#trope greatest hits

[gusenitsaa]

Ah yes, one of my favorite tropes. Mystery spot of course but also … trapping Liam in a leviathan shoals time loop in ‘hell or high water’, death is always the easy way out in an underworld arc.

Now that I’m rereading Dresden files I’m realizing I haven’t done this to that particular set of dysfunctional brothers…. But then… canon did it for me there too 😂😆

“So you’re telling me you can’t die?” “No, I’m telling you I can’t stay dead. There’s a difference, Trust me.”

[miseria-fortes-viros]

best trope is the one where the character’s godlike power is also killing them btw. they don’t even lift a hand to kill the monster but now they’re delirious with fever. they save a friend’s life and said friend immediately finds them emergency medical care. they raze the enemy to nothing and it takes far too long to find their pulse with all the bruising. their friends just constantly having to patch them up and worrying over which feat will be their last. et cetera

[beneathsilverstars]

Siffrin waking up all alone on the beach, no past, no identity. No memories of anything real and specific, only a vague understanding of the shape of the world: they know what a name is, but not their own. They know what a tragedy is, and how classic, to wake up all alone on the beach.

They walk towards the town, visible from the beach — they know what a town is, of course, a place like... ... ... They walk towards the collection of houses, and as they see people pass they may not know who they are but they can figure out the shape of them. That one old and grizzled, the veteran fisher, and that one all gangly with youth, the trainee. There's a cheerful one, chatty and brimming with more energy than the walk requires. A strong-and-silent one, steady at their side. Next a parent, surrounded by three children: the adventurous one up ahead, the shy one hanging onto skirts behind, the young one still held in arms. They pass someone and pause to chat, the friendly neighbor.

Many of them pause to chat, in fact, but none with ... the stranger. They must be a stranger. Faces look at them not with recognition, but with curiosity, wary concern. They hiss questions to each other, but when one dares to approach the object of conversation and ask, their incomprehensible speech trails off at the lack of answer, and they retreat back to their companions.

The stranger does not know their own name, nothing real or specific, but they can see the shape of who they are. The loner. The mysterious one. The traveler from afar.

It's something.

[mikkeneko]

Disclaimer that by saying this I by no means mean to insult or exclude non-writers, but: Scum Villain really is a story for storytellers, huh

It's so incredibly meta - so much of it is about the way stories are told, the structures of plot and narrative logic, the way that plot drives character and character drives plot, examination of story devices that make sense in-world and how strange they look when divorced from narrative context, exploring the limits of the suspension of disbelief and the backlash when readers hit those limits and recoil, even without getting into the meditation on external pressures and the warping effect of deadlines and money on a storyteller's craft.

in scum villain the story tools (tropes, framing, character arcs, licensing) are the plot, and the plot is a tool in the story, and the author's problems are Airplane's problems and his problems are the author's problems and the main character is the reader and he brings the reader's eye into the story and his meta-knowledge becomes his greatest asset and also his greatest blindness, just the way that a self-aware reader can get more out of a story but can also by their very cynical meta-awareness block themselves from unabashed enjoyment of it

I think it's not a coincidence that so many people who have spent years writing get so hung up on this series.

[spxllcxstxr]

Slow Burn Lovers with Jayce Talis • Headcanon

(Gif not mine)

Request: Jayce head cannons? maybe like slow burn lovers trope, hcs can be mostly of like what it would be like dating him. Any pronouns is fine! (Tysm I love ur writing!) -- anon

Warnings: gn!reader, it’s all fluff motherfuckers 😫

A.N: his pouty lips are so KISSABLE 😫😫😫 also thank you so much, I’m so happy you like my writing…🥺🥺 I hope you like this too!!!

•

By the time Jayce is partners with Viktor in the lab, the two of you had been friends for a very long time. You had spent most of your time in the Academy with him, from late night study sessions in the library to hanging out in your room with a few drinks. He was someone you quickly realized you could rely on, and he felt the same towards you

Your friendship gets the point where you both essentially know everything about one another. Every little detail about every little thing is mapped out in your minds

Your peers and professors alike always assumed the two of you were a couple and after informing them you and Jayce were just friends, they'd always give you a knowing look and an unconvinced "yeah, sure..." If the two of you weren't together at the Academy, they figured you would get together at some point

Being close friends with Jayce meant that greetings and goodbyes were accompanied by tight hugs, sitting across from each other meant he was, at some point, going to "accidentally" kick you, his hand would frequently rest on your bicep when together. Jayce Talis is a very touchy person and you were absolutely no exception to that. He feels comfortable with you, and this is the best way to show it in his opinion

Always asks you about your day, how you're doing, if you ate yet. He's extremely observant of your habits and behavior and he always wants to make sure you're better than just ok. You do the exact same to him, which always makes his day a little brighter

He falls hard for you, one day in the lab. He had feelings for you bubbling beneath the surface for years, but it never hit him that hard before. Jayce always compared everyone to you, always wanted to see you smile and hear your laugh, he never felt safe with anyone except you. However, it takes him another year to confess to you simply because he doesn't want to ruin your friendship--the greatest thing he's ever had. That was the fear from the very start, all those years ago, but this time it felt more real

When the two of you finally do get together (thank Viktor for pressuring Jayce to just do it already), it seems like almost nothing has changed. You and Jayce had just been acting like a couple for so long that there wasn’t a sudden feeling that something had shifted. However, this did mean that Jayce felt as if he had so many kisses to share with you to make up for lost time

Jayce would kiss you softly on the lips when entering the room, and if you were working he’s press a kiss to your temple. The man can’t get enough of you. There were kisses in the lab, in the corridors, late at night over candle-lit dinners. (Jayce will even sometimes pull you into a supply closet to make out with you when you look so heavenly in your outfit. He knows you two have other things to do and that Viktor is waiting for him back in the lab, but you’re just so irresistible. Surely Viktor understands…(Viktor proceeds to be jokingly mad at Jayce when he finally shows up, ten minutes late with ruffled hair))

Additionally, Jayce's once casual touches turn into something more. His hands linger longer on the small of your back or on the back of your hand. Each brush of his fingertips against your exposed skin sets your nerves ablaze and your heart beats quicker than before. Jayce is fond of bigger displays of physical touch as well. He loves just placing his head in your lap at the end of a long day and pulling your body closer to his in bed

(Heimerdinger feels especially vindicated when he finds out the two of you are finally dating. He’s known since the very beginning you guys were head over heels for each other; it was only a matter of time. Heimer is so happy for you guys once you tell him that he immediately asks when the wedding is and if he can officiate it)

Jayce has found that he has loved you since the very beginning and he sees a future with you by his side

[aceofwhump]

I had a very specific whump idea in my head and I was wondering if you ever saw it. Character A is carrying an unconscious Character B and is about to put them down. Character A (or others on hand) cradles Character B's head as they're lowered so it doesn't hit the surface they're being laid on too hard.

Oh my god nonny that trope is SO GOOD!! I LOVE IT SO MUCH!! It should be used more often!! It's so soft and caring and I die every single time. I definitely have some examples of it.

My immediate thought is this scene in Merlin 2x06 after Arthur takes the potion to slow his heartbeat and breathing so it seems like he's dead. Like, I read this description you wrote and my brain conjured this moment.

Other good moments:

Hawaii Five-0 10x22 Steve cradling Danny's head as he lowers him into his lap.

Graceland 3x08 The whole team has a hand on Mike but Paige puts her hands behind his head as they lower him into the ice bath and i love it.

The A-Team 5x14 Frankie and Murdock protecting his head as they carefully lower Face down to the ground after being shot.

Stargate SG-1 4x18

The Greatest Showman when PT lowers an unconscious Phillip to the ground after rescuing him from the fire and WD cradles his head

Batman v Superman: Dawn of Justice

Avengers Endgame Nebula cradling the back of Tony's head as she lays him on the chair

One Piece Live Action 1x06

Supernatural 14x14 When Sam rolls Dean over he cradles the back of his head.

Saving Hope 1x01

[dilemmaontwolegs]

For the love of god(dess) || CL16 {1}

A/N & Summary: Greek God/dess AU. This was a draft I had wasting away with reincarnation trope. Reader is the goddess of love. I don't even know what I am doing anymore lol Warnings: reader injury, blood WC: 2.2k Part One || Two

“Do you ever stop working?”

You leered across the scrying bowl to the unwelcome guest waltzing into your sanctum. “Unlike some, my work never ends.”

“Come now, I remember a time when you used to love my little soirées,” Dionysus whispered in your ear as he dipped his finger in the bowl, disturbing the still waters. The god of debauchery had never held just a little party, there was a reason hedonism and excess had been celebrated for millennia. “Take one night off. It will be one to remember.”

“Liar,” you said with a smile despite yourself. “I still don’t have any memory of the last one.”

He winked and flicked the droplet of water from his finger at you playfully, “Then I am doing my job right. It’s on earth…”

Damn, the god knew how to pique your interest. Thousands of years watching through the haze of the scrying bowl did little to capture their humanity. Whenever you could, you used to walk among them to see the fruits of your labour. 

“Love, you are eternal - yet you waste away in this…” he drifted off as he looked around the empty stone room, carvings depicting your greatest champions along the walls, “place.”

While the other gods had their golden palaces you were content in the temple that had once been filled with priestesses who served the deity you once were. A shell of who you used to be reflected back in the still water. What was the Goddess of Love with a broken heart? Cold and empty like this temple.

Your thoughts darkened and shadows crept along the walls before you took a deep breath. It had been a few decades since you had some fresh air, maybe it was for the best to get out. “Fine. One night.”

Dio grinned and swept an arm around your waist before leading you to the door. The sunlight hit your face and you cursed Apollo until your eyes adjusted to the brightness. The drunken god took one look at the white robe you wore, a silver sash tied at the waist, and tutted.

“I know beauty is in the eye of the beholder, but this won’t do.”

“Any other insults?” you dared as you cast a hand over yourself, the white cotton bleeding to a deep red leather skin that hugged your body and accentuated your assets. A black corset snapped at the contours of your waist and pressed your breasts up, the armour unnecessary but as familiar as breathing. The others may have forgotten the great war but your heart remembered the loss and you swore you would not leave yourself vulnerable again. 

He let out a low whistle and shook his head. 

“Oh, one more thing.” Your bow and quiver snapped into place across your back and drew a groan from Dio. “What?” Your eyes darted to the chalice that was forever held in his left hand. “You have your attachments, I have mine.”

He held his cupped hand up, wine sloshing over the rim, and pointed a finger at you. “Firstly, this is a curse - not a choice. And secondly, this is useful to drink out of.”

“Maybe you should have been more careful where you stuck your dick.”

“I didn’t know the nymph was one of Zeus’ favourites, obviously,” Dio grumbled before setting off down the path that would lead to the mortal realm.

–

Las Vegas, Mortal Realm, 2023 PIW (Post-Immortal-Wars)

You already knew the party would be a large one, but this was big even by Dionysus’ standards. Thousands of people imbibed in the free flowing alcohol and danced under strobe lights in Sin City, his favourite playground. Dio sent a mischievous wink before he touched the champagne tower and his power imbued with the liquor to increase the effect and ensure everyone was on the same level as him.

“Drink, Love,” he ordered as he tipped the rim of his glass to your lips. Sweet wine warmed your throat as much as his power did and you drank it down knowing that for at least a few minutes your cares would be diminished - but they always came back too soon. “Now dance.”

Your hips swayed and your hands found themselves moving above your head as the lights mesmerised you. Human scents came and went as they moved around you, their pheromones calling to your power as they found lovers, if only for the night. One particular scent caught your attention and you followed it to find Dio talking to the human. He had been god touched and the mark glowed on his brow - not that the mortals could see it.

“Love, this is the man of the hour,” Dio gushed, casting a hand to the party as if it were all for him. “Max here won the race.”

You didn’t know what race he was referring to, nor did you care. “Of course he did,” you stated dryly. Max was Nike’s champion and Nike was the Goddess of Victory in everything except what mattered. “Congratulations.”

You grabbed Dio’s hand and drank your fill from his cursed chalice in the hopes it would douse the fire that ignited in your veins. If Nike had fought alongside you in the war instead of wasting her time with her Olympians and their silly sports then maybe Károlos would have survived. Maybe you would do more than just survive eternity alone.

“Sorry, she doesn’t get out much,” Dio joked, clapping the victor on the arm. “Drink, my friend. The night is young and life is short.”

You slipped away into the sea of bodies, drifting through until a cool breeze called from the balcony and you escaped to the quiet. Your breath exhaled with a heaviness only an immortal could carry and a chuckle startled you.

“Fuck, not another one. Can’t I have one moment of peace?” you groaned as his scent found you before the handsome man stepped out of the shadows of the corner he had been hiding in.

“Sorry,” he apologised. “This was my hiding place first.”

The mark of the Adonis glowed beneath the dark hair that fell over his forehead and you internally scoffed at the god’s vanity. The man standing before you would have been stuck down if he showed his face in Olympus, he was far too good looking it would be considered an offence to the petty gods. And those eyes, green eyes just like...You had to look away before you could finish that thought.

“What do you have to hide from?” you asked, leaning against the rail as you watched fireworks explode among the stars. “You’re a champion.”

“You must have me confused with someone else,” he laughed bitterly.

“I know a champion when I see one.” You felt Dionysus breeze onto the balcony before you heard his drunken laugh behind you, the bitter smell of blackthorn root on his breath from the drug he had smoked.

“Love, eternal Love, I found you,” he slurred as hugged your back, the feathered fletches from the quiver of arrows irritating him. “Must you wear these prickly things?”

Before you could stop him, he ripped an arrow out, the sharpened point catching the side of your neck. A hiss of pain escaped your lips as blood trickled down your throat and the power that kept the weapons hidden from mortal sight broke with the bead of blood on the tip. 

Adonis’ champion gasped as his mind raced to piece together what he was seeing. A woman bleeding and a man holding the weapon. His eyes narrowed and he leapt at Dio, trying to wretch the bloodied arrow from him before he could attack you again. You could have laughed at how futile the attempt was for a mortal to attack a god but said god was higher than Zeus’ perch in his palace and rotten drunk off his wine. 

The fates must have been laughing their asses off as the mortal and god collided, both tumbling to the floor before the mortal screamed in pain.

A hand reached into your chest, at least that was how it felt when the fire exploded inside you. “No, no, no, no,” you cried as Dio fell away from the mortal and you saw the arrow buried in the champion's chest. “What have you done?”

The fire faded as the bond snapped into place and you hated how you suddenly feared for the mortal. That fear had you rushing to his side and falling to your knees as Dio stared at his hands. “I, I didn’t mean to,” he stammered. 

Even the mortals knew the power those arrows held, the stories were told throughout the ages of how just a nick from one could make strangers, enemies even, fall for each other in an instant. The greatest weapon of all was love and it had the power to destroy even the immortals. And Dio had just stabbed the mortal with one, coated in your blood. Blood that bonded.

You gripped the shaft and tugged the arrow out of his chest before slamming your hand over the wound and pouring your energy into it, sealing it closed. He reached for your hand that was slick with his blood and you let him hold it, unable to fight the love that came from your own power. 

“You’ll be okay,” you promised him before narrowing your eyes at Dio. “You, not so much.”

“It was an accident, I swear, it was like I couldn’t control myself. Charles just jumped-”

Your eyes flared silver as you looked back at the unearthly green shade of his eyes. Same eyes, same name, Adonis’ champion. You had foolishly thought Adonis had chosen the mortal for his beauty, but if the mortal was reincarnated then he would also bear the mark on his brow.

“Károlos,” you whispered as a feeling of rightness settled across the universe.

Charles frowned at the name but understood the tenderness in the tone, such a sweet sound. His chest no longer burned and smooth skin met his palm as he felt for the wound that had healed, but the blood on his shirt was proof he had not imagined it all. 

“Who are you?” he asked as he rose to his feet, tasting his blood on his tongue.

You flinched at the question and looked to the stars. “I go by many names, but you may call me Y/N.”

“You called me Károlos.”

“That was your name the first time you walked the earth,” Adonis said, appearing on the balcony in a flash of light. “Károlos, Karlaz, Carl, Charles - it’s always the same. A hundred lifetimes lived, always searching, always waiting. All for this moment.”

When Károlos had been killed you had stormed to the Underworld ready to bargain with Hades, but he had said Károlos wasn’t in the Elysian Fields. You hadn’t believed him in your anger. All this time, Adonis had kept his soul safe. 

You reached behind to your quiver and drew an arrow, grabbing your bow and notching it. “You had two thousand years to tell me he was alive.”

Adonis held his hands up, shifting closer to Dio ready to sacrifice him as a shield. “You think the fates would let me tell you! I did what I could but you were happy to grovel alone in your temple.”

“Can someone please tell me what’s going on?” Charles asked, wondering why no one had come to see what was going on, except when he looked at the party everyone was frozen like the time had come to a stop.

“I was grieving! And now I will have to mourn him anew, because he’s fucking mortal!”

Adonis grinned and you debated releasing the arrow. “Are you sure about that? Is that not your blood that runs in his veins now? I can smell it on him.”

You paused. Your blood had been on the arrow, immortal blood. You and Charles had gravitated to each other without realising it and you inhaled as you leaned a little closer. There was still a hint of that fresh mortal scent but it was an undercurrent to the aether that grew stronger with each breath. 

“What the fuck is going on?” Charles snapped as you dissected him with your eyes like an experiment. “And why is no one else moving?”

You unnotched the arrow and waved the feathered end at Adonis. “We are going to have words about this later.” The beautiful god nodded before disappearing in a flash of light.

“So I'm forgiven, right?” Dio asked with a shy smile. “Told you it would be one to remember.”

You held a hand up to silence him and looked at Charles. “I don’t know how to answer your questions without making more. It might be easier if I show you.”

He accepted your hand without hesitation and you wondered how much of that was the force of the bond or because on some unconscious level his soul recognised yours. Either way, you smiled at the warmth between your skin before leaving the mortal realm behind.

“Where are we going?” he asked as the stars faded with the lights of Sin City.

“Home.”

–

For Reference: Dionysus - God of Wine and Pleasure Nike - Goddess of Victory Adonis - God of Beauty, Desire and Rebirth Károlos - (Old derivative for Charles) A warrior who was fated to be your soulmate before being killed protecting you in the Immortal Wars. Reincarnated as Charles Leclerc by Adonis. Olympus - Immortal Realm

Click here for part two.

[absolutebl]

10 BLs That Shook Me

@trribledelight asked for "BLs that made you think or learn smthg or shook you culturally? Eg the political considerations in Not Me..."

Let's get the rough ones out of the way first, shall we?

1 2gether

Green. One of the most egregious reps for punching down humor against femmes in BL (and there sure are a lot out there). Seriously GMMTV? Must you?

At the time we all watched this because there wasn't anything else to watch, and it's been a long time since I bothered with a rewatch, but Green is one of the reasons I just can't with this series.

I'm not knocking the actor, but the character and how the other characters behave around him, and the director with regard to this aspect of the plot and portrayal was rough going.

What shook me was how casually homophobic 2g was. It was just so odd to watch a gay romance gloss over and degrade queerness. I was like, wait, aren't they supposed to me on our side?

(Ah, the before times.)

2 Fish Upon the Sky

Shall we address the head wrap in the room? This BL has some of the most shockingly racist content I've seen in a long time. Also punching down humor. I fast forwarded through it and I still don't want to think about it. GMMTV should be throughly ashamed of themselves... Again. I was shook, but in a bad way.

Okay, now for the ones that shook me in a good way.

3 Until We Meet Again

I watched this early in my Thai BL journey (while it was airing) and I had no idea what to expect. Frankly, you could watch it now and still not know. It's just very unusual for a Thai BL.

The plot twist about how they each ended up reborn. Just so brilliant. I still can't get over it. So simple. SO CLEVER. So punishing for the families.

Fantastic!

4 Secret Crush On You

This one kinda shook me all along but that Daisy & Touch scene. It lives on in my head rent free forever. Just because it was so beautifully sweet and genuine and kindly towards a femme character.

I still don't like this BL.

But I love that scene in it.

5 My Beautiful Man

I went on a JOURNEY with this show. Mostly because I didn't think Japan had it in them to land something this complex. But they managed it beautifully by not shying away from the delicious messy ugliness of it all.

Possibly the greatest final episode in all BL.

And from Japan. Usually so bad at endings.

I remain gobsmacked.

6 Unknown

I shouldn't have been shooketh by this one but I really was.

The style of it while staying so down home and gritty.

How old school Chinese BL it felt yet it still managed to be very modern BL about it.

The execution and quality of the acting.

How it was aired (available in YouTube?! we NEVER get that from Taiwan!)

Also the pair branding. We haven't gotten this level of pair brand from the leads in a Taiwanese BL since SamYu.

I'm was absolutely riveted by everything about this show and its production.

I loved seeing it. I hope we get more BLs like this from Taiwan as a result.

But I ALSO hope they realize that a big factor in the popularity and the success of this show was in distribution.

It's what's for dinner.

Along with the stepbrother trope.

KOREA'S SUPRISES

I watch a lot of Kdramas as well as BL, and have done for a really long time. I'm riveted by Hallyu, from an entertainment industry perspective (what I wouldn't do to get my hands on some of their proprietary data). I also listen to a ton of Kpop.

Therefore, Korea dominates the P'ABL gets shooketh list because I had (and have) more expectations firmly in place around Korea's media product sfyle than anyone elses. Even before they started to make a big play into the BL scene.

My favorite BLs from Korea, like Semantic Error and Light on Me are EXACTLY what I expect from them, manufactured perfection. But I was also shook more times by Korea than other BL nations because I had such rigid expectations.

7 Color Rush

Yeah yeah. But it starred an idol. It started out pretty and stiff and everything I was expecting and then the concept hit me up side the head and I never recovered from the CLEVER of this show. I'm not used to my Kdramas or my BL being this high concept and SMART about their sanitized perfection.

8 Blueming

What with the 8th Sense and others since, Blueming seems to have been somewhat forgotten about. But at the time, I was shook by the down home grit of this show. By the actual pain from the characters. By the higher heat concept. By Korea actually going THERE.

And then these babies came along...

9 The 8th Sense

I just didn't think Korea had it in them. Yes, I realize now that it was a bit navel gazey, and we were weighted heavily towards the seme and his pain. I would have liked a better balance between the leads, but that's in retrospect.

At the time I couldn't believe it. A KBL dealing with mental health?

And can we talk about those sex scenes? How insanely comfortable the actors were with each other? How easy in each other's personal space? I've not seen anything else quite like that from Korea. It's super rare. I had assumed they, culturally, just didn't do casual intimacy, or if they did, it wasn't allowed on screen.

Of course now I know the CAN do it, I want more.

10 Love for Love's Sake

Okay, lots to unpack with this one. A genuine isakai BL, in the original sense of the term. The death twist didn't shake me up, but the execution, acting, open gayness, and a couple other things did. Enough to make me still think on this show with fond surprise and affection, despite its undercurrent of darkness.

I like to be shooketh.

(source)

[tsuutarr]

A were-wolf hottie and no pic, give me the fluffy hooligan please 😫

Extra points if it's enemies to lovers trope, except no vampire verses wolf, more like were cat or coyote vs wolf?. Scooby-Doo zombie mayhem got me

(So I ended up doing a bit of a rivals to lovers kind of thing rather than enemies! I didn't have too much info to go off of, so if this fic isn't to your liking, feel free to send me another ask with more details!)

Pairing: Vilkas Lunewood (werewolf OC) x werecat! reader

Contents: one-sided rivalry (somewhat one-sided romantic pining) where Vilkas thinks of you as his greatest rival to beat on exams.

Word count: 1180

Even though Vilkas would rather read his favorite book in a cozy nook, he’s known as a brute – someone who can weaponize his fists to subdue all that cross him. His sharp eyes and broad figure do little to deter his reputation as a brutish hooligan. However, despite his reputation, Vilkas has never started any fights – it’s just that he’s always finished them, being the last one standing.

It’s hardly his fault that he’s so strong, though, especially since strength is the least of his concerns. No, his much bigger concern is defeating you, his stupidly pretty werecat rival, academically.

“Hm… I could’ve done that a bit better…” you murmur from beside him. You’re both staring at the recent exam scores posted on the bulletin board.

He smells you before he hears you. Vilkas has always noticed your scent, something warm and soft – something he associates with afternoon naps basking in the gentle rays of the sun. Not that it matters, really, not when you’re constantly kicking him to the curb in terms of your grades. He’s been number one for as long as he can remember, but then you come along and place him in the number two spot consecutively. And you look cute while you do it. Frustrating!

“Ah, Lunewood, your score’s gone up, hm? That’s good to see.”

Vilkas scowls at how easily you address him, gloating about your victory. You’ve never been scared of him, always talking to him whenever you can. It’s stupid. You’re stupid. You and your stupidly lovely ears and stupidly adorable tail and that sweet voice and–

“Lunewood?”

“What?” he growls, his eyebrows furrowed at the center.

“Ah, you look rather upset, is all.”

“I am not.” Of course Vilkas isn’t upset – he’s good at taking a loss! And even if he is upset (which he isn’t), it’s not like he’s bothering anyone! The clear distance most people are keeping from him is definitely, definitely not because they think he’s scary for scowling – that’d be ridiculous!

“If you say so.”

Vilkas’ scowl deepens.

“Ah. It was quite nice chatting with you. I’ve got to head off now.”

Vilkas’ nose scrunches. You’re probably gonna stick your nose into a stupid little book (something he’d do too). You’re gonna brew yourself your favorite beverage as you curl up to read something you like and you’re gonna look so cute doing it and it’s so annoying to Vilkas to think about.

Stupid, stupid werecat.

.

.

.

The next time Vilkas encounters you, it’s because he smells your warm scent mingled with a scent he’d only describe as sour. His frown deepens as he follows the smell, before coming across you getting harassed by some no-good werewolf.

Ugh. Seriously. Like yeah, you’re cute and charming and whatever, but couldn’t that stupid werewolf pick another cat to pick on? Like why’s that dumb werewolf wasting time flirting with you? And why haven’t you just beat that stupid, no-good werewolf off with a stick? You’ve got the claws to scratch him up. Ugh. Whatever. It’s not his business–

“Leave the cat alone,” he spits, despite his inner monologue. He’s not helping you because he thinks you need his help or because he’s worried or whatever. He just doesn’t have anything better to do. That’s what he tells himself as he sizes up the werewolf that’s been hitting on you.

“Yeah? What’re ya gonna do about it if I don’t?” the no-good werewolf hisses, standing taller to appear bigger. The no-good werewolf is bigger than you, a werecat, but can’t compare to the sheer muscle mass Vilkas boasts.

“I’m not gonna do anythin’ about it,” Vilkas growls. “‘Cause you’re not gonna give me a reason to do anythin’ about it.”

The no-good werewolf falters briefly at the deadly gleam in Vilkas’s eyes, but decides to stupidly stand his ground. “You want me to give you a reason to scram?”

“You think you got what it takes?” Vilkas shoots back, his teeth bared. His tail bristles, ears flattened against his head.

“Lunewood,” your voice calls, which irritatingly makes Vilkas feel calmer. “Let’s just go.”

Vilkas isn’t sure what to do – he’s not really one to back down from a fight, but your voice and smell just make Vilkas feel… softer, like he’s wrapped in a you-shaped blanket.

“Wait–” the no-good werewolf’s face pales. “Lunewood? Vilkas Lunewood?”

Vilkas stands taller. “What about it?”

“No–nothing!” a squeak leaves the werewolf’s mouth as his tail tucks between his legs, before he runs away.

“...I should’ve punched him once,” Vilkas grumbles, crossing his arms.

“Hm, maybe you should’ve,” you agree lightly. “The more I think about it, the more I dislike him.” You spin on your heel, turning to Vilkas with a smile. “Thanks, by the way. I appreciate it.”

Hmph, a good ploy on your part – trying to make him lower his guard by thanking him? If you think that your thanks makes Vilkas’ tail wag, you’re so very correct – Vilkas tries his best to temper his tail’s excitement, but he just gives up because he can’t. “It’s nothing. I didn’t do it for you.”

Your cute little cat ears and tail twitch. “Oh.”

Vilkas immediately feels bad.

“I guess it was one of those territory things, then? Did you want to mark your territory?”

Vilkas huffs out something akin to a laugh. The only thing here that he’d want to mark is you – wait, scratch that.

“Well, anyway. Can I take you to a café or something to thank you?”

What? Why would you want to feed him? It’s not like he did anything great. Is this a trick? Are you trying to poison him?!

“Or do you not like sweets?” you look contemplative. “Maybe barbeque…? But my campus job doesn’t pay that much…”

“A café is fine,” he grunts, tail swishing behind him. “You can buy me a barbecue when I beat you on our next exams.”

You tilt your head to the side, confused. “But you’ve never been able to beat me before?”

Vilkas’ eyes narrow as you hum in thought.

“Oh! Is this like a bet?” your eyes glint mischievously, a cheeky smile curling on your lips. Cute. “How about it, Lunewood? If you beat me in the next exam, I’ll treat you to a barbeque. If I win… Well, I’ll keep that a secret for now.”

“What?” Vilkas asks, frown set deep in his mouth.

“Hm? Are you scared?” you tease, your voice taking on a lilt that makes Vilkas want to chase you down and mark you.

“Don’t bet on it, kitty-cat,” he responds. “I ain’t scared of anything.”

“Then is the bet on?”

Vilkas doesn’t hesitate when he answers with, “You bet.”

.

.

.

(You two do head to the café, much to Vilkas’ pleasure [since he wants a sweet treat, that’s it. It’s not because he’s hanging out with you or anything]. You’re surprisingly interesting to talk to, which he should’ve maybe expected since you’re his rival. You’ve got pretty good tastes when it comes to books and a good eye for cute cafés too.)

[desi2go]

Chaotic duo

pairing: Seungmin x reader

warning: best friends to lovers trope! fluff

Author's note: HAPPY BIRTHDAY SEUNGMIN <3

Seungmin and you had been best friends for as long as anyone could remember. From the moment you met in kindergarten, your bond had been instant—an unbreakable alliance fueled by a shared love of adventure, mischief, and an inability to sit still. Where one went, the other followed, and together, you became legends in your small town.

The first time you met was in the sandbox. Seungmin, with wild curls and a mischievous glint in his eyes, was building an elaborate castle. You, fiery and bold, with a pixie cut you insisted on because "long hair gets in the way of running," stomped right through it. Seungmin’s jaw dropped, and you had smiled, wide and unapologetic.

“You’re supposed to guard your castle, dummy,” you said with a big smirk.

Seungmin burst out laughing. “Wanna help me build a new one?”

From that moment, you two were inseparable—and utterly impossible to control.

As kids, you were the kind who put frogs in the teacher’s desk or replaced your school principal’s office chair with a whoopee cushion. Your greatest feat was sneaking into the local grocery store and rearranging all the items on the shelves so cereal was in the freezer and ice cream in the dry goods aisle. The townspeople shook their heads, half exasperated, half entertained, because no one couldn hate Seungmin and you. Together, you were the heart and soul of the town’s chaotic charm.

You weren’t malicious, just... menaces. You lit up every room you entered, your laughter infectious, and even when you were grounded for weeks, you still found ways to send secret notes to each other, plotting your next adventure.

Years passed, and the pranks only grew bolder. In middle school, you stole the mascot costume and replaced the halftime cheer with a ridiculous dance routine you made up on the spot. In high school, you snuck into prom, even though neither of you was on the planning committee, and switched the formal playlist with a collection of ridiculous 90s pop songs. The seniors were mortified.

Yet, even as you two caused chaos together, there was something else between you. Something neither of you wanted to admit.

Your friendship was so natural, so easy, that the idea of anything more felt terrifying. You were always the one who would punch Seungmin’s arm when he teased you, and Seungmin was the one who’d toss an arm around your shoulders whenever you were feeling down, pulling you into his side like you belonged there. You were perfect as you were—or at least that’s what you kept telling yourselfs.

But over time, things changed.

By the time you hit your early twenties, the teasing started to take on a different tone. Seungmin would get quiet, almost protective, whenever you went on dates with guys, though he’d never admit it. And you would grow jealous, prickly, every time Seungmin talked about a girl who caught his eye. You told yourselves it was nothing—just the awkwardness of growing up.

It started small.

You spent more time just talking. Late nights on your’s porch, staring at the stars, laughing about old memories, and dreaming about what came next. Seungmin would catch himself staring at you, wondering when your eyes had started to light up his world in a way no prank ever could. You found yourself lingering a little longer when he hugged you, the warmth of him becoming more than just comfort—it was something you craved.

Then came The Party.

The whole town had been buzzing for weeks about it—a summer bash at the lake, a chance for everyone to relax, drink, and dance. Seungmin and you, naturally, had come up with a scheme to make it memorable. You had spent the better part of a week planning how to replace the DJ’s playlist with an embarrassing collection of cheesy love songs and make all the floats in the lake mysteriously disappear.

But this time, something felt different. As you stood together by the bonfire, you leaning against his shoulder, your laughter bright against the crackling firelight, Seungmin felt the weight of all those unspoken words pressing against his chest.

Your’s hair were a mess, your cheeks flushed from the thrill of the night, and he thought you had never looked more beautiful.

Without thinking, he said, “You know, we’re gonna have to top that next year.”

You looked over at him, your grin wide. “Oh, I’ve already got ideas.”

But your voice was softer than usual. The banter didn’t have its usual bite. You turned to him fully, your eyes searching his.

You swallowed hard. The air between you was charged, full of unspoken feelings. You felt like you were standing on the edge of something enormous, terrifying, and exhilarating all at once. “Seungmin... I think—”

“I love you.”

The words came out before he could stop them. Seungmin's eyes widened as he realized what he’d just said. You froze, your breath catching.

“I... I mean, I—” He stammered nervously, trying to take it back, but it was too late. The truth was out there, hanging between you like a storm cloud ready to burst.

You blinked, then did what you always did when faced with something huge: you laughed. But it wasn’t your usual laugh. It was softer, more vulnerable. “Took you long enough.”

Seungmin’s heart stopped beating all at once. “What?”

You grinned, reaching out to poke his arm like you always did. “I’ve loved you since the day I stomped on your sandcastle, idiot.”

He blinked, then broke into a wide, disbelieving smile. “Well, this changes things.”

You rolled your eyes. “Yeah, no kidding.”

Then, before either of you could second-guess it, Seungmin leaned in and kissed you. It wasn’t perfect. It was messy and a little too eager, but it was you.

Full of energy, passion, and chaos. The kind of kiss that said, this is what we’ve been waiting for all along.

From that day forward, you were still the same old Seungmin and you. Still a menace to the town, still plotting your next big prank. But now, you did it all with an extra spark between you—the kind of spark that turned chaos into love.

[theflashjaygarrick]

It's a missed opportunity that despite Roy Harper and Jason Todd hanging out now there's been never any tension between about them or exploration of their differing approaches and perspectives on the drug crisis. Particularly because for both of them it is deeply personal.

Roy Harper.

Roy became addicted to drugs in the 1971 comic Snowbirds Don't Fly which was Neil Adam’s and Dennis O'neill's attempt to tackle the "youth's greatest problem!" drug use and addiction. I feel like all most people know is that Speedy took drugs and Ollie took it badly, but that honestly ignores the whole point of the story. The story challenged contextual stigma around addiction and drug use as a personal failing or something that only happened to weak people. It explored how it could happen to anyone, even a hero like Speedy. It focused on the social factors such as racism and poverty and how they push people into substance abuse as a way to cope. It even turns the trope of the evil foreign drug cartel on its head by making the guy behind the drug supply a wealthy white American man in who runs a Pharmaceutical company, doesn't do drugs, and actively mocks the people he profits off the suffering of.

The point therefore is twofold. Firstly, drug users are people just like you and me and it is vital to be compassionate to people struggling with addiction. Ollie who yells at and hits Roy and leaves him due to anger and fear is clearly in the wrong. Hal and Dinah who look after Roy and stand beside him at his friend's funeral and as he confronts Ollie are clearly in the right. Secondly, the solution is not to focus on the drugs but instead to deal with the systemic problems of inequality, oppression, trauma and disenfranchised youth.

Despite parts of it ageing bad (the use of slurs was to demonstrate the damage of racism, but I feel uncomfortable having slurs uncensored in a comic book written by white authors) it is a surprisingly progressive take on addiction for a mainstream 70s DC comic. It also clearly demonstrates Roy's opinion on the drug problem and how to deal with it. He sees anger and going after dealers/manufacturers (like Ollie did) to not be enough. Instead the real change comes from helping the people in that situation by improving their lives and compassionately helping them at their worst.

Enter Jason Todd.

For context Jason Todd has had almost his entire life shaped by trauma of substance abuse. His (adoptive) mother Catherine struggled with addiction and overdosed just months before he met Batman, effectively orphaning him. Soon after he was found by Batman who essentially drafted him into his crusade on crime, not considering that being a vigilante may be potentially damaging for an already traumatised child.

But when he came back in UTRH he decided he could best help Gotham if he killed (largely non-costumed) criminals and controlled the city's criminal underworld himself. After violently assuming control of the drug trade, Jason imposed his own rules for dealers, most famously that he would kill anyone who sold drugs to children or near schools. Later while incarcerated Jason Todd killed 82 Blackgate inmates (and harmed over a hundred) by poisoning the prison food. This mass murder was intrinsically indiscriminate and due to the US prison system it is reasonable to assume people charged with drug offences were included in the death count.

Jason does have deep childhood trauma associated with addiction and drug use and wants to help prevent suffering. That being said, his approach treats drugs as a criminal problem to be eradicated or controlled, not just a symptom of deeper social issues. He kills people who sell drugs to kids, rather than helping building a support system so kids aren't pushed into abusing substances to cope and people don't have to deal to survive.

What does this mean?

Scott Lobdell got details of Roy's addiction wrong and distorted him into a reckless idiot who has been ostracised from the community. But if it was done right their interaction and opposing perspectives/experiences could be really interesting. Both hate drugs and the drug trade, but the way they conceptualise this hatred differs significantly.

Roy focuses on helping the individual and addressing deeper social problems, seeing drugs as a devastating but ultimately symptomatic. Jason sees drug use as first and foremost a criminal issue, with true benefits being achieved through controlling the criminal underworld.

Roy's priority is therefore supporting people struggling with addiction and showing compassion for their situation. Jason doesn't really focus on ways to help the individuals suffering from addiction, as much as mitigating the overall harm and fitting the drug trade into parameters he views as acceptable.

I think it would add needed complexity to their relationship (and to Jason's redemption if we're going that route) as well as dealing with the more 'war-on-drug' elements of UTRH. Also it would help Roy stand on his own as a strong, articulate leader with a dark past rather than being (at least for a while) reduced to essentially Jason's sidekick.

[bbbbbbbbatman]

I love the trope of the justice league all thinking that batman is a metahuman, but he just doesn't talk about it because he's secretive about literally everything. Every league member has their own theory on what his powers are which they love to debate and cite examples for whenever batman can't hear them

Barry thinks it's an intelligence thing, like his IQ was boosted or something, that's why he's the world's greatest detective

Hal claims he was bitten by a radioactive bat and has bat powers like echolocation (yes, he knows it sounds stupid, and yes, he will die on this hill, and one day when he gets definitive proof everybody will have to get on their knees and apologize for laughing at him)

Superman thinks he was involved in an experiment by one of Gotham's rogues when he was younger and has standard physical powers (strength, speed, endurance, etc) but just at very low levels so they don't stand out but still put him ahead of normal humans in physical capability

Arthur thinks he has a regenerative factor bc no way an ordinary human gets hit like that so much and keeps going

Victor thinks he's some sort of empath and that's how he's able to do detective work so well and come up with such good plans on the fly

J'onn knows Batman is human (for obvious reasons) and declines to contribute to these conversations because "it would spoil all the fun"

Diana also knows (because she's not stupid) but contributes to these conversations not with her own theories but by egging on everybody else's because she loves chaos

Bruce is aware of the situation and hasn't said anything because he's not sure yet if it's more or less beneficial that they think he's a metahuman (though he does wish Diana would stop encouraging Hal's radioactive bat theory)

[aziraphales-library]

HELLO LOVELY PEOPLE!! this might be too specific of a trope so if it is i’m sorry ab that but do you know of any fics where crowley is cursed or controlled in some way to hurt aziraphale? thanks and have a slay day!!!

Hi! Here are some fics in which Crowley is forced into hurting Aziraphale. Mind the tags and warnings on ALL of these ones, folks!...

Hell's Greatest Punishment by evilwriter37 (E)

Hell possesses Crowley and makes him hurt Aziraphale as a way of punishing him.

F to pay respects (I swear this isn't a crackfic) by satiricalScythe (NR)

In which upon failing to destroy the traitors to Heaven and Hell themselves, Gabriel and Beelzebub realize what they much do - if they can't destroy Aziraphale and Crowley, they'll make them destroy each other. Idk if this really earned the graphic depictions tag, but better safe than sorry. It was originally far more bloody but I cut a lot of parts out to make it work.

The Night Of Time by NuriaSchnee (E)

Aziraphale and Crowley are about to take their relationship to the next level when Gabriel and Michael's wrath falls on them. To punish them, they implant a fake reality into Crowley's memory in which he becomes a proper demon for a while and hurts Aziraphale several times. However, they leave Azirapahale untouched and aware that none of it has been real.

The Uncanny Valley by mozbee (E)

“Oi, Crawley.” He freezes, then turns, because you should never turn your back on a Duke of Hell. He sees the woman leering at him, and kicks himself for not paying attention before, to her blank eyes, the slightly sour smell wafting off her now he’s looking for it. “Have a nice night,” she rasps, and suddenly lifts her hand and blows a palmful of black powder into his face. Crowley coughs and stumbles back, out of the elevator, dropping to the floor, eyes watering. Its gone up his nose, down his throat; he can feel it, cloying and irritating. “What the fuck—” he tries, but suddenly he’s gripped with a new, urgent thought: angel. He pauses, mind perking up at the thought. Angel. He stares up at Hastur, who’s giggling and tossing long blonde hair over his borrowed shoulder. “That’s right, demon: you smell an angel.” “I—” It’s important, this bit about the angel, but it’s harder to put his finger on why. “You smell the angel,” Hastur says, and reaches out, to grip his chin in harsh fingers. “You want to kill the angel, don’t you, Crawley? Don’t you, demon?”

Fire in the Blood by Lurlur (E)

Heaven and Hell are in disarray, Earth is feeling the consequences. Crowley is hit with a lust curse from a rogue incubus which triggers a series of events that he'll never be able to undo. This fic features explicit rape and the aftermath. It is emotionally ugly. Look after yourselves.

Branded by Bookwormgal (M)

The mark on Crowley's face was not a tattoo. When Lucifer, still furious and his pride damaged, took out his frustration out on the first thing to catch his attention after the Fall. Rage, possessiveness, and a need to prove that he was not as weak as he felt when he was cast out spurred him into action. He claimed the broken and fallen creature in every way, relishing the confusion and fear. And he left a piece of his power tangled up in the former angel's essence, the only easily visible sign being a shape manifesting on his eventual corporeal body. But rather quickly, Lucifer found other things to occupy himself and the demon was sent up to Earth to cause some trouble. Six thousand years later and newly-enraged by the betrayal and halted apocalypse, Lucifer finally decides to make use of that power that he left behind. The devil is not one to surrender something that he'd claimed so easily. And the traitor would pay. He would make Crowley suffer.

- Mod D

[comicaurora]

top three changes to the star wars franchise?

Like, top three things I would change if I was in charge of the franchise top to bottom?

This is Big Cheating calling it "one change", but scrap the prequels. The original trilogy already implied an incredibly simple by-the-numbers dark fantasy origin story for Obi-Wan and Anakin and if we strip away the space veneer we can easily see that Anakin's original backstory was implied to be "prodigy warrior-wizard is tempted by dark magic (and an established evil sorcerer-emperor who has clearly been in power for more than a scant 18 years by the time of the original trilogy) which slowly corrupts and twists him into a monster who eventually has a fight with obi-wan that he loses, also he has a relationship with a woman who survives to raise Leia for at least a few years". Those are the only points you need to hit, and you could tell a very compelling simple-meal-well-made sword and sorcery adventure with a guaranteed tragic ending. The original prequels fail at holding to the ONLY points of canon they needed to hit - the innately corruptive power of the dark side SLOWLY leading to Anakin's downfall, the empire being an existing threat for a long time and the jedi correspondingly being an ANCIENT religion rather than being less ancient than 9/11, and Padme being alive enough for Leia to remember her a little bit. Close your eyes, clear your mind, let the tropes flow through you - a By-The-Numbers Story will come to you and you will see the completely inoffensive prequel tragedy we could've had. Also, never show Yoda, preserve the fun twist in the original movies.

Easy change for this one. Finn's a force-user with a plot about inspiring a stormtrooper rebellion, another plot that literally writes itself, also let the sequel trio actually all hang out for more than five fuckin minutes because the only thing that ever made Star Wars work was the raw charisma of the actors having a good time and the chemistry was really solid for the only time in the final movie they were allowed to share screentime.

And while we're gutting the sequels, how about letting the hero's victories actually fucking matter. Luke gets to actually reinvigorate the jedi way and doesn't have all his victories ripped away in the name of sequel bait, and can serve as an extremely powerful but very busy Jedi Ex Machina who turns up in the darkest hour to save the day, Mandalorian-s1-finale style. The Empire doesn't just get magically replaced with Empire 2, Now With Less Charisma, let the threat be something actually new or a natural consequence of a newly liberated galaxy in sudden turmoil - feudal tyrants ruling over planetary fiefdoms squabbling to fill the Emperor's power-vacuum, more sith lords coming out of the woodwork now that their greatest rival is gone. Leia and the other rebel leaders struggling to reinstate some semblance of democracy in a scarred and shattered galaxy too accustomed to the crushing totalitarianism of the empire. How goddamn unoriginal to start a sequel by undoing every happy ending from the original series for retreaded drama, as if the universe could only ever hold three problems in it.

[tackykachowch]

Okay, here it goes. So, there's been this one thing that I was thinking about for quite a while. Almost a month, actually. Yes-yes, you guessed it, it's about s2 again. BUT!! With a twist. Let me show you what I mean

S2 introduced us to the (terrible) Vander's "apology" letter, a(n awful) flashback in The Last Drop, and the main element of our tonight's analysis - a (horrific) True Reason™️ for Vander and Silco's split up. In it we can see Silco throwing a molotov at enforcers and that led to F*licia dying. This enraged Vander and he tried to kill Silco. And what's wrong with that, you ask? Well, that was what I was asking myself as well. Because no matter how hard I thought about it I couldn't find a valid reason Why this feels wrong to me. So I went "Welp. Fine. Some things I just don't personally vibe with" but THEN. It Finally Hit Me. The thing that bothers me about this "reason" the most is the thematic dissonance.

Let's start from the very start (again). In season 1 ep2 Silco tells Deckard that "there's a monster inside all of us". See? This is a key phrase here. "There IS a monster inside all of us" meaning that no matter who you are, a hero or a villain or something in-between, there's ALREADY a living monster inside you. Let's take a look at a couple of examples. Vander let his monster out for a long time, hence why he became "The Hound of the Underground", but it didn't bother anyone since he was "the good guy" beating "the bad guys" up. Jinx showed her monster a little since she was young, and we can see it in how she was trying to make a working bomb with needles in it, but nobody paid attention to it since none of them worked. Deckard's monster was out and proud, but everyone was mocking him because he was weak. Mel let her monster take over her thoughts when she wanted to make Piltover her greatest creation no matter the price, even when the price was the lives of countless Zaunites. I think you get the picture. But why then Silco, the character who introduced us to this theme Himself, couldn't have one when he was young? What is the purpose of making him completely innocent? To make us sympathize with him more? Well, that's certainly a cheap trick, because people who wanted to emphasize with him already did so since season 1, and those who didn't probably won't do this even after the flashback. "Corrupted innocence" is not a bad trope, but like I showed with previous examples, it doesn't really mesh well with Arcane's world and other main characters. So, why not make it so Silco started to slowly let his monster come out to the surface, but Vander was so terrified of it that he decided to kill it no matter what it took? Because remember, the way Vander tried to kill Silco was EXTREMELY violent. It is very likely that he didn't want to take any chances with what he wanted to do.

Well that's all good and sound, you can say, but something isn't quite right here. Isn't the season 1 finale's title "The monster you created"? Why, you're completely right, my dear friend who is the other part of me I let to speak. But the thing is, these two themes coexist with each other, and moreover, they CAN'T exist without each other. There Is a monster inside all of us, ever since we're born really, but as we grow up and experience new things and meet new people more of these monsters can be created, or it can fuel the existing monster to become bigger and bigger (which still counts as creating tbf). Let's look back to the examples I provided earlier. Jinx was a little violent when she was a child, but then she experienced betrayal, grief, resentment etc, and they became her monsters as well, finally fusing into one in season 1's finale. Deckard's monster required only a little more power to become really terrifying. But there are a couple of characters who behaved themselves differently with their monsters. Because even tho there is a monster inside us, but like Victor said: "There's always a choice". You can love and nurture the monster, encourage it to become bigger and bigger, or you can try to ignore it, to seal it deep within yourself, until it finally bursts out, or you can accept it, live with it at peace and not let it influence you at the same time. That's precisely what Silco, Vander and Mel did, exactly in this order. And that's what makes the story all the richer and interesting, because characters deal with the same situation very differently.

So after all of this bunch of text I can finally and confidently say: s2's explanation for Vander and Silco's falling out is complete bullocks. Not only it cheapens the conflict between them itself, but also robs Silco and the story overall of their complexity and separates them from one of the main themes introduced in season 1. With that, dear audience, I bow out. Have a good night

[wanderlust-in-my-soul]

Currently Watching - October

aka The Masterlist

Because I love a good little list - in alphabetical order! 😊

Regularly updated during the month, latest update 29.10.2024

A little link to my favorite bl-tropes-collection 💙

gif-requests are open, but you'll need to have some patience🌼

Here you can find all of my gifs.

At the end you can have a look at what we can expect in October with a MDL link and a link for a trailer (if avaible).

This is guaranteed to contain spoilers!

1. Bad Guy My Boss 🇹🇭 (6/12)

I must admit, I have no clue what I am watching here. What is their problem? Why can't they just talk to each other? What is their past relationship? And why is the bad boss so mean? Why is he always angry? What are those dreams? And do I think bad boss is attractive? I don't know. Every time he doesn't speak, doesn't really act and just sits there and looks at something without anger in his face, I think that is such a beautiful young man. Every time he acts as the boss and talks or stares angry into the void, I think there is something off. Questions. I have questions... One thing from this week's episode I can say is, James looks like a good kisser. He puts effort in those scenes. Wish he had a more comfortable partner...

2. Every You, Every Me 🇹🇭 (4/8)

I am so in love with this series. It tingles all the right spots of the romantic parts of my brain. The concept is so great. Every week we can see those two fall in love with each other. I love seeing people fall in love with each other. And we don't have to wait for weeks for them to admit their feelings. This weeks (and with that last weeks, too) story was a weaker one for me. I knew he was going to die, so the emotional impact was not really there for me. But we got a really beautiful love scene, which was nice. And I hope next week's episode is a little bit lighter.

3. Jack & Joker: U steal my heart! 🇹🇭 (8/12)

I loooove this series so much! We finally get some comfort! But don't get yourself fooled! This episode is heartbreaking! Jack is drifting more and more towards the dark side while he still tries to help everyone, but himself. He willingly offers himself to the devil just so everyone else around him is safe. And Joke... his dad... out of personal reasons this scene hit really hard! It made me sob uncontrollably. But in the end they played the truth game and grandma won and those two were finally cuddling! They are finally back on the same page! I love them. And I love the grandma. She is their biggest fan and I am hers!

4. Kidnap 🇹🇭 (8/12)

I don't know what this episode was. It was so messy. It felt so incoherent and rushed. Like a filler episode to provide that people keep watching, because we finally got some sexy time. I am honest, that wasn't the greatest sexy time. But they are back together and happy. We are on episode 8, so there are four more episodes for drama. Next week some jealousy and I guess with end of episode 10/episode 11 shit will hit the fan. So I am not that mad we got this honeymoon phase now. But it felt really off.

5. Let Free The Curse Of Taekwondo 🇰🇷 (4/8)

I am devastated... This show knows how to hurt me. Our boys got like five minutes peace and happiness until everything went to shit. And they are so happy together and it looks so good on them! And I know want to know what happend in the past twelve years! And I want them to talk and to find closure. At this point I wouldn't mind them not getting back together, but just give each other peace and closure! Until then I am living in this scene!

6. Word of Honor 🇨🇳 (20/36)

Do you still believe I'll come back to this one? It is a really good series, but I can't motivate myself to dive into it right now 🙈

Finished in October

Series

I Saw You In My Dream 🇹🇭

This series was cute. It was just a slice of their lifes with a bit of a fantasy element to it. I really liked the relationships. Not just the main couple, but the friendship and the family bond. All were nice and lovely. The dreams were an interesting element to build the series around. I liked the idea. But mostly, I really enjoyed our main couple. They were friends and so their relationship based on that. It was a very healthy relationship and the series just showed them as a fresh couple, who couldn't keep their hands from each other. That was refreshing. The acting was not the best, but it was okay for me. I give it a 8 out of 10.

First Note of Love 🇹🇼

I don't know. I never really got a feeling for this series. There was no real chemistry between the mains. It felt more like brothers to me. That is my personal feeling. The story was okay, but not that special to me. The acting was good. So for me this is a series I won't come back to in the future, but I think people might really like it, because it is cute and quiet. Just a 6 out of 10 for me.

Love In The Big City 🇰🇷

I really needed some time to think about this series. It is not a bl series. It is a queer drama about queer people living queer lifes. We accompany Ko Yeong while he stumble through life and affairs. We witness his happy times, his heartbreaks and his darkest times. His friend group is so splendid and I love and miss them. They are there when he needs them the most and that is so important for me. It is a very realistic story, told in a beautiful, cautious way, acted with so much talent and passion. As a consumer of a bunch of different queer media, I have seen almost every ending in history of queer drama. This one is not a sad one. It is a hopeful one. Our beloved Ko Yeong finally understood what he wants, what his heart wishes for. He is still heartbroken, but he seeks love and in the future there is hope he will find this love again. He started a new chapter of his life and is only at the beginning of his self-love-journey. There is so much more to come for him. This series really touched me deeply and I can't stop thinking about it. A clear and strong 10 out of 10 for me.

Movie

As Long as We Both Shall Live 🇯🇵

I loved this one. I didn't understand what exactly was going on in the end, but the story and the romance was so good. A little bit of Cinderella in there and I love a good old fairy tale. And this really felt like one. The love between them was so pure and it developed so naturally. And the magic system was interesting, but I really wish we had more insight in what was going on. Or I am just not capable of getting it... A really strong 9 out 10 for me.

Short Film

Dropped in October

Uncle Unknown 🇹🇼 (3/12)

Yeah... no. This is juts bad. I won't keep watching this. I don't want to give this series any more of my time. I watched low budget productions and I am really fine with most of them, because there is a story that wants to be told. But this here is just a mess. I have no clue what is going on or who these people are and at this point I really don't care anymore. So, yeah, dropped...

Looking forward to in October

Heartstopper - Trailer (Oct 3rd)

Fourever You - Trailer (Oct 3rd)

Uncle Unknown - Trailer (Oct 4th)

Every You, Every Me - Trailer (Oct 6th)

Eccentric Romance - Trailer (Oct 10th)

High School Frenemy - Trailer (Oct 14th)

Taming The Bad Guy (Oct 15th)

Let Free the Curse of Taekwondo - Trailer (Oct 17th)

Pluto - Trailer (Oct 19th)

Love in the Big City - Trailer (Oct 21st)

See Your Love - Trailer (Oct 23rd)

See You (Oct 25th)

Blue Canvas of Youthful Days - Trailer (Oct 26th)

Perfect 10 Liners - Trailer (Oct 27th)

Stealing from my CEO - Trailer