#to the point where there aren't any more stories to tell if that makes sense

[fuckyeahisawthat]

Controversial opinion among Dune book fans maybe, but I loved the changes they made to Chani's character. Making her a fedaykin who is already an experienced fighter before Paul arrives was a brilliant choice. Dune Part Two is a war movie, and this puts her at the center of the action, side by side with Paul, and gives her a much more active role than she has in the book.

We got a hint of where things were going in the beginning of Dune Part One. The first thing we ever know about movie Chani is that she's a fighter. She serves as a voice for the Fremen, telling us the story of their struggle from her point of view. I wrote here about the difference this change makes compared to other adaptations of Dune, what a perspective shift it is to have the world of Arrakis introduced not by an outsider, describing it as a dangerous but valuable colonial prize, but by one of its native inhabitants, who tells us before all else that it's beautiful, her home that she's fighting to liberate. I am so, so glad that the second movie followed up on this characterization.

I never found Chani and Paul's love story in the book particularly convincing, because why would this woman, who already has a prominent and respected place in Fremen society, even give the time of day to her deposed would-be colonizer, let alone fall in love and have children with him? Without a compelling reason for Chani to love Paul, she ends up feeling like a prize to be won, and "indigenous culture personified as a woman to be wooed (or conquered) by the colonizing man" is a trope we've seen and don't need to repeat.

But as soon as you tell me it's a barricade romance I get it. Cool cool cool, I know exactly what this relationship is now and it makes sense. Movie Chani doesn't respect or even particularly like Paul when she first meets him, and she doesn't think he's the fulfillment of any prophecy. She comes to respect him, and eventually love him, through his actions. He's brave--sometimes recklessly so. He fights well. He's willing to stick his neck out on the front lines with the other Fremen fighters. He can (after a little help) hack surviving in the harsh desert environment. He's not too proud to learn from others. He seems to genuinely want to be her equal in a common political struggle. All these qualities make sense as things she values.

Fighting side by side as equals is just about the only way I can see movie Chani falling for Paul. And it fits perfectly with the film's pattern of reversals that Paul's capacity for violence would initially be one of the things Chani likes about him, only for her to be repelled later when she sees what he becomes.

And as for Paul, well, he's had people deferring to him his entire life. Someone who doesn't take any shit from him is probably refreshing. He seems to like people (Duncan, Gurney) who challenge him and engage in a little friendly teasing--and aren't afraid to go a few rounds in the sparring ring.

It's easy to speedrun a romance when you're spending all your time together in mortal danger fighting for a shared political cause. Especially if you then start winning in a war your people have been fighting for decades. Are you kidding me? That is the perfect environment for intense battle camaraderie to turn into romantic love, and lust.

It makes sense that this version of Chani never believes Paul is any kind of messiah. Of course a character like movie Chani wouldn't believe in or trust some outside savior to liberate them. She's been working to liberate her own people for years. The more Paul invokes the messianic myth, the more he starts sounding once again like someone who plans to rule over them, and the more uncomfortable Chani becomes. In this way she becomes a foil to Jessica, the two of them representing the choices Paul is pulled between. It's a great way of externalizing the political and philosophical debates that often happen within characters' heads in the book.

And of course this version of Chani would leave Paul at the end of the film. It's not just the personal, emotional betrayal--although that stings. What common cause does she have with someone who just declared himself emperor and is sending her own people off in a war of conquest against others? Given the important role she plays in Dune Messiah, I am super curious to see how they get her back into the story, but girl was so valid for being willing to just gtfo. Given that she has the last shot of the whole movie, I'm sure she'll be back somehow, and I can't wait to see what they do with her character in any future installments.

[ambermeh]

During a car video

head cannons for Matt, Nick and Chris

Matt:

⋆ So Matt would be driving and him being in the front seat is a bit of a problem if you aren't sat next to him. If Chris is in the front (because it makes sense for the video) I can just imagine Matt reaching his hand back to hold yours from time to time. Just to feel a bit closer to you.

⋆ When he is around you he speaks more. He wants to make you laugh, and he also knows that if he speaks you're more likely to and he can also ask you questions and stuff just to hear you and get you more engaged in the conversation

'hey didn't you have a story from the other day y/n?'

'oohhh yeah that was so weird so this guy...'

⋆ Would make sure that they got your favourite food when they could for the car videos. There is nothing more fun to Matt than watching his girl getting all excited and happy for food

⋆ Any weird things happening when they are recording then he is out of that parking lot in a flash because he's not risking your safety for a video

⋆ After he's dropped the others off, the two of you just go for an intimate little drive where you two just share some food and talk (and have a little make out session)

'fuck sweetheart, you look so pretty riding me'

Nick;

⋆ This is his time to shine, like Matt all he wants to do is to make you laugh (and he succeeds every time). I feel like he would be a bit more quieter than usual just because he is more for listening to you and not just telling his stories.

⋆ Chris, you and Matt would gang up on Nick and just bully him, in a loving way of course.

'Y/N you are supposed to be on my side'

'sorry nick, but Matt had a point'

⋆ The amount of treats that Nick has packed away in the back is unreal, he is just pulling out everything from ice cream and doughnuts. Every time he does the look on your face just gives him the feeling of wanting to do it again.

⋆ because the two of you are in the back, there will definitely be some teasing going on, Nick or you giving each other certain looks or his hand getting a bit too high up your knees.

'Nick stop the video will pick it up'

⋆ He gets you to film the outro because he says he wants there to be more edits of you

⋆ After the video, the two of you just go to bed and laugh about some of the stories you had told.

Chris;

⋆ He will have given you a top of his to wear and honestly would have been drooling over you the entire time

'Chris can you look any where other than me for three seconds'

'nah ma you look too good in my top jus' want you to bend over the seat' he whispered in your ear, while you glared and blushed, looking at him smirk.

⋆ Makes Nick go in the front so you two can be in the back

⋆ every comment is literally about how in love Chris is with you, he does not stop giggling and blushing when you two look at each other

⋆ becomes even more talkative because he just talks about what the two of you have been up to

⋆ On the way back, Matt gives you the aux and when chris hears you playing one of the songs he likes he will be so proud

'y/n this is from my playlist'

'yeah thought it was really good'

'that's my girl'

⋆ After the video is filmed, this man is having soft sex with you while expressing the love he has for you in his clothes

(thank you @enchanthings for the divider)

[leonenjoyer69]

After sitting half finished for forever, I finally present Lanyon's Mindscape!

I spent quite a while coming up with everything and developing things in a way that connected very heavily to Lanyon's character (as well as Elias's) for my Lanyon Takes the Potion AU, so I'm very happy to finally share it! I mentioned it a while ago on the QnA with @arythusa , but here's the whole long summary!

I have a reason for each and every detail and choice, so if you have any questions, leave them in the reblogs or comments and I promise you I would LOVE to answer them :3 also, reblogs would be very appreciated, I put a lot of work into this <3

Now, let's begin!

The Mindscape

A twisting mansion of halls, doors, and spiraling staircases, Lanyon's mindscape is a vast, extravagant space.

Most of the mindscape has an inherent purple hue; grand chandeliers also bathe the upper, more "frequented" areas in a golden light. However, the deeper you travel, the more sparse these golden lights become.

Lanyon doesn't have the same odd "compartmentalization" abilities that Jekyll does, leaving his mindscape much messier and more confusing, with very little of it being any sort of "organized". Furthermore Lanyon hasn't ripped himself down to a shell of a person like Jekyll has; nor does he suffer from the same self hatred as Jekyll and Hyde, making his mindscape much more lively.

Residents of the mindscape include mind versions of: Jekyll, Everly, Lanyon Sr., Lanyon's mother (though she acts as more of a ghost,) the shadow people, and the Nightmares™.

THE ROOMS AND LAYOUT

THE HALLS

The halls are long and confusingly twisty, covered in unmarked doors, blurry portraits, and golden chandeliers, as well as other occasional decorations and clutter. There are very few doors that actually stand out enough to know they're special, like the ballroom, greenhouse, library, alchemy room, and Lanyon Sr's office. Most of the special rooms are near the surface, never moving, as their influence on Lanyon's character and memories are too strong to be moved from near the subconscious.

Memories, however, do tend to shuffle around a bit, even moving between floors depending on how much Elias or Lanyon is thinking of it. This shuffling has the ability to bring nightmares up from deeper levels to the more "safe" ones.

Many of the halls tend to lead in circles or straight into dead ends, and some doors simply lead to more hallways.

THE POCKET WATCH

To combat the twisting and turning, Elias eventually realizes that his "broken" pocket watch acts more like a compass, pointing him in the general direction of where he wishes to go. Mindkyll also has a pocket watch like this, being one of the more mobile mind people (despite his slight limp.)

The pocket watch has the normal larger clock face, as well as a smaller one for "seconds". The hands all spin aimlessly until a destination is thought of. The hour and minute hands work together for general direction like a compass, while the seconds tell the level, with straight up/forward being a higher level, down being a lower level, and horizontal being the current floor. Elias only figured this out with Mindkyll's help.

Elias, Lanyon, and Mindkyll all have an inherent attachment to their given watches, and when they're in other hands or removed from their persons, they feel more lost and confused, as if they have brain fog.

THE LIBRARY

Lanyon spends a decent bit of his free time reading and watching plays and productions, so it only makes sense for him to have a grand library filled with the fleeting memories of these pasttimes.

The bookshelves are oppressively tall, and despite the number of books and scripts, most of them aren't quite readable, since their words have been at least partially forgotten. However, there are a decent few books that are mostly filled out, namely favourite stories or plays he's ingested, old school books (thanks to Jekyll's influence,) and partially filled out journals or phrases that stuck with him, either from other people or things he's told himself.

Additionally, there is a reading nook with a fireplace in one of the corners, since reading is a comfort he hasn't abandoned.

THE MUSIC ROOM

The music room is a cozy space with a few chairs, a fire place, a grand piano, other various instruments, and sheet music strewn and hung about. There's also a couple of paintings, but they're covered mostly in music sheets. One of the other notable instruments is a violin, though it doesn't get used until Elias comes around.

This room is where Mind Everly spends most of her time, when not in the greenhouse, of course. Most of the music pieces are either nonsensical, or genuine ones that the real Everly has played for Robert.

This room becomes a sort of safe space for Elias after certain...events.

THE BALLROOM

The ballroom is a large, extravagant 2 story room. The floor/lower space has walls lined with windows, bringing a golden light to the whole room. However, nothing can be seen on the other side of the windows. Pillars sit between a few of them, holding up a large, wrap-around balcony-- I.e the second floor. The lower space also has a large circular design in the middle of the floor.

The second floor also has windows, as well as a few doors-- one of which leads into Lanyon Sr's office, since Lanyon viewed the tie between his fathers work and status so strongly, both becoming his whole life.

Because of how much of Lanyons life was built around balls and gatherings, the room is filled with shadowy upper class folk, all with somewhat blury features. They tend to act quite mindlessly, seemingly at least somewhat under Mindkyll's Beck and call, but they do dance together and murmur nonsensical, unsettling things to each other. They don't say anything that can be made out, but their growing judgement towards anything odd in the ballroom and overlapping voices can cause panic quite easily.

This room is frequented by both Mindkyll and Mind Lanyon Sr. Mindkyll tends to roam around, framing and dancing with the shadow people, while Mind Lanyon Sr stays on the balcony above, ever watching and judging what goes on below.

THE GREENHOUSE/GARDEN

An overgrown greenhouse filled with various vines, shrubs, and flowers (with occasional symbolism). there's an area for plants directly in the ground, as well as tables covered in pots, metal rafters with hanging pots, and a couple of trellises. The room is mostly all glass-- which still can't be seen through, but gives a warm, comforting glow to the room. There's also a glass table, which seats 2, and a little nook in one of the corners.

A lot of the flowers tend to change, as well as "randomly" bloom and wilt.

Elias likes to spend a lot of time just sitting in this room, occasionally with mind Everly. He also likes cutting back the overgrowth, but it always comes back. He eventually starts to keep track of how the flowers change as well.

THE ALCHEMY LAB

Based heavily around Jekyll's office and Alchemy-covered university desk, the lab is a dark, candle-lit room cluttered with alchemy equipment, books, and potions. There's an odd green fog in the air, making it one of the only rooms that isn't bathed in purple or gold.

This is the other room Mind Jekyll tends to frequent, usually experimenting or organizing his things. Lanyon and Elias both try to avoid this room, as the air feels uncomfortably heavy and tainted.

THE OFFICE

Lanyon's personal office, though it's quite lacking in furniture. The room mainly consists of a desk, chair, scattered books, and a lone, curtained window. The walls are covered in portraits (mainly of his father) and the desk is littered with bills and paperwork. The room seems almost abandoned, at least until Elias comes around to it.

THE UNIVERSITY DORM ROOM

A memory of his dorm room with Jekyll. The window seems to give a faint blue light, though the curtain usually covers it (symbolizing how he hid the relationship and his feelings.)

Jekyll's desk has a few alchemy things scattered on it, as well as text books. There are bunk beds, but the top looks unused.

There are various objects in the room that trigger a memory when they're interacted with, since many core memories were made in the room, buried or not.

LANYON SR'S OFFICE

A large, oppressive office, lit primarily by the two windows. The shelves and tables are covered with books and paperwork. Mirrors litter the walls (symbolizing Lanyon's similarities to his father), as well as portraits.

Mind Lanyon Sr obviously frequents this room, doing random work and reading. The room is also directly connected to the second floor of the ballroom, high above everyone else to show how Lanyon believed his father to put himself and his work above everyone else. Lanyon tends to avoid this room, and the second floor of the ballroom in general, as it makes him feel exposed. Elias also tends to avoid this room, as it makes him feel small.

THE CHARACTERS

ELIAS WRIGHT (LANYON'S HJ7 ALTER)

His outfit gives a more "working class" feel, inspired by his father's youth. They're also far more comfortable than Lanyon's usual clothes, so Elias doesn't mind them too much. The outfit somewhat symbolizes Elias's working spirit, as well as his yearning for his Father's approval via following in his footsteps (to a certain degree), acting as a sort of errand boy around the society/for Jekyll. They also make him look ungentlemanly, simple, and weak, making him stand out in the mindscape.

He has a "broken" pocket watch on him at all times, which he instinctively feels very protective over, as it's somewhat linked to his being.

Additionally, in memories he can "take the spot" of Lanyon, letting the memory compulse him on how to move. He likes doing this to feel like he's still Lanyon-- like he's whole again.

Feelings wise, Elias isn't too against the mindscape for a good while, mainly in the beginning. While it is confusing and lonely, leaving him quite on edge most of the time, he does at least find solace in mind Everly, Mind Jekyll, and some of the rooms. He does have a few run-ins with nightmares, though he always manages to flee or be saved somehow by mind Everly or Jekyll. He prefers to stay on the higher levels where it's brighter and safer, though occasionally he does go down to dig through memories, much to mindkyll's masked annoyance.

He initially sticks around Mindkyll quite a bit, dancing and hanging out in the ballroom or alchemy lab with him, even if he occasionally makes Elias kind of uncomfortable. Elias is quick to trust him and his charm, falling into him as a safety since Mindkyll is so kind towards him, and since he resembles Jekyll so much. Mindkyll is also quite touchy and praising with Elias, feeding Elias's yearning for romantic intimacy from Jekyll. Mindkyll usually knows just what cards to play to make Elias either fall for his charm or feel bad for him. They do pursue something of a "relationship", and despite the occasional discomfort Elias feels, he is quite reliant on Mindkyll for a while, using him as a stand-in since the real Jekyll seems so unattainable.

Also, Elias finds Mindkyll's "sparkle machine" ability quite funny, but of course falls for it. On a few occasions he's accidentally sparkled back, shocking Mindkyll and somewhat offending him.

Additionally, Elias hangs with mind Everly a decent bit too, finding her to be a more calming presence among the greenhouse and music room. She gives him advice and lets him talk, acting as a sort of mental therapist. She doesn't like mindkyll. She'll play music for Elias or sometimes just sit with him in the greenhouse.

Elias somewhat avoids mind Lanyon Sr, rarely trying to get to the ballroom's second floor, unless he feels he has to. He also partially tries to avoid his fathers gaze, though sometimes he can't help but look up at Lanyon Sr watching over the ballroom, yearning to make his father proud of him. Lanyon Sr's critical gaze tends to make him feel small, cringing under the judgement.

A mind version of his mother also haunts the mindscape, though she is scarcely seen. She does seem to like Elias far more than Lanyon though, sometimes even holding Elias and calling him her baby. She only really shows up in the greenhouse, from what Elias has seen.

MIND JEKYLL

A resident of Lanyon's mindscape, he's a sparkly amalgamation of Jekyll and Hyde. Wandering between the ballroom, halls, and his lab, he mainly dances, experiments, and charms. He has phantom pains all around his body, stemming from Lanyon's constant fear of Jekyll getting hurt (especially via potion mishaps), and has a limp in his left leg from recurring nightmares of Jekyll stepping in a bear trap on the faithful Bleeding Heart Night™.

Before Lanyon and Elias split, mind Jekyll looked far more like normal Jekyll and acted a bit more awkward. however, after learning of Jekylls duality, mindkyll became a bit more Hyde like, his sideburns growing out, his hair growing messier, and gaining a hole filled cape and green hat, as well as gradient eyes. He hates his new appearance a decent bit, blaming Elias for it.

He spends most of his time in the ballroom, since Lanyon taught him how to act "proper" and he seemingly surpassed Lanyon at that, causing him to become a sort of icon to Lanyon in that sense. In the ballroom he's quite the charmer, going between the shadow people and playing them as he wishes, which stems from Lanyon's jealousy of how Jekyll acted (and still acts) with women at parties while they were together.

Mindkyll tends to feel an inherent hatred for Elias when Elias is around him, as if Elias's presence by itself just causes stabs of anger and resentment in him, though usually he can force this feeling down in order to keep his charming facade up. However, on top of that resentment, when he feels like he has any sort of control over Elias, he gets a swell of pride and power in his chest. He tends to get more inwardly cocky, which mixes with the hatred and makes him increasingly cruel at times, though he does mask that with his charm and sparkles. He's also very much emotionally manipulative, pulling at Elias's weaknesses and the slight inherent attraction Elias has for him, since he looks like Jekyll and such. He doesn't really tend to outwardly show any of his hatred of course, since he wants to keep Elias's trust for the most part, but he does Harbor Lanyon's resentment and repression of all those "weak" emotions and such. Additionally, he holds a lot of Lanyon's "rebellious" stage, feeding off of the power he gets from having control.

He also lets off sparkles as a sort of defense mechanism for when he feels threatened or starts getting impatient/aggravated. They have a somewhat calming effect, most of the time at least, made to distract people from his real intentions and feelings. Occasionally, however, their impact/sway is dulled, like against Mind Everly. Eventually, Lanyon starts becoming more resistant to their sway, and after a certain future event, so does Elias.

MIND EVERLY

Mind Everly tends to avoid the ballroom, so she doesn't really interact with the shadow people unless she has to. She's also surprisingly adept at fighting off the nightmares. When Mind Mumyon randomly shows up in the garden, or on rare occasions the music room, she'll kinda just chat with her and keep her company until she wanders off/disappears again. With Mindkyll, Everly tends to be a bit "low patience" with him, not really playing into his charm and tending to ignore him.

Mind Everly knows she's just a part of Lanyon, being one of his main comforts and someone that he confides in, and she's quite alright with doing her thing and occasionally helping out Elias or Lanyon. She's just as sweet and trustworthy as the real Everly, acting somewhat as a therapist and general advice giver. She's also quite protective of Elias after certain events.

She frequents the Music room and the Garden, only occasionally going into the ballroom if she feels she has to. She completely avoids the alchemy lab, and only goes into Lanyon's office every once in a while to clean it up a bit.

MIND LANYON SR

Mind Lanyon Sr looks quite similar to the real one, just far more oppressive and judgemental, far more emotionally detached than the real one. He has a distressing aura to him, causing discomfort to the shadow people and monsters and annoyance to most of the other mind people that get close to him. Mindkyll seems to be the outlier to this, as he generally tolerates Mind Lanyon Sr's presence quite well, even occasionally seeking it out.

He usually hangs out on the second floor of the ballroom, staring down and judging the people below. He's this ever-watching presence, detached but still close enough to control things-- or at least seem like he could. Otherwise he frequents his office, doing work, reorganizing, or reading.

He'll occasionally hang out with Mindkyll, vaguely talking to him and slipping him praises. He sees him as more successful, fond of him in a "my son should be like you" way. Despite this, he still gets quite judgemental of Mindkyll when he looses his temper or shows his more "mad scientist" side.

His feelings towards Elias are a little mixed. For the most part, Mind Lanyon Sr is constantly judging Elias, disgusted by his emotional vulnerability and how he's everything the real Lanyon Sr tried to get rid of in his son. But, on the other hand, occasionally he can't help but be the *slightest* bit proud of the fact that Elias has at least SOME work ethic.

Were Elias to try and talk to mind Lanyon Sr, he would probably be met with Mind Lanyon Sr ignoring him, silently judging him, and/or verbally jabbing at him, pointing out his flaws. Elias is quite heartbroken at this, but for some reason he tries to get Mind Lanyon Sr's approval a handful of times before finally giving up, cringing under his stern, judging gaze.

Otherwise, he's aware of his state as a concept and is quite fine with it, intent on keeping Lanyon and Elias in line, in his own detatched way.

LANYON'S MOTHER (CELIA)

Cecilia Lanyon (Mumyon) somewhat haunts around the mindscape, quite scarcely seen. Because of her distance and detatchment towards her son, she rarely shows up, and when she does it's usually in the greenhouse, since she mainly "bonded" with Lanyon by having him help tend the garden occasionally. Since at home she was also commonly hysterical, Mind Celia is generally quite blank, but occasionally snaps a bit emotionally.

When Lanyon is around her, she tends to somewhat blankly stare at him, VERY occasionally actually talking or acting motherly towards him. Elias, however, tries to drag a bit more of that motherly persona out. He yearns for validation and affection from both of his parents, and the mindscape if the only place he'll ever possibly be able to get it. She occasionally seems to give him a little of the attention he wants, talking in very short sentences when they're together in the greenhouse, maybe pointing out flowers or their symbolism. Sometimes she does seem quite cynical, however, which tends to throw Elias off.

Her and Mind Lanyon Sr don't really ever interact, unless Mind Celia just happens to silently join him on the second floor of the ballroom for "show". She mostly ignores mindkyll, but has snapped at him at least once. Otherwise, she usually just tolerates him. She likes Mind Everly well enough, it's hard to dislike her, and she enjoys listening to Mind Everly's music.

Most of the time she's not the most aware of things, but she does have her more clear moments.

(Cecilia Eleanor Lanyon was made by my friend Luka ( @lukas-broken-bow ), while mind Celia was adapted by me bc her character EATS, THANK YOU FOR DEVELOPING HER LUKA, I LOVE HER)

THE NIGHTMARES

The nightmares take on a lot of forms, with one resembling Morcant being the most notable. Along with that, however, there's also many "mad scientists", physically ruined by their science, and various magical creatures and monsters, like vampires (there's one with a resemblance to Dracula), other werewolves, and reanimated things (ones that are especially gory, since Lanyon is disgusted by things like exposed innards,wounds, and rot.) There's also a nightmare "Hyde", who is somewhat formless and mainly causes general havoc and stalks around.

With the twisting of the mindscape and so many doors scattered about, the nightmares tend to stay in lower levels, trapped behind said doors or simply lost, especially if Lanyon keeps them off of his mind. However, when thought of or triggered via seeing or hearing something (or occasionally at random), doors will open or memory rooms will move, allowing nightmares to find themselves closer to the subconcious. They're also more active in higher layers in moments of higher stress, or heavy sleep deprivation, as those " doors" become harder to unconsciously keep closed.

Mindkyll is somewhat fearful of them, some more than others, but when they're closer to his ballroom or lab, he tends to be less scared. Or, when he needs to swoop in and "save" Elias from a couple of nightmares, he tends to forget some of his fear. Mind Everly is somewhat scared of them, but is more so annoyed by them. Mind Lanyon Sr. doesn't really have to deal with them, considering his spot on the balcony, and simply watches when they come about.

THE SHADOW PEOPLE

The shadow people are vague, blurry high society folk that remain in the ballroom. They're all dressed very well, their bodies partially see-through as if they're mere ghosts.

The shadow people don't really interact with anyone but each other and Mindkyll, since he somewhat has control over them. They dance amongst each other, muttering nonsensically until their "words" all blur together. They're not very aware of anything, all in all quite mindless, but when there's anything "wrong" or "ungentlemanly", that's when they act more. Their voices start to rise, despite still being mere whispers, growing more cacophonous and anxiety-inducing as they stare. Their judgement of anything odd is ceaseless, usually only calming at Mindkyll's demand or when the oddity leaves the ballroom.

Additionally, mindkyll can manipulate them to react in other basic ways, like acting charmed or shocked, and he usually does it for his own enjoyment. When a nightmare manages to get into the ballroom, the shadow people aren't targeted. Instead they grow more sinister looking, especially expression wise, and their mutterings take on a certain sharpness, their judgements growing harsher. Usually mindkyll needs to remove of the nightmare for them to act normally again.

_______

And that is the basics of the Mindscape! Once again, I'd absolutely LOVE any questions in reblogs, comments, or even my asks :3 thank you so much for reading all of this, I hope you enjoyed!!

[nonightingalesinberkelysquare]

WARNING FOR GOOD OMENS SPOILERS!!!!

FURTHER SLIGHT SPOILER WARNING FOR THE FOLLOWING BOOKS: The Bone Clock by David Mitchell, You Only Call When You're In Trouble by Stephen Mcauley, and Bibliomaniac by Robin Ince.

Edit: Photos by @polychromicron-persei-8 !!!!!

So I'm sure a lot of the fandom have seen the pictures posted by a very lucky fan who saw the production of good omens happening out in Scotland today!!

However what I'm not seeing people talk about is a hidden gem in the reblogs.

SOMEONE HAD MANAGED TO GET A PICTURE OF THE BOOKS IN THE WINDOW!!!

Naturally, I had to go and do my research to see if these books give us any clues or serve any other purposes other than decorative purposes

AND LET ME TELL YOU

These are the the books visible in the window:

I'll go through them one by one

(Please bear in mind, I haven't read any of these books personally!! The only information I have on them are the little bits I found online in a very rushed attempt at research!!!)

Okay firstly

"The Bone Clocks" by David Mitchell

Now, this is the one that I struggled to make sense of the most out of the three.

The story appears to follow a runaway teenage girl who is a "lightning rod for psychic phenomena." These visions are said to reorder reality and send her into a real life nightmare.

However,

It also states that there is a boy who eventually crosses paths with her and who's story "comes together in moments of grace and extraordinary wonder"

As I said, I've never read these books and the only link I could begin to make with this is the idea of a "supernatural being meets another supernatural being and what they can do when they're together defies anyone's wildest dreams" story, similar to what we have seen and could see in GO3.

The next book is where it gets FARRRR more interesting (in my opinion)

NOW

THE TITLE? INTERESTING ASF.

IS AZIRAPHALE IN TROUBLE? OR EVEN CROWLEY?

The quotes are literally taken from the amazon listing itself, but I'll just point out the bits that stuck out to me personally.

☆ "is it ever okay to stop caring for others and start living for yourself?"

And I'm skipping a HUUUUGE chunk of the story here so apologies

☆ "Tom does what he's always done - answers the call."

☆ "Thus begins a journey that will change everyone's life and demonstrate the beauty or dysfunction (or both?) of the ties that bind families together and sometimes strangle them."

THAT LAST QUOTE REALLY STICKS OUT TO ME. Personally, I'd say that could possibly relate to the heaven and hell divides?

But furthermore, we were told prior to the whole NG situation that Aziraphale and Crowley aren't talking.. so could that mean that as soon as they begin speaking once again, they have the power to leave heaven and hell behind? Perhaps stop the divides?

And last, but certainly not least

Now, keep in mind that this particular book is nonfiction and appears to be written from the authors own point of view as he aims to visit 100 bookshops in 100 days.

This has a relatively short description from what I can see right now so I'll put it in here

"Bibliomaniac takes the reader on a journey across Britain as Robin explores his lifelong love of bookshops and books - and also tries to find out just why he can never have enough of them.

It is the story of an addiction and a romance, and also of an occasional points failure."

This one interested me SO much because it SCREAMS Aziraphale character development sort of thing? You know?

I really struggled to find any spoilers for this one whatsoever but one website did mention the author's love for vintage books, which he only ever reads as and when, as opposed to focusing on just one book.

I just thought this was SO SO SOOOOO interesting, and if anybody has any differing thoughts/interpretations or has even read the books, the comment section is a safe space to do so!!! All theories/suggestions are welcomed (any hate WILL be blocked, don't test me).

OR MAYBE THIS ALL MEANS NOTHING AND IM JUST CLOWNING FAR TOO HARD?!??!??!

[vanilladove]

Hello, I am writing to you anonymously out of shame but you can call me Emy I was reading your blog and I was totally delighted with how you wrote and I wanted to make a request: could you write for Chuuya, Jouno, Dazai and Poe (you can add more if you like) with a reader like Mikan from danganronpa If you don't know her, her personality is a little (very) shy and she is surprised by the slightest show of affection (she is even surprised if you say good morning), often despising herself, asking others to forgive her existence and when people Annoyed with her, she tends to ask if she can take off her clothes or imitate a pig so that they can forgive her for all this because she suffered harassment in the past. I'm sorry if the request is very big 😭 but I would be grateful if you accept it (nothing happens if you don't either) I'm sorry if there are spelling errors but English is not my first language and I am using Google Translator. ♡

⋆˚࿔ ˚⋆ bsd men with a v shy + fragile reader

bow divider yeribbon

˚₊· ͟͟͞͞➳❥ pairing: various bsd men x gn!reader (dazai, atsushi, chuuya, akutagawa, jouno, poe)

˚₊· ͟͟͞͞➳❥ genre: comforting fluff!

˚₊· ͟͟͞͞➳❥ content warnings: none! also i'm not v familiar with daganronpa, so apologies for any inaccuracies! i'm just going off what wiki fandom says (。-∀-)

⊹ ࣪ ˖ dazai osamu

doesn't mind your personality, although at first he teases you mercilessly until he realizes it isn't just an act.

as someone that has also gone through trauma, he would gradually soften up to your personality and reassure you of your worth.

dazai is a very impatient man though, so expect his method of choice to be exposure therapy...like extreme exposure therapy...like bro might slap some sense into you like atsushi & akutagawa ( ó × ò)

when you start over-apologizing, he'll put a finger to your lips and stroke your face and hair to calm you down (ღˇᴗˇ)｡o

expect lots of subtle displays of affection like hand kisses, kissing away tears, and general affectionate flirting.

⊹ ࣪ ˖ atsushi nakajima

your demeanor confuses atsushi at first, to the point where he cries after the first time he meets you :,(

you're going to get a sentimental, heartfelt speech about how you deserve to live, and how you aren't a burden to anyone.

poor atsu cries over you--you guys probably have daily cry + cuddle sessions.

will do random things to cheer you up and give you many words of affirmation.

buys you a tiger plushie sprayed with his cologne to cuddle with when he isn't with you for comfort ♡

i'd like to think that through helping you, atsushi also helps address his own self-esteem issues ^w^

⊹ ࣪ ˖ akutagawa ryunosuke

hates you at first and sees you as a cowardly weakling.

it isn't until one day he randomly compliments or helps you and catches your shy/flustered expression that he begins to feel some sympathy.

will gradually visit you more until you stop flinching whenever he approaches you. he can tell you're intimidated by him because of his personality and notorious reputation.

it's definitely hard for akutagawa to be soft with you, since he's a rough person, but he tries his best to be gentle with you.

shows his care through actions more than words (sharing food with you, doing constant check-ins, guiding your back when walking with you, etc.)

promises threatens to kill those who have harmed and harassed you in the past.

becomes overprotective over you, getting mad when anyone--even jokingly--teases you.

⊹ ࣪ ˖ chuuya nakahara

tough love~!!!

expect a lot of "huh, what the hell are you talking about?" anytime you apologize for something small or suggest some self-sabotage

since you aren't used to affection and often try to reject gifts, thinking you aren't worth giving them to, chuuya will 'lovebomb' you with gifts until you get used to them as the norm and accept them willingly.

although he may seem short-tempered and easily irritated, he'll always make time to sit down with you and listen to your rants/past stories and engage in deep conversations.

holds your hands and reminds you of how strong and talented you are--will keep drilling it into your head until it sticks.

carries tissues in his suit for when you cry.

⊹ ࣪ ˖ edgar allen poe

this man may be your twin...honestly he's a bit of a mess himself, so he doesn't know how to help you.

i think poe would be relieved to find someone similar to him--also very shy and awkward/bad at socializing.

if you started apologizing when there was a pause in conversation, he would probably apologize back, and you two would go back and forth until karl bites him (꒪▿꒪)

since you both mainly only find confidence in your talents/skills, he would get to know your strengths as much as possible and encourage you to do your best!

will also share his book plots with you, taking you with him into the books and getting your feedback, never missing the chance to show you something beautiful he secretly wrote just for you

overall, poe would make you feel less alone and isolated, helping you gain confidence overtime!

⊹ ࣪ ˖ jouno saigiku

since you're already so fragile and frantic, jouno wouldn't find any pleasure in torturing or messing with you

ends up helping you under the pretense of "calming down your raging heartbeat and nerves that are too loud"; in reality, he notices how you're always on edge and just wants you to experience some peace and quiet.

jouno's sensitive to others' emotions, so i think if you were having a panic attack or extreme anxiety, he'd immediately hug + hold you until you calmed down again (ㅅ´ ˘ `)

like the rest, he'd offer you words of affirmation and hold your hand in public/around other people.

will stick around you to ward off anyone who tries to bully you or exploit your personality; blushes uncontrollably if you thank him for his simple acts ♡

[starry-bi-sky]

Okay so this is almost a direct copy-paste of my earlier reblog but only the Xin Yuan parts, because its long enough to be its own post and i want to share it! It deserves it's own post <3 typical starry stuff to write a 2k word long reblog, unfortunately.

I say almost because I went through to proof read and ended up adding more stuff.

I've been cooking on this idea for the last two days since I saw the Xin Mo!Shen Yuan post but??? I can't find anything on Xin Mo's backstory or how it came to be -- which means that's free fucking plot right there baby. That's a sandbox and im making LIFE SIZED CASTLES. I'm so excited.

The idea of Shen Yuan transmigrating centuries before the events of PIDW as Xin Mo -- but when he wakes up, he's not the sword. He wakes up in the body of a young boy named Xin Yuan. Now it makes sense for this boy to be a demon, but the drama, the intrigue, the spice of Xin Yuan being a human child.

SY wakes up as a boy below the age of ten, and the System tells him where he is, and SY is excited to meet his favorite protagonist -- only to gradually realize that he's like, a thousand years or so before the events of the novel. The rant he gives the system is legendary.

Bc what's the point of getting dropped into PIDW if he's never going to meet his favorite character??? This is a scam! BUT he settles into his new life, he's like, some orphan street rat or some other tragic airplane-esq backstory.

The system gives Shen Yuan his first mandatory quest: become a righteous cultivator. Which was like, kinda his plan/hopes anyways, except! There's like?? No official cultivator sects anywhere? The Cang Qiong Mountain Sect hasn't even been established yet, and there are pockets of cultivators running around, maybe some groups or schools popping up and then sinking back down, but nothing's really taken root!

If he asks someone how to become a cultivator, there's no straight answer. No "oh you can go to X to do that". He's pissed! How can he become a cultivator if there aren't any schools around to teach him? Deus ex machina, that's how.

Out of sheer luck, SY manages to help save a rogue cultivator, and promptly gets adopted by said rogue cultivator, who gives SY the name 'Xin Yuan'. He is ecstatic. And you know what? It's actually pretty fun!

He's getting to travel the world of PIDW in its early stages, and gets to see the building blocks for the eventual main story. He's discovering all this local flora and fauna that are foreign to his old world and unmentioned in the book, and he's learning cultivation! Granted, its unsafe, newly(ish) discovered cultivation, but it counts!

Wistfully, he thinks about perhaps he'll do something grand and get his name carved into legend. Something that would eventually help the protagonist later down the line in his quest for revenge.

The system remains silent to his thoughts.

But Xin Yuan doesn't take much stock in that daydream anyways. It's nothing more than fantasy to him; wish-fulfillment. He does discover however, that he is positively brimming with spiritual energy. Overwhelmingly so.

It's both a blessing and a curse, as it puts a strain on his meridians if he's not careful, and leaves him prone to qi deviations for the exact same reasons. He already has a heart demon or two from a few traumatic experiences in the past.

(bc hey! angst a day keeps the writer sadism at bay, and all that)

I'll say he's about... eight when he gets picked up by the rogue cultivator, who I'm calling Lin Kai bc he deserves a name. They travel around PIDW up until Xin Yuan is twelve, where he goes through a traumatic experience that results in a heart demon.

It's after that that Lin Kai decides to put a stop to his wandering, and find a place to settle down to raise Xin Yuan in. Coincidentally! They settle down in a nice mountain region that's thriving with spiritual energy. The mountains at the time were called something different, but they will be eventually known as the Cang Qiong Mountain Sect

Coincidentally, the mountain Lin Kai and Xin Yuan end up on is Qing Jing Peak. XY does not realize that the mountain he's on is Qing Jing. The System does not tell him. But he likes it there, more than he was expecting. And as much as he's traveled around, he really does enjoy being in one place.

He has a tendency to go down the mountain and help the village setting up down there, and when he's a teenager he starts venturing out more and more.

Xin Yuan forgets sometimes that he's in a novel, especially after settling down on Qing Jing peak. The system becomes remarkably quiet since there's no quests for him to do and not a ton of opportunities to get B-Points. He cultivates with Lin Kai, helps tend to the garden they're growing, goes down to the village to play with the other kids.

There's one boy he's best friends with, a boy whose not all that good with words, named Liu Zhihao. He's got potential for cultivation though, so Xin Yuan drags him up the mountain when he can so that Liu Zhihao can sit in on lessons with Lin Kai. He drags him all over the forest at the foot of the mountain to go look at bugs and animals.

(One time, when they're fourteen and Liu Zhihao has been learning cultivation for a few years now, Xin Yuan drags him out of bed late one night to go look at the stars. Xin Yuan tells Liu Zhihao about ascension -- something that still feels like a far off dream to many in this time -- that night, while they're sitting on the wet grass.)

("We should ascend together." Xin Yuan tells Liu Zhihao, jade eyes gleaming. Never let it be said that Xin Yuan doesn't love deeply, no matter what kind of love it is. He was always so lonely as Shen Yuan, Liu Zhihao is his best friend. "We'll become immortals, and then we won't ascend until the other is able to.")

(Liu Zhihao stares at him silently, his face unreadable. Then, quietly, he asks; "Promise?")

("Promise.")

When he starts adventuring outwards, further away from the mountain and the village, Liu Zhihao sticks to him like rice. Not that Xin Yuan's complaining, that's his best friend after all, and Liu Zhihao has become a formidable cultivator. He deserves to show off his skills.

He starts making something of a name for himself by the time he's, like, 18 -- although that name is in its baby steps, along with Liu Zhihao. They're slowly growing renown.

Perhaps XY uses his knowledge of PIDW and cultivation in general to help make advancements in the cultivation field. Although the system prevents him from sharing too much, it doesn't mean he can't practice it himself. Perhaps he's one of the first cultivators to develop a golden core. One of the first known immortal cultivators. One of the first to have a spirit sword.

(Although I don't know the logistics of any of this since my knowledge on xanxia/cultivation stuff in general is all still pretty new and google wasn't all that helpful lol.)

Either way, its my excuse to eventually make Xin Yuan come across as ethereal to other people. Peerless beauty SY for the win. Hs wifebeam is too strong, Xin Yuan has a line of suitors following after him and he's completely unaware of it. The rest of history is not.

Demon realm stuff has been stirring up since Xin Yuan was a kid, but at the time it was rare and in the beginning stages. Its been steadily ramping up and the system is sending him on more and more treacherous quests -- some of them mandatory, some optional. SY doesn't often take the optional ones unless it comes with a sufficient B-point reward.

for all intents and purposes though, he's a wandering rogue cultivator with Liu Zhihao, going from place to place to either help a town or village, or to discover more creatures or artifacts (although there aren't that many). Just all around living his life. He participates in a few major quest lines that are sure to get him mentioned in legend, even if it's a background character way.

(Unbeknownst to him, rather than being a side character in these legends, he's named directly. You can't become one of the first immortal cultivators and NOT get name dropped for clout.)

He has a spirit sword named Shā Mó, (杀 shā - to kill/weaken/counteract/reduce) (魔 mó - evil spirit, demon, possession). He routinely goes back to QJP to see Lin Kai, or to rest when traveling has worn down on him and he wants nothing more than to sleep somewhere he knows he'll be safe in. It becomes more frequent as Xin Yuan becomes more famous. Liu Zhihao often comes with him.

it all comes to a head though when the rifts between the demonic realm and the human realm become too great, and the balance between both realms becomes unstable. A demonic emperor's influence, wanting to merge the two realms so he could conquer both to satiate his own greed.

Typical evil king stuff. This comes to a climatic head in a great battle between every cultivator available and the demon emperor's army. Xin Yuan was one of the many who helped lead the charge.

In the end, it was Xin Yuan who ends up defeating the demonic emperor, but the rift that the emperor used to cross between worlds is destabilizing as well. Except instead of trying to close, it's getting bigger and bigger, threatening to swallow the heavens and earth and demonic realm whole.

You know how Yue Qingyuan's soul is bonded to his sword due to a qi deviation? Let's take it a step further >:)

Xin Yuan uses himself and Shā Mó to close the rift. However, it takes all of his spiritual energy to do so, as well as him filtering the demonic qi into his body to redirect it back to the demon realm.

In the end, Xin Yuan and his beloved sword Shā Mó fuse. Xin Yuan's soul becomes trapped in the sword. His physical body is unable to handle the immense amount of power it takes to close the rift, and is destroyed. He is immortalized in legend by his grieving cultivators.

(Liu Zhihao ends up ascending alone. He ascends with the hope that one day he'll see Xin Yuan again, even if it's in the face of someone else. Lin Kai does not ascend, too weighed down by the grief of losing his son.)

Xin Yuan, now Xin Mo, falls into a stasis. He's very confused and disorientated when he regains 'consciousness'. The system has been silent for most of his life, only popping up to give him mandatory quests, hints, points, or to answer any questions.

But once he wakes up, it cheerfully pops up again, congratulating him on completing the origin story of Xin Mo. SY freaks the fuck out. he'd shake the system screen if he could, but he doesn't have arms. or legs. or eyes for that matter.

He can sense his surroundings, but its all like imprints to him. He can sense the energies, but he can't see anything. It's all very disorientating and horrifying after years of being human. Like a sensory deprivation chamber.

The closing of the rift and the cycling demonic qi tainted both Sha Mo and Xin Yuan irreparably, and it did some kind of damage that resulted in SY needing to feed in order to use the spiritual powers. Kinda like how Xuan Su uses YQY's life force for it's spiritual energy, but instead of feeding on his own lifeforce, Xin Mo feeds on others.

The rest is history. Xin Mo is originally tied to the story of Xin Yuan -- believed to be all that remained of the man after he sacrificed himself to keep the realms separate. It's believed that the force of the realms closing permanently infused Sha Mo with demonic energy, turning it into Xin Mo.

But, like many stories do when faced against the tide of time, things get lost; chipped off; changed. Xin Mo is steadily separated from Xin Yuan, especially once it becomes clear how parasitic the sword really is, until they are all but separate entities themselves and the origin of Xin Mo's creation all but forgotten.

The years blur together when Xin Mo is not being wielded, and at first Xin Yuan was agonized by the fact that he stole the lives of all his wielders. He knows it's only a novel, but his decades spent in this life have softened him, and he's grown attached to the world around him.

But time erodes the mind like water erodes stone, and he becomes numb to it, then eventually anticipating of it. He forces himself to remember what he knows of PIDW's plot, and kinda fixates back on his old obsession on Luo Binghe. But while PIDW stays in his mind, his memories as Xin Yuan fall to the wayside.

Not forgotten, per se, but... tucked away. The system prevents him from forgetting fully.

Xin Mo isn't fully a demonic sword either i think, but instead harbors an ugly cocktail of both spiritual and demonic qi. Special circumstances and all that. Everyone just assumes he's a fully demonic sword because that's usually at the forefront, his spiritual qi weakened from the initial fusion and from years of not being fed spiritual qi. It's part of the reason his wielders always end up destroyed by him, other than the whole, yk, 'overwhelming qi' thing.

Nobody would recognize Xin Mo's human form as Xin Yuan other than some truly ancient demons. Of which Meng Mo might. But even that's iffy because there's a lack of surviving paintings of Xin Yuan, but also because of XM's demonic appearance and supposed lack of connection to XY.

Xin Mo has never spoken to his wielders before, not in the same way he does Luo Binghe. He tells Luo Binghe this, and he also tells Luo Binghe down the line that he is both spiritual and demonic -- something he also never told his wielders because there was no point to it.

okay okay i've got to end it here because its already gotten ridiculously long -- of which im both apologetic and unapologetic for -- but i DO think the Shang Qinghua and Shen Yuan meeting (and reveal) would be fucking hilarious. Especially if SY has learned how to pop between sword form and human form by then -- although i guess it doesnt matter either way because SQH's reaction is still the same.

And that reaction is internally screaming and going "hey what the FUCK?? WHY DOES XIN MO HAVE A HUMAN FORM??? WHAT IS THIS??? SYSTEM??? EXPLAIN???"

meanwhile from his place on the sword hilt xin mo is squinting at Shang Qinghua in bewilderment and going "aren't you supposed to be dead" but doesn't pay too much mind to it because its not like its going to change anything.

...up until he catches shang qinghua going "WTF" silently from his little corner while all eyes are off him. One moment SQH is standing beside his king, and the next he's been tackled to the ground by one wild-eyed, human-shaped Xin Mo.

everyone, including SQH, thinks Xin Mo is going to kill him. It is a surprise to everyone when he does not, and instead dissolves into deranged, uncontrollable laughter after spitting out some phrase in some ancient tongue and watching SQH's eyes grow wide in recognition.

[antimony-medusa]

Writing Stronger Female Characters

Whenever you start diverging from canon, you have to make some decisions about how to characterize people. You can no longer pull directly from canon, you have to fill in the gaps yourself in whatever way supports the characters and relationships you want to highlight. And the further you get out into AU territory, the more you have to fill in the scaffolding for the story yourself, from creating interactions between characters who haven't interacted very much, to placing characters within a pantheon, to creating new dialogue or interactions to support the new beats for the story you're telling.

And a thing I see fairly often when people are writing female characters is that people want these characters to be celebrated, right? They don't want to throw their female characters under the bus, they don't want them to be forgotten— and especially here when we're drawing from canons where so often there are few female characters, so they want them to stand out. So as part of this au-construction, these writers give their female characters all the positive attributes. They're super strong, or super beloved, or super badass— but that's kind of all they are.

And while as with all writing things there is a way to do this successfully— there isn't a writing rule that can't be broken if you come at it in the right angle— this can unfortunately backfire and end up making shallow or unsatisfying female characters in a way I think people aren't intending— so I thought I'd point it out!

To use an example I see fairly often, people will be writing Kristin with SBI, and they'll go "oh and all the kids love kristin way more than phil, they think he sucks but they just love her!" or they'll be writing phistin and they go "and kristin is just so powerful and awesome and phil is just her lame husband, haha, don't know why she likes him" and then, importantly, that's as far as the characterization goes. They make Kristin awesome and or beloved, but that's where they stop, and so they never get any characterization beyond "popular and powerful".

Writing a woman as a beloved mother or a powerful force/badass wife is not inherently a bad characterization, but if you just leave it there, that's just basically all that sitcom characterization does, and I'd like to think we can do better than a tv show with a laugh track. If you think about real people in your life, even if you go "oh man everyone loves [name]", you wouldn't describe them in just that way. You'd go on and talk about their sense of humour, or they're really into pokemon, or they also have two cats that are badly behaved, or they work in an office and can do a really scary customer service voice— you'd have other things to say about them! Or if you think about how someone is a badass in your real life, you'd say about how they're a black belt in two martial arts and a scary lawyer, but you'd also talk about how they bake really well, and they do tutoring for kids, and they can drink like a fish if you get them out to the bar, and they have no spice tolerance, and just more aspects of their life, you wouldn't stop there. Putting a character on a pedestal as better than the other characters actually cuts them off from the characters you're letting have flaws and woes and enemies. It makes them less vivid and less real as characters. If we were talking about real people that we were treating like that we'd say it was dehumanizing— you're not seeing them as a real person— but when you're talking about characters, it's just shallow characterization, and it plays into some tropes that we've probably seen too often from weak writing like sitcoms or comedy that doesn't really care about its side characters. So it's a pitfall to avoid that I think that some people aren't aware they're falling into. This doesn't mean that you have to make everybody dislike your female character, or you can't make them awesome, but beloved or powerful is where you start characterization, not where you stop. You also need to throw in an ability to let them say their piece, or quirks or flaws, or someone who *doesn't* like them, or something more that lets them come alive more. You gotta take them off the pedestal and consider them as a real character, you gotta rotate the blorbo just a little bit more— flip the scene a bit in your brain and think about the scene from their POV, consider it a bit longer.

Or to take another example, I read a bunch of Syndicate fic, and I read one the other day where Niki was the Blood God (awesome) and specifically was written as better at fighting than Techno, he normally couldn't beat her in a fight. Now while in isolation that's awesome, because your reader is probably also familiar with canon, they start to compare this characterization to canon. In canon Niki was not better at PVP than Techno, so this change stands out. And the reader starts to go "wait, what victory condition is being messaged here", and the message that is being sent is that being good at PVP is good, that's the victory condition, that's what makes you awesome, and the canon characterization was kind of weak, you had to fix it.

Now if you meant to message that, that's one thing, but the impression I get from these fics is that they want to celebrate the character that they like from canon, they don't want to tear the character down. But by trying to pile awesome things on this character, they ended up undermining the character accidentally, and you run into the same issue as what was happening with Kristin, where the characterization is "badass", putting the character on a pedestal, and nothing else. I'm sure we've all seen action movies where there's a whole bunch of guys and one girl and they make the girl really awesome (cause you don't want to be sexist) and her characterization is "badass girl", full stop. And well, that's awesome, I love a badass girl, but if that's all you've got, you didn't write a very well rounded character, you wrote exactly the same character as five hundred Hollywood writers who went "oh shit I forgot to add any women" and threw someone in at the last minute.

So what, does that mean that you have to write niki as bad at PVP, or being beaten in PVP, to respect character? Not at all! The trick here is to focus on other things, spend more time with the character. Okay, so PVP wasn't one of the canon character's strengths— what were her other strengths? Cause there are *always* other strengths— with c!niki maybe you go to her force of conviction despite opposition, or her survival stubbornness when she was abandoned in a hostile world, or her desire to build and create, or her will not take nonsense attitude— even doing PVP despite not being strong in it, getting up and trying again. There's lots of things, I'm not gonna call myself a c!niki expert, but you can do it if you spend a little more time with the character. AND that doesn't mean that you can't write badass women— Hannahxxrose absolutely should give any guy on the server a run for their money when it comes to PVP, on any server she's on. That's just fucking canon. Just also you need to take it a little bit further, beyond being a badass— what makes them tick? What are their struggles? What are their quirks? What do they worry about, or laugh about, or do for fun? Maybe you just have a scene to characterize them, maybe it's a short fic— how do you make them have a life outside of this scene, how do you make them come alive? If you were writing this scene from their POV, if they had a life beyond this scene or this story, what would they say, and can you include that even when someone else is the POV character? Or heck, flip it and DO a scene from their POV, let them have the spotlight in a story and see how the character acquires depth and quirks.

There's a joke in writing where a worried male writer goes to an experienced writer who's known for writing women and goes "but how do I write women" and the experienced writer goes "pretend they're people" and goes back to writing. And that is kind of a bitter joke about how society is bad for treating women (or any other group— disabled people, autistic people, people of colour, disabled people, non-christian people— the list goes on) like they're incomprehensible and alien. But it is also just that simple, when you are writing someone who isn't from the dominant paradigm. You do your research, if it's someone from an experience you don't share, but mostly the important thing is to remember that you're writing people. They have just as many hopes and dreams and quirks and flaws as you do, and any time you boil them down to only one attribute— even if it's a positive attribute— you end up with a weaker character and writing than you might mean to.

So that's how, obliquely, to get a stronger character, you need to make sure that your character is more than just strong (or beloved, or powerful, etc), they also need to have more character traits— they actually need weaknesses and quirks— and that's gonna take you one step closer to your female characters feeling like real (awesome) people.

[thecertifiedboykisser]

Ok, big post with all evidence pointing to ratio being from amphoreus and some pointing against it.

Some leaks are in here!!! Be warned!!!

1-design stuff

Some notes, the style of clothing is very similar, most if all chrysos heirs have the same eye stuff that ratio has some just aren't colored (you can see it on some of the models in the trailer or the art at the end of the first trailor)

Spirals are a big thing, as well as the belt with the fabric (idk what it's call im sorry) and it draping over their legs. The blue stones and gold stuff.

Might be a bit of a pull but in the 3.0 live stream, dr.orange kinda looked like him, but I might be going insane.

Mydei and him have very similar eyes as well (I'm using mydei as a ref point bcs he's the only male from amphoreus we have splash art for to work with) same shape, puplies similar shape

I'm sure there's other design stuff and I might add it later. But for now this is all I got.

2-story elements

Now, this is more the lack of story, ratio has nothing but crumbs for his lore, where he's from, anything about him. Even his character storys aren't told from his own perspectives. The only time he really talks about himself is when he's referring to his goals or his love of books and baths.

He also doesn't have any clarification on where he's from other than the Intelligencea guild, and that's just a faction. There's no mention of his home planet at all.

On the official wiki. There are some that are classified as cosmic but we know the home of (boothill, acheron, Sunday, rappa[iffy, we know some details, like it was under dr.primive, but we don't know it's name so idk]) and some that we don't because it doesn't matter to there lore bcs there wanderers. Like sparkle, blackswan, and argenti. But dr.ratio doesn't fall into any of those categories. His home planet is vaguely mentioned as they have a bunch of stuff on him, but that's it.

It seems to matter to his lore, as you'd want yo know all about this great doctor, yet he's a complete mystery. And the quests don't help either.

He's not made for penacony or the space station. He even calls himself a supporting character, his character story was about others and guiding the trailblazer through helping them. He was solely there to help aventurine in penacony. Barely anything for himself.

That lack of knowledge tells me what I need to know. Either he's purposely keeping it a mystery, or it's gonna be figured out later. I mean if he is from amphoreus, he probably keeps it a mystery bcs how the hell is he gonna prove it's real.

3- What proves it's not real.

So, there's all this evidence, but it's lacking or doesn't make sense in some areas. Most of these points were brought up on tiktok by @/veritasratioenjoyer they make some really good points in their post, and its what inspired me to make this:)

So. It's stated in the livestream that the people of amphoreus have no concept of the outside world, meaning it's very unlikely that he's from there, considering how well known he is and that he follows the path of the erudition.

Veritasratioenjoyer explains it alot better than me so go check there video out.

If you have any more to add, feel free to in the reblogs! I do read them all:)

[felassan]

New today on DA:TV from Game Informer:

"How Romance And Relationships Work In Dragon Age: The Veilguard by Wesley LeBlanc on Jul 08, 2024 at 02:00 PM Dragon Age: The Veilguard is a BioWare RPG, which means a lot of things, including the fact that the game will feature romance. Based on what I learned during a recent trip to BioWare's Edmonton office for the current Game Informer cover story, Veilguard will be the team's most romantic game yet. Relationship Level"

"Every companion in the game has a Relationship Level related to Rook, and the choices you make (and not even specifically about the companion, but in the world in general), what you say to companions, how you help or don't help them, and more all play into it. Every time you rank up a companion's Relationship Level, you unlock a skill point to spend specifically on that companion. Though companion skill trees pale in comparison to Rook's expansive tree, which features passive abilities, combat abilities, and more, as well as paths to three unique class specializations, there's still some customization here.  Each companion has access to five abilities, but you can only take three into combat. Thus, it's important to strategize which abilities to spend a skill point on and how those abilities can synergize with your current build on the battlefield. Though I couldn't confirm, Dragon Age series art director Matt Rhodes hints that companion issues, problems, and personal quests will play into this Relationship Level and how a companion interacts with Rook.  "[Bellara Lutara, for example] has her own story arc that runs parallel to and informs the story path you're on," Rhodes tells me while I watch game director Corinne Busche play through a linear, story-driven mission in Arlathan Forest where Rook is searching for Bellara. Busche adds that "relationships are key, not only romance but friendships. We wanted to lean into not just the relationships the characters have with you but the relationships they have with each other. It's a found family, and at the end of the day, they need to trust they all have each other's back." Romance"

"However, fret not, BioWare fans – romance is a key part of relationships in the game, Busche says, noting some of the romances will get quite spicy. However, not all of them will, as "each romance has a very different flavor," according to Busche. Some characters are straight to the point, while others are more awkward, having never been in a relationship before. "You learn who these characters are in how their romances unfold," she says. She likens romantic and platonic relationships to another way to "level up" your companions. It's not just experience and skill points that determine Rook's standing with companions, but diegetic conversations, too.  BioWare has already revealed that every companion in Veilguard is pansexual, notably different from the community-dubbed "playersexual" approach in some games, which sees NPCs adjust romantic and sexual interests based on the player rather than their own sense of sexuality. As pansexual companions, they are attracted to people of any gender (or regardless of gender). That's a critical distinction because, in Veilguard, your companions aren't just going to vie for your affection – they might take attraction to other companions in the titular Veilguard.  Giving one companion the cold shoulder might nudge them into the warm shoulder of someone else on the team. Busche says companions can form romances with each other, although I'm unable to confirm if that means locking Rook out of forming a romance with them.  I saw nothing resembling romance in my very early hours with the game. However, I did see the romantically inclined "emotional" response in Rook's dialogue choices at times, which led to my Rook flirting with ice mage and private detective companion Neve Gallus. Busche says this is the option to flirt and push platonic relationships into romantic territory, though Rook's flirtatious efforts aren't always reciprocated. But that's not to say you should ignore the other options – I saw dialogue choices resembling friendly, snarky, and direct, too, and I can see how these different flavors of dialogue likely mix and mingle into Rook's relationships with companions. It's still a mostly mysterious system to me, but as Veilguard is due out this fall, I don't have to wait too long to learn more and neither do you. For more about the game, including exclusive details, interviews, video features, and more, click the Dragon Age: The Veilguard hub button below."

[source]

[munchy-k]

danmei list that no one asked for (long post incoming)

ok so I've accumulated a pretty decent list of danmei that aren't as well known and I want to talk about them!! so here we go! these aren't in any particular order btw

Nan Chan

an aloof, listless immortal and a very hungry caterpillar fish demon go on an adventure to retrieve a runaway bell 🔔. and also they both have amnesia. CUE ANGSTY BACKSTORY REVEAL!!!! 🔪🔪🔪

I'm sure it's to no ones surprise that this is first because I'm a SLUT for nan chan. if nan chan has one fan it is ME and if there r no fans I am DEAD!! I love this novel so much it has the perfect combination of painful angst and sweet sweet lovin' !! the main couple's relationship makes me feel so warm and fuzzy inside 🥺👉👈 (probably because I am a touch love language girly and these bitches be touching!!!) and I LOVE the characters sm. especially my little meow meow Jing Lin and his adorable little stone figure. I live for the interactions between Cang Ji and the stone figure! it may be a little difficult to read the first time around since the plot gets a little convoluted but it all makes sense in the end! 10/10 really recommend!!

How to Survive as a Villain

transmigration plot! rich ceo gets transported to a novel as the villain emperor and gets buddy buddy with the novel's MC so he doesn't get killed. ends up buddying too close to the sun and accidentally becomes the leading lady. drama ensues!

this is another favorite of mine!! this one is another good mix of angst and romance and the MC is so funny and likeable. there are also two cute side couples which is always fun! (one of them is f/f so it gets extra brownie points with me🤭) its also not too complicated which makes it great for casual reading ^^ p.s. this one has an official eng tl now! its being published thru rosmei (like nanchan) so it has to be ordered thru a 3rd party distributor but I think its worth reading 👀

Living to Suffer/ Till Death Do Us Part

living to suffer: ancient wuxia style prequel where the characters meet as a humble doctor and member of a demonic sect and their fate intertwines. this one has a BE

till death do us part: early to mid 1900s setting sequel. the reincarnated characters meet again as a elementary school teacher and rich playboy and face the struggles of having a relationship. this one has a bittersweet ending

THIS...... OK THESE NOVELS... let me tell you something. this made me SOB. oh my god especially the ending of TDDUP. I saw a review saying "I honestly could believe there lived a Shen Liangsheng and a Ch'in Ching, and that they fell in love..." and hard agree because something about this story felt so real?? which made it all the more intriguing and heartbreaking!! its set around the time of the japanese invasion of china and the cultural revolution so it does talk a lot about politics but it wasn't a difficult read imo. BUT BE WARNED! there is a LOT of smut. (not rly vanilla either..) and the relationship does get pretty toxic at times 😬 but it gets better by the end of the book and the toxicity actually does add to the story and character development. if u give it a try please read the prequel (living to suffer) first!

After Being Forced to Marry the Evil Star General

a deputy prime minister MC who's powerful, high-maintenance, and hated by the public is arranged to marry a laid-back general who is much loved and praised (but also rumored to be cursed!). this is an arranged marriage + enemies to lovers novel

I'm actually in the middle of rereading this one rn 👀. I think this one is also good for casual reading since it isn't very complicated. in the beginning the interactions between the main couple r rly funny because they just clash all day long lol. its also got a little angst sprinkled in 😎👍 I did see some reviews saying that the MC is not likeable since he does some kinda bad things and he's stuck up but I still liked him idk 😭 I feel like his flaws made him more interesting

Married Thrice to Salted Fish

a doctor MC who only wishes to study medicine (and poison oop) gets arranged to marry a guy whos dying. turns out that guy has been taken over by a transmigrator! transmigrator ML then proceeds to die and come back as someone else.. more than once 😭

if you love a couple that schemes together then this is the novel for you! the MC in this book kinda reminds me of the MC from the book I mentioned right above. (these titles too long man 😅) I found the repeated "reincarnation" plot to be pretty interesting. the interactions between the couple were pretty amusing as well and since the ML is from modern times he randomly uses modern slang. MC even picks some lingo up from him loll

Xiao Jiu

about a 9th prince MC whos trying to win the heart of the emperor's cold and aloof bodyguard! call him the prince of rizz because it works eventually 😎 this is an age gap romance with a smidge of angst and political drama

this a short and sweet story! the ML is described as cold a lot but he actually becomes rly sweet and warm later on so he isn't one of those stone faced characters. I don't have much else to say about this besides "its cute, I like it" 😅

Guanshan Muyu

wife-chasing crematorium story! it's about a outlaw MC who's kidnapped by the very guy who betrayed him. ML wants to win MC's heart back but issues from the past cause a bunch of misunderstandings :( but it is a happy ending!!

man.... I haven't read a wife-chasing crematorium story before this and I was not prepared for the amount of ANGST. basically everyone is miserable for the entire damn time! 😭😭😭 but that's not to say it wasn't a good story!! all the suffering made the ending feel even sweeter 🥰 if you cry easily maybe keep a pack of tissues on hand when you read this 😂

I wrote this in my notes app while reading and I feel like it summarizes the ML pretty well bahaha 👇

"qi yan: my girl is mad at me. I hope I die"

It’s Not Easy Being a Master

transmigrator becomes the villainous shizun in a novel he read and attempts to avoid a bad ending but *gasp* the novels MC (ML) has been reborn with all the past memories!! MC tries to get close to ML while ML is like wtf is going on ! seems like a typical "transmigrated as a villain" type plot until suddenly it's not... 👀👀

this one was rly fun! there's a big plot twist that I found rly interesting and unique! very fresh!! fresh produce!! 🥒🫑🥕🍅 I also like the MC a lot he had a rly silly personality hehe. I think this novel is good for people who like solving mysteries alongside the characters since a lot of hints are dropped throughout

Golden Stage/ Terrace

arranged marriage between a court dog and a general who's become phsyically disabled. everyone knows that the two HATE each other... but do they really? 👀 no, it's not an enemies to lovers, but the other characters seem to think so! 🤭

great novel!! very good!! I love the dynamic between the main couple! they love to banter so their interactions are entertaining. there's a bit of political plot but it's nothing too complicated and the angst is minimal. I also like that one of the main characters is a ambulatory wheelchair user. this one also has a official eng tl now but I'm not sure from which publishing house

Sharing Rain and Dew

MC whos staying in the palace dies a painful death but then gets reborn several months in the past. he spends his time stressing about his impending death but for some reason the Emperor has suddenly become super clingy and doting

this one is very very short, only 5 chapters + 3 extras, but it's quite funny and cute. despite being so short the story is actually pretty interesting? good for a quick, casual read

list over!! I have a few more but this is already too long of a post 😭 I hope someone can find this helpful for some reading recs!

[inbabylontheywept]

Hey, so for context it's 3:45 AM where I am, and I'm stark awake at this hour because I had to take a nap yesterday due to eating a meal I really shouldn't have that is still wreacking havoc on my intestines. I'm definitely going to regret sending this ask HARD once the sun comes up, but I've been doing a lot of unadvisable shit on the internet over the past 3 days so why not add this to the pile.

I'm kind of having a weird emotional thing right now over your last post because it's just too ridiculous to be true, and I'm realizing the majority of your blog is probably all creative writing not intended to be taken seriously, but I've believed everything you've claimed to be a true story up until this point? And now I'm faced with either being a gullible fool, or an asshole for saying this if it IS all true, and I have to ask or I'll never know? I shouldn't be letting this get to me but it is.

So please, I ask sincerely and with no intention of being a jackass, are your life stories actually all true, or are they supposed to come across as obviously exaggerated or wholly fictional? I'm sure I could piece it together if I lay in bed and thought about it for an hour or two, but I think I'll just take the L and ask outright because fuck it.

But THEN if it truly is just a creative writing blog, would you keep the bit going and claim it's all real when it's not? Like, do you see why I'm going crazy? I am a very gullible, easily lied to person and that has lead me to be on high alert, but I almost always jump at the wrong things and come across as a distrustful asshole, so?? Will you assume this ask itself is LARP because of all the specific details I tacked on, which are intended to garner a sense of sincerity? I'm realizing I may have been playing checkers with someone playing chess all this time and I'm wigging out man

So, I'll start with the small stuff first:

The camp was in Prescott, AZ, in the mountains, over labor day weekend which is in late fall. I don't know the actual temperatures as numbers, but the people at the camp spent more time being cold than hot. The camp organizers also did bring a ludicrous amount of the pink sauce. I don't think the campsite itself was ever intended to provide potable water, just utility water for the showers and dishes and other non-for-direct-consumption tasks. So in that area, the camp people overprepared because Arizonans don't fuck around with dehydration.

I'm also pretty sure they had some water available, they were just very careful with it. I think there were a few diabetic kids, and they were making sure they wouldn't have to subsist on the weird gatorade like everyone else. Maybe. I don't honestly know.

But that's one story, and the thing that you're really asking is, are all these stories fake? Is it all just creative writing? And the answer to that is a soft no.

As a writer, I'm pretty strongly influenced by Patrick McManus. A lot of my stories are told in the American Tall Tale style - which is exaggerated, and dramaticized, but tells a story that is true nonetheless. I am going to keep the specifics of the exaggeration and dramatization between myself and God, but I would look at my stories and say that they're each more than 80% true. I hope that relieves some of your stress.

I wouldn't call what I do creative writing exercises. But I also wouldn't encourage you to take them 100% seriously. Both because I talk a big game, and because they are, at the end of the day, just funny stories. I certainly wouldn't want you to lose any more sleep over them.

You aren't a jackass for expressing incredulity. It's part of my style, and I welcome it. I also wouldn't call you a gullible fool for believing things in the past. We're good, you and I, and I've enjoyed having you as a reader. I hope you keep reading. Just, maybe not at 3:45 AM. Take care of yourself, Babylon

[darkcircles4lyfe]

I've given it some thought--

Now, if you've read any of my posts and you've read 430, you know there are a lot of ways it falls short of what I wanted. On the other hand, I can respect an open ending, one where we are allowed and encouraged to dream. All things considered, I'm not satisfied or disappointed, but a secret third thing... bear with me.

For a lot of storylines, I can fill in the blanks how I want.

I'm heartbroken over Himiko's fate, but there's no denying that the lack of camera footage leaves open the possibility of her simply disappearing. Perhaps she is waiting in hiding for the world to change, just like Lady Nagant.

Dr. Yoshida is described as someone who can cure the incurable. That may be referring to Katsuki, but the doctor himself said it's a complete mystery how he survived, all Katsuki's own doing. Maybe he cured someone else in those 8 years... someone like Touya?

Honestly I got nothing on Tenko but who knows. Who knows! Something something OFA connection. Izuku having vestige visions. Idk.

As for the manner in which society is changing, I'm drawn to Shouji's speech: "I'm dedicating the honor to those who joined the uprising eight years ago. All I've done is stand atop the resolve that they demonstrated to the world, nothing more." That at least tells me his earlier judgment of the other heteromorphs "setting them back" was a narrow point of view Shouji was supposed to grow out of, rather than a way of Horikoshi trying to criticize revolutionaries. In general, just because a character says something doesn't mean we're supposed to take it as gospel. That's lit crit 101, people.

Then there's Izuku. Once again I am feeling this pretty close to home. I keep coming back to the fact that the class is 24/25 now and I'm 25, man. On top of that, anyone else who was 14/15 ten years ago when the manga started gets to feel like we've all grown up together. I wanted catharsis for Izuku's trauma so badly. I wanted words. But I can't deny that the way Izuku is shown attempting to make the best of things and be content with a humbler life resonates with me, as painful as it is, as much as I know deep down he's kidding himself. It doesn't surprise me that he kept his walls up all this time and continued to shun his "selfishness."

I almost feel like there's an all-encompassing narrative theme being expressed here, in the fact that Izuku was trying to push past his pain and focus on the next generation, but surprise, his story's not over yet. I think the implied message there is that more can be done in the here and now, and maybe other stories that seem to be over, aren't.

With these things in mind, I can take the ending in stride, even if this is all the more we get from Horikoshi. However. There's one thing that is jolting me out of my peace every time I start to get comfortable here. It's actually related to the storyline that got the most closure.

I've seen a lot of fellow bkdk enjoyers calling their conclusion the best part of the ending, and I agree with that. They got a truly full circle moment, and a way of communicating to the reader that they're together, they have their forever, in a way that is personal to them. It's not "canon" in the way a kiss or a confession is, but I've said it before--this makes sense for them. And Horikoshi also did something legitimately interesting and groundbreaking by not making Ochako confess, not showing her future being tied to the main character as a love interest.

No, the thing that's bugging me is a seemingly small detail: why does Izuku and Katsuki holding hands at the end, of all things, have to be implied? Lots of things about 430 make sense in the context of the interview Horikoshi recently gave where he expressed being content with what he has drawn, and what he has left to the imagination. But not this. You can't convince me he didn't want to draw this. It's a motherfucking story about hands. This is the one thing I was 110% certain would happen. It's been teased for forever. Katsuki clearly wanted it so bad. So many other characters got to hold Izuku's hand in-frame. What the hell. Why.

Idk. I will be thinking about it for the foreseeable future.

[saurongorthaur9]

As we get closer to the end of S2, I'm going more insane over who the surprise kiss is going to involve and whether they are going to go You Know Where. I keep playing the process of elimination game with any character who might share a scene with Galadriel at this point, and I just can't conceive who it could possibly be other than Sauron.

Elrond? It would come out of nowhere, they've said in interviews that Galadriel and Elrond's relationship is platonic, and there'd be the weird "kissing my future MIL" aspect of it.

Celebrimbor? Again, it would come out of nowhere, and Charles Edwards said in an interview that they aren't going with the "Celebrimbor had an unrequited crush on Galadriel" direction.

Gil-galad? Once again, out of nowhere, and it would just be weird and uncomfortable?

Arondir (since we know he shows up for the Battle of Eregion)? Unless Galadriel is his rebound for losing Bronwyn, it would make no sense and they've barely interacted in the series.

A minor elf character (Camnir, Mirdania, etc)? Again, it would come totally out of nowhere, and if it's significant enough for Morfydd to mention it, I really think it'll be with a main character. Plus, where would they go with that, since we know she eventually ends up with Celeborn one way or another?

Speaking of which...Celeborn? Still not 100% convinced that he might not make a very surprise appearance, but it just doesn't seem to fit with the "shocking" description nor the fact that some reviewers who have seen it threw an absolute fit over it apparently.

Adar? This is the one contender that I could see making *some* sense (not as much as Sauron though). There's definitely chemistry there, if not of any romantic sort (as of now), and we know they're going to have some big scenes together in the upcoming episodes. It would fall into the "shocking" category for sure, and I could see lorebro reviewers losing it over it for the same reasons as they would over Sauron. However, right now, I don't see it fitting into the story anywhere, plot-wise or thematically. But right now, it would make more sense than any of the prior possibilities.

Am I crazy that this just leaves Sauron? The character who they have spent two seasons establishing a connection with her and emphasizing that they are still very hung up over each other? The character who, whether you ship them or not, she has the deepest and best chemistry with? The character with whom a kiss would fit thematically (touch the darkness, etc)? Plus, I can think of multiple likely scenarios that it could occur during (a vision, as part of a Galadriel corruption arc if they go there, etc). And it would definitely be shocking and send lorebros into absolute conniption fits.

Like, I know I'm biased because I want it to be them, but truly is there anyone else it would make any sort of sense with? Tell me I'm not crazy (or tell me I am and explain what you're guessing/seeing that I'm not)?

[ladyloveandjustice]

I'm responding to a post regarding Marcille having conservative views about gender role, linked HERE (which I also responded to in the replies, but it's an interesting enough topic I want to make my own post). I think that post's point about not sanding off characters' flaws is good, but I do think the reasoning for Marcille is missing something.

I honestly don't think Marcille wants men to be masculine and in strict masculine roles. Look how femme (and long haired) the guys in the Daltian clan are and she WORSHIPS them. If you interpret the person she sees in the succubus bit as male, they are extremely femme.

She just wants human men to look like male (and female) elves, which means androgynous. Kui said the clothes elf men and women wear don't look super different, they all wear simple, pretty outfits and all look pretty. I do think female elves are expected to be slightly more femme and male ones can be a bit more masc (see Otta being mistaken for a man) but there's still an androgyny to everyone and appearance wise, both men and women have long hair and wear clothing other races would see as feminine.

(Elf men and women also aren't very different physically, as seem here in the canary genderbend where they switch sexes and literally look exactly the same. Boobs are given or removed and that's it)

Remembering elf beauty standards makes a lot of Marcille's opinions make sense.

Remember that she was super shocked Laios didn't look similar enough to Falin and exaggerated his masculine qualities to a unflattering, buffoonish degree in her mind, implying she finds them unattractive? She thinks Falin should wear feminine things and have longer hair because elves do. Laios having long hair is weird to her because he's not androgynous like she thinks he should be... so she just thinks it clashes and does nothing for him. I don't think she would care if Laios wore a skirt or something.

We don't really see her ever exhibiting any regressiveness about gender roles outside of people's appearances, and you'd think she would if it were about that right? She never says anything about gender roles in the story. She never says Falin shouldn't like bugs or be how she is because she's a girl, or that Izutsumi should act more feminine. Significantly, she also tells the guys in her group that the should pay as much attention to their hair and appearance as she does, rather than going "of course men don't understand hygiene and hair!" Or even bringing up gender at all.

Marcille does definitely have some regressive opinions and prejudices though, as seen with the orcs. She's a mess, and not seeing Falin's discomfort with femininity and imposing her own values is a serious flaw.

And she and Falin definitely have very different interests, with Marcille valuing all thing femme and Falin not at all being interested, and Marcille is repeatedly disappointed she can't share stuff with Falin (see her in the makeup comic) ...but Marcille loves her anyway, I agree completely on that.

She's a complex, flawed character, but I think my interpretation is not only valid, but makes a lot of sense with what's been shown in the manga.

[lyss-sketchbox]

With Natlan's AQ coming to a close and I had time to really think about it and see other's perspective of it. I have some thoughts. And its gonna discuss the entire AQ as a whole and not just Act 5.

In short

More consistent action and flare than Fontaine

Way too much 'waiting for the right moment' and no other preparations are shown because of it.

The blind trust to said moment. Noone vetoed this, noone was worried about this, noone doubted this. So everything felt weightless.

Mavuika is a mary sue. Her hardheaded and blind trust to an event that may or may not happen just so happens to go right. She's so confident it'll work out she spent the days leading up to the final battle painting. So everything she does has no weight to it when it's blatantly obvious they're gonna win and ruined anything hoyo tried to do to create any tension.

Capitano is the goat and it's a shame he had a fraction of the screen time but alot more impact.

I have to say the level of action and flare they used in the entire AQ is alot more consistent than Fontaine.

We all should admit that we came into an AQ expecting interaction and action from playable characters and not NPCs unless they built them up enough to care for. Fontaine's evidence searching and crime solving part is understandably slow for some people and it can really hinder the pace, especially Meropide's part where it fully focuses on NPC's instead of actually figuring out Wrio's and Lyney's plans (which is sidelined until the very end)

The action scenes and AQ specific domains are great. I like that they aren't making us watch still images or summaries of events and actually let's us play through certain scenes, especially the Act 4 war and Act 5 making our way to the eye of the Abyss part. I love that it gives us choices and consequences based on our choices and ACTUALLY shows that consequence instead of telling us. Makes it feel like they're putting effort into the story telling.

The actual weight of the plot...? Not so much. I think it is very cliche with not alot of active impact from playable characters. The ending falls flat compared to what was set up.

In Act 1-2, it felt cliché for Paimon to point out 'oh look it's time for us to solve this nation's crisis', pointing it out doesn't make it any better but this is just a pet peeve and pretty neglegible.

I was sceptical about Natlan from the start, I admit that, but I like how the characters had an active choice and struggle during these acts. Kachina chose to stay in the tourney and train, Mualani chose to switch teams, they didn't wait for a thing to happen to do thing, they initiated it first.

Mavuika and Capitano fight still doesn't make sense to me. It's alot of needless flare with no substance to me. It feels like Capitano just waltzed in there with no other plan than to fight Mavuika for the gnosis. Like he didn't even plan his escape, he just so happened to be saved by Ororon.

Act 3-4 while had character interaction, feels tonally wrong. Like are Mavuika and co. NOT doing anything else but to wait for the 6 heroes to show up? Mavuika FOUGHT against Capitano's methods because she believes her way is better but it feels so... shallow? She just trusts that the 6 heroes will show up on time without any doubts or Plan B's at all...? Also in the beginning Mavuika told us to be careful when sharing the news that a war might break out but the first thing we do is... tell people...? Out right...? Sure.

The war was done well, I like that we have choices and consequences. The end sequence literally is a My Little Pony clone but it does fit with the consistent theme of solidarity in war and nationalism. Still felt cheesy to me.

Act 5. ACT 5 is the worst tonal shift of all time to me. So we spent the first half celebrating when we know something else is there, no preparation or doubts. Even Mavuika is like 'ah yes let me paint to pass the time :)', it feels... arrogant, it feels as if it's absolutely undisputed that we are gonna win. So there's no tension at all even when they finally try to make the final battle feels important. Even the stadium bit feels off, there's literally NO signs that we are losing but for some reason the Sacred Flame goes out...?

While I like that they brought out memorable NPCs from world quests, the part about the 6 heroes feels so extremely tacked on. Like wow the 6 first heroes gave us blessings randomly in the middle of the sequence even though the actual power up sequence to get pyro traveller is still... way after that so it felt... useless? The entire boss battle even feels so weightless because yeah, you're gonna win, what is there to root for lmao.

Don't get me started on the celebration afterwards, the long awkward section where you allegedly spend a while giving out autographs and taking pictures. It feels like Hoyo is popping a party popper in our face and going CONGRATS YOU DID IT! CELEBRATE NOW! THIS IS A CELEBRATION. If they were trying to divert our attention from Mavuika's death then it's a shit attempt. Because the final battle didn't feel like it had weight, so it feels not worth celebrating.

Capitano is the only saving grace of this AQ and even then he's been sidelined for the entire act so while the logic for his sacrifice to Ronova was great (hell even more hyped about this than the entire final battle), it didn't have the impact it probably should've had. It felt like he had an entire side quest that we didn't get to see or hint at unless you count the very first dream opening Act 5.

Now my biggest issue with this nation is WHY IS THERE SO MUCH WAITING FOR THE RIGHT MOMENT????

Kachina deserved to be one of the 6 heroes instead of Xilonen. We literally don't know what Xilonen and Iansan even do to earn that title but they just... are??? We atleast see Kachina fighting for a spot in the Night Wars and we hear about Mualani and Kinich's wins but Xilonen and Iansan???

Mavuika vetoed Capitano's plans that actually had substance and logic behind it because she just.... trusts that it'll happen. Does she not worry they won't show up?? Does she not have Plan B's?? She had absolutely 0 worries at all so she just... feels so flat. Then in the final battle she just... doesn't worry at all, like I understand as an archon and a leader it's best that you act like it, but there's like... absolutely zero signs that she's worried. Even when she's talking to her LONG LOST SISTER SHE'S JUST... FINE??? MOVES ON??? ARE YOU NOT GONNA TELL YOUR WORRIES TO YOUR SISTER??? OR DO YOU JUST NOT HAVE WORRIES AT ALL????

Man idk, the ending flops for me. Rip capitano one of the only good thing about this nation and he isnt even from it. But we SEE HIS STRUGGLE, HIS DOUBTS, HIS FAILURES, AND HIS SACRIFICE AND SUCCESS WHILE WE GET SHIT ALL FROM MAVUIKA SO LIKE????? WHAT WE'RE THEY DOING???????

[bonefall]

do you have any tips for writing a low empathy character who isn't evil? Or how to make an interesting apathetic character who's a thoughtless sort of evil? These are two different chatacters btw-

I tried looking up examples and stuff but uh. It's been a bit fruitless.

Honestly it's not too hard! Having low empathy just means we're bad at automatically "connecting" to the feelings of other people. You can come to understand it's not even a character flaw once you uncouple the idea that Empathy = Kindness. And apathy, well, that one's a bit more complicated imo.

Low Empathy

In English, it's just unfortunately super common to conflate Empathy and Compassion. To have compassion is to be aware of the suffering of another person, and ergo, want to help stop it. To be empathetic is to identify with and understand the feelings of another person. These are different things.

For an example in action; imagine a medic with a patient whose shoulder is dislocated, and xey'll need to pop that arm back in place in order for the patient to feel better.

A medic feeling EMPATHY for that patient is having an emotional response to what xey're seeing. Xey might have a tingly "ghost pain" thinking about the injury, and xey might feel guilty xey're going to put them in more agony, but also joy because this patient is going to feel much better in just a moment.

A medic feeling COMPASSION for that patient is thinking about how the shoulder must be causing a lot of pain, and knows xey have the skill to fix it. Xey know from xeir own experience that pain sucks and so it is a bad thing that needs to go away. It will hurt a little more for a moment, but then there will be immediate relief.

This is imo, why a lot of low empathy people are "bad at" comforting people without going to Autism College where they give you the scripts of Shit Neurotypicals Say. We're not trying to be selfish when we end up making "comfort sessions" about ourselves-- that's what we think empathy is, because we don't have a lot of it to really know what you want.

Like, doesn't it make sense to you? "I don't know what you're feeling. Here's a similar situation I've been though. I must know what you're feeling-- does that make you feel better? That you aren't alone? I think that's what empathy is, am I right?"

A LOT of low empathy people go into medical fields, the funeral industry, and disaster relief. We often really do want to help people so seek these fields out, or when we get there, just end up not getting burnt out like our high-empathy peers!

Apathy

As for the apathetic character, honestly, I'd suggest thinking about your story's themes. Villains are very special to me and I always try to handle them with care. What are you trying to say is bad to not care about in your work? How does their apathy play into the story you're trying to tell?

A Captain Planet villain is completely selfish, and exists only to benefit itself by exploiting nature in some way. Then the Planeteers show up and punch it in the face. Boiled down to its barest, most simple essentials; "We have conflicting goals and so I will stop you."

Personally I find total apathy to be something not especially compelling in villains, for that reason. Like, if you really don't care about anything, why bother with the trouble of going against the protag? Motivation is meant to be MOTIVATING.

(also ngl I'm on the Shadow As A Hero sort of bandwagon where I find it much funnier for the simple apathetic cool edgy guy to be the funniest person on your tennis team)

Dungeon Meshi has TWO characters who struggle with apathy, and are both antagonists at some points in the story, but never villains. Shuro and Mithrun. The theme of Dungeon Meshi is the beauty and complexity of life, the value of living, and how our connections to others changes the people we are. Food is a metaphor for bonding, self-care, and understanding.

For Shuro, he begins the story as someone who's both been encouraged to bottle up his emotions for the sake of other people, as well as to not actually consider the emotions of those lower-born than him. He's from a very different place than the other members of his party, and this causes friction as class, culture, and sophisticated, refined, weapons-grade autism clashes.

When the woman he loves is eaten by a dragon, he doesn't stop to tell her brother and """childhood friend""" what he's planning, as if they both wouldn't run in and get hurt. He owns demi-humans. He doesn't consider his own needs or the needs of his rescue team of loyal vassals. As a result, he's too weak to continue, losing a fistfight with one of the main characters, Laios.

After this, he connects with him for the very first time, and reaches out to him by giving him an important magic item. There's even a MASSIVE moment where he outright tells Laios that his ability to be so open (read: not have to mask his autism) is something he envies, breaking through that veil of apathy he wears.

The story Dungeon Meshi is telling here is that it is important to value the needs of yourself and of others. Shuro's apathy towards his own needs in a bid to prove his love weakened him. In acting like he was above his old teammates, he never spoke to them like people to smooth out his issues. He's never even noticed how much his vassals love and care for him.

(and the incredible irony is not lost on me, that Shuro's name is because Laios mispronounced it and was never corrected... while Shuro never noticed that Izutsumi had the unwanted name "Asebi" forced onto her when she was "taken in" and made his slave.)

See how that comes back to the theme? Shuro doesn't exist to just "be some asshole" or act like a villain. He has a full character arc that contributes to the narrative.

For Mithrun? I won't even spoil it. Go read Dungeon Meshi. Watch elf depression. We love a king with strabismus.

Anyway,

If you ever need good personal resources on any stigmatized mental condition, I've found it's usually productive to go into the #Actually (Thing) tag here on Tumblr. You can find people posting about basically anything. I found a lot of really good resources on NPD that way.