#to talk about it in a nuanced enough way but it’s there

[neyafromfrance95]

the essence of sauron's feelings for galadriel makes him the perfect partner for her.

galadriel's greatest desire is to be a queen in her own right, to have power over all else in the kingdom of her own.

and this is sauron's proposal to her.

sauron is not proposing to make galadriel subservient to him, to make her into a consort. he is proposing to give her that which she desires. he would be her consort in that scenario, her queen-maker. he promises to make her stronger than the foundations of the earth, to bring all middle-earth to its' knee to worship the light of its' queen. this is not a description of a queen consort, but of a god queen.

trop doesn't change lotr!galadriel's greatest desire, it just adds more context to it - sauron himself becomes her temptation for power! her desire for him represents her desire for power.

we don't talk enough about how galadriel sees herself as the chosen one. she has a god complex. she believes that there is this greater than life reason why she alone is destined to defeat the darkness and protect the middle-earth, and everyone should accommodate her in her quest of a great glory.

and sauron knows her mind. he sees who she is and who she wishes to be. and he wishes to make galadriel into a great authority she desires to be. he chooses her as his god to worship.

the truth is that they couldn't be any more compatible with one another.

there is more nuance to it. sauron sees his likeness in galadriel, and he empathizes with her when she opens up about being alienated bc of her darkness. he genuinely repents for causing it and chooses to help her achieve her ambition by following her lead. and that is the feeling he wants to bind to his very being, the feeling of being forgiven by the one he had helped ruin when he served the darkness as he helps her heal by serving her light, the feeling of being free of morgoth's darkness through binding himself to galadriel's light. bc in his mind, he can be absolved of this darkness through serving galadriel. in his mind, to heal himself he needs galadriel to need him.

in his mind, galadriel is the one being who is his mirror, she shares his darkness, and yet, she overpowers it with her willpower. so it makes sense that sauron believes only galadriel can free him from morgoth and do so by binding him to herself. sauron sees galadriel as his savior.

sauron's proposal is literally him begging galadriel to bind herself to him by accepting power he offers her. binding that feeling to his very being = bending his knee to worship the light of his queen. and sauron expresses care through servitude and experiences love through worship.

so, subtextually, sauron asks galadriel to accept his love.

his feelings for her border worship and possessiveness, and since she rejects his worship, he resorts to desperately trying to possess her. but the undercurrent of his groping is the same - she is the only one who binds him to the light. as in, the part of him that loves her is the only part of him that is absolved of the darkness. and he wants that feeling back the way he felt it when he fought at her side.

subtextually, it is underlined that sauron tries to recapture her being in his creations, and it is the feeling of being bound to her that he covets. he holds onto their connection and keeps it with him always.

also, sauron and galadriel's compatibility and connection don't make for an inherently corrupt dynamic. in theory, she can be a great leader and he can be her good follower. but as it is, sauron would inevitably cause galadriel to succumb to the darkness and she would never outgrow her pride and greed.

[jojotichakorn]

i started penning a post about how i always find it narratively unsatisfying when an arc ends with a conclusion the following arc breaks, regardless of how realistic the repetition of the same mistake might be, which is still true, but i actually want to talk about something else right now.

i feel like, at least at this stage, jack is in a position that is both generally unrealistic and untrue to the specific events of the series. 'jack and joker' has a clear focus on poverty and money and class issues, but it seems to treat jack in a very special way. he somehow manages to stand on the moral high ground above other characters. specifically, other poor characters. which is, first of all, a little ridiculous, since he was indeed a debt collector and, in fact, almost became the boss's son. and, second of all, is generally Not Great, because it does idolise the idea that if you "just try hard enough", you won't "allow" yourself to be backed into a corner and therefore won't have to do bad things.

now, don't get me wrong, i am not saying that our characters who have made mistakes are completely blameless. tattoo did shitty things (and hoy followed suit), safe did shitty things, hope frankly admitted to enjoying doing shitty things. however, if we zoom out a little, we will see that all these characters are in a situation that is inherently unfair to them. we have all of these poor people in immense amounts of debt and then we have this disgusting rich motherfucker whose entire wealth is literally based on making their lives as miserable and unfair as they are. and i think that, in this particular case, the series would have actually benefited from a dichotomy. don't get me wrong, i'm usually absolutely brimming with nuance and also asking "what lies outside of it?" but this shall be my exception. (though you could say that joke already brings some nuance to it - he is initially from a well-off family and he actively makes choices to the benefit of poor people, despite it resulting in him being ostracised from said family and its riches).

jack walks the line of being poor and managing not to do anything "too bad" like he is a fucking circus performer on a wire. and, don't get me wrong, he is genuinely a selfless character. he makes choices that a lot of other characters in the same circumstances wouldn't make. he remains in debt and continues working for the boss because he keeps trying to help people and pay off their debts first - that is admirable. however, he himself was already set up for more success than others. sure, being forced to become a debt collector isn't a walk in the park, but most other debtors didn't even have that choice. jack has to work for the boss in order to stay afloat - that is an undeniably hard task. the other people the boss collects debts from, however, have to come up with a lot of money out of thin air - that is not simply a hard task, that is an impossible one that is designed to trap them in the cycle of doing this impossible task forever. that being said, ultimately, jack is still poor. his own hamster wheel should be somewhere around the corner, that's always the case. this idea is where i wish they would have taken jack's arc.

from the moment when he refused to marry rose, there was no escape for him. finally, much like our other poor characters, he found himself stuck between a rock and a hard place. (and i think that it's very thematically appropriate for jack's particular "i can't do this anymore, i deserve to live a full life" sentiment to be connected to love, since he is, after all, a lead of a romance drama). he made the decision to say "no" and from that point on, he was completely and utterly fucked. because, realistically, that conversation that he had with the boss after refusing rose was insane. i don't know what he would have done to jack exactly, if that was a genuine conversation and there was no exchange of jack's freedom for the ring, but it would not have been anything good.

so i wish jack had to make the actual tough call there, instead of having joke save him all on his own (and later take the fall for it). and if it was, at least in some capacity, jack's decision to steal that ring, he would finally be placed in a situation where every other poor character already inevitably found themselves in. because the entire system is rigged against all of them and they are eventually always forced to do things that they should have never even had to consider in the first place. but they deserve better than living a life set up for them by evil rich people who literally live off of their suffering and they are allowed - no, at some point they simply have no choice but to - fight for a better life.

this, in my opinion, would have been a much more powerful message and - not to circle back to my personal preferences - would have also not left us with joke making the very same mistake that we decided we should never make again at the end of the previous arc.

[actuallyidontgiveadamn]

Just finished playing DAV and while I literally binged it with no rest for like 8h a day and enjoyed it a lot there's one thing that bothers and frustrates me about the game

spoilers I guess

Almost nothing matters in the game. Your background, your faction, even your race has almost zero impact. Even your choices doesn't matter much.

The plot that should be a real turmoil for the elves barely acknowledges there are any troubles. I heard ONE line on slavery in Tevinter, said by my Rook when they were commenting on something completely unrelated. I expected so much more drama and crisis in the elven society about the Solas' ritual which was supposed to bring elven former glory. Or about meeting their gods. But no, ritual bad, gods bad, moving on.

Background is literally the same for each and every faction. You saved the day but crossed some nobles and were sent away. Race isn't tied to backgrounds, leading to some very lore-wise questionable combos

Choosing what city to save seems to make the most impact on the game, but in the end still doesn't matter because you can bring every faction and every companion high enough to get the best ending

Absolutely every ending from worst to best is still basically doing the same thing

Choices you make for companions (why tf you're the one to decide is a separate question) also have no impact beyond a following conversation and maybe an outfit you get for the quest

No politics, societal problems, injustices that shaped the nations. Antivan Crows are a sweet found family now. Slavery in Tevinter doesn't matter. Alienages aren't mentioned. Dwarven society structure is irrelevant. The Veilguard team exists in a vacuum and just needs to kill a couple of gods.

So yes, I overall I enjoyed the game but it clearly doesn't want to talk about anything. No nuance, no societal problems, no political stances, no impact of your background or consequences for your choices, or your companions' choices

Also I really missed the big global picture (unless you read the Codex). No armies or governments exist, just factions and just Veilguard who are like eight people. DAI was way more realistic on dealing with a global crisis, and I can only hope that (based on their letters to Rook) Inquisitor was doing some real work in the South which I hope looked like what they did ten years before

[dseerie]

My Thoughts On Why Astarion Acts The Way He Does

While I'm waiting for Baldur's Gate 3's cloud status to upload, I've been thinking. I've seen a lot on social media about people questioning why Astarion disapproves when your character wants to save the gnomes (since they are also under an abusive master) or assisting the refugees and how he is always wanting a reward instead of just doing something nice for the sake of it. And I've talked with people who have helped me put this into better words. At least I hope. So I wanted to explain my perspective as someone who was abused when a kid/teen/even early adult.

I fought my abusers whenever I could, figuring if it was going to happen, I'd piss them off, which was satisfying. I liked seeing them hurt when bad things happened to them. I enjoyed making them suffer as I was, even if it wasn't the same as how they abused me. Then when anyone else made me angry, I wanted them to hurt (I never physically fought because I didn't want the pain, but I wished suffering upon them.) If someone started issues with a different authority figure, it annoyed me quite a bit because then I have another problem. And what if my abusers found out I was involved when I wasn't because someone I was with was upsetting the authority figure? It would become just one more issue I had to deal with. Too many details and nuances to keep track of when my mind needed to focus on the first problem. It made sense to stay on the good side of authority figures to keep myself safe and avoid trouble.

For me, something had to be worth doing or my mind just went back to worrying about sh*t, back to the fight or flight survival response. I needed that reward dopamine. Getting praises wasn't doing it for me, since I would forget the good because of the bad. Trauma brain is funny like that. I needed something physical and worthwhile to make me happy.

It's the reason why Astarion is my favorite character that I connected with the most. Not because of his beauty (not that he isn't an elegant elven man. Just that it wasn't what got me to like him. I'd lean more toward Gale or Wyll if it was by appearance for the male companions, though seeing Astarion half-naked with abs was a real shocker. I seriously thought he was a skinny elf 😳), but because he reminds me so much of how I was and how my thought-process worked. How I kept people away by being rude just enough without them wondering if they should say something to my abusers. Because no matter how many times I told people outright I was being abused early on, no one helped, only tattle-told on me.

And I haven't even completed a playthrough yet. I only just got to the Elfsong before starting a Durge playthrough. First playthrough was an asexual Tav to get to know the characters and storyline (I kid you not, I made my Tav a Charlatan rogue then discovered Astarion was also a Charlatan rogue when I was in the forge 😂). As I got to know them a bit more, Astarion intrigued me the most and when Patch 7 came out, I decided to play a Durge Romance. The first Durge both traumatized me up to Act 2 and made me adore and respect Astarion even more. So yeah, I'm romancing him on this Modded Durge Romance playthrough despite Gale having an interest in me, who is the male companion I would connect with if Astarion wasn't a companion (I'm literally just starting the Underdark area and Gale is already at 100 approval while Astarion is at 79 approval. I wish I had a library, I do have a cat, and I love me some white or pink wine 😋).

This is what my perspective of why Astarion acts the way he does. He's not bad, per say. What happened to him for 200 years has made him what he is. Nobody can fix someone else, but they can be guided to help fix themselves. I've been working to fix myself since I got out of the situation. And I want to be the one to guide Astarion toward fixing himself.

If I think of more, I'll see about adding. For now, thank you for reading. I hope you have a great day. 😊

[deathsmallcaps]

Maybe it’s just because there’s only so many ways to draw a type of thing, but I have seven thoughts about Elemental (2023) after watching it again lol.

1. It showcases a lovely balanced relationship between artists. Ember, of course, has an eye and hand for glass making, and Wade sees the potential and ability she has; how her light shines through to the world and him, figuratively and literally. Meanwhile, Wade’s way with words is more subtle, but really reaches in deep and converts visual art into emotion; it takes a good writer and speaker to convey feeling into accessible ideas. And Ember recognizes his talent, and lets it touch her.

They bring light into each other’s lives; without each other, they were fine and functioning and almost happy, but when they have the other, that’s just the icing on the cake.

2. The art style looks worse without motion. Both characters are constantly unconsciously moving in every shot; Ember flickers and Wade drips. Plus, the way light works with them and around them doesn’t translate well to a still image (especially with Ember; it’s hard to draw without outline, and I think it helped with visibility and stability on the screen, but in stills it looks awkward.).

A lot of fan art I’m seeing seems to struggle with this outline/still problem, again more with Ember than with Wade, but a lot of artists have added their own spin and style and made it work. I think the problem is directly related to how it’s difficult to capture water, fire and light ‘sources’ like the moon via photo. So if the art style for that particular aspect is turning you off, and you’ve only seen stills, I’d suggest you watch a bit of video or a good gif set (there’s already quite a few) before deciding whether it’s worth watching or not.

3. Speaking of art, this movie really reminded me of Studio Ghibli movies. Maybe there’s only so many ways to draw something, or maybe it’s just the Howl’s Moving Castle (both book and film) and Ponyo fan in me, but Ember for sure took a lot of visual inspiration from Calcifer, it’s the red outline and such, and Wade the waves from Ponyo. It was fun to see! Also tbh I saw some Dr. Seuss CGI movie shapes in their bodies.

4. Ember and Burnie breaking the cycle. When Burnie left Fire Land for Element City, he was following his dreams (and he even started enough of a trend that his whole neighborhood because a new fire town). But his Sad disagreed with him. As a last attempt at connection, Burnie bowed a Bok Sa (sp?), a very deep bow, to his father, to show respect and love. His Dad did not return the gesture, spurning his son and his dreams, and turned away.

When Ember leaves for the glassblowing internship, she performed a Bok Sa for her Dad (and it’s so intimate guys. Like it’s almost embarrassing to look at because it’s raw and passionate and I really admire the creators for Not restraining it). Burnie sees a chance to show his daughter that he loves her, and that he respects her dreams (despite his and Cinder’s sacrifice of emigration from Fire Land, which is a big theme in this movie), and so he holds back the hurt his father laid upon him, so many years ago. He does a Bok S- back. It’s wonderful. I’m not sure he would’ve done that at the beginning of the movie, but his love for his daughter won out in the end.

(I just wish that the mother-daughter relationship received a little more canon consideration as well, but I appreciate the movie for the relations it did focus on.)

5. The city fucks up in a big way, and of course it’s up to the people affected to solve it, at least in the short term. Despite water being a huge hazard and supposedly already gotten rid of in fire town, there’s still a water train that passes regularly and always displaces enough water to kill a fire person. And in terms of the dam, there’s so much bureaucracy that Gale (the city safety officer?) found it easier to (nearly) shut down a business than to get a health hazard (the broken dam) fixed.

And when Ember covers up the hole, she leaves it! Her tempered glass doesn’t get support, and it eventually cracks and floods Fire Town, nearly killing lots of residents and leading to Wade’s evaporation.

6. Feel free to add on but I’m surprised that no globe has really talked about the disability angle yet. I i afraid I don’t have enough experience being physically disabled to talk about it in a nuanced enough way but oh well. It’s there. The way the fire people needed different transportation (also there was a fire person in a wheelchair. How things that are safe for others could kill them (Cinder nearly died while carrying ember because a guy dripped on her, which is a thing that others would find mildly inconvenient). How Wade’s nephew casually mentioned that Ember could die if she stepped off her mobility aid (the floatie) and proceeded to mess with it. And of course the shame, embarrassment and fear of being excluded & discriminated against.

7. More Men Should Cry!!! It literally saved Wade’s life lmao.

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[benevolenterrancy]

Art prompt of Shen Qingqiu holding the aro flag (fits his color scheme)

the real reason this man doesn't realise he's tripping every romance flag in the story

[gingermintpepper]

Extracts from The Greenhouse Floor

[pyroexcape]

having a special interest of the most well known franchise in the entire world is awesome and epic until it isn’t

[eatyourmaker]

I don't know how to word so I just. Send hug gif

I hope you don't mind me sending these kfdngskdfn

🫂 thanks

Sorry if I bummed anyone out

It just kinda sucks

I was so excited to have a place that felt!!! So accepting!!! And it felt like everyone was just toying with the characters in their own creative way, whether that be ships, blogs, rps, etc.

A place where a weirdo like me could thrive.

But

Idk lately this place is starting to feel as draining as any other aspect of my life. Idk what changed... in reality it's probably only me that's changed.

Like I'm constantly scared of something,,,

Maybe I'll just disappear until the next ep drops again fjdksndkdnns

[shalom-iamcominghome]

hiii, im a conservative convert who wears tzitzit! it's definitely not the community norm, and you'll probably get some ppl reacting weirdly or telling you you're getting "too frum" (or maybe that's just my shul...), but that's their problem — what matters is whether you find it meaningful, and how it enhances your connection to Hashem. it's always a positive thing to take on a new mitzvah. personally i have found it to be deeply meaningful. and if you're worried about people's reactions, you can always wear them tucked in! i will add that if you're wearing out, it's my opinion that you should not do things publicly that violate halacha such as eating at a non kosher restaurant, but i also recognize that im very stringent in general for myself so of course, you should speak to your rabbi and use your judgement in making those decisions. all this to say — honestly yes, you will probably be the odd one out at a conservative shul if youre wearing tzitzit, but as long as it's something you find joy and meaning in, then it won't matter!

sorry this was a very rambly paragraph lol, but i really do encourage anyone who feels intrigued by this mitzvah to start wearing tzitzit without worrying too much about what people think. i think it's a beautiful way to remind yourself every day of your dedication to Hashem and to Torah <3

Absolutely! I don't really see anything jewish as being "too frum" to observe - because frum people are amazing people and because the things we call frum are just... part of judaism? I've found so much meaning in the things I have been able to do, and I've found... it's not just as simple as "I do this because I'm told to," these mitzvot are meaningful because of how grounded I've felt doing them, how they remind me I'm part of a bigger world that's not just "me," that I represent part of the human condition and I should act like it. I think a lot of people almost... oversimplify these mitzvot to the point where they can't understand why it's meaningful - which isn't really a bad thing, because I get it! We don't find the same meaning in the same things! But I just love celebrating all of these mitzvot because I think they're deep and personal and bigger than just "do this arbitrary thing lol"

[apocalypse-boogie]

I gotta be honest, I don’t engage with the Criminal Minds fandom (despite having watched all of the original show + Evolution and read up on as much of the spin-offs as I could) because I don’t like how prevalent the racism and sexism and infantilization is in the fandom. There’s just enough of all that shit upfront that I don’t want to dig any deeper than I already have. I’m good, I get enough of that shit in fandoms that I’ve been apart of for years I’m not gonna let this shit sully my love for this show anymore than it already has (especially considering the show’s writing itself is not devoid of these faults).

I’d rather just love the show and dissect it and write analysis and fanfic for it and shit on my own.

My fav characters (just cause & kind of in best to least order): Penelope Garcia (she’s literally me, I love her), Derek Morgan, Emily Prentiss, Jordan Todd, Matt Simmons, David Rossi.

[widevibratobitch]

my toxic trait is getting into a show that's honestly mid at best and creating a version of it in my head that is so so good and nuanced and compelling and then seeing a take by an average fan with wet cement for a brain and just deflating like a months old helium balloon

[zoradementio]

Someone: *Digs up shit from about half a decade ago that some semi-popular internet personality had said as proof that they are some flavor of bigot*

People who take longer than one second to form an opinion: “Hold on, that’s a little unfair. Is there proof that this is something they’ve done continuously/is a belief they actually hold? And why should we just trust the word of this random person?”

Some headass on Twitter: “UM, ACTUALLY the person who posted this is literally a queer teenager! You’re a homophobe who is harassing a minor and you also are the same type of bigot as this internet personality AND you condone the jackasses who are actively sending death threats to this ~Queer Teen~! ...Anyway, I’m still gonna consume this person’s content that I just called a bigot, but as I am a good internet citizen I’m gonna advertise that I don’t condone this creator’s actions <3″

[dennisboobs]

god the bad takes just keep coming how are any of us going to survive hiatus lmao

[godblooded]

if you write a greek muse, meanwhile, i am kissing you on the forehead with enthusiasm and thanking you for your contribution.