#tor worldbuilding

[contes-de-rheio]

For the wip title game: I'm very intrigued by The Living Library! That sounds very cool and I don't think I've heard about it before!

I may have mentioned it in passing, but it would have been very easy to miss.

The setting comes from the influence of xianxia dramas I watched (including The Untamed and Word of Honor), except for the core concept of the Living Library. I've wrote a few scenes, including what would be the epilogue, but I don't intend to develop it beyond what it is, because my understanding of Chinese culture is limited, and seen through the prisms of Japanese and Korean cultures. In short, it would require a ton of research, which I'll never have the time for. But I'll detail here the main bones of the story.

The Living Library is a being born from concentrated magic. It exists in a specific location, but no one seems to remember where its siege actually is. In any case, it still can manifest itself in a number of libraries, and always take the form of a young lady made of clay (though notably taller than any human being). The libraries in question are all set in the mountains around a vast valley, and under the watch of "cultivators", whose clans are more or less allied together. The Living Library is precious because it can store every written (or drawned) document that comes in its circle of influence, which is extremely wide (trace a circle that would fully encompass Mongolia and you'll get the idea).

As for the story, everything started with an Emperor who wanted to become immortal. He sent his armies to find the Living Library, conquering a ton of land and destroying many lives. He also set to destroy any other being made of concentrated magic, mainly to disrupt the way of life of the people from conquered lands and guarantee his undisputed authority. At some point, the Living Library decides it's enough, and seeks the help of the one living person she knows to be able to create new beings like her. It just happens to be a retired general who served that emperor.

The epilogue takes place when that general, now a very old man, rebirth the last being the Living Library instructed him to.

In addition to the cultivators and the emperor's army and court, the people of the valley are also mentioned. We never see them, but, since consider foreigners who come on their land as trespassers, they set violent magical traps to keep people at bay. Obviously, my characters, despite their initial intentions, end up forced to cross over the valley, and face a number of these traps, including a river that goes like that scene in lotr:

To end this, I'd like to mention that even without the influence of xianxia, the Living Library would feel best fit for a setting influenced by Chinese culture, as records compiled by Chinese dynasties have been a tremendous source of historical information.

[milkydraws8]

The Houses of Krypton

[tetrameryxx]

A little worldbuilding for a snowy monday. I was trying to figure out what reason chipmunks might have for inventing a way of bookkeeping, so here's just the basics of chewmarking. I'm not really a linguistics person, but I figure there can be consistent shapes made with teethmarks if you're deliberate about it. The plus side also being that it can easily be read in the dark or by the blind. :p

[quirkycatsfatstacks]

Review: The Book of Ile-Rein by Martha Wells

The Book of Ile-Rein: The Element of Fire & The Death of the NecromancerAuthor: Martha WellsPublisher: Tor.comReleased: February 27, 2024Received: OwnFind it on Goodreads | More Fantasy The Book of Ile-Rein is actually two books: The Element of Fire and The Death of the Necromancer. If you’re a Martha Wells fan, this republishing is not something you’ll want to skip. I promise. I’ll break down…

[bigcats-birds-and-books]

Seven Covers in Seven Days: UNTETHERED SKY by Fonda Lee.

tagged by: @asexualbookbird

Every day post the cover of a book you love and tag someone to do the same!

tagging: @torbooks

[gronglegrowth]

Magic is a force that several people are able to harness, calling upon a connection to some significant place, known as a Source. In Gharnach this is Wyrd'shal. Magic users go by several names depending on their school and culture.

Magic is capable of many feats, as it alters reality (in ways that reality knows about and, most importantly, allows) such that the caster’s will is, usually, obliged, if the methods are correct.

A clear goal and a connection to a Source is not enough - a mage also requires to give of themselves, in the form of their own mental energy, or more commonly a substitute, generated and extracted from rithic, a mythical gemstone which appears only in the ruins of Sources. The more energy you supply, the easier it is for reality to realign itself - the heavy lifting is your job, not its.

There are several ways, called schools, that one can perform magic. Here are the most common ones.

Bladecasting is the art of imbuing magic into weaponry, forming a bond with your weapon and using it to channel your spells. Bladecasters draw upon times of war and conflict in their Source.

The cutting word is that of perfectly forged phrases, each one for a specific purpose, a surgical implement with which you cut, and therefore change. Knife speakers draw upon transitional periods in their Source.

Spellmasonry goes by several names, but it is the scholar's work, the most akin to wizardry as one can get. Runes, sigils, and strange phrases all written on scrolls, patterns drawn with nary a thought across the mind's eye.... These casters draw upon the golden ages of their Source.

[gloriousmonsters]

'the john carter movie is going to become a cult classic'

'it's an underrated gem'

'it's remarkably faithful to the source material'

'i liked the books and thoroughly enjoyed it!'

[literaryvein-reblogs]

Writing Reference: Topographical Elements

Ideas for Naming your Fictional Places

Buildings and stones brough, burton, caster, church, cross, kirk, mill, minster, stain, stone, wark ⚜ Examples: Crossthwaite, Felixkirk, Newminster, Staines, Whitchurch

Coastline features ey, holme, hulme, hythe, naze, ness, port, sea ⚜ Examples: Bardsey, Greenhithe, Sheerness, Southport, Southsea

Dwellings and farms barton, berwick, biggin, bold, by, cote, ham, hampstead, hamton, house, scale, sett, stall, thorpe, toft, ton, wick ⚜ Examples: Fishwick, Newham, Potterton, Westby, Woodthorpe

Fields and clearings combe, croft, den, ergh, field, ham, haugh, hay, ing, land, lease, lock, meadow, rick, ridding, rode, shot, side, thwaite, wardine, worth, worthy ⚜ Examples: Applethwaite, Cowden, Smallworthy, Southworth, Wethersfield

General locations and routes bridge, ford, gate, ing, mark, path, stead, stoke, stow, street, sty, way ⚜ Examples: Epping, Horsepath, Longford, Ridgeway, Stonebridge, Streetly

Hills and slopes bank, barrow, borough, breck, cam, cliff, crook, down, edge, head, hill, how, hurst, ley, ling, lith, mond, over, pen, ridge, side, tor ⚜ Examples: Barrow, Blackdown, Longridge, Redcliff, Thornborough, Windhill

Rivers and streams batch, beck, brook, burn, ey, fleet, font, ford, keld, lade, lake, latch, marsh, mere, mouth, ore, pool, rith, wade, water, well ⚜ Examples: Broadwater, Fishlake, Mersey, Rushbrooke, Saltburn

Woods and groves bear, carr, derry, fen, frith, greave, grove, heath, holt, lea, moor, oak, rise, scough, shaw, tree, well, with, wold, wood ⚜ Examples: Blackheath, Hazlewood, Oakley, Southwold, Staplegrove

Valleys and hollows bottom, clough, combe, dale, den, ditch, glen, grave, hole, hope, slade ⚜ Examples: Cowdale, Denton, Greenslade, Hoole, Longbottom, Thorncombe

NOTE

These elements are all found in many different spellings. Old English beorg ‘hill, mound’, for example, turns up as bar-, berg-, -ber, -berry, -borough, and -burgh. Only one form is given above (Thornborough).

Several items have the same form, but differ in meaning because they come from different words in Old English. For example, -ey has developed in different ways from the two words ea ‘river’ and eg ‘island’. It is not always easy deciding which is the relevant meaning in a given place name.

This resource does not distinguish between forms which appear in different parts of a place name. Old English leah ‘forest, glade’, for example, sometimes appears at the beginning of a name (Lee- or Leigh-), sometimes at the end (-leigh, -ley), and sometimes alone (Leigh) (K. Cameron, 1961).

Source ⚜ More: Notes ⚜ Worldbuilding ⚜ Writing Resources PDFs

[girlfriendsofthegalaxy]

tuesday again 10/29/2024

new boot goofin. also a great book for the cowboyblogger crew and TWO cat photos

listening

afterimage by JUSTICE and Rimon was on a spotify autogenerated dance playlist and it is So soothing to my brain. sometimes described as heavy metal disco, it itches the same brain scratch as daft punk's interstella 5555. comforting and familiar road trip music where the road trips are in spaceships with a sort of clunky engine thrumming away in the background. you know that extremely early ass o clock in the morning road trip feel where it's very pale and a little misty out and you're only sort of awake? i feel like this is a very different kind of road trip music animal than than late-night road trip music. it's pulling you out the door. it's for beginnings, not for very tired almost-ends.

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reading

thank you mackie. very reading heavy week. im tryign to redirect myself into library books instead of election doomscrolling and im trying to read more physical books bc i have a tremendous pile of shit i genuinely do want to read and almost none of it is on my phone. first we'll talk about Navigational Entanglements by Aliette de Bodard, from randomly perusing the library stacks. really really really fucking loved this one.

Award-winning author of The Red Scholar’s Wake Aliette de Bodard comes for your heart with a compelling tale of love, duty, and found-family in an exciting new space opera that brings xianxia-style martial arts to the stars. Jockeying navigator clans guide spaceships through the Hollows: an area of space populated by the mysterious but deadly creatures known as Tanglers. When a Tangler escapes the Hollows for the first time in living memory, each clan must send a representative to help capture it—but the mission may be doomed and the hearts of two clan juniors may be in danger too.

first off: this isn't fucking found family. this is a group of coworkers. tor dot com loves to slap found family on anything gay.

politics is about control and inter-group dynamic politics are also about control. and grappling for control in your life when you grow up in a Young Leadership program. i really liked this, one of the least annoying examples of someone getting overstimulated and needing to lie down in a dark quiet room and how hanging out with some people does not impair rest and hanging out with some people is extremely extremely draining. the love interest is what if lee van cleef was a young vietnamese woman in the far future who can navigate faster than light travel.

very snappy little 160-pg novella that does not overstay its welcome. packs a genuinely surprising amount of worldbuilding and character work into its pages: i have a lot of trouble with ensemble casts post-Covid and keeping everyone straight (especially in hard copy form where I can’t easily search a book) but everyone is a fully formed person here and i had no trouble keeping everyone straight in my head. i will be asking my siblings to acquire a physical copy for me for christmas. i love a fucked up political mystery with spacewalks and space monsters.

the lead, nhi, reminded me a lot of friends at the table's brnine, a self-sacrificing perfectionist fish. hope that's useful information to all three of you i have bullied into listening to fatt

The Shabti by Megaera C. Lorenz. this finally came off my holds, hat tip to i think someone else's tuesdaypost? cannot immediately locate it. holler if it was you.

Can you flimflam a ghost? It’s 1934. Former medium Dashiel Quicke travels the country debunking spiritualism and false mediums while struggling to stay ahead of his ex-business partner and lover who wants him back at any cost. During a demonstration at a college campus, Dashiel meets Hermann Goschalk, an Egyptologist who’s convinced that he has a genuine haunted artifact on his hands. Certain there is a rational explanation for whatever is going on with Hermann’s relics, Dashiel would rather skip town, but soon finds himself falling for Hermann. He agrees to take a look after all and learns that something is haunting Hermann’s office indeed. Faced with a real ghost Dashiel is terrified, but when the haunting takes a dangerous turn, he must use the tools of the shady trade he left behind to communicate with this otherworldly spirit before his past closes in.

this keeps getting reviewed as cozy horror, which i do not agree with bc i hate the term and believe it oxymoronic. it is a fairly straightforward romance with paranormal shit happening in the foreground. a period piece not particularly for the folx end of the fag/folx gay book spectrum-- they happen to be gay but there's a lot of other shit happening. not a spicy romance as the tiktok girlies say. it is a period book that sort of elides over the worst parts of the 30s? eg there is no on-page or overt racism or antisemitism that the characters have to Confront. one of the lead's neighbors is a black nurse trying to start a NAACP chapter, but she's so fully fleshed out and such an enjoyable character it doesn't feel like the book is looking for moral points from modern readers. i also liked the general slow-build of the book and their relationship — i have no complaints about the intensity or pace of their relationship.

the one ding i have is that it is perhaps a touch too enthusiastic about period slang. it's fine when the two leads are talking to each other, especially bc their word choice is a large way they show their personality, but when there are more than two people in a scene it can grate a little for me. i do think the dialogue is generally the strong suit here, and the author particularly excels at two-person back and forths, so it’s not a frequent complaint.

i liked the contrast of the scam medium with the academic egyptologist, since many egyptologists were also scams. the scenes with the spirit are genuinely eerie, which is a very good contrast with the fairly straightforward, often sparse narration.

grudging respect for keeping a joke simmering on the back burner for four hundred pages before deploying it. this was a well-paced read i have no major complaints about.

i have to spin this book around in my brain and get a physical copy and flip back and forth and lot and make notes to myself in a separate notebook before i talk about this one here i think. same brain itch as a canticle for leibowitz.

i also read a bunch of comics but this section is already long enough goodbye

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watching

the first episode of the currently airing penguin tv show! at my bestie's house bc she has an hbo max subscription from something, unfortunately it is an emotionally fraught very tense show and we're kind of full up on those so i will have to finish this on my own. at no point did i say to myself "whoa that's colin farrell". both the prosthetic and accent work are off the charts.

i do Not like a piece of media about the mob. i will stomach it for batman. it's really wild how the accents they've chosen for gotham and her suburbs make me so so so weirdly homesick. one of the locations is an early McMansion and my bestie and i said almost simultaneously "are we in fucking Cherry Hill???" a jersey noveau riche town infested with notable McMansions.

i am constantly chasing the high of s1 black sails where everyone is frantically scheming and falling all over them fucking selves. this gets pretty close! it's big budget prestige tv with the storytelling chops to match so far. one of my favorite comic runs is The Long Halloween, partially about the fortunes of the Maroni and Falcone crime families of Gotham. this is loosely following that, but deviates enough to surprise me, which i enjoy. there have been enough faithful adaptations of that comic run imo.

optimistic about the rest of the season! i have such low expectations for batman media that it's refreshing to get like a genuinely good pilot episode out of the franchise.

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playing

i have Got to find a new game to play that i already own. genshin is such a good podcast game but i need Something New. surely the 576047357649857689 games across five libraries will save me.

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making

so many things happened this week. cat neuter and constipation episode. helped take apart and put back together a children's' room. lot of running around.

crunchy! i almost left these docs at goodwill bc i don't have a super high opinion of the company or the quality of the boots. i have heard my ENTIRE life about how long-lasting they are and how people have had the same boots for years but i completely shredded a pair during eight months in 2019. like the soles were worn almost completely smooth to the point they were a slipping hazard, half the eyelets were broken, and the leather was genuinely disintegrating. that was one of the busiest and most active periods of my life (classes at other campuses both semesters, a summer in new hampshire, the beginning of the makerspace) but i did expect them to hold up a little better or a little longer. they only got to experience about a month and a half of salt at the beginning and were regularly cleaned. yes i did buy them straight from the company.

anyway. these extremely ugly docs industrials had almost all their tread and magically fit me. like the rest of me, my feet are large and wide and difficult to fit. they are by Far the ugliest shoes i have ever owned. however. they will be the boots i will wear for when i need to be okay about potentially destroying my footwear.

hit em with some saddle soap and polished the toes, i seem to be flat out of leather conditioner so i was only able to hit the heels and one tongue. the laces are in the warsh.

they're real leather and were twelve dollars and miraculously fit me. you know that quote about americans being temporarily embarrassed millionaires? i still, in many ways, think of myself as a temporarily embarrassed abled person. i am slowly giving up on the idea of another remote job, bc they seem to all be fake, and going harder on city and county jobs. while i would rather wear my beloved CAT steel toes with the nice padded cuffs any day of the week, maybe these will be good for tromping around somewhere inspecting something. would Love a weights and measures inspection job if their office would return my polite messages.

also ruby goes home tonight! goodbye ruby!

[duxbelisarius]

Dune At Home: The First Dornish War, Part One

This is a project I've had on the backburner ever since I finished my Military Analysis of the Dance. I mentioned in my analysis of the Velaryon Blockade that I plan to rewrite the Dance series at some point, in light of the research and further reading I've done into the subject of pre-modern warfare. One can look at this new series focused on the First Dornish War as essentially a trial run for the rewrite, but my reasons for analyzing this war in particular go far beyond that.

The First Dornish War was the largest conflict fought by the Seven Kingdoms following unification, while its outcome cast a long shadow over the history of Westeros and the Targaryen Dynasty. There's Rhaenys' death and the affect it has on her family, the recurrent desire of future monarchs to conquer Dorne and succeed where Aegon failed, to say nothing of the way in which the events of the war have influenced and continue to influence the plot of the main ASOIAF books. While F&B only devotes 10 pages to the war as compared to the 200 taken up by the Dance, the importance of the First Dornish War far exceeds it's limited coverage, and we can probably expect to learn more about it in TWOW, ADOS, and the Aegon's Conquest series planned by HBO. This more than justifies analyzing the First Dornish War and the extent to which it is consistent with George's own worldbuilding and what we know about Medieval and Early Modern war.

This first part of the series will assess the Dornish worldbuilding, what information we have about its people, geography, environment and society as a whole. The purpose of doing this is to establish a baseline of what we can know or reasonably infer about Dorne from what the books tell us, which can then be compared to how Dorne is portrayed in F&B during the First Dornish War. I also recommend checking out the Dornish installments of the Politics of the Seven Kingdoms series written by the late Steven Attewell of Race for the Iron Throne; if you want a second opinion or more detail, his series is absolutely worth your while!

Atlas of Ice and Fire estimates that Dorne's size is approximately 328 472 square miles, using a similar process to TWOIAF editor Elio Garcia; this makes Dorne slightly smaller than Pakistan (340 509 square miles) and slightly larger than the former French Indochina (Vietnam, Laos and Cambodia, c.290 000 square miles). Atlas estimates a population of c.3 million in Dorne at the time of the ASOIAF series with his calculations again using methods similar to Elio, but the population may easily be lesser or greater than these extrapolations. Unfortunately the demographics of Planetos are a mess at best, and Dorne's population and that of the Seven Kingdoms should in theory be much smaller at the time of the First Dornish War.

ADWD's map of the south and TWOIAF's map of Dorne identify 16 and 17 populated locations in Dorne respectively, excluding Ghaston Grey, the Tower of Joy, Vulture's Roost and the Water Gardens. 7 of these settlements are located in the Red Mountains, aka the Dornish Marches: Starfall, High Hermitage, Blackmont, Skyreach, Kingsgrave, Wyl and Yronwood. Dorne is divided into eastern and western halves south of the mountains, with the eastern half beginning in the hills around the source of the Vaith and Scourge rivers and extending to the Broken Arm, and Dorne's western half comprising mostly desert save for the sulfurous Brimstone River. The aforementioned maps show only two settlements in western Dorne, Sandstone and Hellholt, while the remaining 7-8 settlements are located in Eastern Dorne: Vaith, Salt Shore, Lemonwood, Sunspear, Ghost Hill, Godsgrace, The Tor and Planky Town. All of the settlements in eastern Dorne are located directly beside the Vaith, Scourge and Greenblood Rivers or to the north of them, save for Salt Shore on Dorne's southern coast.

These dispositions reflect what we know about the settlement patterns of Dorne's past from TWOIAF: the majority of the First Men settled in the Greenblood valley or the Red Mountains, with the Daynes, Fowlers and Yronwoods settling in the latter area and the Wades, Shells and many more settling by the former. Only the unnamed Lords of the Wells ventured into the western deserts, and these were a minority. Only with the arrival of the Andals do we know of named houses settling in the west, House Uller and Qorgyle, while the Martells, Allyrions, Jordaynes, Santagars and Vaiths settled in the east along the northern coast and in the river valleys. When the Rhoynar arrived in Dorne and finally settled they mainly stayed in the east near the coast and the river valleys, further cementing the Red Mountains and eastern Dorne as the most populous areas of the country.

The distribution of Dorne's population is also consistent with the information we have about it's geography and climate. George's inspirations for Dorne in this regard were Spain and Palestine, and Morocco also fits the bill, being regions where summers are hot and dry and winters are cool and wet. These areas also have the bulk of their population situated along the coast and in the major river valleys, which is again consistent with George's worldbuilding. More than three-quarters of the land south of the Red Mountains is arid wasteland according to TWOIAF, with the bulk of this land being flat save for the hills at the source of the Greenblood and it's tributaries, and a small mountain range between The Tor and Ghost Hill on Dorne's northern coast. Dorne's southern coast is some 400 leagues/c.1200 miles long according to Rodrick Harlaw, and is largely barren outside of Salt Shore with few sources of fresh water for passing ships to utilize.

It should also come as no surprise that Dorne's population distribution coincides with those areas with an abundance of fresh water, for consumption and agricultural purposes. Eastern Dorne is mostly scrubland with hard, rocky soil that relies heavily upon the Greenblood for irrigation; alongside the Brimstone and Torrentine, the Greenblood is the only river which does not dry up during any season. Potential sources of fresh water in the Red Mountains include the Torrentine and Wyl Rivers as well as an unnamed river that ends near Yronwood, alongside groundwater from wells and rain/meltwater collected from streams, springs and cisterns. Due to the Brimstone being sulfurous, fresh water in western Dorne comes primarily from wells, watering holes and oases.

The result of Dorne's varied geography, climate and population distribution a history of political division and the emergence of Dornish subcultures following Nymeria's wars. The Rhoynar arrived in Dorne less than 700 years before Aegon's Conquest, following the destruction of the Rhoynar Principalities by the Valyrian Freehold, prior to which the First Men and Andals had warred with each other and their Reacher and Stormlord neighbours for millenia. Nymeria and her people spent more than four years in the area of the Summer Sea before arriving in Dorne and allying with Mors Martell, and it took more than a decade to unify the Dornish lands. Four Dornish subcultures emerged in the centuries after the Rhoynar settled, known to us from the ASOIAF books and TWOIAF as the Stoney, Sandy and Salty Dornish, and the Orphans of the Greenblood.

The Orphans have a small population that lives on poleboats in the Greenblood valley and near Planky Town, and retain the language and gods of the Rhoynar, while the Salty Dornish live along the coast and retain some Rhoynar customs but have adopted the common tongue and the Faith of the Seven. The Sandy Dornish live in the deserts and the river valleys, and are closer to the Rhoynar than the Stony Dornish who live in the Red Mountains, some of whom may still practice male-preference primogeniture as opposed to absolute primogeniture. Internal divisions ensured conflict too place within Dorne even after unification, with Nymeria facing two rebellions during her 27 year reign according to TWOIAF. The Yronwoods rebelled several times in the centuries before Aegon's Conquest and supported 3 of the 5 Blackfyre rebellions; following the death of Nymeria's grandson Mors II, his successors the Red Princes (2 of 3 were female) faced further rebellions and sought to suppress the Rhoynar language, driving the Orphans to speak their mother tongue in secret only.

Other aspects of Dorne's worldbuilding will be discussed in greater detail in subsequent installments, but for now I believe this is a solid baseline for us to use. Similar to my analysis of the Velaryon Blockade, I'm going to offer my potential fix-its or improvements now as opposed to saving them all for a conclusion like I did with the Dance series. I think this is process is better based on the feedback I received for the Dance, as its better to highlight those aspects that still work and what areas can be made better as opposed to just listing off flaws ad nauseum. Although not perfect, I think that Dorne's worldbuilding is a step up from how the rest of the Seven Kingdoms are portrayed, being on par with the North and Iron Islands in terms of the information we're given about their socities and their cultural diversity. With the exception of the Vale and Riverlands to some extent, Westeros between the Neck and the Dornish Marches tends to blend together; for example, we have little indication of any differences in Westerlands culture between the coast and the Western Hills, or the mining communities and peasant farmers, despite having three major POVs from the Westerlands (Jaime, Cersei, Tyrion).

Dorne's cultural diversity is significant as there should be a greater variety of cultures and languages in Westeros just based on the great distances and different terrain, even among the First Men and Andals. That being said, there is one quibble I have concerning the four Dornish subcultures, specifically the 'Stony' and 'Sandy Dornish.' Rhoynar culture had a strong affinity with water due to their original home in the Rhoyne valley and use of water magic; TWOIAF also states that those who settled in Dorne preferred to live by the sea which had been their home during their wanderings, hence the 'Salty Dornish' culture. It doesn't really follow that the 'Sandy Dornish' should be more like the Rhoynar than the 'Stony' based on this information; if anything the reverse should be the case based on geography and settlement patterns.

Access to the sea is greater in the Red Mountains than the western desert thanks to the mouth of the Torrentine and the western coast of the Sea of Dorne, whereas Dorne's southern coast is mostly uninhabitable. The greater abundance of fertile land and fresh water in the mountains would better accommodate Rhoynar refugees than the more scarce resources of the western deserts; despite TWOIAF's references to water witches making "dry streams flow and deserts bloom," the majority of Dorne's population remains concentrated in the east and the Red Mountains, suggesting these were just legends or that water magic did not significantly improve the habitability of western Dorne.

The way the 'Sandy Dornish' and their culture are described is also contradictory; despite references to their living in the river valleys as well as the deserts, TWOIAF makes it clear that outside the valleys, "men live in different fashion" and describes the 'Sandy' way of life as centered around wells and oasis which support life in the desert. We also know that five of the six kings that Nymeria exiled to the wall were from the Red Mountains: Yorick Yronwood, Vorian Dayne, Garrison Fowler, Benedict Blackmont and Albin Manwoody, with Lucifer Dryland of Hellgate being the outlier. Largescale Rhoynar settlement in the marches should have been a priority for Nymeria in light of the opposition she faced from the lords of the Red Mountains, both to repopulate an area that had seen heavy fighting and ensure that the border of Dorne was settled with people that were personally loyal to her and had arranged marriages with the local houses.

The 'Stony Dornish' should be closer to the Rhoynar than the 'Sandy' on this basis alone, and this could have had interesting implications for the story and worldbuilding. Given the significant presence of the Andals in the western deserts, it would have been interesting to see how this remoteness affected the local development and practice of the Faith of the Seven. Ellaria Sand is a bastard of House Uller who are one of the Andal houses that settled in the desert, though we only get glimpses of her in ASOS, AFFC and ADWD; by having the 'Sandy Dornish' be more distinct, we could have seen how her houses' Andal roots affected her character if at all. Perhaps she would be closer to Tyene Sand due to her training to be a Septa, and Tyene could even instruct Oberyn and Ellaria's four daughters in the Faith? In fact this raises a broader criticism of the Dornish worldbuilding, being how the practice of the Faith in Dorne differs from the rest of the Seven Kingdoms. TWOIAF mentions that the more liberal sexual morays of the Rhoynar clashed with the teachings of the Faith, but is the Dornish Faith deemed schismatic? Were there any conflicts with the Faith hierarchy? This is a subject that would be worth exploring since the in-universe author of TWOIAF, Maester Yandel, insists that the Andals learned ironworking from the Rhoynar and that there were relations between the two peoples prior to the Andal migrations. Did Rhoynar beliefs affect the development of the Faith in Essos and vice-versa, and did this have any affect on the adopting of the Faith by the Rhoynar that settled in Dorne?

We're going to cover more issues with the worldbuilding of Dorne once we start discussing the First Dornish War itself, but for now these are the extent of my issues as concerns the foundational worldbuilding. I believe George did a solid job of constructing it despite some flaws, and that greater issues mainly arise when trying to square this portrayal of Dorne with what we're shown in the Dornish Wars.

[zombolouge]

What’re some things that inspired you to write your Luckless books?

Initially, I had set out to write something to submit to an open call for novellas that Tor Books had been doing. The very, very early concept idea was "What if the opposite of The Last Unicorn?" where I was trying to imagine what kind of problems might be caused if you had too many unicorns. The Last Unicorn is one of my favorite movies/books of all time, so it was obviously a big influence on me and the tone of the story.

Gradually, it evolved into something a bit bigger than just that story seed. I think I wanted to tell a story about someone who goes through a lifetime of bad luck and to have it feel both like it was all for a reason AND to highlight that things could always be worse. Sort of a way to process tragedy and horror through an optimistic lens that doesn't outright dismiss how much it sucks to live through it all. That's how Bailey, my poor luckless son, came to be the protagonist. He's just out there doing his best but the world has other plans, and he does sometimes let that get him down but never lets it stop him, and I think that makes him heroic.

I'm sure anyone that knows me and my own life story would understand why I'd relate to writing about someone who is constantly assailed by bad luck but keeps on truckin' XD

I wanted to write something that was fun but heartfelt, that was fantasy but pointed out the absurdity of some of the common tropes, and that broke convention from the genre in other places. I wanted to build a world where the conflicts didn't have to rely on being overly gritty or bogged down with real world foils like racism and sexism and bigotry, but still pack emotional punch. I also wanted it to be diverse and character-focused, so that the personalities involved in the story drove it forward more than anything else.

lol and of course once I started worldbuilding, I built a nice sandbox to write not just Unlucky in, but a much longer saga. I like worldbuilding a LOT so there's a ton of lore for Skael that we haven't even scratched the surface on, and I look forward to getting more of the stories out there so I can share it. :) It's slow going, but I can always be encouraged to work a little faster if people show an interest ;)

You can buy a copy of Unlucky here, if you're interested in absurdity, sincerity, disaster gays, and murderous unicorns. <3

[esseastri]

Nicole's Favorite Books That She Read in 2024!

I think I missed doing this post the last few years, but let's get back on the train, shall we?

In no particular order, we have:

The Book of Ile-Rein, by Martha Wells: I've been gobbling up all the Martha Wells backlist that Tor has been reprinting, and I adored this set. Element of Fire was a classic and Death of the Necromancer was a romp. Both were fun for very different reasons, but as always I love Martha's characters too much.

Lady Eve's Last Con, by Rebecca Fairmow: Oh, what an absolute DELIGHT of a novel! Full of 1820s etiquette and elegance, 1920s glitz and glam, 2020s swag and shenanigans, and 2120s gravity and grit, this book is fast and fun. The characters are unforgettable, the plot is unputdownable, and the romance is to die for. The most fun you've had at a zero-g engagement gala, for sure.

The River Has Roots, by Amal El-Mohtar: Comes out in March 2025!: I cannot put into coherent words how very much I love Amal El-Mohtar's writing. It's just so beautiful. Lyrical and clever, intricate but open, so full of heart. This book was written with so much love, and it shows. I could wrap myself in this story like it's a scarf and just wander its sentences forever.

The City in Glass, by Nghi Vo: God, this book is so beautiful, but it made me full-body sob for an entire chapter, so I guess, be aware. This book is about grief. Loss and hurt and anger and grief. It is absolutely gorgeous.

Parable of the Sower, by Octavia Butler: It's really hard to rate this book because it was amazing and also horrifying. So many terrible things happen, but the book is beautiful, too. Despite the fact that everything that can go wrong in Lauren's life does, in fact, go wrong, she is so hopeful. She's got something to believe in, and she is so tenacious. I hated this book and I also loved it. And I am so deeply angry at every literature class I took that didn't teach Octavia Butler.

The Dead Cat Tail Assassins, by P Djeli Clark: I don't think P. Djèlí Clark is capable of writing a thing I don't like. His prose is just magical, his ideas are brilliant, his characters are wonderful, and his books just fill me with joy. This was hilarious and brutal and fun and sad and I loved it. I loved it so much.

Mammoths at the Gates, by Nghi Vo: If you haven't read the Singing Hills, don't start with this one, go back and read the first three. But then read this one. This one is about grief and it is beautiful.

Swordcrossed, by Freya Marske: The Midnight Bargain's less magical and much spicier cousin, this book is an absolute delight. I'm a sucker for a snarky con man with a heart of gold, so I was sold on Luca from page one, but Matti crept up on me and I found myself loving his seriousness and his sneaky sense of humor, too. Personally, I want the Maya and Sofia POV of this book, because I love those two women more than I can explain, but I'm content with the disaster boys getting the spotlight, too. A great, low-stakes romp though business espionage, sword lessons, guild intrigue, "sword lessons", and the wildest wedding this town has ever seen, Swordcrossed is just fun. So much fun.

A Novel Love Story, by Ashley Poston: This one is about how books by your favorite authors have the ability to change the course of your life, and I just wish Ashley could know that she's that author for me. I love this book.

Howl's Moving Castle, by Diana Wynne Jones: I'm still not sure how I somehow managed to miss this book entirely, but god, it is SO SWEET and I LOVE IT SO MUCH. It wraps up very quickly at the end, but honestly, that feels very Howl--slapdash and manic and wild. I love how Sophie is the embodiment of "This Might As Well Happen." I just really love them all. What a good book.

Godkiller, by Hannah Kaner: I loved Kissen from page one, and Elo is such a soft boy he was irresistible, and I love the worldbuilding of this strange, godful land sO MUCH. The circle of people creating gods who create people and destroy them so the people must destroy them is such a fascinating design for faith and belief, and I loved the exploration of it.

The Mars House, by Natasha Pulley: Have you ever gotten mad at an author for being too good at writing words? For taking deep, dark, heavy topics like prejudice and fear, anger and murder, right versus good versus kind--and making them beautiful and delicate? For taking harsh edges and writing them in such a way that they seem like soft candlelight? For taking real science and feeding enough fiction into it that you hope this is how the world turns out because maybe, if it were real, then things might be okay a long time from now? Anyway, I've finished this book and I am pissed off that I finished it because what the hell do I read now?

City of Bones, by Martha Wells: While I don't jive with the title of this book (and I'm not sure the book jives with it either), I loved everything else about it. Wells is an absolute master of characters, especially non-human characters that end up being the most human and the best of them. Khat is no exception, and falls in with Murderbot, Moon, and Kai on my favorites list. I love a person who is too deeply good for their own safety. And Wells writes these doofuses perfectly. It's a slow start and a soft story (surprisingly soft, considering how dark it can be), but if you can give it a little patience and attention, this book--like its main character--will open up to you and reward you greatly for your time.

[shsenhaji]

📚 The Imposition of Unnecessary Obstacles - Book Review

Goodreads Link: https://www.goodreads.com/review/show/6997389051 Rating: ⭐️⭐️⭐️⭐️⭐️

Genre: Science-Fiction, adult, novella, LGBTQ+ characters, relationships, and themes, detectives, mystery, investigations

Thank you to Tor Publishing Group for the opportunity to read this ARC in exchange for my honest review.

This novella’s epigraph says it all: “There are other ways to live.” The Imposition of Unnecessary Obstacles by Malka Older is a poignant treatise on ethics, community, discrimination and class conflict, the myths we tell ourselves about our past and self-sufficiency, and the importance of being respectful toward other points of view.

While its worldbuilding captivated me the most, this science fiction novella that is a detective story also has a key underlining sapphic romance, and Older kept me reading page after page with a pleased smile on my face. I am absolutely delighted that there will be more books in this series, not least because its overarching plot threads just keep thickening.

I was luckily able to gush about how much I adored this novella for Strange Horizons, where you can read the full review: http://strangehorizons.com/non-fictio...

[paperbackd]

Book review: When Among Crows by Veronica Roth

A gorgeously atmospheric urban fantasy steeped in Polish mythology, which follows three unlikely allies as they spend a tumultuous 24 hours racing to find the legendary witch Baba Jaga.

When Among Crows is a surprisingly short novella, clocking in at just 176 pages. Usually, I'd consider that too little time to introduce and establish the rules of a complex fantasy setting, delve into the backstories and motivations of three main characters and allow readers to form an emotional connection with them. I stand corrected; When Among Crows might be the most successful fantasy novella I've ever read. Roth delivered on all fronts - beautiful writing, original fantasy worldbuilding, a wonderfully complex protagonist and intriguing side-characters with equally interesting backstories. I'm tempted to say that my only critique is that I want more, but I also think it was the perfect length for the story that Roth wanted to tell. Not every story needs to be 300+ pages, and this book proves it.

I haven't read anything from Roth since the Divergent trilogy, probably because I was a little jaded by the conclusion of that series. This novella has completely changed my mind about Roth as an author - I'm definitely looking forward to reading more from her now.

Many thanks to Tor Books for providing a copy of When Among Crows. The opinions expressed in this review are my own. When Among Crows will be released on May 14th 2024.

Publisher: Tor Books Rating:  5 stars | ★★★★★ Review cross-posted to Goodreads

[immortaljailor]

21, 25?

ahhhhh, happy new year, good to hear fron you and hope you're doing well...! 💙

21. most memorable comment/review

Auughhhh, this is so hard, I've loved each and every comment I've gotten, and I save the notifications all in their own folder in my email inbox hehehe

I will say though, this year I was really touched at all the people who commented on "A More Perfect Union" with encouragement, sympathy, and advice when my computer died, so probably that! (Also shoutout to everyone who commented on that one saying that omegaverse wasn't usually their cup of tea but were still willing to give it a shot anyway, especially given that it's basically a darkfic...!)

25. a fic you read this year you would recommend everyone read

I've read so much this year that I'm not sure I can keep track! But hmmm...just to mention a few favorites that I either read or re-read this year:

written this last year, "it ends or it doesn't" by Muir_Wolf, which had some excellent Bones whump and Mcspirk feels

the "Occupational Hazards" series by OnlySlightlyObsessed1, which has some amazing domestic Spones as well as some fascinating worldbuilding with its setting of an AU where Starfleet has much smaller ships

and for something older, "Trio in Pon Farr" by JB (?), which is another Spones fic (set in the era after the fal-tor-pan) about Bones passing out during Spock's Pon Farr and Scotty needing to intervene to help figure out what happened—a bit sweet and a bit angsty at the same time!

thank you for the ask~ 💙💙

[bigcats-birds-and-books]

Books of 2025: OVERGROWTH by Mira Grant.

Plant-astically delighted to report that I received an ARC via Tor (Nightfire) and Goodreads! I love Seanan McGuire's writing, and my first foray into her work as Mira Grant was INTO THE DROWNING DEEP, which was phenomenal (think all the best parts of Michael Crichton--the Science, the Speculation, the Consequences--but women and queer people are Entire Characters)(we love a good sci-fi horror paced like a thriller in this house).

The premise of OVERGROWTH is basically "the pod people are coming, they've been warning you about it for decades, and no one has been listening." Stasia, our main character and (first person, past tense) narrator, has spent her whole life telling people that she's "the vanguard of an invading species of intelligent alien plants," which is confirmed via a broadcast from space.

And the chapters are time-stamped "X days pre-invasion."

Yeah.

This book was an absolute delight and all around a lot of fun--the tone was the perfect balance of funny and heartfelt and relatable and dread-inducing, and it very much read like a love letter to the genre with lots of cross-pollinated references (Seymour? Little Shop of Horrors? War of the Worlds? Jurassic Park? Hello????).

It was also very much a book about the distinction between being human and being a person, and about alienation and belief and trust and friendship, and about queerness and neurodivergence and belonging. And, y'know, mimetic plant aliens, in myriad shades of green.

I was initially surprised by the choice to tell this story in past tense and first person (because DROWNING DEEP was patently not that, and most of what I've read of McGuire hasn't been either), but it turns out that was The Only Correct Way To Do It: For most of the book, Stasia didn't have the full picture of what was going on, but her partial understanding + our readerly perspective from inside her head carried both the relatability and the horror. It was a really interesting and cool way to do an alien invasion book (from the perspective of the invader's plant)(ahaha, botanical pun). Also, the narrative frame made me pterodactyl Hunter shriek my way through the last two pages, which. OOF. WHAT A RIDE!!! I'll be rotisserie-ing over the late-game twist (page 396/465 in my copy) and the ending for a long time.

I loved that the aliens felt alien and all too much like people; I loved Toni and Hunter; I loved the biology and worldbuilding; I loved the botanical quips ("salad bar" is, in fact, the best possible term of address to an alien invader, no notes); I loved the shady government agencies and unethical experimentation; I loved the "we are the monsters you have made". I stayed up way past my bedtime several times for this, and it was worth every second. Do recommend, check this out in May!!

Half-assed spoilery content warnings under the cut (I'm not good at these because I have a weird concept of what necessitates a warning, so please do NOT consider these complete in any way shape or form):

on-page toddler death (graphic, in prologue, signposted with "look away"); transphobia (toward beloved trans character); spider (alien); bug-adjacent (alien); vampirism/blood drinking; other usual horror/alien invasion type tropes etc. (body horror? do people tag body horror?? i was an animorphs kid i'm sorry i don't know what a normal amount of body horror is but i love it all)