#tracey smith

[mythtakens]

Firefly 1x12 The Message

[libertynstyle]

[wasco]

On Death

Death in other people’s words

Succession s04e09 / Joyce Carol Oates / Bridge to Terabithia / The Tracey Fragments / Fleabag / Richard Siken / The Last of Us s01e03 / Phoebe Bridgers / Close / Hanya Yanigahara / Gustav Klimt / The Haunting of Hill House / The Haunting of Bly Manor / The Smiths

[bellwood-qudditch]

The original 40

Abbott, Hannah (Half-Blood)

Bones, Susan (Half-Blood)

Boot, Terry (Half-Blood)

Brocklehurst, Mandy (Half-Blood)

Brown, Lavender (Pure-Blood)

Bulstrode, Millicent (Half-Blood)

Corner, Michael (Half-Blood)

Cornfoot, Stephen (Pure-Blood)

Crabbe, Vincent (Pure-Blood)

Davis, Tracey (Half-Blood)

Enwhistle, Kevin (Muggle-Born)

Finch-Fletchley, Justin (Muggle-Born)

Finnigan, Seamus (Half-Blood)

Granger, Hermione (Muggle-Born)

Goldstein, Anthony (Half-Blood)

Goyle, Gregory (Pure-Blood)

Greengrass, Daphne (Pure-Blood)

Hopkins, Wayne (Half-Blood)

Jones, Megan (Half-Born)

Li, Sue (Half-Blood)

Longbottom, Neville (Pure-Blood)

MacDougal, Morag (Pure-Blood)

Macmillan, Ernest (Pure-Blood)

Malfoy, Draco (Pure-Blood)

Malone, Roger (Muggle-Born)

Moon, Lily (Half-Blood)

Nott, Theodore (Pure-Blood)

Parkinson, Pansy (Pure-Blood)

Patil, Padma (Half-Blood)

Patil, Parvati (Half-Blood)

Perks, Sally-Anne (Half-Blood)

Potter, Harry (Half-Blood)

Rivers, Oliver (Muggleborn)

Roper, Sophie (Half-Blood)

Runcorn, Alice (Pure-Blood)

Smith, Sally (Muggleborn)

Thomas, Dean (Half-Blood)

Turpin, Lisa (Half-Blood)

Weasley, Ronald (Pure-Blood)

Zabini, Blaise (Half-Blood)

[x-files-polls]

Steve & Edy: Gays not buried! Also they manage to resolve conflict maturely and stay together. Pretty good queer rep for the year 2000.

Cher:

To jog your memory, here are the episodes they're from:

X-Cops: A filming of an episode of COPS gets in the way of the collaborative effort between the FBI and the local police department. Mulder later finds out that the monster feeds on fear. While Mulder embraces the publicity, Scully is not so sure of it. The episode was filmed as if it were an authentic episode of the TV series COPS.

The Post-Modern Prometheus: Filmed in black-and-white, Mulder and Scully investigate a letter from a single mother that leads them to a small town where a modern-day version of Frankenstein's monster lurks, Jerry Springer is an obsession, and Cher plays a significant part.

[cyphart]

THEN MEETS NOW 🇬🇧 Modern albums as classics

@CYPHART

Posters here

[dozydawn]

JC Penney, 1984.

Models: Allison Smith and Tracey Nash.

[oldtvlover]

So, tonight a minor shocker with Face of Evil, again from 1996 - and Hallmark!! Cast: Tracey Gold - Darcy Palmer Perry King - Russell Polk Shawnee Smith - Jeanelle Polk Don Harvey - Quinn Harris Mireille Enros - Brianne Dwyer and many more Story: In Face of Evil, Darcy Palmer (Tracey Golds) is a good-looking, blonde psychopath who can charm any man (it seems) into helping her – including the cop cabdriver in the final scene who is about to let her out of her handcuffs. In the course of the story, she takes on different identities (probably many, it is hinted, before the story begins), and erases the lives of those she devours. Her whole life is a tissue of lies and a closet full of corpses – as we get in Malicious (1996) and many such variations. Much of Face of Evil has a telemovie blandness of execution, but director Mary Lambert (whose career since early Madonna videos and Siesta in 1987 is intriguing from many angles) has some good gesture/action/visual-business scenes to work with. Such as the prologue, where Darcy tempts a cat to eat a bird she is feeding (much to the moral distress of a nearby little girl!). And especially the elaborate passage where she breaks into the University’s administration offices (an anti-heroine trait: she can get in anywhere – somewhat Hitchockian, à la Marnie [1964]), replaces a woman’s eye-drop liquid with acid, and then waits around the next day outside the building to reassure herself of the success of her plan – “It probably ate straight through to her brain!”, as she chirps to her (again morally horrified) classmates back in the dorm, watching the gruesome news on TV. Note, by the way, how absolutely bland/pretty and uninteresting the character of Darby’s friend Jeanelle (Shawnee Smith) is, always moping about her somewhat sleazy Dad (Perry King: perfect casting) who has neither time nor affection for her … Smith, by the way, has subsequently shown up in many horror movies of the Saw/Grudge variety, as well as the TV series Secret Life of the American Teenager (2008-2013). While on the matter of credits, let us also note the trajectory of writer Gregory Goodell, who has directed a bunch of telemovie thillers, as well as the horror movie Human Experiments (1980), and also wrote a guide to independent production. One of the distinctive and intriguing elements of Face of Evil is the role played by art. At the start, about to marry some hick named Quinn (Don Harvey), Darcy claims to be giving up her interest in painting. He tries to persuade her not to do this. That night, when she clears out, she takes her paintings (including “his” one, a gift to him, cut right out of its frame) with her. At University, inspired by the heavenly vision of art class, she works her wiles to switch her enrolment. Eventually, Jeanelle’s Dad will help Darby get her first exhibition. And not only is her art the explicit confession in surrealist-expressionist canvases of her actual criminal deeds – like stuffing a dead girl in her suitcase! – it also furnishes her with a kind of Nietzschean life-motto (shades of Rope [1948]): the artist must be free, with no restraining limits. Indeed, whenever Darcy psychotically cracks, it is precisely because someone, in her mind, threatens to curtail her artistic freedom. One of the most basic structures bequeathed to the modern thriller by Hitchcock and (before him) Patricia Highsmith in Strangers on a Train (novel 1950, film 1951) is the plot trope of “the fortuitously encountered stranger who enacts your most secret wish”. Face of Evil, adopting the evil gal pal template of Single White Female (1992) and other contemporary 1990s thrillers, takes this in an odd and highly perverse direction, which is in some sense also a scrambled reworking of the “Mom really did it” displacement-logic of Psycho (1960). In Darcy’s romancing of Jeanelle’s Dad, she does not merely take her BFF’s place as the beloved daughter – she does what the daughter longs to do but cannot: make love to him! And then, just to top it off, Darcy more-or-less throws exactly this wish-come-true in Jeanelle’s face. This logic also works, on a lesser but more humorous level, with the character of Quinn – whom Darcy rudely jilts, but who then comes after her, until he is trapped in a rolled-up car window and (discreetly) stabbed to death by her. Back at the point of his post-jilt rage, he informs his super-religious parents that he will return to the bar to once again take up boozing – the very bar “where I met Darcy”! © Adrian Martin June 2012 (taken from here now) Thoughts: Well, a normal looking woman is trying to lure a cat to kill a bird which she feeds. She gets interrupted by a young girl - and her fiance, Quinn, who introduces she as Darcy Palmer. She plays the perfect role until she has enough and flees from him - with their wedding rings and her own pictures (and one of his). At an airport where she meets Brianne, who starts college soon, both women just talk until Brianne goes to the restrooms and Darcy kills her, taking her identity and suitcase (with the body in it). At the college, and also earlier, she meets her new roommate, Jeanelle and they befriend quickly - until she sees Jeanelle's Dad, Russell (King with a ponytail first). In Darcy seems to grow a plan and she also switches her courses from music to art, her profession. Never mind, she sugarcoats Russell more and more as he likes art as well and she slowly begins to replace Jeanelle. Yet Jeanelle sees some holes in Darcy's story which changes anytime and she begins to research and phone to get the needed information. Darcy, meanwhile, has reached her goal and Russell has opened an exhibition for her - and she sleeps with him. Jeanelle has found out that Darcy is not even Darcy and so both women fight but Russell comes to the rescue of his daughter after finally realizing what is going on. The police arrests the woman who might weasel her way out, again.

Can be found on Youtube if I remember correctly. Enjoy!

[davidbrussat]

True: Andreas Restaurant, RIP?

Andreas Restaurant, offering Greek fare since 1966, though  closed (again) for remodeling. (facebook) Andreas Restaurant has reigned for decades as the favorite dining establishment on the East Side of Providence, R.I. Maybe not the best restaurant east of the Providence River, but surely the best on Thayer Street, often considered the Main Street of Brown University, and the first place most…

[potterblog]

Hypothetically, what if a new discord server existed for Ron fans, Draco fans, Snape fans, Marauders fans, Slytherin fans, Weasley fans, canon fans, rare-pair shippers, and multishippers to unite?

Would anyone be interested in joining a pro-canon, proship, slash-friendly multishipper-friendly discord open to all canon and non-canon ships? But specifically focused on any ships involving Ron Weasley, Draco Malfoy, Pansy Parkinson, Percy Weasley, Nymphadora Tonks, Millicent Bulstrode, Zacharias Smith, Ginny Weasley, Dudley Dursley, Sirius Black, Peter Pettigrew, Petunia Dursley, Molly Weasley, Arthur Weasley, Andromeda Tonks, Ted Tonks, Neville Longbottom, Albus Dumbledore, Severus Snape, and Minerva McGonagall?

These are my favorite characters, so I plan to share fanfic recs that focus on them to help boost the popularity of ships involving these characters, as well as gen fics about them! 🥰

It would be a group that is anti-ship-shaming, so no bashing non-canon ships like Dramione, Drarry, Snily, Tomarry, Tomione, etc! And absolutely no bashing of canon ships like Romione, Hinny, Drastoria, Jily, etc!

If you like both Ron Weasley and Draco Malfoy as characters, please comment or reblog this with some fanfic recs featuring them both positively as flawed, nuanced characters without any bashing!

I don't care what ship or what subset of the HP fandom you're from! ❤ This question is for everyone, but especially the multishippers and the gen fic fans! 🥰 Whether you ship both Romione & Dramione, Hinny & Drarry, Ronarry, Dron, Drinny, Tomarry, Remadora, Lucissa, Tedromeda, Jily, Snily, RonLuna, Ronsy, Drastoria, or random rare pairs, or if you're a Snape fan, a Marauders fan, a Weasley fan, a Malfoy fan, a Dursley fan, etc.

I'd love to know your fic recs that are both pro-Ron and pro-Draco! Bonus if these fics are also featuring Dumbledore, Snape, Pettigrew, Sirius, or other interesting & complicated canon characters! 🥰

[cultfaction]

Jamie Bernadette's serial killer film Sebastian now streaming on TUBI!

Sebastian is now streaming on Tubi and we have the trailer, poster, and synopsis. The crime-driven horror film in which a serial killer ravages a city stars horror icon Jamie Bernadette (I Spit on Your Grave: Deja Vu), Darius McCrary (Family Matters), Torrei Hart (Hollywould), and Luca Della Valle (Distant Vision). The supporting cast includes Clifton Powell (Ray), Cocoa Brown (9-1-1), Jermaine…

[jovialbasementbouquetblr]

2022：真诚的友谊对国际政治的重要性：中国对重要友谊的追求 （翻譯）

国际友好和友谊的含义是什么？各个国家的利益有相同之处，也有不同之处。19世纪英国的帕默斯顿勋爵 “我们没有永恒的盟友，也没有永恒的敌人。我们的利益是永恒的、永久的，而这些利益是我们的责任……” 正如人与人之间有许多种被称为友谊的关系–从Facebook朋友一直到父母与子女之间或夫妻之间可能存在的奉献关系，国际友谊这个词也涵盖了大量的领域。下面这篇文章，我使用DeepL 机器翻译程序进行了翻译，然后进行了审查，以确保没有重大问题. Nicholas Ross Smith & Tracey Fallon…

[notearsnora]

Emerald City Set plans, photos and concept art via @setcircle on Instagram. Full post caption:

Did you know the Emerald City Express weighed 58 tons? (That's about 127,868 pounds.)

Production Designer - Nathan Crowley

Supervising Art Director - Ben Collins

Senior Art Directors - Rod Mclean, Gavin Fitch Art Directors - Jenne Lee, Roxi Alexandru, Luke Sanders, Chris Peters, Sarah Ginn, Quinn Robinson, Jo Finkel, Hugh Mcclelland, Rhys Ifan, Gordan Champ, Peter James

Assistant Art Directors - Michael Pybus, Julia Tonetti, Sonia Kasparian, Triin Valvas, Claire Peerless, Greig Cockburn, Will Smith, Andy Young, Teri Fairhurst

Set Designers - Jack Leather, Tessa Flanagan, Jason Houssein, Alice La Trobe, Emma Savill, Jordan Muir, Charlotte Anthony, Grace Taylor, Shalina Bhamra, Melissa Wood, Emily Beswarick, Harry Taylor, Holly Cleaver, Angelica Sacrepaye, Imogen Dhesi, Nina Carroll, Martin Nice, Cayti Crozier, Noela Salvatierra

Model Makers - Jack Cave, Conrad Aryling, Colin Armitage, Emily Bates, Jacob Riley, Duncan Mude, Andy Fordham, Claudia Dance-Wells, Andy Baker, Roy Bell, Sidorela Shabi

Storyboard Artists - Giles Asbury, Tracey Wilson, John Coleburn, Kurt Van Der Basch, David Allcock

Concept Artists - Gerard Dunleavy, Vilius Petrauskas, Adam Leary, Oliver Beck, Saiful Haque

Concept Illustrator - Phillis Lehmer

Graphic Designers - Dan Burke, Anthony Noble, Esmeralda Power, Annabel Gibb

Assistant Graphic Designers - Aoife Reed, Laurine Cornuejols

(Of course, there are too many wonderful art department crew members to include in the list above. Please visit IMDB - Wicked (2024) - Full Cast and Crew!)

[jiraicake]

INTRO 🦭

KACI | 15 | SHE/HE | ESTP | JIRAI LIFESTYLER

⠀

ྀི︶︶intro post 🦭 dm/follow 2 b frends︶︶ ྀི

fav cases : Dnepropetrovsk maniacs, the academy maniacs, weis shooting (andrew blaze), elliot rodger, jodi arias, “syko sam”, the slenderman stabbing, Vladislav Roslyakov, Virginia tech shooting, Dylan roof, parkland shooting, Robert Hawkins, tracey wigginton, nd more

ྀི︶︶︶︶⠀

interests : true crime ( i dont condone ), eddsworld, yhs (sam gladiator), adventure time, oitnb, saiki k, FNAF, scream (all movies), WCTSC (menhera chan), sally face, class of 09, mlp,drawn together, aqua teen hunger force, creepypasta, mob psycho, moral orel, dmmd, cry of fear, scott pilgrim vs the world, suicide club, kamikaze girls nd more

ྀི︶︶︶︶⠀

music : paramore, evanescence, kero kero bonito, adventure time, motionless in white, my chemical romance, pierce the veil, candye syrup, kyurushite, seiko oomori, femme fatale, SHiSHi, kyary pamyu pamyu, kittie, cryalot, perfume, set it off, the smiths, mitski, the pretty reckless, linkin park, loathe, super heaven, mlp, crosses, sleeping with sirens, mudvayne, millionaires, she wants revenge, fleshwater, julie and more

ྀི︶︶︶︶

pics of me!

[leonardcohenofficial]

as is tradition here are my top nine new-to-me watches of the year—in no particular order (l-r, top row to bottom row):

the african desperate (martine syms, 2022) not a pretty picture (martha coolidge, 1975) anatomy of a fall (justine triet, 2023) the girls (mai zetterling, 1968) network (sidney lumet, 1976) the year of the cannibals (liliana cavani, 1970) all the beauty and the bloodshed (laura poitras, 2022) straight on till morning (peter collinson, 1972) microhabitat (jeon go-woon, 2017)

i hit 150 total films and my continual goal of half of the films by women and nonbinary filmmakers, and still definitely need to keep up with deliberately seeking out films by directors of color! feel free to tell me your faves if you’ve seen any of these 🖤👀🎬🍿🎥

i'll tag @privatejoker / @wanlittlehusk / @majorbaby / @edwardalbee / @draftdodgerag / @lesbiancolumbo / @frmulcahy / @nelson-riddle-me-this / @firewalkwithmedvd and anyone else who'd like to share their top watches of the year!

full list of films for the year is included below, favorites are bolded in red:

Farewell Amor (Ekwa Msangi, 2020)

Hell Camp: Teen Nightmare (Liza Williams, 2023)

Blacks Britannica (David Koff, 1978)

New Year, New You (Sophia Takal, 2023)

Family Band: The Cowsills Story (Louise Palanker and Bill Filipiak, 2011)

The Color Purple (Blitz Bazawule, 2023)

The Apology (Alison Star Locke, 2022)

Close (Lukas Dhont, 2022)

Unintended (Anja Murmann, 2018)

Other People’s Children (Liz Hinlein, 2015)

Omega Rising Women of Rastafari (D. Elmina Davis, 1988)

The Gypsy Moths (John Frankenheimer, 1969)

Be My Cat: A Film for Anne (Adrian Țofei, 2015)

Insomnia (Christopher Nolan, 2002)

Chowchilla (Paul Solet, 2023)

Intimate Relations (Philip Goodhew, 1996)

Monument (Jagoda Szelc, 2018)

After Sherman (Jon Sesrie Goff, 2022)

Remnants of the Watts Festival (Ulysses Jenkins, 1980)

Network (Sidney Lumet, 1976)

The Taking of Pelham One Two Three (Joseph Sargent, 1974)

Down Low (Rightor Doyle, 2023)

Our Father, the Devil (Ellie Foumbi, 2021)

The Zone of Interest (Jonathan Glazer, 2023)

Youngblood (Noel Nosseck, 1978)

Joy Division - Under Review (Christian Davies, 2006)

Being Frank: The Chris Sievey Story (Steve Sullivan, 2018)

Sun Ra: A Joyful Noise (Robert Mugge, 1980)

Fanny: The Right To Rock (Bobbi Jo Hart, 2021)

Depeche Mode: The Dark Progression (Alec Lindsell, 2009)

Kraftwerk And The Electronic Revolution (Thomas Arnold, 2008)

Blank City (Celine Danhier, 2010)

Oliver Sacks: His Own Life (Ric Burns, 2019)

Monster (Hirokazu Kore-eda, 2023)

Black Is Beltza (Fermín Muguruza, 2018)

Werewolf (Ashley McKenzie, 2016)

The Humans (Stephen Karam, 2021)

Relative (Tracey Arcabasso Smith, 2022)

The Believer (Henry Bean, 2001)

Lost Angel: The Genius of Judee Sill (Brian Lindstrom and Andy Brown, 2022) 

Animals (Collin Schiffli, 2014)

Scott Walker: 30 Century Man (Stephen Kijak, 2006)

Novitiate (Maggie Betts, 2017)

Hunger (Henning Carlsen, 1966)

Late Night With The Devil (Cameron Cairnes and Colin Cairnes, 2023)

The Stunt Man (Richard Rush, 1980)

New York Doll (Greg Whiteley, 2005)

The Iron Claw (Sean Durkin, 2023)

Your Fat Friend (Jeanie Finlay, 2023)

Scarred Justice: The Orangeburg Massacre 1968 (Bestor Cram and Judy Richardson, 2008)

Targets (Peter Bogdanovich, 1968)

Uptight (Jules Dassin, 1968)

Messiah of Evil (Gloria Katz and Willard Huyck, 1973)

Plastic Paradise (Brett O’Bourke, 2013)

You Hurt My Feelings (Nicole Holofcener, 2023)

Pretty Poison (Noel Black, 1968)

The Shout (Jerzy Skolimowski, 1978)

Shakedown (Leilah Weinraub, 2018)

Class of 1984 (Mark L. Lester, 1982)

Betty: They Say I’m Different (Philip Cox, 2017)

Beautiful Boy (Felix van Groeningen, 2018)

Anatomy of a Fall (Justine Triet, 2023)

Gimme Shelter (Albert Maysles, David Maysles, and Charlotte Zwerin, 1970)

The Beach Boys (Frank Marshall and Thom Zimny, 2024)

High and Low (Kevin Macdonald, 2023)

Brats (Andrew McCarthy, 2024)

I Saw The TV Glow (Jane Schoenbrun, 2023)

The Talented Mr. Ripley (Anthony Minghella, 1999)

Altered States (Ken Russell, 1980)

This Closeness (Kit Zauhar, 2023)

How To Have Sex (Molly Manning Walker, 2023)

American Commune (Rena Mundo Croshere and Nadine Mundo, 2013)

Look In Any Window (William Alland, 1961)

Private Property (Leslie Stevens, 1960)

We’re Still Here: Johnny Cash’s Bitter Tears Revisited (Antonino D’Ambrosio, 2015)

The Wobblies (Stewart Bird and Deborah Shaffer, 1979)

Last Summer Won’t Happen (Tom Hurwitz and Peter Gessner, 1968)

Goodbye Gemini (Alan Gibson, 1970)

Keyboard Fantasies: The Beverly Glenn-Copeland Story (Posy Dixon, 2019)

The Most Beautiful Boy in the World (Kristina Lindström and Kristian Petri, 2021)

The Passenger (Carter Smith, 2023)

The Boys Who Said No (Judith Ehrlich, 2020)

Synecdoche, New York (Charlie Kaufman, 2008)

Karen Carpenter: Starving for Perfection (Randy Martin, 2023)

...And Justice For All (Norm Jewison, 1978)

I Used To Be Funny (Ally Pankiw, 2023)

Badlands (Terrence Malick, 1973)

Straight On Till Morning (Peter Collinson, 1972)

The Same Difference: Gender Roles in the Black Lesbian Community (Nneka Onuorah, 2015)

Thanksgiving (Eli Roth, 2023)

Sorry/Not Sorry (Caroline Suh and Cara Mones, 2023)

Am I OK? (Tig Notaro and Stephanie Allynne, 2022)

Joan Baez: I Am a Noise (Maeve O’Boyle, Miri Navasky, and Karen O’Connor, 2023)

No Direction Home (Martin Scorsese, 2005)

Shutter Island (Martin Scorsese, 2010)

Water Lilies (Céline Sciamma, 2007)

The Strings (Ryan Glover, 2020)

The Crucible (Nicholas Hytner, 1996)

Woman of the Hour (Anna Kendrick, 2024)

The Platform (Galder Gaztelu-Urrutia, 2019)

Tabloid (Errol Mark Morris, 2010)

Will & Harper (Josh Greenbaum, 2024)

Miller’s Girl (Jade Halley Bartlett, 2024)

Give Me Pity! (Amanda Kramer, 2022)

Landlocked (Paul Owens, 2021)

Perfect Love (Catherine Breillat, 1996)

Not a Pretty Picture (Martha Coolidge, 1975)

Seeking Mavis Beacon (Jazmin Jones, 2024)

Renfield (Chris McKay, 2023)

Compulsion (Richard Fleischer, 1959)

An Angel At My Table (Jane Campion, 1990)

Longlegs (Oz Perkins, 2024)

Rare Beasts (Billie Piper, 2019)

Nightman (Mélanie Delloye-Betancourt, 2023)

The Changin’ Times of Ike White (Daniel Vernon, 2020)

The Substance (Coralie Fargeat, 2024)

The Year of the Cannibals (Liliana Cavani, 1970)

Fanatical: The Catfishing of Tegan and Sara (Erin Lee Carr, 2024)

The Loneliest Planet (Julia Loktev, 2011)

Marjoe (Howard Smith and Sarah Kernochan, 1972)

Witches (Elizabeth Sankey, 2024)

Angela (Rebecca Miller, 1995)

The Morning After (Richard T. Heffron, 1974)

Beach Rats (Eliza Hittman, 2017)

Last Summer (Catherine Breillat, 2023)

The Fits (Anna Rose Holmer, 2015)

Hold Your Breath (Karrie Crouse and Will Joines, 2024)

What Comes Around (Amy Redford, 2022)

Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)

Priscilla (Sofia Coppola, 2023)

The Girls (Mai Zetterling, 1968)

Sweetie (Jane Campion, 1989)

Victim/Suspect (Nancy Schwartzman, 2023)

The African Desperate (Martine Syms, 2022)

Les Nôtres (Jeanne Leblanc, 2020)

A Sacrifice (Jordan Scott, 2024)

All the Beauty and the Bloodshed (Laura Poitras, 2022)

My Name is Not Ali (Viola Shafik, 2011)

Committed (Sheila McLaughlin and Lynne Tillman, 1984)

Chained (Jennifer Lynch, 2012)

The Hour of Liberation Has Arrived (Heiny Srour, 1974)

All Power To The People! (Lee Lew-Lee, 1997)

Night Moves (Kelly Reichardt, 2013)

Destroyer (Karyn Kusama, 2018)

Late Night (Nisha Ganatra, 2023)

The Year Between (Alex Heller, 2022)

Loved (Erin Dignam, 1997)

Girl In The Picture (Skye Borgman, 2022)

Microhabitat (Jeon Go-Woon, 2017)

Dear Ex (Mag Hsu and Chih-yen Hsu, 2018)