silliest little dialogue option can suddenly be imbued with deep implications and you can make them matter. 

Undertale is one of the best demonstrations of this concept, but this is absolutely not exclusive to it. For example….

‘Ace Attorney’ is pretty much as far away as you can get from a ‘branching narrative’ within the video game sphere. It is a heavily-linear Visual Novel where 70% of the time it won’t even let you talk to random characters at anything but the exact order it expects you to and any ‘Bad Endings’ are basically just glorified Game Over Screens. (... because this is the Internet and something something piss on the poor, I should probably specify that I am talking about ‘Ace Attorney’ because I love Ace Attorney and these are neutral descriptions of the game and not complaints. There’s nothing wrong with a game being linear.) 

If there’s any Dialogue Choice in AA, it’s generally a very basic ‘right answer-wrong answer’ choice between Progress and a Penalty, or a total non-choice that just gets you to the same final result regardless. Except… Well… as we just talked about, getting to the same final result doesn’t necessarily mean a choice is ‘meaningless’, does it?

There’s actually a lot of great storytelling moments where Ace Attorney, despite its otherwise strict linearity, uses this exact sort of recontextualizing mindset I’ve talked about with Undertale to make choices with some really powerful emotional impact…. Even if technically, the ending is the same ending. It can be something as basic as ‘even if picking this Wrong Answer doesn’t get me a penalty, it still embarrassed my character and disappointed my friends/rivals and thus I feel bad for picking it’. Consequences as recontextualizing your character as more incompetent than they should’ve come across at that moment.

And then there’s moments like the iconic ending of ‘Justice for All’. That moment before Franziska bursts into the Courtroom with the case-making evidence and saves the day. The moment where it seems like Phoenix really is gonna have to pick between protecting his best friend and carrying out a rightful sentence.

The player gets to pick between the two options, but Phoenix never gets to say his choice out loud before Franziska comes running in... and yet… he, and the player, still made that choice. Even if no one ever has to experience the consequences of your choice, even if the rest of the world has no idea what Phoenix Wright would’ve chosen if the Miracle hadn’t happened, we know what we picked and that knowledge of the choice matters. Because of how we feel about this choice and what it says about our interpretation of Phoenix… and about us.

There’s also a bit of this ludonarrative device in ‘The Great Ace Attorney: Adventures’. During “The Adventures of the Runaway Room”, when you investigate the Omnibus for the second time and start finding things that… don’t quite fit together. When you’re finally starting to make progress with proving McGilded’s innocence, while also maybe starting to notice that something is… wrong with these pieces of evidence. 

The unchanging linear narrative of the game is that Ryunosuke does eventually realizes McGilded's trickery, puts truth ahead of victory in court and yet, despite his effort and good intentions - the case still ends with a false Not Guilty verdict. And yet, the Player has the choice to... tweak the details.

There are several points where Ryunosuke can object, where he can call out the inconsistencies even though they help his case, where he can support Van Zieks in his accusations of tempered evidence... or he can not. Not necessarily intentionally misleading the Court as much as subconsciously trying to ignore the inconsistencies in the name of trusting his client.

And yet… in the end it doesn’t matter. Maybe Susato calls out the inconsistency instead of him, maybe Van Zieks does, maybe it remains uncontested but... no matter what you do, the case will end with a Not Guilty verdict (I mean, I guess you can deliberately fail the game but that will not progress the plot), McGilded doesn’t seem like he held a grudge (in the few minutes he had left to live), and a few cases later - Ryunosuke would always be punished for his part at this false verdict.

So it doesn’t really matter what Ryunosuke did back then? Does it matter if he did his best and called out every single inconsistencies or if he kinda half-assed it until he (and the Player) had to? He’s still going to suffer the same consequences down the line. And yet….

And yet, I think there’s something so powerful about giving us that option. About knowing that Ryunosuke, and we, did try and do something about McGilded's dirty tricks- even if it didn’t work. Or alternative, knowing that there was more that Ryunosuke and us could’ve done even if it was not nearly enough. Even if in the eyes of the game and the British Justice system there is no difference, the fact that we know what did and what we could’ve done can radically change the way the player feels about all of the later scenes concerning the truth about McGilded’s trial. It can radically change the way the player interpret Ryunosuke’s feelings about it as well.

Because even though the game itself keeps playing along with the same script regardless, that trial had irrevocable consequences for the Player.

[lillotte17]

I think it is important to remember, when sifting through lore for facts and fic reasons, that the memories of Solas' regrets we see in the Lighthouse are not going to be the Exact Truth about what happened during these events.

This is how HE remembers those things happening. And memories are not always reliable narrators. In DAI, Solas gives us the example of the memories he witnessed at Ostagar, about Loghain as both the power-mad villain, and the veteran commander trying to save his troops from needless death. And they are both true for the people who lived those experiences. But they don't tell you what ACTUALLY happened.

Solas is dragging around thousands of years worth of regrets and mistakes. He focuses a lot of blame on himself, even beyond what was actually his fault. And he is reluctant to admit that Mythal was anything other than 'The Good Evanuris.'

The most obvious example is the last panel, where he kills Flemeth. The conversation that Rook and Co. hear is NOT the one that happened. Mythal did not argue for the fate of the world. She didn't ask him not to bring down the Veil. She made no protest beyond saying that he shouldn't have let Corypheus find his orb. She did not sound indignant or angry with him at all. She LET him take her power, even knowing it would kill her. (which was why I was honestly expecting her to have some Big Plan where like...her power let her take control of him and even if you talked him down, she would force him to tear open the Veil herself, but...whomp whomp)

Flemythal had the same amount of power that Solas had in Trespasser, and Solas' magic at the time was about the same as any talented mage of the modern age. She could have wiped the floor with him. She could have called a dragon or turned him into stone.

He didn't take her life, she gave it to him. She forgave him, and then she died to give him what he wanted.

And oh boy, that is so so SO much worse than her still being angry and arguing with him and telling him he was wrong. He does not know how to handle that At All.

It's also interesting because that is the only memory where Mythal DOES sound sharp with him. Every other time she is trying to talk him into something and he is the one arguing against it, she is remembered as being calm and rational and patient. Soft-spoken and almost motherly. Which...after meeting the fragment in the Crossroads, I kind of doubt was her typical MO. Even Morrigan says that she is 'prickly.'

Solas remembers her as kinder than she was before her death, because grief softens a lot of rough edges when we love someone. And afterwards, he thinks of her as someone who is still angry with him. Who will never forgive him. Because he is still angry at himself for 'getting her killed' the first time.

Mythal herself says that these memories are things he has 'cultivated like a tree reaching for the sun.' He has twisted these memories within himself into the shapes that they are, regardless of 'truth.'

That is NOT to say that he is absolved of guilt for the things we saw in those regrets! Or even that he's less guilty! But perhaps more along the lines of... 'It's important to remember that Solas was not the only person involved in a lot of these events, and therefore is likely not the only person blame should fall on.' However, Pride that he is, Solas is the one who remembers all of these things as being entirely his fault.

[etherealwitcherys-blog]

Understanding Deity Work vs. Deity Worship and Addressing Common Fears

Over the years of practicing witchcraft, many have come to me with questions and concerns about deity work and/or deity worship. It's completely natural to feel apprehensive, especially when starting something new. In this post I will get into the differences and address common fears to help you feel more confident in your practice!

Remember, working with or worshiping deities is a deeply personal journey. There is no one-size-fits-all approach. Trust your intuition, be respectful, and allow yourself the freedom to explore and grow. Deities are here to guide and support us, not to instill fear.

Feel free to reach out with any questions or share your experiences! We’re all here to learn and support each other on this spiritual path! Blessed be 🤍✨🕯️

-

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Deity Work:

Deity work is more about forming a personal relationship or partnership with a deity. It can be less formal and more focused on mutual growth and learning. The aim is to collaborate with the deity for personal development, spiritual growth, or specific goals. Some common practices include:

meditation

journaling

divination

dreamwork

personalized offerings based on your interactions with the deity

Deity Worship:

Deity worship involves honoring and venerating a deity through rituals, offerings, prayers, and other acts of devotion. It's a more traditional and structured approach. The goal is to show respect, gratitude, and seek blessings or guidance from the deity. Common practices include:

creating altars

offering food, flowers, incense, etc.

reciting prayers

participating in festivals or holy days

Addressing Common Fears:

Fear of Doing Things Wrong:

Flexibility: Understand that deities are often more understanding than we think. Intentions matter more than rigid adherence to rituals. If you approach with respect and sincerity, minor mistakes are often forgiven.

Learning Process: It's okay to learn and grow. Many practitioners find their path through trial and error. Deities appreciate genuine effort and growth.

2. Fear of Negative Consequences:

Respect & Boundaries: As long as you approach deities with respect and maintain clear boundaries, negative consequences are rare. Communicate openly and honestly with the deity about your fears and intentions.

Protection Practices: Incorporate protection practices into your routine, such as grounding, shielding, or using protective crystals and herbs.

3. Choosing A Deity:

Research: Take your time to research and learn about different deities. Look for ones whose attributes and stories resonate with you.

Signs & Synchronicities: Pay attention to signs, dreams, and synchronicities that might indicate a deity is reaching out to you. Trust your intuition.

4. Fear of Commitment:

There's a misconception that once you start working with a deity, you're bound to them forever. In reality, relationships with deities can be fluid and adaptable. It's perfectly okay to take breaks, reassess your spiritual path, or even change directions entirely. Deities understand that your spiritual journey is personal and ever-evolving. They are there to support and guide you, not confine you. So, if you feel the need to step back or explore a different path, know that it's a natural part of your spiritual growth and development.

5. Fear of Judgement:

Many people fear being judged by others for their spiritual practices. It's important to remind them that their spiritual journey is deeply personal and unique to them. Everyone's path is different, and what feels right for one person may not resonate with another. Encouraging others to trust their intuition and follow what feels right for them, regardless of others' opinions, is crucial. Spirituality is about finding a connection that brings inner peace and fulfillment, and that can only be achieved by staying true to oneself. So, it's essential to prioritize personal beliefs and experiences over external judgement.

[honeydewandcake]

Although this isn’t canon, I really needed to visualize how insignificant Shrimpo’s mom is in his life

I want to ramble about them so. . . Open to see more ↓

Shrimpo’s mom never wanted Shrimpo, but we also can’t ignore how much she loved him regardless. To her, he’s incredibly important — but to Shrimpo, she’s just a blip in his memory. It must have stung to know that her son has forgotten about her and all the times she took care of him. He’ll never mourn for her because he completely forgot that she existed. Shrimpo will never appreciate what she’s done for him.

Shrimpo’s mom tried to give him an easier life, to distract him from the true nature of their situation, but it only seemed to have made him worse. Shrimpo used to be a good kid, now he’s just mean and angry all the time. I sometimes wonder how Shrimpo’s mom would react to her son in the present day. I think she would be disappointed in herself that she didn’t have the ability to take care of him like a good parent should have.

If Shrimpo’s mom was alive today and saw her son, she would think his home is much better than the one that she raised him in. Although, she would also be sad to know that he doesn’t appreciate what he has right now. Shrimpo can’t know how easy he has it because he can’t remember his past. He doesn’t know what his mother has been through, he doesn’t know how he was raised, he doesn’t know the difficult setting he grew up in.

I wonder about if Shrimpo could remember. I think he would love his mother, he would wish to be with her again. It’s only a fantasy though and not canon.

[astradyke]

I would adore a deep dive into your thoughts on Phil’s quiet but wonderful way of showing his love for Dan being through photos

hi, i’m sorry i’m responding so late to this, but i really appreciate you enabling me here because i do seriously think about this constantly. i don’t know if i have the words to articulate it, though, so… bear with me. i'd quite like to try.

nobody loves in just a singular way, that’s the preface to this. when i say that Dan loves through words and Phil loves through photography, i don’t mean that Dan doesn’t use photography as an act of love— because there is a polaroid, in their house, of Phil that Dan took— and i don’t mean that Phil has never said something profound about Dan, because we all remember how he talked about Dan’s book at the end of the haircut video (19:13). i, at the very least, never really left the parts at the end of what Dan and Phil Text Each Other 2 where Phil constantly amplifies the work Dan is trying to do, unmasking his own frustrations at the struggles Dan has to experience, and meets Dan's self deprecation with affection (here's that dissertation) (19:57). Dan may use words in a very abstract, artistic way, professing his love for Phil as a ‘soulmate’, an unmatched connection, but Phil still has a careful, casual way of endlessly maneuvering himself to stand by Dan’s side. etc. and of course, there are five thousand other ways to adore a person. Dan and Phil do a little bit of everything; we are lucky to see a spare few snippets.

all that said, let’s talk about photography, yeah?

there is a permanence to photography, even if it’s not always a tangible permanence. they are timestamps, living commitments; i refuse to accept the idea that photography is somehow a ‘stand in’ to ‘true human connection’, rather than a critical facet of it. ex. i know that my best friend is real even if i didn’t have a photo of him sitting beside me on a wayward bus, but it’s still important that i inscribed that memory distinctly into the fabric of my life by taking a moment to chronicle it.

Phil Lester uses photography as a way to immortalize a thousand different fragments of his forever with Dan. there’s a distinct thought process, right, to see someone you love and decide— i never want to lose this moment. that decision, in of itself, is enough of a love confession, but there’s another layer when you decide, on top of all of it, i want the entire world to see this. when Dan described his love for Phil as "more than just romantic", he opened up a piece of himself to show the world, this is how i love this person. this is how i see him. when Dan calls Phil bubby, or dear, this is him cracking a hard exterior to say this is how i see you.

the two of them, upon first meeting, took a selfie together at the Apple store— Phil was the one to press the button. when they sat at the top of the sky-bar, Phil was the one to take a photo of Dan amidst the golden hour light. maybe he didn’t know that Dan loved him back, yet, but he had a certainty in his own adoration of Dan— that regardless of whether Dan wanted him back, Phil wanted him. the image feels timid but assured, like swallowing down anxiety to look yourself in the mirror; you can feel that through the pixels of it, so transparently. Phil’s love of Dan was not conditioned on anything: it was a terrifying but beautiful thing, and he wanted to preserve it, so even if it all went wrong he could say this is how i loved you. this is how you are loved, to me. you don’t have to want me back, but know that you were wanted, here, crawling into your own head sitting across from me in a city i’d like to call home with you, someday. so let me. and when you look at this photo of heart eyes Howell, cradling a bear, it’s louder than a blood rush: i love you.

[ID: Dan Howell sitting in the sunlight, looking outside the window while holding his phone. end ID.]

[ID: Dan Howell in a fuzzy hat, holding a stuffed bear against his face and looking at the camera with a small smile. end ID]

(sorry. it was necessary to include).

every year, Phil spills this oath into his camera roll. when Dan’s birthday arrives, Phil has a thousand candids to show for it, a thousand of silly and unflattering photos— a “loving” selection (7:41). exposing my heart a little here, but when you are someone who struggles with insecurity at some level, photos of you that are unflattering circling around feels horrifying. you want to be composed, and pretty, and loved— but then, maybe, it settles in that you are loved someplace beyond conditions. Phil chronicles these casual, vulnerable moments with Dan, and he shares them, because he loves Dan to a level past the flat logic of if he is composed, if he is pretty, then he is loved. Dan may be unattractive at points, but he is never unloved. never again.

these photos also demonstrate how much Phil romanticizes the little moments with Dan. watching him play Skyrim in VR; sitting beside him while he plays Elden Ring (3:40); admiring an oddly-shaped tear in his pants (missing citation); taken aback by a large poodle jumping into his lap. there are hundreds of photos of Dan taken by Phil which have escaped. imagine how many more linger. if we can go off of this (admittedly horrifying) tweet, we can envision a camera roll overflowing with him.

when they go on vacation, Phil takes soft photographs of Dan. here’s this love in a new city, just like we did fifteen years ago in Manchester, before i knew the right way to hold your hand, the right way to counter your cynicism, the right way to systemically reject every pet name because saying your name like a promise is enough— i’m putting this love into the world because i no longer live in a world where i go a second without it. Phil saves photos of Dan looking at him like he hung the stars, and he saves photos of Dan walking in front of him— he would never save them, as an Orpheus, but thankfully he doesn’t have to anymore, not after 2019— and he saves photos of Dan happy, because he wants to save that, too. Phil will save photos from every era of Dan’s life, but he wants those photos the most.

Phil has seen Dan perform in front of thousands. he has seen Dan pass out from standing up too quickly in their living room. he has seen Dan stumble home from a unexpected solo walk, he has seen Dan try to hide his fear-to-death in Phil’s childhood bedroom, he has seen Dan try to use a laundry machine, he has seen Dan in every way a person could: i love you.

Dan knows all of this. Dan sends Phil photos of himself when he’s solo traveling for his tour; the two of them almost never call, not unless Dan’s in a cab, but they regularly facetime. Dan winces at old photos of himself, but Phil coos at them.

Phil Lester is a romantic. he likes to hold his love to his chest— sharing photographs, but careful not to share too much. i think we under-estimate the shift Phil had to make, sometimes, in 2019: coming out was a major deal to him, too, even if he had already been out to some. more than that, coming out while Dan was also out is a very different experience. still, he likes to stay private, which is why we’ve not seen what i imagine to be hundreds of photos of Dan in Phil’s arms, or Dan kissing him on the cheek, or Dan asleep beside him in his bed (because we know how often he takes photos of Dan asleep, but i can't even begin to get into that right now).

even still, from what we can see, God, it’s everything, isn’t it? i can’t imagine what it felt like, for Dan, first trying to reconcile all of this. when you go so long without experiencing a safe kind of love, your reality fundamentally shifts. everything is brittle: you have to be hard enough to survive it, but not too hard to break the little you have entirely. half of you is a secret, the other half of you feels like it should be— who you are shifts, when you are loved, so in the reverse: when you go so long without it you feel displaced internally. when you find that love, you throw yourself entirely into it, expecting nothing but wanting everything. you punch a wall only to feel the plaster cradle your touch; you tell yourself you’d never turn back and you hate that need to; you expect to hit the sea but the wax never seems to melt. impossibly, you are okay. maybe i showed too much of my own heart there, but when i look at 2009 Dan, i see all of that. eighteen years old, and for the first time since he was a tiny child, he actually felt safe.

because Phil says Dan like it’s the sweetest word in the world. because Phil has a hunger for everything Dan creates. because Phil held Dan when he dropped out of university, picked up his first radio job with him, moved in with him, and never left. because Phil never treated Dan like an experience to hide away. Phil loved parts of Dan back into life.

because Phil takes photographs of Dan, everywhere in his life, to say: this is my world, now. you can’t take a photo in the daylight without capturing the sun. you can’t take a photo in the nighttime without capturing the absence of it. Phil says Dan’s name in every video, and he takes another hundred photos, because he’s so fucking sure about this love. there’s not even a question to be asked.

this is only a fraction of what there is to say about it, some messily constructed analysis, but it's hard to capture. i'd call Dan a lucky bastard, but it's hardly luck, is it? Phil makes the decision to love Dan every single day, and it might look quiet, but it's so unfathomably loud.

[cultofdixon]

Secrets kept for another’s safety, until you lose it

Daryl Dixon • She/Her Pronouns • Some Saviors just can’t let go and go for what’s important to Daryl Dixon. But little did he know about more than losing his partner. • ANGST/SFW • TW: Pregnancy / Injuries / Anxiety Attacks / Blood loss

Requested by: Anon

Just because the Saviors War is over, doesn’t mean it’s completely dealt with. People have their vendettas and everyone will forever be scarred by the actions of Negan, apart of the Saviors or not.

When Negan was taken to prison instead of hell, the group decided that it would be best to have shifts of their people to watch The Sanctuary until they’ve fixed everything. Or until they put someone in there for a more permanent position.

After a month in and it was Daryl and Y/N’s turn to watch the place. Both having their own imprisonment to the place because of Negan. So they weren’t all too happy to be back. But the night gave them time to themselves.

Which led them on the roof this night…

“What’s going on in that pretty little head of yours?” Daryl asks, putting the joint back to his lips watching Y/N finish putting up the last of their clothes on the clothesline. “You haven’t talked in a bit”

“Am I really that talkative?” She laughs softly, tossing the extra pins in the empty laundry basket. “I’m just enjoying the night with my husband. What else more could I ask for?”

“Could go dark on yea and say for Negan to be dead”

“Well you’re not the only one wanting that” Y/N sat on the stool while Daryl laid on a mattress they had brought up there. Neither of them want to live inside the walls anymore. “Can we just think toward the future?”

“We can” Daryl pushed himself to sit up, offering the joint to her as she shook her head. He stared a bit confused before shrugging it off. “Again, sunshine…what’s going on in that beautiful mind of yours?”

Y/N fell silent once more before looking out toward the woods trying to find a good start to what she wants to talk about.

“You remember when you first held Judith?”

“Lil’ Ass kicker, yeah?”

“Do you remember what you told me afterward? When you handed her off to Hershel?”

The confused look on his face gave her answer.

“You said I don’t think I’d be cut out for this if I were Rick.”

“Why are yea bringing that up now? Are you—-“

“No!…No…” Y/N visibly slumped. “It’s just. The threat is gone. We have a home that is ours. Walls to protect us from the dead…we could. Do it. Have a child. Have that future…”

Give Daryl some credit when he has thought about this before. Having a child with his wife…all of their love put into a single human being. But all the anxieties that came with that thought flooded his mind.

“I don’t wanna lose you like Rick lost Lori” For something that happened years ago, it still haunted him. Especially with the scares they’ve had before a true moment of peace came.

“Daryl…that…that was going to happen to Lori regardless…she had a c-section with Carl, any baby after that was bound to come out the same way. This would be a first for me. We could prevent the possibility of needing a c-section”

“But there’s still a chance. I…” Daryl stopped himself to avoid her eyes and hang his head not ever wanting to think about that possibility. But then again…what was he going to do? “I just can’t” he whispers which led Y/N to bring herself to his level and coax his gaze back onto her. “I can’t lose you…I…I’ve lost enough and everything about how I’d be a terrible father aside I won’t be able to raise our child alone if I lost you…I will always need you”

As much as it broke Y/N’s heart to know his feelings and to have to push aside hers because the last thing she would want is to lose or hurt her husband…the tears fell from her eyes as she presses her forehead against his.

“Okay. Okay…You won’t lose me. Ever. I’m here…just me” Y/N brought her arms around his shoulders bringing her face into the crook of his neck as Daryl wrapped his arms tightly around her holding her close.

The things you do for love will always be something…that will always be changing

About four months later…

Y/N finally emerges from the basement living she and Daryl live in under the Grimes’s residence. She gave a smile to Michonne who said “good morning” in her arrival watching her friend join her and Judith at the kitchen island.

“Think you can handle breakfast?”

“Yes, I think I finally got over that ill spell” Y/N took a seat at one of the barstools smiling to Judith beside her before drawing her attention to the quick footsteps making their descend down the stairs.

“Hey! You’re up here, how yea feeling? Yknow Daryl—-“

“Has been having you ask every day since I came back from the Sanctuary not feeling well. I’m doing okay. Better than before”

“Great to hear that, I’ll tell Daryl in person when I make my rounds to the other communities” Rick smiles approaching Judith who was happy to see her dad. “First thing, take this little one to the teacher to watch her while we’re all out”

Michonne gave Y/N a confused look as she tiredly turned to her lifting her head from her hand.

“I’m gonna work in the pantry. So I don’t feel entirely useless”

“You’re allowed to take it easy” Michonne was stern with her words which brought the confusion out of Rick’s expression while he picked up Judith heading toward the door.

“I think I’ll be fine” Y/N shot a stern look at her friend as Michonne instantly waited for the front door to close, ultimately for Rick to leave. “The baby will be fine”

“Y/N, when are you going to tell Daryl so this doesn’t have been a secret between you and I? You’ve mentioned about a conversation you had with him that doesn’t quite add up to the fact that you didn’t——“

“He doesn’t want to have a baby.” Y/N frowns forming fists as she had the habit of digging her nails into her flesh to avoid the crying. “He doesn’t want to have a baby with him and I promised I wouldn’t. But I still got knocked up. Now he’s going to lose me or I’m going to lose him” the tears came anyway as the frustration was obvious in the discomfort in her face which led Michonne to maneuver around the island to bring herself beside her friend letting her rest her head on her shoulder as her arms caged her. “All I wanted was a family with the man that I love but the factors of being good enough or dying unexpectedly just floods that man’s mind and hell I can’t blame him for any of it. But now I’m plagued with it while I carry his child”

The two didn’t hear the click of the door finally closing. All that mattered was Michonne comforting her friend until it was time for the day to get started.

“I’ll be helping Gabriel rebuild his chapel with a few Saviors we have taken in for rehabilitation to show they can do something good. We are thinking of making it also the leading to the farm” Michonne stated as she walked Y/N to the pantry. “So I will be around if you need me. I’ll also keep an eye on the saviors. I know what some of them have been saying but we haven’t come across one angry with Rick or Daryl or literally any one of us”

“Are you really trying to say you’re watching out for my safety when I’m gonna be confined to a chair and a notepad for the most part”

“Yes, yes I am. Plus…the infirmary is right next door and I know Siddiq is doing his inventory and preparing shipment of medical supplies we’ve found on the runs we had recently.”

“Michonne”

“Yes?”

“You’re rambling” Y/N laughs opening the door to let herself in. “I’ll holler if I need anything” she says halfway inside when Michonne quickly reminded her about the no heavy lifting which got a scoff out of the woman.

About an hour or two has passed and Y/N groans out of boredom while sitting on the stool in the pantry. She stared out the window watching people walk passed or the few groups carrying wood and metal around for the walls and new buildings. Inventory was done, restock of what they have was done, and she was about to get started on the shipment for the Kingdom when she heard the door open.

“Michonne I really don’t need you watching—-“ Y/N stopped speaking when she watched the unfamiliar man step in quietly, assessing the environment. “Uhm. Can I help you with anything?”

“I was told by that scary priest that we hold the extra building supplies in here on occasion when the shed ain’t organized” He stepped around the pantry looking for himself before looking at Y/N as she couldn’t shake this familiar feeling. “You’ve got nails? Maybe a better hammer than this shit?” The hammer she didn’t notice before only confused her on where he pulled it out from. But asides from that, Y/N got off the chair and went to grab such for him.

“How’s the construction going?”

“It’s going. That Rick guy has us doing a lot just has his woman bossing us around” He scoffs looking at the jarred goods they have while Y/N knelt down to carefully go through a box for a smaller box of nails. “How can you even do what Rick asks y’all to do?”

“Have you even met Rick? He does the right thing, most of the time” Keeping Negan alive was the wrong one.

As Y/N rose to her feet with the box of nails she watched the man pull off the Polaroids that were stuck to the window. Just for a better look but it made her uneasy thinking he was going to get rid of them.

“Family?” He questions lifting up the ones with Glenn and Maggie, watching Y/N nod as he fixated on one with her and Daryl before putting them back. “Find’em?”

“Yeah, here” She handed off the box hearing him thank her before stepping out. But before she could even straighten out the pictures and take a seat, Y/N didn’t hear the door close entirely.

It didn’t take long for what to happen, happen.

The second she rounded the corner…Y/N flinched slightly being up close to the man without a name. She looked down to find a few nails shoved deep into her side. The shock made the pain not come right away and she was still experiencing it while he drove them to the point he couldn’t.

“You are just as dumb as you were back when you were his wife.” He glares into the deep pits of her soul as Y/N lifted her head from watching the blood spill from her side. Her mind racing to one thing. “Rick shoulda killed him. Your bitch dog of a man shoulda killed him. Maybe even the sword lady. Anybody. Then you all would’ve been seen as stronger instead of weak ass beings.”

“I-…I—-“ Y/N felt the tears spill and he grabbed her face to make her force eye contact.

“Let me take you away from everybody and I’ll watch them suffer” then the man quickly removed his hand when he heard voices outside. He pushed her aside but the blood loss led it to be a bit more dramatic as she fell to her knees.

As he made his escape through the back, Y/N slumped against the wall hesitant to touch her side. But they weren’t in prime condition, they could have some traces of rust and she can’t afford an infection if she wants any chance of that surviving.

A few were hard to pull out and one was embedded deep that Y/N contemplated letting it stay in but she was already this far.

Baby.

Baby.

Baby.

Baby.

…

Daryl… Y/N sobbed as she used her knife to cut into her to pull out the last nail that was embedded deep. She had to stop the bleeding so she could go get help and knew she had towels in the other room out of the foyer. But the blood loss was too much that when her weak body crawled about halfway there, it gave out.

“Daryl”

“I know this shithole sucks but yea said you’d be here earlier” Daryl clearly was in a mood while working on his bike, and with Rick only crossing his arms with an annoyed expression after his words. He knew he shouldn’t have expressed all of that. “Sorry. I’m frustrated.”

“Did something happen?”

“No…” Daryl frowns fiddling with a tool in hand. “Y/N hasn’t radio’d me today. Michonne was gonna give hers to my girl so I can check up on her but nothin’”

“I’m sure there’s a good reason for that. Plus I’ve got uh…an update of my own regarding your wife” Now he had to be careful. He did hear everything in the kitchen that morning but Rick isn’t the best at de-escalating the situation.

But it felt like fate for him to be interrupted by his radio in that exact moment.

“Rick—-Are you with Daryl?”

“Gabriel? Yes, why?”

“Michonne—-Hilltop” his end was cutting out and the urgency only stressed the retired sheriff and huntsman. “Bleeding—-Stopped—-Other reasons—-Y/N”

“Gabriel. Who’s injured?!” Rick shouts annoyed as the silence grew for a moment.

“Y/N was found bleeding—-Attacked—-Go to Hilltop”

“Load up. Forget the bike” Rick stated even though the second Daryl heard it was confirmed to be Y/N, he went right into the driver’s seat of Rick’s truck. Rick quickly got in the passengers and didn’t wait another minute to tell Daryl.

The accident happened a few hours ago before Gabriel radio’d Rick. He only comm’d him as per request from Michonne to update him and to get Daryl on their current actions of getting Y/N to the Hilltop. For their ultrasound machine. The one from the Sanctuary got moved to the Kingdom to be repaired by a retired technician.

Y/N sat up in bed in the medical trailer not liking the feeling of the IV in her arm and the antibiotics Siddiq had her on. Made the sick feeling return and the nausea meds never worked on her.

“Daryl is on his way” Michonne frowns sitting in the chair beside her as Maggie sat at the edge of the bed with her hand rested on her calf. Both being protective of her in her current state.

“I didn’t get a name of the guy…”

“Hun we don’t have to do that now” Maggie assured her. “Aaron and Rosita are looking for the guy back home with the description you gave before they moved you here. We don’t have to talk about it at all and focus on you staying alive and healthy”

The tears returned as Y/N pulled her hand away so she could hide her face in them. As she sobbed she didn’t hear the sound outside of 1. The car stopping in front of the trailer. 2. Daryl shouting at a few people. And 3. The sound of a Hilltop resident screaming after Daryl shoved them out of his way to get inside the trailer. The second the door opened and his worry expelled from him, Michonne and Maggie got up from their spots moving so he could get close to his wife.

Michonne motioned for Maggie to leave with her as she instantly went to Rick to talk about the guy that attacked Y/N.

Daryl instantly wrapped his arms around her feeling her grab fists full of his vest, making him want to squeeze her but he instantly pulled away when she winced. He started to check her person himself even if Siddiq does a great job with his assessment after dealing with the main problem. He even checked her bandages watching the discomfort grow on her face along with a few tears still falling.

“Are you okay? What did that bastard do to yea? Is the peanut okay?”

“What?”

“Is the baby okay?” Daryl’s voice cracked when asking that question as it only made Y/N cry even more giving him mixed signals.

Someone told him she thought and as much as that brought relief, it brought a lot of regret and pain that she didn’t tell him herself.

As she pulls from his touch, Daryl watches her reach for the table beside the bed grabbing a piece of paper before returning and giving it to him. He carefully took it into his hands looking at the picture of the peanut that was very much still there. He exhales relieved, feeling his own tears spill and the softness of her hands gently wipe them away.

“I’m sorry—-“

“No.” Daryl cut her off setting the photo in her lap so he could take her hands into his. “I…I shouldn’t have said what I said months ago…I didn’t want to push you away ever if this were to happen. Cuz let’s be honest with ourselves, we fuck like bunnies. It was bound to happen” he broke out in a smile listening to Y/N laugh to his words. He planted a kiss on her cheek as she kept that smile of hers. “We…we can die to anythin’ and that shouldn’t stop us from living.”

“Daryl…”

“Let’s go home, sunshine. Let me protect the both of yea”

Daryl helped Y/N get in the car before approaching the small group that was fixated on the woman.

“There’s a lead”

“You know I’m not gonna hesitate to kill that guy” Daryl stated and instead of receiving the usual Rick talk about no need to go far he was genuinely confused. “What”

“I’m going to help you get the son of a bitch. He does want to take us out because of Negan”

“You’re willing to be bait?”

“If Rick gets hurt, your ass is next” Michonne threats with a smile before joining Y/N in the car giving them a bit more time to discuss then joining their partners.

The day progresses into the night and Daryl found the right moment to slip away from his spot beside his wife so he could leave the house to take care of business.

As the man climbs over the wall after hiding out until night, he stumbled on his landing and when he straightened up he was face to face with Rick.

“Seriously. Just let me go”

“I don’t think that’s gonna happen”

“Like you of all people will pull the trigger” He scoffs, making the mistake of reaching for his weapon because that led to a bolt piercing him in the side of the skull.

Rick watches the body fall limp to the floor before turning to Daryl emerging from the shadows.

“There’s gonna be more like him” Rick stated. “We won’t kill them all”

“Anybody, and I fucking mean anybody…who comes near my pregnant wife the way that guy did? Will meet the same fate”

And on that note, he returned back to his spot beside Y/N who instantly rolled over to face him and bring herself close.