#transgenders your characters - says the brain

[thatneoncrisis]

griddlehark situationship can be sooooo. it makes me gnash my teeth. their weird ways of saying sorry vs gideon's relief when they're back to bickering bc its familiar. harrow's genuine discomfort at being called a tar pit but just. not knowing how not to be. and also being snippy the more adjectives are added.

also loved how you got other characters in as well (we suffer as dolores was my favourite)

question: what did harrow mean when she said the light had dimmed?

the tar pit bit was fun to do, im in my bojack rewatch era and that series has done a TON of chemical changes in my brain re writing about toxic characters and grief and whatnot. this whole things feels like a loose homage to free churro, just like the grappling of loosing a relationship with your mother than you never even had, and never will have

picking we suffer and wakes new names was fun. im kind of iffy on changing characters names into more normal ones but i think i jsut have lingering resentment from homestuck. kevin vantas i will always hate you. i really appreciate it when its like thought out or a pun, like the fic You Just Ain't Recieving has the angel called d'angelo and thats awesome like bam perfect name. so learning dolores basically means sorrow in spanish was kind of perfect for a woman named we suffer, and frankly i just kind of lucked out that te wake is like an actual last name. pash's excuse is that shes transgender shes just literally named passion and they all live with that

in regards to the actual question you asked its pretty simple- harrow is extraordinarily bad with people. especially people in delicate emotional states because their mom is dead and their life already sucks on top of that. normally, when harrow says something bitchy or callous to gideon they can just go back and forth, spar for a while it doesnt mean anything. but gideon isnt bouncing back anymore. when harrow is mean to her she just kind of sighs and withdraws. and its not just like, the dead mom thing. its been happening for a while. its just getting less fun. arguing isnt a game anymore its just arguing. theyre getting older and things are changing between them, and harrow is recognizing that change but she doesnt know what to do, because shes just kind of a mean person. gideon doesnt smile as much, harrow conceptualizes her as this very big radiant personality and shes just. not. shes complicated. shes depressed

[rhaegars-cervix]

34 What’s something people get wrong about your favorite character?

everyone is constantly so wrong about rhaegar all the time (the very nature of a character that’s only remembered through other characters’ biased memories upholds this) but it bothers me the most when people reduce their personality to cocky arrogant prince bc that makes no sense. you see a character who’s depressed, abused and full of survivor’s guilt and manage to make up a personality for them that’s just ‘overconfident guy with a guitar’. rhaegar takes no pleasure in believing they’re the prince who was promised it was programmed into them from infancy, they’re the cult leader but they didn’t just make all that shit up for self gain…

also. she’s not fucking arthur dayne

[funnierasafictive]

Hmm, yes you say this character is cis and uses he/him pronouns well she told me itself that it uses she/it and is transfem

points. exactly

[rainbow-glittery-gutz]

if u come at me with a "source" on endos that mentions being transgender, tulpa, or even the word sysmed

im not fucking reading ur source

CDD is NOT comparable to being transgender AT ALL

tulpamacy is a CLOSED PRACTICE

and SYSMED IS ONE OF THE MOST TRANSPHOBIC TERMS IVE EVER SEEN AND NO ONE FUCKING LISTENS TO US TRANSGENDERS WHEN WE SAY IT.

you CANNOT BE TRANSPLURAL. thats NOT how disorders work

you CANNOT make the brain randomly start splitting. CDDS develope AS A CHILD

THEYRE A FORM OF PROTECTION. DID IS YOUR BRAIN BEING TOO OVERWHELMED AS A CHILD TO HANDLE TRAUMA THAT IT PUTS UP AMNESIA BARRIERS TO PROTECT ITSELF. NOT SILLY CHARACTERS IN YOUR HEAD.

ALTERS ARE NOT THE ONLY SYMPTOM OF DID.

and even if in the slightest chance you can have alters without amnesia and trauma, it is NOT CDD

reminder that in the dsm5 it literally says "if the symptoms are caused by a religious practice, or reported not caused by trauma, DID should not be diagnosed"

"oh but doctors are studying endos" THATS LIKE 2 DOCTORS COMPARED TO A MILLION OTHER PROFESSIONALS AND RELIABLE SOURCES STATING OTHERWISE. YOUR SOURCE IS BULLSHIT

[tinfoil-jones]

Tate Pines AU 

(aka Tater McGucket is an oops baby Fiddlestan kid)

Note: LONG POST. This is me hyper fixating on a brain worm because the Gravity Falls Fandom roared back to life. This is probably misspelled in a lot of areas, and not the clearest or most concise post because this is me rambling at 2 in the morning. Also the characters are maybe OOC. Also, this is written without accents because I'm not from the Midwest or southern United States.

In this AU/Scenario, Stan is a transgender man, and 'encountered' Fiddleford during his vagabond years. It was a heavily drunk/high one-night-stand, so they never properly met or even knew each others names. This happens after Ford graduating Backupsmore University, and for this scenario to work let’s say that Fiddleford went to BMU for his undergraduate program, but then went to the local university in Palo Alto for his graduate studies.

Years later, just like in the OG show Fiddleford is Stanford's research partner in Gravity Falls, and married to Emma-May Dixon; but they don't have any children together at this time, and they got together *after* his encounter with Stan. So this isn't an affair baby scenario.

Tatum "Tate" Pines is 5 years old, living on the road with his dad, currently staying in a motel but they're about to move into a real apartment for the first time ever because Tate needs to start school soon. Stan is still a drifter and a con man, but he recently came upon a large sum of money because Tate accurately guessed the lottery number for the state they were currently in.

Stan still receives a postcard from Gravity Falls that says "Please Come", and is allegedly sent from his estranged Twin who he hasn't seen in almost 12 years. But this is roughly a few months before it would have happened in-canon.

Given Stan's disownment, no one knows that he even has a son, not even Ma Pines. Not like he'd want them to know. Having his own son and loving him unconditionally made him realize that his own dad Filbrick was a monster, who he didn't need to prove himself to. But he still wants to reconcile with Ford, so he decides to go just like in canon.

This post card, however, wasn't sent by Ford. It was sent by Fiddleford, who was watching Ford spiral in real time and hoped that if anyone could convince Ford that he was acting crazy and unstable, it was his twin brother.

While Stanford doesn't greet Stanley with a crossbow like in the original because this is before the portal test with Fiddleford, he's definitely shocked to not just see Stanley there, but Stanley with a tiny gap-toothed child in tow.

Stan doesn't know that Ford wasn't expecting them, and excitedly introduces Ford to his nephew.

Ford: Stanley, are you sure this child is yours? Stan: ...Ford, did you forget we're not identical twins?  Ford: ...Oh! Oh my, Stanley... Stan: *thinking* 'I don't know if I'm touched that you don't see me as anything other than a man... or insulted that you forgot something so fundamental about me'

Flabbergasted, Ford lets them both in; Fiddleford is welding something downstairs so he doesn't see or hear any of this. Ford plants Tate on the couch in front of the TV and practically drags Stan to the kitchen to talk to him privately; he's too surprised by Stan having a child to question why they were there in the first place.

Ford: Is there a... another parent..? Stan: ...It's just me and Tate. Always has been. Ford: How did...? Stan: I didn't plan a pregnancy... but I had no money for T-shots for months on end, and without the T, everything down stairs went to factory default.  Ford: Do you know who it is? The father- I mean, the other father? Stan: Not exactly, some southern guy, don't think I ever got his name. Ford: What happened? Stan: Funny you should ask. (FLASHBACK) Fiddleford, high out of his mind: -and that's how I won a golden fiddle. Stan, drunk out of his mind: That's crazy, dude. *grabs him aggressively by the shirt collar to pull him close* Now shut up and fuck me until I can't walk. Fiddleford, horny out of his mind: Hoo-whee, well don't you diddly-darn mind if'n I do. (END) Ford: Stanley? Stan: Hmm? Ford: Are you okay? You just said 'its funny that you ask', and then stared off into space for 10 seconds. Stan: Let's just say I never touched tequila ever again.

Eventually, Fiddleford does come upstairs when he notices Ford didn't come back downstairs, and see's the brothers in the kitchen just as Ford asks Stan why he even came here.

Fiddleford admits it was him who sent the postcard, that someone needed to 'talk some sense' into Ford, and then introduces himself to Stan.

While Stan isn't perplexed by Fiddleford because he was too drunk to remember a face- Fiddleford, who has very good memory, immediately knows he met Stan somewhere, he just can't quite place where, when, or why.

Ford does show Stan the portal, saying it's his life's work and he'll need to test it soon, and casually asks Stan if he wants to stay and help. Before Fiddleford can protest that's a bad idea and Ford should just stop, Stan agrees because he wants to reconnect (and also keep a roof over Tate's head, what were the chances they'd win another lottery?), it did hurt his feelings that Stanford hadn't reached out out to him after all, but maybe they could work on that.

While Ford hasn't exactly forgiven Stanley for the science fair incident, he can't just let his brother, a single father be homeless with a five-year-old (Stan had to drop the lease with their intended apartment to come to Gravity Falls). And... well, Ford gets attached to Tate quite early:

Tate: ... *staring at him* Ford: Can I help you with something, Tatum? Tate: Uncle, is your name "Stanford"?  Ford: Yes, but if you prefer you can call me Uncle Ford. Tate: Oh. Okay. It's funny, Stanford is my middle name. *later* Stan: Kiddo, why has your uncle been sobbing in his room for the past thirty minutes? Tate: *shrugs*

Not realizing the gravity (hehe) of the situation, Stan gets settled in the house and helps Ford and Fiddleford where he can (usually just moving heavy objects or punching paranormal creatures, or forcing Ford to shower). He does notice that Ford seems a bit... unhinged, and weirdly obsessed with some new geometry based religion, but people change after college right?

He does get unnerved by Fords weird episodes where his personality seems to shift and he goes into town to act like an absolute menace. Stan can't help but think that isn't Ford; its been years since he saw him but damnit he knew his brother and whatever entity possessed him just to slap a cops belly, *that* was not Ford. But Ford always brushed him off when he tried to bring it up, and one time 'Ford' even coldly reminded Stan that he could remove Stanley and his son from the home at any time if he wasn't going to be useful.

During this time, Stan and Fiddleford get to know each other, they get along quite well actually; Fiddleford is fond of little Tatum, who along with Stan enjoys listening to him play the banjo. One could say, given Fords obsession with his current passion project and prioritizing work over his relationships, that Stan and Fiddleford become close. 

Fiddleford picks up, however... that little Tate is a genius. Although he's a quiet kid, he has an advanced vocabulary for his age. He's able to read and write at what must be a 2nd or 3rd grade level despite not even starting kindergarten yet, and... one time Fiddleford left an 8x8 cubiks cube unattended, and came back no more than five minutes later to see that Tate had already solved it. And Stan had told him that Tate has actively predicted lottery numbers before.

He brings it up with Stan, who admits that he already knows Tate is a genius, but he also knows what academic pressure and high expectations can do to someone (referring to Ford), and he just wants Tate to live life by his own terms, not let other people dictate that for him based on his IQ.

Fiddleford... also see's resemblances between himself and Tate. Sure, Tate has browner hair like Stan, but the wavier texture is just like his own. And while Stanley does have a prominent nose, it's not as prominent as Tates, which is much more similar to Fiddlefords. 

Fiddleford begins to ask Stan about his past, specifically bringing up that he believes they may have met before.

Fiddleford: Say, Stan, did we meet before you moved here? You're so familiar to me. Stan: I wonder where you could have possibly seen my face before? *glances at the lab* Fiddleford: No. I feel like we've met before - you ever been to Palo Alto? Stan: That city in Cali? Yeah. I'd say about six years ago. I was just passing by, resupplying, and selling weed to college students. Fiddleford: You were a weed dealer? Stan: Among other things, yeah. California's *the* place to go to for weed. I don't do it anymore. Fiddleford: Did you... ever visit the university there? Stan: A couple times. Hated going there because it reminded me of... well, I think you know. Why? Fiddleford: I did my graduate studies there, maybe I met you there? Stan: You think so? I only saw buyers, did you buy weed from me? Fiddleford: No... I had a dealer, but it wasn't you. Stan: Other than that, I did get invited to a frat party once. Think they were called "SigEp" or something. Fiddleford: That's 'Sigma Phi Epsilon'. That was the fraternity I belonged to. Did I see you at that party? Stan: Probably - oh man that party was crazy. I made so many bad decisions that night. Fiddleford: Stanley... how old did you say your son was? Stan: Five, why? Fiddleford: ... Fiddleford: Stanley... *reaches out* Stan: *jerks back, before pointing away* Hey look over there, a distraction! Fiddleford: What- *looks away* Stan: *jumps out the window and makes a run for it*

Stan does not entertain any further discussions with Fiddleford about his past, and goes out of his way to keep Tate with him and away from Fiddleford. Given his criminal past, he's afraid that if Fiddleford is correct, he could make legal actions to take Tate away from him.

Fiddleford eventually goes to Ford about his suspicions.

Fiddleford: Stanford I'm going to tell you something, and I need you to promise you'll stay calm. Stanford: *doesn't look up from microscope* Are you going to tell me you suspect you're Tatum's father because you slept with my brother around the time he would have been concieved? Fiddleford: ... Stanford: Because you are. Fiddleford: What in tar- Stanford: *tosses a file folder towards Fiddleford* I have all of our DNA on file - Fiddleford: You do???? Stanford: Of course I do! I store the DNA profile of everyone who's entered my residence, just in case there's a shifter afoot. Comparing yours and Stanley's DNA to Tatum's, there is only a 0.001% chance that he isn't your biological child. Fiddleford: ... *speechless* Stanford: Congratulations, according to science you're a father.

Fiddleford does eventually manage to talk to Stan about it, and clear the air between them. Stan is apprehensive because Fiddleford is married, but he's at least relieved that Tate happened before Fiddleford was in a relationship with Emma-May. Stan allows Fiddleford to spend more time with Tate (supervised), but they agree Tate doesn't need to know just yet what Fiddleford is to him.

Fiddleford also holds back on telling his wife about Tate, he'd prefer to tell her face-to-face.

But then the portal test happens and Fiddleford gets a glimpse of the horrors beyond the portal, which traumatizes him just like in the original. This doesn't convince him to leave, because Ford is becoming dangerous and Fiddleford is worried about what would happen if Stan and Tate were left alone with him. He invents the memory gun, but holds up on using it on himself.

The relationship Ford has with both Stan and Fiddleford  becomes more explosive. Stan and Fiddleford are both telling Ford that he's messing with forces beyond his control.

To get Fiddleford off of his back about the portals, Ford instead lashes out at him about something else.

Stanford: Fiddleford... you know you're my best friend right? Fiddleford: ...Of course. Stanford: Stanley and I don't have a good relationship... we haven't in a long time. *puts a hand on his shoulder* But don't you dare hurt my brother, or nephew. I don't care how strained things are between Stanley and myself, or how close you and I are... He's my brother, and I'll always protect him, even if it's from you. Fiddleford: Do you think I would try to steal Tatum, Stanford?! *Pushes him away* Also, if you're going to threaten me, you could at least not be such a hypocrite. Stanford: How dare- Fiddleford: You say you care about Stanley? That you'd protect him? He's been homeless for over a decade! You SAW him get kicked out of home when he was still a minor! He escaped three different prisons, had extremely shady black-market top-surgery, chewed his way out of the trunk of a car, and gave birth by himself in an alleyway! He had walking pneumonia for nearly a year straight and almost died from it because he had to choose between himself and Tate over who needed treatment more!  But you didn't know any of that, did you? Because you don't talk to him or try to reach out. You still avoid him. You still treat him like he's your enemy. You're still resentful about that damn science project.  You don't know him or what he went through. You didn't even want him here, I called him up here so maybe somebody could set you straight!  Working with this portal, messing with these forces beyond comprehension and control- the only threat to Stan and our son is you! Ford: Get the hell out of my lab- and stay the hell away from my twin.

But this 'Mystery Trio'-esque era of their lives has a Bad End:

After Ford gets sucked into the portal the same way as he did in the original, Stanley decides to take over his identity; Fiddleford helps him with everything up until Stan fakes his own death.

As Tate's biological (other) father, and Stan having recently altered Tate's birth certificate to add Fiddleford, the boy is given to Fiddleford right away following Stan's 'death' and not put into foster care or an orphanage. This window of time is also when Fiddleford establishes the Society of The Blind Eye, but he chooses a leader after he founds it rather than leading it himself.

When Stan makes it clear he's going to dedicate himself to fixing the portal and bringing Ford back, Fiddleford makes a drastic decision. 

Knowing what the portal obsession did to Stanford, Fiddleford doesn't want Tate to be around if- no, when, the same thing happens to Stan. 

He uses the memory gun on Stan to make him forget about their son entirely. He does the same thing to Tate to make him forget about Stanley, legally changes his name to Tater McGucket, and takes him back to California with him.

He makes this decision because in this scenario he never used the memory gun on himself, so the memory of what's on the other side of the portal still haunts him, making him more desperate and callous, especially with a child involved.

It breaks his heart that he did this, but he doesn't want Tate to be dragged into Pines drama. He takes the boy home and tells his wife that he was conceived before they were together (looking at Tate's age, he was born at least a year before they started dating), and uses the news clipping about Stan's death to explain how he got custody without any trouble, and Emma-May adopts Tate. Tates memory gaps are excused by his young age, and the trauma of losing a parent at such a young age, so Fiddleford and Emma-May decide not to tell him about Stanley.

Stan forgets about both Tate and Fiddleford, but he has this deep sense of loss and betrayal that he can't place. He figures over the years that maybe it's just some of his feelings about Ford having gone through the portal...

Decades later, and after a divorce, Fiddleford moves back to Gravity Falls, bringing Tate with him so Tate can start his Bait and Tackle Shop somewhere quiet. Fiddleford is there to check up on the Society of the Blind Eye, and also to check on Stanley because he feels guilty about what he did. Although he knows that this is Stanley pretending to be Stanford, he says nothing to anybody about it, it's the least he could do.

When Stan see's Fiddleford again - he doesn't know why, because he's 'never met the guy', but just looking at his face pisses him off. And every time Stan see's Fiddleford from then on, whether its across the street or at the shops or what have you, he is openly hostile towards him even if he can't adequately explain why he feels this way about Fiddleford. Also strangely attracted to him, particularly his banjo playing, but its overshadowed by his hostility.

Stan meets Tate shortly after the Tate and Backles Bait and Tackle shop is opened... and he doesn't know why, but this young man he's never met makes him feel sad. But also... Relieved? Elated? Proud?? He comes by often, sometimes not even buying (or stealing) anything, he just chats with Tate (and Backle to a lesser degree).

Tate himself feels strangely fond of this frequent flier customer. Like he's met a dear old friend. He is awfully confused why Stan will sometimes call him 'Tatum', seemingly without noticing, and why he never feels like correcting him. 

Fiddleford knows why, because he never erased his own memory, and he feels so guilty. But it's been 30 years, he can't say anything without ruining his relationship with Tate (which became strained after the divorce, which in this timeline happened maybe around Tate's late teen/early adult years). 

One way that this whole thing can be revealed is when Dipper and Mabel deal with The Blind Eye society, they find two memory tubes, one labelled "Tatum S. Pines" and another labeled "Stan Pines" take it with them because it has their last name, and Grunkle Stans name, on them.

They play the one labeled Stan Pines at first, and realize it's Tates early childhood memories of Stan.

When they play the one labeled "Tatum S. Pines" they see it's all of Grunkle Stans memories of Tate, leading up to his confrontation with Fiddleford.

(MEMORY) Stan, backing up: Wait, what is that thing? Fiddleford, what are you doing with that?! Fiddleford, pointing the memory gun at him: I'm sorry Stan, I truly am. But I can't let you drag our son into this... I do care for you, and I wish things could have been different. But you're just like him!  **BLAST** (END OF MEMORY)

This horrifies them, and they have a real moral conundrum of if they tell Stan and Tate, or if they keep it to themselves to keep the peace. 

They deserve to know... but it'd be so painful. And this would take place before "The Tale of Two Stans" so they don't even know what Fiddleford was talking about to justify stealing Tate, or who 'him' is.

Eventually, it's Wendy and Soos who confront McGucket and tell him that he better be honest with Stan and Tate, or they're going to do it for him. That he's a selfish coward who ripped someone's young child from their arms.

Or, an alternative scenario; Fiddleford never stored those memories in the first place, or at least didn't store them with the Society of the Blind Eye, and it's Ford who brings this all up to Stan. Ford was already through the portal when Fiddleford decided that parental abduction was totally okay if there was amnesia involved.

Ford: Are these Tatum's children? *motioning to Dipper and Mabel*. Stan: They're Shermie's grandkids, and - who? Ford: ...Tatum? Tatum Stanford Pines? Your son. Stan: ...I don't- I don't have a son. *tears gathers in the corner of his eyes, but he either doesn't notice, or chooses to not react* And if I did, I wouldn't give him your name as a middle. Ford: Yes you do, and yes you did. You introduced us right before the portal incident. I even DNA-sequenced him to confirm that his other father was Fiddleford. Stan: WHAT? And- who?? Ford: Here, look *pulls up his DNA files from ones of his secret safes in the lab and shows it to Stanley, which not only has the DNA results but also pictures of Stanley, Fiddleford, and Tate from the time* Honestly Stanley, how could you forget a child you car-.

Ford realizes something is wrong when it's clear that Stanley is distressed, but also confused, like having a son is legitimately a surprise to him. He's so shocked he has to lie down for a bit. His eyes keep leaking tears but he doesn't know why 'Fords cruel and oddly elaborate joke' is making him so upset, because 'clearly it's not true'.

When Ford hears Fiddleford lives in Gravity Falls, he seeks him out and demands answers.

At first, Fiddleford tries to play it off like maybe Ford was remembering things wrong - but with enough pressure, and a ray gun pointed at his chest, Fiddleford finally comes clean. About what he did. Why he did it.

Ford is still angry at Stan for getting him trapped in the Nightmare Realm Multiverse for 30 years; and then stealing his name, identity, and house, but that's still his twin brother. And what Fiddleford did was to him was horrendous, especially after Stanford had already warned him years ago to not to hurt Stan or Tate. This was a crime against the whole Pines family. 

So Ford beats him up. No, he doesn't kill or maim him, but he beats the living dog shit out of him until Fiddleford promises the glass tubes of Stan and Tate's memories in exchange for mercy.

Mabel, Dipper (and Soos/Wendy) are clearly confused (because they wouldn't have seen the memories in the "The Hall of the Forgotten"). Although, this whole revelation does bring Dipper closer to Stan, because Dipper had no idea he wasn't the only transgender person in the family.

Ford shows these memories to Stan first, who is going through all kinds of emotions especially after getting Ford back and their bitter reunion. This allows Ford and Stan to somewhat reconcile early; just like how Ford lost 30 years of his life to the portal, Stanley lost 30 years with his own son because of his conviction to fix it.

Ford also has to physically stop Stan from hunting down and murdering Fiddleford (who Stan only knew as McGucket up to this point) with his bare hands. Reminding him that it's more important that he reaches out to Tate.

But Stan is conflicted. He wants to be Tate's dad again but... Tate is in his mid-thirties, he doesn't need him like he did when he was 5. And Tate already has two loving parents, both of which don't have an extensive criminal record, and who provided him with a stable home, which Stan never did because they were homeless the whole time.

Does he really want to uproot Tate's life and/or peace of mind with a revelation this big?  

This goes all the way to Weirdmageddon, where everyone gathers in the Mystery Shack for security; faced with a possible end of the world, Stan takes Tate to the side, dragging Fiddleford with them, and tells him the truth. Fiddleford confirms it all, ashamed and apologetic. Finally, they give Tate his memory tube, which he watches.

For a moment Stan and Fiddleford have a moment of solidarity; Stan can see that Fiddleford really did want to spare Tate from whatever unknown-at-the-time fate had befallen Stanford because of the portal.

Fiddleford finally faces his past mistakes, and apologizes for what he did. That what he did was wrong, and he can never make it up to them, but if they survive this maybe he could try to make things right.

This is their last family moment between the three of them pre memory-wipe.

The mind wipe thing still happens. Gravity Falls is saved. Mabel and Dipper manage to jog Stan's memory but there's no way to make him remember Tate - the glass memory tubes have already been used, and Stan didn't keep any photos from his homeless era because he couldn't afford it most of the time, and when he could he always managed to get kicked out of whatever state they were in before the photos were done developing.

Once again, Ford comes in clutch. Throughout his last journal, just like how he made entries about Fiddleford, he also made entries about Stan and Tate, including detailed sketches. How Tate liked to get into high places, exasperating Stanley who was afraid of heights. How Stan would take him to the woods to follow the creeks because Tate was intrigued by waterways. How Tate said so few words but Stan always seemed to know exactly what he wanted or needed at any given time. How Tate only liked eating the green M&M's but Stan was fine with it because he got to eat the rest. 

Now while Stan's heartwarming memories of his son come back, so does his desire to break Fiddlefords neck. 

Fiddleford still buys the Northwest Mansion and converts it to "McGucket's Hootenanny Hut", but because the Pines families are the heroes of Gravity Falls, they (Ford) manage to convince the local government to put Fiddleford on house arrest for an indeterminate amount of time as punishment for 30-something years of parental abduction and alienation (also the whole starting a Cult thing). Fiddleford accepts this, and Tate still lives with him.

Post memory-wipe Stan still reconciles with both of them, and his relationship with Fiddleford is... weird, but not entirely bad. It's like they're dating, but with a lot of emotional distance. Like, Stan still tells Ford he wants to murder him... but also tells him to never, ever, check their texting history. 

Stan still goes to sail the world with Ford on the Stan O'War II. They do invite Tate, who declines because "He'd rather just live the simple life in Gravity Falls, and not get involved in whatever supernatural gobbledygook his dad and uncle are sure to get into".

And Stan is so proud of him... because just like he said thirty years, there's nothing he wanted more for Tate than to live his life by his own terms. He video chat's with him as often as he does with Dipper and Mabel. 

Tate ends up keeping McGucket as his last name, but he changes his first and middle back to what it was originally.

And that's the end of this tale, thanks for sticking with me. Here's a passage where Ford teases Stan while they're on their sea adventure;

Ford: It was so sweet of you to give your son my name. Stan: Poindexter, I swear to Moses. Ford: Even after a decade apart. Admit it, you missed me so much. Stan: *rolls his eyes* Of course I did. Stan: Stan: But the real reason that's his middle name is because he was conceived at Stanford University. Ford: I- Ford: I really didn't want to know or think about that.

The End... Go home.

[codacheetah]

AGREE WITH YOUR PREVIOUS POST. I like mean Loop as a facade only, but we know they still care and love...

Now I have a question, what's your favorite Loop takes/headcanon

Oh my god I'm so sorry I took like two weeks to answer this one I prommy it's not bc I'm exclusively a hater or whatever. I just straight up forgot to answer Oopsie. I'm putting this under cut bc it got long enough that you all would shoot arrows at me for putting it on your dash

Anyways there's a lot of Loop Thangs I like frankly. A big one that I enjoy is when fic authors in postcanon make the transition of Loop into the party structure kind of rocky. Usually bc Loop's neuroses creating a level 12 psychic barrier between them and the party + the inherent awkwardness of meeting somebody who's apparently super close in a way (that you'll never fully understand) to one of your friends. Who let's be real I feel like half the party (coughIsabeauandMirabelle) would catch the aura of "oh they do not like us at all" from Loop. I want Loop to be happy and with their family but you just know this bitch is going to make it as difficult for themself on purpose. The Siffrin Special.

I also just generally like when they keep Loop as a star postcanon. I'm not at all a hater towards Human Loop (in fact I think it can be itself an interesting setup for a Loop fic) but I do like Loop as a star more thematically. Something about having to accept that things have changed and moving on from it regardless. Also bc Loop being dysphoric about their body scratches a very transgender projection itch in my brain Yessss little star you're stuck in a body that draws unwanted attention and which you have no control over how it looks and functions in a way that feels fundamentally wrong to you. (Pointing at canonically transgender character) Yooooo this guy is such a cool trans allegory omg

Hmm what else. This is more of a sloops thing but I always enjoy in fics when they lean into the fact it's selfcest frankly. I've become a selfcest enjoyer bc of this ship I'll never get over that act 5 dialogue abt the cautionary tale where Siffrin says he never understood the moral of the story bc the idea of having somebody just like him who understands him. Oh my gyoooooooooooooooood. I want them to melt into sludge I'm always thinking of that analogy from superflyghtheart on discord comparing Loop and Siffrin to endlings of an endangered species. 💥💥💥It's like. This is less sloopy now but I'm caught between the intersection in my head of "Loop would probably benefit from developing their own identity as a person separate from Siffrin bc they need Something they have control over" and "Loop is of the Siffrin Species and they are significantly too sentimental to let go of the shreds of what they used to have, especially after having lost all of it once already". Both of these things are yummy as fuck when ppl smarter than me explore them and they're kinda the main Story Paths for postcanon Loop anyways so I'm always winning. So like idk tldr I like it both when ppl have Loop diverge a lot as a person and when they have Loop try their best to stay as much of a Siffrin as possible!

I'm limiting myself to four paragraphs so you don't all want to hit me with hammers but I do have Loop Biology Headcanons. I've explained mythoughts on their guts before and don't feel like recounting them but whatever True #codacheetahwarriors remember my deranged rambling. ANYWAYS I kind of mentally run on the assumption of Loop's body as like. The Universe couldn't keep Loop in Siffrin's body, bc they needed Siffrin to be in it (and I guess a system situation introduces too many factors of its own? idk). The Universe operates with the goal of fulfilling wishes with the least intervention possible, so The Universe makes a body out of cheap inorganic material (star-scrap basically). Miniature star for a head fueling the body with Craft energy (I'm not going to get into my conspiracy that all Craft is the same here). Molds the star scrap into a vaguely Siffrin-shaped/sized vessel and plonks Loop's conscious into it and calls it a day. So Loop's body as a poor simulacrum of a human body is like. They're capable of breathing but they only really benefit from doing it on a psychological level. They can't eat or drink and don't have a mouth because it would require a significant level of added effort to make a digestive system, when they can just derive energy from their star. They don't have reproductive organs because they're not made from organic material anymore anyways. They don't need to sleep bc their body never gets tired but they still do it because it's not really a great idea to leave your brain on running for too long anyways.

I fucking lied I'm on paragraph five bc the block of text is annoying me. To continue that's all a preface to say I think it's super fun when Loop has body functions that are weird and unpredictable. Their little frizzles on their body are reactive to their emotions the same way their headstar is, and feel like static if you touch them. Their head has a vague boundary so their eyes have something to be rooted to but the function by which their optic nerves work is unclear to everybody including themself. They glow based on intensity of emotion and the temperature of their star changes via specific mood. Bc I think it would be fun if the battlefield in twohats when from ice cold to boiling hot frankly. Ok these are all just my headcanons (temperature one very loose though I'm not a hard subscriber to it) but they're not uniquely mine it's just examples of what I mean. One I don't have as a personal headcanon but I do enjoy is when Loop feels the same physical sensations as Siffrin bc it's funny and I like inflicting misery on the star.

I'm going to shut up now like actually . Loop for your troubles

[drdemonprince]

TV Glow was devastating. incredibly effective visually, thematically, and performance-wise. Schoenbrun has leveled up in a major way since World's Fair, which I felt like I was five years too old for, both in terms of references and from having seen too much weird shit in this life to be impressed by her version of what's "scary" online.

This movie was far more creatively ambitious and emotionally resonance -- it having a bigger budget certainly helped stretch its legs, and Schoenbrun used it to its fullest.

Justice Smith's acting made me want to cry. He shows a true reverence for the material that few cis actors would; far from viewing the character as a little exercise, he transforms into her discomfort and sadness. His little voice warbles and the way his face softens with hope at a few crucial moments made my heart break for him, knowing already that the dreams he'd barely let himself hold onto would never come true.

I can't believe an Emma Stone produced wide release movie is about transgender egg drama here in 2024. jarring for something that once felt so private and esoteric to be broadly relatable to audiences now. it's fitting, given the movie is about a mass-release TV show that a handful of tender freaks think must be about something so much more than this world would ever let it be. kind of a funny trick there.

is this a movie about depressed isolated queer people whose minds curdle around a random media property because loneliness makes the brain turn inward and eat itself? or is it the tragic tale of a woman who never realized her destiny and allowed the matrix to keep plugging her repeatedly back in?

you can read it both ways at once and it's best if you do. some equipped with fandom goggles with elect to see it only in the more fantastical light.

There are already dozens of people coming out as transgender for the first time in their lives in the Letterboxd reviews of this film, saying they recognize their repression in Owen, their egg at last busted open by this heartbreaking tale of a life unfulfillingly lived. I get it -- before I transitioned, the same thing happened to me with Casey Plett's incredible story collection, A Safe Girl to Love. There is something painfully enchanting about the forever-unrealized trans person whose suffering we imagine would be escapable if only they could admit who they are.

But what do you do when you have overcome your fear of being "crazy," left your old world behind, and passed through that veil to become the person you were always meant to be, only to find that you are still stoop-shouldered and awkward, still overlooked with your heart cut out of you, apologizing to others for your asthma in between your death rattles? What if you never get all the poison out? After you figure out you're a hero from another dimension, what will you do if you can never get back?

I find myself asking these things, as a person who used to fantasize that transitioning would solve all my problems. The imagined future transitioned me felt so distant that it was easy to push him off. And then after years passed, when I finally reached out to claim him, I discovered he was just as awkward, lonesome, insecure, and unhappy as I was, because he was just me. If i'd always been transgender, then I'd always been unhappy for deeply transgender reasons back then, too, and I'd already known a whole lot more about what it meant to be me than I'd thought that I had. Fantasies had been a seductive distraction from the world that was trying to kill me, and they suffocated me whether I denied them or if I believed in them.

This is a movie about fantasies, and the suburbs, and about being transgender. And it's bleak, but I think some who are on the cusp of making the same realizations as Owen can't fully know why yet. Life on the other side of knowing is more liveable, but I can't explain why. It didn't make things better. It wasn't the great escape I had hoped. But it did force me to confront who I was and how many monsters there always had been all around me. And that's better than living in a fantasy.

[tgirldeanventure]

demons in my brain say draw your favorite character transgender i say yes ma’am

[mueritos]

Hi, Matteo! So, I have just about the stupidest question to you as a fellow transmasc artist/creator: whenever I find myself trying to create a female character, I end up struggling with forming the idea of her personality and motivations etc in my mind, and then when I try to sort look at the character from different angles to 'get' them, boom! My hand slips and they're genderfluid now, or nonbinary, or transmasc, or transfem. The point is, they're never a cis woman in the end. No issues with male characters, cis or trans. Is this a common experience for other trans/nb creators? Or is it a 'default misogyny instilled in us all by society' thing? I just want to be able to create female characters too! and I kinda feel like an asshole for not being able to. So, I'd love to hear your thoughts on that!

this isn't stupid at all! first of all, it's entirely fine if you only want to draw and create trans characters. It's also okay that you have preferences toward certain characters. I hilariously fall into this same problem of struggling to make female characters, because my attraction toward men makes me want to always create gay/MLM centered stories. My brain is giving very much "no women no girls this is...The World of the Gays" image. But here's the thing, what you draw and what you choose to invest your creative energy into doesn't say anything moral about you. I would say things start becoming more complicated depending on the intentions behind art, how characters are depicted, and the harm it may cause to others (example, racist depictions of characters, colorism within art, etc).

However, it sounds like you do want to make female characters, specifically cis female characters. I struggle making cis female characters too, and i don't know if you relate, but after many years of being forced to be a Girl and to be Feminine, I now avoid situations or things that make me feel like I'm going back to GirlMode. But, it's important to remind ourselves that this avoidance can become maladaptive and prevent us from opening ourselves to new experiences. You're not an asshole, and clearly you care enough about making diverse art because you're trying to seek different perspectives.

my thought process when making female characters is essentially the same with all characters, but there are many characters I have intentionally chosen aspects of themselves that i do not relate to to push myself. It sounds like you need to make a decision to keep a cis female character and protect her from your transgender mind beam haha. Give her something you relate to, like a hobby or a lived experience or an outfit you like, and perhaps it can help alleviate any feelings of wanting to push your connection to her through shared transness. Another thing you can do is base her loosely off a cis woman in your life! I've done this before and it prevents me from changing her gender, mostly because I feel like it would be disrespectful to make them trans if they're based off someone I know haha. Or, if you still want a trans character in proximity to her, give her a trans friend, sister, cousin, partner, or enemy! That way the dynamic is not just based on their relationship, but also their different genders :)

also, don't worry if you're being misogynistic or not. every character you make may have some form of a stereotype or some "problematic" aspect. I have a cis female character who falls into the "wants to get married and only things about men stereotype", but she is brave and often far more driven than the men and women in her life because she cares about the man she loves (enough to break from her social status and become a fighter to save him). I ALSO have all kinds of trans characters I created just to lewd them up, and I know for sure there's probably someone out there wagging their finger at me and saying i'm "fetishizing" trans people. I also like to draw the occassional cute girl because I think women are beautiful and I admire the ways I see the women in my life carry themselves. My point is, characters are flawed because WE are flawed and we internalize a lot of messaging from the world. as long as you are seeking our ways to re-learn messaging and incorporate that into your work, you're doing enough. There exists no perfect squeaky clean un-problematic non-stereotypy character ever, because we all aren't squeaky clean un-problematic non-stereotypy people.

hope that helped ^-^

[am-i-the-asshole-official]

aita for making a thread on twt against an ex online teammate?

cw: suicide baiting, mentions of grooming, possible sexting, transphobia, mentions of NSFW but no outright specifics

i (15 f) had this friend, who well call aj (fake name) (18-19 ftm i believe) back in october of last year. for context we met in a quick match when i was 14 and he was 17-18 in a video game where i also met another friend, moto (fake alias) (14 f at the time, now 15). after a few matches where we would be randomly matched together he sent me the invite to his discord server and i joined. eventually as more people joined the server (at most there were 20 or more people in the server before its deletion, most of which were minors and we were around her 'adult' friends who were anywhere from 18-30)

we would talk alot (and aj would insert herself into any conversation possible) but we would eventually have our disagreements which would end with aj threatening to kill himself, eventually this became the norm and we stopped giving a shit when he would threaten to kill himself because of how frequently he threatened it (kind of like a cry wolf situation)

around the time we stopped caring about his suicide baiting he switched tatics and tried to guilt trip us into apologizing to him for questioning her behavior (e.x. using the fact that he was neurodivergent, to elaborate someone would say "hey stop saying your going to kill yourself" and he would go "its something called a brain problem" or "i dont have pills to help me", basically blamed all of his actions on his alleged 'brain problem'). we still proceeded to not care because of how frequently he lied

on top of this, he had this streak of calling asian characters within the game feminine? a specific case (and the straw that broke the camels back for alot of my teammates) was when she called a well-loved chinese character from the game something along the lines of a femboy because they wore a traditional chinese outfit that was not "manly" (basically, didnt stop where a normal shirt stopped. im not sure what it was called and google didnt really help...) during the same time, aj identified as transgender (i believe he still does, but i no longer interact with him) and said trans women werent women because they dont get periods???

on top of this, he would also publicly do nsfw things with the adults of the server (none of the chats were role restricted. this wasnt a thing until i became a server admin and then shut it down not even 3 weeks later) and would also share nsfw/18+ topics in the server. even after the "nsfw" chat was there (we were still figuring out how to restrict it [i was coming back from a 2 year internet hiatus]) the other adults still did things along the lines of erp. aj encouraged this behavior and eventually in his new server and was talking about these things with minors (aj is about 19-20)

so after a few months of off-and-on gathering evidence (what you have just read + plus screenshots) from numerous people from his server i post the thread, and almost instantly it got posted to his server. i have a friend in that server who ended up voice chatting with him and moto (who is under a different alias in the server) and aj is literally sobbing, threatening to kill himself, and has his entire family in his room who are all looking at the thread as well. they all basically say that he doesnt look too good in the screenshots and "what were you thinking talking to these people" type of situation. aj ends up deleting the server a few days later, messages undercover-moto that he isnt making anymore servers.

im wondering if i went too far? aita?

What are these acronyms?

[nopeferatu]

Dude I know ur neck deep in brokeback these days but I just wanted to say that anytime I get anxious abt drawing/posting/showing a hetalia chara w visible top surgery scars or otherwise visibly trans a little voice in my brain goes "nickie would do it :)" and then I go yeah ur right and draw them extra trans

If you're ever questioning whether or not you should make your characters look visibly trans, just ask yourself, "what would nickie do?" And then make them look as transgender as possible.

[snekdood]

rewatching that video natalie made about cringe and she gets to a point where shes talking about how there were trans women using “cringe” trans women as examples of Bad Transgenders Which They Are Not and how they’ll go as far as to misgender and dismiss their transition to justify their exclusion. and i really think yall need to read this and internalize it and realize you’re doing this about trans men who talk about our oppression:

(in reference to the video clip she’s responding to, she says;) “Rose… gorg. Jessica Yaniv is not one of "the biggest characters in the world" at any moment. This is not a world historical figure. At the end of the day, this is a more or less random civilian sex fiend off the streets of Vancouver BC. The only reason anyone has heard of her at all, is that Vanessa decided to go full "To Catch a Predator" and turn this grimy reprobate into a minor anti-celebrity. She's not one of the biggest characters in the world. But it sounds like what she is Rose, is one of the important characters in your brain.

This is distorted thinking. It's like A-Log comparing Chris-Chan to Hitler. You're so deep in the morbid cringe obsession that you've lost perspective. And I'm sure you have what seem to you like perfectly logical reasons for devoting so much attention to this. And I know that videos about Yaniv get a lot of views, so I'm sure that's a factor too. But Rose, I also know a morbid cringe obsession when I see one. And I know that being a visible trans woman on the Internet is more difficult than most people can imagine. And I know that pretty much every trans person is bullied or shamed or humiliated at some point in our lives. And I know how good it can feel to take all the horrible things that transphobes and bullies and TERFs have said about us, and repeat those things verbatim about some “big, fat, fake, dangerous, delusional, disgusting male fetishist”.

Oh, it feels good to get to be the TERF for once. It feels good to be the judge rather than the judged. Because when you point the finger at someone else, you're also pointing away from yourself. And it's not lost on me that in conservative circles, queer people are often treated like suspected sex criminals by default. So there's safety in being the one who spearheads the “think-of-the-children” type moral crusade. And when you expose a trans predator, you get that feeling of safety plus the relief of having someone in particular to blame for the shame and the stigma we all feel. Jessica Yaniv is the reason people hate us. But that's just not true. It's a simple answer to a complicated problem. It's scapegoating.

When I look at the Yaniv obsession on trans YouTube, I see a community trying to cope with stigma and hoping that destroying a scapegoat will bring relief. It's basically a blood sacrifice. It's not rational. It feels good for a moment, but it's an addiction. It won't ever erase the stigma and the shame. And Yaniv is simply the latest and most deserving in a long line of bad transgenders who aren't real transgenders and are giving us a bad name and are the reason people hate us and must be condemned and destroyed.

But when Yaniv is finally gone, when you get her sent to prison or whatever your goal is, you're just gonna find a new scapegoat to take her place. And the shame cycle continues. The humiliation and bullying we've experienced is internalized as shame. When we project that shame onto scapegoats and onto each other, it becomes cringing and contempt. And we voice that contempt by shaming other people, which starts a new cycle.

So you can keep finding new scapegoats, new punching bags, new shamedumps, new lolcows, and you can wind up like one of the people who's been archiving Chris-Chan for 13 years. But that will never really heal us.”

‘n i kinda feel like thats whats going on right now....

[relatableblorbopoll]

Round 1 of preliminaries, group 8

The first two places get a place on the bracket

Little reminder: there will be 2 more rounds of preliminaries, the losing blorbos of this poll still have 2 chances of getting in the official bracket

Propaganda under the cut

Stanford Pines (Gravity Falls)

"there are so many things wrong with this man i feel a kinship with him. Also the neurodivergency"

Miles "Tails" Prower (Sonic The Hedgehog Franchise)

"he's a young child who is incredibly autistic (maybe a technology special interest, tail wagging could be interpreted as a stim, he is a fox and foxes have a gene variant linked to autism, etc) and incredibly humble and loyal to sonic. however he does feel like he may be a burden to him, as discussed in sonic frontiers. T: sonic, am i a burden to you? S: wow, and how did you come to this well thought out concern? T: whenever there's a crisis, i'm either running away or standing on the sidelines! you're always rescuing me, and all i do is follow you around! in the adventure era, there was some character development where he learned to grow into his own person (well. you know what i mean) kinda (he saved an entire city which isn't why he's relatable it's the growing into your own person thing) he was also bullied for having two tails before he met sonic. sonic saved him from his bullies which is how they met 👍 he is literally me"

Jonathan Sims (The Magnus Archives)

"- emotionally repressed - socially awkward - ace"

Ford Prefect (The Hitchhiker’s guide to the Galaxy)

"he’s very trans and autistic coded at least in my mind, and he has the fashion sense of a loser transmasc lesbian. he cracks stupid jokes all the time, changes the subject with absolutely no warning, he’s simultaneously the most likable and most annoying character in the book, he’s so me"

Shaun Murphy (The Good Doctor)

"My brother got me into The Good Doctor. The only difference between my personality and Shaun's personality is my crippling social anxiety. I'm completely serious, my behavior when prior to developing social anxiety was identical to Shaun's (by which I mean I once shouted "I'm sharpening my pencil" in second grade completely unprovoked because I had no concept of it being socially inappropriate). Genuinely if I didn't have social anxiety, I would constantly be in a state of "hes just like me fr" and it would make complete sense to anyone who knows me and also watches The Good Doctor. Also keeping notes on flirting and keeping track of when people are flirting with each other around your workplace, which is a hospital, is a massive mood. That whole thing is basically him going around to colleagues and saying "this colleague was flirting with you! :D" and refusing to elaborate, then leaving. I love it and if I wasn't terrified of judgement I'd do the same thing."

Sonic (Sonic The Hedgehog Franchise)

"Transgender. To me. Also very sarcastic. Idk how to explain, my brain is too smooth and he just me"

[wispstalk]

20 questions for writers

under the cut. Thanks to @everybodyknows-everybodydies for tagging🖤

Tagging back: @nuwanders @jiubilant @ervona @ehlnofay @druidx @blossom-adventures @sylvienerevarine @throughtrialbyfire @da3drat no pressure

1. How many works do you have on AO3?

Five

2. What's your total AO3 word count?

198327

3. What fandoms do you write for?

Just elder scrolls. I have a feeling that's gonna be it for me. I've been tempted to write stardew valley fic lately which would perhaps be classed as "crack" (I know what that is in theory but the way people use it makes no sense to me) but I took a cursory look at the tag and I don't think the stardew valley fandom is ready for a ray fic lmao

4. What are your top five fics by kudos?

Well. I have five.

5. Do you respond to comments?

I try 🫠 it haunts me how often I've left my beloved mutuals on read..... but if that's u and I did, I am telepathically beaming this: !!!!!! ❤️❤️❤️❤️❤️❤️ Making out sloppy style etc etc

6. What is the fic you wrote with the angstiest ending?

lol. lmao even

7. What's the fic you wrote with the happiest ending?

.....within AO3 I guess it's "Morning" but also that's set at a refugee camp? I will say the skyrim story will have a more peaceful ending but up until now fic writing has been an outlet for my thwarted rage and covid brain damage soooo

8. Do you get hate on fics?

I mean this is generally a culture of positive feedback. Someone did yell at me once for hitting martin septim with the transgender beam which is a level of no-life-havin loserdom which could be classed as "hate" but came off as pure cope and seethe

9. Do you write smut? If so, what kind?

I really bristle at the word smut sorry its too cutesy. I was a prodomme for seven years I don't do euphemisms lol. I wrote a sex scene into IITT to see how I felt about writing sex scenes. I learned that I am only interested in writing them if they serve specific functions. I have absolutely zero judgment toward anyone who wants to write about fuckin and suckin, that's just not why I'm here

10. Do you write crossovers? What's the craziest one you've written?

No but recently my household watched game of thrones together and my bf and his brother were cracking jokes like what if one of these medieval characters had a gundam. Neither of them read fic so I was like don't be too entertained by yourselves. I bet that has been written. looked it up on ao3 and sure as shit

11. Have you ever had a fic stolen?

I'm not gonna lie I did find a fic where someone very obviously ripped me off but I don't wanna call them out. One specific instance where they bit my style was so clumsily applied as to be obvious, but their prose in general was fantastic so like. who care.

12. Have you ever had a fic translated?

Not as far as I know but that would make me holler

13. Have you ever co-written a fic?

Nope. I'm not opposed to the idea but it's hard to imagine how I'd do this given my process. I think I'd be pretty difficult to work with

14. What's your all-time favorite ship?

?!? I dunno I don't have one. I put a lot of effort into writing martinhok but I could not say that one, due to how overwhelmingly heterosexual the tag is. I'm sorry but can everyone who's not a faggot please pipe down

15. What's a WIP you want to finish but doubt you ever will?

I have my moments with the skyrim wip. I've signed myself up for something pretty complicated and challenging but I also learned that I can finish things so I'm not really worried about it. The fact of the matter is: I do not care if this is good. It matters that it is done so I can move on with my life. If parts of it are boring and overlong that's yalls problem

16. What are your writing strengths?

I get a lot of compliments on my worldbuilding. I do think a lot about the minutiae of material culture and think I have a talent for incorporating detail in engaging ways

17. What are your writing weaknesses?

I'm a cornball. This is a corny activity. I don't really care because I'm doing it for free. Enjoy the unsolicited view into an internet stranger's terrible psyche

18. Thoughts on writing dialogue in another language in fic?

I try to apply with a light hand. I'm a dumbass sheltered American and I can mostly make myself understood in a Spanish-speaking country but that's about it. I like playing around with language and the idea of multilingual societies matters to me so I include it, but I'm not a linguist so I try to work within my limits. Whether I am successful at this is up to others.

19. First fandom you wrote for?

Elder scrolls. Never felt compelled until i spent a winter playing oblivion and went wow this game has an incredibly bleak narrative behind a silly aesthetic. Oops now I'm in a lore pit

20. Favorite fic you've written?

The Nature of Fire is my best prose hands down. I'm gonna be real with y'all I am desperate for people to read it. It is genuinely the best I can do at this point and if you like what I've done so far, well, whatever u read sucks compared to this fic.

[ch3rr13zk1n]

Hello! *pulls a dumbass idea out of my ass from last night*

It was a bit of an excuse to draw my favorite character as a girlboss but uh basically uhhhhhhhhh

gosh even if its mostly a text post i don't wanna embarrass myself

Uhhhh

ill just paste an explanation of what shorts wars is just in case one silly goober that doesn't know shorts wars accidentally finds this post

Shorts wars is a arg made by a bunch of dudes that make shorts and was created because of the clone accounts ( get it?? ) that steal their content. Basically when it started there were different bunch of QR codes that popped up on their shorts and when our scanned them they took you to a video where a guy named The Boss in a unpleasant gradient says that if they don't quit making shorts and rotting people's brains then they will get replaced. While a few listened, The rest didn't. And the other stuff happened blah blah blah. Anyways i also gotta say one of the creators was a guy named Danno and uh he makes shorts (obviously i mean this is fucking shorts wars what do you expect??) and he has a mascot character named Riggy who is a blue rabbit with red shorts, green eyes and a very interesting kill count.

and Preston/Clone Riggy is a clone of Riggy (obviously)

anyways time to bring out the other explanation

Why the fuck are they a girl here

well uh when i thought more about what Preston wants and thinks it sorta gave me the vibes of "possibly transgender" idk why it got that way but i sorta stuck to it as a bit of a headcanon

like idk man he's stuck in a body that looks like the guy he despises cmon man (ALSO THE DAMN NAME CHANGE!!)

of course, I have to note for the sake of not getting canceled by a twitter user that i don't view trans people as evil people. It just happened to be that i sorta headcanoned Preston as transgender because it felt that way to me

though what the fuck do i even know about trans people I'm not even trans

Also theres some deep very complex lore revealed in season 2 go watch a Datchia short or smth

ok cool anyways here's an explanation of the au

Ahem

Prrston feels like he doesn't matter n betrays the boss, After that he becomes the new uh boss or smth of the company

Preston also self reflects and realizes "Wait fuck maybe i don't wanna be a dude" and transitions

Why this story in particular?

because history repeats itself

especially when there's a possibility that someone from that time influenced what happened..

thats it ig

RAAA

(If you don't like this post then don't bother to say anything about it. I was already sorta insecure about this post existifnf)

(seriously i know i pulled this AU out of my ass and it might not really fit but idc man its my thing and i made the au)

(Also you're allowed to have your own headcannons i don't mind as long as it doesn't hurt anyone :3)

[devine-fem]

LONG POST! you can skip.

I have come to rant and vent about Jack from Wonder Woman 2023 and why they are a transgender/TRANSFEM allegory.

I would like to preference this by saying that you can feel represented through this character for a multitude of reasons regardless of being trans or not but I personally think they’re some sort of transfem allegory and I’m here to talk about why because 1) its my blog and 2) I am obsessed and I’m here to argue that they are transfem, a transfem allegory or at the very least transfem coded.

Who is Jack?

“Jack” is an extreme Wonder Woman “fanboy” that we know is ill, their tests have been coming up slim and they've had a multitude of doctors come and try and cure them and to give them a couple of good memories before they pass, their parents ask Wonder Woman to spend a day with them.

Allegory 1.

From their timid nature, I assume that a lot of their life they feel like an experience is ruined if they're involved or feel apologetic if they're not perfect all the time. This to me makes me think “Jack” likes to try and embody Wonder Woman during stressful or traumatizing situations. They idealized her to never be afraid, anxious, or quiet.

Allegory 2.

There’s this montage that features “Jack” doing a bunch of things that an Amazon would do like archery, wearing the armory, or eating the fruit, but also things that Wonder Woman would do like use her lasso, throw her tiara or sword fight, etc.

It makes me think “Jack” wanted to spend their time doing things that made them feel strong, things that could really immerse them into the Wonder Woman experience. Something they probably yearned for themselves, probably used imagining themselves in the life of an Amazon to escape.

Allegory 3.

Point 1.

“I don't think this should be what I… like.”

There are expectations for you in the world, and certain people, most of the time a trans girl will feel the pressure that she should be this way or act this way but they simply can’t because it's not how their brains work, it's not how they function, and when you're told otherwise you start to think there’s something deeply wrong with you like you’re broken.

Point 2.

“It’s my dad… and the other kids.”

Trans people, you ever have the dad or either parent feel like they can’t support you and you have the desire to be called your gender but they avoid calling you gendered things at all like “Boy” or “Girl” and avoid gendered things entirely by just calling you “Kid” or “child”? Because that is what this feels like. A relationship between a father and son is strong but when the son shows disinterest in that relationship then the father feels rejected. Their happiness to have a son feels strained and they begin to wonder how they should interact with the child.

“Jack” also feels like their dad doesn't support them and their interests, be it something happening off-panel or the natural feeling trans youth feel like they’re being subtly judged by their parent even though they don't want to say it. That along with their community judging them to their face and ostracizing them for being different.

Point 3.

“Why can't I like Superman or Batman and… I don't know… Baseball and like normal stuff? For a boy? Why is this good?”

Boys feel represented through Superman or Batman, a strong invincible, and macho man. Not a woman, why does Wonder Woman make “Jack” feel seen for the first time in their life? Why does the world of a woman give “Jack” so much escapism? Do you get where I’m going with this?

Point 4.

“Is it because I’m sick inside? Is that why God made me sick?”

It's the idea that inside you, regardless of what you may look like the stuff inside you makes you sick and wrong. The person inside you that you've been holding onto for so long. It's like you feel impure and sinful and like you deserve to be punished for something you didn't ask for cause then maybe the punishment will make everything feel right again.

This to me at the very least sounds like the typical “Superboy trapped in a Wonder Girl’s body” if you know what I mean. I know they're coming to terms with their death and this character might die but I hope they don't, I really do.

This character was supposed to reach out from the pages and touch the reader who relates to it most, like making male Wonder Woman fans feel seen… but how come it reduced me; a trans girl Wonder Woman fan to tears? I felt that I connected to Wonder Woman, I felt my gender through her just like “Jackie” probably does. I selfishly want to see more of them personally.

Anyway, I love them so so so much. Wonder Woman come in many different shapes and forms and personally I like to think of them as my favorite “Wonder Girl.”

END OF POST.