#totk is worse to me too

[1tsjusty0u]

this game is really making me realize how whimsyless botw really is

[joshuamj]

Been enjoying EoW so far!!

Redraw of this:

[radiosummons]

I ran out of arrows while exploring the Depths with Yunobo so I decided to teleport out of there to stock back up. I was not fucking expecting Yunobo to then turn to me with the saddest looking face and ask me why I was leaving him alone in literal Hell.

Just fucking take me out back and shoot me why dontcha, Nintendo!!!!

[waywardsalt]

small little thing abt botw/totk and the future of zelda games considering it seems likely that future zelda games might be in the same style as those two and how i feel like botw/totk don't actually feel like zelda games (kind of messy i just typed this out in a kind of informal or whatever way) (this post is long af btw so uhhhh yeah)

im part of the group that claims that botw/totk aren't 'real' zelda games but... i guess they are technically 'real' zelda games, but... they sure as fuck don't feel like it, and because of that, i'm not at all excited with the idea of future loz games being in the same style, especially with the pitfalls these last two games have fallen into having been things that past zelda games did especially well, it feels like things have been sort of flipped on their heads in terms of what's being valued or whatever

like... the best parts of older zelda games were things like the story and the characters and the puzzles and the dungeons and stuff like that... the best parts of botw/totk right now are just the gameplay. people enjoy these new characters, but they dont have the narrative backing that older games do, they don't have the same impactful arcs or roles allowed by a more linear story

the point i want to get at though is how botw/totk honestly don't feel like direct evolutions or steps up from past zelda games but rather just... entirely different game styles (open world games) with the zelda flavoring and worldbuilding and story styling slapped on top.

i mean... i feel like a half-decent example of some other well-known franchises that have jumped on this (honestly kind of thoughtless) open-world bandwagon are mario (mario odyssey) pokemon (sword/shield and scarlet/violet) fire emblem (kind of. with some free-walking segments in 3 houses and engage) and the soulsborne type games (elden ring), these are all other well known and storied game series' that have somewhat made the move to open world, and i think that switch was a bit smoother, kept the core and integrity of the games that came before much better than botw/totk did

elden ring is the easiest to explain- the gameplay loop and core mechanics are the same and build upon past games' you just have more room to run around and get killed in with some little open-world flourishes like material gathering.

fire emblem is... a bit less flexible in terms of changing up the core gameplay, and the addition of open-world segments are added to add bonuses to the strategy gameplay and allow for more support-building oppourtunities and little minigames, and its more or less evolution from echoes' dungeon-crawling bits and the customizable castle in fates. the core gameplay still effectively works the exact same, just with some little class or mechanic tweaks and additions.

mario odyssey, though each world was pretty massive, still had your typical 3d mario platforming, and the new hat stuff fit in pretty well with olderpowerups and gimmicks, and the boss battles feel and work pretty similarly to the way they used it- odyssey does feel like an evolution from past mario games (ps. playing two-player with one person as cappy snaps the game in half. its the secret easy mode lol)

the new pokemon games are pretty much just the same as past pokemon games, theyre just open world and buggy as fuck rip have extra little open-world flourishes that build on what past games set up. the battling works the same as ever and the progression is the same with a number of powerful trainers you have to battle to continue forward.

with botw/totk... the progression is dramatically different in terms of power-scaling, world presentation, item-gathering, puzzle-solving... pretty much everything in the established zelda format. i get that it was pretty much the aim with botw to have a fresh start and throw out a lot of the old standards but it just makes them feel so dramatically alien to past zelda games; theyre completely different experiences in pretty much every single way, and as such they dont feel like what we've (well, people who have started with and spent a lot of time with other loz games) learned to associate with the zelda titles.

with open world games in general it's a bit harder to have a truly impactful narrative akin to those in past zelda games, anyways. i will admit that botw was a good execution of trying out something entirely new, and the narrative and gameplay and world actually complement each other very well, so despite what i've said in the past I can't really fault it's narrative too much since it's a less traditional sort of narrative and effectively does what it aims to do very well.

totk, on the other hand, proves that this style of game does not mesh with the old style of storytelling at ALL. linear games can have proper narratives with coherent stakes, developing characters, twists and reveals and building emotion and mood- and all of that is thrown out the window with totk when they decided to try and have both a more linear story with actual reveals and development and emotion, while also letting you literally spoil it for yourself out the gate.

you can't really have a well-executed story when players are capable of doing things drastically out of order and of jumping into story beats without the prior buildup and straight-up ruining what could be otherwise emotional reveals, and players being capable of doing this is hard-baked in how the game fundamentally works. I honestly feel bad for people who found the fifth sage by accident before anything else.

you can't effectively have a linear story with character growth and plot developments and impactful moments while also allowing it to be experienced out of order and with massive time gaps in between; with this kind of stuff, you can't really have your cake and eat it too. say what you will about the linearity of past zelda games, but i bet you that midna wouldn't be as beloved as a character as she is if it weren't for the linear order of the story and its events. certain parts of storytelling may demand for a linear manner of telling that story.

botw's story works because none of the memories reveal anything groundbreaking taht you don't already know; they are optional and merely give you more information about these characters from link's past and simply inform you about the girl keeping ganon at bay. if you find a late memory first, that's fine- it technically doesnt reveal anything too important to you, it just fills in some gaps for you and your player character. it makes sense within the story itself for the world to be so open and for you to be able to do what you can; the story is not the focus, nor is it even needed to beat the game. the story was made with the gameplay and what you are allowed to do in mind, and as such doesn't include things such as in-depth character development or important plot-twists.

on the other hand, you can easily spoil totk's biggest plot twist in a handful of different ways completely by accident, just by getting curious about the world around you. this can shatter a lot of the mystery or tension in the plot and this can happen completely by accident to someone playing the game organically and blindly. the story itself doesn't take this into account, it reads more like a linear story that would be more suited to a linear style of play, coming across things in order to ramp up the stakes and let things be revealed at the best possible time. (tbh totk's story doesnt seem to take the player into account in general, if the game forcing you to watch basically the same long cutscene four fucking times says anything, jesus christ)

narrative pitfalls aside, botw/totk put heavy emphasis on gameplay, but not in the same way older zelda games did, and as such trade away the unique items and gimmick-y game-specific mechanics for a small toolset handed to you out the gate. what botw/totk do- giving you everything you need from the start and having very little true varation in the gameplay from then on out- make sense and works just fine for an open world game. there is, however, a lack of actual depth to that gameplay that other open world games do have (off the top of my head, the ability to unlock and upgrade abilities and have general character upgrades in fenyx rising as well as the impressive depths of elden ring's combat and character customization system). the most depth botw/totk has to the actual gameplay is just the fourish different weapon types and the ways you use your fourish abilities (saying fourish bc for real ultrahand and fuse are fundamentally the exact same thing). there is also just raising the little defense numbers on your armor and getting more stamina and health, but that does absolutely nothing to the actual gameplay but make link more durable.

i mean, sure, health in past loz games just makes link more durable, too, but thats how health upgrades in any other game work.

the gameplay switch makes sense, considering the switch from a linear puzzle-adventure concentric game to a more sandbox-esque open-world game, but it does not mesh with the former loz formula at all, so while the shift in style makes sense, it makes me think that you can't have a previous-style loz experience in an open-world sandboxish sort of game. especially with how in totk you can very easily bypass most of the fire temple just using the mechanics handed to you at the start. you can't have the same type of zelda dungeons in a game where you are allowed to do it 'wrong' and the game itself does not allow for the same kinds of puzzles.

i am of the opinion that so long as future zelda games work the same way botw/totk did, we will not get old-school zelda-style dungeons again.

the loss of a variety of items used for specific puzzles and environment switches is the loss of a varied dungeon experience and the loss of the same kind of world and character progression as past zelda games.

you are handed everything you'll ever need at the start of botw/totk. the only thing that will meaningfully change is how much damage you do. there are no alternate strategies opened up by new items that can double as weapons, no new traversal options or routes opened up by things such as grappling hooks or clawshots or whips or specific wands. even the battle system is drastically different, instead of being enemies that take specific amounts of hits to die while you can obtain progressively stronger swords, enemies are just damage sponges and you can get all kind of weapons that just do different numerical amounts of damage.

the bosses themselves- big staples and draws of zelda games- also work extremely differently. instead of having to leverage specific items to expose weak spots or having to fight in a specific manner to do damage, you are just asked to... do damage. even in totk's bosses, where sage abilities are most certainly helpful, the only boss i found to truly require a sage ability was the lighting temple's boss; the others i either hardly used the sage at all (i didn't use yunobo at all in the second phase of the fire temple boss and hardly had a need for tulin with the wind temple boss [esp considering i was using a 3-shot lynel bow to make the poor fucker a cakewalk]) or found that alternative solutions felt better, like resorting to splash fruit on repeat water temple fights instead of wrestling with having to activate and use sidon's ability. the sages are honestly fairly poor replacements for dungeon specific items.

this kind of causes botw/totk to play more like a poor man's dark souls or just like any other open world rpgish game. i don't play botw/totk for the experience of a zelda game, i play it because it's an open world game that i can walk around in for five minute before switching to something else because i liked something in that other game better.

the combat in botw/totk isnt designed in such a way that makes it feel good. mineru's mech is fucking dismal, but since it's just either shooting with a bow or attacking with one of three types of melee weapon with some timing for a dodge, it can get stale fast. it doesn't necessarily even feel good, since there's not enough variety for it to get really engaging. (this is def an uneven comparison, but elden ring's combat feels considerable better with the different dodges you can do and the amount of attack options you have with just one weapon, not to mention the amount of control you have over your general fighting style.) combat in botw/totk at hour 1 is the exact same as combat in botw/totk at hour 100, the only different being the amount of damage you do or how much of a beating you can take.

it just... the styles of botw/totk can't allow them to feel the same as older zelda games. the shift in style was clearly a good move to draw in series newbies and shake things up, but it comes at the caveat of making them feel distant from their predecessors and uncomfortably similar to other games like them. it's hard to avoid comparisons with elden ring when on the surface they are very similar games, one just feels more true to its core identity

this all is said without mentioning the way in which botw/totk lore feels almost dismissive of past series staples and seems intent on not looking back while also taking every fucking attempt to nudge you and say 'hey, remember that zelda game' and honestly all that shit does is make me want to play a different zelda game.

botw/totk seem altogether very desperate to distance themselves from past zelda games while also being unable to really tear itself from what came before and it just culminates in me spotting linebeck island on the map and going 'damn i miss linebeck' and turning the fucking game off to play phantom hourglass instead. say what you will about phantom hourglass, but it certainly handles its story progression and character development infinitely better than the game that lets you accidentally shatter the impact of the story by deciding to check out that cool temple in the distance of the depths

[sanchoyo]

I WOULD get the most awful itch to write after months of not rly writing (tm2 scripting doesn’t count) during artfight huh 😔

[feliaes]

it’s insane how it actually mentally hurts when i think about this one specific video game bc i have so many bittersweet memories attached to it

i can’t even play it bc it just makes me so so sad for no reason and it’s not even a sad game what is even going on with me help

[geryuthespacesquid]

People on twitter are trying to incite controversy by saying Ascend is better than Revali's Gale and I think y'all just wanna say stupid shit because this game is new.

[ganondoodle]

actually made a mistake here bc hylia wont have braided hair until they actually get together (demise does it for her)-

this scene is from before that, they are essentially doing the fake couple thing as an act in front of mortals when they are using their mortal disguise appearances (these ones) ... she came up with that right at the start after he tries to blend in and obtain more information that might help him win against her- she never falls for that and immediately starts to tell the mortals (who dont know who she is in truth either bc only her closest shiekah followers know of her disguise) around them that hes her partner to both put him under pressure and test his patience, among more (as hylia does ... like especially at the start she constantly tries to provoke him for multiple reasons)

this is technically their first kiss though its part of the act (or is it? its complicated) so idk if that counts still xD its when an entitled architect working on one of the lanayru temples makes rather judgemental remarks about their relationship bc they bickered a bit and demise immediately gets into an argument over it bc he cannot stand people like that and before it gets out of hand she does this both to shut him up (works) and perhaps 'prove' to the architect that they are in fact a couple and he shouldnt question it any further (doesnt work)-

theres more to it of course but i probably already wrote too much, its one of my most recent written scenes and might be among my fav ones already qwq

accidentally focused on drawing this for like 2 hours somehow bc i suppose i have gone too long without drawing a proper demise and hylia doodle, woops

[twilightaurora]

bolstering a fighter's spirit – sage

sneak peek: before battle, link pulls you aside with a request. he wants to wear his barbarian armor into the fight, but he needs help with the paint patterns of the set. after all, the attack bonus only happens when the purple paint completes the armor. won't you help him?

pairing: sage (totk!link) x fem!reader, background chain (no wind) x fem!reader (poly) – this will be four parts! one for sage, wild, and cal, then the triplets together ;)

warnings: 18+ content! (do NOT interact with this unless you have an age indicator in your bio - I WILL block you) cursing, spitting, handjobs/masturbation, hair pulling, praising, mentions of oral (m! receiving), sage is a big tease, a little bit of exhibitionism (public setting, but you're alone), jealousy ;) biting (forgive me if sage is ooc, he's just a little gremlin in my eyes) this is mostly teasing – the good stuff will come in part four ;)

word count: 6.4k

a/n: i want sage in a way that is concerning to feminism i think (/j... or am i??) this is dedicated to @neverchecking who fueled my brain rot xD this series is for you >:D

It starts with Sage.

Because it always does. 

The chain landed in his Hyrule the day before, appearing on the borders of Zora’s Domain. The shift wasn’t terrible this time – for you anyway. Hylia, whether intentionally or not, had dumped you directly atop Time and Twilight. 

In your humble opinion, Time made a much worse cushion than his successor. With his broad chest and stiff armor, the eldest hero was less than comfortable to land on. Twilight, on the other hand, managed to grasp a hold of your waist in the midst of the fall, and dragged you into him as the three of you went down. You ended up landing mostly atop Twilight, much to your thanks. However, you could still feel the harsh press of Time’s armor against your sides.

“Oof,” you grunt as the air escapes your chest involuntarily. Pressing a hand to your ribs, you suck in a grateful breath of air as you lean forward. 

A hand slips around your hips as another gently taps against your back.

“You alright there, darl’?” 

It’s Twi. His accent is unmistakable. 

His hand rubs sweetly against your side as you cough. Sitting up with a huff, you feel Twilight hum as you lean away from his chest. Awkwardly, you shimmy off his lap to land between him and Time, smiling with a little chuckle, you nod. 

“Yeah, m’okay,” you smile, feeling your breath return. “You?”

Twilight chuckles, shifting and stretching his back. The three of you landed on your backs, facing skyward as the portal closed above you. It wasn’t a big fall, but it was enough to leave you winded. 

“M’alright, too. What about ya,’ Time? Ya’ good, old man?” Twilight turns over his shoulder to look at Time with a toothy grin. You catch a glimpse of his sharpened canines and have to look away before he catches your lingering stare. 

Time huffs, rubbing his own hand against the chest-plate of his armor. 

“Watch it, pup,” the eldest murmurs, but there’s no heart in it. Especially when you find the grin twisting the corner of his mouth upwards. “I’m okay. Is everyone all here?”

“We’re good!” 

The reply comes from Wind, the youngest already standing and looking around the new environment. His hands are on his hips and there’s a beaming grin on his lips. 

“Speak for yourself, kid,” Legend grunts. The Vet is pulling himself from a pile of limbs, buried beneath the forms of Hyrule, Sky and Wild. “You didn’t land at the bottom of the pile.”

A resounding groan comes from Sky as he weasels his way from underneath the others, offering his own complaint. 

“Four’s a little woozy, but other than that we’re doing fine,” Warriors inputs, his form crouched beside the mentioned hero. Four is on his hands and knees, panting as he attempts to right himself. Shifts are always a little different for him. Perhaps it had something to do with the other parts of him still constrained within one form, but he didn’t quite know. 

“I’ll be fine, Wars. Just gimme’ a few minutes.” 

Time is on his feet a moment later, turning back to you with a sweet smile and offering a hand. 

“Thank you,” you hum as you slip your fingers into his own. Twilight props you up as you begin to stand, his hand sliding from your back to a fraction lower. When you turn over your shoulder to shoot him a look, Twilight gives you a wolfy smile and a little wink before he begins to stand as well. You roll your eyes goodnaturedly and ignore the flash of heat that zings through your gut. 

“Of course, sweetheart,” Time murmurs, brushing the dirt off your tunic as you fix yourselves. “Anyone know where we are?” 

“It’s my Hyrule,” comes Sage’s voice. The Hero of the Zonai is looking down at his Purah Pad, scanning through something as he speaks. “We landed pretty close to Zora’s Domain. If we’re lucky we can make it there before nightfall.” 

Wild nods, brushing off his tunic as he confirms Sage’s words. 

“I recognize Inogo Bridge,” he muses as slings a Lynel Bow over his shoulders. “Is the road to the Domain as overrun here as it is in mine?” 

Sage hums as he filters through his weapon inventory, eventually summoning a Zonaite Sword that’s been fused to some monster part that the others don’t recognize. That Fuse ability of his is still something the Chain is getting used to. 

“It’s not so bad. I cleared it out before the last Blood Moon, but I’m not sure how long I’ve been gone.” 

Time leaves your side to join Sage and Wild. Cal fills his empty place easily, a little grin on his lips as he scans over your form. When he finds no injuries, his smile broadens, giving you a nod as you lean forward to pat his cheek sweetly. The pinkish hue of his cheeks is too cute. 

“I’m fine, Cal, really,” you murmur, leaning into the Hero as he blushes. 

“Just checking, is all.” 

You smile, pecking Cal’s cheek as you leave his side to join the other heroes. Time has his arms crossed over his chest as Sage speaks, his one eye still shut and his armor glinting in the sun. 

“Okay,” the Hero of Time begins, scanning over the Chain as he mulls over his words. “We move in an hour. That should give everyone a chance to recover from the shift. We should prepare for a fight – with our luck, the road will probably be overrun.” 

The rest of the Chain offer various forms of agreement, beginning to move away as they shift through their various belongings. You pull your pouch to your front and untangle the strings as you rifle through the magically enhanced insides. Finding the bottles you’re searching for, you count the number of healing potions and fairies still on your person. Mentally accounting for the rest of the chain and the number of potions you know are in Wild’s slate, you hum thoughtfully. There’s enough. As long as nothing goes terribly wrong, everything should be just fine. 

A moment later, your name is called. 

Lifting your head, you find Sage’s eyes across the clearing. The Hero of the Zonai finds your gaze and lifts his hand to beckon you closer. 

“C’mere, sunflower,” he smiles, the glint in his eyes reflecting something deeper. His grin looks a little too close to a smirk, and your heart skips a beat. He wants something. “I need your help with something.”

You follow his motion with a silly tumble of your stomach. Sage never fails to make your gut flip and your skin warm. You’re so weak for this man and he’s not even doing anything. 

“What’s up, Sage?” 

The hero is already wearing different clothes from the ones he landed in. You recognize them – you’ve seen his barbarian armor before. He and Wild – as well as Cal, you’ve come to learn, each have a set of the ‘armor.’ You’re hardly sure it can be called armor, given how little it actually seems to protect during battle. Wild had mentioned the armor was enhanced by the Great Fairies, giving him some kind of magical boost during battle. You didn’t really understand it, but you believed him. The triplets were wonders on the battlefield, and with the addition of the armor, you could tell their prowess seemed to grow. 

However, though Sage dons the leg wraps and the chest guard, the helm is still missing. When you step closer to the hero, you notice he’s suspiciously missing something else too. 

There’s no paint decorating his skin. 

The fur of his boots and at his shoulders ruffles with the soothing breeze, and you desperately try to keep your eyes away from the toned lines of his abdomen. Sage, however, seems to notice your struggle, because his grin only seems to broaden. 

When you reach his side, Sage holds something out to you. 

A paintbrush. 

“Can you help me with this, pretty? I can’t reach my back as easily as you can.” 

You have to battle against the way your stomach flutters. Skin warming and fingers twitching, you reach out to grab the brush from Sage’s outstretched hand. 

“Are you sure?” you murmur. “I don’t know the pattern as well as you.” 

Sage gives you another grin, humming sweetly as he reaches for your hands. His skin is warm as he pulls you closer. 

“Of course I’m sure. I’ll help you, love. Just come with me, please?” 

The look he gives you makes your knees weak. His lidded eyes are filled with something you can’t decipher, and his pretty cerulean irises are peering down at you with something dark in their depths. The way he leans forward over you is troubling given the way your heart clenches. 

“Okay, if you’re sure,” you whisper, smiling back at the hero.

Sage leads you away from the camp the Chain begins to build. You’re not quite sure what the distance is for, but you assume he must want some privacy given how close the paint is to… 

Oh. 

Sage smirks as you begin to realize what he’s asked you to do. His grip on your hand tightens and you press your lips together to repress the way your cheeks warm. Your stomach flips and something hot surges between your thighs. 

“You finally realize what I’m asking you, pretty girl?” 

Goddesses, this man is too much for you. 

You offer Sage a look, feeling suddenly small beneath his heated gaze. His blonde locks are loose and hanging delicately around his face, and you want to run your fingers through the silky tresses. You wonder what kind of sound he’ll make if you tug on them. 

Turning back to you when he’s deemed the distance enough, Sage gives you another smirk and pulls you close. He clutches your hips in his hands, tugging you closer with lidded eyes and leans down closer to you. Your heart skips a beat as his lips graze over your own, and you surge closer to his pretty mouth. 

Sage chuckles, the low sound making your stomach feel funny. 

“Ah ah, sunflower…” he tuts playfully, squeezing your hips and pressing his waist into your own. “I still need your help – there’s no attack boost without the body paint, you know?” 

You huff, shooting him a withered look at Sage grins. The hero pulls out the paint he uses for such purposes, outstretching it towards you as he motions towards the paintbrush. 

“Please, my love? You can start with my legs.” 

You nearly roll your eyes at his honey-sweet tone, giving him another look as you accept the paint. Your stomach flips again when Sage leans back, resting his weight against a tree behind him. The hero spreads his legs a bit, offering you the space between them as he looks down at you. 

With something hot rippling beneath your skin, you realize what he beckons for you to do. Huffing, you drop to your knees at Sage’s feet and look up at him with your brows raised. You find the man already looking down at you with a toothy grin, and something feral in his expression makes you even weaker to his salacious smirk. 

“This what you wanted, Sage?” 

“That’s perfect, sweet girl. You know I love you on your knees for me,” he purrs. “You know what the pattern looks like?”

You offer a small nod, shifting your eyes to the empty expanse of his toned thighs. On your knees, your head comes up to his hips, and you’re given a beautiful view of his gorgeous legs. The little skirt the armor uses barely covers more than a few inches beneath his hips, and you’re given more than an eyeful of his pretty, bare skin. 

Turning back to the paint in your hands, you dip the paintbrush in the royal purple color and lift it back towards his skin. Looking back up at him once, Sage inclines his head in a nod and you melt underneath his dark eyes. 

You start at his legs, dragging the paintbrush across his right leg. On his outer thigh, you paint the crossing pattern that you’ve seen span over his legs. You definitely have not been paying close attention to the pattern that the armor always dons… 

Flushing at the memory, you feel your thighs weaken, so you spread your knees farther apart to counter the weight. Head spinning as you finish the first leg, you look back up at Sage. He’s still watching you, one of his hands lifting to brush some of your hair out of your eyes sweetly, you melt into his hand. He gives you an uncharacteristically tender look before he nudges you back to your job. 

When you turn to the other leg, you find the leather drop sheath encasing his upper thigh. The dagger in the holster glints in the sun, but that’s not why your stomach flips. 

“Can I…” you murmur, voice uncharacteristically weak. “Can I take this off? I think the paint goes across here, doesn't it?” 

Sage hums, a knowing smirk on his lips as he runs his fingers across your scalp again. Leaning his hips forward towards you, you feel another lick of heat flick between your thighs. 

It’s so… hot. Everything is so hot. You know he’s teasing you, but it’s working. 

By the Three, is it working... 

Sage makes no move to take the holster off himself, simply offering you his hips and looking down at you through his lashes. “Go ahead, pretty. Take it off f’me.” 

You melt beneath his gaze, shakily lifting a hand to his legs. Your brain is racing and your thoughts are so fuzzy. Sage knows exactly how to make you weak beneath him. It takes so little effort. In any other situation, you’d probably throw a playful swat for such behavior, but when Sage gives you that lustful smirk, you find you’ll do anything he says – as long as he keeps looking at you like that, you’ll do anything and everything. 

When your fingers find the holster, skimming across the pretty, pale skin of his inner thigh, Sage keens. Goosebumps ripple across his flesh where your fingers were, leaving a trail of little bumps in a pattern across his skin. Knocking his head back against the tree trunk, Sage hums out a sweet sound and pushes his hips closer to you. 

“Hnng…” 

Goddesses, does he make pretty sounds. 

You want to hear more. As his hips roll forward, you become more than aware of how close his waist is to your face. It takes every fiber of restraint you have not to drift your hand just an inch closer to the edge of his little skirt. 

Loosening the strap of his sheath, you begin to pull the leather from around his thigh. Dragging it down his legs, you drop it at his feet and look back up at him. 

Sage still has his head thrown back against the tree, his lips tugged upwards in a hazy look with his eyes closed. You’re so tempted to brush your lips across the span of his inner thigh, just where you need to paint. Your legs clench, the heat beginning to swell between your own thighs. Before you stand back up on your knees, the leather discarded at Sage’s feet, you indulge your fantasies. Darting forward, you drag your lips across the pale skin of his inner thigh, grinning when Sage curses. 

“Oh, Hylia,” he hisses, eyes prying open to glare down at you. You grin and Sage reaches a hand out to flick your forehead. 

“Keep going, sunflower. There’s still more to paint, and we’ve only got an hour,” he coos. “If you’re quick, maybe I’ll give you a reward for being so good for me.” 

You hurriedly dip the paintbrush back into the violet ink and Sage chuckles in that deep tone that makes your insides mushy. You finish the second crossing pattern on his leg before Sage’s eyes open again. 

Looking up at him, you lift off your knees and sit up. Now closer to his stomach, you hum shakily and whisper quietly. 

“I can’t remember the entire pattern on your chest, Sage. M’gonna need some help.”

“Of course, my love,” he muses sweetly. His hand is back at your scalp, gently scratching at your scalp and grinning when you keen into his hands. He loves when you go limp in his grasp. Oh, Hylia – he wants to see the look on your face when he yanks the strands back. Would you make a pretty sound for him when he does? Would you beg him to do it again? 

He wants to find out. 

Sage loves the sound your voice makes when you beg him so sweetly. He remembers the way your hips canted up into his own not so long ago, desperate for him to roll back into you as he pinned you beneath him. His eyes slide back shut at the memory, feeling his cock stiffen beneath the skirt of his armor. It twitches and Sage can barely contain the urge to drag your hand beneath the waistband to solve the growing problem. He can so clearly recall the touch of your fingertips against the head of his cock. 

Fuck, it’s so hot. 

“There’s a line across each of my ribs. They go around my back,” he manages to choke out. “Do those first.” 

You obey him without complaint, dragging the soft bristles of the brush across his chest just beneath where the chest-plate ends.  The bristles tickle across his ribs, and in any other circumstance, they might have elicited a silly giggle from the usually so stoic hero. However, Sage is far more distracted by the throbbing beneath his waistband to spare the attention for such sensations. 

As you lean back on your heels, tilting your head to assess if the short lines of pain across Sage’s abdomen are even, the hero chuckles again. Licking his lips, he gives you that feral grin that makes your heart clench. Pushing off the tree, he twists around to give you his back. 

“They go down to my waistband,” he murmurs. “You remember ‘em?” 

You offer a vague nod, too distracted by the cutting lines of his hips. Sage eats up the attention. 

With a racing mind, you finish the pattern, dragging the brush from mid-back downwards to the small of his back. When you lift a hand to the edge of his skirt, pulling the edge slightly to dip the brush beneath his waistband, Sage shivers. 

You grin. 

When he turns back to you, he speaks with a flash of sharpened canines. You nearly squirm at his feet, a notion Sage adores. 

“Now my hips.” 

You swallow thickly. 

Before dipping the brush back into indigo paint, you bite the edge of your lip and push back the smirk that attempts to show. You have an idea. 

“Sage…” you hum sweetly, leaning closer to the hero’s waist. Just an inch from the waistband of his skirt, you pull one of your hands up from the ground to rest against the bare skin of his hip. The toned skin of his waist flexes under the touch of your fingers, and you watch Sage’s closed eyes twitch. 

Perfect. 

“Can you help me, darling? I can’t remember how this looks?” 

Sage’s eyes pry open, seemingly with immense difficulty, and the hero’s dilated pupils meet your own. Blown wide with some kind of primal emotion, Sage’s flushed cheeks spread into a grin as he registers your words. You lean closer to his hips, your fingers delicately tracing shapes over his side. You try desperately to restrain a scheming grin when Sage pushes closer to your hands. 

“‘Course, my sunflower. S’just a triangle over my waist. I’ll help you.” 

When one of his hands reaches for yours, you beam. Sage gently lifts your fingers, pulling you closer by your wrist until your front is nearly pressed up against his legs. He looks down at you with that feral, dominant look he knows you love, and you shiver. Your heart thunders beneath your ribs and Sage adores the way you move so easily for him. Always so eager to obey his commands… Goddesses he loves you. He’ll treat you so well after this – he promises. 

Lifting your hand, he helps you drag the paintbrush over his right hip and carefully draws the triangular shape across his waist. He twists a little, allowing you to finish the shape at his back. With another silly grin, he begins to help you start the other side. 

“There you go,” he coos with batting lashes. “Doin’ so well f’me. That’s just perfect.” 

When you finish his hips, Sage helps you paint the three dots on his front before moving to allow you to replicate the same at the small of his back. 

Then, you’ve reached the part you’ve been eagerly awaiting. The last part of his barbarian armor – the handprints.

Sage twists back to his front, leaning down to press a tender kiss to your forehead – a sweet caress compared to the way he’s been looking at you. He’s always so adoring in the way he treats you, even when he’s manhandling you beneath him. When he pulls your legs over his shoulders, darkened irises scanning over your bare hips, Sage always presses a chaste kiss to your calf to apologize for the stretch of your muscles. Always so sweet to the one he loves. 

“Thank you for helpin’ me. Now, give me your hand, sweet thing.” 

You obey, hand already outstretched with your palm facing skywards. Offering him the brush, freshly dipped in orchid-colored paint, Sage hums and accepts. He delicately cradles the back of your hand and begins to coat your fingers in violet ichor. The clay feeling of the paint sinks into your skin, and you sit obediently as Sage paints your palms. 

His eyes flick upwards to meet your eyes with another teasing grin. 

“You’re enjoying this as much as I am, aren’t you, pretty?” 

You nod, a matching smile on your lips. 

“Good,” Sage purrs, finally finishing the coat of paint across your palm. “C’mere then.” 

He twists to give you his spine first. You grin, reaching forward with your unpainted hand to pull gently at his waistband. Sage’s head knocks back as you nudge the skirt lower. When you can clearly see the small of his back, accentuated by his thin waist – his slutty waist, in your opinion – you lift the violet hand and carefully lay it across his spine. 

Sage hums, head still tilted backwards and his eyes closed. 

Before lifting your palm, you lean forward, eyes closing as your lips graze over the bare skin of his hip. Sage’s skin is hot, flushed red with the rush of warmth surging beneath his waistband. His cock twitches again. 

“Naughty…” he whispers teasingly. 

Twisting back around to the front and reclining back against the tree, Sage is careful not to smudge the paint you freshly smeared across his back. Inclining his hips forward again, the Hero of the Zonai gives you that feral look once more before his hand lifts and he’s beckoning you closer. 

“Just one more…” Sage teases, beginning to paint your palm once more. “One more and I’ll reward you.” 

You shiver, the rumble of his voice seemingly sinking beneath your skin to sink into your chest. He makes you so weak. Perhaps it’s something about the way dominance seems to radiate from him during moments like this. All he has to do is bat those blonde lashes and give you that feral, little grin, and you’re putty in his hands. Well, you suppose it’s not so bad. Sage always treats you so well. 

“Yeah, you want that, huh? ‘Course, you do… I always treat you so good, don’t I?” 

You hum in response, shuffling forward on your knees, “Yeah, I want that, Sage. Please?” 

Sage coos, a teasing smile stretched across his lips. He strokes one of his hands over your cheeks before it crawls behind your neck. Cupping your head, he runs his fingers through the hair at the base of your skull. Your thighs clench again. Sage does the same thing when your mouth is preoccupied with something else – running his fingers through your hair and pulling your face closer to his pretty hips. His head shifts between tossing back and staring down at your face, as if he can’t decide if he wants to give in to pleasure or if he can’t stand to look away. And he always sounds so pretty when you go down on him. 

“Ahh, I love it when you beg so sweetly for me, my darling. Finish this and I’ll give you what you want.” 

Releasing your hand, Sage drops the brush and lays back beckoning you forward with a lustful expression. When you shuffle again, inching closer, the hero pulls you forward by the back of your head and your stomach flutters. Offering you his waist, you lift your unpainted fingers with only a single tremor of your awaiting hand. 

Sage nods, inclining his chin in a command. 

“Pull ‘em down, pretty thing. You’ll need to see what you’re doing, right?” 

You huff, unable to offer a teasing remark in return, simply too transfixed on the sharp lines that lead down his waist. The v-line beckons you, guiding down where you want him most. 

Brushing your fingers across his waistline, you find the band of his skirt. Looking up at him once, Sage watches you with fluttering lashes as you begin to nudge the waistband. Tugging on it, Sage pushes his hips towards you to help you pull the skirt down onto his hip bones. 

It goes slow – tantalizingly slow. Revealing bare skin inch by inch, you lean forward to press a kiss to his left hip, but Sage’s fingers grip the back of your neck harshly. Tugging gently at the strands of your hair, your stomach flutters and heat prickles between your thighs. You let out a little grunt and Sage grins wide. His body shivers, seemingly pleased at the tiny sound of pleasure that fell from your lips. 

“Not yet…” Sage coos. “Be patient, sunflower.” 

You give the hero a haughty look, but obey regardless of the sweltering heat building in your panties. 

Weaseling the waistband downwards, you feel your heart jump into your throat. With more of his heavenly hips exposed, you feel another wave of heat flush through your skin. Each of your nerves seems to jump with adrenaline, and you eagerly lift your violet hand to finish the task appointed to you. Finally, you stop tugging at his skirt, leaving the waistband just above his dick. You know it’s uncomfortable, given how it twitches beneath the cloth of his skirt, flexing upwards at your teasing. Sage gives you an unimpressed look, motioning for you to finish. 

So delicately, you press your palm against his pelvis, the purple paint sinking into his bare skin. Fingers following after, you teasingly rest your hand between the sharp edges of his v-line – just above the throbbing muscle between his thighs. 

Sage keens, his head finally tossing back against the tree with another delicious sound. His hips push forward into your hands, tugging you closer to his waist by your neck. The other hand drops across his eyes, hiding his flushed cheeks in his elbow. 

“Hah… fuck.” 

With his arm hiding his eyes, you finally lean forward away from his fingers and leave a kiss on the edge of his v-line just beside your violent hand. Sage grunts, clenching his jaw as your warm mouth opens to drag your tongue over the dip in his hips. 

“By the three…” he whines, finally scrambling to tug at your hair again. Pulling you away, you drag your hand away from his pelvis with a feral grin of your own. Looking up at your work, you watch as Sage pants, his chest heaving with each breath. 

When he finally shifts his arm, his eyes prying open to find your scheming smile, Sage huffs and tightens his hold of your neck. Tugging you closer, he drops his other hand to slide two of his fingers beneath the waistband of his little skirt. Tugging at the band by his hip, he drags it another inch downwards with a primal grin. 

The paint must be working – that ‘fighting spirit’ finally kicking in. 

Wild had tried to explain it before; the magic the armor gives them. He said it enhanced his attack in battle, by somehow ‘bolstering his fighting spirit.’ However, when you questioned what that meant, Wild had gotten a little shifty. His cheeks had flushed and he rubbed his hands together, simply waving off your question with a simple “don’t worry about it.” 

But you’re not stupid. 

You’ve seen the way the triplets get a little more… primal with the armor on. They’re more aggressive, quicker to jump into battle in an attempt to burn off the adrenaline surging beneath their skin. It makes their eyes glint with something dangerous, and you’re not ashamed to say that you quite like the way they look. 

“My good girl…” Sage coos, still dragging down his skirt at a teasingly slow pace. “Will you help me with one more thing, my love? Just one more?” 

You nod before he even finishes his words. 

Sage grins, all teeth and darkened irises. 

“Hmm, thank you, baby.”

Then, Sage finally pries his skirt from his hips, letting the fur material slide off his waist and drop to the forest floor in a single motion. You only have a fraction of a second to admire his bare skin before his pretty cock fills your vision. Nearly slapping against his stomach, Sage’s dick twitches just once when you shift to look at it. The hero keens into your grip when you lean forward, painted hand sliding over his hip where you know the skirt will hide the smeared violet color. 

Sage’s cock, hard and already leaking at the pretty-pink tip, lays against his stomach. It ends at the tip of the purple handprint you had just pressed into his pelvis, almost as if you had known exactly how long his dick was. 

The Hero of the Zonai grins in that feral way, his form nearly radiating with primal dominance. He slides his other hand down across his stomach, taking care to avoid the fresh streaks of paint. Sage wraps a hand around his cock, tugging gently and stroking until it comes to its full hardness. He suppresses the sweet whine that desperately wants to escape – you have to work for those sounds if you want to hear them. 

“Open your mouth f’me, my good girl.” 

Your head tilts back into Sage’s hand, squeezing your legs together as something warm drips between them. Opening your lips, you look up at Sage as the hero smirks. 

“So good… thank you, darling,” he coos sweetly, moving his hand to run his thumb over your bottom lip with a dark look. Leaning forward, Sage spits into your open mouth with a smirk. 

Swallowing obediently, Sage hums happily and leans downard again to tug your lips to his own. Groaning into this kiss, Sage pries open your lips to lick into your mouth. Moaning happily, you melt into Sage’s hand, now returned to the back of your head. Sage kisses you wetly, saliva smearing onto your lips as he pants, still tugging at his cock. Pre-cum slides down the head, slicking up the length as he slides his fist over it with a whimpered sound. 

“Mmm…ah” 

When he finally pulls away from your swollen lips, you chase after his mouth with a sigh. Sage grins, his dilated pupils scanning over your flustered face with a haughty look. You watch him tug at his dick, rubbing your thighs to combat the throb between them as he keens into his own hands. 

“Sage…” you whine, trying to shuffle closer. 

Something flashes across Sage’s darkened eyes. 

“That’s not my name, sweet girl,” he murmurs with a frown. “You know better. C’mon, wanna’ hear you say it right.” 

Your stomach flutters, his teasing tone making your skin tingle and your head spin. You lean closer to his stomach, whining again. 

Sage frowns, pulling your hair gently to redirect your attention. 

“C’mon, pretty. Say my name – my real name.” 

Your eyes find his, tugging carefully on your bottom lip with your teeth before you whine out the name he wants. 

“Link…” 

Sage – Link groans, head tilting back to expose his pretty throat as he slicks up his cock again. Tugging fiercely at the length as his gut clenches, heat swelling and twisting in his pelvis with a sweltering warmth. 

“Oh, fuck…” he whines, pushing his hips closer to your face with a twitch of his dick. “That’s it, my pretty girl. Thank you, baby – thank you.” 

Just the sound of his true name on your lips makes him so aroused he can feel his cock throb painfully in his fingers. His hand tugs your head closer, now looking back down at you with those dark irises. Sliding his other hand away from his dick, Link allows your mouth to suck two of his fingers. Tasting the salty pre-cum coating his fingers, you shift on your knees again with a pretty sound. Link smirks. 

“Okay, my sunflower. You want your reward now?” 

Nodding, your tongue still flicking over his two fingers, you lean closer. Purple paint smears onto both your hands, and you know there are streaks of it on both of Link’s hips. You hope the other’s don’t see – or perhaps, you hope they haven’t paid too close attention to where the paint is supposed to go. You think you can feel little smudges of the orchid clay spreading across your throat where Link is clutching your neck, but you forget about it when Sage whines again as you lick over his fingers like you would his dick. The pretty sound makes you drip, and the panties you’re wearing are surely soiled now. 

“Yes please, Link,” you whisper. 

Link grins again, then pulls his fingers from your mouth and pulls you into his waist. Heat in his stomach and cock throbbing, purple paint decorating his pretty skin, Link slides a hand around his dick and taps it against your lips. 

“Good,” he murmurs, abs clenching as heat continues to stir. “Then suck and I’ll give you another.”

When an hour passes and you and Sage return to the temporary camp, the Chain turns to find faint streaks of smeared paint across Sage’s waist and a lilac tint on your palms. You’re both grinning, wild smiles on your cheeks as you step back into camp. Sage is in his barbarian armor, the skirt ruffled and twisted around just slightly and the helm now on his head. If Wild looks close enough, he can see a faint, dark mark on Sage’s inner thigh, just barely obscured by the skirt of the armor set.

“Are you kidding?” Wild exclaims as the two of you enter camp. He had to paint the armor himself when he could have just asked for you to do it? 

Wild and Cal are both in their barbarian armor, having painted on the violet patterns themselves. The former rolls his eyes as he watches Sage follow you, a smirk on his lips. He finds Wild staring at him and his expression only seems to grow more teasing. Cal shifts on his feet uncomfortably, finding your eyes and offering you a bashful look. 

“What?” Sage responds, his fanged grin still beaming. 

Wild grunts, huffing as he steps closer to you, beginning to pull you away from the other hero. The long-haired hero shoots Sage a glare, but the elder hero only seems to enjoy the spotlight. Wild wraps a hand around your waist, pulling you close as he finds a streak of orchid-colored clay across your throat – a fingerprint shaped print. 

“You have other armor that gives you an attack boost, you know?” Wild grunts towards Sage, jealousy swirling angrily in his stomach. 

“Yeah, but I wanted this one,” Sage smiles. “And our darling just wanted to help me with the paint – didn’t you, my sunflower?” 

You offer a shy smile to Wild, feeling suddenly flustered beneath both their gazes. 

Some of the other members of the Chain slowly begin to congregate in the center of the camp, drawn to the chatter. Wind remains over the ridge of camp, scouting the path ahead with Four. Legend scans over Sage’s slightly smudged paint and your ruffled appearance, rolling his eyes and huffing. 

“Could have been more subtle, Sage,” the Veteran sighs. 

“But what’s the fun in that,” said hero responds, sending Legend a grin. 

Legend simply rolls his eyes again, stepping forward and licking his thumb to scrub away the paint across your throat. You shrink under his gaze, feeling so shy with their attention now on you. Legend scrubs gently and you shiver at the feeling of his saliva against your skin. 

“Stay still,” Legend murmurs. 

“Sorry, Vet.” 

Wild, still at your side, pulls at your tunic and straightens your ruffled appearance, wiping away something at the corner of your mouth. You shy away from their attention with a flutter of your stomach. When Legend is satisfied, he sends you a knowing look before he turns back to Hyrule. 

Wild hums thoughtfully at your left, and you twist to face him. You tilt your head, silently questioning Wild’s thoughts. The hero follows your titled head, eyes dilating as he examines your swollen lips. Lifting a hand, he brushes over the bottom lip with lidded eyes and something dark flashes across his expression. 

Oh no – you know that look. 

“Wild…” you murmur carefully. 

The Hero of the Wilds meets your eyes with a smirk of his own, leaning close until his mouth is pressed against your ear. He breathes a warm sigh over your skin and enjoys the way you weaken in his arms. When he’s sure the Chain isn’t looking, he drops a hand to squeeze one of your thighs, briefly dragging a finger across the seam of your pants. You keen into Wild’s chest with a breathy sound and the hero sighs happily.

“After we reach Zora’s Domain,” he whispers, voice saccharine like the honey he cooks with. His mouth presses a sweet kiss to the skin of your throat, pecking it gently before he sets his sharp teeth against your shoulder. You whine quietly into him as they prick your flesh, and Wild bites carefully into your throat with a huff. “It’s my turn…”  

bonus:

sage, walking back into camp: sorry i'm late I was doing stuff

reader, emerging from behind sage: i'm stuff! :D

[weirdmageddon]

update to my last post about the falling zelink hug. besties we have it now not in 4K, not in 8K, but in 16K. the highest possible quality at least until someone develops a cutscene animation pause mod with freecam.

computer……ENHANCE

(if this picture ever loses quality from site compression or sharing you can find the original here)

as mentioned before, zelda’s right arm is sandwiched between her and link’s chests. but now we can finally see that link’s left arm goes across her upper back and holds her left shoulder. their skintones are too close from a distance to make out the edges (though you can see it with some adjustments) but i can see what i believe is his thumb. and if worse comes to worst in terms of clarity, look at the images below in the post where you can see how link is holding her shoulder (and we can finally see that the brown thing was her wooden upper arm bracelet accessory)

there is an unfortunate quirk in the game’s graphics where distant moving objects have jittery outlines, im guessing to make them appear sharper. (but honestly the way they look up close kinda reminds me of the official art style)

like with botw, the switch’s native maximum rendering resolution for totk when docked is only 900p (and upscales to 1080p). that means an original pixel width of 1600x900. this is cropped from a resolution of 8640p, or 15360x8640 pixels.

but look at how TINY they are in the original frame. the fact that we can see this much, going from this to this is testament to how impressive this is.

and from another perspective here’s the view from below

the first picture is from the first frame of this shot! here it is in full 14K since a 16K screenshot was too big for discord just so you can see how impressive the zoom actually is relative to the rest of the shot. but here’s the one actually pictured above sourced from 16K and cropped since the filesize could actually fit when cropped.

the second picture is a crop from a larger shot as well. here’s the original 16K sourced crop and the original shot it was cropped from for reference (though not ultra HD).

all credit where its due to EDMIRE2k on twitter who ran this on their PC and sent me the screenshots in DMs

again i hope this helps artists! or fosters discussion etc

[waywardsalt]

hopefully the last bitter post i make abt totk, but i had this realization abt it

(starting with the disclaimer that this is very much based on what I personally value in video games, on my feelings towards totk, this is subjective unless I start getting into objective things)

this was going to be a longer post but i am exhausted and i don't know how to really word this, but; totk feels like a world built almost exclusively on doylist explanations. it does not feel like a natural place, it does not feel like a time that takes place a few years after botw, it does not feel like a story that happens because events happened in this world; it feels like a video game location created for player entertainment, the whip-lash inducing shift from sheikah tech focus to zonai exists literally because the devs wanted to give the players shiny new toys while the old sheikah stuff doesn't take up any space, the story is clearly an afterthought compared to gameplay and an excuse to give the player more little things to play with, the worldbuilding has little thought put into it past new ways for the player to have fun and do new things, any and all references to past games (even to fucking botw) are very shallow callbacks that either make no sense in context or are just stupid little winks to those who aren't new to the game, while much of the extremely awkward inconsistencies with botw are there because they wanted to cater to new people.

this story doesn't build on botw's story, it rolls back and stampedes over some ideas from that game, it's a squeal for the sake of giving people these characters and this world again with some tweaks and fliers, the musical references to divine beasts and champions mean absolutely nothing in context and are only there as hollow references in lieu of using any new and relevant leitmotifs, characters that are flat on the surface and downright confusing and nonsensical and marinated in old stale tropes if you look any deeper, the villain being ganondorf specifically does not matter in context because nothing unique to ganondorf the character is ever explicitly important and he was just put in because he's the popular zelda villain, the references are hollow and carry no meaning in the greater scheme of things, the story itself ends by returning to the way everything was when the game started because oh we can't have our precious well-known ip important characters be permanently disabled or forever altered in a meaningful way.

it's so painfully... all there because it's a fictional work created for an audience seeking fun. it's so obviously like that because it was created with the goal of fixing things from a previous title and adding new things without any regard for narrative cohesion or good worldbuilding.

as someone who enjoys games with stories best when really taking into consideration and delving into the depths of that story, totk just unravels in front of my eyes when i try to do that, and it just feels insulting at how obviously ultrahand exists literally so the player can pull off dumbass g-mod dogshit while any story explanation for why that power exists at all is either flimsy as hell or straight-up not there.

[artful-aries]

Can I please have possessive/jealousy headcanons for scaramoche dottore zhongli Childe and pantalone? Thank you in advance 🤗

I am not dead everyone!!! Mother’s Day and TOTK releasing this weekend have me hella preoccupied. Anyway, I’ve actually already done this for Zhongli and Childe, but I did the other three!!

Content Warnings: Dottore’s section is pretty manipulative and unhealthy, this is your warning.

When They Are Jealous (Dottore, Scaramouche, Pantalone)

Dottore:

This man is very possessive at all times, even when he’s in a good mood. He doesn’t get jealous, that would require him to think he might not measure up to others, but he definitely does not take kindly to others thinking they can have access to you

Would not hesitate to cut someone’s eyes out if they stared at you for too long, and likely would find some use for them in his various experiments

Dottore sees you as an extension of himself, or more accurately, one of his possessions. He is far too prideful to let any mediocre being come close to thinking they could even speak to you without him allowing it

This results in your borderline isolation from anyone who isn’t Dottore (with a few exceptions, such as the Harbingers). You tell him that you feel lonely? Too bad. He’s not going to budge on this. You’re his, and not just anyone can speak to you or lay eyes on you

It doesn’t take much to make the Doctor jealous; simply disrespect his wishes and talk to a random Fatui agent, or even just a Snezhnayan merchant, and you’ll have him scowling underneath his mask as he watches you. He knows exactly what you’re doing, and doesn’t like it one bit

What he does entirely depends on his mood; He will either lay a chilling hand on your shoulder and ask you to speak to him privately, or if he is in a foul mood, he likely wouldn’t hesitate to maim or kill the other person on the spot.

Don’t think you’ve escaped punishment either, you’re just as much of a guilty party in this as they were. Dottore isn’t going to kill you or disfigure you, no, he is going to opt for a more psychological punishment for you

Nothing makes people more desperate and malleable than a lack of affection, so he will actively withhold any affection until you’re begging for forgiveness and for him to give you an ounce of attention

Is it manipulative? Absolutely, but Dottore doesn’t care. This gets him the results he wants and enables him to observe how you behave under emotional and psychological stress. He likes to see just how long you can last before you’re caving to him

Should you go out of your way to make him jealous by being too friendly with another Harbinger, you’ll have him seething, but this just makes things worse for you since he can’t take out his frustration on the other Harbingers though he does briefly consider baiting Childe into a fight once he sees you hanging off of the man’s arm

Dottore would scoop you up immediately without a word, carrying you into his lab where he plans to have a very stern “talk” with you about not throwing yourself at the nearest person when you want attention from him

There are very rare occasions where he will “let” you do as you please, flirting and getting touchy with anyone and everyone just to make him jealous, but he uses this as an opportunity to study you and your actions. While the behavior irks him, there is valuable data to be collected in allowing it to happen. Once his data collection is complete, he’s ready to punish you for trying to provoke him despite the benefit he received out of your antics

Scaramouche:

Another one to easily get jealous, he will turn into the biggest brat alive over the simplest things. You could greet someone cheerfully because you’re in a good mood and he will immediately have a snide remark to say about it

Whether you intentionally made him jealous or not, it doesn’t matter. He’s going to have an attitude with you no matter what

Scaramouche just doesn’t have it in him to be upfront about the fact that he’s upset, or communicate why he is upset. You’ll have to deal with him being cold and distant aside from his rude comments until he eventually gets over it himself or you piece together what his problem is

When you do confront him, he will adamantly deny that he was ever jealous, “What am I, your keeper? Do what you want.”

Yet it’s very clear by the permanent scowl on his face that Scaramouche doesn’t want you to do what you want. He’d never admit it, but he wants your focus on him and only him, he wants your unwavering devotion. It makes him feel like his existence is validated

The most you’d be able to pull out of him is what made him cranky in the first place, but his admittance is indignant and dismissive. Part of him just wants to stay mad because deep down he feels like this is just you getting ready to betray him. He’s been burned too many times and has a lot of trust issues

When you reassure him that your earlier actions held no underlying meaning and that you aren’t going to abandon him, Scaramouche’s expression will not change; however, there will be a slight release of tension in his shoulders. He’s not completely relieved, but it’s enough to get him to stop being entirely unpleasant

For a little while after his initial withdrawal, he’s going to stick uncharacteristically close to you, almost as though he is making sure that you’re true to your word

Again, he would never admit this, but in reality Scaramouche just wants to be in your comforting presence for a while

If you were to ask him why he’s hanging around so much all of the sudden, he will lie through his teeth and just say he was bored or just happened to have extra time on his hands. Even if you tease him about it, he will never admit just how much he enjoys your presence

He also makes sure to cut off and interrupt anyone that tries talking to you when he’s with you. They’re cutting into his time with you, and he won’t hesitate to be rude as hell in order to get them to go away

Pantalone:

He is a difficult man to make jealous; he is incredibly confident in himself, to the point that he doesn’t view most people as competition

If he were to get jealous, it would likely be you giving attention to the other Harbingers, especially a Vision bearer

Pantalone would freeze for a moment at the scene, his eyes narrowing as he takes in how you interact with them. The sight alone made his stomach churn a little bit. He doesn’t think he is beneath them, but he can’t help but wonder if there’s a part of you that prefers the power that Visions bring, something that he can’t buy with his wealth

He will saunter up to you and place a hand on your shoulder; not threateningly, but just to remind you of his presence as he works his way into the conversation. Though he doesn’t have much patience and finds a way to politely end it soon after joining. He’s got a lot that he wants to say to you in private, gently pulling you away

Once you’re alone, he smiled sweetly at you, but there’s an edge to it as he asks you why you were paying so much attention to another person rather than him

He’s not outright threatening you, and he doesn’t intend to hurt you physically because of his own jealousy, but his tone indicates that you need to choose your words carefully

If you explain yourself and say that you were just being friendly, Pantalone will happily drop the subject, wrapping an arm around you as the two of you walk together. He knew he was good enough for you, but liked the reassurance that you weren’t seeking more than he could provide

If you were to admit that you were actively trying to make him jealous, then he would give a small chuckle at your response. You wanted to make him jealous? Well, mission accomplished, but now were you prepared to deal with the consequences?

He’ll pull you to his office, not explaining himself as he locks the door. He intends to remind you of just how much he has to offer, and how you won’t be happy with anyone else, even if they were blessed by the gods

Pantalone is possessive by nature, wanting anything and everything his heart desires, you included. He’s spent too long working for his wealth to fall short with you

[thezoraprince]

BotW/TotK boys taking care of you when you’re sick

big thank you to the students that live in the residence hall i work in for spreading their illness to me and giving me inspiration :')

i applaud you

Sidon

worries too much

sets aside his princely duties to be with you

Muzu is PISSED about it

but Sidon can’t focus when you’re ill

he’ll wrap you up in 1000 blankets if it helps you to stay warm

and he’s sure to give you lots of forehead kisses

he’s constantly asking how you’re feeling

and if you’re feeling worse, he’ll cradle you in his arms until you fall asleep

unless he feels that he just can’t put you down (which is very likely)

he reads to you, whether it be books; papers from Muzu about how mad he is; a news article; etc.

lots of “I love you”s

lots of cuddling

and when you feel better, he’s still taking an extra day to spend with you

Bazz

super busy with work, but will make time to take care of you

he’ll leave super sweet notes around the house for you to read while he’s away

and when he gets home, he will not let go of you for a moment

he’ll tell you all about his day

if he went on a survey, he’ll describe the scenery in detail

and maybe he’ll bring you back a little something (like a pebble or an interesting leaf)

he’ll constantly ask how you’re feeling

because he worries too much

if you’re still feeling bad on one of his days off, he’ll bring you soup in bed

he’ll let you lay your head on his chest all day, because he knows how much that puts you at ease

and when you fall asleep (because you know you will laying like that), he holds you a little tighter

when you feel better, he takes a day off to spend with you

but because he’s always overworking himself, he absolutely gets sick after you

and you have to MAKE him stay in bed 

Link

all he wants to do is lay with you

the way he wraps his arms around you makes you feel so safe and secure

he sleeps when you sleep, which is pretty much all day

and he cooks whatever you want to eat

he’ll bring food to you in bed

when you get bored, he’s your entertainment

he’ll find something for the both of you to do, whether it be read or playing little games

he’s soft

and so gentle 

he wants you to feel better so you can explore together

he’ll make TONS of elixirs for you to take

he’s so worried about you, though he shouldn’t be

when you start to feel better, he’ll lead you outside and you’ll both sit in the grass for HOURS

and when you’re ready, you’ll go exploring again

Revali

this bird does NOT like illness

at all

he disgusted

revolted

“You sound like a dying bird… I would know.”

but deep down, he feels bad for you

he’ll stay home with you, because he know’s you need him

and he’ll be his usual self… though a bit more helpful

he’s hesitant to hold you close, but he does anyway

and upon feeling just how warm you are, he’ll try to find something to reduce your fever

he keeps a bin FILLED with blankets just for you (because Rito’s Village gets very cold in the winter)

and you bet he’s going to wrap you in 3+ of them

though he hates to see you like this, he loves how snuggly you are when you get sick

he definitely has soft spot for cuddling with you

when you’re better, it takes him a bit to get back into his normal routine

and if he ends up getting sick…

just be ready 

Rivan

has the most experience with this due to being a dad

he will absolutely be staying home with you while you’re ill

“Bazz will get over it.” 

oh you bet he’s holding you so close, letting you lay your head on his chest

he gives you millions of forehead kisses

he’ll cook every meal

he lays cool, damp towels on your forehead to reduce your fever

and the cuddles are endless

he cleans/does household chores while you sleep (if he’s not holding you)

he finds fun things to do with you around the house if you’re up for it

and if it’s warm enough, he’ll take you outside for fresh air (but only if you’re okay with it)

he gets you water every hour or so

as well as a snack if you haven’t eaten in a bit

he’s so gentle and kind

and when you feel better, he’s back to work 

“I kind of wish I was sick now, just so I can stay home with you…”

[skyloftsword]

Why Tears of the Kingdom is the Breath of the Wild I was hoping for

Alright, so before I get into my rant. I really like Breath of the Wild. It's a very fun game and the events of 100 years ago are super interesting. It just... unfortunately let me down after Skyward Sword in two aspects that I personally feel Tears of the Kingdom succeeded at for me. Story and dungeons. Also please don't tell me to watch a Youtuber on why TotK is worse than nuclear war. I make my own opinions and my take on TotK is very unlikely to change. I have done 6 playthroughs and still feel this way. Spoiler warning.

Okay, so my issue with Breath of the Wild's story is how it feels like a mess at times. The memories don't even try to tell anything coherent outside of the final few. Some of them even need journals for any payoff as well. This system also limited the Champions from getting any development or character arcs. It took until Tears for me to appreciate them because Hyrule was still grateful for them. Revali's bow being treasured by Teba, Riju prays to Lady Urbosa in her diary, Mipha got Mipha's Court and Sidon's entire character arc was about how her death still haunts him and he doesn't want that to happen ever again. Daruk... got lights added to his statue's eyes I guess. Anyways, Tears' equivalent to them is the Neo Sages. Tulin, Riju, Sidon and Yunobo. They each get their own arc and you can tell how much they have grown since Breath of the Wild. What makes them better here is that they actually are relevant for more than just the Divine Beast boarding segments. Sidon deals with fear of losing his beloved Yona just like how he lost Mipha 105ish years ago, yet Yona and Link bring him to his senses. Riju goes from being stressed out about how she's too weak to defend Gerudo Town from the Gibdos with her aim, but Link returning reassures her. Tulin goes from being arrogant and thinking he can do anything all by himself to realizing that charging ahead all on his own is a bad idea and that working as a team is the best way to do things. Yunobo goes from being a manipulated crack dealer to being cowardly again for a bit to becoming courageous and willing to fight to defend Hyrule. These arcs help me appreciate the characters a LOT more. The Old Sages intentionally aren't fully fleshed out characters and its fine because they're barely on screen (their names are Ruto, Darunia, Nabooru and possibly just Medoh for the Rito Sage). Ganondorf being an actual character really helps as well. He wants to use the godlike power of the Secret Stones to his advantage to achieve total rule of the world (in the English localization at least). Rauru and Sonia are wonderful characters that actually try to help Zelda achieve her goal of returning to her time (nice opposition of Rhoam forcing her to achieve her light powers and being harsh towards her). Unlike the events of 100 years ago, the memories/Tears in this game actually focus on telling what led to the Imprisoning War in a specific order. The events in the memories and Tears also are all relevant and side stuff was pushed to the Stone Monument side adventure. Unfortunately the game is less linear than Breath (which honestly should be the other way around and is a massive storytelling issue), however Impa at least alludes to the order of the Tears when you go to the Forgotten Temple after the first one. The Fifth Sage quest is also an incredible questline that did what BotW should have done. It showed the Imprisoning War and how Ganondorf shouldn't be taken lightly. I seriously feel let down not seeing Link and Zelda fight the Calamity and losing. Also thank god you don't have to do an absurdly tedious backtrack quest to unlock the Camera, Tears, the Champion Leathers and the Kohga fight.

Onto the dungeons. I don't get why people switched up on the Divine Beasts in a positive way. They have a great gimmick and the "fights" are cool but that's it. The puzzles are... fine I guess? The visuals are cookie cutter and so are the bosses in every aspect except gameplay (and are basically just the Calamity split into 1/4). Tears' Temples are legitimately the most enjoyable dungeons in the series for me. The atmosphere, music, puzzles having a large amount of solutions, etc. Not to mention the boss fights actually being unique and very fun this time (BotW had some bangers too like Koshia and Thunderblight) and have unique fight themes that are so, so, so good. Seized Construct might be my favorite non-final battle boss theme for me. Also the pre-dungeon segments actually feeling like dungeons for 4/5 of them really helped make me like them more. Both games also have great and bad Shrines. TotK has far less bad ones and has a much better vibe with it's Shrines.

Anyways, ramble over. Thanks for reading. The only reason I made this post was because I was pissed off due to personal reasons. I love these games and this series so please don't take this as me hating BotW.

[nolongerapileofashprobably]

I’m rereading Fate’s Cruelty rn and I’m upset that my writing style has changed as much as it has 😂 curse the writing courses that made me panic and mess up my tenses

The urge to write links and Zelda’s life after botw is SO strong right now somebody stop me bc I haven’t even updated Fate’s Cruelty let alone edit the last two chapters

[ganondoodle]

got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-

i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions

i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)

its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized

(huh, i wonder about what kind of person that part was about .. hmmmm)

(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)

(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")

also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much

(i dont know what the last point has to do with anything??)

(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)

(also yes the hyrule monarchy is also evil :))) )

(and also not so secretly so either :)) )