#top 10 movies of 2024

[theconnoisseurreviews]

Here is my long awaited Top 10 Films of 2024. It's not like any other lists, but it's a crop of films that are important and people need to check out, if they haven't already.

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[randomrichards]

TOP 10 MOVIES OF 2024 (SO FAR)

Honourable Mentions:

SOMEONE LIVES HERE

This one’s only an hour long but it delivers a powerful and frustrating documentary of a man trying to create homes for the unhoused.

Carpenter Khaleel Seivwright devotes his time to making small mobile shacks for the unhoused to live in, but he’s constantly undermined by Toronto city council that couldn’t care less about providing affordable housing.

It is maddening portrayal of shallow politicians that punishes those who try to help while offering no real solutions. There’s also hope in seeing a man go out of his way to help those in need.

10) ORIGIN

Real-life non-fiction author Isabel Wilkerson (Anjanae Ellis-Taylor) examines how social hierarchies are enforced in Origin, a compelling biopic about the making of Wilkerson’s acclaimed book Caste.

Drawing from the tragic killing of Trayvon Martin, both Wilkerson and writer/director Ava DuVernay introduces us to a series of real-life stories of oppression and defiance to showcase how systems are used to oppress marginalized groups. Among these stories are a German (Finn Wittrock) who refused to salute Hitler after falling for a Jewish girl, revelation of how America’s Jim Crow Laws inspired the holocaust and Dr. Bhimrao Ramji Ambedkar (Gaurav J. Pathania) who defied his status as an “untouchable to draft India’s constitution. There are many uncomfortable scenes of innocent people being denied their basic humanity, especially one where a black boy is denied the use of the same pool as his teammates.

Origin is also a love story of Isabel grieving the loss of her husband (Jon Bernthal playing against type) as she continues her project. Bernthal shows his sweeter, sensitive side through flashbacks scenes with Ellis-Taylor. Ellis-Taylor also breaks your heart as Isabel mourns her loss.

This film a compelling drama that calls for recognizing other people’s humanity.

9) ROBOT DREAMS

Robot Dreams is one film nominated last year for Best Animated Feature hardly anyone got a chance to see. Now that it was release in select theatres, audience can see a beautiful tale of loneliness, friendship and drifting apart.

Based on the graphic novel by Sara Varon, Robot Dreams takes us into a 1980s New York full of anthropomorphic animals. A lonely Dog builds a robot friend, and they form a quick bond. It cultivates in an iconic early scene where they roller skate to the tune of Earth Wind and Fire’s “September”.

Writer/Director Pablo Berger makes us happy to see Robot and Dog together without one line of dialogue. It makes it more heartbreaking when Robot is left immobile and stranded on a closed beach and Dog is forced to wait half a year. Robot is left to dream about returning home to his only friend.

Writer/Director Pablo Berger proves himself a Master of Visual storytelling, getting a lot across without a single line of dialogue. It helps he has some top-notch animators communicate character’s thoughts and feelings through facial expressions. That animation also makes the background environment look beautiful, even though it’s portraying a grainy side of New York.

Berger balances style and substance for a visually pleasing but heartbreaking journey.

8) HUNDREDS OF BEAVERS

There are so many elements of this film that shouldn’t work. The film is a series of segments with very little connection between them. The special effects are extremely unconvincing with fake looking set pieces and awkward physics. All the animals are people in mascot costumes. These should be a put off for the average moviegoer. And yet director Mike Cheslik makes all those work to his advantage with Hundreds of Beavers, a cartoonish tribute to silent films and Looney Tunes.

Set in a winter wonderland of fur traders and gold prospectors, we follow Jean Kayak (Ryland Brickson Cole Tews), an alcoholic Applejack farmer who finds himself out of the job thanks to beavers. Now he finds himself trying to survive in the wilderness with many disastrous results. But he learns to survive with the guidance of a veteran fur trader (Wes Tank) and an Indigenous trapper (Luis Rico). But to earn the hand of a Furrier (Olivia Graves), he must get hundreds of furs for her merchant father (Doug Mancheski). This leads him to a one-man war with the titular beavers.

Cheslick delivers one side-splitting scene after another of Kayak’s disastrous attempts to trap prey, which often leaves him falling through rabbit holes. The fake looking special effects only add to the cartoonish tone, especially in one scene involving him in a log rolling war against a beaver. He also makes jokes that couldn’t get away with in the silent era including a reoccurring gag with trappers using very cartoon looking poo as beaver bait or Jean trying to trap rabbits with a female snow bunny only for it to be revealed the rabbits are gay.

The film doesn’t flow as much without a clear plot and the jokes don’t always knock it out of the park. But for most part, Hundreds of Beavers is a laugh riot.

7) FURIOSA: A MAD MAX SAGA

It’s a shame George Miller’s prequel Furiosa: A Mad Max Saga bombed at the box office because it has the kind of grand set pieces and thrilling car chases that deserve to be seen in a theatre. this compelling post-apocalyptic flick about the titular warrior (Alyla Browne as a child, Anya Taylor-Joy as an adult) seeking vengeance on the chaotic Dr. Dementus (Chris Hemsworth) compliments its predecessor Mad Max: Fury Road with the mind-blowing action scenes, creative visuals and social commentary that made the earlier film such a modern classic.

Both Furiosa and Fury Road should be uses as examples on how tell story through action scenes. Except for the franchises’ trademark opening and closing voice over monologues, Miller avoids exposition in favour of using the extended action scenes to reveal character, show the world’s rules and further the plot. This demonstrates a lot of trust in the audience to figure out the world through image alone, especially when he has only one short scene to show us the green world Furiosa grew up in. Then again, he’s such a master filmmaker that he can reveal so much information just from a single shot.

It’s worth noting that Furiosa’s more story oriented than Fury Road, focusing on the tragedy of the life Furiosa’s lost, especially her mother. Also, you must admire Miller for daring to spend an hour on Furiosa as a child. Of course, it helps that he has Hemsworth having a blast hamming up every scene.

It doesn’t quite reach the level of Fury Road and the CGI isn’t quite as convincing as the original movie. But Miller still delivers an exciting thrill ride worthy of the iconic franchise.

6) AMERICAN FICTION

Frustrated with his work not getting published, surly literary professor Thelonius “Monk” Ellison (Jeffery Wright) decides to make a racially stereotypical “memoir” under the guise of gangster “Stagg R. Lee” in the scathing satire American Fiction.

Cord Jefferson deserves his Oscar win for his screenplay. From the opening scene of Monk arguing with a white student over him writing the N-word on a whiteboard (referring to the title of a short story), He delivers an amusing commentary about modern racism. At the film’s core, Jefferson goes after the media representation that puts Black America in a box of Black Oppression Porn under the guise of “being real.” While Monk can’t get his books on Greek mythology published but much to his chagrin, author Sinatrara Golden (Issa Rae) writes a bestselling novel “We’s Lives in Da Ghetto” full of racially stereotypical dialogue. Monk’s publishing agent sums it up when he states “White people think they want the truth, but they don’t. They want to be absolved.” In one funny scene, he berates a bookstore for putting his book in “African American Studies” when it’s about Greek Mythology (“The blackest thing in this book is the ink”)

American Fiction is also dramedy about Monk being forced to return to his family home and confront his complicated relationship with his family when his sister (Tracee Ellis Ross) passes away and he’s forced to care for their mother (Leslie Uggams). It’s here that he’s reconciles with his chaotic brother Clifford (scene-stealing Sterling K. Brown) and finds love with a new resident Coraline (Erika Alexander). Jefferson proves just as effective with family dramedy as he is with satire, balancing the comedic moments of Clifford berating a local for interrupting his sister’s memorial with the heavy moments of their mother’s struggles with Alzheimer’s.

Jefferson also deserves kudos for creating complex characters. While his frustrations with the popularity of oppression porn is understandable, Monk often comes off as a judgmental snob. He remains likeable thanks to Wright’s charismatic performance. Clifford seems high on life (and cocaine), but he hides the hurt of his mother not accepting his homosexuality. Brown gets to shine in a monologue about Clifford’s dad not knowing his true self.

Jefferson is a filmmaker worth looking into.

5) CHALLENGERS

Luca Guadagnino brings us another entry to a unique subgenre of erotic films about a love triangle between two male best friends and a woman. This time, it’s between three up and coming tennis players.

The film starts years later with former tennis star Tashi (Zendaya) serving as coach for her husband Art (Mike Faist) who’s struggling to break out of a losing streak. Meanwhile, their ex-friend Patrick (Josh O’Connor) is sleeping in his van while awaiting the upcoming tournament. It’s this tournament that this trio is forced to confront their relationships.

Through flashbacks, Guadagnino and writer Justin Kuritzkes reveal how they got here her from being a trio of promising players. They introduce little details like a scar on Tashi’s knee and a tennis pose Art and Patrick use to indicate who had sex with Tashi. From these details, Guadagnion and Kuritzkes reminds us of the curveballs life can throw at us and how the characters adapt to them (or don’t).

Zendaya, Faist and O’Connor have excellent chemistry, seductively bouncing off each other. They also masterfully handle the complicated turns their characters take in reconciling their feelings for each other.

Challengers delivers a sensual character study of three athletes with feelings for each other.

4) CIVIL WAR

Civil War follows disillusioned photojournalist Lee (Kirsten Dunst) as she joins 2 journalists (Wagner Moura and Stephen McKinley-Henderson) and an enthusiastic young up and coming photographer (Cailee Spaeny) on a road trip across the United States as a rebel militia battles the president of the United States.

Writer/Director Alex Garland keeps the audience hooked from beginning to end as he puts our heroes in one dangerous scenario after another from a sniper battle at a Santa Village to the climactic battle at the White House. The most iconic is an intense standoff with the scene stealing Jesse Plemons as a sociopathic militia.

Garland makes the bold move of not revealing what caused the war in the first place. You can figure it out through the subtle hints including the President being on his 4th term the fact Texas and California have seceded from the country. This choice works to put the audience in the perspective of a photojournalist, who are expected to be an inactive witness so they can present events factually. But the film shows how challenging that is when it involves witnessing horrifying moments of a man being set on fire and putting their lives in danger. You see this in Dunst’s performance, who conveys her character’s exhausted weariness through her face.

Alex Garland gives us an action-packed thriller cultivating with an exciting shootout.

3) PERFECT DAYS

It’s one hell of challenge to create an engaging film with no conflict. That’s what makes Wim Wenders’ Perfect Days such a miracle. The beloved director defies basic film convention to create a meditative look in the life of Hirayama (Koji Yakusho), a custodian who cleans publish washroom in Tokyo.

Perfect Days has no true storyline. The closest thing to a plot happens when Hirayama’s niece shows up out of nowhere to stay with him but that happens way late in the film and gets resolved quickly. For the most part, Wenders focuses on the Hirayama’s routine days both at work and his personal life. It sounds like a boring movie, but Wenders uses those routines to create a sense of rhythm. It’s strange how reassuring to see Hirayama drinking a can of coffee every morning, sitting at a park bench for lunch and listen to his cassettes. That makes the breaks from routines more engaging, especially when Hirayama plays tic tac toe with a stranger.

At the core is Hirayama’s appreciation of the little things in life. You can appreciate how director of photography Franz Lustig makes Tokyo look so beautiful, even while Hirayama is cleaning toilets. Lustig also gets to shine in the brief black and white dreams that concludes each day. Wenders creates a meditative flick that makes you investigate the beauty within your everyday life.

2) THE TASTE OF THINGS

Vietnamese filmmaker Anh Hung Tran puts the viewer under a culinary spell in his French romance The Taste of Things. He adapts Marcel Rouff’s novel “La Vie Et La Passion De Bodin-Bouffant” about a beloved gourmet chef (Benoit Magimel) who decides to cook a special meal for his home cook (Juliette Binoche) when she falls ill. Tran and his director of photography Jonathan Ricquebourg leave audiences’ ravenous with long, beautiful scenes of cooking a variety of exquisite dishes. It’s best to eat before you watch.

The Taste of Things could also be regarded as a celebration of veteran French actors Magimel and Binoche who both delivered dignified yet loving chemistry, making us feel the unrequited love these two have for each other. It’s made more fascinating when it’s revealed he’s been proposing to her for 20 years to no avail. So, the climatic works both as an expression of his love and a show of appreciation for all she has done for her. There’s also a bit of tragedy given that she might not have much time left. You want them to get together.

It’s a perfect film for date night.

1) DUNE: PART 2

Denis Villeneuve creates one of those rare sequels that stands as a masterpiece that compliments the first film (and in some opinions, surpasses the original). It maintains the mind-blowing visuals, Game of thrones-like political intrigue and excellent performances that made its predecessor a hit.

The sequel has hero Paul Atredies (Timothee Chalamet) assimilating himself into the Fremen tribes to bring down the ruthless Baron Harkonnen (Stellan Skarskgard) and the emperor (Christopher Walken) while his mother Lady Jessica (Rebecca Ferguson) works behind the scenes to convince the tribesmen that her son is the prophesized messiah.

Dune: Part 2 puts the audience under its spell with Greg Fraser’s mind-blowing cinematography making the desert and the emperor’s kingdom dazzlingly real. They get to shine in the scenes in the Harroken kingdom, a cold world where the outside drains the world of all colour.

The film introduces us to new characters including The Emperor and his strategic daughter Princess Irulan (Florence Pugh). But it’s Austin Butler who stands out as the Baron’s sociopathic nephew Feyd-Rautha. Butler oozes menace with his cold stare, hairless figure, and raspy voice, especially when he mutilates a mistress just to test his knives.

What truly makes both Frank Herbert’s book and Villeneuve’s adaptations so special is how they deconstruct both the Chosen One archetype and white savior storyline. Throughout the film, Lady Jessica manipulates the Fremen people into thinking her son’s a prophet, a role Paul doesn’t want. Meanwhile, Chani (Zendaya) remains skeptical of the prophesy and calls out her father (Javier Bardem) for blindly believing it. Apparently, Herbert takes this deconstruction a step further in Dune: Messiah which will conclude the trilogy.

Villeneuve again proves himself truly cinematic storyteller with a uniquely epic style that elevates complex stories.

[rosalie-starfall]

Wicked

Part 1 - 2024 Galinda & Madame Morrible

[cluelessrebel1988]

My Favorite Movies of 2024

Honorable mentions here

10) Man And Witch: The Dance of a Thousand Steps

9) Furiosa: A Mad Max Saga

8) The Fall Guy

7) The Lord of the Rings: The War of the Rohirrim

6) Abigail

5) Alien: Romulus

4) Civil War

3) Wicked

2) Deadpool & Wolverine

Kingdom of the Planet of the Apes

[flustered-art]

Me and gang pulling up to the conclave like

[bleeding-deer]

[agentnico]

Top 10 Best Movies of 2024

Happy New Year everyone! Thank you to the two or three of my blog readers or the random Tumblr users who come across one of my reviews - always appreciate you spending your time reading my gibberish. 2024 - what a disappointing year for cinema. Naturally a primary cause for this was the SAG-AFTRA artist strike in 2023 that has had a ripple effect, however another reason would be that Hollywood is more-than-ever running out of ideas. It’s not that there were particularly bad movies, but more so okay films that left one underwhelmed. From big budget fare such as Gladiator 2, Moana 2, Deadpool & Wolverine, Argylle, The Lord of the Rings: War of the Rohirrim offering limited but forgettable entertainment, and even the indie market struggling, as I found myself hardly captivated by the likes of Longlegs, Drive-Away Dolls, The Vourdalak, MaXXXine and The Return, to name a few. It’s been a very so-so year. Nevertheless there’s always some movies that manage to offer that element of escapism we all seek from the theatrical journey, so here are my picks for my favourite films of 2024 (in my humblest of opinions of course)…

[DISCLAIMER: I have not yet seen A Complete Unknown and The Brutalist, so those will not be considered on this list, though I am very much looking forward to seeing both, especially The Brutalist]

HONOURABLE MENTIONS: Juror #2; The Last Stop in Yuma County; Challengers; The Beast; A Quiet Place: Day One; Late Night with the Devil

10 - WALLACE & GROMIT: VENGEANCE MOST FOWL - “He’s back! Again!” So I have been absolutely sleeping on these Wallace & Gromit joints. Me and my wife were in stitches after watching this new Aardman stop motion with its irreverent humour and wacky hijinks. Wallace is a self-absorbed prick, Feathers McGraw is one of the best silent villains in cinematic history and Gromit is bae. After seeing it we have since been on an endless binge of all the Wallace & Gromit shorts and films on BBC and have fallen in love with this cheese-loving mongrel of an inventor and his loyal friendly doggo. Yet Vengeance Most Fowl I still believe is maybe their best outing yet, as it takes everything that is great about this franchise and delivers it in one entertaining hilarious package. Also I can only imagine how much time it takes up for Aardman to do all the stop motion animation, with it taking weeks to make maybe only 30 seconds of footage. It’s impressive, and the result is one of the most heartwarming comedic gold features of 2024. Oh, and those Peter Kay one-liners are on point!

9 - FLOW - The Robot Dreams of 2024. A wonderful, beautiful and immersive experience- a true vibe of a movie. Still questioning how these animals know how to drive a boat, but I’m happy to suspend my sense of disbelief and assume these creatures went to boat school in favour of admitting that this is my favourite animated feature of this year. Great for cat lovers too!

8 - WICKED - Look, I’m as stumped as anyone about the fact that Wicked is on my Top 10 list. I’m trying to let that sink in…. Wicked in my Top 10… Wicked in my Top 10… Ugghh it grinds my gears it does!! Nevertheless, it’s a perfect adaptation of the musical stage production with catchy songs and superstar turns from Cynthia Erivo and Ariana Grande. My wife has also been non-stop singing “woooooo” from Defying Gravity ever since, so she evidently approves too. Now leave me be, I simply must be loathing… unadulterated loathing… For your face, your voice, your clothing… Let's just say, I loathe it all!!

7 - HERETIC - I shall never listen to “All the Air That I Breathe” by The Hollies the same again. Hugh Grant delivers the most entertaining and uneasy religious studies lecture in history, by comparing the Bible and Quran to Monopoly - baller ass move, and a most entertaining little thriller.

6 - CONCLAVE - In my eyes Conclave is a stunning piece of work. It manages to take what one would assume as such a simple premise, yet manages to entangle it with so many threads of twists and turns, as such turning a political and religious drama into a true mystery thriller, with Fiennes character acting as a detective, unravelling the dirty secrets of all the Pope candidates. Partner that with the great acting, sublime cinematography and a slow but engaging pace with a script filled with wit and realism, and we have ourselves one hell of a motion picture! Oh, and less one forget about the most diabolical vape hit ever!

5 - THE SUBSTANCE - Conclave may feature the most diabolical vape hit of the year, however The Substance takes the win for the most obnoxious chewing of shrimp ever put to screen! The Substance is the type of movie that is made to shock and unsettle an audience. There’s a lot of disturbing imagery, with blood and gore and body horror, very reminiscent of horror films of David Cronenberg like The Fly and Naked Lunch. The final 30 minutes especially are so fun to watch with a crowd of people in a packed theatre, as it’s the kind of visceral and grotesque experience that is at the same time disgusting, horrible yet funny. Let’s not even sugarcoat it - the final 30 minutes are so f-ed up and it was a thrill to experience that with an audience, hearing the gasps and squirms from fellow moviegoers. Definitely up there as one of my favourite cinema trips.

4 - THE COUNT OF MONTE CRISTO - Some stories a worth retelling. The sets are great and really invoke the post-Napoleon era of France; the costumes are gorgeous; the music score is grandiose and epic, really engrossing you in this decade spanning saga of revenge; the classic Alexandre Dumas story is reinterpreted so well with the themes and the emotion, and the acting across the board is superb.  Truly grandiose in scale, and Pierre Niney is effortlessly cool as the titular count, playing him off as a, dare I say, French Batman. So cool, so awesome, so very French.

3 - HUNDREDS OF BEAVERS - Hundreds of Beavers is one of the most creative, inventive and entertaining comedies of the last decade, and I had a smile on my face from start to finish. From the punchy editing, funny music cues, well-timed cutaway gags, goofy costumes or the endlessly creative deaths, this thing has so much unhinged energy it’s unreal. This slapstick comedy offers the perfect rebuttal to “they don’t make them like they used to.” 

2 - FURIOSA - It was upon my second viewing, with an avid pairing of a glass or two of gin mind you, that I really accepted how spectacular this movie is. It’s a fricking sin that Chris Hemsworth is not getting any awards recognition for his turn as the diabolical Dementus - he bloody OWNS this role! Anya Taylor-Joy comes late in the game but does rule as a revenge stricken Furiosa, but I’d actually say that Alyla Browne deserves more praise as the young Furiosa, giving one of the most raw and bare bones child-actor performances of the last decade! The scene where her mother gets crucified…. this kid felt it and WE felt it! CGI is tacky at times; but to counteract that there are some ace action scenes…. dudes parachuting off motorbikes whilst blazing in fire is so METAL! I usually hate prequels as I don’t see the point in them, but this is that one rare exception where it truly allows one to unravel more of The Wasteland through the lense of a fantastical and engaging narrative. Sad to think this may be the last Mad Max flick due to the box office failure. Shame -I’d happily dig another! 

1 - DUNE: PART TWO - To use The Lord of the Rings terminology, and boy am I happy to refer to the dear-to-my-heart Middle Earth whenever I have the chance, then Dune: Part Two holds the scale of The Two Towers. I may not agree with all of it, and there are still some moments I believe drag, though The Two Towers is also guilty of that - I’m looking at you Treebeard! But overall this is one hell of a cinematic experience and achievement. I heavily disliked the first movie, so going into this one I was prepped on hating it too. However Dune: Part Two is a masterclass of science fiction storytelling. No other movie in 2024 has provided me with such a visceral and invigorating feeling of cinematic experience. I was completely lost in the deserts of Arrakis, enamoured in the rise of the Lisan al Gaib. Oh, and that Hans Zimmer’s music score - electrifying!!

In conclusion, 2024 excelled in the horror genre, while the two best films are both set in the desert. Take that as you will. Anyway, onwards with 2025! If you liked this, please follow me on Letterboxd for my immediate reactions: https://boxd.it/9wQGT

[princessofbookaholics]

TOP 10 MOVIES I WATCHED IN 2024

1. Dead Poets Society (1989)

2. The Art of Racing in the Rain (2019)

3. She Said (2022)

4. Good Will Hunting (1997)

5. American Fiction (2023)

6. Inside Out 2 (2024)

7. Top Gun: Maverick (2022)

8. Carry-on (2024)

9. It's What's Inside (2024)

10. The Fall Guy (2024)

[stevebuscemieyes]

[tafadhali]

Top 10 New Releases of 2024

Challengers (dir. Luca Guadagnino) Robot Dreams (dir. Pablo Berger) I Saw the TV Glow (dir. Jane Schoenbrun) Look Back (dir. Kiyotaka Oshiyama) A Quiet Place: Day One (dir. Michael Sarnoski) Conclave (dir. Edward Berger) Ghostlight (dir. Kelly O'Sullivan & Alex Thompson) Flow (dir. Gints Zilbalodis) The Hit Man (dir. Richard Linklater) Problemista (dir. Julio Torres)

[the-autistic-vulcan]

My Top 10 Films of All Time (All Genres)

Gif Credits: @popculturelists, @cadmuslabs777, @josselyn1021, @shamelesslysimping, @dailycolorfulgifs, @julielilac, @ladyhawke, @thecruel, @glindalphaba, @swayze777

all in no particular order

[theadamantium]

Harri's Picks for 2024

Anora

Dune: Part Two

Challengers

Nosferatu

Wicked

Furiosa: A Mad Max Saga

Alien: Romulus

Civil War

Kingdom of the Planet of the Apes

The Wild Robot

House of the Dragon - Season 02

The Gentlemen - Season 01

Fargo - Season 05

Shrinking - Season 02

Shogun - Season 01

Linkin Park - From Zero

The Black Keys - Ohio Players

Post Malone - F-1 Trillion

Dead Poet Society - Fission

Fontaines D.C. - Romance

Bayside - There Are Worse Things Than Being Alive

Coldplay - Moon Music

Imagine Dragons - LOOM

Judas Priest - Invincible Shield

Green Day - Saviors

Noah Kahan - We'll All Be Here Forever Tour

Creed - Are You Ready? Tour

Queens of the Stone Age - The End is Nero Tour

Kings of Leon - Can We Please Have Fun Tour

Limp Bizkit - Loserville Tour

Final Fantasy VII Rebirth

Black Myth: Wukong

Astro Bot

Prince of Persia: The Lost Crown

Stellar Blade

[readjthompson]

YEAR IN REVIEW: My Top Ten Favorite Horror Films of 2024 (in alphabetical order, using non-festival release dates):

• Abigail

• Alien: Romulus

• Beetlejuice Beetlejuice

• I Saw the TV Glow

• Late Night with the Devil

• Longlegs

• Smile 2

• Stopmotion

• The Substance

• Terrifier 3

[sleepythug]

ok final set in stone 2024 list of shit I still gotta catch up on

close your eyes (victor erice)

all we imagine as light (payal kapadia)

the brutalist (brady corbet)

juror #2 (clint eastwood)

do not expect too much from the end of the world (radu jude)

no other land (basel adra, hamdan ballal, yuval abraham, rachel szor)

red rooms (pascal plante)

nosferatu (robert eggers)

cloud (kiyoshi kurosawa)

nickel boys (ramel ross)

the last summer (catherine breillat)

a different man (aaron schimberg)

twilight of the warriors (soi cheang)

hit man (richard linklater)

queer (luca guadagnino)

inside the yellow cocoon shell (pham thien an)

the human surge 3 (eduardo williams)

it's not me (leos carax)

love lies bleeding (rose glass)

the seed of the sacred fig (mohammad rasoulof)

[outerspacemermaiid]

Pain Hustlers 2023 ‧ Crime/Thriller ‧ 2h 3m

[theconnoisseurreviews]

I rank the 2024 Best Picture Nominees

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