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lucky-clover-gazette · 3 months

Text

kings rising highlights & annotations

chapter 3

indented text is from the book. some quotes have commentary, some do not. some comments are serious, and some are definitely not. most of them will only make sense to people who have read the series. and, like, there are spoilers. so please read the books first if you're interested!

also: part of the reason i'm doing such a close reading is to study cs pacat's style, especially in terms of how she does romance and erotica. there are "craft notes" that might seem weird, like i'm being redundant or restating something rather than analyzing, but those are more things that i want to remember/take away from the writing!

i'm going to tag these longer posts with "sam reads capri" in case anyone wants to read them all at once.

this is a google doc i wrote with overall content warnings for the captive prince series. it's not perfect, but i do think it's important to include.

The Regent’s forces were rivers of darker red, driving inroads into their lines, mingling their armies together, like a stream of blood hitting water, then diffusing.

He killed, and it was simply that men got out of his way, or were dead.

He had grown used to something that had been temporary, like the flash of exhilaration in a pair of blue eyes for a moment catching his own. All of that tangled together inside him, and tightened, through the killing, into a single hard knot.

something about the way this is written just hits me in the abandonment issues

‘If the Prince of Vere shows himself, I will kill him.’ Nikandros half spat the words.

nik private twitter venting moment #2

The ground was wet, his legs were mud-spattered above his knees—mud in dry summer, because the ground was blood.

i don’t know man i feel like after a point you have to just be like. hey. why are we doing this again? like yeah i get that fighting in a military force can be for A Cause but unless you’re directly involved in enacting ideological change, aren’t you basically just cannon fodder

On the far side of the field, he saw the flash of embroidered red. That is how Akielons win wars, isn’t it? Why fight the whole army, when you can just—

i’m guessing the part in italics in a previous laurent line, about damen killing auguste at marlas?

He used the little name that Damen had been called as a boy; the childhood name, reserved for intimates.

the fact that is was kastor specifically asking the veretians to call him that…

Damen realised that he was on his knees, his own chest heaving like the chest of his horse.

laurent’s horse will be glad to know that damen’s horse lived. because, as we all know, they’re in love

‘Over?’ The word grated out of him. All he could think was that if the Regent still lived, nothing was over.

it is interesting how, even when he thinks laurent screwed him over (see previous chapter), damen has this uncontrollable rage towards the regent rather than laurent. i think this has more to do with the regent killing his men and trying invade his country, though. and maybe just that it’s easier to hate him than laurent. “regent = bad” is something that’s easy for damen to comprehend right now, while laurent’s whole thing is a lot more confusing and intimate

And with returning awareness, he saw as if for the first time the bodies of the men that he had killed to get to the Regent’s decoy, and beyond that, the evidence of what he had done. The field was a rutted earthworks strewn with the dead. The ground was a churned mess of flesh, ineffective armour and riderless horses. Killing ceaselessly, for hours, he had not been aware of the scale of it, of what he had caused to happen here. He saw flashes behind his eyelids, faces of the men he’d killed. Those left standing were all Akielon; and they stared at Damen as at something impossible.

damen holy shit… i guess that’s one way to reclaim your authority. and he didn’t even mean it as a sign of intimidation, he just wanted to get to the “regent.” who by the way was just some random guy RIP

‘Find the highest-ranked Veretian still living and tell them they have leave to bury their dead,’ said Damen. There was a fallen Akielon banner on the ground beside him. ‘Charcy is claimed for Akielos.’ As he rose, Damen wrapped his hand around its wooden pole and planted it in the earth.

not sure if calling it an akielion victory despite the combined forces is just customary, or intentionally out of spite. i’m leaning on the former, since it’s damen and not laurent we're talking about

The herald came cantering across the devastated landscape on a white, glossy mare with a curved neck and a high, flying tail. Beautiful and untouched, he made a mockery of the sacrifice of the brave men on the field. His banner streamed out behind him, and its blazon was Laurent’s starburst, in blue and shining gold.

here is an excerpt from a post i made while reading king’s rising for the first time:

“damen when he realizes he’s not in a slow burn romance with problematic beginnings, but a complex psychological thriller in which the smartest fictional character i have ever personally encountered has decided to make his life a living hell and also they’re in love with each other but the psychological thriller stuff is way more important to his bitchy blonde nightmare malewife and he is SO down bad and just has to deal with laurent’s mean girls 4d chess petty nonsense bc it’s enrichment for him and damen will kill anyone who gets in laurent’s way and he can’t even pick up the very very VERY clear implications of laurent’s trauma that would probably allow them to reach some kind of vulnerability equilibrium in their relationship”

on a re-read, i think this is a great time to dig into that a little more ;)

SO what i love about so much of laurent’s choices in the next few chapters is the fact that much of what he says and does is entirely petty. like, yes there’s always strategy and trauma and depth as usual, but i think it’s not denying him depth to say that he is 20 years old, this is his first love in the midst of an extremely stressful and messy situation, and despite his own wishes he cannot prevent his emotions from affecting his actions. laurent has had control over so much of the situation with damen thus far, both with the power dynamics between them as master and “slave” and the fact that damen didn’t know that laurent knew who he was. but now laurent knows that damen knows, so all of his previous and future actions are going to be under damen’s scrutiny in that context. they’re equals now, and the secrets reinforcing laurent’s prior cognitive dissonance have dissolved. that leaves laurent vulnerable (especially after being tortured and genuinely letting damen down even if by accident) and emotional compromised (he has no choice but to see damen as damianos, and with that comes all of the auguste baggage and the fact that they’ve already fallen in love and had sex under different circumstances).

all that is to say, the next few chapters are laurent’s mean girls era. he is, again, still being smart and strategic (4d chess), and his feelings are valid and his trauma is real. however, he is also just being MEAN, for the same reasons classic high school movie mean girls tend to be: he feels insecure and vulnerable about his romantic attachment to damen, stressed out by the insane amount of power he definitely should not have, and self-righteous about all the ways the world has conspired against him. regina george might have been the villain of the movie, but she was the hero of her own story. janis and cady methodically dismantled her life as a popular, powerful, and confident person. that’s why she got revenge with the burn book instead of looking inward and acknowledging her own issues, of which there were many. she had a machiavellian view of life, in which mean people always won, and so being mean in retaliation was how she could protect herself from being a victim.

that is laurent’s perspective too, for a lot of this series. we don’t know anything about regina’s backstory, or heather chandler’s (another great example), but we do know exactly why laurent has the worldview he does. he used to be sweet and it made him a victim. so he is mean to protect himself, even if that robs him of his sweetness. damen’s integrity and honor have challenged laurent’s worldview, though, and that has been the source of a lot of laurent’s slow reconsideration. but now that laurent can’t just pretend that damen isn't damianos, now that he has to accept this situation in its full interpersonal and political messiness, he isn’t nearly as inspired. laurent assumes, now that laurent has gone “mask off,” that damen will realize that laurent doesn’t deserve the love he has shown him in the past. because laurent has been mean to damen, by lying about his awareness even at the times damen thought he was being earnest and sweet. that makes damen a victim and fool—two things laurent deeply fears being, and therefore assumes everyone else also fears in themselves. two things the regent had wanted laurent to consider himself, by placing damen in his life in the first place.

therefore, in his insecurity and vulnerability and anger, as a 20 year old just experiencing his first love, as someone with a lot of power and stress who cannot waste time or energy on genuinely confronting his own flaws in good faith, laurent is gearing up to be sososososo mean to damen specifically in the next few chapters. like comedically mean. aimlessly mean. pathetically mean. on purpose. ultimately, if he must be alone (which he obviously must, says laurent's brain), laurent would rather be the villain of someone else’s story than a victim in his own. that, at least, is similar to book 1 laurent—but while he was a cat playing with a mouse in book 1, in a position to do serious damage to his opponent, now he’s more like…. a cat, slapping another cat. evenly matched, but still throwing hands. transparently insecure and pathetic, only effective in doing emotional damage in ways he doesn’t intend. damen isn’t hurt by the petty things laurent says and does, because he sees through them for what they are. he’s hurt because laurent sees them as necessary to protect himself and keep his distance, when all damen wants is to make things okay between them. which laurent would never expect, because he assumes that damen wants nothing to do with him, and would be happier and better off if they stayed apart.

basically: unstoppable force (damen's persistent caring) meets unmovable object (laurent's refusal to be genuinely cared for). the only way for this cycle to end is for damen to choose to stop, or for laurent to choose to yield. laurent will eventually make that choice, but he still has to be a huge bitch about it first. he's going to lash out at damen and challenge him to stop caring, but ultimately fail—both because damen is just built different, and because he's lowkey written as a fantasy partner for emotionally volatile people with attachment and abandonment issues.

rest assured, laurent’s genre is still psychological thriller, but it’s also now a high school drama movie. and damen is about to get a bitter taste of that, with pretty much no choice in the matter. this poor man will have to deal with laurent’s bitchy theatrics as they try to co-parent an army, and he’s already too emotionally invested and aware of laurent’s habit of lashing out when he’s in pain to genuinely fight back.

this could also be called laurent’s s1 catra era, but i’m not sure what the venn diagram of capri and she ra enjoyers looks like. to those who get it—laurent is doing what catra did at princess prom for the next several chapters, down to the “hey adora” = “hello lover.” this dynamic is very fun to read because it doesn’t overstay its welcome. it’s different from laurent in book 1, or catra in general, because it’s so clearly pathetic, damen and laurent are on the same side of the war, and damen could technically make it stop at any point. so i think it’s very very fun, while it lasts >:)

The herald reined in in front of him. Damen looked at the mare’s shiny coat, not dirt-covered, not heaving or darkened with sweat, and then at the herald’s livery, in immaculate condition, unflecked by the dust of the road. He felt it rising at the back of his throat. ‘Where is he?’

damen showed up to the prom laurent planned with him to unite their rival high schools, only to find himself dateless and laurent’s promised fancy party decorations missing. this is the moment where damen checks snapchat (i was in high school from 2013-2017) and sees everyone from vere high at their own immaculately-decorated prom, where laurent is being crowned king. little does damen know, laurent was blindsided by the vere-only prom and forced via social pressure to be there since everyone elected him prom king. they’re mad at each other for a high school drama pacing-typical period of time, and then make up when they realize the misunderstanding and reassert their dedication to each other.

laurent did still murder someone with a chair, though. but like a metal folding chair from the band room

The herald’s back hit the ground. Damen had dragged him bodily from his horse into the dirt, where he lay dazed and winded, with Damen’s knee in his stomach. Damen’s hand was around his neck.

His grip tightened before it opened enough to allow the herald to speak. The herald rolled onto his side and coughed as Damen released him. He pulled something from inside his jacket. Parchment, with two lines on it. You have Charcy. I have Fortaine. He stared at the words, written in familiar, unmistakable handwriting. I’ll receive you at my fort.

lamen hr complaint #5 (unnamed herald): ragdolling this guy over what should be impersonal, professional correspondence

also, because i can't help myself:

Fortaine eclipsed even Ravenel, powerful and beautiful, its towers high-flung, its jutting crenelles biting the sky. It rose to a sheer, impossible height and, from every vantage, it was flying Laurent’s banners. The pennants seemed to float on the air effortlessly, patterned silk in blue and gold.

WELCOME HOME, BROTHER KILLER

Rows upon rows of peaked, coloured tents were pitched on the field outside Fortaine’s walls, the sun lighting the pavilions, the banners, and the silks of a graceful encampment. It was a city of tents, and it camped a fresh, intact force of Laurent’s men, who had not fought and died through the morning. The constructed arrogance of the display was intentional. It said, exquisitely: Did you exert yourself at Charcy? I have been here examining my nails.

this is funny and i wouldn’t put it past laurent, but also i’m not sure if he like. really meant this part of it specifically to piss damen off. he was just tortured idk he probably just wanted things nice. a good part of the fun of lamen divorce era is remembering that damen’s interpretation of events isn’t necessarily accurate, and that it’s hilarious how he interprets things as petty personal slights even when they might not be. they’re both so obsessed with each other and it’s great

Nikandros reined in alongside him. ‘Uncle and nephew are alike. They send other men to do their fighting for them.’

nik tweets this verbatim on priv (#3)

Damen was silent. What he felt in his chest was a hardness like anger. He looked at the elegant silken city and thought about men dying on the field at Charcy.

but not exactly anger—betrayal? heartache? self-consciousness?

Some kind of herald’s greeting party was riding towards them. He gripped the Regent’s bloody, torn banner in his hand.

the phrase “greeting party” just made me imagine them rolling up with like confetti and a speaker blasting the celebration song. while damen holds the bloody torn banner

‘Just me,’ said Damen, and put his heels into his horse. About halfway across the field, he was met by the herald, who arrived with an anxious party of four attendants saying something urgent about protocol. Damen listened to four words of it. ‘Don’t worry,’ said Damen. ‘He’s expecting me.’

lamen hr complaint #6 (more unnamed heralds): disregarding protocol

(also “he’s expecting me” girlllll)

Without even pulling off his gauntlets, he strode to the tent. He knew its high scalloped folds; he knew the starburst pennant. No one stopped him. Not even when he reached the tent and dismissed the soldier at the entrance with a single order: ‘Go.’ He didn’t bother to see if his order was obeyed. The soldier let him through: of course he did; this had all been planned. Laurent was ready for him whether he came docilely behind the herald or, as he did now, the dirt and the sweat of the battle still on him, blood dried in the places where a cursory swipe with a cloth had not reached it. He swept the tent flap back with an arm, and stepped inside.

again i do have to question, beyond the drama, how much of this is as intentional and petty as damen thinks it is. like, the heralds literally cite protocol, damen knows this is the correct way for a camp to be run. i think he is assuming a lot here, although it’s reasonable to do so. we have seen in the past that damen assumes things of laurent that laurent is just like, “uh. not everything i do is on purpose” about, or damen is just WRONG about. i just wonder if damen’s approach here confirms things laurent was worried about (damen thinking poorly of him now that they’re on even ground), further fueling the fire of his rejection-sensitive bitchiness. not that it’s an excuse, or even undeserved, but it’s good to remember that there are two sides to the story.

like to damen, this is an angry post-battle rush of a moment to confront laurent and speak his truth (he doesn’t know laurent knows who he is), but to laurent this is like. post-torture and escape, and basically being thrown into the deep end of vulnerability with damianos and what this all implies to auguste’s memory. we’re not getting the best or most rational version of either of them right now, which is great for the drama but also makes the narration less reliable

This was the place Laurent had chosen.

right. damen thinks laurent chose this place to hear the truth about him, because the “you have charcy” note implies that at some point laurent probably figured out that damen is damianos. therefore laurent chose this occasion for them to meet each other, as they truly are by birth, for the first time. damen just doesn’t know the twist that laurent has always known who he’s been, and has chosen everything else before now with that knowledge too

There were a few furnishings, low seats, cushions, and in the background a trestle table hung with its own coverings, and set with shallow bowls of sugared pears and oranges. As though they were going to nibble at sweetmeats.

the same guy who ordered the “sorry you were given a severed head and discovered a suicide” fruit basket in prince’s gambit had to order a “sorry i gaslighted you for 2 books but not really because you also technically gaslighted me” fruit basket in kings rising

He lifted his gaze from the table to the exquisitely attired figure leaned with a single shoulder against the tent pole, watching him.

lucky number laurent lean #13!

Laurent said, ‘Hello, lover.’

It was not going to be simple.

this being the follow-up line to “hello lover” is such a good combination of funny and tension-building. like laurent’s cunty tableau immediately put out damen’s fiery righteous indignation and now he’s just like “oh this is going to suck.”

He made himself breathe through that. ‘Your men think you’re a coward. Nikandros thinks that you deceived us. That you sent us to Charcy, and left us there to die by your uncle’s sword.’ ‘And is that what you think?’ said Laurent. ‘No.’ Damen said, ‘Nikandros doesn’t know you.’

this is really a testament to pacat’s cleverness, how in chapter 1 there are a lot of moments where it’s almost like damen is directly saying he thinks laurent screwed him over—nikandros and the herald saying it and him not disagreeing, him accepting the reality that laurent is not going to show up—but he never does truly say that he thinks the abandonment was on purpose. because he didn’t, and he doesn’t, which makes sense. but he’s still angry and confused and also just concerned about how laurent is taking the “news” that he’s damianos. how much of damen’s anger about laurent’s composed appearance is projection of his anxiety about laurent seeing him as he truly is, a powerful authority figure in his own right who just won a battle against insane odds?

it’s so ambiguously written that it’s almost like pacat WANTS us to spiral. which i did, and will probably continue to do, so well-played. these books are like evil catnip to anxious overthinking theater people with attachment issues and an interest in understanding complex fictional situations to cope with the fact that real life never makes enough sense. also kinky gays but let's be real that's just a trojan horse for the other stuff

‘And you do.’ Damen looked at the arrangement of Laurent’s weight, the careful way he was holding his body. Laurent’s left hand was still casually resting against the tent pole. Deliberately, he stepped forward, and clasped Laurent’s right shoulder. Nothing, for a moment. Damen tightened his grip, and ground in with his thumb. Harder. He watched Laurent turn ashen. Finally, Laurent said, ‘Stop.’

proving that he knows laurent well enough to pick up from his posture alone exactly where he’s been injured. also they’re both so messy, like let’s put pressure on each other’s literal and figurative wounds instead of just talking about our misconceptions and feelings, awesome

He let go. Laurent had wrenched back and was clutching his shoulder, where the blue of his doublet had darkened. Blood, welling up from some newly bandaged, subterranean place, and Laurent was staring at him, his eyes oddly wide. ‘You wouldn’t break an oath,’ said Damen, past the feeling in his chest. ‘Even to me.’

damen proving to himself, and proving to laurent, that he knows that laurent didn’t screw him over, and instead was injured and failed to show up. laurent is shocked by how quickly damen picked up on this. also ow

He had to force himself back.

he doesn’t want to see laurent in pain, or know that he’s causing it :( which is especially unfortunate given the conversation they’re about to have about damen murdering laurent’s brother

Laurent didn’t answer. He still had a hand clutched to his shoulder, his fingers sticky with blood. Laurent said, ‘Even to you?’

“you wouldn’t break an oath, even to me” (“even to me” being a sort of freudian slip, meaning “i killed your brother, and i’ve known that this whole time and i haven’t told you, and you have a good reason to hate me for that”) “even to you?” (to damen’s incomplete understanding: “well i know who you are now, and if i’d known before i would have broken every oath to you i’ve ever made”)

He made himself look at Laurent. The truth was an awful presence in his chest.

babygirl it’s about to get so much awfuller

He thought of the single night they had spent together. He thought of Laurent, giving himself, dark-eyed and vulnerable, and of the Regent, who knew how to break a man.

damen totally sees laurent as his “victim” right now, set up well by him re-opening laurent’s physical wound. damen fucked this man while knowing that he (damen) killed his (laurent’s) brother, and put trust in him. if they were normal, or this was a normal story, that’s where the confrontation would end. it would be that simple—damen didn’t mean to hurt laurent but still did, and laurent has to forgive him for that, and forgive himself for being fooled—and then it would get tearfully resolved because they love each other so much that it doesn't matter. but they are not normal, and this is not a normal story, so…

Outside, two armies were poised to fight. The moment was here, and there was nothing he could do to stop it. He remembered the Regent’s constant suggestion: Bed my nephew. He had done that, wooed him, won him. Charcy, he saw, hadn’t mattered to the Regent. It hadn’t meant anything. The Regent’s real weapon against Laurent had always been Damen himself.

damen thinks the regent’s plan had been to weaken laurent by putting him in circumstances where he’d unknowingly make himself vulnerable with his brother’s killer, triggering him emotionally and destroying his judgment. i'm pretty sure that this was basically his intention, but had also made sure that it would also torture laurent even if he did recognize damen on the spot.

personally i think the regent knew that laurent knew in book 1 through observing his reaction, but had planned for both possibilities in advance. what he hadn't expected, though, was for laurent and damen to start genuinely working together instead of against each other. this happens early as the thing with patras, and really pops off during the botched assassination attempt.

charcy was meant to drive a wedge between them, to correct the regent's previous miscalculation. and given the inevitable truth damen must now reveal, there's nothing he can really do to stop laurent from being upset.

‘I’ve come to tell you who I am.’ Laurent was so keenly familiar, the shade of his hair, the strapped down clothing, the full lips that he held tense or cruelly repressed, the ruthless asceticism, the unbearable blue eyes. ‘I know who you are, Damianos,’ said Laurent. Damen heard it, as the interior of the tent seemed to change, so that all of the objects in it took on a different shape. ‘Did you think,’ said Laurent, ‘I wouldn’t recognise the man who killed my brother?’

the way i YELLED during my first read. i remember even like posting something before, like “oh my god damen just tell him put this poor man out of his misery,” and then after i got to this part i immediately went and deleted that post

Each word was an ice chip. Painful, sharp; a shard. Laurent’s voice was perfectly steady.

do you think he practiced this?

‘I knew in the palace, when they dragged you in front of me,’ said Laurent. The words continued, steady, relentless. ‘I knew in the baths when I ordered you flayed. I knew—’

he definitely practiced this

‘At Ravenel?’ said Damen.

“you knew when you kissed me and let me fuck you????”

‘If you knew,’ said Damen, ‘how could you—’ ‘Let you fuck me?’ His own chest hurt, so that he almost didn’t notice the signs of it in Laurent, the control, the face, pale at any time, now white.

he almost didn’t notice the signs, which means he still totally did. because even now, damen is attentive and caring towards laurent

‘I needed a victory at Charcy. You provided it. It was worth enduring,’ Laurent spoke the terrible, lucid words, ‘your fumbling attentions for that.’

LIARRRRRRR

It hurt so much it took the breath from his throat. ‘You’re lying.’ Damen’s heart was pounding. ‘You’re lying.’ The words were too loud. ‘You thought I was leaving. You practically threw me out.’ He said it, as the realisation blossomed inside him. ‘You knew who I was. You knew who I was the night we made love.’

tbh i think this kind of realization would make me have a panic attack on the spot. also do you think this is the kind of betrayal he’s been trying so hard to avoiding confronting, coming from kastor and jokaste? but here he has no choice to confront it, because laurent is forcing him to understand the depths of the deception. no avoiding it now

He thought of Laurent surrendering, not the first time, but the second, the slower, sweeter time, the tension in him, the way he had— ‘You weren’t making love to a slave, you were making love to me.’

very true, but laurent isn’t ready to deal with it. he can’t keep up the cognitive dissonance in the present, but that doesn’t mean he’s about to accept that it was real in the past. instead he’ll just lash out.

And he couldn’t think that through clearly but he could catch a glimmer of it, a glimmer of the edge of it. ‘I thought you wouldn’t, I thought you’d never—’

OF COURSE damen suspected, at some points, that laurent knew. but this tells us that he’d ultimately dismissed the notion because it would have been insane for laurent to kiss and fuck him, while knowing his real identity. “i thought you wouldn’t, i thought you’d never—“

this is similar to how i thought about it during my first read—i suspected for all of book 1, and some of book 2, but then figured that the story was taking a different direction because how the hell could the plot points of “laurent knows who damen is” and “laurent makes himself vulnerable to damen and does a romance/sex about it” possibly be compatible? laurent, a deeply traumatized and self-protective person, wouldn’t and would never. except i underestimated laurent’s capacity for self-delusion, and overestimated the amount of control he truly has over his emotions and impulses, beneath all the posturing. damen, here, is recognizing that he’s made similar miscalculations, and now he’s seeing laurent as he truly is. they’re both seeing each other, truly, for the first time.

‘Laurent, six years ago, when I fought Auguste, I—’ ‘Don’t you say his name.’ The words were forced out of Laurent. ‘Don’t you ever say his name, you killed my brother.’

i like the simplicity of this. just the plainness of “you killed my brother.” laurent’s language is so often clever and cagey and embellished, but that last sentiment is raw and informal, and what we the reader are probably screaming in our heads. because yeah, holy shit, damen killed laurent’s brother. it’s a pretty hard thing to argue against, or ignore. “you lied to me” “you killed my brother” “you flogged me” “you killed my brother” “you forgot to do the dishes” “you killed my brother”

Laurent was breathing shallowly, almost panting as he spoke, his hands rigid on the edge of the table behind him.

his practiced words are saying one thing, but his body is very obviously having a panic attack. this scene isn’t nearly as much of a laurent mean girl moment as it seemed during a rushed first read. that’s actually kind of a relief to me, bc it made me sad to interpret him as so heartless and unfazed the first time around. even if “hello lover” is an iconic moment, it’s a performance more than anything else. and pacat shows us this sooner than i recalled or first perceived. she’s not torturing us, the reader, as much as she’s torturing both damen and laurent. and it’s not even like a lazy misunderstanding kind of torture, this is genuinely complicated and they’re both in the wrong and they both are justified in this pain and hurt. i just couldn’t see that as well the first time, having binged like all of book 2 already and having no idea what would happen next and honestly just being shocked and betrayed and compelled by the massive mislead with laurent’s awareness of the situation

‘Is that what you want to hear, that I knew who you were and I still let you fuck me, my brother’s killer, who cut him down like an animal on the field?’

you know he doesn’t, laurent, that’s just what you’re telling yourself now that you’re forced to confront it. you started this scene with “hello lover” and your prepared speech, hoping to destroy damen emotionally, but once again you’ve just kinda played yourself. maybe just cool it with the emotional gambits for now, when it comes to damen, bc they only really seem to come back and hurt you (oh fuck he can’t hear me)

‘Shall I ask you how you did it? What he looked like when your sword went in?’ ‘No,’ said Damen.

laurent, shaking, pale, looks like he’s about to pass out: “you bastard, tell me about how you murdered my brother as i think about the fact that i let you fuck me in a similar way, go ahead just make it hurt more”

damen, not a therapist but still emotionally intelligent enough to know this isn’t really about punishing him: no, i don’t think i will. can you like sit down

‘Or shall I tell you about the illusion of the man who gave me good counsel. Who stood by me. Who never lied to me.’ ‘I never lied to you.’

that italicized “i” is interesting. is it an accusation of laurent’s own lying and hypocrisy, or a specification that damen never directly told laurent he wasn’t damianos? given damen’s well-established integrity, i’m guessing it’s the first option. again with the mutual moral arbitration. and damen wouldn’t want to take such a weak a cop-out as “well i never technically said it,” it’s just not typical of his character.

The words were awful in the silence that followed them. ‘“Laurent, I am your slave”?’ said Laurent. He felt the breath forced out from his lungs.

of course laurent takes it as the second option, though, and implies that by swearing himself to laurent and then bedding him damen was directly lying about his identity. because to laurent, damen =/= damianos. a slave can’t be a prince. so damianos, the prince, must have been intentionally lying about being damen, the slave. and that’s actually easier, and less painful, and less complicated to accept than any kind of nuanced alternative.

‘Don’t,’ he said, ‘talk about it like—�� ‘Like?’ ‘Like it was cold-blooded; like I controlled it. Like we didn’t both close our eyes and pretend I was a slave.’ He made himself say the exposing words. ‘I was your slave.’

he’s right. nothing much to add here. damen wasn't just literally laurent's slave, he had devoted himself emotionally as well, and he's admitting it here despite the fact that it makes him vulnerable—something laurent is too much of a (traumatized, understandable) coward to do himself. i love damen's characterization so much

‘There was no slave,’ said Laurent. ‘He never existed. I don’t know what manner of man stands before me now. All I know is that I am facing him for the first time.’ ‘He is here.’ His flesh ached as if he had been prised open. ‘We are the same.’

this gives us some insight to laurent’s actions in book 1—not necessarily excusing them, but making them fit better into what we’ve since learned about his moral code. it ties things together, which isn’t the same as making them simpler or easier to like. pacat is very very VERY good at establishing continuous moral ambiguity in her characters, and does not rush the slow burn of making ends meet. so when she does eventually begin to connect things, it’s satisfying, because it hasn’t been all been spelled out the whole time so readers don’t have to think for themselves. this, in reference to a lot of the series’s more problematic themes, is exactly why i think people end up seeing capri as apologism or glamorization. but by claiming that, i also think they’re exposing themselves as impatient, shallow, and (sorry) simply lazy.

but i don't just want to be reductive and uncharitable, because that would be shallow and lazy too. to be perfectly clear, i honestly can't blame people for disliking this series, and not being willing or able to have patience and understanding for its more problematic elements. this series is marketed as romance/erotica. it started as indulgent kink fic. it ended up evolving into its current state during its development—and i'm really glad it did, but that doesn't change the fact that so much of its marketing and premise imply certain things that it doesn't quite deliver. and if you look up the series today, as it's still being published years after its completion, it's still marketed in a way i find somewhat misleading. to the extent that when i picked it up, it was in an intentional attempt to expand my own horizons—i wanted to challenge myself with indulgent shameless problematic porn/romance, as opposed to the weak-ass "enemies" to lovers running rival bakeries gay romance novels with canva covers that haven't worked for me in the past. the logic was basically, "well, if i don't like romance on that side of the scale, maybe i'll like the opposite extreme, or at least learn more about what i don't like." and i did feel pretty challenged during book 1, to the point that for a while i only kept reading out of morbid curiosity and vague horniness rather than any genuine expectation of depth or satisfying storytelling. it was only around the assassination scene in book 1 that i started to see the book as something capable of more depth and intrigue than just like kinky debauchery, and it pretty much just snowballed from there. and as someone who frequently reads about these dark topics in other genres and contexts, i was familiar enough with the things happening on the page to at least stomach them and push foward.

however, if i was coming at the series from a different place—like if i loved cozy romance and had very little familiarity with reading about these topics—i can see the first book especially being very blindsiding and distressing, and not wanting to engage with it further. that's not laziness, it just means that the book wasn't for me.

and the nuance doesn't end there. one of the things i love most about this series is that, even if i was just looking for shameless slavekink porn and decidedly did not want to rise to the occasion of depth or thematic exploration, i would also walk away unsatisfied. because the truly problematic shit in these books is not shameless at all, and indulgence never comes without a cost. there are a few distasteful moments that make me roll my eyes, and the garden scene definitely prompts a Conversation—but as a whole, i think pacat is very aware of the moral implications of these themes. and i also think she's perfectly aware of the fact that many people get off on them.

this series almost feels like an accidental study of, like, the psychological implications of being a person compelled by dub-con and problematic kink, finding a sort of gratification in situations where those things ar kind of inevitable (like they are for damen in book 1). AND this is made even more complicated and brave by the fact that laurent is, very relevantly, a victim of serious sexual assault. like, as hot as some of the scenes in this book are, i really don't think it makes itself easy for people to just uncritically get themselves off to. it doesn't encourage shame, but it does encourage introspection. and a lot of people simply don't read erotica and romance to introspect. (couldn't be me though. if it isn't clear, i love the laurent of vere "having insane mindfucking sex fully clothed across the room" approach to eroticism).

i feel like it's actually kind of funny that i specifically got here, as a person who almost always reads books that force dark introspection, and assumed that this erotica/romance book would be mindless, but ended up with gestures vaguely instead. for me, coming across this series and realizing what it truly is was an incredibly happy accident. but for others, i completely understand how it could be the exact opposite, and it's not lazy or shallow to realize that you misunderstood what you were getting yourself into and step away.

what is lazy and shallow, though, is to either DNF and review based on those misconceptions, or keep reading simply to fuel your own disdain and discomfort. ultimately, i think that the true error of people who walk into capri wanting shameless porn or untroubling romance is the fact that they keep reading, even when it becomes clear that the book isn't doing that. and then they decide to evaluate the book based on expectations and standards that aren't the ones the author or fans have for the work itself. people seem to take out their anger towards the SUBJECTS of slavery or rape in fiction themselves on capri, rather then the way capri specifically portrays them. either because they fucking stopped reading the book and just wanted to go on a tangent on the topics in general, or hate-read to confirm their own pre-existing bias.

my point is, nobody has to read things that trigger or upset them, and it's okay to just pass on fictional stuff that makes you feel bad or frustrated. aspects of this series made me feel bad and frustrated, even on re-read, but i enjoy the intellectual and emotional exercise of exploring those feelings and better understanding the true meaning and purpose of the art. but there are certain topics in other works of fiction that i'm unwilling to explore, which would cause me to simply stop reading, and if asked for a review i'd just say that i'm not the right person to say. and there have been many times where i've continued reading a book, hoping it would change directions, and ended up just being like, "yeah, that wasn't for me," and moving on.

the exchange "there was no slave, he never existed" "here is here, we are the same" is almost a meta-commentary on the reception of the series as a whole. it would be dishonest to deny how this series started, and some of the themes and subjects it intentionally confronts. you can't say "there was no slave [kink], [it] never existed" because the narrative proceeded to be more of a commentary on kink rather than an uncritical display of it. kink, and dark topics in fiction in general, do all have depth, and while they might not be for everyone, they are for someone. exploring that depth is entirely optional, and i understand why people with certain experiences don't want anything to do with that exploration. but our personal tastes don't change the fact that subjects like slavery and rape exist, and that reality is inseparable from the stories that come from it. ultimately, the choice is whether we're willing to take that specific reality thoughtfully on, or else just walk away.

the people i have the hardest time with are the ones who choose neither of those options. like, what do you even get out of continuing to read something that you're unwilling to explore in good faith, or that you straight-up hate? just read something else. we only have so much time in the day. stop wasting yours, and stop wasting the time of people who actually enjoy the thing with your useless bad-faith criticism. sorry this tangent has totally departed from the chapter itself, but that really is what pisses me off so much about current-day online book culture. like, i'm thinking about all of those smug-looking booktubers making 2 hour videos called "i read [name of book that doesn't appeal to the lowest common denominator of people] so you don't have to." i know how long it takes to read books thoughtfully, and then to write, film, and edit videos. maybe stop wasting your own time and dig into something you love instead, or even try to make your own thing, and just hope that some smug asshole on the internet doesn't decide to do to your work what you've done to other people's work. but no, lazy cynicism and appealing to the easy gimmick of cringe is way more profitable, i guess. and it makes you less vulnerable to people criticizing work that came from your soul, because the work you're creating is completely soulless.

anyway. i wonder what kind of totally normal things damen and laurent are up to in the chapter i'm annotating

‘Kneel then,’ said Laurent. ‘Kiss my boot.’

"if you really are still a slave, even though we both know you’re a king, then do a demeaning slave thing right now"

He looked into Laurent’s excoriating blue eyes. The impossibility of it was like a sharp pain. He couldn’t do it. He could only gaze at Laurent across the distance between them. The words hurt. ‘You’re right. I’m not a slave,’ he said.

can’t indulge in the kink anymore by circumstantial necessity, but i’m sure they’ll find something even weirder to do instead on purpose

‘I am the King.’ He said, ‘I killed your brother. And now I hold your fort.’ As he spoke, Damen drew out a knife. He felt rather than saw all of Laurent’s attention swing to it. The physical signs were small: Laurent’s lips parted, his body tensed. Laurent didn’t look at the knife. He kept his eyes on Damen, who looked right back at him. ‘So you will parley with me as with a king, and you will tell me why you called me here.’ Deliberately, Damen tossed the knife onto the floor of the tent.

okay this is just extra of him, but i mean laurent got to do “hello lover” so damen deserves to be dramatic too as a treat. i also like what this symbolizes, as opposed to their previous knife moments. as defined by their stations, they don’t have a power imbalance anymore, and they don’t have a reason to be enemies. they are a prince and a king, not a master and a slave. they are military allies, teaming up against the regent. any power imbalance and beef they have now is emotional, complicated, and abstract, nothing clear-cut (haha) enough to be represented by an instrument of simple violence like a knife. and damen summarizes this perfectly, in the context of their previous knife moments, by viscerally reminding laurent of those encounters and then just tossing the thing across the room.

honestly, i bet laurent feels jealous of the clever performative gesture. and maybe a little turned on, too, despite the horrors. that’s a fun reversal.

‘Didn’t you know?’ said Laurent. ‘My uncle is in Akielos.’

yeah, he got a really good all-inclusive deal at the akielion sandals resort and needed a vacation after all of the murder and [redacted]

#sam reads capri #capri #captive prince #kings rising #laurent of vere #damen of akielos #lamen #i go on a long rant about capri's reputation and current day book reviewer culture in this one

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