#toba-shi

[pineappleyk]

神島にて、三島由紀夫が『潮騒』取材中に滞在していた寺田家を、宿泊した旅館にお願いして案内してもらいました。

①寺田家に続く階段

②『潮騒』の登場人物、漁業協同組合長「宮田照吉」のモデルになった寺田宗一さん宅。現在はどなたも居住されていません。

③寺田家の屋根越しに臨む景色。島の電気供給に大切なケーブルは、まるで空に線を引いたように見えます。

④玄関を入ってすぐ。左側には原作の通り、急な傾斜の梯子階段がありますが、本当に梯子のように急な傾斜で撮影出来ませんでした。

⑤三島由紀夫が朝6時半に起きる毎日を過ごしていた2階のお部屋。

⑥2階の窓から三島由紀夫も眺めたと思われる眺望。

⑦三島由紀夫から寺田宗一さんへの贈り物など、所縁の品々。赤い机は当時、三島由紀夫が実際に使用していたもの。奥に山口百恵さんのパネルが❗️

⑧三島由紀夫のサインの入った品々。左上はシガレット入れの付いたライター、右上はその外箱。

⑨怖い程、澄み切ったエメラルドカラーの神島の海。

当時、28歳だった三島由紀夫が、

「人口千二、三百、戸数二百戸、映画館もパチンコ屋も、呑屋も、喫茶店も、すべて「よごれた」ものは何もありません。この僕まで忽ち浄化されて、毎朝六時半に起きてゐる始末です。ここには本当の人間の生活がありさうです。たとへ一週間でも、本当の人間の生活をまねして暮すのは、快適でした。」と川端康成宛の手紙に書いたように、現在も映画館、パチンコ屋、そして呑屋はありませんが、宿泊した旅館の姉妹店でもあるかわいい喫茶（軽食）店が時計台の隣にありました。

人口は昭和28年当時、1,200〜1,300人となっていますが、2022年で402人に…。澄んだ海のように島の人々は快活、気さく、親切で働き者ばかり、しかし荒波で知られる伊勢湾の海を相手に命懸けの漁業をされるのですから、遊びに来たのがちょっぴり恥ずかしくなるような旅でした。

[whencyclopedia]

Genpei War

The Genpei War (1180-1185 CE), also known as the Taira-Minamoto War, was a conflict in Japan principally between two rival clans: the Minamoto and Taira, for control of the imperial throne. The civil war was punctuated by a typhoon, earthquake, famine and a plague but was finally ended at the decisive Battle of Dannoura when the defeated leader of the Taira, Tomomori, and the claimant to the throne Antoku, both committed suicide. In the aftermath of the war, the Kamakura Shogunate was established by Minamoto no Yoritomo and the military would go on to dominate Japanese government for centuries to come.

Background

The Genpei War (Genpei No Soran) was a civil war for dynastic control in Japan between two powerful clan groups who each claimed a rightful inheritance to the imperial throne. From the 9th century CE, the process known as 'dynastic shedding' removed individuals from the dynastic lineage because the royal family became too large and too costly to maintain. With emperors having as many as 50 children, even direct descendants were removed from the royal line and given one of two family names: Minamoto (aka Minamoto-Shi or Genji) or Taira (aka Hei-Shi or Heike). Both groups were militarily powerful and a bitter rivalry developed between them. The aristocracy at court depended on one of the families according to their particular allegiance.

Almost inevitably, armed conflict broke out between these rivals, notably in the 1156 CE Hogen Disturbance when the two sides claimed the throne vacated by the death of retired emperor Toba. The retired emperor Sutoku was supported by Tameyoshi, head of the Minamoto and some factions of the powerful Fujiwara clan led by Yorinaga. Meanwhile, the then emperor Go-Shirakawa was supported by Tameyoshi's eldest son, who joined with the Taira and other members of the Fujiwara, led by Tadamichi, Yorinaga's brother. The Go-Shirakawa side, with help from the military commander Taira no Kiyomori, quashed the rebellion, and Tameyoshi was executed.

1160 CE saw another outbreak in clan hostilities with the Heiji Disturbance. Minamoto no Yoshitomo, jealous at the rewards and prestige won by Taira no Kiyomori following the Hogen Disturbance, seized the throne in 1159 CE while his rival was away from court. Taira no Kiyomori swiftly returned to restore order and Yoshimoto was killed. Two rebellions and twice the Taira clan had prevailed so that they were now the most powerful family in Japan. For the Minamoto, though, it would be third time lucky.

Taira no Kiyomori enjoyed even greater rewards now that he had quashed two 'disturbances' to the status quo and he was made Grand minister of state (daijo daijin) in 1167 CE. From then on, though, Kiyomori began to lose important allies, notably his old supporter the emperor Go-Shirakawa, now retired, who plotted to assassinate Kiyomori in 1177 CE following his attempt to promote a Taira prince. Trouble was, once again, brewing at court. A failed attempt by Kiyomori to move the court from Kyoto to Kobe was followed in 1180 CE by him audaciously putting his grandson Antoku, a mere two-year-old, on the throne at Kyoto. Antoku was the son of Emperor Takakura and his wife was Kiyomori's daughter. At this, the Minamoto had had enough, and with the support of Mochito, the son of ex-emperor Go-Shirakawa, civil war broke out.

Continue reading...

[rainsmediaradio]

Davido - Precision Lyrics

Davido - Precision Lyrics Intro My time and my energy I don’t waste on nobody 'Cause I dey try sort myself And you go like sort yourself (Shekpe!) Chorus Na person wey get money dey carry shoulder gan Ẹ ni toba lowo laye lo ma n gbera gan oh And I dey move with precision I go carry you along Bebe n lọ Thank God say me I get God Oya eh Iwọ to ba lowo nọwọ ẹ soke No go think am, nọwọ ẹ soke Faraya ko nowo ẹ soke Jogodo sungba, nọwọ ẹ soke Iwo to ba lowo nọwọ ẹ soke No go think am, nọwọ ẹ soke Faraya ko nọwọ ẹ soke Jogodo sungba, nọwọ ẹ lọ Verse I dey with Shizzi as the vibe dey go (Shizzi) Energy on point, we dey jam dey go See thе fine fine girls, dem dеy eye me oh But I no send, I dey carry go Kan ma lọ gbe mi sọ wa, awa carry gan Aye yi o ni baje oh Maro lọ oh As I dey here oh, dey here I’m counting my blessings Pre-Chorus My time and my energy, iyo I don’t waste on nobody, iyo 'Cause I dey try sort myself, iyo So you for try sort yourself, iyo Mo ni gẹgẹ shi gẹgẹ, iyo Make nobody come dey waste my time, iyo 'Cause I dey try sort myself, iyo Oya ka lọ, jia ma jaiye lọ, yeah eh Chorus Na person wey get money dey carry shoulder gan Ẹ ni toba lowo laye lọ ma n gbera ga And I dey move with precision I go carry you along Bebe n lọ Thank God say me I get God Oya eh Iwọ to ba lowo nọwọ ẹ soke No go think am, nọwọ ẹ soke Faraya ko nowo ẹ soke Jogodo sungba, nọwọ ẹ soke Iwo to ba lowo nọwọ ẹ soke No go think am, nọwọ ẹ soke Faraya ko nọwọ ẹ soke Jogodo sungba, nọwọ ẹ lọ Pre-Chorus My time and my energy, iyo I don’t waste on nobody, iyo 'Cause I dey try sort myself, iyo So you for try sort yourself, iyo Moni gẹgẹ shi gẹgẹ, iyo Make nobody come dey waste my time, iyo 'Cause I dey try sort myself, iyo Oya ka lọ, jia ma jaiye lọ, iyi Chorus Na person wey get money dey carry shoulder gan E ni toba lowo laye lo ma gbera ga And I dey move with precision I go carry you along Bebe n lọ Thank God say me I get God Oya eh Iwọ to ba lowo nọwọ ẹ soke No go think am, nọwọ ẹ soke Faraya ko nowo ẹ soke Jogodo sungba, nọwọ ẹ soke Iwo to ba lowo nọwọ ẹ soke No go think am, nọwọ ẹ soke Faraya ko nọwọ ẹ soke Jogodo sungba, nọwọ ẹ lọ Outro My time and my energy, iyo I don’t waste on nobody, iyo As I dey try sort myself, iyo So you for try sort yourself, iyo Read the full article

[nihongoseito]

ヨルシカ「ブレーメン」 “bremen” - 歌詞と英訳

rōmaji below the cut!

ねぇ考えなくてもいいよ 口先じゃわかり合えないの この音に今は乗ろうよ 忘れないでいたいよ

hey, you don’t have to think we won’t understand each other just with mere words let’s ride on this sound now i don’t want to forget it

身体は無彩色レイドバック ただうねる雨音でグルーヴ ずっと二人で暮らそうよ この夜の隅っこで

my body is colorless and laidback just the swelling sound of rain makes a groove let’s always live together in the corner of this night

ねぇ不甲斐ない僕らでいいよ って誘ったのは君じゃないの 理屈だけじゃつまらないわ まだ時間が惜しいの？

hey, it’s alright that we’re worthless weren’t you the one to suggest that? it’s boring if it’s just a theory is time still of the essence?

練り歩く景色を真空パック 踏み鳴らす足音でグルーヴ まるで僕らはブレーメン たった二人だけのマーチ

i’ll vacuum-seal the scenery marching by our stamping footsteps make a groove we’re really just like bremen marching just the two of us

さぁ息を吸って早く吐いて alright, take a breath and quickly let it out

精々歌っていようぜ　笑うかい　お前もどうだい 愛の歌を歌ってんのさ　あっはっはっは 精々楽していこうぜ　死ぬほどのことはこの世にないぜ 明日は何しようか　暇ならわかり合おうぜ

let’s sing as much as possible, i might laugh, how about you? we’re singing a song of love, a-a-a-a let’s enjoy ourselves as much as possible, in this world there’s nothing that can kill you if you have too much what should we do tomorrow? if you’re free, let’s try understanding each other

ねぇ考えなくてもいいよ 踊り始めた君の細胞 この音に今は乗ろうよ 乗れなくてもいいよ

hey, you don’t have to think your cells have started dancing let’s ride on this sound now or we don’t have to ride it

思い出の景色でバックパック 春風のざわめきでグルーヴ もっと二人で歌おうよ 暇なら愛をしようよ

the scenery of my memories makes me a backpack the stirring of the spring breeze makes a groove let’s sing more together and if we’re free let’s love each other

さぁ息を吸って声に出して alright, take a breath and speak it aloud

精々歌っていようぜ　笑われてるのも仕方がないね 何もかも間違ってんのさなぁ　あっはっはっは 精々楽していこうぜ　バカを装うのも楽じゃないぜ 同じような歌詞だし三番は飛ばしていいよ

let’s sing as much as possible, it can’t be helped if people laugh at us we’re mistaken about pretty much everything, a-a-a-a let’s enjoy ourselves as much as possible, it’s no fun to pretend to be idiots it’s got the same kind of lyrics, so we can skip over the third verse

さぁ息を吸って早く吐いて ねぇ心を貸して今日くらいは

alright, take a breath and quickly let it out hey, lend me your heart for today

精々歌っていようぜ　違うか？ お前らみんな僕のことを笑ってんのか？なぁ 精々楽していこうぜ　死ぬほど辛いなら逃げ出そうぜ 数年経てばきっと一人も覚えてないよ

let’s sing as much as possible, or not? are all of you guys laughing at me? let’s enjoy ourselves as much as possible, if it’s painful enough we could die let’s run away if years go by surely we won’t remember being alone

ゼエゼエ歌っていようぜ　身体は動く？お前もどうだい 愛の歌を歌ってんのさ　あっはっはっは 精々楽していこうぜ　死ぬほどのことはこの世にないぜ 明日は何しようか　暇なら笑い合おうぜ そのうちわかり合おうぜ

let’s sing so loud we gasp for air, is my body moving? how about you? we’re singing a song of love, a-a-a-a let’s enjoy ourselves as much as possible, in this world there’s nothing that can kill you if you have too much what should we do tomorrow? if you’re free, let’s make each other laugh and sooner or later we’ll understand each other

nee kangaenakute mo ii yo kuchisaki ja wakariaenai no kono oto ni ima wa norou yo wasurenaide itai yo

karada wa musaishoku reidobakku tada uneru amaoto de gurūvu zutto futari de kurasou yo kono yoru no sumikko de

nee fugai nai bokura de ii yo tte sasotta no wa kimi janai no rikutsu dake ja tsumaranai wa mada jikan ga oshii no?

neriaruku keshiki o shinkuu pakku fuminarasu ashioto de gurūvu maru de bokura wa burēmen tatta futari dake no māchi

saa iki o sutte hayaku haite

seizei utatte iyou ze, warau kai, omae mo dou dai ai no uta o utattenno sa, a-a-a-a seizei raku shite ikou ze, shinu hodo no koto wa kono yo ni nai ze ashita wa nani shiyou ka, hima nara wakariaou ze

nee kangaenakute mo ii yo odorihajimeta kimi no saibou kono oto ni ima wa norou yo norenakute mo ii yo

omoide no keshiki de bakkupakku harukaze no zawameki de gurūvu motto futari de utaou yo hima nara ai o shiyou yo

saa iki o sutte koe ni dashite

seizei utatte iyou ze, warawareteru no mo shikata ga nai ne nani mo ka mo machigattenno sa naa, a-a-a-a seizei raku shite ikou ze, baka o yosoou no mo raku janai ze onaji you na kashi da shi sanban wa tobashite ii yo

saa iki o sutte hayaku haite nee kokoro o kashite kyou kurai wa

seizei utatte iyou ze, chigau ka? omaera minna boku no koto o warattennno ka? naa seizei raku shite ikou ze, shinu hodo tsurai nara nigedasou ze suunen tateba kitto hitori mo oboetenai yo

zeezee utatte iyou ze, karada wa ugoku? omae mo dou dai ai no uta o utattenno sa, a-a-a-a seizei raku shite ikou ze, shinu hodo no koto wa kono yo ni nai ze ashita wa nani shiyou ka, hima nara waraiaou ze sono uchi wakariaou ze

[pmk-love]

I just realized something.

For context: in case you guys don’t know, the number 4 in Japan is a symbol of death, as it shares the same pronunciation with the kanji of “Death” (shi). Looking at PMK, I noticed that at this time, Hijikata has tried to make Tetsunosuke leave the Shinsengumi three times in the manga:

- When the Battle of Toba-Fushimi broke, Hijikata gave Tetsunosuke all his salary and a letter so he could free Saya from Shimabara in an excuse to make the boy leave the Shinsengumi. Tetsunosuke returned to them at the end. (Volume 8)

- When he asked Tetsunosuke to go to Katsu Kaishuu for reinforcements during the Battle of Koshu-Katsunuma, it was another excuse to make him leave after his task was done, and Tetsunosuke noticed that and insisted to stay. Again, Tetsunosuke returned to them. (Volume 10)

- More recently, during the start of the Battle of Aizu, when he told him that if he couldn’t kill, he better leave with Saya. Tetsunosuke will return to them once more for what we saw in the flashforward of volume 7. (Volume 17)

This means, when Hijikata sends away Tetsunosuke back to Hino with his belongings so he can escape the Battle of Hakodate and survive, it will be the fourth time he’ll ask him to leave.

The fourth time.

And this time Tetsunosuke will not come back, because Hijikata will be dead and the Shinsengumi will cease to exist.

[sifu-kisu]

Yes, Mulan was a woman who disguised herself as a man to save her elderly father from going to battle. Yes, she was heroic and won high honors for her prowess in battle.

So what's about the Disney version? Uniting China against the Huns/Mongols. In fact, Mulan did quite the opposite. She was a Mongol of the Toba tribe who drove the Chinese out of Mongol territories that had been occupied since Han Dynasty incursions.

Her Mongol name is “Zambaga” in Mongolian.Zambaga is name of a flower(Magnolia)

the originial writing, Moku Araraki Shi ("Mulan Words" or "Mulan Expression") repeatedly refers to her ruler exclusively as the Great Khan (可汗) and never as "emperor".

She lived in the Toba Khanate (拓拔魏汗) and fought against the ethnic Han Chinese Emperors of Yan (燕) from as early as 416 (probably not until 418) until she destroyed the Yan Empire of China in 436.

The entire text of Moku Araraki Shi with English translation below:

唧唧復唧唧

木蘭當戶織

不聞機杼聲

唯聞女嘆息

Ji-ji, again ji-ji,

Mulan faces the door, weaving.

You can't hear the sound of the loom's shuttle,

You only hear Daughter's sighs.

問女何所思

問女何所憶

女亦無所思

女亦無所憶

They ask Daughter who's in her thought,

They ask Daughter who's on her memory.

"No one is on Daughter's thought,

No one is on Daughter's memory.

昨夜見軍帖

可汗大點兵

軍書十二卷

卷卷有爺名

Last night I saw the arny notices,

The Khan is calling for a great force.

The army register is in twelve scrolls,

and every scrolls has Father's name.

阿爺無大兒

木蘭無長兄

愿為市鞍馬

從此替爺征

Father has no adult son,

Mulan has no older brother.

Wish to buy a saddle and horse,

and serve in Father's place."

東市買駿馬

西市買鞍韉

南市買轡頭

北市買長鞭

In the East Market she buys a steed,

In the West Market she buys a saddle and saddle blanket,

In the South Market she buys a bridle,

In the North Market she buys a long whip.

朝辭爺娘去

暮宿黃河邊

不聞爺娘喚女聲

但聞黃河流水鳴濺濺

At dawn she bids farewell to Father and Mother,

In the evening she camps on the bank of the Yellow River.

She doesn't hear the sound of Father and Mother calling for Daughter,

She only hears the Yellow River's flowing water cry jian-jian.

旦辭黃河去

暮至黑山頭

不聞爺娘喚女聲

但聞燕山胡騎聲啾啾

At dawn she bids farewell to the Yellow River,

In the evening she arrives at the summit of Black Mountain.

She doesn't hear the sound of Father and Mother calling for Daughter,

She only hears Mount Yan's nomad horses cry jiu-jiu.

萬里赴戎機

關山度若飛

朔氣傳金柝

寒光照鐵衣

She goes ten thousand miles in the war machine,

She crosses mountain passes as if flying.

Northern gusts carry sound of army rattles,

Cold light shines on iron armor.

將軍百戰死

壯士十年歸

歸來見天子

天子坐明堂

Generals die in a hundred battles,

Strong warriors return after ten years.

On her return she sees the Son of Heaven,

The Son of Heaven sits in the ceremonial hall.

策勛十二轉

賞賜百千強

可汗問所欲

“木蘭不用尚書郎

愿借明駝千里足

送兒還故鄉”

Merits are recorded in twelve ranks

And grants a hundred thousand strong.

The Khan asks her what she desires.

"Mulan has no use for a high official's post.

I wish to borrow a ten-thousand mile camel

To take me back home."

爺娘聞女來

出郭相��將

阿姊聞妹來

當戶理紅妝

Father and Mother hear Daughter is coming

They go outside the city wall, supporting each other.

When Older Sister hears Younger Sister is coming

Facing the door, she puts on rouge, .

小弟聞姊來

磨刀霍霍向豬羊

"開我東閣門

坐我西閣床

When Little Brother hears Older Sister is coming

He sharpens the knife, quick, quick, for pig and sheep.

"I open the door to my east room,

I sit on my bed in the west room,

脫我戰時袍

著我舊時裳."

當窗理云鬢

對鏡貼花黃

I take off my wartime gown

And put on my old-time clothes."

Facing the window she fixes the cloudlike hair on her temples,

Facing a mirror she dabs on yellow flower powder

出門看火伴

火伴皆驚惶

同行十二年

不知木蘭是女郎

She goes out the door and sees her comrades.

Her comrades are all shocked.

Traveling together for twelve years

They didn't know Mulan was a girl.

“雄兔腳扑朔

雌兔眼迷離

兩兔傍地，

安能辨我是雄雌?”

"The male rabbit's feet kick up and down,

The female rabbit's eyes are bewildered.

Two rabbits running close to the ground,

How can they tell if I am male or female?"

[shinsengumi-archives]

Saitou Hajime (Fujita Goro)

Saitou Hajime

1844-1915

Shinsengumi Fukuchou Jokin, Sanbantai Kumichou

Was the son of a Gokenin, lower ranking vassal named Yamaguchi Yuusuke in Edo.

While in Edo it is said that he was already in acquaintance with Kondou and others of the Shieikan dojo but apparently fled to Kyoto for killing a hatamoto (direct vassal of the shogun) in 1862.

Saitou also participates in the Miburoshi, joining them already in Kyoto on 1863

It is said to have the sword skills/ability on par with Okita and Nagakura.

Although he is one of the youngest officials in the Shinsengumi, he was said to be sent by Hijikata Toshizou to infiltrate the Kodaiji party, led by Itou who split from the Shinsengumi.

Abe Juro claims that he was not a spy and stole money from Itou and thus he could not return to them.

Returns to the Shinsengumi after Itou’s assassination and the destruction of the Kodaiji party in 1867 as Yamaguchi Jirou

After returning to Edo and the defeat at Toba-Fushimi, he joins the Koyou Chibuntai heading for Aizu under instructions of Kondou

He stays with Aizu until it’s fall along with around ten Shinsengumi who decided to stay after Hijikata decided to head for Hokkaido taking the rest of Shinsengumi with him.

After Aizu’s surrender he was detained as a POW and was released for good behavior. Afterwards was exiled along with other Aizu soldiers to Tonami (Aomori).

Marries Shinoda Yaso in 1871 under the name Fujita Goro, but they will get separated for “unknown” reasons.

Marries Takagi Tokio and have three sons with her, Tsutomu, Tsuyoshi and Tatsuo

In the Meiji he is said to have joined the Keishikyoku (Metropolitan Police Dept) as early as 1872, but confirmed records say he worked as an Assistant Police Inspector in the TMPD (Tokyo Metropolitan Police Department) 1876 and went up the ranks until he became Chief Inspector and retired.

He participated in the Southwester Rebellion in 1877.

Favorite sword: Sesshuujuu Ikeda Kishin Ikimaru

Grave is in Amitabha Temple in Nanokamachi, Aizuwakamatsu-shi, Fukushima

[hipumaitranslations]

Alternative Rap Battle - Division All Stars || Kanji, Romaji & Eng

Alternative Rap Battle is the a song for the upcoming mobile game ‘Alternative Rap Battle’, by Division All Stars - The full HypMic cast.

Lyrics, Composition, Arrangement: invisible manners (Daisuke Hirayama ・ Sei Fukuyama) MV Creator: Pink Janakutemo Vocals: Division All Stars

Lyrics under the cut! Apologies for taking a while with this!

KANJI

ICHIRO Yo yo yo! Play the gameだぜ! Back again、yo 固唾を呑みな起こすぜフェノミナン おもねんなメンバー下げんな縦フェーダー(Let’s go) 叫ぶスピーカーでブクロをBig up この国家は今一度洗濯しかないぜ 円卓の騎士が起死回生の為に凱旋 いかんせん邪魔ばっか嫌になるぜパイセン(Let’s go) 謳えアンセム山田一郎が参戦

SAMATOKI ナチュラルハイでイキったクソガキが いっちょ前にマッチョな事言ってまちゅねぇ? アティチュードは血も凍るゼロ・ファーレンハイト 我に返っても既にToo late Mother Father Sister Brother 俺さまはGod Father 言霊ぶつけるぜまざまざと バイオハザード級の災いだ　まだやるか

RAMUDA ハート型の光線をコンセントレート チョコで包む洋酒入り怖～いダイナマイト！ inner zoneに入り交じり愛憎を倍増させる メッ！する対象広��ユニセックス 乱数の事グルグルと何回考えちゃう? Love感情生産する脳内マニファクチャー 飴玉が甘いなんてダメだ決めつけちゃ? 特別なレクチャーはぐちゃぐちゃにチャーミングだよ?

JAKURAI それは理にかなうクリニカルなスキル クリティカルな状況　狼狽しパントマイム などは堅く禁ずだが進む淡々とTime 万全とは何か問われているAll time

壊れている人体涙目のクランケ ブランケットにくるむ腐乱する痛ましい フランス・ルイ17世の幼気な魂 神よ全ての子供たちにMercy

CHORUS 騒乱動乱　ヒプノシスマイク 群雄割拠 Alternative Battle illなビート寄越しなDJ バチバチの捨て鉢　ぶちこんでくライム

エキシビションじゃない歴史上のBattle 格式容赦ない異次元の魔法 欲張りだぜ東西南北 分捕るまでぶっ放すぜ罵倒

奪い奪われても恨んでる暇はねえ Are you game for more? Do you want more?

JIRO 無人のリムジンに火をつけて木っ端微塵 バチバチに燃えてるぜ俺は風神雷神 阿吽の呼吸でRollin’ Rollin’ 何かに取り憑かれたゴロツキ 冗談抜きで火気厳禁の ごぼう抜きのスキルは 物好きくらいじゃ到達できん(Let’s go) 殺す気でかかって来るが良いが ウチの一兄の出る幕も無いようだ

JYUTO はいはいはい ウザい余罪つかムカつく重過失 蛇足だぜ　その無駄すぎるライム もはやクライム 初動で動員する押韻 そうさ機動捜査隊のスタンス 滅相もない！ 元も子もない もっともな言い分なんてない ニューナンブの銃弾に代わる ニューロンを蹂躙するマイク 公務執行妨害だぜ 頭部ぶっとぶがいい

GENTARO 明治大正昭和平成令和 厭世的時代考証 真似し青年は 永遠なるパラダイムからも抗えるポエジー 物狂で不器用な文豪のイメージ 流刑地から一等地まで 伝播して蔓延るこの活字のステージ 弁は立つ 衒学趣味 無知蒙昧 no mind エクリチュール 高慢な鼻を抉り取る

HIFUMI バトルもある意味接客業務 せっかくだし盛り上げとくゲーム ウェイとか言っときゃ良いとか無え？(ウェイ！) 大都会生きるエンターテイメント 延滞料金は不要だぜメンズ？ 弁解無用さツケにしてやんぜ？ 顔は殴らんよライムでもそう ただしアンタのメンツはぐちゃぐちゃでしょ？

CHORUS Run & Gun　ヒプノシスマイク 蛮勇韻力 Alternative Rap Dopeなビート繋ぎなDJ たちまち奪うガチ　ぶちこんで詰める！

one for the treble two for the bass 痛いガキ死すともフローは死せず 韻の攻防は因果応報 分捕るまでぶっ放すぜ罵倒

奪い奪われても恨んでる暇はねえ Are you game for more? Do you want more?

SABURO 三郎の出番 何喋ろう？ とりま愚弄 しとく マイクロフォン ワーカホリックなリックで奪う 不道徳なFlow所得 フォトショして書き換えてく ブクロの青写真(ブループリント) Bring on Bring on キンコンカンコン 義務教育をお前に施してやろうか？ You know what？ 有能な僕の助言さ まずはブクロの法律の授業だ

RIO ようそろ！ さあようこそ お前の不安要素の 戦場の霧 小官がメイソン理鶯 弁証法により勝利を 導く道理を 一字一句 お前に軍事指南進ぜよう 心理的シンドローム 伴う心底 死んでも死にきれんほど 擦り切れるだろう前頭葉 前途多難だなジェントルマン ああ残念　当面は火力演習の的となる

DICE おいおいおい go humble おいあんちゃん go gamble 丁半も知らん唐変木 チンチロならションベンだぜ マジ勘弁　テンション下げ まず1勝 次は本気で来いよ Once again 今日の賭場はラップゲーム ショバ代を払っとけ Dead or Alive 降りんならとっとと払えよ ZionだろうがBabylonだろうが 財を成そうが滅びようが 要は賭け(Bet)だろうが

DOPPO 死に敵う救済なんて シニカルな冗談 商談相手にいつだって 媚び諂ってshit damn 疾患寸前ぐらいなら 失敗なんてノーカン 儲かっても無いけど まだ食えてるならいっか 一回や二回じゃ覚えらんない ルーティンワーク 雨���決行する結構なハードワーク 営業トークで隠された封印解く 日本刀のごとく突き刺す深く深く深く

CHORUS 騒乱動乱　ヒプノシスマイク 群雄割拠 Alternative Battle illなビート寄越しなDJ バチバチの捨て鉢　ぶちこんでくライム

エキシビションじゃない歴史上のBattle 格式容赦ない異次元の魔法 欲張りだぜ東西南北 分捕るまでぶっ放すぜ罵倒

Run & Gun　ヒプノシスマイク 蛮勇韻力 Alternative Rap Dopeなビート繋ぎなDJ たちまち奪うガチ　ぶちこんで詰める！

one for the treble two for the bass 痛いガキ死すともフローは死せず 韻の攻防は因果応報 分捕るまでぶっ放すぜ罵倒

奪い奪われても恨んでる暇はねえ Are you game for more？ Do you want more？

ROMAJI

ICHIRO Yo Yo Yo Play the game da ze Back again, yo katazu wo nomi na okosu ze fenominan omonen na menbaa sagen na tate feedaa (Let’s go) sakebu supiikaa de bukuro wo Big up

kono kuni wa ima ichido sentaku shikanai ze entaku no kishi ga kishi kaisei no tame ni gaisen ikansen jama bakka iya ni naru ze paisen (Let’s go) utae ansemu yamada ichiro ga sansen

SAMATOKI nachuraru hai de ikitta kuso gaki ga iccho mae ni maccho na koto itte machu nee? atitchuudo wa chi mo kooru zero.faarenhaito ware ni kaettemo sude ni Too late Mother Father Sister Brother ore-sama wa God Father kotodama butsukeru ze mazamaza to baiohazaado kyuu no wazawai da mada yaru ka

RAMUDA haatogata no kousen wo konsentoreeto choko de tsutsumu youshu iri kowa~i dainamaito! inner zone ni iri majiri aizou wo baizou saseru me! suru taishou hiroku yunisekkusu

ramuda no koto guruguru to nankai kangaechau? Love kanjou seisan suru nounai manifakuchaa amedama ga amai nante dame da kimetsukecha? tokubetsu na rekuchaa wa guchagucha ni chaamingu da yo?

JAKURAI sore wa ri ni kanau kurinikaru na sukiru kuritikaru na joukyou roubai shi pantomaimu nado wa kataku kinzu da ga susumu tantan to Time banzen to wa nanika towareteiru All Time

kowareteiru jintai namidame no kuranke buranketto ni kurumu furan suru itamashii furansu.rui juunanasei no itaike na tamashii kami yo subete no kodomotachi ni Mercy

CHORUS souran douran hipunoshisu maiku gunyuu kakkyo Alternative Battle ill na biito yokoshi na DJ bachibachi no sutebachi buchikondeku raimu

ekishibishon janai rekishijou no Battle kakushiki yousha nai ijigen no mahou yokubari da ze touzai nanboku bundoru made buppanasu ze batou

ubai ubawaretemo uranderu hima wa nee

Are you game for more? Do You Want More?

JIRO mujin no rimujin ni hi wo tsukete koppa mijin bachibachi ni moeteru ze ore wa fuujin raijin aun no kokyuu de Rollin’ Rollin’ nanika ni toritsukareta gorotsuki joudan nuki de kaki genkin no gobou nuki no sukiru wa monozuki kurai ja toutatsu dekin (Let’s go) korosu ki de kakatte kuru ga ii ga uchi no ichinii no deru maku mo nai you da

JYUTO hai hai hai uzai yozai tsu ka mukatsuku juukashitsu dasoku da ze sono mudasugiru raimu mohaya kuraimu shodou de douin suru ouin sou sa kidou sousatai no sutansu messou mo nai! moto mo ko mo nai mottomo na ippun nante nai nyuu nanbu no juudan ni kawaru nyuuron wo juurin suru maiku koumu shikkou bougai da ze toubu buttobu ga ii

GENTARO meiji taishou shouwa heisei reiwa enseiteki jidai koushou mane shi seinen wa eien naru paradaimu kara mo aragaeru poejii bukkyou de bukiyou na bungou no imeeji ryuukeichi kara ittouchi made denpa shite habikoru kono katsuji no suteeji ben wa tatsu gengaku shumi muchi moumai No mind ekurichuuru kouman na hana wo eguritoru

HIFUMI batoru mo aru imi sekkyaku gyoumu sekkaku dashi moriagetoku geemu wei to ka ittokya ii to ka nee? (wei!) daitokai ikiru entaateinmento entai ryoukin wa fuyou da ze menzu? benkai muyousa tsuke ni shite yan ze? kao wa naguran yo raimu demo sou tadashi anta no mentsu wa guchagucha desho?

CHORUS Run & Gun hipunoshisu maiku banyuu inryoku Alternative Rap Dope na biito tsunagi na DJ tachimachi ubau gachi buchikonde tsumeru!

one for the treble two for the bass itai gaki shisu tomo furoo wa shisezu in no koubou wa inga ouhou bundoru made buppanasu ze batou

ubai ubawaretemo uranderu hima wa nee

Are you game for more? Do You Want More?

SABURO saburo no deban nani shaberou? torima gurou shitoku maikurofon waakaahorikku na rikku de ubau fudoutoku na Flow shotoku fotosho shite kakikaeteku bukuro no buruupurinto Bring on Bring on kinkon kankon gimu kyouiku wo omae ni hodokoshite yarou ka? You know what? yuunou na boku no jogensa mazu wa bukuro no houritsu no jugyou da

RIO yousoro! saa youkoso omae no fuan youso no senjou no kiri shoukan ga meison riou benshouhou ni yori shouri wo michibiku doori wo ichiji ikku omae ni gunji shinan shinzeyou shinriteki shindoroomu tomonau shinsoko shindemo shinikiren hodo surikireru darou zentou you zento tanan da na jentoruman aa zannen toumen wa karyoku enshuu no mato to naru

DICE oi oi oi go humble oi an-chan go gamble chouhan mo shiran touhenboku chinchiro nara shonben da ze maji kanben tenshon sage mazu isshou tsugi wa honki de koi yo Once again kyou no toba wa rappu geemu shobadai wo harattoke Dead or Alive orin nara tottoto harae yo Zion darou ga Babylon darou ga zai wo nasou ga horobiyou ga you wa Bet darou ga

DOPPO shi ni kanau kyuusai nante shinikaru na joudan shoudan aite ni itsudatte kobihetsuratte shit damn shikkan sunzen gurai nara shippai nante nookan moukattemo nai kedo mada kueteru narai ikka ikkai ya nikai ja oboerannai ruutin waaku uten kekkou suru kekkou na haado waaku eigyou tooku de kakusareta fuuin toku nihontou no gotoku tsukisasu fukaku fukaku fukaku

CHORUS souran douran hipunoshisu maiku gunyuu kakkyo Alternative Battle ill na biito yokoshi na DJ bachibachi no sutebachi buchikondeku raimu

ekishibishon janai rekishijou no Battle kakushiki yousha nai ijigen no mahou yokubari da ze touzai nanboku bundoru made buppanasu ze batou

Run & Gun hipunoshisu maiku banyuu inryoku Alternative Rap Dope na biito tsunagi na DJ tachimachi ubau gachi buchikonde tsumeru!

one for the treble two for the bass itai gaki shisu tomo furoo wa shisezu in no koubou wa inga ouhou bundoru made buppanasu ze batou

ubai ubawaretemo uranderu hima wa nee

Are you game for more? Do You Want More

ENGLISH

ICHIRO YO YO YO! Let's play the game! Back again, yo Don't be scared, get up to this new phenomenon No backing down! No fade us out! (Let's go!) Shout it through the speakers, big up 'Bukuro! This country’s all washed up again The Knights of the Round Table have been revived Sorry senpai, but you best not get in our way Sing the battle anthem! It's Ichiro Yamada on the set!

SAMATOKI You think too high of yourself, damn brat. It’s almost natural. Acting all macho with the big dogs now, huh? My 0°F attitude's enough to freeze blood. Try to come back to me, it's already too late Mother Father Sister Brother, I'm the Godfather Samatoki These words'll crush you,  cause I'm a biohazard. So you still up to fight?

RAMUDA My heart-shaped beams will strike your through♡ Wrapped in chocolate and wine, it's scary dynamite! Both love and hate mix and explode in the inner zone! This punishment is unisex~ Hey, is Ramuda's cute face stuck inside your head yet~? Brains are manufactured to produce love, you know! Who says candy has to be sweet anyway? That's silly! My special lecture is chaos, let’s make a charming mess~!

JAKURAI Clinical skills are defined by logic Panicking and pantomining in critical situations, these are forbidden, though apathy and time never halt. I ask myself “what is perfection?” is all the time. The eroding human body, patient with teary eyes I swathed in blankets, they still decay.  How pitiful.The innocent soul of Louis XVII May God have mercy on his children

CHORUS Chaos and mayhem, Hypnosis mic! This means war! Alternative Battle! DJ, bring that ill beat! Crackling tension, rhymes are bullets! This ain't an exhibition! It's a historic battle! The brutal magic of this new dimension! Everyone here's greedy as hell! We're gonna rap you to death! No hard feelings, ain't no time for that! Are you game for more? Do you want more?

JIRO Set the limousine alight and blow it up! Let's burn it all up! I’m the God of both Wind and Thunder. The three of us, Rollin' Rollin'! Punks who fight us'll end up dizzy Seriously, you gotta bite harder than that if you wanna match my skill (Let's go!) It's aight if you're aiming for the kill, but this fight would be too easy for Ichi-nii!

JYUTO Yeah, yeah, all right! How annoying, shut your trap! You’re in for the arrest. It's ridiculous how useless your senseless rhyming can get! It's a crime in itself! Striking at the first sign of trouble, that is our criminal investigations department's stance! Absurd? No way! We can't afford mistakes or losses! Take this mic instead of a revolver, to fry your neruons! Obstruction of justice is a felony, you know? Don't blame me if I blast your head off!

GENTARO Meiji, Taisho, Showa, Heisei, Reiwa I'm but a copycat, looking back to every pessimistic era Writing poesies that resist even eternal paradigms, I create the image of a mad and bumbling wordsmith. This verbal stage spreads like an epidemic, from the depths of the slums to the royal palace Your manner of speech clearly indicates what an ignorant fool you are (No mind) This ecriture dictates my desire to gouge out that haughty nose of yours.

HIFUMI Battles are like a customer service, in a way As long as we're here, why don't we up this game? Nothing wrong with a little party and fun, hm? Let's enjoy some big-city entertainment. No need to pay the late charges guys, but your excuse is useless. It'll go on your tab. So no hits to the face, but let's settle this in rap. Though, your appearance is just a mess, isn't it?

CHORUS Run & Gun, Hypnosis Mic! The merciless rhyme, alternative rap! DJ, bring that dope beat! We'll beat you down before you know it! One for the treble! Two for the bass! Even if you knock us down, our flow's here to stay! Fight or flight, it's still your win or loss! We're gonna rap you all dead! No hard feelings, ain't no time for that! Are you game for more? Do you want more?

SABURO Saburo's turn, what should I say? For now, it's time to wreck ‘em with this microphone Workaholics earn their money through dirty work Photoshopped, rewritten, it's 'Bukuro's new blueprint. Bring on, bring on, ding dong ding dong Why don't I teach you a lesson, right here right now? You know what? Take it as a lesson from someone smarter than you. First off, how bout we talk about 'Bukuro's rules?

RIOU Keep the ship stead! Welcome, come on! I am the unstoppable force on the battle field. I'm Mason Riou. The path to victory is through sound logic and reasoning I move with the guidance of the military way. The psychological syndrome that afflicts your heart shall wear out your brain until you perish. Many difficulties lie ahead of you gentlemen. Unfortunately, you are my target and I’m opening fire.

DICE Oi, oi, oi, go humble! C'mon, let's go gamble! Don't know how, then I'll teach ya dumbass! Chinchiro's easy! Still can't play? Gimme a break! It's my win now, so come at me seriously next, got it? Today's a gamble! Fork over your bets! Dead or Alive, if you gonna call quits, hurry and pay up! Zion or Babylon, win or lose, it ain't matter! What matters is we bet it all!

DOPPO Salvation in the face of death, what a cynical joke Doing business means nothing but sucking up, shit damn If you're on the verge of collapsing, making mistakes is fine, I guess Sure, there's not much profit. But as long as you get paid, it's all good. Just doing it once or twice isn't enough for this routine work Rain or shine, it has to be done. It's pretty hard work. Hiding it on normal days, I'll unleash myself during sales talks. I'll stab through you with my blade, let it go deeper, deeper, deeper

CHORUS Chaos and mayhem, Hypnosis mic! This means war! Alternative Battle! DJ, bring that ill beat! Crackling tension, rhymes are bullets! This ain't an exhibition! It's a historic battle! The brutal magic of this new dimension! Everyone here's greedy as hell! We're gonna rap you to death!

Run & Gun, Hypnosis Mic! The merciless rhyme, alternative rap! DJ, bring that dope beat! We'll beat you down before you know it! One for the treble! Two for the bass! Even if you knock us down, our flow's here to stay! Fight or flight, it's still your win or loss! We're gonna rap you all dead!

No hard feelings, ain't no time for that! Are you game for more? Do you want more?

TRANSLATOR NOTES

Ichiro refers to the knights of the Round Table - 12 here, but the original numbers are something like 24, 36 or some even as 72.

Paisen - Another way of saying senpai, but for one you're much closer to/familiar with.

Samatoki's referal to himself as 'the Godfather' is related to how he brought up Ichiro's rap skills.

Jakurai uses the german word for patient/ill person, Kranke

Since these verses are shots at their rivals, Jakurai is addressing Ramuda in this verse. Louis XVII was a child king. Jakurai is asking mercy on Ramuda's soul because he's about to beat this kid to the ground.

Chinchiro is the game that Fling Posse played in the 2nd Drama Track and 4th Chapter of Side FP/M

Zion - synonym for Jerusalem. Babylon, once the largest city in the world - This line possibly refers to how Dice is risking it all with his bets. All or nothing.

Want more HypMic content? Catch our discord here: https://discord.gg/GFRESW5

[dogcoding]

i need to tell you that sekai wa ore wo matte ru touyou ichi no hataraki mono sa kinou wa bonbei ashita ha chienmai awata dashiku sekai wo kake ru heiwa to shiawase no shisha touyou karano ambassador^ kyou wa hoshi minato ashita ha jakaruta awata dashiku sekai wo kake ru hai , do ^ mo OBRIGADO mina yure te sora ni todoku hodo ni tobu daitan na oto no mahou no toriko ninacchimau afure dashi ta ura no semai douro kokoro toba shi te nobashi te WIDE hageshii noha

no thoughts only crazy ken band hama no ambassador

[libarygoldfish]

Repost from FB Page Mongolian life

https://www.facebook.com/539772672751220/posts/1654261251302351/?extid=YfljzmygII0HMOJX&d=n

Mulan was a Mongol

Yes, Mulan was a woman who disguised herself as a man to save her elderly father from going to battle. Yes, she was heroic and won high honors for her prowess in battle. So what's about the Disney version? Uniting China against the Huns/Mongols. In fact, Mulan did quite the opposite. She was a Mongol of the Toba tribe who drove the Chinese out of Mongol territories that had been occupied since Han Dynasty incursions.Her Mongol name is “Zambaga” in Mongolian.Zambaga is name of a flower(Magnolia)

the originial writing, Moku Araraki Shi ("Mulan Words" or "Mulan Expression") repeatedly refers to her ruler exclusively as the Great Khan (可汗) and never as "emperor". She lived in the Toba Khanate (拓拔魏汗) and fought aganst the ethnic Han Chinese Emperors of Yan (燕) from as early as 416 (probably not until 418) until she destroyed of the Yan Empire of China in 436.

The entire text of Moku Araraki Shi with English translation below:

唧唧復唧唧

木蘭當戶織

不聞機杼聲

唯聞女嘆息

Ji-ji, again ji-ji,

Mulan faces the door, weaving.

You can't hear the sound of the loom's shuttle,

You only hear Daughter's sighs.

問女何所思

問女何所憶

女亦無所思

女亦無所憶

They ask Daughter who's in her thought,

They ask Daughter who's on her memory.

"No one is on Daughter's thought,

No one is on Daughter's memory.

昨夜見軍帖

可汗大點兵

軍書十二卷

卷卷有爺名

Last night I saw the arny notices,

The Khan is calling for a great force.

The army register is in twelve scrolls,

and every scrolls has Father's name.

阿爺無大兒

木蘭無長兄

愿為市鞍馬

從此替爺征

Father has no adult son,

Mulan has no older brother.

Wish to buy a saddle and horse,

and serve in Father's place."

東市買駿馬

西市買鞍韉

南市買轡頭

北市買長鞭

In the East Market she buys a steed,

In the West Market she buys a saddle and saddle blanket,

In the South Market she buys a bridle,

In the North Market she buys a long whip.

朝辭爺娘去

暮宿黃河邊

不聞爺娘喚女聲

但聞黃河流水鳴濺濺

At dawn she bids farewell to Father and Mother,

In the evening she camps on the bank of the Yellow River.

She doesn't hear the sound of Father and Mother calling for Daughter,

She only hears the Yellow River's flowing water cry jian-jian.

旦辭黃河去

暮至黑山頭

不聞爺娘喚女聲

但聞燕山胡騎聲啾啾

At dawn she bids farewell to the Yellow River,

In the evening she arrives at the summit of Black Mountain.

She doesn't hear the sound of Father and Mother calling for Daughter,

She only hears Mount Yan's nomad horses cry jiu-jiu.

萬里赴戎機

關山度若飛

朔氣��金柝

寒光照鐵衣

She goes ten thousand miles in the war machine,

She crosses mountain passes as if flying.

Northern gusts carry sound of army rattles,

Cold light shines on iron armor.

將軍百戰死

壯士十年歸

歸來見天子

天子坐明堂

Generals die in a hundred battles,

Strong warriors return after ten years.

On her return she sees the Son of Heaven,

The Son of Heaven sits in the ceremonial hall.

策勛十二轉

賞賜百千強

可汗問所欲

“木蘭不用尚書郎

愿借明駝千里足

送兒還故鄉”

Merits are recorded in twelve ranks

And grants a hundred thousand strong.

The Khan asks her what she desires.

"Mulan has no use for a high official's post.

I wish to borrow a ten-thousand mile camel

To take me back home."

爺娘聞女來

出郭相扶將

阿姊聞妹來

當戶理紅妝

Father and Mother hear Daughter is coming

They go outside the city wall, supporting each other.

When Older Sister hears Younger Sister is coming

Facing the door, she puts on rouge, .

小弟聞姊來

磨刀霍霍向豬羊

"開我東閣門

坐我西閣床

When Little Brother hears Older Sister is coming

He sharpens the knife, quick, quick, for pig and sheep.

"I open the door to my east room,

I sit on my bed in the west room,

脫我戰時袍

著我舊時裳."

當窗理云鬢

對鏡貼花黃

I take off my wartime gown

And put on my old-time clothes."

Facing the window she fixes the cloudlike hair on her temples,

Facing a mirror she dabs on yellow flower powder

出門看火伴

火伴皆驚惶

同行十二年

不知木蘭是女郎

She goes out the door and sees her comrades.

Her comrades are all shocked.

Traveling together for twelve years

They didn't know Mulan was a girl.

“雄兔腳扑朔

雌兔眼迷離

兩兔傍地，

安能辨我是雄雌?”

"The male rabbit's feet kick up and down,

The female rabbit's eyes are bewildered.

Two rabbits running close to the ground,

How can they tell if I am male or female?"

[people-of-iwate]

Junko Toba of Rikuzentakata City -Guide at the Iwate Tsunami Memorial Museum- Opened on September 22nd, 2019, the Iwate TSUNAMI Memorial Museum is dedicated to the memory of the victims of the 2011 Great East Japan Earthquake and Tsunami, and will serve to pass on the lessons learned from this horrific tragedy. In order to convey how important it is to be prepared for natural disasters, the museum has hired a number of people to serve as guides in Japanese, English and Chinese. We wanted to know about their motivations in becoming guides, and figured a People of Iwate interview was in order.

“I was born and raised in Rikuzentakata, and I’ve never left. I experienced the disaster firsthand. It was so horrific. I had no idea what would happen to us next. I thought my whole city was done for. But in the midst of that despair, so many people from all over the world came to help us out. They supported us, gave us aid. I am so grateful for that, for the hope they gave us, and I want to tell as many people as I can. In the beginning, I thought, who’s going to care if a normal person like me just goes around saying thank you? But I had a chance to go to Nagoya in western Japan, to talk about the disaster, and I thanked those people from the bottom of my heart. They responded so well, that I knew I had to continue to talk about the disaster and thank everyone, in my own words.” Visit the Iwate Tsunami Memorial Museum Located within the Takata-Matsubara Tsunami Reconstruction Memorial Park Address: (029-2204) Iwate-ken, Rikuzentakata-shi, Kesen-cho, Dotekage 180 Japanese address: 〒029-2204　岩手県陸前高田市気仙町字土手影180番地 Google maps: https://goo.gl/maps/bQLeBzCnKoxnwCE76

TEL: 0192-47-4455 Website: https://iwate-tsunami-memorial.jp (includes English, Chinese, and Korean)

Hours: 9:00-17:00 (last entry at 16:30) Holidays: December 29th to January 3rd, as well as periodic maintenance days throughout the year

Social Media (Posts in Japanese and English) Facebook Twitter Instagram

How to get to Iwate Tsunami Memorial Museum -From JR Ichinoseki Station 1. At JR Ichinoseki Station, transfer to the JR Ofunato Line, and go to JR Kesennuma Station. (1 hr 20min) 2. At JR Kesennuma Station, transfer to the BRT line, a bus service that runs on the roads as well as the tracks left behind from a train line that was washed away by the tsunami. Ride the BRT line to Kiseki no Ipponmatsu Station (30 min).

*JR Ichinoseki Station is 2 hours away by shinkansen from JR Tokyo Station, 45 min away from JR Morioka Station by shinkansen, and 1 hour away from the JR Hanamaki Airport Station. Please refer to Hyperdia.com for train schedules.

[alxndrasplace]

1. The Odyssey (Homer, 8th Century BC) 2. Uncle Tom’s Cabin (Harriet Beecher Stowe, 1852) 3. Frankenstein (Mary Shelley, 1818) 4. Nineteen Eighty-Four (George Orwell, 1949) 5. Things Fall Apart (Chinua Achebe, 1958) 6. One Thousand and One Nights (various authors, 8th-18th Centuries) 7. Don Quixote (Miguel de Cervantes, 1605-1615) 8. Hamlet (William Shakespeare, 1603) 9. One Hundred Years of Solitude (Gabriel García Márquez, 1967) 10. The Iliad (Homer, 8th Century BC) 11. Beloved (Toni Morrison, 1987) 12. The Divine Comedy (Dante Alighieri, 1308-1320) 13. Romeo and Juliet (William Shakespeare, 1597) 14. The Epic of Gilgamesh (author unknown, circa 22nd-10th Centuries BC) 15. Harry Potter Series (JK Rowling, 1997-2007) 16. The Handmaid's Tale (Margaret Atwood, 1985) 17. Ulysses (James Joyce, 1922) 18. Animal Farm (George Orwell, 1945) 19. Jane Eyre (Charlotte Brontë, 1847) 20. Madame Bovary (Gustave Flaubert, 1856) 21. Romance of the Three Kingdoms (Luo Guanzhong, 1321-1323) 22. Journey to the West (Wu Cheng'en, circa 1592) 23. Crime and Punishment (Fyodor Dostoyevksy, 1866) 24. Pride and Prejudice (Jane Austen, 1813) 25. Water Margin (attributed to Shi Nai'an, 1589) 26. War and Peace (Leo Tolstoy, 1865-1867) 27. To Kill a Mockingbird (Harper Lee, 1960) 28. Wide Sargasso Sea (Jean Rhys, 1966) 29. Aesop's Fables (Aesop, circa 620 to 560 BC) 30. Candide (Voltaire, 1759) 31. Medea (Euripides, 431 BC) 32. The Mahabharata (attributed to Vyasa, 4th Century BC) 33. King Lear (William Shakespeare, 1608) 34. The Tale of Genji (Murasaki Shikibu, before 1021) 35. The Sorrows of Young Werther (Johann Wolfgang von Goethe, 1774) 36. The Trial (Franz Kafka, 1925) 37. Remembrance of Things Past (Marcel Proust, 1913-1927) 38. Wuthering Heights (Emily Brontë, 1847) 39. Invisible Man (Ralph Ellison, 1952) 40. Moby-Dick (Herman Melville, 1851) 41. Their Eyes Were Watching God (Zora Neale Hurston, 1937) 42. To the Lighthouse (Virginia Woolf, 1927) 43. The True Story of Ah Q (Lu Xun, 1921-1922) 44. Alice's Adventures in Wonderland (Lewis Carroll, 1865) 45. Anna Karenina (Leo Tolstoy, 1873-1877) 46. Heart of Darkness (Joseph Conrad, 1899) 47. Monkey Grip (Helen Garner, 1977) 48. Mrs Dalloway (Virginia Woolf, 1925) 49. Oedipus the King (Sophocles, 429 BC) 50. The Metamorphosis (Franz Kafka, 1915) 51. The Oresteia (Aeschylus, 5th Century BC) 52. Cinderella (unknown author and date) 53. Howl (Allen Ginsberg, 1956) 54. Les Misérables (Victor Hugo, 1862) 55. Middlemarch (George Eliot, 1871-1872) 56. Pedro Páramo (Juan Rulfo, 1955) 57. The Butterfly Lovers (folk story, various versions) 58. The Canterbury Tales (Geoffrey Chaucer, 1387) 59. The Panchatantra (attributed to Vishnu Sharma, circa 300 BC) 60. The Posthumous Memoirs of Bras Cubas (Joaquim Maria Machado de Assis, 1881) 61. The Prime of Miss Jean Brodie (Muriel Spark, 1961) 62. The Ragged-Trousered Philanthropists (Robert Tressell, 1914) 63. Song of Lawino (Okot p'Bitek, 1966) 64. The Golden Notebook (Doris Lessing, 1962) 65. Midnight's Children (Salman Rushdie, 1981) 66. Nervous Conditions (Tsitsi Dangarembga, 1988) 67. The Little Prince (Antoine de Saint-Exupéry, 1943) 68. The Master and Margarita (Mikhail Bulgakov, 1967) 69. The Ramayana (attributed to Valmiki, 11th Century BC) 70. Antigone (Sophocles, c 441 BC) 71. Dracula (Bram Stoker, 1897) 72. The Left Hand of Darkness (Ursula K Le Guin, 1969) 73. A Christmas Carol (Charles Dickens, 1843) 74. América (Raúl Otero Reiche, 1980) 75. Before the Law (Franz Kafka, 1915) 76. Children of Gebelawi (Naguib Mahfouz, 1967) 77. Il Canzoniere (Petrarch, 1374) 78. Kebra Nagast (various authors, 1322) 79. Little Women (Louisa May Alcott, 1868-1869) 80. Metamorphoses (Ovid, 8 AD) 81. Omeros (Derek Walcott, 1990) 82. One Day in the Life of Ivan Denisovich (Aleksandr Solzhenitsyn, 1962) 83. Orlando (Virginia Woolf, 1928) 84. Rainbow Serpent (Aboriginal Australian story cycle, date unknown) 85. Revolutionary Road (Richard Yates, 1961) 86. Robinson Crusoe (Daniel Defoe, 1719) 87. Song of Myself (Walt Whitman, 1855) 88. The Adventures of Huckleberry Finn (Mark Twain, 1884) 89. The Adventures of Tom Sawyer (Mark Twain, 1876) 90. The Aleph (Jorge Luis Borges, 1945) 91. The Eloquent Peasant (ancient Egyptian folk story, circa 2000 BC) 92. The Emperor's New Clothes (Hans Christian Andersen, 1837) 93. The Jungle (Upton Sinclair, 1906) 94. The Khamriyyat (Abu Nuwas, late 8th-early 9th Century) 95. The Radetzky March (Joseph Roth, 1932) 96. The Raven (Edgar Allan Poe, 1845) 97. The Satanic Verses (Salman Rushdie, 1988) 98. The Secret History (Donna Tartt, 1992) 99. The Snowy Day (Ezra Jack Keats, 1962) 100. Toba Tek Singh (Saadat Hasan Manto, 1955)

[fujiwara57]

Insei 院政  "loi du cloître”

L'Insei 院政 - "loi du cloître" désigne le système de "gouvernement retiré" des anciens empereurs qui, bien que s'étant officiellement mis à la retraite et étant devenus moines bouddhistes, continuaient dans les faits à exercer le pouvoir.

Durant l'ère Heian 平安時代 (0794 -1185), le gouvernement était aux mains du clan Fujiwara-shi 藤原氏, qui s'était maintenu au pouvoir via des mariages avec la famille impériale.

Fujiwara no Michinaga 藤原道長 (0966-1028), était le grand-père de trois empereurs, le père de six impératrices, et le grand-père de sept autres épouses impériales. En qualité de régent il a contrôlé le gouvernement du Japon de 1016 à 1028 à la place des empereurs en titre.

Fujiwara no Tadamichi 藤原忠通 (1097-1164) a été régent des empereurs :

Toba (74) 鳥羽天皇 (1103-1156)

Sutoku (75) 崇徳天皇 (1119-1164)

Konoe (76) 近衛天皇 (1139-1155)

Go-Shirakawa (77) 後白河天皇 (1127-1192)

Pendant la rébellion de Hōgen no ran 保元の乱 (1156), Tadamichi se rangea aux côtés de l'empereur Go-Shirakawa. Le nom de la rébellion correspond à l'ère Hōgen 保元.

En 1087, l'empereur se mit à la retraite afin d'échapper à l'influence du régent Fujiwara no Morozane 藤原師実 (1042-1101), inaugurant ainsi le système de l’insei. Durant ce temps, les "empereurs cloîtrés" - portant les titres d’In 院, ont réellement régné pendant que se succédaient des empereurs sur le trône. En abdiquant ainsi en faveur de leurs fils, en se retirant dans des temples ou des monastères, et en s'entourant d'une cour d'aristocrates efficaces et n'appartenant pas au clan Fujiwara, ils récupéraient le vrai pouvoir. 

Appelés In no Chō 院庁, les bureaux des empereurs retirés pouvaient continuer à édicter ses ordres  qui étaient appliqués en lieu et place de celles de l'empereur en titre. Les empereurs cloîtrés avaient aussi leur propre armée, le Hokumen no Bushi 北面の武士. La création de cette armée a conduit à la montée en puissance du clan Taira-shi 平氏.  

Du fait des nombreuses abdications au cours du XIIe siècle, il y eut parfois plusieurs empereurs cloîtrés en même temps. Dans ce cas, le plus ancien portait le titre de Chiten 治天 et gouvernait réellement. Il est important de comprendre que le Chiten n'était pas au pouvoir au lieu de l'empereur en exercice, mais il exerçait son pouvoir de patriarche de la famille impériale. 

Cependant, à la mort de Toba et avec la rébellion de Hōgen no ran 保元の (1156), ce n'en n'était pas moins un exemple d'opposition directe entre l'empereur et l'empereur retiré (1). Ce titre fut porté par trois empereurs retirés qui couvrent la quasi-totalité de l'existence de l'insei :

L'empereur Shirakawa (72) 白河天皇 (1053-1129, r. 1073-1087, In 1087-1129)

L'empereur Toba (74) 鳥羽天皇 (1103-1156, r. 1107-1123, In 1129-1156)

L'empereur Go-Shirakawa (77) 後白河天皇 (1127-1192, r. 1155-1158, In 1158-1192) La fin de l'Insei de Go-Shirakawa a été marquée par la guerre civile de Gempei kassen 源平合戦 et la montée de Minamoto no Yoritomo 源頼朝 (1147-1199) comme premier shōgun 将軍 de Kamakura 鎌倉.

(1)  Sutoku-tennō (75) 崇徳天皇 (1119-1164 r. 1123 - 1142), succéda à son père Toba-tennō, mais fut contraint par ce dernier à céder le trône à son frère cadet Konoe-tennō (76) 近衛天皇 (1139-1155 r. 1142 - 1155). Quand Konoe mourut, à 17 ans, il fomenta, avec l'ancien Ministre de la Gauche Fujiwara no Yorinaga 藤原頼長 (1120-1156), dit le Mauvais, la rébellion de l'ère Hōgen 保元 (1156). Vaincu, il fut exilé dans la province de Sanuki no kuni 讃岐国 dans l'île de Shikoku 四国.

[haberihbarhatti]

DERGİ - Dünyayı biçimlendiren 40 hikâye

Tüm haber ve son dakika gelişmelerini Haber İhbar Hattı ile anlık takip edin! Haber için önce http://www.haberihbarhatti.com/2018/dergi-dunyayi-bicimlendiren-40-hikaye/5247/

DERGİ - Dünyayı biçimlendiren 40 hikâye

BBC Kültür, farklı ülkelerden yazarlara başvurarak kuşaktan kuşağa aktarılan, kıtaları aşan ve toplumu değiştiren hikâyeleri seçmelerini istedi.Nisan ayında yapılan ankette yazarlar, insanların düşüncelerini şekillendirdiği ve tarihi etkilediğini düşündükleri beş hikâye seçti. 35 ülkeden 108 yazar, akademisyen, gazeteci, eleştirmen ve çevirmenin sunduğu listenin ilke100’e giren eserleri belirlendi. Bu liste, kimileri artık konuşulmayan 33 farklı dilden roman, şiir, masal ve oyun içeriyordu. Listede, Homeros’un Odysseia destanı ilk sıraya yerleşti. Tom Amca’nın Kulübesi, “dünyayı biçimlendiren hikâye” tanımını herkesin farklı yorumladığını gösteriyordu. Homeros’un destanı kuşaklar boyunca aktarılırken, Harriet Beecher Stowe’un 1852’de yazdığı bu roman “ABD’de yaygın okunan ilk siyasi içerikli roman” olarak övgüye değer bulundu. Frankenstein, 1984, Parçalanma adlı romanlar da ilk beşe girdi. Burada iki kadın yazar yer alırken, ilk 100’e giren eserlerin 23’ü kadın yazarlara ait.

En fazla ismi anılan yazarlar ise kişi başına üç hikâye ile Shakespeare, Virginia Woolf ve Franz Kafka oldu. Yüz klasik arasına giren hikâyeler arasında dünya çapında az bilinenler de var. Örneğin Upton Sinclair’in Chicago Mezbahaları romanı etkili olmuş, gıda güvenliği ile ilgili federal yasaların çıkarılmasına ön ayak olmuştu. Saadat Hasan Manto’nun Toba Tek Singh romanında ise “Hindistan ile Pakistan’ın ayrılması sonrasında sınırdan delilerin transferi öyküsü ile iki ülkenin bölünmesinin neden olduğu travma anlatılıyor.Bu elbette nihai bir liste değil; bazı hikâyelerin neden uzun ömürlü olduğu ve yüzyıllar ve bin yıllar sonrasında bile nasıl yankı bulduğu konusunda bir tartışma başlatıyor daha çok. Ve bu hikâyeleri paylaşmak neden temel güdülerimizden biri: Bu öyle bir güdü ki bölünmüşlükleri aşmaya, değişime, hatta devrime yol açabiliyor.

��lk 40’a giren hikâyeler: (100 eserin tamamını görmek için buraya tıklayın)1. Odysseia (Homeros, MÖ 8. yy)2. Tom Amca’nın Kulübesi (Harriet Beecher Stowe, 1852)3. Frankenstein (Mary Shelley, 1818)4. 1984 (George Orwell, 1949)5. Parçalanma (Chinua Achebe, 1958)6. Binbir Gece Masalları (çeşitli yazarlar, 8-18. yy)7. Don Kişot (Miguel de Cervantes, 1605-1615)8. Hamlet (William Shakespeare, 1603)9. Yüzyıllık Yalnızlık (Gabriel García Márquez, 1967)10. İlyada (Homeros, MÖ 8. yüzyıl)

11. Sevilen (Toni Morrison, 1987)12. İlahi Komedya (Dante Alighieri, 1308-1320)13. Romeo ve Juliet (William Shakespeare, 1597)14. Gılgamış Destanı (yazarı bilinmiyor, MÖ 22-10. yy)15. Harry Potter (JK Rowling, 1997-2007)16. Damızlık Kızın Öyküsü (Margaret Atwood, 1985)17. Ulysses (James Joyce, 1922)18. Hayvan Çiftliği (George Orwell, 1945)19. Jane Eyre (Charlotte Brontë, 1847)20. Madam Bovary (Gustave Flaubert, 1856)

Telif hakkı WIKIMEDIA COMMONS

Image caption

Ezop Masalları

21. Üç Krallığın Hikayesi (Luo Guanzhong, 1321-1323)22. Batı’ya Yolculuk (Wu Cheng’en, 1592)23. Suç ve Ceza (Fyodor Dostoyevksy, 1866)24. Gurur ve Önyargı (Jane Austen, 1813)25. Su Kenarı (Shi Nai’an, 1589)26. Savaş ve Barış (Leo Tolstoy, 1865-1867)27. Bülbülü Öldürmek (Harper Lee, 1960)28. Geniş, Geniş Bir Deniz (Jean Rhys, 1966)29. Ezop Masalları (Ezop, MÖ 620-560)

Telif hakkı WIKIMEDIA COMMONS

Image caption

Moby Dick listede 40. sırada yer alıyor.

30. Candide (Voltaire, 1759)31. Medea (Euripides, MÖ 431)32. Mahabharata (Vyasa, MÖ 4. yy)33. Kral Lear (William Shakespeare, 1608)34. Genji’nin Hikayesi (Murasaki Shikibu, 1021 öncesi)35. Genç Werther’in Acıları (Johann Wolfgang von Goethe, 1774)36. Dava (Franz Kafka, 1925)37. Kayıp Zamanın İzinde (Marcel Proust, 1913-1927)38. Uğultulu Tepeler (Emily Brontë, 1847)39. Görülmeyen Adam (Ralph Ellison, 1952)40. Moby-Dick (Herman Melville, 1851)Bu haberin İngilizce aslını BBC Culture sayfasında okuyabilirsiniz. Diğer dergi haberlerine buradan ulaşabilirsiniz.

kaynak: DERGİ – Dünyayı biçimlendiren 40 hikâye

Anadolu Ajansı, DHA, İHA tarafından geçilen tüm yerel haberler bölümünde Haberihbarhatti.com editörlerinin hiçbir editoryal müdahalesi olmadan otomatik olarak ajans kanallarından geldiği şekliyle yer almaktadır. Bu alanda yer alan haberlerin hepsinin hukuki muhatabı haberi geçen websiteleri ve ajanslardır.

Görüş, öneri ya da şikayetiniz paylaşmak isterseniz, İletişim Formunu doldurarak bize ulaştırabilirsiniz. En kısa sürede değerlendirip size geri döneceğiz.

Tüm gelişmelerden haberdar olmak için Facebook sayfamızı takip edin!

Kaynak: http://www.haberihbarhatti.com/2018/dergi-dunyayi-bicimlendiren-40-hikaye/5247/

[shinsengumi-archives]

Kumebe Masachika

Kumebe Masachika isn’t a well-known Shinsengumi member. Very little is known about him but I thought I should write him anyway just because like Hijikata Toshizou he too attempted to create an independent nation. He was born on April 17, 1841 in Settsudai-saka and joined the Shinsengumi in the first year of the Keiou on May. He was a Coporal and acted as an Army Scout. He too fought in Toba-Fushimi and returned to Edo in January. He fought along with Saitou Hajime (then known as Jirou Yamaguchi) in Buddha Hall on September and was mistakenly thought to have died. However he was able to escape and got in contact with some kindred minds from Mito. There he decides to go to Hachijo island for the sake of building an independent country along with Ikeda Shichisaburou (another Shinsengumi member). However they were caught in October Meiji 1 and was sent to the penitence group (I’m unsure if this is the same Penitence group Saitou belonged in perhaps not). After serving his sentence as a POW he is escorted to Tokyo and serves the army. In the 12th year he is a first lieutenant and retires from the army in the 19th year. Kumebe dies in Sendai-shi Miyagi on September 25, 1910.

Here is a picture of him…

[glancenews]

I'm done with my quota of small roles: Nawazuddin Siddiqui

By Ranvir S. Nayar

IANS

(16:10)

Cannes, May 16 (IANS) Having risen from an actor who began his career with small bits in various films, Nawazuddin Siddiqui has clearly reached a point where he has shown not only his versatility, but also the ability to hold films on his own. The actor, who will be seen playing writer Saadat Hasan Manto and late Shiv Sena supremo Bal Thackeray in separate films, says he's done with cameos. Here for his film "Manto", which features in the Cannes Film Festival's Un Certain Regard section, Nawazuddin was all praise for the film's director Nandita Das' "impeccable research". He shies away from naming a favourite director or even sharing his wish list. "If I take names, the others will feel bad about it. As an actor, I only look at stories, script and most importantly my character in the film. There is also a selfishness that works and I think it's quite normal that I look for characters that will challenge me and push me to the limits," Nawazuddin told this correspondent. He is clear that there is no room for any more cameo appearances for him. "No, I will not do it anymore (laughs). It's as simple as that, why will I do them? I am done with my quota of small roles," he said. Nawazuddin is also venturing into production, taking on projects such as "Manto" as a co-producer. "There are some upcoming films that I am co-producing as well. My brother is very much into this doing the scouting for me. I definitely want to produce films as well," he said. He rules out exploring foreign shores for roles, saying he is content with India and the diversity of roles he is getting to do. "For the time being, I am satisfied that all my directors in India are giving me characters that are pretty challenging and I am happy doing those. "Just for the sake of a branding that I am an international star, I would not do that. How many films in the world are like 'Manto'? Very few. So, I have no such predetermined affiliation for international projects. I am proud of Nandita and a film like this is no way less than any international film." On him getting typecast, Nawazuddin said: "I think it's completely a wrong conception. If I am doing (playing) Bal Thackeray and Manto at the same time, how can one say that I am typecast? The Bollywood heroes are typecast, they do the same thing all their life and they are never asked these questions. "Now the films made in India are allowing actors like us to step in the shoes of lead characters and that makes us versatile. So, those who are still doing this (stretches his hand) are typecast, not me," he said. The heavy downpour that accompanied the interview perhaps reflected the emotional response of the viewers to "Manto" at the screening here in Cannes. The actor says the period film clearly touched a chord with the audience at Cannes. "I have seen people crying in the audience, there were people who came out with a very satisfied face. And the best part was I think the film has tried to hit the conscience of people very hard. There were many who came up to me and said that the film was very well timed," Nawazuddin said. That should not be surprise as the film's director, Nandita, has always found a warm reception at Cannes, where she has had her films screened and also been a part of the jury. Nawazuddin said a lot of hard work and impeccable research has gone into the making of "Manto", which was not the typical rapid production in Bollywood style. He compliments his director's attitude towards the script and the film. "See when Nandita told me that the film is just not the stories of Manto but his life as well, I was hooked to it. "Manto's life in itself is very interesting. This was perhaps four years back and we tried all these years to make the concept that she was building come true. I just understood that this character will let me achieve a lot and will take away a lot of things that I always wanted to give as an actor. "Nandita's research was impeccable and what I got in my hands was almost half baked. It was a pleasure working with her," he said. On his own preparation for the role, he said he had already read Manto's stories and had also enacted one of them, which made it easier for him to cast himself in the role. "I am not a writer, so I can only behave like a writer...It's not possible to be a writer. What I could do was create an impression of a writer on-screen. I have tried to that. I have always tried to portray the ground reality of a character whenever I acted. "Manto's writing in itself is depiction of truth in every form and Nandita has always told us to exercise that in our performances. Not only had I, but each one of us tried not to be a cliche when portraying their parts in the film. I can't specifically say one I like all the stories of Manto. "I read them and I love them. I had done 'Toba Tek Singh' maybe twenty years back, so I relate to it. Otherwise, stories like 'Khol Do', 'Kali Salwar' or 'Thanda Gosht' are all my favourites."

--