#tricky mysterious

[lilyisatiger]

Please ignore that this is late ty guys 🩷🖤

[opikiquu]

[iamhereinthebg]

Hey! Just a simple question but are you planning to still post on this blog? I miss your art

Have a good day!

Heyaaa

dsjhs thanks this is really sweet TvT!

I will probably drop stuff from time to time, I've been reading tbhk since more than 5 years now and I just can't let it go entirely (especially if the mysteries are involved :')) which.. doesn't happen a lot but hey it will come back right?....)

I honestly have near to 0 interest in the new arc rn (I just want any of the mysteries sans Hanako/Mitsuba rip) and I don't have much time :00 if I doodle some stuff I may drop them if I think to do so yay

I am doodling the mystery kids rn so this one maybe

Once again thanks this makes me really happy to readthat ToT

ps: I am unable to do a blog with every type of fanart/art I do, I need to separate them but I may create a new instagram for everything else so I will drop it if I do it if some people are interested yay

[mahmhuxleyau]

Suspect 17: Insufferable bitch (JK Kai ily)

Status: Very suspicious

Last Seen: Watching Hugo and Ivy fight with amusement, probably getting ready to tattle on them.

“Oh well. RIP Izzy I guess.”

—————

Darling-Pretentious-Reticent-Cautious-Eager-Cunning-Troublesome-Elegant-Daring-Peculiar-Worrisome-Slick-Placid-Chaotic-Nonchalant-Hesitant-Tricky-Peaceful-Cantankerous-Calculating-Jubilant-Prosperous-Charming-Reckless-Helpful-Caring-Gleeful-Mysterious-Wholesome-Snooty-Gentle-Whimsical-Mischievious-Silent-Pleasant-Malicious

Kai belongs to @mattdrawssometimes!

[toastereno]

here's my piano cover of "tree of life - roots" from super mystery dungeon! aka one of the most godlike dungeon themes ever

(didn't have time to draw for this one unfortunately 😔 i might post an art for it sometime later)

[greatmuldini]

The original “substrate” - the bottom layer - provides the plane and the body of Rex Reason, which must be joined up with the head of Nelson Brenner as he would have looked “15 years ago” (i.e. in 1960). The picture chosen to represent the facial features of the younger Brenner (though not his hair) is a 1965 portrait of the actor Patrick McGoohan, as he appeared in an episode of Danger Man (Loyalty Always Pays). Aside from the incorrect age gap, the new head is too large for its adopted body and sits uncomfortably on Rex Reason’s shoulders at an anatomically impossible angle (with barely a neck to speak of).

The contortions do not end there, however, as the youthful image of Nelson Brenner must clearly display his receding hairline – the third layer to be added to the composition. For the “enlarged” close-up that Columbo presents as “evidence” in the final “gotcha” scene, the hairline was completely redrawn with a new left-sided parting, and the entire image inexplicably rasterized. No changes were made to the face itself, its size or its angle in relation to the rest of the body.

For the fifth and final transformation, Columbo’s “photo guys” went to work on the close-up and added features from the description that their witness gave them of the mysterious “operative” (code)named Steinmetz – and young Nelson Brenner, already follicly challenged, becomes an elderly gentleman, bearded and bespectacled, who is peering at the onlooker from underneath a set of bushy white eyebrows topped by the shiny expanse of his formidable forehead. (3/4)

[homosexualslug]

when you get an email notification that the writer of the peeta's games fic trilogy just started posting a haymitch series (x)

[lynxgriffin]

If you don't mind, can you draw Berdly and Noelle having a romantic moment? (I ship them)

I figure if they were to bond over anything, it'd probably be video games!

[pa-pa-patato]

Hc

fey and angels are somewhat related And therefore both can’t lie well fey can’t lie Angels put themselves through a series of magical experiments to be able to lie for a little way After some time the ability to lie became stronger and stronger until eventually they completely rid themselves of the inability to lie

[nobodysdaydreams]

Name Meanings:

Molly - "bitter"/“star of the sea”/"beloved"

Maeve- “intoxicating”/ “she who rules”

Emily- "Rival"/"Laborious"/"Eager"

Abigail- "My father's joy"

Audrey- "strength"/"honorable"

Paige- "assistant"

Charlotte- "free"

[ccaptain]

As a Support, I figure that Kaeya's main gimmick in-game is to apply Ice, his element, to the enemies. He can do this in two ways:

- With his Skill, he summons daggers made of Ice and performs a strike on the opponent. Upon being hit, the enemy gains Ice weakness - His Ultimate is an AoE, mimicking the fact that he sometimes passes himself off as an Erudition pathstrider: he applies a status named Beneficiary Glaciation, a thick icy mist engulfing the battlefield that increases Break Efficiency for his allies for as much Break Effect % he has. For every 50% over the 150% Break Effect, the effect of Beneficiary Glaciation will increase of 1 turn, for a max. of 4 turns. Beneficiary Glaciation also applies the beloved Freeze effect to random enemies on the battlefield. The higher his Effect Hit Rate %, the more enemies he has the chance to freeze. Addictionally, once the enemies defrost, those afflicted by Freeze will have their shield(s) broken.

Needless to say, he must be built entirely in Break Effect and Effect Hit Rate for him to be a very good support. My man won't be a DPS today, he only helps.

[markiafc]

to fulfill my promises to @ananeiah and to expound on @seventh-fantasy's post, there are many conceptions of enlightenment. because buddhism is a massive and old religion with a very robust canon, enlightenment goes by many names, it's articulated and imagined in many different ways. let's play the game of how many of them are adopted by the show...

popular metaphors that embody enlightenment include a refuge, a flame going out, or a firm island - because this world is often described as an ocean. all human beings are floating in the 生死苦海 sea of rebirth and suffering. to escape it, one must make their way to the island or to get on a boat. mahayana buddhism (aka. chinese buddhism) is literally named 大乘 the great vehicle, the primary idea being that enlightenment = to board a vehicle of transport, it will take you away. however, buddhism doesn't just envision this as an ambiguous vehicle. 乘 the vehicle specifically refers to a 船 boat.

the mortal world and the cycle of suffering is a sea and the way out is enlightenment, envisioned as a boat.

an extension of this is the concept of 彼岸 the faraway shore (alt tl: the further shore, the distant shore, the other shore, or at times the opposing shore). it draws on the same notion of 苦海 the ocean of suffering. to achieve enlightenment is to swim to shore, where there is finally safety and stability, free from suffering. this is why the euphemism for enlightenment is to 度到彼岸 reach the faraway shore.

此岸 this shore, is this ever-changing world full of agonies. you wade across the 苦海 sea of suffering, and reach 彼岸 the faraway shore. this is enlightenment.

as @seventh-fantasy depicts in this post, the final shot of ep 40, and as seen in the bonus ep 40.5, this is where llh is. ep 40 ends with the camera moving further into the distance, moving further into the sea. and the bonus ep 40.5 makes it clear again that lxy/llh has found his way to a different beach. llh has crossed the sea to another beach. he is on another shore, the 彼岸 faraway shore, far from 东海 the east sea where everyone else is.

let's look even closer at this.

enlightenment is also conceived as a place: 淨土 the pure lands, 极乐世界 the realm of greatest bliss, and so on. one of the geographical markers of this idea is 西 the west. this "land" accessible only to the enlightened (佛 buddhas, 菩萨 bodhisattvas, and 阿罗汉 arhats) is also dubbed 西方淨土 the western pure lands and 西天 the western heavens, etc.

enlightenment is imagined to be westwards. the opposite direction and away from 东海 dong hai = the east sea. where the story began and lxy famously plunged into; he fell into the 苦海 sea of suffering located in the 东 east. from this starting point, llh makes a meandering journey to his final location in the show. he makes his way 西 west, towards enlightenment, and reaches a 彼岸 faraway shore, the enlightened "after" and what is beyond.

now that we're on the topic of the pure lands, it's worth mentioning that this concept is furnished with a lot of descriptions in buddhist sutras. it is a beautiful, glorious land brimming with lotuses. because, of course, the lotus is yet another ubiquitous image that represents enlightenment.

the lotus position is crucial to the buddhist practice of prayer cultivation, especially in 禅宗 zen buddhism that is built around the central practice of prayer. lotuses are motifs in buddhist art, and buddhist myths (the legend goes that lotus flowers bloomed under the buddha's feet when he took his first steps as a child). people practicing buddhism are referred to as 莲友 lotus friends, 芬陀利花 the white lotus is a synonym for the buddha. lotuses are also integral to buddhist canon; the pure lands are detailed to have seven 宝莲池 treasure lotus ponds. every buddhist has their own lotus waiting for them in the pure lands; it is believed the more you cultivate, the more your bud in the pure lands grows/blooms.

of note, every living thing residing in the pure lands are made from lotuses. in fact, buddhist canon states that the enlightened are reborn inside a lotus bud, similar to an incubation. their new body is reconstituted from lotuses and they emerge anew when the bud blooms. crucially, it is also stated that every enlightened in the pure lands will have 莲花座 a lotus seat. this is a vehicle of transport, usually likened to the magic carpet from one thousand and one nights. it is described as 随心所欲、飞翔自在 something that acts after your heart's desire, something that flies free. the lotus seat is about boundless, freeing travel.

this isn't comprehensive at all, there are tons of other ways lotuses come up throughout buddhism. but the connection to the show is straightforward and self-explanatory. the primary motif in 莲花楼 mysterious lotus casebook is the lotus - a famous marker for buddhism itself. one of the dominant illustrations of enlightenment, the cultivation process to achieve it, and enlightened entities themselves.

the buddhist notions of rebirth are similarly heavily intertwined with the lotus. it is your body; you become it, it becomes you. from then on, you are surrounded by its image and its presence. you even have a lotus vehicle that becomes your main method of travel, a mode of travel defined by carefree contentment. sound familiar? llh's identity and his living carries major markers of enlightenment. it is one of the primary concerns of his character arc.

quick detour. a prominent moniker for enlightenment is the setting of the sun, as yet another epithet utilized by the drama.

detour over. crazy connections time.

discussions of death and suicide is, to my knowledge, particularly prominent in japanese buddhism. but as a whole, a significant portion of buddhist canon and a good number of buddhist media deals with this too. dying as a means to get closer to enlightenment, equating death and enlightenment, the subject of suicide itself. characters seemingly pass away and become enlightened, or characters strive for death with this express purpose as death is connected to enlightenment. this is true. one does not necessarily cause the other, but the concepts are interconnected in buddhism. it comes hand in hand, dissecting one means dissecting the other and vice versa.

most buddhist texts and masters do not condone a direct correlation, suicide is not the way to enlightenment. there is no buddhist value to killing yourself. but the key exception lies in one of the most important buddhist texts: the lotus sutra.

"These include several themes dealing explicitly with death, such as how suicide was committed to speed up rebirth in the Pure Land based on the sanctioning of voluntary death as a superior form of sacrifice in Chapter 23 of the Lotus Sutra ..." [1]

the chapter 23 in question talks about a bodhisattva who turns himself into a human candle and burns himself up, in offering to the buddha. there is more to the story, but it mainly functions as a lesson about cultivation and enlightenment.

in the canon about buddhist suffering, there lies a subset dedicated to physical pain and torment. there is a heavy focus on our 5 senses, specifically (that's a whole separate topic i won't go into here). very briefly, to suffer is to experience the world through our 5 senses. to live as a human being is to suffer in a sensory way.

buddhism aspires to transcend this flesh and blood suffering. so annihilation of one's body is an essential step to achieve enlightenment. usually, this theory centers natural death and decay. you accept that you are always aging, your senses will lose their edge, your body is always subject to illness, injury and other failings. let the body waste away, it will do so regardless.

hence, the human body is set on a course of gradual deterioration. this suffering is processed through our 5 senses and is defined by them. in the face of this, the lotus sutra is the only notable buddhist text that looks kindly upon "voluntary death" to transcend it.

similarly, llh accepts the effects of bicha on his body. it mimics the natural decline of the human body, accelerating the degradation of his senses, his immune system, and his physical capabilities in general. his experience of this form of suffering is also emphasized through a period losing his sense of sight. it is a very buddhist torment. but at the end of the day, it is still a man-made, unnatural cause generating this effect. accepting this is not the same as accepting 生老病死 death via age, sickness and other natural processes.

llh embodies the sentiments and themes in the lotus sutra when he consciously chooses to let bicha run its course. he chooses to die, it is a "voluntary death". let this destroy his body. let this suicidal choice (though its more nuanced than simply suicide imo) free him from buddhist physical suffering. thus bringing him closer to peace, a version of himself that will be happier.

finally, enlightenment is about ambiguity.

凡人 the common people are incapable of comprehending enlightenment. it is understood that the human senses and the human mind is too inept and unrefined, too clouded by illusions, to grasp it. there are a million ways to express it, depict it, and name it. but there is a consensus across buddhism that these are simply aids for the common student of buddhism, and they are not accurate to the truth. at the core of enlightenment is an abstraction, an inherent unknowing.

it is, by definition, a departure and a continuation. it is a removal from this world and a transition into another place, another realm. all at once, the phenomenon straddles a greyness between an ending and a beginning. it is unclear whether the enlightened has left, or is it the common man who is so lacking he cannot recognize or even perceive the enlightened? in the theory of enlightenment, buddhism accounts for both factors. but we will never know for sure.

where do the enlightened go? where are they, where have they gone? these are questions buddhists often ask and explore, and it is also the question that the remaining cast engages with. what is enlightenment, exactly? there is a suspicion, some notion of what must have happened. it might be death, it might not be. only the enlightened can answer this, everyone else is left without clarity.

in the end, the seekers get close to the answer but there is no real fruition. and so the search lasts indefinitely.

that, too, is part and parcel to enlightenment.

as for how enlightenment narratives function, i leave you with this.

"Nirvana provides the full stop (period) in the religious story; it gives what one might call, to use Frank Kermode's well-known phrase, "the sense of an ending" - that is, a real ending and not a mere breaking off. Such an ending is only possible within a narrative.

[...]

Nirvana, I want to suggest, is a moment within a discursive or practical dynamic, a formal element of closure in structure of Buddhist imagination, texts, and rituals. One might say that nirvana has primarily a syntactic rather than semantic value: it is the moment of ending which gives structure to the whole. The fact of narrative structure and closure provides a meaningful and satisfying resolution, although in itself nirvana has merely the formal value of a closure marker.

[...]

Earlier I called nirvana the full stop (period) in the Buddhist religious story; now I can add that it is a full stop in an eternal story, a full stop which brings closure to individual lives in a master text which itself can have no final ending." [2]

Sources:

Tragedy and Salvation in the Floating World: Chikamatsu's Double Suicide Drama as Millenarian Discourse by Steven Heine ↩︎

Nirvāna, Time, and Narrative by Steven Collins ↩︎

[mars-ipan]

kinda funny when ur brain’s gut instinct is repression so you just kinda watch while your stress and emotions get bottled and corked and the whole time ur just like “that is going to bite me in the ass so bad later but i can’t seem to open the damn bottles without getting glass everywhere so! guess we’ll wait”

[carewyncromwell]

"No more, the crap rolls out your mouth again! Haven't changed -- your brain is still gelatin! Little whispers circle around your head... Why don't you worry about yourself instead!?"

~"Holier Than Thou" by Metallica

x~x~x~x

[transcribed from art, for easier translation]

Olivia: Cool your jets, Jacob, that prat isn't worth it. Duncan: Better to get back at Lockhart when there isn't a Hall full of witnesses around. Olivia: Not helping, Duncan.

x~x~x~x

Happy belated birthday, Jacob Cromwell!

In celebration (?), I thought I'd salute one of my personal favorite headcanons about Jacob that I haven't had much of a chance to explore...namely, that Jacob shared a dormroom with the one, the only Gilderoy Lockhart!

Yes, as you can imagine, Jacob hated Lockhart's bloody guts. 😂

Really, though, it wasn't hard for Jacob to hate Lockhart when that "toothy prat" would act like the smartest guy in the room and yet cowardly avoid any challenges or duels that could contradict that overly shiny self-image Lockhart had of himself. Old Gilderoy was also prone to grab more attention from female students than Jacob did, even with his ridiculously puffed-up ego, for his good looks and (marginally) better people skills. Oh yeah -- and then there was Lockhart's attempt to marginalize Jacob, Duncan, and Olivia's hard work dealing with the Cursed Vaults terrorizing Hogwarts by acting like he'd suspected how to break each curse all along and (even more insultingly) insinuating that it was really him who'd instructed the three Cursebreakers in the methods they'd used to break them. Lockhart even brashly reiterated this one infamous Valentine's Day in his and the Trio's fifth year when he received 800 Valentine's cards and presents (which, as it turned out, were all from Lockhart to himself) --

" -- such beautiful gifts and cards! No doubt from fans both across and outside Hogwarts itself! They must've heard of my heroic efforts toward helping break the curses on the Cursed Vaults! Taught Duncan Ashe everything he knows about puzzle solving...and poor Miss Green was clueless in dealing with those boggarts until I showed her the proper method! And those Acromantula, ho ho...I daresay our favorite Cursebreakers would've been helpless in communicating with those beasts, if it weren't for me teaching Jacob some basic phrases..."

Even if his friends successfully held Jacob back physically, they didn't stop him from verbally tearing into Lockhart.

"'TAUGHT ME SOME PHRASES?!' Acromantula are capable of HUMAN SPEECH, you brain-dead numpty!"

Ultimately Lockhart's little stunt came to an end when the Great Hall had to be cleared of students so the teachers could properly deal with the 800 owls and their 800 packages and letters cluttering up the room. Lockhart's interest in stealing credit for dealing with the Cursed Vaults waned for a short time after Olivia's disappearance, Duncan's death, and Jacob's expulsion, but came back in full when Jacob's sister Carewyn likewise had to deal with them. Fortunately Lockhart failed to collect enough information about Carewyn's adventures to take credit for them and was forced to retreat with a very basic Memory Charm as his goodbye before she or her date Andre Egwu could put together his true intentions. And more fortunately still, about six years later, Lockhart got his just desserts when all of the lies he told to score cheap fame and success came to light.

No one was more pleased when the world finally conjured up enough brain cells to see Lockhart for the idiot and fraud he was than Jacob Cromwell. And ironically enough, the world had also finally conjured up enough brain cells to see for who Jacob really was by then -- not a delinquent as so many had presumed for so long, but an eccentric, brilliant wizard with iron-clad loyalty, incredible magical talent, and a heart as brave as Lockhart's is cowardly.

[thevalleyisjolly]

Been working on a fic about the Doctor having once been a parent and yet it's somehow ended up as a character study focusing on the Doctor as an aroace character and how that shapes the way they negotiate and see their relationships (of all types).

[micamicster]

Mysterious lotus casebook really scratches that specific case-of-the-week itch for me