#too specific to make direct comparisons for

[meamiki]

Here is the original ramble! Actually I will preface this new rb by saying please feel free to correct me if I am mistaken in misremembering anything in these!! Okay here it is under the cut proper

vvv

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Okay, so honestly this is more or less an excuse to ramble out an appreciation post (of sorts) on everyone tbh, since I do not do that often if ever. I'm just using the quote picks to keep me a bit focused on topics a bit more specific than being completely aimless!

[Also specialist of special shoutouts to my friends Squid and Aya for proofreading all this. Ily guys ever so dearly <3333]

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Mirabelle

"Avoidance, huh... That feels... a little too cowardly, for me."

The Housemaiden, who would probably fulfill the 'Hero' role if this was a normal RPG, Mirabelle! She has a lot going on that's so interesting to me!! Okay tbf everyone else does too but I really just needed a segue.

She's the chosen one that wasn't really chosen. The reason she was blessed was due to circumstance, and it wasn't even by the Change God either. Because of that, she feels immense pressure/imposter syndrome since she knows the truth of her blessing. Speaking of feelings, she also already felt like she’s failing her own faith for being comfortable with herself, in staying the same forever. For not wanting to Change in that way, when everyone else can, and feeling broken because of it. And, of course, she literally has anxiety and hasn’t had access to her meds throughout the entire quest. That probably also does not help in the slightest!! It's an interesting stewing pot of feeling like a fraud of a 'chosen one' with all that in mind.

And yet, her dedication to her faith and country shines through her actions and words, whether she knows it or not. She’s not someone to avoid her worries. She’ll face them, head-on, even if she doesn't think she'll succeed. I feel like this quote captures it best to me actually! Especially since it's a direct response to Sif saying that they try to avoid their own doubts and worries, in comparison to Mira’s own in her own faith. It almost feels like a subconscious response, and to me that says a lot.

[Side-tangent, but it's also interesting to me that this very dedication works against her, in a sense? Like, notably the bonding proposals. Beyond the societal pressures in play related to the Change belief, she is also the one to take the initiative to ask a dating company for bonding proposals, it didn't just happen around her (as in, no one suggested this to her)? Even when she isn't even interested in dating anyone to begin with! She's not interested in Changing in that way!!! That is to say, her head-on dedication can be to the point of her own detriment at times, to the point of bringing her woe? Not sure if I am wording this properly. Just a thought I had, idk if it has much merit tho. Sorry if that made like no sense!!]

But yeah! She gives it her all in just about everything she does!! She was already known as the most hardworking Housemaiden in the House, always striving to better herself, always taking new classes prior to all this (over 150! and she herself said that she couldn't do anything before coming to the House, which makes it all the more impressive). And when faced with the insurmountable task of saving her home, all of Vauguarde, from being frozen over by the King? She continues on to take on the mantle as the chosen one, the one who will save everyone, and she starts it off completely alone. She's the reason the journey was able to play out, and why everyone is together in the first place. All because she isn't one to avoid her doubts and worries, and willingness to do it scared, yanno? It's just a small part on what I appreciate about her, but I think I'm going to cut myself off here!

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Isabeau

"Doesn't that feel like someone you wouldn't feel ashamed of knowing?"

Isabeau!! Literally the whole “Change is destruction” convo that Isa has prior to this quote was up to be picked, but I figured picking the end would be easiest. But now that I think about it, I think all my picks are basically at the end of the FQ's so that point is sort of moot. Oh well! It's just hard to pick a singular quote off of these okay!!

Isabeau from the start of the game is shown to be portraying himself as a himbo. Big guy, dumb guy, the like. But, even from the start, there are signs that he really isn't stupid, like at all! First early gameish example I can think of off the top of my head, that distinctly shows this, is the color theory book. Mainly because he sort of kind of drops the facade for a split second there. Without proper context to his deal, it's just a funny moment. But, reflecting after the fact, it's more of an '...OH!' moment, since he seems to have been kinda upset about not knowing about colors (even if he's hamming it up a little bit, saying he's 'failed them all' for not knowing what colors were.) And that's not even going into his emotional intelligence either.

But, delving into his FQ the full picture is shown. That he wasn't always this big boisterous guy. He used to be the nerdiest kid around, incredibly shy, and because of that he didn't like himself much. But then he Changed and is much happier now, compared to back then! Even after his Change though, he's unhappy with some aspects of himself. He doesn’t like being considered dumb because of his act. And, even after Changing, that kid from before is still there, right? As much as he continues to project this air of cool confidence, he can never truly be rid of that part of his old self, can he? The one always paralyzed by fear.

With that, comes the quote pick! Since, to me, he's not necessarily talking to just Siffrin here, but also to himself. Because it all boils down to his own self-hatred, I think? He himself does mention this in the A5 version of this FQ, albeit kinda heat of the moment, that he "...keeps changing personalities like clothes, because it's easier than learning to like myself." He's still a work in progress in that regard. But even still, he is trying to be better, for the people he cares about.

[Small aside, that too can maybe stem from his own self-loathing? Putting the people he cares about first. I mean, he is the one who told Sif to focus on the others first. And even after that, he was putting focus onto Sif at first during his FQ (as in, talking about how he thought Sif would like seeing the stars, only letting the convo slide into focus unto himself after Sif made an obvious topic change.) The quote also kind of reads as an ask of reassurance, in a sense? That him Changing again would allow himself to be someone that people would like, even if he himself doesn't like himself. Idk where I was going with this tbh, but I think it makes sense to keep its inclusion here!]

Overall, I just think it's interesting to revisit Isa's previous dialogues with the context of the FQ!! Especially when thinking on the underlying reasons as to why the way he's acting the way he is, even while seeing signs from the start that he isn't the airhead he was masquerading as.

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Odile

"I'm Ka Buan and Vauguardian, in ways I do and don't realize... And I am also myself."

The Researcher, Odile! I think I’m just gonna jump right into it without a semblance of an intro since I know it’s going to be a lil less focused. Mainly because I know for a fact I will not be able to articulate this ramble that well, so here we go.

As the oldest party member, it makes sense that she's much further along in her own character development / self-discovery journey in comparison to the others (at least in relation to her FQ centered struggle on finding out more about herself in relation to her heritage), and I think her FQ, in itself, helps portray that. Compared to Mira and Isa, who are still in the midst of their own personal journey on how to address their turmoil and putting it to action, Bonnie, who is the youngest of the group and is learning how to tackle their issues to begin with, and Siffrin who is going through All That™; Odile has come to a conclusion about her own woes, where the others have not. 

That’s part of the reason why I went with the quote pick actually! In a sense, it’s a display of self-assuredness in herself that can really only be gained with time and experience. She’s also able to explain her feelings on her heritage eloquently as well, and the convo prior to the quote helps express them too! It’s the recognition that yes, her mixed heritage helped shape who she is as a person in ways she may or may not realize, that it’s not the only factor at play here in regard to her identity. It’s the fact that, at the end of the day, what matters most is that she is herself, yanno?

Even with her self-assuredness towards herself, it’s also interesting to me how that contrasts her closed-offness to the others, especially in outright saying/showing that she cares? Which also probably also stems from her mother, someone who was supposed to love and care for her, leaving without a trace early on in life. It makes sense to me that she would have reluctance in showing that she cares for the others!! What if she ends up hurting others similarly to how her mother hurt her?  Of course, she wouldn’t want to do that to the others, and is distinctly also why she does NOT want to be called a Mom. 

[Tangent that doesn’t relate as much to the quote, but I want to touch upon anyway since it’s FQ related. I also want to point out that the FQ helps inform us why Odile is more willing to question things around her / be more sus? When her mother left, she left nothing behind, and with it, any links to her Vauguardian roots. This left her with a complete loss of that connection, one that was stolen from her and, with that, the feeling like she didn’t belong anywhere as a result. This led her to be curious enough to seek out a resolution to that feeling, lending more into her inquisitiveness on just about anything. How else would she be able to learn more about Vauguarde, without asking questions, after all!]

All in all, for Odile it’s a bit harder for me to elaborate on why I like her? I dunno, I think it’s just hard to sum it all up as eloquently as she probably could LOL. 

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Bonnie

"So you can protect me, and I can protect you... And we can protect everyone, too!"

Bonnie!! TBH I had a toss-up on what specific quote the drawing would be based around. The other one being “You got hurt because of me and— And I don’t like it!!! I don’t want it to have happened! You should have stood there and let me be hurt!” . Because of the toss up both quotes will be discussed somewhat, since they go hand in hand with the ramble!

[To note, the toss-up was decided by putting it on a poll to my friends, as a simple “choose !” with the options being “joyful” or “angsty” with ZERO context. I told them after what the poll was for (basically if Bonnie would be crying or not in the drawing) and I got threatened for that one HAHA.]

But, to start, Bonnie has had, not once, but twice, people sacrificing themselves in some way for them (Nille telling them to run and getting frozen, Siffrin losing his eye.) Makes sense, because they're a kid, so of course those who are older need to protect them. Still, they are not happy about this, about people getting hurt because of them, and understandably so! It probably doesn't feel good to have your loved ones putting themselves in harm's way for your sake. But what can they do, right? They're a kid and don't really get a say on the matter. I mean, what else can they do? It makes sense to me that Bonnie is frustrated about that part!! It can be frustrating to have everyone discuss things around you, have everyone do things that you don't want them to, and (unintentionally or not), ignoring your input as a person because you are so young.

Kids are smarter than you think. Even if they may not have a full understanding of what's going on, they can certainly follow along and get the gist. Like, for example, Bonnie always listens in on the burial conversation during the second snack break (first found out either during a FQ run or in Memory of Promise). They even pretend not to hear whatever Siffrin says to make everyone think that they aren't listening in! They also seem to hone in completely to the conversation the second Isabeau says that it doesn't matter what happens to him after he dies, since they stop prepping at that point. Even worse, everyone starts discussing how they won't let Bonnie be killed. Which, if it comes to fruition, would be the third instance of people getting hurt because of them, and would be another thing they get zero say in! And everyone thinks they aren't listening in on it, meaning they were being discussed around. Plus, in Memory of Promise, while they don't have the words to articulate why everyone talking about their deaths is so upsetting to them, this context spells out the picture of them not wanting people to be hurt because of them, time and time again.

So when they get a proper opportunity to have a say on something, their promise with Siffrin on protecting one another, to protect everyone too? It makes the exchange all the sweeter to me! It's the first time, in probably a long time, Bonnie has had proper input on something from someone older than them on an important decision. For once, they get to stand on a more equal footing to an adult, rather than being treated as a kid who doesn't know what's going on. And, it probably means more to Bonnie than Siffrin realizes.

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There’s probably a lot more of examples/subtopics I am forgetting to add onto all of these but. Please forgive me, but a good chunk of this was written while I was travelling or in one sitting on my singular day off after travel ASDAFSA. I might genuinely be forgetting something I wanted to talk about, esp since I couldn't double check stuff easily. I've been going off a combination of memory and downloaded friend ISAT streams LMAOOO.

Feel free to correct me on stuff I possibly? Completely misconstrued as well?? Since that is entirely possible in happening! Or further add onto thoughts! In short feel free to extend the discussion on any of this! But yeah, wrangling (some) of my thoughts on why I like them has been fun :D

And to those of you who read all of this to the end, thank you for reading my ramblings!! And if you're skipping to the end, FAIR ENOUGH LMAO!!

Regardless though, I'll end this off with a fun lil fun fact about this post! If I scheduled this properly, it should be going up at 11:11... somewhere! I thought it'd be a fun easter egg to myself. Mainly bc I remember people always used to say "11:11, make a wish!" a lot when I was school whenever the clock struck that time. I just thought it'd be fitting to queue this up for that time is all :]

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Happy Anniversary In Stars and Time!! Have some Friend Quest based drawings :D

(These have specific quote picks related to them! And there's also a long ramble on why I like those specific quotes below if interested)

(And by long, I mean roughly 2k+ words of proper ramble total, so be warned before clicking keep reading this link right here to the rb!!)

[the-gayest-sky-kid]

bsd rtc au.................. all i have is sigma as jane

hmmmhmhmhm

[theworldgate]

I have to explain what is going on in the UK, because it is absurd.

So, this is Gary Lineker:

He's known for a fair few things over here. He was a very good (association) footballer, playing for England in the 1986 and 1990 World Cups, winning the Golden Boot in 1986, and managing to never get a single yellow card in his playing career. He played for Leicester City, Everton, Barcelona, and Tottenham, before finishing his career in Japan. But if you aren't in your mid 30s, you probably know actually know him him for a couple of other things. The first is the role of spokesman for another Leicester icon, Walkers Crisps (which are sort of equivalent to Lays, but hit different), as pictured above. Despite being a notably clean player, he used to play a cheeky serial crisp thief. I don't think he's done that for well over a decade, but his ads were on the telly a lot when I was a kid and it's a bit like learning that the hamburglar was an incredibly clean (American) football player or something.

The second thing Gary is widely known for is having presented Match of the Day, the big football program on the BBC, the sort-of state broadcaster, since 1999. He is, incidentally, very well paid for this (though with a consensus that he could get even more if he went to one of the non-free-to-view broadcasters because he is very good at the job). He also has a twitter account. And political opinions. So, the UK government has got itself dead set upon doing heinous stuff that will totally somehow work to prevent people who want to come to the UK making the perilous crossing of the Channel (between England and France). By heinous, I mean "openly advertise that they won't attempt to protect victims of modern slavery" stuff. It's very obviously using a legal hammer to victimise a marginalised group of people in order to win votes. And, uh, I should clarify that by "legal" I mean "using the passage of laws" - the policy is, in addition to all the other ways it's awful, probably incompatible with the Human Rights Act and the UK's international law obligations. Gary, top lad that he is, objected to this. On Tuesday 7th March, he made a quote Tweet of a video of the Home Secretary, Suella Braverman, bigging up the policy, he wrote "Good heavens, this is beyond awful.". This got a bunch of backlash from extremely right-wingers, and then he made the tweet that really got him in trouble (with right-wingers): "There is no huge influx. We take far fewer refugees than other major European countries. This is just an immeasurably cruel policy directed at the most vulnerable people in language that is not dissimilar to that used by Germany in the 30s, and I’m out of order?".

Now, I am not actually subjecting myself to watching a video of Suella Braverman bigging up a cruel policy to say whether the specific comparison of the language to 1930s Germany is accurate. But needless to say, Ms Braverman was amongst the many figures on the right of UK politics objecting to Gary's rhetoric. And here's the part where a fact about the BBC comes in: it is nominally neutral and impartial (and so, of course, is routinely accused of bias from all sides but particularly the right-wing), and has something of a code for its contributors to this effect. Now, that code has previously been applied to Gary Lineker, over a comment about whether governing Conservative Party would hand back donations from figures linked to the Russian regime. But it generally hasn't been applied too strongly to people like Gary, whose roles have nothing to do with politics (such as presenting a "here's what happened on the footie today" show), on the basis that, well, their roles have nothing to do with politics. However, when directly asked about whether the BBC should punish Gary Lineker for his tweets, government figures basically went "well, that's a them problem". But a couple of days passed, and it seemed like Gary's approach of "standing his ground because he did nothing wrong" was working and everything would die down. He was set to get 'a talking to' but not much more than that. The Conservative right, after all their fire and fury earlier, had gotten bored and moved onto something else. And then, on Friday 10th March, the BBC announced that he would be suspended from hosting Match of the Day this weekend. But it could still go ahead, because there are, like, other hosts! Except, well, funnily enough, when you take a beloved figure off air, for making a fairly anodyne tweet, no one wants to be the scab who actually takes up the role of replacing him. Gary's two co-hosts, Alan Shearer and Ian Wright, said that they would not appear without him. People who (co-)host Match of the Day on other days followed suit. The net result is that Match of the Day is currently set to air without hosts, BBC commentary, or global feed commentary. And the solidarity shown to Gary Lineker, over what is very flagrantly actual cancel culture and an attack on freedom of speech (the logic implied is that institutional impartiality requires that no one say anything too critical of the government ever), has continued to grow. The BBC has pretty much been unable to run pretty much any live sports content today, and has resorted to raiding the BBC Sounds archive to fill the sports radio channel. And, as of 17:30 on Saturday 11th March, the situation shows no signs of improvement, though some are calling for the Chairman Richard Sharp, who is separately facing corruption allegations, to resign (yes I linked to the BBC itself there, there is nothing, nothing, the BBC loves more than going into great detail about how much the BBC sucks).

[physalian]

How to make your writing sound less stiff part 2

Part 1

Again, just suggestions that shouldn’t have to compromise your author voice, as I sit here doing my own edits for a WIP.

1. Crutch words

Specifically when you have your narrator taking an action instead of just… writing that action. Examples:

Character wonders/imagines/thinks/realizes

Character sees/smells/feels

Now not all of these need to be cut. There’s a difference between:

Elias stops. He realizes they’re going in the wrong direction.

And

Elias takes far too long to realize that it’s not horribly dark wherever they are

Crutch words are words that don’t add anything to the sentence and the sentence can carry on with the exact same meaning even if you delete it. Thus:

Elias stops. They’re going in the wrong direction.

I need a word in the second example, whether it’s realizes, understands, or notices, unless I rework the entire sentence. The “realization” is implied by the hard cut to the next sentence in the first example.

2. Creating your own “author voice”

Unless the tone of the scene demands otherwise, my writing style is very conversational. I have a lot of sentence fragments to reflect my characters’ scatterbrained thoughts. I let them be sarcastic and sassy within the narration. I leave in instances of “just” (another crutch word) when I think it helps the sentence. Example:

…but it’s just another cave to Elias.

Deleting the “just” wouldn’t hit as hard or read as dismissive and resigned.

I may be writing in 3rd person limited, but I still let the personalities of my characters flavor everything from the syntax to metaphor choices. It’s up to you how you want to write your “voice”.

I’ll let dialogue cut off narration, like:

Not that he wouldn’t. However, “You can’t expect me to believe that.”

Sure it’s ~grammatically incorrect~ but you get more leeway in fiction. This isn’t an essay written in MLA or APA format. It’s okay to break a few rules, they’re more like guidelines anyway.

3. Metaphor, allegory, and simile

There is a time and a place to abandon this and shoot straight because oftentimes you might not realize you’re using these at all. It’s the difference between:

Blinding sunlight reflects off the window sill

And

Sunlight bounces like high-beams off the window sill

It’s up to you and what best fits the scene.

Sometimes there’s more power in not being poetic, just bluntly explicit. Situations like describing a character’s battle wounds (whatever kind of battle they might be from, whether it be war or abuse) don’t need flowery prose and if your manuscript is metaphor-heavy, suddenly dropping them in a serious situation will help with the mood and tonal shift, even if your readers can’t quite pick up on why immediately.

Whatever the case is, pick a metaphor that fits the narrator. If my narrator is comparing a shade of red to something, pick a comparison that makes sense.

Red like the clouds at sunset might make sense for a character that would appreciate sunsets. It’s romantic but not sensual, it’s warm and comforting.

Red like lipstick stains on a wine glass hints at a very different image and tone.

Metaphor can also either water down the impact of something, or make it so much worse so pay attention to what you want your reader to feel when they read it. Are you trying to shield them from the horror or dig it in deep?

4. Paragraph formatting

Nothing sticks out on a page quite like a line of narrative all by itself. Abusing this tactic will lessen its effect so save single sentence paragraphs for lines you want to hammer your audiences with. Lines like romantic revelations, or shocking twists, or characters giving up, giving in. Or just a badass line that deserves a whole paragraph to itself.

I do it all the time just like this.

Your writing style might not feature a bunch of chunky paragraphs to emphasize smaller lines of text (or if you’re writing a fic on A03, the size of the screen makes many paragraphs one line), but if yours does, slapping a zinger between two beefy paragraphs helps with immersion.

5. Polysyndeton and Asyndeton

Not gibberish! These, like single-sentence paragraphs, mix up the usual flow of the narrative that are lists of concepts with or without conjunctions.

Asyndeton: We came. We saw. We conquered. It was cold, grey, lifeless.

Polysyndeton: And the birds are out and the sun is shining and it might rain later but right now I am going to enjoy the blue sky and the puffy white clouds like cotton balls. They stand and they clap and they sing.

Both are for emphasis. Asyndeton tends to be "colder" and more blunt, because the sentence is blunt. Polysyntedon tends to be more exciting, overwhelming.

We came and we saw and we conquered.

The original is rather grim. This version is almost uplifting, like it's celebrating as opposed to taunting, depending on how you look at it.

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All of these are highly situational, but if you’re stuck, maybe try some out and see what happens.

*italicized quotes are from ENNS, the rest I made up on the spot save for the Veni Vidi Vici.

[halcyone-of-the-sea]

You're my favorite writer, and König is my favorite aussie man, so OF COURSE im making you write for him, hal, BEAR W ME !

Alright, what do you think about König with the “You’re here late.” prompt? The reader is part of KorTac and always worked alongside König, since they both entered about the same time, because of the readers personality, they are always fighting, one of these fights are specifically bad, leading the reader to go on a mission with another KorTac member, to help out somewhere else and take their mind off things, when the reader face a problem on the mission and ends up arriving late, König is furious.

Moths Hit the Window

PAIRING: König x F!Reader

SYNOPSIS: Fights with König were always loud, but this time his comments went a bit too far.

WORD COUNT: 5.9k

WARNINGS: Verbal fighting, angst, high tension, blood & stitches, wounds, canon typical violence, guns/weapons, death, suggestive near the end, fluff, hurt/comfort, etc.

A/N: Huge thanks to @idocarealot for the German translations!! Also, König's wearing the arachnid skin in this because I love it sm - enjoy, Anon!

*I do not give others permission to translate and/or re-publish my works on this or any other platform*

You seethe. If eyes could turn red yous would be a beautiful shade of crimson—bloody knives ripping out of the cornea to strike whoever happened to get too close. It was as if the very air boiled with the force of a raging tsunami as you stomped down the local military base’s hallways, covered in blood and guts. Never had you reconsidered working for KorTac more than at this very moment. 

Maybe I should just become a mercenary, you rip at the torn-apart gloves over your hands and jerk your arm out. Passerbyers quickly avert their eyes as you shove them into a garbage can and continue on with a growl. No shitty rules, no regulations—no fucking partners.

If people happened to slide past without noticing the steam coming out of your ears, they would have immediately locked eyes on the pure elephant of a man trailing fast behind. König’s eyes were goring into the back of your neck, gray and tan garb swaying as the packs and flash grenades on his combat vest bounced with every step. Accents of red do nothing in comparison to his visible flesh—the section of his eyes uncovered by his mask and head rig alight around his obsidian gaze. 

 König was muttering to himself far under his breath, curses and harsh comments all in German that he wouldn’t say to your face. At least not right now in view of others. 

“I can hear you, you dimwit,” you hiss over your shoulder, grinding your teeth as you both make your way to the armory, “curse me out quieter!” 

“You are making a scene!” The beast grunts, that heavily accented English striking your eardrums with its harsh dialect. 

“Oh, jeez!” You raise your voice even higher, turning back forward and clenching your hands into fists as blood and guts drip off your gear—none of it yours. “I’m just so damn embarrassed, König! I’m making such a large and obnoxious display. Whatever will I do?!” Sarcasm like a valuable drug is injected into the waves of your voice. People from open doorways look out with shock, brows pulled up. 

Everyone quickly darts back away when you snap your head in their direction and send them a scathing glare.

No one was surprised to find you and the Austrian going at it again but knew well enough to stay out of the crossfire. Lest someone get roped into it.

“Fuck off!” You spit the last curse into the burning air and shove past a soldier ahead of you.

König’s dark eyes flash dangerously, lips under his mask twisting into a sneer. The man’s shoulders seem to dig in even farther, spine curling over as if a brooding child. 

This had all started the second you’d joined up with KorTac. Fresh out of the military and eager to get back into the game after a good vacation the PMC group had been at the top of your list. But if you’d known you’d be paired up with this damn mountain every chance there was just because he’d got into the game at nearly the same time as you, you’d have put in your luck with SpecGru. 

“I do not see how this is appropriate behavior,” König follows as you place your palms on the black metal of the armory door, pressing with your shoulders. “I did what I was tasked to do—”

The masked man is cut off as you whirl on your heels, the door slamming shut as his body is shoved into it with strong arms. Dark eyes go wide in surprise, feeling the dig of your nails on his abdomen as your form presses into him and the chill of the door on his spine. You feel his skin bunch under his thick shirt and even if you want to stare him down that’s just not an option. Your warm figures shuffle together with panting breaths and dangerous glints in your eyes. 

“Bull,” you drag out the word, growling it right up into his neck; sniper hood caressing your chin. König’s breath hitches with shakes of swirling emotions. “Shit.”

Shoving once more so he gets the point, you push off of him and stalk away like a feral wolf, already unclipping grenades and medical packs from your vest. 

“You’re the damn reason the target got away!” Gear is thrown haphazardly to the long table in the center of the room. The Austrian watches with predatory eyes, hands clenched so hard that they quiver. He stays still, watching, as you send scathing glances. “The reason we’re going to be here for ten times longer than we’re supposed to be!” 

“It is not my fault you failed to properly check the perimeter before you rushed in like a fool.” Volatile couldn’t be used to describe this…this was nothing short of volcanic. It was as if there were two sides of a scale filled with bullets and gunpowder—fire in the middle that was equally heating both piles as they raised and lowered erratically. König’s voice grates over the air, “I did what I could to fix your scheiße plan!”

“Don’t you shit on my plan!” You point, voice bouncing off the weapon racks as you rip the rifle strap from over your chest, chucking it away. 

“I will shit on it—it was…it was…!”  König’s voice cuts out and he can’t find the words. The Austrian descends into visceral German ramblings. “Es war so ziemlich der schlechteste Plan, den ich je gehört hab. Welcher halbwegs vernünftige Mensch geht in eine heiße Zone ohne vorher alle Zielobjekte richtig zu markieren?! Ich kann dich und deine Rücksichtslosigkeit nicht mehr leiden — du bringst mich um meinen Verstand! Hast du überhaupt ein Gehirn in deinem Schädel?”

You shake your head to yourself, heart pounding. “You’re still the one that was supposed to focus on the HVT. I rushed so he would flush out, but, no,” taking out the magazine of the rifle you hold it in your hands like an accusatory ruler that a teacher would hold. König shoves off the door and stands to his full height; arms tensed and straining before they coil around his chest in a soothing gesture. 

He hated the fighting—the constant strain between the two of you. But when you were together it could never amount to anything else. The room felt like it was a million degrees.

Your eyes stab at him, “No! You had to go and focus on me! I hate to break this to you,  König,” feet come forward and you once again find yourself close to him—breathing the same air and taking in the scent of gunpowder and blood. You point the tip of the magazine into his chest. His unseen lips pull; jaw clenching with held-back fire. “But I am not your damn mutt to keep on a leash. I had it under control.”

It’s as if you don’t realize the Austrian could snap you in half with a single kick of his leg, as if the sheer size of König had slipped your mind as a whole. His hands could snap your neck in an instant, but that was only if he got ahold of you. 

But that was a line the both of you were never planning to cross. Words were one thing in this profession, actions another. If you ever got into a physical fight, you’d both kill each other, no doubt. 

You’d like to think you’re a bit above that, but perhaps not.

König’s chest rises and falls deeply, taking in calming breaths as he tries to get his temper under control. “You didn’t,” he jeers out, “I saved your life, you Heißluftgebläse. And if you wanted to be treated less than a dog,” he grunts to you, head pulling down close to your face, harshly whispering out, “You could have simply asked me, yes?”

You both snarl at each other's throats like rabid animals, the world disappearing all around the obsidian eyes that match with yours; for a moment you get lost in the shining bits of silver in his iris that seem to burn with chilled iron. What little skin you can see is flushed and tight—hawk nose nearly poking out your eye as you’re leaned over like a giraffe near a bush.

Body vibrating, you sharply breathe, “I’m not even going to ask what that fucking means, you tool.”

“Good.” The words are bitten and fast, “because I am not telling you.”

“Great!”

“Perfekt!” You both were arguing like children. Hot faces and unwilling to let the other have the last word. If you got along it might have been funny. 

“I’m going to dump all of your Einspänner out on the tarmac.” Your sure voice echoes with a definitive promise to the tone. 

Pale lids widen in horror at the threat to the Austrian's favorite beverage, comfortably sitting in the Base’s fridge. 

“You would not,” König’s tone is deathly serious and you smirk, eyes dancing. “You…” a guttural growl meets the air, mind translating words and giving meanings, “beast of a woman!”

“Oh, is that the best you can fucking do?!” You yell, splaying your hands out widely and moving away from him. “Now that’s really a show stopper, König, I’m shaking in my damn boots.” 

“Ich komm mit dir nicht mehr klar.” König yells, moving back and placing both of his hands atop his head, knuckles white. “You’re rude—you do not even try to get along. You are loud and disrespectful; how do you live like this?!”

Your eyes slightly widen, watching the Austrian.

“Don’t try?” You echo, scoffing loudly. “What do you mean don’t try? I was the one to try and smooth things out between us in the beginning.”

“When?!” König spreads his hands out, knees slightly bent. “Because I have no recollection of such events.”

“Well of course you wouldn’t!” The heat was meeting a breaking point—words were getting more personal, sharper. Like a blade being honed for the kill slowly; being sharpened by rocks and whetstones of conviction. 

König points a finger at you, voice going low and thin, “I’ve had enough of you, yes?” His sniper hood moves rapidly with his fast ricochets of breath. “Just about enough. Would you have wanted me to let you die?”

“I had it,” your lips spit, nose scrunched, and forehead tight. The man’s chest vibrates with a mute growl. 

In all actuality, you’d never seen him this worked up before. König wasn’t above giving your quips back even if he obviously disliked it—most of that was due to the strange familiarity between the two of you. In large crowds, the man preferred to stay silent. This only added to his almost deadly aura with others, though you knew the muteness was because of social anxiety and not some built silence. He wasn’t shy per se, just afraid he’d say something wrong; mess up the conversation. You did most of the talking in meetings and you never minded it. Added him in when the topic was something he knew a lot about.

Your mind had addled it up to thinking it was cute, actually. How his feet would shuffle; his half-lidded gaze and his intense eye contact to let them know he was still listening. When he’d have to remind himself to look away with a pinch to his thigh because it was starting to seem threatening. It was endearing, even.

But around people König knew, well, he was going to speak his mind. No matter how long it takes his brain to catch up with his lips.

The only thing the two of you were good at was being moths—hitting the metaphorical window over and over on the same topics and tension points. Slamming heads and flapping wings. You were at the end of your rope just as he was.

“I should have never taken you as a partner!” He calls, feet splayed. “Should have gotten out of this the second you were assigned with me. Gott, ich hab wirklich versucht, dich zu verstehen — Ich hätte gleich aufgeben sollen.” Your lips thin, lungs stalling as all the air vacates the room. You stand still and listen to what he really thinks, fingers shaking.

König’s large form towers over all, great sparks of electricity flying out. His gear shakes as he moves, thigh straps pushing fabric to shift and conform to his body. Your blood pumps with brewing hesitance. 

Maybe this had gone too far. I’ve never seen him like this.

“I can’t stand you any longer! Pathetic squabbles that mean nothing, absolutely ludicrous plans that make little headway.” Your head bursts with aggression and what little warning signs you have are squashed. “I can’t keep saving you because you can’t do your job correctly!”

“You don’t have to save me at all!” You scream. “You can’t keep your damn eyes off of me for five seconds, König.” Feet move away quickly from the armory door as if someone had come to put away their stuff but thought better of it. The next words burst from you before you can think of the contents. “It’s like you fucking love me or something!”

König doesn’t miss a beat, but for months afterward, he wishes he had.

“Oh, do not make me laugh—” he scoffs ferally, adrenaline making him talk, “as if anyone could ever love a woman like you in the first place.” 

Twin eyes widen and both parties immediately fall silent. A sharp inhale.

Too far.

Under the hood, König’s face goes an embarrassing shade of red all the way down to his chest. Fingers freeze. Jaw slackens.

You feel like your heart was just grasped in his grip and ripped out of your ribs with one violent motion—one sentence out of all the others enough to knock down the rebuttal that had formed on the tip of your tongue. Your throat closes up as you blink in shock.

“I-I…” König stutters, mind blanking as he struggles for words. But anger was easier than pain.

Numb fingers rip off the last of your weapons and belongings as you let them hit the floor with defining thuds as warm shame floods your cheeks. Shaky puffs of breath like a panting dog. Dark eyes watch with regretful panic, heart jumping and eyes flinching. The adrenaline it…it made him forget himself on occasion—how to properly act when not on the battlefield. It was like that with everyone but…but he hadn’t meant that.

Shame that it’s already too late.

Your fisted hand slams into his chest, brutal and unforgiving. König lets off a grunt but does nothing as you slither past, hissing into his ear, “Find yourself a new punching bag.”

His hand snaps to his breast where you had slammed your KorTac patch right into his heart, catching it. It’s many moments before he can think enough through the alarm; form words.

“I…I didn’t…oh, du blöde Kuh!” 

By the time the man composed himself, panicked tears burning in his eyes, the door had already slammed shut. His feet squeaked over the tile to an empty audience. 

—

Private Military Companies don’t have ranks. There are no Sergeants, Lieutenants, Generals or Colonels. Just people. Beyond the orders you’d been hired on, there was nothing keeping you in line with König on this mission. And those orders were loose at best.

Adhere to policy and listen to the Base’s COs. Shut up and get the job done. 

The Austrian and you weren’t due out for another week because of rotations. Since you’d failed to capture or kill the HVT that you were assigned, another group had picked up the tracks in the meantime. Like an oiled machine, the gears of this operation kept whirling. 

Evolve, or die. 

“Lieutenant!” You call to the geared-up man on the tarmac—the one heading that very same group. It had been only a few hours since the incident in the armory. You needed a distraction; blood was still running high and brain pounding for release. There were only so many times you could bruise your fists and legs on a punching bag before people started giving you nervous looks. “Need an extra hand?”

Your voice sounds strained, even to you. The man looks you over once and narrows his eyes. Nods not moments later. 

“Get tired of your big friend? Okay, how fast can you be ready for me?” You feel your shoulders loosen, a relieved sigh exiting your lips.

“Three minutes.”

“...get to it then. We move in five.” 

So that was how you found yourself backed into a corner five hours into the op from hell—bloody knife held tightly in your grip and mouth open in ragged pants. 

“Fuck,” your vest is torn and riddled with bullets; your entire chest must be bruised by now because it surely aches like it is. “Fuck, fuck, fuck.”

You really are reckless, just like König had said you were. Maybe you’d just never realized it because he always seemed to watch your six. This…this was really bad. The comms were awash with screaming orders and panic, ringing out across the abandoned mining factory that exploded with light from gunfire and the sounds that accompanied it. You knew for a fact three soldiers were down; two KIA. 

The Lieutenant is one of them. 

Your hand snaps to the radio strapped to your chest, one eye squinted in pain at the ragged slice across your left brow line. At your feet, two heavily armed men lay dead. 

“Pull back! They knew we were coming!” But your word didn’t carry weight here. Your face twists between pain and rage. König’s comment still rings in your ears as the onset of tinnitus does, as if anyone could ever love a woman like you in the first place. It wasn’t ideal to be thinking about this now—it was detrimental that you didn’t. 

But König and the things he did often stained your brain. No matter how much you tried to distance yourself from that fact. 

Snapping the knife in your grasp down in an arch to dispel the blood from the blade, you take a steel-laced inhale and shove off the wall. Limping, but moving. Sprained ankle. Nothing you hadn’t dealt with before.

The concrete under you is splattered with crimson viscera and you stumble over spasming bodies riddled with bullets. With a subdued shink you slip your knife into its thigh sheath, grabbing the FTac Recon strapped around your chest after slamming a fresh mag into it. With a numb calm overcoming you, you slip your forefinger into the trigger guard, poised over the easy press of the trigger itself. 

The long shadows spread over you; your head illuminated by the dull sheen of the moon as you pass under a stretch of open sky to slink into the building across the empty street. Feral yells still bounce off the air and you go to them readily, purpose settling in your veins. 

Pain flies to the back of your mind, displaced by adrenaline and the rabid puffs of breath that fall like grinding thunder from your lips.  

You wonder what König’s thinking right now—he’d without a doubt noticed that you were gone. He’d even probably gone to your barracks room to try and apologize and found it empty. That was just how he was. 

Would he be happy? You wondered. Relieved to see you out of his life? You’d both done nothing but fight, but there were moments of peace. Understanding. 

Shared meals and comfortable, yet sarcastic, comments; soft glances when the other wasn’t looking. Heat in your face and obviously shown on his when shy hands brushed. 

Your hold tightens on your gun, brows dripping with sweat as it dribbles down along with the blood. Gunfire flashes. 

Closer now.

Shadows scream on top of a raised walkway attached to an in-mountain compound, targets with trigger fingers firing on your fellows who take cover behind crumbling walls. Pinned down. You watch, unseen, from a broken window as dust and moths collide. 

Your eyes lock on the closest hostile and you raise your weapon slowly, barrel resting on the frame between shattered glass. You clock the distance and adjust accordingly; breaths falling steady. 

The small insect that keeps hitting the window plays in your mind over and over—drowning out the yells; the fire. 

Just a moth readily willing to smash into that barrier until it dies. You hum under your breath and rest the gun into the crook of your shoulder, cheek to stock. 

Your finger slams into the trigger. 

—

You stumble out of the loud infirmary with a bloody rag pressed deeply into your forehead, medical pouch under one arm. You hear rushing feet and barked orders from nurses and doctors just before the door closes, cutting off as you stake out on your own.

Limping, you reason there were others with more severe wounds than your own; as blood drips from your flooded rag, your feet take you deep into the base one broken step at a time. You’d figure it out yourself. 

Plus, the silence would give you time to think. Think about König. 

You just gritted your teeth and decided that was better than taking up space in the infirmary. 

In times like these, the Austrian would fix your wounds for you, just as you did his. While you had your disagreements and heated fights, he’d never made it as personal as he had hours beforehand. Never made it hurt. 

“Jesus,” you mutter, rubbing your other crusty hand over the mud along your chin. Everything ached and you don’t know if that’s a good or a bad thing. 

Flinching along like a downed bird, you shove through into the last door into the barracks; thoughts now stuck on finding a chair to sit down on before your legs gave out. The darkness of the common area was deep—staining your eyelids as you grunt, bumping into the back of the couch. 

It’s almost funny the way the lamp flicked on mere moments later. 

You hiss, eyes snapping shut as the rays attack your sight, rendering you blind for a moment. The shaking hand on your dripping rag tightens before the spark of pain makes you lighten the pressure. 

There’s a dark grunt just as you open your eyes back up.

“You are late.” König. 

He sits in one of the chairs—sniper hood still over his head yet only clothed in a large compression shirt and casual camo pants. Like a disappointed parent, the Austrian’s arms were crossed over his chest; feet resting out and crossed at the ankles. With such a big stature the look could strike fear into anyone. 

Anyone but you, that is. 

König’s dark eyes rove over you, stopping immediately on the fabric you keep to your forehead. The previous, furious, tone stops and the flash of very real concern takes precedence. His hands tighten on his biceps, thighs tensing over the cushion; spine just a little bit straighter. 

You watch and say nothing—dead-faced. 

Your heart suddenly skips beats, stuck into the framework of the man’s eyes. König’s brows peel back and a timid stutter stays in your breast.

“...Vögelchen?” Lids blink rapidly, and before you can register anything because of your blood loss and fatigue, you’re being dragged to the couch and forced to sit down. 

Strong hands encompass your shoulders and small breaths flutter in front of your face as König peels back to kneel in front of you; spying the medical pouch in your under-arm. 

“What is this?” He mutters to you, vision flinching along your body but always dragging back to the bloody rag on your face. “What did you do to yourself?” 

Scarred hands raise before pausing, obsidian eyes staring deeply into yours as if in frantic question. Your own gaze keeps him close, spying on his veiled fear at the sight of your blood and your disappearance. He’d heard about the mission, then, that much was upfront because of his earlier comment. 

The humvee had been late arriving back. Half an hour. 

“Fuck off,” you utter, shoving off the couch before you’re captured in an unyielding press again, shoved down. Your anger spikes along with your unease, “König! I don’t have the patience—”

“I’m sorry.” The fight leaves you. 

Fingers squeeze your biceps, hold lightly shaking with nerves. “I did not mean it.” Obsidian pierces you, “Please, Vögelchen, I am sorry. Utterly. I speak so fast I misplace words—get far more,” words fail as you stare so intently at him, a strange feeling swirling in your gut. König’s face was going crimson again, though not from anger. His tone was deep and honest, accent becoming more whole with emotion. The hands on your skin stay. “Rude than I intend. It is not an excuse, but…”

In the horizontal oval of his hood, you spy the dots of tiny freckles; the whispers of auburn hair. That hawk nose still points violently from behind the fabric. König never finishes his sentence, just takes a large breath and looks to the side after a moment of silence. 

Then he steals the medical pack from your grip and opens the zipper with firm fingers, taking out gloves and gauze. Needle and sutures. It’s all placed on the side table as the bear of an Austrian stays on his knees for you—bending and shifting as the bottom of his shirt rides up. 

It’s a tense affair of touching skin; warmth and hissed curses. Gentle shushing. But you say nothing through it. Until he’s up in your face trying off stitches with forceps and a needle holder, breath making his hood lightly caress your bloodless face. His fingers are large and firm, never second-guessing or stuttering over the course of directing tools that dig a needling and thread into your flesh. 

He’s warm and every motion elicits shivers. You see his form from the side of your eye; his face’s outline as the lamp light illuminates the hood’s fabric. Shadowy silhouette of König’s strong jaw that shifts with every other breath from his wide chest. 

“You’re an asshole for saying that to me, y’know.” you slip your gaze away just as he snaps over. “Adrenaline or not.” 

The needle pauses and a swift nod is given. 

“I…I know it was. No amount of apologizing can explain how very horrible I feel. It was like I was so…so…” An annoyed grunt was leveled at himself.

“Pissed off?” You offer quietly. 

“Yes! Pissed off.” Amused glances were shared, the air slowly smoothing out between the two of you. Dark eyes quickly look away from yours and König clears his throat terse-like. But softer, steadier, “I…could not bear it if I were to see you in harm and be unable to assist you. That…is why I was watching. Why I do watch you.”

Inside of you, it was like there was a pot of water on the stove, steadily boiling under the heat. Your eyes are delicately wide when the man’s hands leave your face; kneeling body still tall enough to stare into you.

“You are…” König pauses, but not to find the words. To ready himself. He takes a long breath. “You are special to me, my Vögelchen. I can not see you hurt,” a gesture to your forehead and creased eyes. As if your pain was his own. “Not like this.”

“What are you saying, König?” You whisper, face twisted with hurt and confusion. Apprehension. “You’re giving me mixed signals. We always fight with each other. I’m not saying I’m blameless, but…c’mon, now. Look at us.” 

“Not…always.” He grumbled like a child, tools placed away and hands dripping blood before he slips the gloves off. They meet the side table with a tiny toss. The Austrian leans back onto his ankles, butt to heel. He begins to look at your forehead and you can practically hear his heart break. “I do not like arguing with you, you know that, yes?” 

“Me neither,” you whisper, fingers fiddling as a sheen of anxiousness sets in. “You just,” you pause, “confuse me.”

 König blinks in surprise, head tilting and large eyes shimmering. Your mind flashes to a curious cat and you try to explain with a burning face and fast lips.

“You say we’re partners but you never act like it,” he stares and listens. When had you both had a conversation like this before? “You make it seem like you can’t trust me to do the simplest task. I’m not,” your voice betrays you, cracking, “I’m not that useless, am I?” 

He freezes, muscles going taunt. 

“U-Useless? Nutzlos? No, no,” A hand comes to capture your chin and you let him move you where he wishes. Creased eyes lock on yours. “That is not right. You’re not useless to me—how could you be?” Pained brows move in, “did I make you think like this? Like I did not appreciate your skills?” 

Your eyes burn, and the aches from your wounds mix with the pure fatigue in your flesh to leave your emotions running between sanity and sadness. A moment later you’re turning your head away. 

König recaptures it, hands finding both sides of your cheeks. He looks shaky; desperate. 

“No, please, Vögelchen, please. I need you to look at me.”

“König, I don’t—” You close your mouth before you let out the beginnings of a sob. “I can’t keep fighting with you.”

“I know, oh, I know,” his hands are so grounding it’s like you’re the inner pages of a book, and his grip the thick leather cover—leather laced with shared scars and the same that had stitched you up countless times. This push and pull had to end. “I cannot fight with you either—it tears me apart. Oh, du weißt gar nicht, wie sehr es mich schmerzt, dein wunderschönes Gesicht anzuschreien. Mit dir zu streiten bedeutet, meinen Verstand und mein Herz gleichzeitig zu brechen.” König’s thumbs run up and down your skin, still bloody with dried flakes falling to the ground. He seems not to care a bit. 

“What can I do to fix this? Anything. Anything to get us to stop doing this to each other.” You stare into his eyes, both creased and glazed over. 

There’s a brief moment where you wonder if anyone truly even knew you as well as König did—there was no one else that you shared such a deep connection with. Years upon years of being stuck at his side. 

And someone else’s hands had never felt as good as his. They were hard and callused over but cupped your face as gently as one would cup water from a rippling stream. His eyes were stars; visible skin like porcelain, his breath raised a large and wide chest with a fast-paced heart. You could sense his throat trapping air. 

König kneeled to you and bared himself. 

Anything, he had said, to fix what he had said. To stop this. 

There was one way you could think to stop this—it might not have been smart, certainly not, but…hmm…You gradually raised your hand raised from your lap and slipped it under the front of König’s hood. 

Slowly, with all the delicateness of a glass dragonfly, your fingers strayed to the side of his neck to press into tight flesh. A rapid pulse.

The man goes to stone. It’s like you’ve stolen his nervous system. Dark eyes stay locked onto yours as you gaze back, hand dragging nails up with a light pressure near to the speed of a slug. 

König whispers your name into the empty space and the oxygen seems to dry up. Warm light from the lamp cast phantoms on walls and over skin in a small moment of foreign discoveries. The Austrian swallows saliva and you feel his neck flex. You don’t answer him, just watch and feel his own hands tighten on your cheeks in warning. 

But you never listen, do you? Reckless you were called. And König had been right.

You were reckless.

Your hand had now explored like a map the indents of hidden facial scars; long and short over jaw and lips. The hand that was doing this had hiked the sniper’s hood up around your wrist so that the man’s lashes were twitching as the fabric got too close to his eyes. And you watched. And so did he. 

A twin pair of moths hitting a glass window, staring from opposite sides at one another until they realized the break in the frame. 

“Anything?” You ask in a loose tone, barely heard above the flood in both of your ears. 

König was breathing heavily but didn’t pull away. Pupils wide and body heavy to your touch. His spine briefly straightened, until he realized he had moved back slightly and immediately hunched again if only to keep your hands on him. 

“I…” he grunts, “A…anything.” Fingers touch his nose, they spread under the hood to trace the bumps and marks he keeps hidden like buried treasure. Your vision takes in the otherworldly hue on his visible skin; the glaze of rapture in his eyes yet still that ingrained heat. 

Your body shivers at the gravel in his accented English. 

Fingers stall over his lips, hood showing you the pale being of König’s strong chin and jaw. You shift your touch to the side and find chapped lips revealed to you, a small palate scar that had healed to nothing more than a line up to his nostril. 

You spare it nothing more than a glance before you look back into obsidian. Dark ether and dead galaxies devoid of stars. Swallowed in a sea of pasts and futures. You look for hesitation; for disgust. 

You find none. 

“You said that no one could ever love someone like me,” your head leans in, and your breath mingles together with an intimacy that had never been shared between this type of partners. König, as if broken from a spell, takes down a swift inhale of air into his stiff lungs. He stares with far back lids. Flashes of unidentified emotions. “Why did you say that?”

A moment of silence and of rabid hearts. The man’s lips twitch over yours as he answers slowly, not breaking eye contact for a moment. As if he did he’d be turned to rock. As if he’d miss something amazing from happening. 

He speaks with a whispered confession.

“Because if they did—I would have to kill them. Because no other than I would be able to love you more.” Your world slows and your ears strain with the breathy words. 

Face burning your lips part with shock and awe. Violent to any other, but to you this was a confession from a man that could meet you blow for blow—calm you and infuriate you all in one. Challenge you, but knew when he’d gone too far and how to properly apologize. 

He’d waited in that chair for you all night, you’d realized. 

For you to come back to him. His partner. 

You press your lips to his and hear his pitiful sounds of gasped reassurance. Slipping your tongue into his mouth, you let saliva drip off of your chins to splatter onto bent knees and shaking thighs.

König’s arms cage you; capture your waist and draw you closer, lips breaking apart before you both share a wide-eyed look of momentary pause. There was no room to breathe; to think. Chests hit together and fingers tighten to a tendon-visible hold.

The man's growing smile is wide from where you still hold his hood up by his nose, and with a lick of his red and wet lips, he reconnects your awaiting mouths. 

This time, you’re the one to gasp.

“Lass mich zeigen, wie leid es mir tut, Vögelchen.”

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[theemporium]

Hello!!! May I request a berry daquiri prompt 47 with Max Verstappen? Thank you so much and congratulations on 10k !!!!

thank you for requesting!🫶🏽

47. "You heard me. I want you to sit on my face."

.

Max Verstappen was never shy to say what was on his mind. 

People tended to call him blunt, and it was a fair observation. He was blunt and direct and he said what he wanted, and he meant it. He didn’t see the point in beating around the bush, in wasting everyone’s time when there was a quick and simple way to say it. 

It was why he tended to clash with the media. It was why the team always appreciated him in debriefs, honesty and efficiency something they could always expect from the Dutchman. It was why you appreciated your relationship with him so much, in comparison to your past partners. 

Max always communicated well. 

He told you what he liked, or what he didn’t like. He told you when he was upset, or when he needed some space. He told you what was on his mind, or what had been lingering if he hadn’t seen you in a few days. 

And that extended to the bedroom. More specifically, the boy’s openness to exploring new things and positions and telling you exactly what he wanted. 

Kind of like right now.

“What did you just say?” You eventually blurted out, still sat on your boyfriend’s lap. Moments ago, you were grinding against the bulge in his shorts and moaning his name and doing your best to unbutton the fancy shirt he had worn for a team event that night.

Now, you were frozen and dumbfounded and half-naked on his lap, looking incredulously at your very relaxed boyfriend.

“You heard me,” Max said, with his hands planted firmly on your ass giving you a small squeeze. “I want you to sit on my face.”

You blinked. “Me?” 

Max’s lips twitched upwards. “Is there someone else in the room I don’t know about?”

“I–” You truly believe your brain had stopped working, stopped cooperating with you. “What if I…suffocate you?” 

“That’s kind of the point,” Max snorted, flashing you a smile that eased the tightness in your chest but the nerves tickling under your skin. He tugged you closer, his nose brushing against your jaw as he spoke. “I get your pretty cunt on my face, all for me. And those pretty thighs of yours squeezing me. And get the best fucking view of you falling apart on my tongue.” 

Your eyes fluttered shut, your hands squeezing his shoulders. “Max, I–”

“You looked so pretty riding my lap,” he continued, his voice a little lower. A little rougher too. “Imagine how much better you’d look on my face, falling apart as I eat you out like a fucking feast.” 

“That sounds—” You swallowed harshly. “Nice.” 

His smile pressed against your neck. “Just nice?” 

“Really nice,” you breathed out, a little whiny as his teeth scraped along your sweet spot. 

“Glad you agree,” Max hummed before he pulled away, grinning a little at the disapproving noise you let out. He playfully slapped your ass as he pulled away, watching you with eager eyes. “C’mon, baby, lemme get a taste. And keep the pretty skirt on, I wanna make a mess of it.”

.

[with-my-calamitous-love]

BAREFOOT IN THE KITCHEN / SACRED NEW BEGINNINGS

shouto todoroki x reader

shouto makes a mental checklist of all the things he loves about his home. (you.)

inspired by cornelia street

houses and homes are two different things for many different people.

for shouto, a house was simply a structure that sheltered the most personal details of ones life. the family, the fights, the scars… a house was a place he was forced to be in, forced to grow up in. it was never happy for him.

and shouto knew his childhood house well, as if there were key signs that warned him of incoming disaster. the stillness of the house, even the old floorboards refusing to move. the sudden change of tension in the air the moment the front door opens. the lack of his siblings laughter, all hiding away from him.

the worst kinds of hurt come from the people who should be protecting you.

so he’s hesitant when it comes to getting close to people. his worst fear, now as an independent pro-hero, is going back to one of those still, tear-filled houses.

and you can’t blame him. he doesn’t know what a home is, at first.

1) home is your apartment.

first, shouto learns that home is going to your apartment after work, because he knows your fridge is actually filled and you’ll have clean towels for him to dry off. as self sufficient as he may be, he’s a youngest child at heart. that means be loves to have people to lean on- though they’re far and in between.

as he drives through the city, its as though the street lights point him in your direction. he’s completely mystified, wanting nothing more than to seek your refuge. he barely has a chance to fumble with his keys before you’re already opening the front door for him, as if you just sensed his presence.

“how was work?” he asks you, wrapping his arms around your waist while you cook food on the stove. you love him when he walks out of the shower, wearing nothing but his black sweatpants with a loosely tied jaw string. his perfect muscles are glistening with water, and his hair smells like your shampoo.

he hums as he listens to you, clinging with zero interest of letting go. he loves this, and loves coming home to you after gruelling days at work. sure, his house was bigger, maybe more lavish with unreasonable monthly rent, but all of that doesn’t compare to your laughter at his shitty jokes. it pails in comparison to your favourite mug and the specific way you take your coffee. its the mundane things that make you so beautiful to him.

2) home is your cooking.

he’s used to running on an empty stomach. he doesn’t pay too much attention to his self care, despite his status and previous training. he simply just doesn’t have the time to sit down and have a proper meal, not when he has to work hard and maintain his rank.

all of that changes, however, when you begin your ritual of making soba for him every friday night. at first, he’s confused- not that its incredibly hard to make, or that it would take you that much time- no. he’s confused as to why you did it specifically for him. i mean, sure, you two are dating, and it was a really sweet gesture, but it was also so personal. you could have surprised him with flowers, or treats, or lacy lingerie, but instead you crafted the dish he loves so much.

and it tastes so good.

“your mom told me its your favourite.” you sheepishly admit, referring to the phone call you had with rei earlier. “did she?” shouto smiles, slurping up that last piece of soba eagerly. it makes him warm, knowing that you actively talk with his mom, even when he’s not around.

and she loves you, because you’re an extension of who shouto is. and he will proudly announce that to his family, wanting to share that love with others too. he wants to thank you not just for the food, but for everything else too. though he can’t quite grasp just everything you’ve done for him.

3) home is your smile.

its a no brainer that shouto has money. he grew up rich, and has become one of the most successful pro heroes to date. he loves to spoil you, because he loves seeing the way your eyes light up when he hands you a bouquet of your favourite flowers or that new book you’ve been raving about.

he’s also a man of style. he loves to buy quality clothes and comfortable fabrics, obviously for himself but more so for you. he loves seeing that the jacket around your shoulders is his, walking around in the autumn air.

“you’ll get cold.” you almost whine, but fail to make an actual protest as he leaves his long trench coat around your shoulders. you love the smell, his cologne on your skin. shouto just smiles- he’s never really been impacted by temperatures too much anyway. “its alright, beautiful. it looks better on you, anyway.”

he loves to see you basking in the summer sun, walking through the subtle crisp of autumn leaves, spring pollen making your nose scrunch up adorably, or the way the snowflakes sit on your eyelashes. he loves you all the time.

or the fancy dates he takes you out on, long nights of drinking and laughter. and he’ll happily call you two a taxi, hoping that the person on the other end of the line can excuse his happy-intoxicated slurs. you two sit in the backseat, drunk on something stronger than the drinks in the bar.

“you’re so cute when you’re drunk, love.”

“you’re -hic!- just as drunk as me, sho.”

“am i?”

he’s also the type to almost forget your address when the driver asks- he’s way too drunk, half off of the alcohol and half off of you.

4) home is your arguments.

familial arguments aren’t a new thing for shouto. he’s used to it- the tears, the yelling, the scars that cut deep. but for the first time, maybe ever, he doesn’t want to back his bags and leave before you even know he’s gone.

he finds himself wanting to stay, wanting to make things right. he’ll distance himself, let himself cool off before going to talk with you. he doesn’t dare to say the wrong thing, to let something slip at the heat of the moment. he needs you to know that he loves you not just through every kiss, but through every argument too. he’s here for the good and the bad.

he hates seeing you cry. your pain, the person he loves more than anything being in pain is a kind of heartbreak time could never mend. he’s terrified if you ever walk away. you’re the one person he can’t lose. absolutely not.

“i’m sorry, gorgeous.” he hums, laying down on the bed next to you. he makes it impossible to stay mad at him, for whatever has happened. you just sigh, any traces of anger disappearing when he touches you, pulling you in and forcing you to look at him. he has puppy dog eyes and doesn’t even know what they do to you- and it drives you insane. “i’m sorry too.”

you don’t say anything else, but you opt to leave a sweet kiss on the tip of his nose before drifting off to sleep in his arms. in the morning he’ll call in sick for you and bring you your coffee in bed. it doesn’t matter how stupid, how petty or how hurtful the argument was- you two will make up.

5) home is the memories you’ve made.

shouto can’t dance. and for a man who is supposedly good at everything, you find that absolutely adorable.

“am i doing this right?” he asks, holding your waist close to him as the two of you sway together. the lights are off, the soft glow of the refrigerator light illuminating the two of you like a snow globe, round and round.

you nod reassuringly, the sounds of some american singer playing on the radio. both of your bare feet creak beneath the wooden floorboards, as if the house itself was humming along to the tune.

this is your religion. and this is a sacred new beginning for shouto. the first house he had ever felt was home.

“i love you.” you whisper, getting on your tip-toes slightly to kiss his jawline. “i love you so much, darling.” he hums back, vowing to remember this moment forever.

6) home is wherever you two are, together.

he never wants to lose you. he physically, cannot lose the floorboards, the streets, and the home he’s loved you on. he’d never walk these streets again. if they don’t lead to you, they don’t lead home.

[jinnie-ret]

9th member reader where skz are on a talk show or smth and the host is saying some uncomfy stuff abt reader being the only girl in a group of boys. the boys would be kinda passive aggressive about their replies because they cant outright say anything for fear of bad publicity and being disrespectful. i like the idea of the boys sticking up for reader in any way they can, even if they have to be sly about it so reader knows they have their back

bite my tongue

stray kids x ninth member!reader

genre: angst

content warnings: sexual harassment (verbal)

word count: 1.6k

summary: when an interviewer decides to pick on you specifically, the boys do their best to hold back and get you out of the situation.

Thank you so much for this request! I'm sorry it took so long for me to answer but I hope you enjoy it nonetheless!!

As always, like, reblog if you enjoyed, and my asks are open for any requests you may have. And let me know if you'd like to be tagged when I post :)

MAIN MASTERLIST

You decided you hated interviews. There was clearly a difference between how they'd talk to the boys in comparison to how they'd treat you. Whether it was by completely ignoring your existence or sexualising you as the only female in the group, it made you feel awful. The gross comments that were made caused you to feel uncomfortable, yet your demeanour was too shy to fight back. Perhaps that was a good thing, you had 8 other members to defend you at all times anyways.

You were currently doing an interview to promote S-CLASS, your new title track, and it seemed to be a nice atmosphere, a nice sit down conversation where you could talk about your music mixed in with other personal questions to make it more fun. But that was the issue, it wasn't fun. It started off light-hearted, and you worried you were being sensitive and overreacting at first when you suspected the questions you received weren't normal ones, but by the expressions on the boys' faces, you realised you were right to feel this way.

"So, Y/N, tell me, what was it like getting to do a more masculine dance this time? I saw the music video and I was quite surprised at how well you did," the male interviewer started off.

You mouth visibly dropped open in shock, yet you did your best to answer, despite your nerves.

"Ummm, I think my dance skills have improved over the years, yes," you said, not able to make eye contact with the man, not directly saying anything about his prejudiced words.

You had been with Stray Kids from the very start. Yes, the public had their things to say about you being in a group with a bunch of guys, but it had been 5 years now. Of course you were accustomed to the dance style of Stray Kids. You had created your own image through your music and dance, so what if the dance moves were typically more powerful with sharper movements? You were part of the dance line for a reason.

"Our Y/Nnie did so well," Hyunjin ruffled your hair from where he was sat behind you, trying to lighten the mood as he could tell his other members weren't too happy with how you were being treated.

You turned to Hyunjin with a thankful smile.

"So, 3RACHA, you do all the producing for the group right? That's quite a unique situation amongst idol groups," the man asked the group, and nearly everyone let out a sigh of relief and allowed themselves to smile, grateful for a normal question.

"Ah yes, 3RACHA have been together since predebut, so we've worked hard over the years to create music that represents our group and who we are," Jisung nodded and explained.

You couldn't help but check the time on your watch, seeing there was still 10 minutes to go.

"Y/N, how did it feel having to squeeze into your outfit in the MV? I noticed it was quite a tight leather jumpsuit you wore, that must have been difficult to wear considering it clinged onto you so tightly," the man directed his question at you again, and you were taken aback once more.

"It, umm, it wasn't too difficult, yeah... I think it fitted the vibe of the song," you said, clearly uncomfortable as you shifted in your seat.

Why did you get these types of questions? The boys got asked about music, and you instead got ridiculed for your skills and sexualised by the gross man in his mid 40s.

"Don't you want to ask me about how I fitted into my outfit? I've been working out these days," Changbin tensed his arms, flexing and patting his muscles proudly as he took the attention away from you. He seemed to have been thinking the same way as you.

"Maybe you should help Y/N, she's so small and weak, you could do anything you wanted with her," the man suggestively wiggled his eyebrows at you, and quite frankly, you wanted to throw up.

"Have you been working out, sir?" Minho spoke sharply and asked the man, infuriated.

"Oh yes I'm quite strong, can lift just about anyone in this room," he said. The statement of course, inferred he was challenging everyone else, yet his eyes never left your shy and nervous figure sat on the stool.

Everyone could see it. And they knew it was time for something to be done. They didn't think they could last the rest of the interview without punching the interviewer in the face. Yet, they did their best to keep their composure.

"Sorry, sir," Chan began through gritted teeth, tongue poking his cheek, "unfortunately we don't have anymore time for this interview," and he gestured everyone to stand up and follow his lead, exiting the room.

As you did so, you saw the blatantly shocked face on the man's face, Felix wrapping an arm around your shoulder as you left.

The boys were calm, until you made it to your backstage room where you had gotten ready earlier. All hell broke loose.

"What does that man think he's doing?" Changbin slammed his hand down onto the table, making you jump as you stayed quiet.

"I can't believe all those stupid things he was saying!" Minho growled, folding his arms.

"He's disgusting," Seungmin shook his head.

Chan was the angriest of them all, face of thunder as he paced the room. And yet, you couldn't help but feel bad. Surely, that interview couldn't be released now? And it was meant to help promote your new music, and because of your presence in the group, you felt like you were taking that opportunity away from them.

"Y/Nnie?" Jeongin waved his hand in your face to get your attention.

"Hmm?" you shook your head wondering what he was asking.

"Are you okay?" he asked gently, and with all the anger that was in the room, it dissipated with your calm voice breaking through it.

"I guess..." you didn't really know what to say at this point. You felt like you should have been used to it by now.

"I know that look on your face, Y/Nnie, don't even go there," Chan shook his head at you, a frown still present on his face.

"I don't want to do interviews anymore," you suddenly blurted, fiddling with your hands nervously.

"Y/N..." Hyunjin sighed, but you cut him off.

"Every time we promote something we get an interview like this that can't be put out to the public. And it's because I'm here. And then that means our music will be getting out to less people out there and-" you fretted.

"If you seriously think this is your fault Y/N," Seungmin sat up, pure disbelief seeping through his words as he couldn't believe that even with the way you were being treated you still felt guilty.

"Y/N, you didn't make that interviewer say all those gross things towards you," Felix rubbed your shoulder soothingly.

"You actually did really well to still try and answer him," Jisung nodded at you, thinking that he wouldn't have been able to have done the same thing.

"I had to bite my tongue so many times to not shout at him," Changbin gritted his teeth.

"This is why I shouldn't do these anymore, because it just ends up stressing you guys out," you felt bad, sitting down with your leg bouncing up and down.

"You're worried about us? We're worried about you, it's not fair that someone talks to you like that," Jeongin shook his head, hands on his hips.

"Y/N, here's what we're going to do. First, we're going to file a complaint against that guy. And second, for all future interviews we'll get the company to do a thorough check on if they're respectful and actually treat their guests right," Chan began, a plan already sorted in his mind for what action they could take.

"You're part of this group as much as anyone else, we can't represent Stray Kids without you there with us," Minho said like it was obvious, but it didn't feel that way to you.

"But it's always going to be the same thing. I'd rather not risk it again," you say, upset at the situation you had all been put in.

"Chan hyung already said, we can check what the show is like before going on it. That way you can decide from there, yeah?" Felix suggested, hand stroking through your hair as he sat next to you on the sofa.

"Or if you really don't want to do interviews anymore, I'm sure there's a way we can work around it. We could do more company based promotions and Div.1 can help us make our own shows?" Jisung wondered.

"No, I don't want to make things more complicated... I'll do them, I will, I just don't want this to ever happen again. It stresses me out, makes me feel all, gross," you shuddered.

"As long as you're sure, Y/N," Changbin checked in on you as everyone grabbed their things ready to leave the studio.

"Yeah, I'm sure," you mustered up a small smile, leaving with the others.

As you walked to the cars, you spoke up again, speaking louder than your normal quiet voice to catch the attention of everyone else.

"Thanks, by the way guys. Thank you for doing that."

"You don't have to thank us for that, Y/Nnie. We'd do that anytime, you know that," Hyunjin ruffled your hair, him and the rest of the boys now seeming more themselves and happier as you were leaving.

tagged: @skz-streamer @kiraisastay @hannahhbahng

[mae-gi-writes]

let it be me | kuroo tetsurou (1)

In which you, as a new divorcée, can't help but crush on your 4-year-old's new PE Coach.

genre: singleparent!reader x coach! Kuroo, fluff, acquaintances-to-lovers

---- part one | next part >>>

You know Kuroo Tetsurou before you officially meet him.

Why? Because he's practically a legend to your current four-year-old who's been talking about him nonstop from the moment you've strapped her into the car on the way back home.

"Apparently he was a--a volleyball champ!" Sakura chimes from the back as you swerve into the right lane in the direction of your tiny flat, "he knows how to serve from faaaar away, and --and when he serves, it's like--kapow! and boom! and whoosh! like that!"

You can't help but laugh because seeing your daughter so excited about volleyball is something you hadn't been expecting, not when you have two left feet and a stamina of a tiny pet rat.

"I'm glad you enjoyed your first week back," you meet her eyes in the rearview mirror with a smile, "that's good isn't it? Better than last year then?"

"Yes! I love Kuroo sensei!"

It seems that this particular teacher has specifically changed Sakura's view on school, and you had made a mental note to thank him.

But all thoughts of thank-yous and praise had flown out of your head the moment you bump into the said PE teacher in the corridor leading up to Sakura's class the next morning.

"Oh I'm so sorry!" You cry out, bending down to help him pick up the stack of papers that are now flying about and scattering at your feet, "here, let me help you--"

"It's Kuroo sensei!" Sakura chirps suddenly, causing your eyes to snap up at him.

Oh. So that's the PE teacher she's been gushing about all week. You're quick to shove the papers into a messy pile before handing them out to him, "I'm really sorry about that," you say sheepishly.

"Nothing to worry about," his deep voice is what catches your attention at first, followed by his height as he straightens up so that you get a clear view of his facce; angular features, honey-golden eyes that blink slowly at you in a way that makes you want to squirm, and messy dark raven locks that looks like he's just rolled out of bed five minutes ago.

Not that you won't mind if he rolled out of your bed, you mind chanted without warning.

You stop it as soon as it surfaces, horror and panic crashing into you at the same time. This man is--what? Probably half your age?

"Kuroo sensei! Do we have class with you later?" Sakura, unknowing of all the tormenting thoughts flickering past your brain, seems all too excited to see her PE teacher.

He chuckles lightly before ruffling her short bangs, "not today, little munchkin," he leans down to see her face, "but I'm pretty certain that we have class tomorrow. How about that?"

"Oh really? Yay!" Sakura claps, beaming up at him like he's just put a new sun in her sky, and Kuroo grins before straightening up once more, gold eyes clashing against your dark maroon.

"I don't think we've met," his voice, it's so deep and gravelly that it makes you want to swoon. You snap out of it the moment you spot his outstretched hand, "I'm Kuroo Tetsurou, the new PE teacher."

"So you're the new teacher that Sakura's been talking about all this time," you send him a shy smile as you shake his hand, realizing that his palm practically dwarfs yours in comparison, "it's nice to meet you. I'm Sakura's mum. How are you enjoying the school?"

"It's been really great actually," his grin widens. He has a beautiful smile, one that will easily make all the ladies of staff fall at his feet, "I'm slowly finding my way around the timetable, but other than that it's been smooth-sailing till now."

You nod, "that's great. I'm glad to hear," and then turn to your daughter, "you know where your class is right?"

"Of course I know mum," Sakura folds her arms across her chest indignantly.

You laugh, ruffling her hair before ushering her onwards, "alright alright. Yes, you're a big now. Then off you go."

You both watch her teeter down the hall, sometimes almost falling off-balance due to her newly-acquired skill of running with the weight of her bag around her shoulders, and fondness explodes across your chest. It's sweet and bitter at the same time, watching your daughter grow day by day. She's always changing, you realize, every day is a new one, maybe her hair gets longer, or you find a new mole along her face. It's like she's growing so fast you barely have time to savour it.

"Cute kid you have there."

You realize you're not alone upon hearing the familiar scratchy alto, and quickly blink back to reality, "ah--thank you. She can be a handful when she wants. Sometimes."

"All kids are," Kuroo tilts his head towards you, a smile on his face, "but sometimes I think they know more than we do."

You can't help but chortle, "definitely. Sakura's practically a know-it-all. She's in the phase of correcting everything that I say."

"Ooh, a bit bossy huh?"

"Tell me about it."

It's then that the bell rings, disrupting any kind of moment you might have with the PE teacher.

"Anyway," you dip your head into a small bow, "thank you for taking care of Sakura."

"It's really no trouble, miss...?"

"It's Y/N. Y/N Kosuke."

"Y/N," his golden orbs locks on yours, swirling with a kind of playfulness, with a warmth that makes your heart stutter, "well, I shall see you around, Ms. Kosuke-san."

And with that, he swerves away with a small wave as you watch his broad back disappear down the hallway, wondering whether it's stupid to imagine whether he'd winked at you or not.

Probably not.

Because why would anyone be interested in a mom right?

-----

The second time you bump into Kuroo Tetsurou is during Sports Day.

You remember back when you were in high school, how you'd always find an excuse to skip out on the activities -- feigning your period or cramps just to get to the nurse's office and away from your classmates -- just so that you could sit and daydream about anything and just about everything. You weren't that popular in your cohort, making it easy for you to disappear whenever you wished. But despite that, you could count on your hands the number of times you'd replaced someone and failed to deliver, causing wave after wave of disappointment as you lost team points as a result.

But now, as a grown up responsible for a child and always accustomed to doing whatever they liked even if that meant bringing you unhappiness or shame, you were obliged to attend such events. Actually enjoyed being there and watching Sakura giving it her all despite her short limbs and her lack of talent in sports. From what you can see, she clearly hasn't taken from her dad's side. Every single flaw in physical movement comes down from your side of the family and at the thought, a smile curves at the edges of your lips as you proceed to clap even harder.

"Is Papa going to be there tomorrow?" asks your daughter the night before as you're tucking her into bed. Her wide eyes are staring up at you like you're the one who can change anything in her world. And yet, just the thought that you can't grant her this one wish makes your heart quake.

You press a soft kiss along her forehead before smoothing over her features, "i'm sorry honey. I'm not sure if he'll be able to come tomorrow."

"Why not?"

"He has work to do. But he promises to be there this weekend," you try to smile, though it's hard when Sakura's face doesn't light up like it usually does at the mention of her father. That's when you prod, "everything okay, Sakura?"

Your daughter merely turns away to hide her face against her pillow. Her mumble comes out soft and practically a whisper. But you can still hear her loud and clear.

"Why doesn't he ever come?"

Your heart drops to your stomach. You move to hug her, in hopes of appeasing the pain she feels. But she's right, you can't do anything about it. About this. It's a selfish act, the act of divorcing the one whom you thought would've been your lifelong partner till the day you die. And yet, you hadn't been strong enough for her sake.

And Sakura's the one victim to all consequences that follow.

Because how can you tell her? That her father has decided to choose someone else -- another woman, instead of staying by his family and taking on his responsibilities as he should? How could you tell her that her own father has abandoned her?

Sakura isn't stupid. She's well aware of everything that happens around her. But such words coming out of her own mouth causes your own eyes to burn with tears.

"Papa loves you. He's just--busy with work. But you know that he loves you so so much right?" you hope that your murmur is enough to appease her.

And it does, for now.

Sakura snuggles closer to your bosom, small fingers gripping your t-shirt as though she doesn't want you to leave, "will you stay with me until I fall asleep?" she murmurs through closed eyelids.

You nod, smooth one hand over her forehead, "yeah. Sleep now, okay? Tomorrow's a big day."

Hence the reason why you're here. Burning under the midday sun. Hat poised over your head, and a piece of stray paper from your office that you're using as a makeshift fan.

Until now, it's proven itself useless in response to the heat.

"Come on, Greens!"

That familiar alto. Raspy and velvet like chocolate. It makes your eyes swipe right to the source only to see none other than the PE coach.

Kuroo Tetsurou is bathed in sweat as he stands by the sidelines, cap over his messy hair and eyes never straying from the row of students balancing potatoes across their tiny spoons. His t-shirt is practically soaked through from the back, showing off his array of muscles twisting and twining like vines around a bark of a tree, and when he crosses his arms over his chest you take note of the swell of his biceps. Taunting, tantalizing.

He's a catch, is what your mind thinks.

You shut it down immediately. What's the point of daydreaming when you're not ready to commit to anything? Not even a fling?

No. You'd much rather stay alone. You know exactly how it feels like to be loved and to lose that love by someone whom you thought had your heart as much as you had his. And you weren't in a rush to fall into that trap once again.

It's finally Sakura's turn and almost subconsciously, you straighten up in the bleachers to get a better look at your daughter all decked in Blue. She's holding out her spoon, tongue sticking out in concentration just as a teacher places a potato right in the middle of it.

Catching your eye from where you sit, she gives you a wide beam, all teeth, and you grin back, doing a silly little wriggle of your fingers. You do the mistake of glancing back towards your right only to meet the PE coach's eyes by mistake.

He grins a Cheshire cat smile, as if he knows that he's been caught but he doesn't care, and your own smile turns shy, ducking your head and soon averting your eyes.

The whistle sounds. The race is on.

"C'mon Sakura!" You yell as loud as you can, watching your daughter waddle in what you hope is a straight line. She's second at this point, trying hard not to lose her potato as her classmate -- a red -- blunders right through without hesitation, "C'mon Sakura! You can do it!"

Your daughter all but wobbles, lips parted in concentration as another boy zooms past. You cup your lips using your hands and shout with all your might, "C'mon Sakura! Faster!"

She finishes in third place, not a bad start for her sports confidence, and comes running straight up to you so that you pick her up with a whoop.

"That's my girl!" You nuzzle into her sweaty hair, "aren't you a big champ?!"

"Did you see mum?! I'm third!" she flaps her arms around, "I'm third! Will I get a medal?!"

"You sure will," you pinch her cheek, "and you did great! I didn't know you were good at balancing potatoes!"

"Next time I'll come in first!"

"Then we'll have to practice at home," you chuckle.

It isn't until the end of the Sports day that Kuroo Tetsurou finds you amidst the horde of parents making their way to the parking lot.

"Hey," he calls out to you as you're opening your trunk. You wave at him, slightly embarrassed as you recall the way he'd locked eyes with you briefly on the field. You strive for nonchalance as you say, "how's it going, coach?"

"Not bad, how about you?" he walks straight up to the car, waving at Sakura from the backseat before turning his attention back on you. You and the multiple bags you're organizing, "what's this?"

"Oh it's for an event," you huff out and pull a bag up into the trunk.

"Here," Kuroo's hand reaches for the next one, "let me help."

"Oh--uhm--" you weren't expecting such chivalry. Heat rises to the back of your neck and you're glad it's a hot summer's day, for you're quite certain your cheeks are flaming, "thank you."

"No problem," he sets the last bag into the trunk, pushing it all the way so that it's secure, "what kind of event is it anyway?"

"It's a corporate event," you explain as he closes the trunk for you, "I'm an event planner."

Something lights up in his golden pupils. He whistles, "haven't heard of that one before," a small smile curves at his lips, "what's the weirdest event you'd had to plan?"

"Oh don't get me started on that," you shudder, "I once had a themed birthday party, but they wanted their party to be set in changing rooms, with the theme 'haunted toilets'."

"Wha--no way," Kuroo bursts out laughing. He has a very nice smile, and a laugh that is contagious. You can't help but grin at him, "is that even legal?"

"Well if they pay you to hire your changing rooms, wouldn't you do it?"

“I suppose so,” you snort, “as long as they pay me.”

He chuckles once more, the sound rumbling through his chest and almost making you swoon. God, he's attractive, even more so when he's all sweaty for some unknown reason.

You hurriedly try to end conversation when you feel your tummy tingle with those familiar butterflies, "well--It was nice meeting you again, Coach."

"Likewise," he tips his head towards you, "and I think you've got yourself a pro athlete back there."

That makes you chortle, "I'm not quite sure, Sakura's been graced with my lack of coordination."

"I wouldn't say so. She came in third, didn't she?"

"You're right," a small smile curves at your lips, "well anyway, thank you. For everything. You're probably exhausted."

"I am, but you're good company," he grins.

Butterflies erupt through your chest and you know without a doubt that this is your cue to leave, and quickly bow to him, "thanks again Coach, see you around."

"See you," a pause, before he adds, "get home safe."

These are simple words, won't that do't matter as much and can be said oh-so-politely. But still, it makes your heart beat so fast you feel it echoing through your chest. You try not to show him your blush as you slide into the driver's seat and watch him raise a hand in mid-wave as you pull out of the parking lot. Sakura waves back with as much excitement and you wonder briefly whether she likes him so much because of the lack of father figure in your household.

Your phone rings then and you scramble for it from the passenger seat, barely able to press down on the green button as you keep your eyes on the road.

"Hello," you place it on loudspeaker and drop it to your lap as you make a turn for the motorway, "hello?"

"Hey, it's me."

Oh.

"Papa!" Sakura's exclamation comes from the back, almost makes you skid off the road as you quickly right yourself with a silent curse. Why in the world is he calling now? It's almost like he knows you were having a good time.

"Aoi," your mumble spills out, "how are you?"

"Good, good." a small pause. "how was sports day?"

"Was great, you missed Sakura in her potato-run," you try not to let the bitterness affect your tone, though it's harder to manage than expected, "how was Cali?"

"Very nice actually, Sakura would've loved it. It's warm, with beaches, and people are always doing stuff. It's a nice city."

Of course it's nice when his new wife owns a mansion and no fees are to be paid for the household. Especially nice when his new wife's family has a multi-national jewelry business and a cash flow that seems neverending.

So you cut to the chase, "why'd you call?"

"Jeez y/n," he laughs, "so brutal. Can't I even ask you how you've been?"

"I've been well, so has Sakura," your patience is running thin, "so tell me, why'd you call? Isn't it like midnight over there?"

"Actually it's still morning," there's amusement in his tone, the kind that makes you want to hurl something at him, "but anyway, I was calling to let you know about the papers."

He doesn't have to mention which papers. You know exactly what he's talking about, "what about them?"

"I've already signed them and sent them your way. You should be receiving them by the end of the week."

"Yes, and?"

There's a bout of hesitation from his side, "and I'd appreciate it if you could sign it as quickly as possible."

Another needle to your gut, "that's fine but...why the rush?"

"Ah well," you don't have to see him to know that he's currently scratching the back of his neck, a nervous tick of his whenever he's unsure or nervous. You hate that you know that about him, "we're--we might be getting married in a few months."

You're so shocked you almost barrel straight into the vehicle in front of you.

-----

[drchucktingle]

work of jordan peele is BIG influence on chuck this is correct. there are quite a few similarities actually, especially when you consider both of us are coming to horror from place of comedy (i personally do not see tinglers as comedy but obviously this timeline has placed them there and i am perfectly okay with this trot).

we are both creating horror stories for our own historically marginalized groups and in particular, writing stories that are SPECIFIC to those groups.

for example when thinking about QUEER HORROR there is plenty of queer horror where the horror itself has nothing to do with queerness, or the queerness is subtext. for instance you could have a slasher where the main characters happen to be gay, but their queerness is not necessarily part of the fear.

on the other hand, CAMP DAMASCUS is directly commenting on a queer issue

BURY YOUR GAYS is directly commenting on a queer issue

by the same token GET OUT is directly commenting on a race issue

US is directly commenting on a class issue which is, of course, going to be wrapped up in topics of race and marginalization

it should be said that the other kinds of horror where issues of the marginalized groups is more in the SUBTEXT are not wrong. there is a time and a place for that. the book that will likely be chucks next horror novel is about bi erasure, but it is much more about the subtext and symbolism. there is a bi lead, but also a monster that does not seem to be about bi erasure AT FIRST. it is much less direct. so there is a time and a place for both kinds of approaches.

but i think the biggest thing that is similar about jordan and chucks approach (and what has been a big influence on me specifically) is that our goal is NOT: 'how HORRIFYING AND TRAUMATIC AND MESSED UP CAN WE MAKE THIS?'

we are doing something else

processing trauma by exposure can be a common goal for horror AND honestly i think it is also totally dang fine to make art like this. there are some incredible pieces where trauma and tragedy is the goal. however (and i will speak for myself here) when you are coming from a buckaroo community that has been through so much of this trauma in real life, i PERSONALLY find that goal to be a little too boring.

my goal is more like this: how can we use this genre of fear and tension that i love to comment and explore and say something new? how can i pull apart an issue and deconstruct it in a way that is cathartic and maybe even changes minds?

so i cannot speak for jordan but i feel like our approaches are similar in this way. i see a LOT of reviews that make comparisons between CAMP DAMASCUS and GET OUT and i am always very flattered

[insipid-drivel]

Warhorses: Which horses are actually good candidates, anyway?

This post is in honor of @warrioreowynofrohan, who asked the question in the comments under my guide, "Horses: Since There Seems To Be A Knowledge Gap". Their question, "Given what you said about too much weight breaking a horse’s spine, how did that work with knights in plate armour?" is one I'm going to try to answer here, since the answer can be very nuanced depending on where and when you're talking about.

Also, while I was a stable hand for years as well as a rider, I never had the opportunity to directly learn more ancient styles of tacking, horse training, and combat, so I don't have any direct experience to draw from with regard to horses used for military purposes. I'm still gonna do my best here with what I know, and research what I don't.

As I've covered in the past, large horses (draft horses) make less-than-ideal warhorses, and so do carriage horses like the elegant and dramatic Friesians.

Let's begin by addressing this from the perspective of creative writing. For you writers and content creators out there, an essential part to the continuity of any historically-themed work you do involving horses will be depicting breeds of horses that didn't exist before a certain time in history. I'm going to approach this question from the stance of, "Medieval-type era warhorses". Horses were used in warfare as late was World War II, but actual horses you ride into battle with knights and archers and bannermen? We actually have to drop the subject of specific modern breeds altogether aside from using them for comparisons.

When discussing warhorses, various cultures have approached them differently. Some cultures will value a specific type of horse above all others, such as the Mongolian Steppe Horse or the American Mustang. Other cultures, which may be from biomes and territories where multiple types of horses are needed for different forms of warfare and tactics, value whichever horses can get their jobs done without their riders getting killed.

Carrying vs. Pulling:

Horses have been used in warfare since as far back as 4000 BC, but their first applications were more as chariot horses. Humans have been riding and working with horses since before we even had stirrups to more easily ride them with! As archaeologists and anthropologists make more discoveries, the more we learn that we humans have been working closely with horses since before we had specialized tools to ride them with. The very first warhorses pulled chariots or carts, which is much easier for a horse's anatomy to handle compared to carrying a heavy weight like an armored rider on their backs, which puts stress directly on their spines where they have very little supporting muscle for supporting a lot of heavy downward weight.

Warhorse Size Categories:

Really, any breed of horse can apply to a niche in warfare if it's needed enough. Even very small, delicate horses have had their place in the history of human combat! Before I continue, it's important to know that there's a unique unit of measuring a horse's height. Rather than measuring a horse's height in centimeters or inches, they're measured in units called "hands". A single "hand" = ~4 inches/10.16cm, and a horse's height is measured based upon the distance between the bottom of their hoof to the tallest part of their shoulders, just at the base of the back of their necks. We don't actually include neck length/head height in a horse's measurements with traditional measuring.

Another rule of thumb: The average horse cannot safely carry anything heavier than about 30% of their total body weight. This is a serious factor to take into mind when deciding on a type of or breed of horse for a mounted warrior of any kind: You need to factor in the OC's starting body weight, and then add on the weight of armor, weapons, and any armor the horse itself may wear along with the weight of its tack.

Light-Weight Horses:

A few examples of lightweight horse breeds whose ancestors have historically been used in combat are Arabians, Barber Horses, and the magnificent Akhal-Teke. Lightweight and delicately-boned horses like those are best applied for military maneuvers that require precision, speed, and endurance, and the rider themselves should specialize in some form of combat or reconnaissance that doesn't require them to wear heavy metal or laminated armors. Archers are good candidates for riding smaller horses, or lightly-armored swordsmen like an Ottoman Janissary.

Central-Asian and North African horses also benefit from having a higher tolerance for hot climates. They can absolutely suffer from heatstroke and cardiac arrest from being forced to run and work in extreme temperatures and should always be provided with the same protective measures in a heatwave as any other horse, but they have a little bit of an edge over horses descended from freezing and temperate climates.

Medium-Weight Horses:

Medium-weight horses started showing up in the archaeological record around about the Iron Age, where chariot warfare was becoming an increasingly utilized form of mobile combat, and people needed bigger, stronger horses capable of pulling heavier loads - such as a chariot with two passengers rather than just one. As cultures began to develop heavier-duty armors made of metals and laminated materials, it also became important to breed horses that were tall and stocky (muscular and with relatively short spines compared to their height), and therefore more capable of carrying riders in increasingly heavy armor. Medium-weight horses were also essential at the dawn of the gunpowder age when the cannon came into use in siege warfare for pulling the heavy, iron cannons into position.

Medium-weight horses are really where we see the beginnings of knights and other warrior classes on horseback come into the forefront of warfare. When you have a horse that's big and strong enough to carry heavier armor and heavier weapons along with a rider wielding them, you have a much deadlier force at your disposal. Strikes from a sword or spear from the back of a galloping horse basically results in a sword capable of cutting through enemy soldiers like a hot knife through butter.

Important Note: Traditionally, cavalrymen wield blunt swords when attacking from a charging horse's back. When a horse is charging at full speed, the sharpness of a blade becomes less important than the blade's ability to stay in one piece when it impacts hard armor and bone. A blunted edge basically turns a cavalryman's sword into a thin club that's better at holding up against smashing through multiple layers of armor and bone compared to a thinner, more delicate sharpened edge that can shatter from a high-speed impact.

Heavy-Weight Horses:

The direct ancestors of modern draft horses, such as the Shire Horse, only began to appear around about the beginning of the European Medieval Era, and were far and away not even close to the enormous sizes of the draft horses we have today. Any horse counts as a "Heavy-weight" classed horse if its weight exceeds 1500lbs/680kgs.

Heavy-weight horses were really more bred for pulling enormous weights rather than carrying knights. While yeah, there is some evidence that suggests that heavy-weight horses were used by heavily-armored knights, historians argue a lot about whether it was a rule or an exception (such as with Henry VIII, who continued to ride well after he had begun to weigh more than 350lbs/158kgs, and even went to war in France in his final years on horseback). Generally speaking, medium-weight horses tend to be the right balance of agile and strong for carrying someone that's going to actively be fighting. Heavy-weight horses were bred to be a lot more tolerant to the chaos and frightening stimulation of the sounds of battle, but medium-weighted horses generally tended to be more suited to moving efficiently through dense packs of soldiers and weaving around other horses.

Ponies:

While actually being the smallest class of warhorse, ponies were essential when it came to carrying cargo and working as pack-horses. In certain forms of terrain, such as mountains, large horses pulling big carts full of supplies or soldiers could often be extremely impractical. In situations where an army needed to move on foot and form a narrow line in order to travel, ponies were able to traverse much narrower and rougher terrain while carrying smaller loads to their destination, when heavier horses would struggle more under their own weight and dexterity.

Europe-Specific Terminologies:

If you're a writer reading this and writing a piece set in the European Medieval age, there are specific terms used for the different classes I listed of warhorses above that I'm gonna list:

Destriers: The Destrier was a universal term for the iconic knight-carrying, jousting horse. They were also sometimes referred to as "Great Horses" due to their reputations in combat settings. Destriers could have just about any appearance, but were rarely taller than 15.2 hands, or 62inches/157cm. They were capable of carrying heavily-armored knights (although knights in full plate mail rarely rode into battle and stayed on the horse the entire time - they tended to specialize at grouping up and killing a lot of footsoldiers swarming them at once and preventing breaks in defenses from being overwhelmed by an oncoming army; in the case of Edward the Black Prince, we have substantial evidence in the form of his surviving brigandine that a mounted soldier or knight was more likely to wear chainmail and brigandine with a tabard on their body with their arms, feet, and heads the most heavily armored in plate when they intended to fight on horseback, making them a little lighter and more maneuverable, but I may be waaay off base there because I'm thinking of more of Italian soldiers who used full plate and how they applied it in battle more than any other example) and wearing armor themselves.

Interestingly, the sex of a destrier was often chosen strategically. Stallions (horses that haven't been neutered) are more aggressive, and could both act as combatants on their own if their knight was dismounted or killed, but could give away an army's location if they were attempting to move stealthily. Stallions whinny and shriek a lot when they're horny or arguing with each other, which is most of the time.

Mares were often chosen by Muslim armies for being much less vocal, and therefore much more capable of stealth. Geldings (neutered males) were the preferred mounts of the Teutonic Knights, a Catholic military group, since they couldn't be stolen and used to breed more horses for the enemy army.

Coursers:

Coursers were the most common Medieval European warhorse. It's important to remember that in Medieval Europe, most armies were almost entirely comprised of common men - serfs subject to the will of their landlords, not far removed from slaves in many ways - who couldn't afford the highly-prized and expensive Destriers. Coursers were usually a bit lighter than Destriers, but were still strong enough to carry someone wearing armor. Coursers were also a little more utilitarian, because they were also sometimes used in hunting as well as warfare, so they had a valuable use outside of warfare that the owner could benefit from.

Rouncey:

A rouncey was an all-purpose horse that could be used for leisure and travel-riding as well as be trained for war. They were a lot more likely to be found on the farm of a serf or independent farmer of some kind, as they could fill a lot of different roles depending on what they were needed for. Their sizes weren't really important as much as their ability to get the job done.

It's also critical to remember that, when talking about warhorses, we're usually talking about eras long past. In general, thanks to resource availability and incredible advances in medicine, modern humans are significantly taller, and therefore heavier, than people from the European Medieval era and prior. While fatness was valued in many cultures for its suggestion of wealth, most working-class and serf-class people worked intensely physically-demanding daily lives just to maintain their own homes. They were a few inches shorter on average than we are today, had greater fluctuations in body fat distribution depending on how harsh or bountiful the harvest season had been and the season in which a war was taking place (the average person's weight would swing by 30lbs or more on average every year prior to the industrial era), and cavalry were usually chosen based upon skill in the saddle as well as physical size when considering the application of medium or heavy armor being placed on the horse's back and body.

[linktotheheart]

I feel like so many people misunderstand BOTW/TOTK Link especially (Zelda too, but that's another topic entirely)

His lack of expressiveness IS a personality trait. It's a direct result of the pressure on his soldiers to be a perfect soldier, hero, and savior. No, he's not Skyward Sword Link, and never will be, because his story is completely different.

"But [other Link] hugged Zelda when he got her back!" and this Link maintained a respectful distance as his princess's subordinate - but ALSO out of respect for Zelda as a person, because she spent her whole childhood having her agency denied and he wants to let her initiate even something as simple as platonic contact whenever possible. He's being kind!

(And yes, I know that primarily only the "he is a knight and she is a princess" part is directly supported in the actual game, but I'll remind the people making comparisons that the dynamic was COMPLETELY different in their favorite comparison game, Skyward Sword. But also... look at the gentleness with which Link interacts with Zelda, the tenderness that he shows so few other characters - Mipha probably being the closest example. Look at the way he looks to her first to see what to do in every scene they're in together, unless he's protecting her from an immediate threat to her life. Notice how outside of that, Zelda IS usually the one to initiate any physical contact)

I also personally hate it when people describe quiet, not very expressive people as "lacking personality" because... my partner IRL is like that. If she expressed herself at all around most people, it's in a very flat, reserved way. I've seen how it hurts her that people treat her like she doesn't have a personality, like she isn't even a full person - and I know that's real life and Zelda is fiction, but come on, do you think all the people that aren't highly expressive and extroverted don't hear that about very popular characters and internalize it?

Being reserved is a personality trait. Being cautious and not impulsive is a personality trait. In fact, I'd even say just because you as an expressive, extroverted person see Link as a blank slate to project your own personality onto, doesn't mean he actually is or was even intended that way.

(I also think this is a very US-centric point of view, honestly. There's plenty of cultures where even BOTW Link would be considered at least close to average - Finnish culture specifically comes to mind, even if he's still slightly exaggerated in that regard as, y'know, a character.)

Idk, this is as much a silly little vent post as anything, it's not that serious, etc, but whatever

(and don't get me started on "oh Zelda got no agency in TOTK and she learned the powers she was struggling overnight". No, it's called a time skip, and just because she learned her powers before the 13th hour this time - which yeah, she would get them easier this time with a mentor who could actually use the same powers, and having already learned to use her light powers - doesn't mean it just "happened overnight". And... she didn't express agency? She was actively influencing the entire flow of the timeline, changing the actions of her ancestors by convincing her ancestors to act, learning to control her powers and fighting Ganondorf, and finally expressing the ultimate form of autonomy in choosing to sacrifice herself to save the world. Some of the criticisms of TOTK didn't even seem to play the same game. Just because a heroine isn't a pop feminist badass who *gasp* wears pants and easily and perfectly kicks every villain's ass, doesn't mean she "has no agency" and is being sidelined. Like, a princess engaging in courtly politics is neither powerless nor "doing nothing")

[pixelmensupremacy]

Can I request a Leon x reader for RE4 remake? :0

Reader is one of the missing hikers that was mentioned during the opening cutscene and managed to escape the villagers just as she runs into Leon on his way to the lake. Leon has her come with him, even reader helping him keep Ashley safe, and during the whole mission, they start to develop feelings and Leon gets more protective. Can even be suggestive- especially during the chained scene if you want. 😳

A/N: Since I got one more request about this scene specifically I'll do a part two with the smut

Word count: 1.2k

Warnings: mentions of violence, fem!reader, not proofread

part 2

Darkness was all (Y/N) could see as she took cover in the cool, shadowy tunnel, using its gloomy nooks to hide from the locals, whose inhumane rage almost caused her horrific doom. Her entire body shook, her heart thumped loudly in her ears as the adrenaline in her veins was still in abnormal amounts. Images of what she saw haunted her and even now she was safe she trembled in fear as the awful memories resurfaced, making it even harder for them to catch her breath. Sounds of footsteps caught her attention; tears formed in the corners of her reddened eyes; her breath hitched. The sound grew louder and soon after she was able to make out the silhouette of a man; frozen in fear, (Y/N) couldn’t move as the man was slowly nearing her. Her (E/C) irises were glued on him so much so she didn’t notice her foot was poking out of the safety of the shadows.

Carefully, her gaze followed his movements; her fisted rolled, taking a hold of any object that was underneath her. Her poor heart was on the verge of exploding; her chest rose and fell in an unnaturally quick pace as her breathing grew shallow. A yelp ripped past her lips at the sudden force hitting her foot; a thud echoed on her right. Cold sweat broke out on her skin; her eyes widened in utter horror as she was faced with the man and more importantly the barrel of his gun. In that split moment she surrendered to her fate; and at this exact moment the thought of a quick painless death was a blessing in comparison to the horrors she witnessed in the cruel village, the screams of the poor police man will forever be imprinted in her conscience. Yet the freeing moment she expected never arrived and instead of the gun she saw an inviting hand once she peeled her eyes open.

“Are you hurt?” She barely made out the words, for her anxiety driven mind was far too hazy for her to comprehend.

“Why didn’t you do it?” Her voice was quiet, her glassy eyes bore into his; his heart clenched, a smear of guilt weaved in his features.

Shouts anchored the attention of the two; dozens of villagers lurked about the end of the tunnel, the lights of their torches threw light on the barricade the two were hidden behind. Chills ran down her spine at the sound of sickles and hatches flying by her, she wasn’t ready to go through this, not again.

“You’ll have the time to thank me later.” The mysterious man took a hold of her hand and dragged her in the opposite direction.

“So, what brings you here?” (Y/N) spoke up breaking the unnerving silence.

“I could ask you the same thing.” He answered not even turning around to face her; she let out a deep sigh.

“Okay let me guess.” She tapped her chin, stimulating her logical thinking. “You definitely aren’t here on a vacation, judging by your… gear.” She paused as she observed the arsenal of weapons resting right on his back.

“Go on.” His foot stomped on a wooden box, demolishing it with just the force of his limb; impressed by his strength, (Y/N) fell silent as she looked at him with awe.

“Now’s my turn.” He turned around, finally facing her after the frenzy of running from villagers the two had gone through. “You’re a hiker, who got lost and now you’re here.” She was at loss of words, yet the puzzled, hurt look on her face didn’t fail to reflect the state of her heart.

“Are you a clairvoyant or what.” The mysterious man chuckled before e knelt down to pick up a box of what looked to be ammunition; the muscles of his back and shoulders flexed as he then stood up, the leather of his fingerless gloves tightened around his fist.

“Can I at least know the name of the guy that saved my ass.” She asked, in attempt to distract herself from the newfound subject of her interest. He turned to face her; the sunrays highlighted his features that she hasn’t had the time, nor opportunity to observe. His hair was a beautiful blond color, the strands of which appeared gold under the light of the setting sun; his jaw and cheekbones were defined and smooth as if he wasn’t a human being but rather a marble sculpture, carved by the most skillful of craftsmen. The irises of his eyes were a mixture of different cobalt blue hues each prettier than the previous, every shade made for a whirl of unreadable emotions that were contained deep within him, enhancing the intensity and mystery to him.

“Leon Kennedy.” Immediately, her attention was anchored to his full, silky-smooth lips and to the Adam’s apple that bobbed up and down as he spoke. “It’s rude to not introduce yourself, you know?” He looked her up and down, his gaze both judgmental and intrigued.

“It’s (Y/N).” Her gaze shied away from his prying one that ironically also drew her in with a strong invisible force.

“Okay, (Y/N) you’re gonna have to stick to me if you wanna make it through.” She nodded, not paying much attention to the words he spoke as she noted how her name sounded when he said it. She was screwed.

Together they explored their surroundings; before them there was a heavily damaged house, behind it’s gaping hole was another one that was intact. Driven by her intuition, she pointe the house to Leon and so they headed to it. The space was plain and fairly minimalistic with just a few pieces of furniture lying around, the color scheme of the room though was even more poor that the interior itself. Dust particles flew in the air as the slowly fell and clung to any surface that was already covered in thick layer of debris and filth. Continuing her venture inside, (Y/N) heard a strange sound; investigating it’s source she came along a darkened, narrow corridor above which was a ticking bomb. Immediately, she called out for Leon, who safely detonated it. Weirdly enough, the bomb wasn’t her found, for she noticed a ladder leading to what appeared to be basement.

“I’ll go check it out. You stay here.” Leon was quick to move past her, preventing her from entering the gaping dark opening.

“Are you out of your mind? I’m not staying alone.” She protested; her arms crossed in front of her chest as she struck him with a stern look.

“Sure.” He sighed in defeat, he had no time for arguing. “Ladies first.” He jokingly pointed to the entrance; hesitantly, she gazed at the hole and then at Leon. The corners of his lips curled ever so slightly.

“Just as I thought.” He said before he jumped. Shocked, (Y/N) screamed his name only to be hear his chuckle- the one she couldn’t get enough of despite having only heard it only twice. She cursed as she got down after him; the lighthearted mood soon evaporated as they noticed a suspicious looking sack. Leon pointed his flashlight at the object and knelt before it; a piercing scream resonated from behind him. Swinging his gun in the air, he saw her trapped in the grasp of an atrociously tall man, dressed in black from head to toe. With no hesitation, the agent fired at the man, yet he seemed unphased; a powerful force hit him, causing him to fly across the room. Slowly, blackness took over his hazy vision as a sudden warmth embraced his head; (Y/N)’s screams of horror echoed in his head.

[ktredshoes]

HBO War Fanfiction Stats

Let me start by saying that I am not in any sense criticizing anybody's taste in HBO War relationships. In my opinion, any well-written fanfic, regardless of ship, is worthy. Heck, any fanfic is worthy — it takes a special type of creative courage to write and share a fanfiction story so that others might appreciate what you see in characters you love. So, that's the first thing.

Buckle up, I get wordy. More under the cut.

Tagging a handful of folks who showed interest in my decidedly unscientific findings: @onyxsboxes @jesslovesboats @itstheheebiejeebies @onekisstotakewithme @sparkling-strychnine

Trying something here: @meyerlansky @anachilles @astolovewithallmyheart @dano-png

I started down this fanfiction stat rabbit hole about four years ago when I started looking at The Pacific tags on Archive of Our Own (AO3). I was trying to figure out if it was just my imagination or not that everything other than Sledgefu in TP fanfic felt like a rarepair. I was not surprised to find statistical backup for what anecdotally felt true.

I love all the HBO War series — and for the record, I consider Band of Brothers, The Pacific, Generation Kill, and Masters of the Air to all be part of this fandom community. I won't get into trying to rank them or make the case that one is better than another — they are all related in being stories of men at war, and three specifically stories of men at war during World War II — but direct comparisons, in my opinion, are apples to oranges to prosciutto to tiramisu. They all have different raison d'etres. So that's the second thing.

(I will admit to a particular soft spot for The Pacific as the overlooked "younger brother" to Band of Brothers, precisely because of the tendency of some to negatively compare it to BoB. TP was never intended to be "part two" of Band of Brothers — I was listening recently to a podcast with Tony To, an executive producer of both shows, who asserted that BoB was, yes, about the brotherhood of war, but TP was about the cost of war. )

Anyway.

A couple of days ago, I saw someone post about the fact that the Cleven/Egan ship in Masters of the Air was about to hit 1,000 stories on AO3 — and since I knew that the total number of stories was only about 1,400ish, I figured it was time to take a look at MotA stats too. And that led to looking at GK stats and BoB stats and once I finished, I was really struck by what I saw.

I have a whole spreadsheet looking at the four shows, with breakdowns by relationship and character, with percentages of total stories. (I've posted some graphics from those spreadsheets below, not to worry.)

So what did I learn?

The Pacific and Masters of the Air both are overwhelmingly dominated by a single ship — Sledgefu in the case of TP and Clegan in the case of MotA.

As of August 10, 2024, there were 1,500 stories on AO3 tagged for The Pacific, and 1,485 tagged for Masters of the Air. Sledgefu features in 884 of TP stories, which is 58.93% of the total.

You might think that's an astounding total — but Clegan features in an astonishing 986 of MotA stories, or 66.4% of all stories. The falloff in the next highest ship in each fandom is precipitous: Hilldane in 14% of TP stories (210), and Crubbles in 8.82% of MotA stories (131).

If you are a fan of any ship aside from the most popular pairing in these two fandoms, that has got to be terribly discouraging. You wouldn't think the dropoff would be so high if you're at all active in the HBO War fandom on Tumblr, based on what's posted on a daily basis, but if your entry to HBO War fanfic is solely on AO3, what would you think?

I will once again state that I'm making no judgement on anybody's favorite pairing — I'm making a case on behalf of all the other ships. I'll also note that there are many, many fics posted to Tumblr that never make it to AO3, and I would very much encourage those authors to please please please consider posting your stories to AO3! (If you don't have an account on AO3, it currently takes about 10 days from requesting an invitation to receiving it, which is not that long in the scheme of things.)

The popularity of TP and MotA characters in these stories shows a similar disparity between the most popular and everybody else. In The Pacific, Snafu features in 63.53% of AO3 stories (953) and Sledge in 62.6% (939). No one else is as high as even 20% -- Burgie is in 17.2% (258) and Ack Ack is in 15.6% (234) and Hillbilly in 14.73% (221). The other two ostensibly lead characters in TP are Bob Leckie (12.53% or 188 stories) and John Basilone (1.67% or 25). I find that just shocking.

MotA is both better and worse. There are 10 characters who appear in 10% or better of posted stories on AO3 — but the dropoff from most popular to next highest is even more dramatic. Bucky Egan features in 77.9% of stories (1,157) and Buck Cleven in 74.28% (1,103). The next highest is not, as you might think, Harry Crosby or Rosie Rosenthal, the other featured lead characters in the series. It's Curt Biddick, who is in 25.19% of stories (374), followed by Croz in 23.7% (352). Next is Rosie, who is tied with John Brady — both in 16.9% or 251 stories. What a steep drop!

But, hey, at least there are a baker's dozen plus one of characters who feature in at least 100 MotA stories:

Egan: 1,157 stories (77.91%)

Cleven: 1,103 (74.28%)

Biddick: 374 (25.19%)

Crosby: 352 (23.7%)

Brady: 251 (16.9%)

Rosenthal: 251 (16.9%)

DeMarco: 243 (16.36%)

Payne: 225 (15.15%)

Lemmons: 181 (12.19%)

Hamilton: 167 (11.25%)

Marge Spencer: 146 (9.83%)

Douglass: 139 (9.36%)

Kidd: 130 (8.75%)

Blakely: 111 (7.47%)

After 14 years, will TP ever develop more diversity on AO3? Probably doubtful — though since I first checked the stats in 2020, Hilldane has gained 2%, so there's slow change but some change. Eight months in since the birth of the MotA fandom, and Clegan, and by extension Bucky and Bucky, are steamrollering the rest of the MotA relationships and characters on AO3 — based on what I see on Tumblr, I don't know if that huge disparity will hold up, but who knows? It's still a very new fandom.

But what about GenKill and BoB, you say?

Well, as you might have guessed, there's a clear delineation in GK between the top ship and the next ones below it, but the dropoff is not nearly as dramatic as in TP and MotA.

There are 3,024 Generation Kill stories on AO3 as of August 10, 2024, and the number one ship is Brad/Nate, with 1,261 stories, or 41.7% of the total. Next highest is Brad/Ray, with 677 stories, or 22.39%. The top three characters are Brad, featured in 63.82% of stories (1,930), then Ray, featured 52.35% of the time (1,583 stories), followed by Nate (45.44% or 1,374 stories). Next is Walter Hasser at 571 stories (18.88%), followed by Poke Espera at 284 stories (9.39%), Mike Wynn at 262 stories (8.66%), then Doc Bryan at 254 stories (8.4%). There's that dropoff again!

And as for Band of Brothers? After nearly 21 years on AO3 (the oldest story dates from November 2003), there are 5,016 BoB stories on AO3, with a huge number of ships and characters — albeit some quite small. Frankly, I stopped counting after getting to 70 relationships and 55 characters — I just got tired!

Still.

Let me add that the earliest BoB stories on AO3 are not well tagged for ships or characters — many don't have any tags at all. I don't know the reason for it — whether the tagging system in the early AO3 days wasn't easy to navigate, or maybe the lack of tagging was a holdover from earlier systems or archives? I have no idea how well-tagged stories were on LiveJournal, Dreamwidth, or Fanfiction.net. So anyhow, early BoB stories on AO3, if tagged according to current standards, would definitely change the stats but I have no insight on how it might shift them, except definitely upward for the most popular characters and ships.

At any rate: onward.

The top BoB ships on AO3 are 1) Winnix — 1,250 stories or 24.92%, 2) BabeRoe — 771 stories or 15.37%, 3) Webgott — 663 stories or 13.22%, and 4) Speirton — 662 stories or 12.4%.

Moving on to characters, there are a dozen that feature in 10% or better of the BoB total. Take a look:

Winters: 1,173 stories (34.35%)

Nixon: 1,652 (32.93%)

Roe: 1,380 (27.51%)

Speirs: 1,135 (22.63%)

Heffron: 1,125 (22.43%)

Luz: 1,063 (21.19%)

Liebgott: 1,058 (21.09%)

Lipton: 978 (19.5%)

Webster: 790 (15.75%)

Toye: 749 (14.93%)

Guarnere: 686 (13.68%)

Malarkey: 514 (10.25%)

That's a much more even distribution here, without the massive dropoff in the other three fandoms. Or as @itstheheebiejeebies put it to me: "BoB fans feast on variety. It's a grazing table instead of main and side courses." Just so.

So what do I take from all this? I mean, in the case of MotA, I came into the fandom all gaga over Callum Turner and thus Bucky Egan. But then I quickly veered off into following Benny DeMarco (Adam Long) and for the past several months I've fallen under the spell of Everett Blakely (David Shields). Will I stay there? I have no idea! And that's kind of exhilarating.

But here's what I know for sure: as I continue to read and write HBO War fanfic, I'm going to be doing my best to support the ships and characters out of the top tier.

Creators: Don't just post your fanfic to Tumblr — post it to AO3 and tag it.

Be the change that you want to see.

---------------------------------

Now, as promised, here are the stats in graphic form.

[the-anime-enthusiast]

izuku midoryia’s type in women PLEASEEEE🙏🙏

OFCC!! Sorry for taking so long, in my last post I explained why I've been on an unofficial hiatus but yeah 😭 I got u!!

IZUKU MIDORIYA - type in women

PHYSICAL 🤸‍♀️

bro DOES NYYYAT care, literally at all. I think everyone has their preferences, him too ofc, but he's him guys. The ratio from hips to waist is NOT what bros laying attention to, but ofc I'll still give you my opinion.

SUN KISSED BADDIES you got that like sunburn across your cheeks? he's going crazy. like legitimately. I don't think he would be able to handle his feelings. he'd probably pass out from a blood pressure spike.

He likes them brown haired girls 😔 and brown eyed girls 😭 (song reference) He honestly doesn't care Abt details like that, he'd date anyone, but he def compares his love life to shoujo series and he stays seeing those dark haired baddies.

ass tits thighs personality ✅ he's fs a personality man but let's bffr, every guy has there thing....height, hips, and arms. He likes his girls shorter than him 🙂 (around 5'2? not too short tho cuz then he gets weirded out) He LOVES dem hips. Yk whenever a girl has that natural dip in her hips, it kinda looks like those donut stack toys babies play with? (random comparison I js can't think of anything) HE LOVES THAT SH!!T. He's def secretly crazy for thick hips, like when u got some fat around them. Loves it 100%

okay...so the whole arms thing...he likes girls who have thicker arms...and not rly a muscle kinda thick, more like an auntie thick when you got that little folded skin hanging over the elbow. Bros specific, and bros a lil weird Abt it. He would NEVER admit it out loud, but it's like a creepy fetish for him. He would js never actually be creepy Abt it tho cuz yk, HE HAS COMMON DECENCY. (Unlike some guys 🙄)

When I say he's not picky, I MEAN he is not picky. It's giving very much Yuji Itadori and that one girl that he was like "yeah it would be her" (very mindful, very sweet, very wholesome, very demure) Slim, Thick, Skinny, Midsize, Plus size, All size, Morphing Size (idfk im running out of sizes and you never know with those quirks man)

MENTAL 🧠

if ur a mean ass bitch you can get TFFF OUUUTTT bro does NOT stand for that sh!t 🙅‍♀️ tbh i dont think he'd be picky when it comes to personality but he doesn't stand for someone who has room for hate in their heart, even after everything hes been through. I'm not gonna sit here and be like "oh he's a sweet cinnamon roll 🥺" like bffr, but he won't even look in your direction if you're a "hater"

He generally wants someone sweet, or just nice in general. like ochaco (no I'm not shipping them, she's just really nice and the best charcter to describe his preferred personality to)(did you see her with toga? shes a sapphic queen guys bffr) He wants someone who cares TREMENDOUSLY, like he does. Kindness is what gets his attention, being a good soul and good spirit, someone he can match wave lengths with mentally.

A strong mind and determination. (bkdk reference) (I'm joking) He knows exactly where he wants to be in life, even if his idea of that is a little messy, so he likes whenever someone has the same drive he does, natural will to be good. He wants someone mentally tough and ready to face the world for what they believe, as long as they know in their heart it's what they want/believe. (all might reference)

RANDOM 🎉

He rly likes girls who can draw 😭 He thinks it's the coolest thing ever and it makes it so easy for his partner to get him gifts bc he'd melt if he got a personalized drawing of him and his fav heros 😭

LOVE LANGUAGE - physical touch

he's not huge on pda (he gets rly embarrassed, not in a embarrassed of you way, more of a, im shy and feel like my face is going to explode, kinda way) but he loves sweet little acts of physical touch. Whenever he's stressed or really anxious holding hands melts all his worries away.

LOVE LANGUAGE -quality time

bro fr js wants to be next you. he loves little cheesy dates (amusement park and sharing crepes)(manga reference) but yeah, just cheesy things like that.

Really likes nerdy girls (very big on matching energy if you can't already tell) like js geek out with bro and he'd die for u istg.

Play a damn board game with this kid, Jeezus Chrysler. Whip out monopoly and you'll have his attention till he rots in fictional jail. He actually REALLY sucks at board games but refuses to ever stop playing them. Jenga? He can't even set the blocks up without knocking them over. Uno? He forgot what the word uno was. I mean literally say there stuttering trying to remember what word he's supposed to say.

BUY THIS KID SHOES. He doesn't know why...but it's one of his favorite gifts to receive. He loves trying them on and showing them off to you. He also gets rly geeked out over custom fan shoes. (think like those Hercules sandals from the Hercules movie) He knows it's cringe. He doesn't care. He has display racks for all of them on his wall.

OMG I FINISHED WRITING IT HOLY SH!T I DIDNT THINK I WOULD I js pulled all of these he out MY BEHIND BRO it's midnight I'm dead ASF, I have that convention in 2 days, shizzz wild rn. Pls lemme know what u think!! I've never been a HUUGHERE Deku fan, I kinda js appreciate his character, but I think this is pretty cutesy, how tf do u spell that. Anyways, yeah. This was fun. BYEYYEYEYEHEHEHEHEHEYYTEYRYTRYYR

[danwhobrowses]

Since Critical Role's big endgame battle has begun (as of ep. 113) and looks to give us a fair handful of Lv. 20 combat across the board with VM and later the Nein - and also since the Omen Archive are yet to do a level up overview for Bell's Hells to Lv. 15 like I expected them to do after ep. 112 - I find myself optimistically and curiously wondering how Bells Hells would shape up should they reach Lv. 20.

Admittedly, I do remain worried about how underleveled they are; I know it's intended since the Hells are the 'underdogs not meant to be in this position' group but still, for comparison Essek debuted at Lv. 15 in C2 and Vox Machina ended their campaign at Lv. 18 when the stakes were slightly lower than what we have with Ludinus, the Vanguard, the Imperium, and Predathos. Still, with nothing we can do but pray they make it out alive - and I hope they do - I've decided to indulge that rare bout of optimism and deep dive into what would their Lv. 20 state look like? While also considering what they may add during this final arc should they level up in between like they did the last time they were on Ruidus.

We're gonna go through each character one by one for this, so I'll start with my favourite (aka the one I wanna talk/ramble the most about).

Ashton is perhaps the easiest endgame build to tell class-wise, it's likely Tal will have them go the full 20 since Grog has already done the Fighter dip and there's not many other multiclasses that can be of a greater benefit to them; the intrigue however with Ashton focuses on the ASI they get at levels 16 and 19, the first one particularly if there's still a level up mid-battle. The obvious route for the first ASI is to get back the CON they lost in the shard incident - which I still find an unfair penalty since they gained nothing from surviving the bold and deemed impossible action, 'your reward is you get to live' doesn't stick with me given that the 10 rolls (well, 9 plus the resurrection ring) are proof of survival anyway - and absorbing Dusk Hunger sadly didn't give back, adding to their DEX instead - which, also kinda stubborn of Matt, adding 1 AC isn't exactly worthy of absorbing a legendary item especially compared to what Orym got with Ishta, they were better off trying to dual wield it if Matt's not gonna give stats that'll suit Ashton's wheelhouse, STR and CON, and let the tank be a tank - so it will likely fall into Tal's hands to get Ashton's stats to where they want them to be. Either way, Ashton's STR and CON are going up if they hit Lv. 20 as pure Barbarian, Primal Champion adds 4 to both and increases their max to 24, so without ASI Ashton will have 22 STR and 20 CON by Lv. 20 anyway, with ASI however Ashton can go 24/22 in either direction - and we can't rule out more absorption in the future, since Legendary loot may be yielded from this endgame battle plus Otohan's Backpack, Zathuda's storage cloak and maybe any other armour from the two could be Legendary items just gathering dust among the group, but if Ashton were to take any of them they'd have to wait a day since the Harness only grants 1 permanent and 1 temporary buff per person, and each person who uses it on the same day risks it breaking by 20%. However, we also can't rule out Ashton taking a feat instead of ASI, it's a slim chance but there are some feats that can be of use for Ashton in general or specifically vs Ludinus; Mage Slayer, Strike of the Giants (Hill or Stone Strike, of the two I'd go for Hill because of it causing the prone condition, which will help Ashton and allies, like Orym with that 1d6 extra Force Damage, stack critical damage), and Great Weapon Master could be powerful if they don't focus on ASI. The Tough feat is always good for being tanky too, but such a feat would likely only be used at the Lv. 19 ASI/Feat domain to get the most out of it. The only other places Ashton can get major potential buffs - outside of any new enchanted items that aren't armour - are from Dunamancy and their Titan powers, but neither have provided a clear opening for improvement as of yet. Ashton hit their final Dunamancy path at Lv. 14, where they got Mark of the Messy End (which compared to Essek getting access to stuff like Reality Break doesn't seem to balance out but I guess Wizards are glass cannons so Dunamancy does more with them), but there is a quiet, lingering mystery over how Potions of Possibility and Luxon Beacons will behave if Ashton and their Dunamancy brain interacts with them, given how they have many potions on hand, in general and gifted to them by the Kryn Dynasty before they met with the Nein, and Ludinus using Luxon Beacons as power sources, there is potential for Ashton's Dunamancy to increase that way - or simply through Matt adding an extra Dunamancy path in place of an ASI/Feat, a Dunamancy-based feat, or swapping Primal Champion with something else. The Titan Form could also improve by level, and I kinda hope it does, it's powerful but given the time limit and Exhaustion it's still below the level of Grog's Titanstone Knuckles in terms of utility, if more power or less limitations are imposed the higher their level it could scale Ashton up further in a similar manner to having a Vestige or, in Orym's case, a Relic of the Red Solstice.

Speaking of Orym, you'd assume that he'll also go for the clean 20, but this is Liam O'Brien we're talking about - he gave Vax a Druid level for his love of Keyleth, so you can't put it past him to add a level in Bard for Dorian. Like Ashton, Orym has 2 ASI waiting for him at levels 16 and 19, due to maxing his DEX - and absorbing Ishta overclocking it (a DEX increase that actually makes sense as a Finesse blade Fighter, adding +1 to AC and attack rolls and a higher DC for enemies to save against superiority die attacks) - Orym has already dipped into feats a lot but could always find room for more. Great Weapon Master, Shield Master, Mage Slayer, and Tough again at level 19 are viable options for Orym and his build, but there's also a unique option of, instead of taking a level in Bard, Magic Initiate: Bard in lieu of Dorian; taking the feat lets him gain the 4th attack Lv. 20 Fighter yields while adding some handy Bard magic such as Friends, Thunderwave, Command, Bane or Cure Wounds - all of which are Level 1 Bard spells. While adding a level in Bard would be a nice gesture, the Magic Initiate feat would probably work better for Orym's build if he wanted to reference his connection to Dorian this way, since he doesn't need 4 extra 1st level spells and he already has a lot of proficiencies and bonuses to cover his rolls anyway, plus he still carries the sending stone if he doesn't want to do either. If he went for ASI, Orym could try to rival Ayden's passive perception by buffing his WIS, but I doubt anybody would hold it against him to be less perceptive than a god. Regardless of ASI and feats, a pure 20 in Fighter does up Orym's lethality immensely, getting a potential 12 attacks with two Action Surges - the second gained in Lv. 17 - in one round (16 attacks if hastened and 17 if hastened and a Time Rage Mark of the Messy End - which I believe allows you to attack with Bonus Actions - is used on an enemy), which would make him an extra efficient killer and protector for combat, which suits his character as well. While multiclassing is an uncommon trait to reference a partner, in Orym's case it's probably moreso cute but unnecessary flavouring.

Adding an element of their partner into their build is something Imogen has done already with decent effect, however. Imogen is another pure 20 likelihood; she has 2 ASI, a Metamagic choice, her final Origin Feature - Warping Implosion: essentially you teleport and anyone within 30 feet will be caught in a gravity fissure - and Sorcerous Restoration - 4 sorcery points restored per short rest - waiting for her at the full 20. As alluded, she already has Laudna influences in the Shadow Touched feat and a vial of her blood in her equipment so she needn't use a feat or a multiclass in further reference to her, which means it comes down to what options she chooses for her ASI/Feats and future skills. With her CHA maxed out already, the two ASI would need to go elsewhere or to feats; War Caster could be used to help her concentration spells, such as the reskinned Hunger of Hadar, Telekinesis, and Investiture of Lightning, unused spells such as her mother's Reverse Gravity, Hold Person, or Globe of Invulnerability, or future 8th-9th level spells such as Dominate Monster, Gate, and Mass Polymorph (turn them all into horses!). Otherwise using one of those ASI to add 1 to INT and WIS will add to saving throws of those stats (+1 for INT and +2 for WIS), she can also remove all her stat negatives by adding an ASI to her STR in place of a feat. Imogen also has options with choosing a final Metamagic from Sorcerer; she has Quickened, Distant, and Twinned Spell already, so the next one needs to also be helpful in combat; the potential of Extended and Transmuted Spell are decent, but Heightened Spell may be the best fit for her - spending 3 Sorcery points to impose disadvantage on a spell save can be very useful when using Imogen's spells such as Psychic Lance, especially against powerful magic users like Ludinus. Going a little extra meta with things, Imogen at Lv. 20 is only going to exist in one-shots or guest appearances - which means short rests aren't likely to faze her as much, also recovering 4 out of a total of 20 Sorcery Points per short rest isn't a lot when you get all of them back after a Long Rest. If Imogen were to pull a swerve and multiclass she could simply sacrifice an ASI for an 18/2 split or just take a 19/1 dip without it doing any negative effect to her current build. Of the multiclassing options, I find that the Tempest Cleric could gel pretty well with her build; connecting her lightning magic and her storm analogies (and her attempt to reach out to the Stormlord) from a narrative perspective, while combat-wise she'd get to use Wrath of the Storm to damage anyone that attacks her (as many times as her WIS, so 1-3 depending on her ASI usage) and, if she goes for the 18/2 split, she can use the class' Channel Divinity to max out a spell's lightning damage - which if used on a 9th Level Lightning Bolt is 76 damage without enhancements! - she also gets some minor healing to add to her repertoire, and with a group without a pure Cleric you can't really have a shortage of players who can heal even if it's a little bit. I can't see any other dip doing her as much benefit, so the full 20 is more likely, even if the maxed out Lightning Bolt would work wonders.

You know who also knows Lightning Bolt? Well, a fair amount of players and NPCs but also Dorian! Let's talk our Boy in Blue - no I did not say 'Blue in Boy' in my head when typing, shush! - he's our last PC likely to be a pure 20 of the group, also because the rest have already multiclassed, but like Imogen there is also the opening for a little bit of multiclassing. The ASI in levels 16 and 19 are probably best put into maxing his CHA stat that's currently at 16, DEX could also go up to 20 for additional Gambolcleft damage but the sword is pretty powerful as it is - it depends if Robbie wants Dorian to focus on Spell or Melee output for stats, but casting is probably the better way to go. Not many feats would help Dorian outside of maybe Tough and War Caster, perhaps Slasher but they do seem like minor additions he can go without, so ASI is likely the best route to take for him. Unlike with Orym where a dip in Bard wouldn't do much good mechanically, Dorian could easily take a dip in Fighter and have it be a solid investment; the Bard's Lv. 20 ability Superior Inspiration only helps if you've used up all of your Inspiration, and as said with Imogen that probably won't come up in a one-shot scenario where Lv. 20 Dorian would likely appear, but by Lv. 19 he will already have added spells from any magic class via his final dip into Magical Secrets - and honestly I have no clue what one he could take because like, all of the spells! Wish is probably the go-to one but Dorian doesn't want anything from the gods so maybe not? - and he'll already have a 9th level spell slot from earlier levels. A 1-level dip in Fighter can give Dorian Second Wind for some self-healing and another Fighting Style to choose from: either Superior Technique - like Orym has - or Duelist would suit best, and if Robbie sacrifices an ASI he can go up to a 2nd level for Action Surge, which is handy should he focus on melee. There aren't many other 1-level dips that would suit Dorian narratively, there was probably Warlock potential in EXU: Prime when the crown was in play but since, again, the group lacks a pure healer, Dorian is probably better off investing his stats and skills towards Bard spells - which in turn bolsters DPS as well as healing.

From one Bard/DPS healer to another, Braius debuted with some pretty high stats to begin with, with only WIS being a negative modifier. As a 12/3 multiclass he can go a few different directions - much like his character arc and selection of deity - but it leaves him at a crossroads - also like his character arc. The 12 levels in Oath of the Ancients Paladin means he's locked out of getting Bard's Magical Secrets, if he maxes out his remaining levels in Bard he gets 2 ASI, a College of Tragedy feature (make crits be at rolls 18, 19 and 20 after an ally is hit with a crit plus a '+10 on a roll but a -10 penalty on the next' skill), Countercharm, and his Bardic Inspiration dice will go up to 1d8, but all of those are kinda covered by Dorian's higher level Bard class and Ashton's Mark of the Messy End while in Luck Rage to a higher or better extent. The 3 levels in Bard however has locked Braius out of Paladin's Aura improvements and the big Elder Champion buff, which is a big loss, if maxed out in Paladin they'll get Cleansing Touch - end a spell on yourself or anyone you can touch as many times as your CHA, one ASI, a 5th level spell slot (handy for Banishing Smite, Circle of Power, Destructive Wave, and Summon Celestial), and Undying Sentinel - which is just a once-a-long-rest Relentless Rage with no CON save. Build-wise, it would be best for Braius to go one of three different paths; either go for a 15/5 split - so no 5th level spell but he gets 1 ASI, Undying Sentinel, and Font of Inspiration for the 1d8 inspiration - a 14/6 split - where we swap Undying Sentinel for the college feature, or go the unique path and add a third class - while the 5th level spell slot has powerful spells Braius' combat is much more melee-based so it is a less likely option. A 14/3/3 triple split sacrifices his ASI/feats but 3 levels in Fighter gives him another Fighting Style, Action Surge, Second Wind, and a Fighter subclass to add to his combat prowess. One unlikely Fighter subclass that could suit Braius is the Rune Knight; with 3 levels Braius will have access to 2 runes, which can be tied to his character's artistry, to add to his gear - the Fire and Cloud Runes being the most useful to him from what I see - they would also get Giant's Might as a skill for an extra 1d6 of damage once per turn. Fighter isn't the only class Braius can benefit from though; he would only need to dip 2 levels in Cleric or Druid to gain their subclass-based abilities; a Shepherd Druid would give the group a slight benefit with the Hawk Spirit skill, using a reaction to attack with advantage and having advantage on perception checks, but similar to Imogen he'd probably benefit a bit more from dipping into Cleric - particularly Grave, War, Ambition, and Peace Domain Clerics, who each have abilities that can further empower him. A dip in Barbarian would be handy for Danger Sense - not so much Rage because you can't use spells - maybe opting for the Zealot path subclass, which also suits narratively, for an extra 1d6 damage, or a dip in the Monster Hunter Ranger to aid in picking out weaknesses. A 12/4/4 split could also work, forgoing Cleansing Touch to grant Braius 2 ASI or feats if Sam wanted them; with that they can balance their WIS to 10 and then max out their CHA and another +1 elsewhere, or just do a feat like Fey Touched - since he was touched plenty by a Fey Hag all across her manor - to max the CHA and gain a spell like Hunter's Mark to aid in combat.

Speaking of Hunters, Chetney may not have been designed to survive the campaign but with Travis rolling the fatal 0 when playing as Grog that old man is still, somehow, kicking. If Travis doesn't pull a Bertrand and allows him to continue defying the odds and live to Lv. 20, Chetney would be in a similar position to Braius - having gone the Tealeaf route and locked himself out of the full 20 in Blood Hunter by having a dip in Rogue - in being in a crossroads of classes. If he invests his remaining levels in Blood Hunter to 19, he still gets a lot from the class; 2 Order Features (advantages on bloodlust saving throws and on any branded creature, then unlimited hybrid transformations on the next feature), 2 ASI, and an extra Blood Maledict. Chetney's 1-level dip in Rogue however means he could also invest into any Rogue subclass for a 17/3 split (or a 16/4 split if he sacrifices a Blood Maledict for 2 ASI over one) instead; Assassin would help his damage output especially since he likes going Invisible, but the Revived subclass would be funny implying that he died but miraculously came back and no longer needed to risk dying in his sleep because he doesn't need to sleep anymore. Chet could also triple class like we suggested with Braius; 3-5 levels in Artificer - since he's a toymaker his toys can be infused beyond the enchanted distractions, going for the Armorer subclass can also be handy for the Thunder Gauntlets ability too, 2 levels in Fighter - for Action Surge, 2-4 levels in Monk - which has decent potential if his chisel is made a dedicated weapon plus the possible boons from Kensei, Mercy, or Open Hand paths, or even 3 levels in Ranger - where Hunter, Gloom Stalker, and Monster Slayer subclasses each have skills that could help Chet in combat, can all be seen as options, but it can also run the risk of being overcomplicated. Despite a Feat sidestepping Chet losing control in his Hybrid Form, logic says that Chet would likely stick with the 19/1 route since the feat only imposes a disadvantage against losing control and he can still do collateral damage, character-wise he'd likely want to keep his Lycanthropy on lock as much as he can. Plus, going to 19 Blood Hunter levels yields unlimited transformations and the second ASI hits at Lv. 19; with the two ASI - which he cannot get from triple classing - he can max out his STR and buff up his CON, DEX, and/or CHA for any additional bonuses, he has no negative stats so any are fair game. I don't see any feats that'd be too helpful, but outside of AC or DC boosts from increasing CON or DEX, upping CHA could also help with persuasion and being persuasive and tricksy.

Persuasive and Tricksy are some of many words you can use to define Fearne, who is also a Rogue multiclass. Her current 10/5 with Wildfire Druid as the majority allows her some wiggle room for her to go a few different directions. The 5 levels in Rogue have locked her out of a second ASI in Druid, the timeless body (not really a big deal for a fey), additional Wild Shape perks, and the 9th Level Spell Slot though, but if she invests only into Druid levels for the full 15 she does still gain one ASI and her Wildfire Feature 'Blazing Revival' - where once per long rest Mister can sacrifice himself (I don't think it's a permadeath sacrifice just like an 'off the board until resummoned' sacrifice) to revive her to half HP if she's downed - alongside a 6th, 7th and 8th level spell slot. If she goes for an even spread of 10 levels each with Rogue's Arcane Trickster however, she gains 2 ASI, 2 more proficiencies, Evasion, Magical Ambush, and a few more lower level spells. Both have valid directions - and as much as Fearne is a 'collector' I think a third class probably won't suit her and will perplex Ashley further - for her character even with mixing the level splits; a 12/8 split will grant her 2 ASI and a 6th level spell slot, while a 14/6 split grants one ASI, a 6th and 7th level spell slot, the Blazing Revival, and 2 proficiencies. Since Fearne doesn't do many sneak attacks and uses her Rogue abilities more for pickpocketing, it would probably be sensible to lean more towards Druid; a 15/5 split if she wants that 8th level spell slot for Sunburst, Incendiary Cloud, or Feeblemind, but a 14/6 split if she can do without - Plane Shift could narratively be on her radar so she can travel to the Feywild as she pleases, but Fire Storm is still a mighty 7th level spell that can be additionally buffed by her titan form which as mentioned with Ashton could also potentially scale up with levels - would give her more stuff to work with, plus extra Druid Levels buffs up Mister's health so he could be looking at 75-80 total HP (5+(Druid Level x 5)) depending on whether Fearne goes level 14 or 15. Since Fearne took War Caster already from her last level and her WIS is already maxed out, ASI to CON could be looked into to add health, AC, and DC, while also improving her chances at holding concentration for her saving throws, alternatively she can up her DEX to improve her pickpocketing so she can finally claim one of those eggs, since she's tragically 0-2 on that. Feat-wise, there is still the Elemental Adept: Fire feat to bypass enemy resistances to Fire too, lots of enemies will have Fire Resistance after all, so if she doesn't want to use ASI there is still that to use it on. So level-wise there is some wiggle room but class-wise she is better off picking one to focus on.

Our final member of the Hells Laudna has already picked her focused class; on a 12/3 Sorlock with her patron bound to a soul anchor - get fucked Delilah - she has implied to go pure Sorcerer from herein. Marisha has previously stated that she saw no gain in any more Warlock levels even when Delilah was still active and while a 6th level in Warlock would grant her an ASI at Lv.4 and unlocks Grave Touched - change damage to Necrotic plus 1 extra damage die when in Form of Dread, which is pretty solid - it does indeed suit narratively for Laudna to avoid more Warlock levels. The 3 levels she has gained from Warlock though have (war)locked her out of her final Sorcery feature of Umbral Form - which would've made her resistant to everything but Force and Radiant Damage, so like Braius' Primal Champion it's quite the loss - but she still looks to get Shadow Walk which aids her mobility, providing that there's darkness or shadows in the vicinity, as well as one ASI and another Metamagic option by continuing the Sorcerer's path, not to mention a dangerous 9th level spell slot. Unlike Imogen, Laudna opted for Empowered Spell in her current Metamagics alongside Quickened and Twinned, doing Heightened or Transmuted probably wouldn't suit Laudna like it does her partner though. Instead, Careful Spell could be a good choice for Laudna since her CHA is maxed out, so she could pick 5 creatures to auto-succeed a saving throw to a spell she sends, but since she doesn't have many AoE spells Extended Spell may be the better fit to keep up concentration on spells like Animate Objects, Mirror Image, or any future powerful concentration spells she'll have access to like Eyebite, Globe of Invulnerability, Reverse Gravity, or Blade of Disaster - which Delilah used pretty effectively in Aeor - ongoing. Even so, the one ASI remains; the Amulet of Health puts her CON to a fixed 19 so if she added one CON it'd be 16 without attunement, which is still pretty good but worthless if she just keeps using the amulet, she could put +1 in her woeful STR so it's a -2 rather than -3, or opt for feats such as War Caster - for those powerful concentration spells - or another Eldritch Invocation with Eldritch Adept, such as Armor of Shadows or Eldritch Spear, which may be more fitting for her fun scary nature.

And that's all of them, for a TL/DR I expect Ashton, Orym, Dorian and Imogen to do the pure 20 for their classes, while Chetney will go 19/1, Braius and Fearne go 14/6, and Laudna goes 17/3. But if it were me, the only ones I'd adjust from those would be Dorian (19/1, adding Fighter), Imogen (18/2, adding Tempest Cleric), and Braius (14/3/3, adding Rune Knight Fighter) just from a meta/fun perspective. Either way I'll just be happy to see them make Level 20, so fingers and every other digit I have stay crossed for whichever route they choose.