#toy bonnie SNEAK

[iifevils]

can you guess who my favorite animatronic is

[chloesimaginationthings]

So that FNAF 2 movie teaser huh,,

[bunnyreaper]

boyfriend!johnny with his fleshlight he named after you

it's been a few days since you've seen johnny, him being on base for a few days for some intense prep before a long mission. 72 hours since he was last inside you, and he's been sending you feral texts whenever he gets the chance.

today, the messages end abruptly, being replaced instead with a simple video.

the frame is focused entirely on johnny's lower half, his taut abs tensing as he smacks the head of his cock against the sleeve of his fleshlight.

you watch, attention entirely stolen as he spits onto his cock and slips inside the little toy. his hand grasps around the shell, long fingers practically choking the plastic as he sinks in deep.

his groans echo out of your speakers, joined with the squelch as he smacks against the silicone.

"jus' not the same, bonnie." his groans turn into moans, moans turn into whines. johnny's hips snap back and forth rapidly, chasing pleasure from the toy. "might call her your name, but she's no' you. need the real you."

"need tae fuck yer properly again soon, aye? already been too long."

slap. slap. slap. he holds the toy against his desk, rutting into it like it's you he has spread out on the surface--the whole thing rattles with each thrust, and johnny's camera work starts to suffer.

"gonna have tae sneak ye on base before i go." he shudders out a breath as he withdraws his cock, exposing it to the camera. it's sticky with pre-cum and spit, the head still nestled between the lips of the toy--the ones that look just like yours.

the camera flips for a moment, switching to johnny's face--flushed and with sweat beading on his brow. his smile is satisfied and his eyes are blown with lust as he purrs into the camera.

"need ye, yer my favourite pocket pussy anyway."

[fnaf-news]

A sneak peek of Toy Bonnie's head for the next FNaF Movie was shown off in a Twitter post.

[zablife]

One Way or Another

Summary: When your brother Bonnie warns you about the darkness lurking beneath Tommy Shelby’s charming exterior, you heed his advice and break up. However, a vengeful Tommy vows to get you back and his ruthless tactics are worse than you could have imagined. 

Author's Note: Requested by a lovely anon who wanted to see dark!Tommy manipulate a reader into staying with him using Charlie as leverage. 

Warnings: language, dark!Tommy, manipulative behavior, allusion to non con (no graphic description), assault, discussion of pregnancy and adoption

You'd noticed the handsome, blue-eyed man the moment you and your family arrived in Small Heath. Intrigued by the mystery surrounding his enormous wealth and influence, you disobeyed your father's orders and began sneaking into town to catch a glimpse of Mr. Thomas Shelby. He soon took note of you as well, lavishing attention and gifts on you.

You even met his son Charlie a few times in his father's office. Giving voices to the toy horses and soldiers he would bring, the chubby toddler would laugh and grasp at your cheeks. You loved his laughter and often wished he was your own child. "You're a natural, sweetheart,” Tommy praised with a wide grin, which made you anxious for something more with him. You found yourself daydreaming about becoming Mrs. Shelby and giving him another baby.

Tommy wasn’t shy about expressing his own desire to you. A bottle of whisky and a sour mood had led him to confess that Charlie was not his son. He claimed it was an error in his judgement of character that would not happen again. This time he wanted things done in the proper way with the right woman, he said. You’d melted on the spot when he took your head between his large palms and kissed you full. His advances would escalate in the following meetings as he learned of your purity, more enamored with you than ever. You knew it was only a matter of time before he proposed to make you his completely.

However, someone in camp must have taken note of your frequent visits to Shelby properties because word quickly got back to your brother, Bonnie. "Y/n, what are you doing with him? He's not good for ya," he said furrowing his brow in concern.

"What do you mean, Bon?" you asked curiously.

“Don’t you know? You must,” he insisted, underestimating your youthful naivete. 

"He's the leader of the Peaky Blinders, Y/n. He's responsible for cuttings and beatings…murders. No one is safe round him. Not even you," he warned ominously.

"Surely not," you said, shaking your head in disbelief. Tommy was an upstanding businessman, or so you thought.

"Y/n, please listen to me," your older brother begged, sliding closer to you. "I wasn't supposed to tell you,” he said in a low, conspiratorial tone, “but Da and I are here to kill his enemies. And there's a long list. You don't want anything to do with Tommy Shelby, trust me," he stressed twisting his cap in his hands. 

After a lengthy conversation about everything he knew, including the murder of Tommy’s first wife, you were shaking with fear. Bonnie wasn’t easily spooked and it bothered you to see him this upset. “Alright, I'll keep my distance," you agreed, witnessing his agitation.

Bonnie sighed with relief, but you noted an apologetic tinge to his voice when he said, "I only want to keep you safe.”

You reached for his hand and gave it a gentle squeeze. "I know," you assured him and he relaxed back into his chair.

True to your word, you broke things off with Tommy the next day. You tried to be careful, explaining it in every conceivable way except the real reason. In your usual self effacing manner you babbled away to ease your nerves. "I'm much too young for you, Tommy. You'll get bored of me and everything I don't know. Surely you want someone more...experienced," you blushed.

Although he seemed to listen intently without judgment, inwardly he was fuming. It was your omission that told him everything he needed to know. Someone close to you had warned you off and he was certain it was your father or brother, perhaps both.

As you left his office that day, Tommy began plotting to get you back. Preferably in a manner that would punish you and your family. He would win you one way or another. Gambling was his livelihood after all and the odds were always in his favor.

----------------------

Two weeks later...

You heard Tommy's footsteps thudding on the stairs behind you, slowly and methodically. The rhythm pounded inside your skull like a drum, driving you to the brink of hysteria and quickening your own steps. He was frighteningly calm despite your obvious distress as though he enjoyed humiliating you. 

"Come back to bed, love," he urged in a saccharine voice that turned your stomach.  

Your body shivered in reply as you headed toward the sitting room in search of your coat. Blinking back the tears at your lash line and biting your tongue until it bled, you promised yourself you wouldn't let him see you cry. It had been the same tactic you used that morning when your father admitted he'd gambled away your innocence in a scrap metal yard when Tommy goaded him into a coin toss.

"You're going to allow this?" Bonnie yelled at your father, pacing the floor in anxious rage reserved for fight days. 

Placing yourself between him and the two blinders who had come to collect you, you mumbled, “I'll be alright.” It was a meager attempt to convince him and yourself. Turning to your father you asked, “It’s only one night?”

Watching from the corner of the room, deathly still, your father replied "I hope so." But his eyes were wide and filled with terror, the likes of which you'd never seen. 

A harsh tug on your elbow startled you out of yourself as Tommy towered over you. "Where do you think you're going, eh?" he asked tightening his grip, all attempts at gentle tactics now vanished.

"I'd like to go home to my family," you choked out desperately, fingers ghosting over his in a vain attempt to soften his grasp. If he held any affection for you, perhaps he would allow you to leave with a shred of dignity.

He smirked wickedly at your cowering form, “I don’t think you understand, love. This is your home now." Tucking your disheveled hair behind your ear to reveal a bite mark on your shoulder he added, "We're just getting started, you and I." His thumb traced a dark bruise forming higher up on your neck and you winced as he pressed into it. He placed a kiss to your lips and murmured against you, “Going to tell me how much you loved having me inside you, filling you up?” 

His nose brushed against yours as you pulled away. Taking a deep breath, you attempted to steady your voice. “Tommy, how can you expect me to stay after you hurt me like that?” you asked, eyes burning with tears as you relived the pain inflicted on your body and heart as you realized he’d never meant a word he said to you when you were courting.

“Everyone’s first time is like that, sweetheart. It couldn’t be helped,” he replied, caressing your cheek. You felt the bile rising in your throat as you thought of how rough he’d been, holding you down and rutting into you like an animal without any regard for your comfort. 

Mustering all your courage you asserted, “I don’t want it like that ever again.”

Tommy chuckled, “Every woman says that until she wants a baby. Then you'll be begging for it.”

You shook your head as you spat, “I don’t want a family with you.”

His eyes narrowed, large hand sliding down over your midsection as he tsked, “A bit late for that. You might already be carrying my child. What will you do then?” he asked with raised eyebrow.

“I don’t know, but I wouldn’t ask anything of you and I don't want..."

"I don't give a fuck what you want," he interrupted, eyes blazing with fury. "You belong to me,” he hissed, hand snaking down to your throat. 

“I'll never be yours!” you shouted, fighting against him. You were paralyzed by the feeling of your airway constricting under his crushing grip, reducing you to pathetic whimpers. He squeezed until your lungs burned from lack of oxygen, your fingertips scrabbling for his wrist and clawing uselessly. 

Leaning to whisper into the shell of your ear, hot breath fanned over you along with his terrifying words, “You don’t want to make things worse now, do you?”

Just as your vision turned dark, he relinquished you and you fell to the floor gasping for breath. Between coughing fits, you became aware of the housekeeper, Mary, standing in the room. When Tommy had summoned her you weren’t sure. Perhaps you had lost consciousness at some point because she stood with Charlie in her arms and the ringing in your ears soon turned to shrill crying. 

“Ch-Charlie?” you asked, reaching for the child with a hint of a smile in hopes of cheering him.The brightness returning to your eyes told Tommy all he needed to know. With clenched jaw, he  jerked his chin and Mary left the room as quickly as she had appeared. “What’s she doing?” you mumbled, attempting to stand despite the fuzzy feeling swimming inside your head.

Tommy didn’t answer, pretending as though he hadn’t heard you. He picked up the phone, adopting a business like tone, and began, “Good evening, put me through to Sister Agatha.” 

You could still hear Charlie’s desperate sobs echoing down the corridor as Tommy greeted the woman on the other end of the line. Standing on wobbly legs, you hesitated with uncertainty, wishing to comfort the boy. However, your attention was brought back to the cruel words you overheard next. Your jaw dropped as you heard Tommy proclaim, “Send someone to collect the child tonight.”

You scrambled toward him, a look of horror crossing your face. “What have you done?”

Tommy stood like a brick wall, cold and impenetrable. “What necessity dictates, my darling.”

“I d-don’t understand,” you stuttered in confusion, unable to think clearly while being tormented by Charlie's unending screams. Finally you begged softly, "May I hold him? He's upset." You stared at Tommy's stone like features, wondering how he could be so heartless toward a baby.

Taking his time to light a cigarette and toss the match into the fireplace, Tommy smoked quietly for a few moments before ushering Mary back into the room. He took Charlie from her and placed the toddler in your trembling arms. Within a few minutes the boy settled, his chubby cheek resting upon your shoulder. As your hand caressed his golden curls, his cries turned to quiet hiccups and you felt the gentle motion of his thumb sucking before his limbs grew heavy with sleep.

“Tommy, what’s going on?” you pleaded as fresh tears slid down your cheeks. “Why are you behaving this way?”

Tommy stalked to you in three long strides, forcing your chin to meet his gaze. Icy blue stare cutting into you sharply, he scolded, “You’re the one forcing me to do these things.”

You tried to shake your head in adamant denial, but his harsh grip kept you in place. Through pinched cheeks you sputtered, “I never told you…”

“But you did,” he bit back. “Weren’t you the one saying you wanted to leave? That you didn’t want a family with me?” He threw your chin away in disgust as your brain reeled.

“You’re twisting my words…” you protested, voice cracking with emotion. Looking down at the sleeping child in your arms you began, “Of course I didn't mean Charlie..."

Just then a knock came at the door, followed by two nuns announcing themselves as representatives of St. Hilda’s. You backed into a corner, holding Charlie to your body protectively, heart beating wildly as you thought of a way to save him.

“What a darling little boy," one of the nuns chirped despite the late hour. Then she added carefully, "May I take him now?”

Tommy caught your eyes from across the room, “Go on, sweetheart,” he urged. “Unless you’ve changed your mind?” 

----------------------

Tag List:

@peakyswritings

@evita-shelby

@shelbydelrey

@alanadetigy

@severewobblerlightdragon

@lovemissyhoneybee

@theshelbyslimited

@kittycatcait219

@callsign-fangirl

@notyour-valentine

@areyenotfondofmelobster

@polishcrazyone

@elenavampire21

@little-diable

@lyarr24

@jomarch-wannabe

@the-fangirl-diaries

@kmc1989

@stilestotherescue

@helen06dreamer

@chaosinkest1996

@pietroxreader

@thomashelbyswife

@peakyltd

@gypsy-girl-08

@look-at-the-soul

@calummss

@kpopgirlbtssvt

@dandelionprints

@l1-l4

@rangerelik

@babayaga67

@runnning-outof-time

@brummiereader

@cillmequick

@call-sign-shark

[loopscereal]

Day 6: Rivals, First time meeting

OK!!!! With one minute to midnight to spare (for me) jajhaa

OK. Rivals. They are both inherently rival bands yes, but them two, Meg and Fred specifically, i can see as true rivals. The truly are a match for each-other musical abilities and would fuel one another to one-up the other, grow their talents due to being evenly matched with someone else. The two biggest talents of the entire school. First time meeting. I feel like they would meet at a local concert or the muelles if you want a specific fnafhs location. I feel like, and have had the headcanon, that the toys go to local shows/concerts, to study! They go out an study musicians who have "made it". Musicians who have found their audience, their sound, their methods all that. I feel like, they take the band thing very seriously, Mangle especially. So they go out and study, record video take tones of things like audience reception, techniques, how the band-mates interact and work together, the lyrics, the melody. Taking note and absorbing as much as they can to learn and become better as a band. They try and see a wide array of different bands/genres to try new things, to see if they can find something to apply to THEIR worth ethic and habits even the most unlikely of places. OK the toys go and study at local shows, cause they take this music stuff way too seriously for their own good. Fred, we already know he sneaks out to go out and sing his heart out. That gives them a place to meet properly for the first time, though, Fred would have known about the toys before hand. He should have already run into Joy himself when he took over the first time, and before that, he technically should've been watching when the Toys tried to put the animations in their place with Joys singing and Bons v Bonnie guitar battle and whatnot. He should have heard/seen Joy step up and say that the Animatronics don't deserve to have Meg waste their voice on them, and that she will handle it instead and sing.

they don't deserve Meg to "waste their voice on them." they dont deserve the best they have. I dont think Fred would let that go OR let it slide. He think he's worth and capable of meeting them at their best, he thinks he can and should go up against their best. so! he challanges Mangle to a duet the second he get the chance. He wants to see what theyve got, what was so good about them that they had to preserve their voice from people "undeserving" of hearing them. He wants to see if they live up to that lil comment that he is 100% blowing up out of proportion. He challanges The Toys, but specifcally Meg to a music/singing battle to see if hes really that good. Meg is very much NOT happy about it, he feels as though his band and he himself has taken a hit to their egos. The guitar battle was a tie at BEST and that still Meg awfully shaken and uncomofrtable, getting matched muscially in any way. Their ego is bruised. So seeing this attitude from a member of the same band makes them view Fred as incredibly arrogant. Like this band of nobodies think they're all that and can skip all the work youre supposed to do as a band to get anywhere and just topple the established groups so easily. Megs gonna take up that challange, out of frustration and anger, out of wanting to mend his own ego, oout of wanting to put this stupid band in his place as she feels they had failed to. If he had done this from the beginning maybe he wouldnt be feeling so uncertain and sour and bruised. they of course, are a match for eachothers talents, and neither of them want to admit that theyve been match in any way and leave that battle acting as if they had one that, they had some fun in the moment cause yeah they love singing, it really is their passion, but neither of them truly feel like they won and thats gonna eat away at them. Theyve both alwyas been the best, completely unrivaled, until recently. and it is uncomofortable, but absolutly awakening a competitive nature they both have within

Tldr i think they’re both crazy and ahould explode into a billion peices

theyres probably a better way to ohase all of this but i am not a writer in the slightest… i cannot soeak nicely im sorry. just know im crazy that is all

+ i think ita funny that 3 of us did meg ships with the rivals prompt. this characyers can fit so much antagonism lol

[artist-issues]

I saw you answer an ask on Toy Story, which was super interesting, and also say:

"It’s an incredibly good movie series. Not Toy Story 4. But the rest of the series."

I didn't actually see Toy Story 4 because I felt the first three tied the story up very well, and we got a really good arc through those first three. It just felt unnecessary, and what I did see from it didn't make me eager to go out and watch it.

Could you expand on where you think Toy Story 4 goes wrong? If the other three convey selflessness, living and finding purpose, then what does that Toy Story 4 try to convey? Does it contradict the others?

I think Toy Story 4 goes wrong by trying to make Woody selfish. I mean, you could say that he isn't selfish to leave Bonnie and his friends and embrace the "Lost Toy" lifestyle. You could say "he just went from taking care of one kid who didn't really need him anymore to taking care of every lost kid who could need him, and finding lost toys homes. That's what was happening with the lost little girl at the end!"

Okay, you could say all that, but you'd be wrong, because 1) that is not what was happening at the end. And 2) even if it were, that is not a selfless ending for Woody. Furthermore 3) it undoes all his character development and progression from the first three.

You didn't see the fourth movie, right? So let me break it down a little.

Woody's character progression goes like this:

1: Obsessed with being The Most Important Toy to Andy --> Remembering that what's great about being a toy is being there for Andy when he needs them, regardless of how often or special that is.

2: Fine with no longer being The Most Important Toy to Andy, but considering leaving because Andy will eventually not need him, ever --> Realizing that being there means being there, even if it's just to watch and love from a distance, instead of protecting yourself to no end.

3. Committed to Being There even if he's not needed --> But this includes being there for his friends, even after they choose to abandon him and the mission. (It's important to note that Woody only offers ((by getting in the box to Bonnie's)) to leave Andy if Andy chooses to give him to a kid who needs him more.)

The whole idea is that Woody belongs to someone. He's not his own. He's a toy. Toys belong to their kid; they don't have the right to just leave. If they did, they'd be bad toys. Because you never know how much a kid will be heartbroken, or whether or not they might need you down the road. Every movie before Toy Story 4 is Woody doubting that, but then coming back to it. That's why in Toy Story 3, when everyone is in Andy's Room sad because he won't play with them and he's about to leave, Woody is totally onboard with staying in the Attic for years—because maybe they'll get to be played with by Andy's kids. He's loyal, and selfless, because he knows he's not his own. He's willing to go to Bonnie only because it'll mean staying with his friends where they're needed; but ONLY if ANDY willingly gives them up.

Enter Toy Story 4.

Woody's having a hard time adjusting to Bonnie's Room because 1) he doesn't get played with, his role in the games is taken by Jessie. So he's right back where he was in the first movie, stuck in a closet watching another toy get played with. And 2) Dolly is the leader of the room, so he's not even really allowed to be helpful to his friends during their off hours, because she's got that covered. So he feels directionless.

UNTIL Bonnie goes to school for the first time. She's not allowed to bring toys. Dolly is fine with this but Woody goes anyway because he's sure Bonnie will need something.

And in this beautiful first portion of character development for Woody, he does not sneak out of the backpack and get Bonnie to gain comfort from him, her one and only toy, at daycare. Even though he totally could've. He could've seized his moment in her heart. But he didn't. Because he already learned that lesson in Toy Story 1-3: he doesn't need to be everything to the kid. He just needs to do what's best for the kid, and to do that, he has to be there.

So instead he throws her a bunch of craft supplies to play with when nobody sits with her. She gets distracted by making Forky, a toy made from a spork and some pipe cleaner.

Bonnie is, from that moment on and throughout the rest of the movie, without exception, OBSESSED with Forky. There is no other toy in her mind. But Forky is a lot like Buzz was in the first movie after learning he's a toy: he doesn't understand what's so great about that, and would rather go back to being trash. He keeps trying to jump in garbage cans while Bonnie's family takes a road trip. And for some inexplicable reason, none of the other toys really care about this. But Woody, knowing what Bonnie needs, basically posts a 24-hour suicide watch on Forky and keeps pulling him back over to Bonnie, out of the trash.

The problem is, Woody isn't that excited about this. He is just doggedly resigned to it as his duty. He keeps rescuing Forky and getting no love in return; Buzz sort of tries to be supportive and offer to help, but nobody else seems to care about Bonnie and Forky, and Woody thinks this is his only way to be useful so he really doesn't want their help.

Which is stupid. Because if he were really committed to being selfless and loving Bonnie, he'd let everyone help. Because the point isn't "how will I feel if I fail to do this on my own? What's my purpose?" That's selfish. It's "you-focused." The point should be "How can we get this job done best for Bonnie?" with no consideration of "self." That would be selfless, which is the point of Toy Story movies.

Anyway. I'll speed up.

Basically by Act 2 Forky comes to understand (thanks to Woody) how great it is to be a toy. But no sooner does he want to go back to Bonnie (on the road trip) than Woody suddenly gets distracted. His whole life's mission of doing what's good for his kid is derailed because he finds Bo Peep again. Meanwhile, Forky is captured by a villainous antique doll with no voice box, who is fixated on being bought by a little girl and thinks that if she had Woody's voice box her dreams would come true.

Bo Peep has been living as a Lost Toy. Basically the movie sets this up as if Lost Toys take care of each other, patching up injuries and having fun together even when no kids are around: they're just doing the same sort of thing that the reformed toys at Sunnyside Daycare do. But in a playground/fairground setting.

Bo Peep doesn't want to be with one kid. She wants to keep doing this more selfish lifestyle, where she can be played with whenever she wants, help toys whenever she wants, and avoid the heartbreak of a kid abandoning her.

Understandable.

But thats the opposite of everything Woody's learned in the last three (and a half) movies. He could've made the decision Bo Peep is making at any point in Andy's childhood. But he's already learned that being there means Being There, regardless of what the kid can do for you.

I mean, I hate to point it out, because I know people will try to make it an allegory for "staying in an abusive situation," even though that's NOT what I'm saying, but seriously—think back to Sid's House in the very first movie. They don't lead all the broken toys to a life of freedom. They force Sid to be a better kid, but the broken toys stay there. Because they're Sid's Toys.

Contrast that with the "hardship" Bo Peep has been through...Bo Peep just...got pawned off. She didn't have body parts removed and sewn onto other toys. She didn't get strapped to a firework or melted down. But she's treated like this revolutionary, independent, strong-woman toy who's introducing this great concept of freedom to Woody.

That's all wrong for Woody. And for most of the movie, he resists it, so that's good.

But what it comes down to, at the end, is Woody deciding to choose what he wants over his ideals of selflessness and loyalty. He wants to stay with Bo Peep (because romance) and he wants to be needed. Lost Kids and Toys "need" him more than Bonnie.

To be fair, they try to build up to this in a way that makes sense for his character. They try really hard, they do. They show that Woody is still selfless when it comes to the happiness of kids and toys; he willingly gives up his voice box so that Forky can go back to Bonnie, and the doll villainess can have a shot at her dream. They show that he's ready to support that villainess and help her find a kid she could be true to even after the kid she wanted rejects her. They show that he really was going to leave Bo, even at the very end, even though he didn't want to—and it takes Buzz insisting that Bonnie will "be all right" without him for Woody to give it all up.

They do try.

But that's the thing. The only way they could set up Woody's decision to abandon his friends and his kid for life as a Lost Toy was by centering it around this idea of "where I'm needed."

But 1) "where I'm needed" is too self-focused for Woody, because of all the reasons in Toy Story 2 and 1, and 2) you can't have it both ways. You can't say Woody's all about "where he can be of service best" and all about "what he wants." Those two focuses contradict one another, in Woody's case.

That's what it boils down to. They took the characters that are literally made to say, "live your life for others, love regardless of whether or not you're loved back," and they try to say, "nooo, actually, that's toxic, you have to do what you want, what feels most fulfilling to you, self-care, etc." And they do their best to shoehorn Woody into that by saying "what he's most fulfilled by is being needed."

That's all wrong for Toy Story. Woody developed away from making all his decisions based on where he's "needed" in Toy Story 2. Woody expressed loyalty to both Andy and his friends perfectly in Toy Story 3 by putting himself in Bonnie's box and letting Andy decide, his owner decide, where he should be.

And then Toy Story 4 comes along and says, "No, Woody gets to decide, and he decides where he's needed, and he's fine with separating from not only his kid, but his friends."

This post is already too long but also, if you try to spin it so Woody's still in-character and selfless by helping Lost Toys find kids, it starts to make no sense. If the Lost Toy lifestyle is so great, because you can pick up playtime with kids and put it back down whenever you feel like it—and you should, because kids will always get older and throw you out—why should Woody ever help Lost Toys find a kid to go home with? Why wouldn't he say, like Bo, "hey that's nice but eventually they'll grow up, it's a dead-end, just stay out in this playground with us. That's what's best for you. Be a Lost Toy like us."

The only possible answer to that question, which IS supposedly Woody's fulfilling ending, is, "Because maybe some toys just 'want' to go home with one kid. And if they do, they should be allowed to do what they want. And Woody can help them, because helping them is what he wants."

Allll back to "what YOU want" which is the opposite of being a toy. Anyway. The horse is dead, I'll quit beating it.

[mariamakeslemons]

Convention Trip with 141: Part 3 Mall trip!

So, I'm going to confess: when I go to conventions, it's usually near a relatively big mall. It's a bit of a break from the Con. That being said...

------------------------------------------------------------------------------

You and your soldier head to the mall as both a break from the Con as well as making sure you're still doing something fun.

-Leave your wallet at the hotel, Love. Price is going to be your sugar daddy today.

-He trails after you, more than ready to carry any bags you need carried. However, you end up carrying your own bags after he threw his back trying to be manly for you.

-If your mall has it, he's pausing at the woodworking shops, at the sports shops that have fishing equipment, the book store. If he doesn't pull his back, you offer to carry his bags while he carries yours. Just don't go to the bathroom, because he'll snatch up those bags.

-Soap is dragging you into a toy store or a toy store. Those science kits aren't going to blow themselves up and he's been needing to pick up a new strap for you to fuck him with.

-You need to be careful if you try on clothes in the changing room. Soap is acting like a dog if no one else is in the changing area, pawing at the door and pleading that you let him in, bonnie. He needs to see how it looks going on.

-Even if someone's in the room, he's being extra silently. His knee is bouncing as he begs through text.

-He's going to drag you into random stores to try on very specific clothes. Even if you're a guy, AMAB, or trans, he's going to put you in a dress that has his clan's tartan and going to drool all over you in it.

-Gaz is stopping by Bath & Bodyworks, Lush, Sephora, any make up/skin care shop. He's helping you find skin care items to help with anything you're self-concious about and makeup you want to wear.

-Like Price, he's going to carry your bags, although he's also more realistic. If it's too much for him, he'll apologize but he's not carrying more.

-Stop by a bookstore, he's immediately going to the "bodice ripper" books. Gaz calls you over so you both can giggle over the silly descriptions.

-Why would you do this to your boy? Ghost is already on edge, and going to a mall is going to make it worse.

-Anyway, he's shadowing you through the whole mall, glaring at anyone who looks at you too long. No catcalling or harassment on his watch. Not to his Love.

-Stop by the cookie counter, or chocolate shop, and Ghost is staring at certain sweets. Buy them. Buy them for your handsome guard dog, and hand feed him when you return to the hotel. Then prepare for his thanks in the form of oral.

-Hot Topic and Spensers are stops too. It's more for the stupid shirts and seeing more goth aesthetic ideas for Ghost to incorporate into his gear. If he sneaks a sex toy into a purchase, well, he knows how to use it on you.

[send-me-a-puffalope]

genuinely curious, but for the second fnaf movie, what would be like. your ideal movie. like beginning middle end kinda deal. what would be the main conflict. that kinda thing :D

God, what a loaded question. I genuinely don't know. I know the FNAF 2 movie would probably have to hit the main 3 points: Mike, Abby, and Vanessa going to another Freddy's location with haunted murderous animatronics, flashbacks to the MCI/general Afton backstory, setup for Springtrap to come back for the FNAF 3 movie. And I'm like confounded how that would work in a way that is satisfying character arc-wise, since I already went on a ramble a few asks back about how conclusive Mike and Abby's story arcs have felt to me, and how there's no more interesting internal conflict for them to be addressing in the second movie and they have no connection to Afton other than Garrett's death.

I'm sure Mike's story in the FNAF 2 movie will still be following him coming to terms with Garrett's death and perhaps getting closure by meeting Garrett's ghost in the puppet, but man, they already addressed the fact that he can't change the past in the first movie. I want Vanessa to be the main character so bad but I feel like the movie wouldn't be complete without Mike and Abby being there in some way. Okay I'm about to go on an incoherent ramble that has very little structure and I'm just gonna need you to bear with me alright.

I'm thinking a new Freddy's location opens---a shock to everyone, especially Mike and Abby, considering the fate of the previous Freddy's---and new "Toy" animatronics are taken out of inventory to perform there. There's rumors that the animatronics from the collapsed Freddy's location were dug up and were now being repurposed from parts. Mike is perfectly happy having nothing to do with Freddy's again but Abby is talking with her "imaginary" friends again, unbekownst to him because she's scared of ruining the smooth sailing they've been in. They're asking her to come help them, that they're hurting them by taking parts from the suits (don't ask me how none of the technicians found the dead bodies, idk man its fnaf) and Abby sneaks out to get to the pizzeria.

Mike discovers that Abby is missing but sees her latest drawings, which feature the ghosts again and goes to find Vanessa, who he hopes has more experience with. uh. dead ghost children. I'm just really obsessed with this screenshot from Unintended alright, I just really want a shot of Mike knocking on Vanessa's apartment door and for the audience's first look at FNAF 2 movie Vanessa to be her at basically rock bottom, her hair greasy with heavy eyebags.

I think act 2 starts here. Where we then cut back to what Vanessa's days have consisted of in the past few weeks. Essentially, she quit her job and has lowk been rotting in her threadbare apartment fighting with the guilt of betraying her father. Doing anything would bring about memories. washing her clothes would remind her of how her dad had taught her how to remove bloodstains, cooking was too overwhelming because she hated the feeling of the kitchen knife in her hand, and I want to kinda use how Scott intended Burntrap to be in SB -> Vanessa's paranoia and terror manifesting as her father/Springtrap/maybe even Shadow Bonnie in the corners of scenes, always watching her. When Mike shows up to her apartment saying that Abby was missing, she takes the chance to get out of those four white undecorated walls and try to "redeem" herself by finding Abby. Prove to Mike (and moreso herself) that she was a good person.

I want Mike and Vanessa to show up the location, it's late but it's still open. There wasn't many people left. Mike's hesitant to get too close to the animatronics but Vanessa is oddly facinated by them. They looked like her father's designs but there were design details that felt foreign to her. Toy Chica is the first one who begins to act oddly. She mentions Mike having a sister despite Mike not ever mentioning having a sister. She's the one who brings them to the back to find Abby. When they eventually do, Abby is chatting happily with the toys. Mike ends up taking her home but Abby bargains to let him bring her after school. He hesitantly agrees, mostly because he's disconcerted about these animatronics also being possessed.

Lowk don't have too much more fleshed out rn but I'm thinking maybe on the fourth day/night, that it's revealed that the toy animatronics were not actually programmed by William but rather Henry Emily, who shows up for the first time right as one of the Gang is about to be murdered by one of the animatronics. I'm thinking Henry is Mike's dad, who "ran off" according to the movie novel.

He'd set up this pizzeria as a way of always being close to his dead son (Garrett) while also luring William back and but it didn't go to plan because he doesn't know William is dead. Even after finding out William is dead, he wants to keep the business going to give the dead children a "happiest day every day." Mike's childhood memory is unreliable. A big reveal is that while Mike has been guilting himself for so long over not being able to remember Garrett's kidnappers face, Henry has known all along. He knew who killed his son and he never told Mike because he never had enough evidence to get Afton convicted.

But he's not a fully good person either, he treats the children haunting the animatronics like they're dogs to help him reach his goal. He controls them similarly to how William did, which rubs Vanessa the wrong way. We get flashbacks here about William and Henry's relationship, we witness the kidnapping of Garrett from William's POV, we witness Vanessa seeing a glimpse of Garrett when she was younger before his death. Abby get close to Henry, though Mike is still weary because this is no longer the same man he remembered and feels betrayed. Vanessa slowly withdraws from the group, only slightly motivated by the fact that she resented that Mike and Abby had a second chance to reconnect with their father, and she gets closer to the ghost children (lowk feel like theres too many ghost children in the FNAF 2 location to make this impactful but whatever). We get a flashback to Vanessa witnessing the MCI here and a heart to heart with the MCI victims about how she'd always stuck by them even as she grew up and they stayed forever young. She apologizes but they don't blame her for surviving and what she did under the thumb of William. After all, they were controlled by William to do awful things too. Also there's a Garrett and Mike + Abby scene in here somehwere. Vanessa begins tampering with the animatronics, severing Henry's control from their wiring.

Vanessa and the children plan to set the place ablaze. Henry is furious when he finds out that his own son was working with Vanessa to burn down the Freddy's -> allow all the spirits to move on in the fire by burning all the suits. He grabs Vanessa by the collar and yells at her, revealing that he worked more closely with William than any of them knew and that he had even helped William with his haunted animatronic experiments before his son had become a casualty to William's obsession. The reason he never reported his son's murder was not because of a lack of evidence, but rather fear that his accompliceship would be discovered. The children respond that this isn't freedom to them. This isn't happiness. They were tired and they wanted to move on. I'm thinking none of them die in this fire but none of them trust each other any more because they were all chronically bad at communication and keeping important information from each other.

Henry, Vanessa, Mike + Abby all go their separate ways and the children get to move on. Freddy's 2 burns down. Post credits scene is Vanessa back in her apartment. She opens her closet door and stares at the dead body of her father in his Springbonnie suit, immobile and staring at her with glowing white pupils. Not really sure where this would go in setting up a FNAF 3 movie but I was kinda just thinking morally gray Vanessa who no longer has a support system -> a chance to build up to a Vanny arc or smth. I haven't read through any of what I just wrote so this could make 0 sense whatsoever. Would it be a good FNAF 2 movie? Maybe not. Would I enjoy it? Maybe yes. Some things sound cool on paper but would be ridiculous/too crowded for a movie.

[ut-girl666]

EthGoesBoom crew as Incorrect Quotes

Mainly Focused on FNAF 1 band, BB, Goldie, and Puppet

«—-–-—»

Bonnie: so cool, so cool, so cool, so cool, so cool, so cool–

Foxy: Bonnie, what are you doing?

Bonnie: *keeps saying “so cool”*

Foxy: Bonnie.

Bonnie: *keeps saying “so cool”*

Foxy: Bonnie!

Bonnie: *still saying “so cool”*

Foxy: *reaching his hands around Bonnie’s throat* SHUT THE FUCK UP, BONNIE!

[reference]

«—-–-—»

Springtrap/William Afton: and without looking up at me, my very first creation just said:

Golden Freddy: *still reading his newspaper* you have the moral backbone of a chocolate eclair.

«—-–-—»

*Puppet talking to Fredbear*

Puppet: I am very small.

Puppet: and [one of our makers is a murderer] I have no money.

Puppet: so you can imagine the kind of stress that I am under.

«—-–-—»

*After the murders in 1987 / at FNAF 2 Location*

Puppet: Hold the fuck up.

Goldie: Excuse me?

Puppet: I said hold the fuck up.

Goldie:

Puppet, cradling a dead child’s body, a waterfall of tears streaming down his face: I'm the fuck up, hold me.

«—-–-—»

Puppet: You know, studies show that keeping a ladder in the house is more dangerous than a loaded gun.

Puppet: That's why I own TEN guns.

Puppet: Just in case some maniac tries to sneak in with a ladder.

«—-–-—»

Goldie: What are you writing?

Puppet: The government wants to know what kind of weapons we have in the pizzeria. I'm letting them know it's private information.

Goldie, looking over Puppet's shoulder: This just says 'fuck around and find out' in calligraphy.

«—-–-—»

Foxy: The only thing keeping me from running away and hiding from society for the rest of my life is spite. I could disappear forever, but there are some bitches whose downfalls I have yet to witness, and I wanna be around when that happens.

«—-–-—»

Cop: You ran a red light.

Foxy: So did you, hypocrite.

Cop: I was following you.

Foxy: That was dumb, l'm a terrible driver.

Cop: Get out.

«—-–-—»

Bonnie: I truly believe that water can solve all your problems.

BB: Weight loss? Drink water.

Freddy: Clear skin? Drink water.

Foxy: Want to get rid of someone? Drown them.

«—-–-—»

Foxy to Bonnie: Me? I'm the bee knees, but, you? You're just...

Puppet: Cockroach ankles!

Foxy: Ye– uh, what?

«—-–-—»

BB: Is five a lot of followers?

Puppet: Depends on the context.

Puppet: On Instagram? No, not a lot of followers.

Puppet: In a dark alley? Yes, a lot of followers.

«—-–-—»

Freddy: Foxy isn't answering my calls.

BB: Let me try!

Freddy: I tried 6 times, what makes you thi-

Foxy: *picking up after the first ring* Hello.

«—-–-—»

Puppet: Clownery. Tomfoolery. Absolute fuckery. I am going to revoke your life privileges.

«—-–-—»

Foxy: If you think I'm playing favorites, you're wrong. I like all of you equally!

Foxy, earlier: I don't care for Bonnie.

«—-–-—»

Puppet: I was just diagnosed with deez.

Foxy: Good, I hope it's lethal.

«—-–-—»

Villain/Antagonist: Nothing in life is free.

Bonnie: Love is free.

Goldie: Knowledge is free.

Puppet: Friendship is free.

Foxy: Self-respect is free.

BB: Everything's free if you don't pay for it.

The Squad: ...

Freddy: BB, that's illegal-

Foxy: No no, let him finish!

«—-–-—»

Chica: BB was in a fight!

Freddy: Oh no, that's terrible!

Foxy: Did he win?!

«—-–-—»

Goldie: Are you sure this is safe?

Puppet: Safer than Flintstone vitamin gummies in a bottle.

Puppet: Keep twisting, junior! All you're gonna get is clicks.

«—-–-—»

Foxy: Who the fuck added me to a fucking group chat?

Freddy: >:O language!

BB: Yeah, watch your fucking language.

Foxy: Okay, who taught BB the fuck word?!

Bonnie: 'The fuck word'.

Goldie: Are you stupid? You guys use the f word all the time.

Foxy: Oh my god he censored it

Chica: Say fuck, Golden Freddy.

Foxy: Do it, Golden Freddy. Say fuck.

«—-–-—»

Toy Chica: I'm having problems with a guy...

Mangle: Like his dead body won't fit into your trunk kind of problems, or you like him kind of problems?

«—-–-—»

*Golden Freddy is trying to give Freddy a mentor-student pep-talk*

Goldie: You've got to learn to love yourself.

Freddy: But don't you hate yourself?

Goldie: Yes, but this is about you. Stay focused.

«—-–-—»

*The Crew at Disneyland, in the teacups*

Goldie, Freddy, and Toy Freddy: *spinning a little and talking*

Foxy, BB, Bonnie, Candy, and Puppet: *flying past them, spinning as fast as they can, screaming*

«—-–-—»

Chica, opening a Capri Sun: Guess I'll drink my sorrows away.

«—-–-—»

Goldie: This is a very powerful artifact. You'd be messing with some forces we don't fully understand.

Foxy: That sounds like a dare to me.

Goldie: *facepalming* Oh my god.

«—-–-—»

Foxy: Hey there demons, It's me, ya boi.

Bonnie: Foxy, NO!

«—-–-—»

Foxy: I'm so tired of this life. I want to be a roomba. I want knives taped to me. And I want to be set loose.

«—-–-—»

Foxy: Don't worry, I have a permit.

*Goldie and Freddy both look it over*

Goldie: *levels Foxy with an unimpressed stare*

Freddy: ...This just says "I can do what I want".

«—-–-—»

Foxy, holding a kettle: Coffee or tea?

Toy Freddy: Tea.

Foxy: Wrong. It's coffee.

«—-–-—»

Chica: You didn't cry when bambi's mother died?!

Foxy, sarcastically: Yes, it was very sad when the guy stopped drawing the deer.

«—-–-—»

Bonnie: Hey, are you okay?

Foxy: Yeah.

Bonnie: You don't look okay...

Foxy: Then stop looking.

«—-–-—»

*Goldie, Puppet, and Spring Bonnie are in yet another argument about ST/WA*

Spring Bonnie: You know what you two’s problem is?

Puppet: We only have one?

«—-–-—»

Candy: Could you guys at least try to see this from my perspective?

Freddy: *crouches down*

Puppet: *lowers into a kneeling position like he’s in his box*

Goldie: *moves into a sitting position in the air and lowers to be at eye level*

Candy:

Candy: I hate all of you.

«—-–-—»

JJ: The only thing I'm guilty of is being adorable!

JJ: ...and also assault with a deadly weapon.

«—-–-—»

BB: Puppet won't wake up, what do I do?

Foxy: Did you try kicking them?

BB: Yes.

Foxy: I'm out of ideas.

«—-–-—»

Chica: Last night, I had a dream about sandwich pizza.

Goldie: What?

Chica: It was pizza with bread on the top and the bottom.

Goldie: So a calzone?

Chica: You can't just name things I dream up.

«—-–-—»

*Mike/Micheal is making a phone call to Mary (FNAC SG)*

Mike: It is 5:09.

Mike: I am wondering why l'm still alive.

Mike: Send Wendy's.

Chica: The whole restaurant?!

«—-–-—»

Bonnie: Hey Foxy, can you give me the opposite of these words?

Bonnie: Always, Coming, From, Take, Me, Down.

Foxy: Never, Going, To, Give, You-

Foxy: *realizes*

Foxy: The fucking satisfaction.

«—-–-—»

Freddy: Which country has the most birds?

Freddy: Portu-geese!

Bonnie: That's a language.

Freddy: Portu-gull?

BB: Good recovery.

Chica: I think you mean good re-dovery.

Foxy: TURKEY. HOW DID WE MISS TURKEY?

«—-–-—»

Chica: Problem, I can't tell if this food is over-sauced or undercooked.

Freddy: Solution, just pop it back in the oven for another 10 minutes. There's at least a 50% chance that'll fix it, right?

Chica: Result? Food has somehow become unpleasantly soggy and unpleasantly crunchy at the exact same time.

BB: No better time than this to pull out my favorite word! Slunchy!

Bonnie: ...put it away.

«—-–-—»

Puppet: I told Foxy that his ears glow when he lies.

Toy Bonnie: Do they?

Puppet: No.

Toy Bonnie: Then why did you tell him that?

Puppet: Because I can do this–

Puppet: –Hey Foxy! Do you love us?

Foxy, with his hands over his ears: No.

«—-–-—»

Foxy: You are, of course, wondering why it is I have brought you here tonight.

Bonnie: Actually, Foxy, after all these years, I just sort of go with it.

«—-–-—»

Foxy: We can bake these cookies at 400 degrees for 10 minutes-

Foxy: -or 4,000 degrees for 1 minute.

Chica: No, that's not how you make cookies.

BB: FLOOR IT!!

Foxy: How about 4,000,000 degrees for 1 second?!?

Freddy: yOU'RE GONNA BURN THE PIZZERIA DOWN-

Foxy: I'M GONNA HARNESS THE POWER OF THE FUCKING SUN TO MAKE COOKIES!

BB: DO IT!

Bonnie: NO-

*Goldie scolds them all very harshly for their stupidity afterwards*

«—-–-—»

{Either not long before, or after the last one happens}

Freddy: Hey, Golden Freddy, have you thought about what it’d be like having children?

Goldie: ...

Goldie: Does looking over you and the others not seem like I already do? Because I promise you, it sure feels like it.

Freddy: But we're not childr-

Goldie, already distracted, and beginning to go stop it: BONNIE, PUT THE FIRE DOWN!

«—-–-—»

Foxy: Why are you wearing glasses?

Goldie: Errr… I’m doing the taxes…?

Foxy: Taxes?

Foxy: I didn't know you could do taxes.

Goldie: *unimpressed look*

«—-–-—»

BB to Springtrap: If looking good was a crime, you'd be a law abiding citizen.

«—-–-—»

Bonnie: What did you guys get ranked by the kids?

Chica: 'Prettiest Smile'.

Freddy: 'Nicest Personality'.

Foxy: 'Most likely to start a bar fight'.

Goldie: 'Least likely to start a bar fight, but most likely to win one'.

«—-–-—»

Freddy: How would you like your coffee?

Candy: As dark as my soul.

Freddy: Got it, one cup of milk coming right up!

«—-–-—»

Bonnie: I have a bad feeling about this...

Foxy: What do you mean?

Bonnie: Don't you ever get that little voice in your head that tells you if you're going to get into trouble?

Foxy: No?

Chica: That actually explains so much.

«—-–-—»

Foxy: I have yet to encounter a problem where a sword didn't factor into the solution at least in some way.

«—-–-—»

*While the Squad is in a battle*

Foxy, trying to warn about the location of an enemy: To the left!

Bonnie: Take it back now y'all!

«—-–-—»

Bonnie: Foxy...

Foxy: I can tell by the tone of your voice that you are disappointed.

Foxy: Alas, I must further disappoint you by affirming how little I give a fuck.

«—-–-—»

Bonnie: It's impossible to make a sentence without using the letter A.

Goldie: Despite your thinking, while difficult, it is quite possible to form one without the specific letter. Here's one more to further disprove your theory.

Foxy: Fuck you.

«—-–-—»

Bonnie: I'm not stupid, you know.

Foxy: Well, you're doing a really good impression of it!

«—-–-—»

Freddy: I'm gonna mix a can of Red Bull with seventeen shots of espresso in a fishbowl and then chug it while Kids by MGMT plays in the background so I can perceive twenty-three spatial dimensions and fight my own soul.

Goldie: *puts a hand on his shoulder*

Goldie: No.

Goldie: No, you’re not.

«—-–-—»

Foxy: Fuck capitalism. It's a rigged system that keeps us poor and it isn't fair. You shouldn't need to work three jobs to afford basic necessities.

Foxy, playing Monopoly: Sorry, if you wanted to win you should have tried not being poor.

«—-–-—»

Puppet and Goldie, entering the room: *Sees Springtrap and leaves*

Springtrap, watching Puppet and Goldie leave: There's my monthly dose of Puppet and Golden Freddy...

«—-–-—»

[authenticcadence18]

this is not really my brand at all but I’m just going to rant about Toy Story 5 for a hot second because the D23 sneak peek made me so mad.

TLDR: Toy Story 5 (and 4) ruin what made the first three films so special.

I’ll start this off by saying I ADORE Toy Story 3. It’s one of my favorite Pixar films. I was 10 when this movie came out, I remember going to like three Walmarts just to find a Jessie doll, and carrying her around with me in my bag all summer. I still have that doll, she’s very special to me.

Part of what makes the first three films so good is the passage of time. First two movies came out within 4 years of each other (1995 and 1999), third movie came out 11 years later in 2010. Andy is a kid in the first two films, maybe he doesn’t age exactly four years between 1 and 2 but he doesn’t have to we’re still in the range of childhood years, in the 90s. When the third movie came out a significant amount of time had passed in the real world, and thus it had in TS3. We quite literally felt the passage of time in that movie along with the toys. THAT is what made that movie so captivating and special, those trailers were so bittersweet and magical and REAL. I remember it so well. The third movie also FEELS like 2010 that movie EXUDES early 2010s it’s so comfy and nice (minus the traumatizing fire scene ofc)

(more below the cut)

Nine years later TS4 comes along and even tho the animation is prettier and the film seems to take place in the 2020s. everyone is the same age. Bonnie has aged what, a year? Over the course of nine real years? whereas Andy went from kid to college bound in a similar amount of time? where is the real world connection?

but ya know I gave the film the benefit of the doubt, I saw it I liked it I loved forky. But the emotional connection wasn’t there the way it was for TS3. But oh well that’s it right? How do you continue the franchise after that ending?

but OH! NOW TS5 is coming out in 2026, seven years later and GUESS WHAT!!! BONNIE IS STILL A KID. Look at this concept art!! She is very clearly still a kid.

she’ll have been a kid for 16 years at this point!! what is this, despicable me? (that’s a rant for another day shdjdjdj)

And she’s an iPad kid now which I mean. Yes. That’s a relevant issue for today’s kids. A GREAT concept for a TS movie. But Bonnie is not the character to portray this storyline. She’s not one of today’s kids she is a kid of the 2010s she was born in like. 2005. BONNIE should be in college and/or starting her own career now. Not an iPad kid. The toys should be with someone else, maybe a younger sister or cousin.

Plus!!! Guess who’s back in Bonnie’s room! Woody!!! so much for him saying goodbye to the others forever to be with his one true love right? The end of TS4 was not my favorite initially but I applauded the writers’ decision to make such a bold choice and change to the status quo. It echoed TS3 in a way, even if it cheapened the end of that film somewhat for me (in my heart the true TS canon ends at TS3 and TS4 is just a possible timeline it could branch off into).

But I guess the moving sacrificial end of your film doesn’t really matter when you can just change it in the next film!! 🙄

I love the sequence of the first three films so much, I love how they take place in the eras they come out in while also moving the timeline along.

Bonnie going from being born in 2005 to the late 2010s AT THE EARLIEST for these films to make any sense makes no sense. and if she’s born in 2005 how is she an iPad kid??? TS4 should’ve come out way sooner, and it should’ve been about a different kid.

(and I KNOW lots of movies and shows have a floating timeline where the kids never age. Charlie Brown, Phineas and Ferb, The Simpsons. but for those shows the setting changing with time while the characters don’t is part of the charm. The Toy Story franchise could’ve been that way but Toy Story 3 fundamentally changed that.)

(And look let’s say the movie takes place in 2012 and Bonnie has a rudimentary IPad 4 or something. why are we just seeing the movie now in 2026?? the timelines don’t match up it doesn’t make sense no matter what.)

I feel an emotional connection to the Bonnie of TS3 because she belongs in that time period, in the early 2010s when cellphone technology was just starting to pick up, when I was still a kid. And I think of TS3 and my brain screams 2010S!! MIDDLE SCHOOL!!!!!

whereas when I think of TS4 I’m like “has it actually been five years? it feels like it came out like two years ago” bc there’s no passage of time within that film to anchor it to the year 2019. That film came out the year before covid and it STILL feels like it came out like two years ago. that is telling to me.

Seeing Bonnie still be a kid 14 (and what will be 16) years after her debut feels inauthentic to the precedent set by Andy and TS3. I’m sure the movie will be good bc Toy Story movies are always good. But they’ve lost that sense of realism, of moving time, of leaving something behind and NOT being able to pick back up right where you left off. That kept the TS movies grounded in bittersweet reality, that’s kinda the whole point. :/

[leresq]

Here are my basic outlines for the two sequels Matthew Lillard has signed onto. They're not perfect as Springtrap has almost no connection to anything right now, so if you have any suggestions to make them better, comment them and I'll edit them in, I'll give credit with a tag. These are just ideas that I'd like to see.

Fnaf 2 movie

Abby and Mike return to the original pizzeria where they find the original animatronics withered and broken.

Abby and Mike take time to comfort the children inside.

They see Spring Bonnie is gone, and they get a call from the hospital: Vanessa is gone.

Mike goes to the location with the toy animatronics who he has to sneak around with using the Freddy mask

Mike goes to the original location, like not the one from the first movie, the original location.

Mike watches a tape of the young Cassidy getting springlocked as Vanessa and her friends push him in

Mike tries to save Vanessa while Cassidy wants revenge on both William and Vanessa

Vanessa is trapped in the Golden Freddy springlock as Mike begs Cassidy to stop.

Cassidy reveals that he is Cassidy Afton as Vanessa is springlocked.

Fnaf 3 movie

Mike enters Sister Location warehouse where he believes Afton is hiding.

Swap between Mike at the sister location and a grown Abby with Henry as they try to stop Springtrap.

Ballora emulates Afton's wife, Circus Baby emulates a young Vanessa

Ends with Mike being scooped and replaced with Ennard, and all the animatronics being laid to rest as the original pizzeria burns

[pearlypairings]

pairing : steve harrington x chrissy cunningham summary : steve and chrissy are experts at avoiding boredom at their parents' country club. while on a mission to raid the club's storeroom for alcohol, they have to escape chrissy's mother, but may not be able to escape their undeniable chemistry. tags : friends to lovers, country club shenanigans, light underage drinking, almost caught, tooth-rotting fluff, confessionals, happy ending wordcount: ~5k & Inspired by this post!

full fic on ao3

Sneak preview:

And there he was, front and center, wearing someone else’s patchwork tweed cap and leaning against the long rack with a smirk: Steve Harrington in all his glory and adorably stupid shenanigans. “Took you long enough, Bonnie,” he said, twirling his pair of sunglasses like a toy. “Ready for our next caper?” She squinted, approaching him with a sly expression, and crushed the borrowed hat over his ears. “Oh, Clyde—seems you finally found something nice to cover your outrageous hair.” “You like? I was thinking of asking the Crypt Keeper of this monstrosity if I can borrow it sometime for a date…” “You wouldn’t dare,” she laughed. The coat closet had been their meeting place for well over a year now. It was far from luxurious, reeking of mothballs, a stringent mixture of perfume, and a whiff of grandma's house. In the winter, their hangout was often soaked by melting snow and they'd have to remember not to rub up against the wet coats and ruin their cover. But there were major pros to meeting in this closet. No one really went in there after these events commenced except for a few of the staff, and they didn’t seem to mind the two teenagers as long as they kept a low profile. Her fingers traced the edge of Mrs. Polk’s cashmere scarf; she always wore it with her signature blue peacoat. She pressed the material, letting it melt between her fingertips. Steve watched her, silently smiling at his own joke, she supposed. God, his eyes were pretty. She looked to the scarf in her grasp. “Sooo,” Chrissy said. “How will we be surviving today? What’s the grand plan, King Steve?” In her periphery, Steve nodded solemnly, replacing the hat back over the numbered hook she hoped was the correct one. “I think it’s time.” “Time? Time for what?”

[burst-of-brilliance]

Epithet Erased Sitcom AU: Blyndeff Family

Even though I came up with this AU with the Blyndeff family in mind I mostly talked about Ramsey and Percy and @sadsoftserve's ocs. It is time to rectify that. Calliope Blyndeff

Hooray, she's alive!

She's still friends with Howie to this day and they even have lunch together

She has attempted to get Howie and Martin to become friends. It hasn't worked.

Tries to avoid looking stressed in front of her daughters... she's not good at it.

She gets embarrassed when Martin acts lovey-dovey when others are watching

Her default move when her kids get in trouble? The "I'm not mad, I'm just disappointed" look.

Episode where she does yoga at the Sweet Jazz rec center to help relieve her stress. To her surprise a bunch of people try flirting with her.

Martin Blyndeff

It's still entirely possible he'd accidentally leave Molly somewhere but at least he'd apologize afterward

Goes to the PTA meetings instead of Calliope since she was banned after "The Incident"

Has "genius ditz" moments for the PTA

If prompted he'll do more around the house than just make toys. Results are inconsistent

He is unaware Howie barely tolerates his presence

An episode where he somehow accidentally takes Percy's shopping cart despite the fact it has HER BABIES IN IT

Molly Blyndeff

When Calliope gets stressed, Molly gets stressed. Normally Lorelai is the one to calm her down.

Became best friends with Trixie and Phoenica when the teacher put them at the same table when they were 10. Feenie and Trixie are still the only friends Molly has that are her age.

Running gag where she keeps overhearing people talking to themselves/private conversations

Has more appreciation for Lorelai's dream bubbles and will sometimes sneak in when she needs to unwind.

Owns an excessive amount of teddy bears.

An episode where against her better judgment she tries smuggling a lost baby bear back to the store.

Lorelai Blyndeff

A much better sister though she still has somewhat of a lazy streak. However, she is much more vulnerable to Molly's puppy dog eyes.

If someone is mean to Molly they will face Lorelai's wrath.

She enjoys taking Molly shopping

Part of her school's theater department has not only been in multiple plays but has also helped with the set design.

Is the dungeon master for Parker, Sabrina, Bonnie, and Sylvie's DnD campaign. Got the role when Parker wanted to play and Sabrina refused to let Sylvie DM. Lorelai overheard them talking about it and overeagerly offered her services. Uses her epithet to make the sessions super immersive.

An episode where Lorelai tries to come up with the perfect way to ask Giovanni to prom and she ends up overthinking it and panicking causing her epithet to go out of control

[employee1618152017]

Y'KNOW WHAT. IM BORED (I'll add on more once the new fnaf game is released)

William Afton and Henry Emily opened a restaurant around the early 70s, named Fredbear's Family Diner, which quickly evolved into a chain of restaurants known as "Freddy Fazbear's Pizza," started in 1983, under the company of Fazbear Entertainment, Inc. At some point, both of them left the company, with an unknown individual taking over as CEO.

William was secretly a serial killer, using mascot costumes to lure, abduct, and murder kids. His motives aren't known, though widely speculated to be him trying to achieve immortality through researching the paranormal, haunted metal (known as remnant), which he created through the murders.

His first target was Charlotte Emily, the daughter of Henry. She became the Marionette, a ghost who took care of and helped awaken the other lost souls.

In 1983, William's younger son also died in an incident, at the fault of his eldest — Michael. The younger son (name unknown, BV for short) 's fate is still unknown, though often speculated to be connected to either Golden Freddy (an enigmatic spirit taking the form of a yellow bear) or helping Charlie with saving other souls. "I will put you back together" was the last thing said to BV by a debatable party, most commonly believed to be either William, Charlie, or Golden Freddy.

In 1985, William killed 2 kids, and 3 others were later connected to that incident (The Missing Children Incident, or MCI). He was arrested but released due to a lack of evidence. 4 of these kids were Gabriel, Susie, Little Jeremy, and Fritz, going on to haunt Freddy, Bonnie, Chica, and Foxy, respectively, with Susie implied to have been the first to die. The 5th is commonly believed to be named Cassidy, becoming Golden Freddy, though some think it's someone else.

In 1987, William pretended to be a security guard at a new Pizzeria and killed 5 more kids (DCI for short), who went on to be the Toy animatronics. This caused the unimportant Bite of '87.

In 1993, Mike worked a shift at the haunted original Freddy's. Later that year, the location was closed, and the company went bankrupt. He later had some sort of nightmares about it and his brother's death, likely paranormal in nature.

At some point, William went to that original Freddy's to destroy the 4 haunted robots, but ghosts manifested, and fearing for his life, he put on the costume he used to kill them. It was actually a part costume part robot hybrid, though, and due to the leaking roof, the machine snapped on him, killing him. He went on to haunt it and/or his corpse inside.

While Freddy's existed, a Sister Location called "Circus Baby's Pizza World" opened. It was a front for William to kill more kids, with the robots there made to kidnap them. It backfired when his daughter sneaked in to see Baby, and it killed her. She then haunted it. William, distraught, locked her and the other robots from there in an underground warehouse where they were rented out for parties. The other robots also got haunted somehow, likely with melted down remnant from some other kids, most likely MCI. Years later, William sent Mike there to find Elizabeth. Thinking he was William, she tricked him, and the Funtime Robots combined into one amalgam of wires, killed Mike, and used his corpse as a skin suit to escape. He quickly rotted, and they had to escape to the sewers. He repossessed his corpse thanks to remnant, though.

Around 30 years after his death (presumably 2023, though that may be debunked now), William was found by Phone Dude, who stole him and put him into his cheap horror attraction based on the Freddy's urban legends, not knowing William was inside the robot. After a few nights, the building burned down, and William escaped. There's also a good ending in that game where Charlie released the other spirits, but its canonicity is "complicated" according to Scott (FNaF creator).

Mike also had a security logbook at some point, where two ghosts, BV and presumably Cassidy (given it's not him), talked about something.

Finally, after like 50 years, Henry re-emerged and made a fake pizzeria, where he called the Funtime robots, now separated from Elizabeth, herself, and William. He also made a robot that captured Charlie. After a bunch of managers failed to collect all 4 robots, Mike came and succeeded. Henry burned them all and himself, with high temperatures now revealed to work on ghosts, apparently. Fazbear Entertainment, Inc. was supposedly closed for good.

But one ghost, very highly implied to be Golden Freddy, though argued as a random never-before-seen 6th MCI kid by some, wasn't ready to let William go, so he kept him from being released and tortured him in super nightmares.

There's a book series called Fazbear Frights which has debatable canonicity too that'd take place after this, but if canon it's basically just filler that nullifies the Vengeful Spirit nightmares thing.

After all this, Fazbear Entertainment was revived as Fazbear Entertainment, LLC. They kidnapped a guy and gaslighted him into living in a secluded fake house they made for him, where he made FNAF games, in the FNaF universe, as to make it seem like it was all just fake stories.

A VR game was later made, that was a remake of these, but some suspecious circuit boards were sent to be scanned into it, creating a paranormal, digital entity known as Glitchtrap. It appears as a man in Spring Bonnie (William's suit), acts exactly like William, knows stuff only William knows and even claims to be back, with William's catchphrase of sorts being "I always come back". After a bit of shenanigans, it manages to possess a beta tester and makes her his minion. We call her Vanny.

Vanessa, most likely Vanny, then got a desk job at Fazbear Entertainment. Fazbear Funtime Service, a program where animatronics were mass produced and sent for parties, etc. got hijacked by Glitchtrap who made them hostile. He made Vanessa infiltrate the service as a fake FazEnt representative, supposedly fix his infection, but actually just cut off anyone's access to the system other than him, and send a data packet with him to the current Pizzeria — Freddy Fazbear's Mega Pizzaplex.

In the current book series, most likely canon, there's this AI called Mimic1, which copies stuff. Many think that's actually what Glitchtrap is, just AI copying William. It's an ongoing debate. An Endoskeleton with it installed was sent to the last simulated Freddy's Henry built to burn, where it got out of control, started killing people and in the ongoing story is hunting down a group of teens. As the Pizzaplex was built on top of the simulated Freddy's, the Mimic got control over it too, but was quickly taken down. There's also this boy Gregory who ended up possessed by Glitchtrap and hacking the Pizzaplex for reasons unknown.

Now in Security Breach (possibly 2035), Gregory, out of Glitchtrap's control, had to escape being trapped in the Pizzaplex, as all the robots controlled by Glitchtrap and Vanny wanted to kill him. With the help of Glamrock Freddy, most likely haunted by someone, though it's unknown who, Greg ended up finding a newly built Springtrap in the simulated Freddy's and somehow defeating it. There's also a giant abomination of wires that resambles the Funtime amalgam down there, it took this William away.

((OOC: what the fuck))

[toldrum]

Bellatrix Burmilla ✨

A brand new animatronic cat, who along with a few others was produced by a collaborator company! Stationed in the newly built Fazbear Convention Plaza, she acts as both a performer and event planner, as per her programming. Adventurous and rebellious, she dutifully carries out her purpose during the day if only to stick her nose where she shouldn’t at night — which, typically, ends up being the main building/Pizzaplex. Her little trips are typically joined by a very unfortunate Veronica, or her enablers, Sunset and Moonrise.

More belooooowww

She is notorious for picking up new hobbies — while she’s programmed to be a perfectly capable Event planner and performer, she has manually picked up painting and coding! Although, she’s only learning coding if only to learn how to hack and override her own protocols… maybe Moonrise isn’t the best influence.

That being said, Moonrise is one of her best friends, and goes out of his way to show her how to mess around with coding and bypass protocols. While he may not be as chaotic of an enabler as Sunset, Moonrise is ALMOST just as bad.

Voice Inspos: Nimona (Chloe Grace Monetz), Erika (Barbie; Kelly Sheridan / Julie Stevens), Marceline (Adventure Time; Olivia Olson), Loona (Helluva Boss; Erica Lindbeck)

She absolutely loathes the music in the Pizzaplex. But she goes anyways.

She actively sneaks into the Pizzaplex and steals floor bots so she can make her critter bots based on the other animatronics, much to the dismay of Veronica, who often gets dragged along. Moonrise helps program them to… not act like Floor bots. Her favorite is her first one, her Bon-bot, who is based on Glamrock Bonnie.

There is a big mural in the Convention Plaza’s lobby featuring each generation of the main cast animatronics — specifically, the originals, the toys, and the Glamrocks.

Her feet can lay flat on the ground, but she prefers having her heels off the ground. It seems it somehow helps her maneuver better.

She has LED screens for eyes, rather than actual LED eyeballs. Therefore, she doesn’t have eyelids.

The star on her chest lights up! Sometimes used as a projector for funsies!

Her favorite genre of music is literally anything NOT Fazco approved. She’d be caught dead before she listens to Kid’s Bop adjacent, “safe” music. She admittedly doesn’t even like the Glamrock’s music — she is very ashamed and guilty of this fact since she finds the Glamrocks to be a very fun bunch despite their… parental control settings.

One of the Plaza technicians snuck in video games for the animatronics to play with and she is obsessed with Legend of Zelda, Pokémon, and Bayonetta.