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the-cosmic-cauldron · 11 days ago

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Today, we’re going to talk about the Mars sign and how it influences the way you take action. Action is what drives our day-to-day lives. Without it, nothing would come to fruition. Your Mars sign shapes your approach to action in ways that many people have never fully explored. Let me guide you through how your Mars sign dictates how you take action.

Aries Mars

With an Aries Mars, your life is all about movement. You dislike stillness, boredom, and feeling useless. You’re a natural worker, and when you’re not working, it negatively impacts your self-worth and empowerment. You feel defeated and weakened without constant action.

In this position, Aries Mars doesn’t like to overthink. They avoid people who crowd their mind with too many ideas. Instead, they prefer to act based on instinct and what feels right in the moment. They are the ultimate guide and compass for their own life and dislike being told what to do. If you try to get an Aries Mars to listen to others, they will become aggressive and shut you down or refuse to listen. They want to rule their own lives.

As a cardinal sign, Aries Mars is quick to start things. They’re quick to apply for a job, try something new, or go after what they want. They don’t like being bossed around; instead, they expect others to take orders from them. If you’re interacting with an Aries Mars, you must listen to what they say and obey their rules.

Ruled by Mars, Aries Mars is hot-headed, creative, and aggressive. They don’t know how to dial back their energy. They express themselves directly, preferring a clear yes or no—nothing in between. Aries Mars loves to be dominant, and submissive roles never suit them. They won’t last long in situations where they aren’t in control.

They want to show strength and capability, so they’ll always gravitate toward opportunities that allow them to demonstrate their power. Aries Mars doesn’t like being told no; they’ll knock down walls just to prove they’re strong enough to do it. If you plant a seed of doubt in their mind, they’ll quickly show you why you’re wrong.

Fearless by nature, Aries Mars will often try to push through challenges—even when they’re not fully capable—driven by adrenaline. They run on this adrenaline, ensuring that everything they do is done in a big way. Their motto is “Go big or go home.”

With this placement, you might rise to the top or crash to the bottom. But even if you fall, you always have the resilience to get back up. Life for Aries Mars flows in cycles—cycles of danger and cycles of success. But no matter what, you have the ability to rise above it all.

Taurus Mars

You can’t be bothered with people who don’t understand how you do things, because it annoys you to explain yourself to those who aren’t willing to understand. You have the ability to be discerning, and you can easily spot when someone is asking you to do something just because it’s different from how you do things, versus when someone truly wants to assist you. However, in this action-oriented placement, you often move too slowly for Mars. While Mars is racing ahead, you take your sweet time, falling far behind. Although, one day, you will catch up with Mars—it just might take a while. For you, Taurus Mars, it’s all about being slow and steady, but sometimes, you might fall out of the race entirely.

Taurus Mars prefers to stick to tried-and-true methods. You dislike doing anything unconventional. You need traditional, proven, scientifically researched methods. You want to know what your grandmother did and replicate it because, frankly, you don’t care about modern technology or the latest ideologies. What works is what you’ll do, because you don’t have the energy to explore new ideas.

At your core, Taurus Mars is all about pleasure. You hardly want to move unless there’s something in it for you. You’re transactional—refusing to take on tasks for trivial amounts of money. You know your worth and won’t settle for small change. You need to know exactly how much you’ll be compensated before you’ll even consider moving.

Taurus Mars is motivated by pleasure. Anything that makes life feel more beautiful, relaxing, and luxurious is what draws you in. If you’re only offering exercise as an incentive, forget it. Taurus Mars doesn’t care about working out; it cares about sitting back and enjoying life. Your movements are slow and deliberate, as you’re playing a long game. You’re not concerned with building muscle or being the strongest—you’re aiming to enjoy life to the fullest in your own way.

Your actions are meticulous and intentional, and this often frustrates others who are always in a rush. While they’re eager to get somewhere, Taurus Mars is focused on enjoying the ride. You’re all about sensuality and taking pleasure in movement, but only in ways that make you feel beautiful, useful, and at peace. You don’t want to work at a construction site; you’d rather paint, water the garden, dance, or create something beautiful.

The Mars energy can be too strong for Taurus, causing a clash. Mars urges you to act quickly, but Taurus is reluctant to rush. This makes it take a long time for you to take any significant action because you need to know that what you’re doing will produce tangible results.

There are two things that are crucial for Taurus Mars to move:

1. It needs to feel like an investment. You need to see that what you’re doing is worth the effort and will yield results.

2. You cannot be bothered by things that require too much physical exertion or mental strain. You prefer tasks that allow you to use your eye for beauty and aesthetics rather than relying on brute strength or intense mental effort.

Taurus Mars sits between physical strength and mental power when taking action. You also need to know that whatever you’re doing is sustainable. If something requires too much energy, you won’t pursue it. But if it’s low energy and leads nowhere, you’ll also avoid it.

What sets Taurus Mars apart is that when they finally take action, they do so with such discernment and efficiency that they often produce far greater results than others who are taking constant action. While others might rush through their tasks, Taurus Mars moves slowly, but when they take that one step, the payoff is significant. People might get jealous when they see that after taking three months to decide, Taurus Mars ends up with more than the person who’s been acting every day. Taurus Mars doesn’t leap without thought—they only take action when they know it will work. And that’s why, in the end, they often end up in a better position than others.

Gemini Mars

How did the planet Mercury meet Mars? Well, they talked their way over to Mars, who was busy working, and now they’re distracting Mars from getting things done. Yes, Gemini Mars is always distracted from taking action.

Seeing a Gemini Mars take action is like seeing a rainbow in the sky—a rare and beautiful occurrence. Everyone gathers around to admire it, but it doesn’t happen often. For Gemini Mars, they are cerebral thinkers. They don’t care much about doing. In fact, they prefer to watch others do the work because they can’t be bothered to lift a finger.

Why would they exert physical effort when their strength lies in their mental capacity? Instead of doing, they prefer to instruct others who are willing to act. They’ll share their ideas, plan things out, and let others carry out the tasks. That’s the essence of Gemini Mars.

In this position, Mars is full of energy and ready to take action, but it’s facing Mercury, who is just talking. So, Gemini Mars doesn’t thrive here. Why? Because Mars is waiting for Gemini to act, but Gemini is too busy talking. If you meet someone with Gemini Mars, they’ll be a big talker—full of grand ideas, theories, and ideologies. They can talk about everything from social groups and celebrities to the latest trends. But when you ask them what they’ve actually done today, they haven’t done much because it’s all in their head.

One thing Gemini Mars is good at is meeting new people and finding ways to externalize their thoughts. They can convince others to be the ones who do what needs to be done. For example, a Gemini Mars might have a girlfriend who does all the cooking and cleaning, while the Gemini Mars doesn’t lift a finger. Why? Because the Gemini Mars has charmed and persuaded the person into doing these things, using their charisma and Mercury energy to convince them that it’s the best thing for them to do. Now, the Gemini Mars doesn’t have to cook dinner or clean clothes because they’ve convinced someone else to do it.

That’s the essence of Gemini Mars. They will persuade you to do what they don’t want to do. They’ll give you the ideas, make lists for you, and tell you exactly how to do it, but they won’t execute it themselves. They’re thinkers, not doers. Gemini Mars excels in jobs that require them to use their creativity and intellect but not physical labor. If the job requires them to be hands-on, they’ll likely fail or quit because that’s not where their strength lies.

When it comes to decision-making, Gemini Mars is also slow. They don’t like to make decisions because they’re constantly processing information. They’re never set in stone with their conclusions. Instead, they’re always transitioning between different ideas, theories, and thoughts without committing to one. This indecisiveness makes Gemini Mars a poor decision-maker.

While this might not be the best placement in times when people were expected to take action and do physical labor, Gemini Mars functions well in modern, intellectual eras where new ideas and technological advancements are valued. In today’s world, Gemini Mars thrives in environments that require efficient thinking, ideation, and constant mental stimulation. They’re not going to do the work—they’re just going to tell you how to do it.

Cancer Mars

When we think of Mars, we think of action—raw, animalistic, pure energy. And then here comes the soft, subtle Moon. Mars doesn’t even notice the Moon because it’s too busy working, while the Moon is focused on comfort and feeling. Mars has no time for that.

Now, imagine the position of Cancer Mars. Mars doesn’t like this placement. Mars wants the Moon as far away as possible because the Moon brings “yucky, icky” feelings. Mars is all about action—so why sit in emotions and feelings without doing something about it? For Cancer, they’re such strong feelers, and in the Mars position, this impedes their ability to take action because they’re stuck in the realm of emotions, comfort, and familiarity. Action feels chaotic, aggressive, and all over the place. Cancer Mars prefers to stay in their comfort zone.

As a cardinal sign, Cancer wants to lead, but they also don’t want to take action. They feel propelled to act but may impulsively start something before their emotions take over. Once that emotional wave rises, Cancer Mars becomes paralyzed by feelings—overwhelmed by emotions, unsure of where to go, and unsure of what action to take. One minute they feel happy, the next minute they feel sad, and then they might feel angry. They don’t know where to go or how to move forward because they’re consumed by their emotions.

So, Cancer Mars takes a long time before making any moves. They’re the type to feel sudden inspiration to do something because they have cardinal energy and they’re ready to start—but once they feel that urge to begin, their emotions kick in. The overthinking starts, and now Cancer is uncertain. They wonder if they should take action, or if it’s the right time to do so. They’re caught up in their emotions and not sure which direction to take.

A Cancer Mars needs to process through cyclical emotional states before they can make a decision. If you’ve ever met a Cancer Mars, you might have noticed they can never make a decision on the spot. That’s because they want to say “yes,” but they know their emotions are going to influence them, and they can’t make a firm decision until they’ve worked through those emotions.

By the time Cancer Mars is ready to make a decision, they’re trying to operate from the highest emotional state possible. So if they’re feeling down or going through a somber period, they’ll wait to make any decisions until they feel like they’re in a more elevated emotional state. This can slow things down even more.

Cancer Mars is like the person you rely on, but you never know what mood they’ll be in. On Monday, they say they’ll pick you up on Thursday, and you think you can count on that. But by Tuesday, their emotions have shifted, and they change their mind. By Wednesday, they may change it back to “yes,” and now you’re left wondering if they’ll actually follow through. This fluctuation creates uncertainty, and by Thursday, you’re on pins and needles, wondering whether or not Cancer Mars will show up.

This placement is terrible for decision-making until Cancer Mars grows emotional intelligence and learns to understand their emotions without being completely absorbed by them. In the meantime, they’ll make decisions slowly. Even when Cancer Mars does make decisions, there’s still that cardinal energy. Sometimes the decision is impulsive—just a sheer desire to take action—but it might change repeatedly.

So while Libra might be known for being indecisive, Cancer Mars is even more indecisive because their moods and emotions create a barrier to taking action. However, once Cancer Mars finally takes action, they’re committed. After all the back-and-forth and emotional processing, when they do move forward, they really want to do it.

But remember, Cancer Mars doesn’t like aggression, harshness, or fast-paced action. When they take action, they’ll want to do it with grace, moving demurely and with class. That’s the Cancer Mars way.

Leo Mars

When we think of Mars, we think of action—raw, powerful energy. Now, imagine the Sun coming into the picture. Mars looks over its shoulder and smiles because the Sun brings enthusiasm, positivity, and light. With the Sun’s radiant energy, Mars feels motivated to do more, shine brighter, and keep pursuing what it wants. This is the essence of Leo Mars.

For Leo Mars, they bring positivity to action. While some Mars placements can make action seem serious, Leo injects fun, joy, and light-hearted energy into it. Mars feels it can smile more with Leo around. Leo Mars doesn’t just want to do things—they want to do them with purpose, passion, and the best energy they can offer. When they act, they are fired up and unstoppable. However, because Leo Mars is a fixed sign, they’re not always the initiators.

Leo Mars isn’t as original as people often assume. Unlike Aries Mars, which is known for being a leader and trailblazer, Leo Mars tends to follow in the footsteps of the Cardinal signs. They observe and then act, especially when they see something successful. Leo Mars is drawn to established success and often finds themselves following what’s already been built, rather than starting something from scratch.

For example, if Leo Mars sees someone doing well—gaining followers, making money, or growing influence—they’ll jump on board. As a fixed sign, they don’t want to create something new but will instead take what already works and build upon it. They want to enhance and magnify what is already established. So, if you’re making money or gaining followers, Leo Mars will take notice and figure out how they can make it bigger, better, and more powerful.

This tendency to build on existing success is why Leo Mars often develops a big ego. They want to outdo the person who showed them the way or introduced them to something new. If you teach a Leo Mars anything, be prepared for them to want to do it better than you. If you have more money, expect Leo Mars to eventually surpass you in that area, too. This is the nature of fixed energy—it makes decisions with confidence and believes it can work because they see the potential to build on what’s already there.

When Leo Mars takes action, they need recognition for it. They thrive on praise, acknowledgment, and admiration. This is why Leo Mars tends to follow trends or go after what’s already working—they know that if they master it, they will receive recognition, whether it’s through more followers, more money, or more praise.

While this is a great position for Mars, as Leo Mars is not afraid to take action and doesn’t overthink things, it does have its shadow side. Leo Mars often hops onto trends or opportunities that are already established, simply to get the best out of them.

I’ve personally seen Leo Mars individuals outdo others by taking what’s already successful and making it their own. They’re great at making friends and gaining popularity, which is part of why they can take action so easily. Leo Mars knows how to charm people and make them feel good, often offering compliments and encouragement. But secretly, they’re calculating how to rise to the top of the group, become the leader, and take control.

So, if you have a Leo Mars around you, watch out. While they might seem friendly and encouraging, they’re often quietly working their way to the top, taking what’s already established and making it theirs. As with all fixed signs, Leo Mars can be sneaky, as they tend to build off of what’s already there, rather than creating something entirely new.

Virgo Mars

When we talk about Virgo Mars, we’re talking about the energy of Mercury. Just like Gemini Mars, Mercury talks its way over to Mars, distracting Mars from its hard work. Mars gets irritated because Mercury just keeps talking while Mars wants to focus and work. Virgo Mars is similar, but unlike the mental energy of Gemini, the Earth energy of Virgo is more pragmatic and focused on tangible results, rather than just conveying information.

This placement isn’t ideal because Mars’ energy is fast and impulsive. It wants to work quickly, get the job done, and move on—without worrying about every single detail. But Virgo? Virgo is all about analyzing the details, and Mars hates that. This creates a conflict. Even when Virgo Mars does take action, they’ve already burned through most of Mars’ energy by overanalyzing and overthinking the details. Mars doesn’t care about the details—that’s Mercury’s domain. When Mars is in play, it’s about taking action, not slowing things down with unnecessary analysis.

Virgo Mars struggles because they feel the need to make decisions, but they can’t until they’ve gathered all the information. They’re caught up in the details, unsure of what’s right or what they should do. While Mars is already down the street, Virgo Mars is still at home, trying to decide what shoes to wear or what hat to put on. By the time they’ve made a decision, Mars has already moved on.

Because of this tendency to overthink and focus on the minutiae, Virgo Mars misses many opportunities in life. They’re great at making good decisions, but they take so long to decide that by the time they’re ready, the opportunity is gone.

For example, if a Virgo Mars has a crush on someone, they will notice every detail about that person: how their eyes look, how they talk, how they dress, even their strengths and weaknesses. Virgo Mars will analyze the person deeply, thinking about how they would fit into their life if they were to date or marry them. All of this is happening in Virgo Mars’ mind—yet, they never take action. They think, think, think, but don’t do anything.

By the time Virgo Mars finally decides to act, months have passed, and the person they had their eye on is already in a relationship. They took so long to make a move that the opportunity slipped away. This is how Virgo Mars works—slow to take action but very detailed and prepared when they finally do.

Similarly, if Virgo Mars is applying for a job, they might miss out because they’re too focused on getting the perfect resume, researching everything about the company, and preparing for the interview. By the time they’re ready, someone else has already gotten the job. Virgo Mars moves too slowly and overthinks everything. They’re obsessed with getting everything right, but by taking too long, they miss out on opportunities.

Virgo Mars is different from Taurus Mars. While Taurus Mars takes their time to pursue what pleases them, Virgo Mars focuses on the details of the process. They want everything to be perfect, down to the smallest detail, but that can cause them to miss out on life’s bigger opportunities. They think they’re doing things the right way, but they can’t get out of their own mindset and, as a result, they get stuck.

Virgo Mars is driven by the need to function and operate efficiently, but that drive often results in paralysis by analysis. They get caught up in the small stuff, and because of their perfectionism, they end up taking too long to act. Their need for everything to be perfect in a certain way, in a certain form, often prevents them from taking action at all.

This is how Virgo Mars takes action—slow, methodical, and focused on details. But their overthinking and obsession with perfection often cause them to miss out on what’s really important in life.

Libra Mars

Libra Mars, like Taurus Mars, is ruled by Venus. However, with Libra Mars, the energy is in the air element, making things more complex and trickier. Venus, as we know, doesn’t like Mars because Mars is aggressive, feisty, and action-oriented, while Venus just wants to relax, look beautiful, and be pampered. These two energies are quite different and often collide.

For Libra Mars, the Venus energy can’t handle the raw force of Mars. Mars is too harsh, too demanding, and too forceful for the more balanced and calm nature of Libra. Libra doesn’t like demands—it values space, balance, and harmony. So, when we look at Libra Mars, we see a person who is very much in their head. They don’t want to take action, because Air signs are more about mental energy than physical action. They prefer to have others do things for them while they create ideas and communicate what needs to be done. They want others to bring their thoughts and theories to life, but they don’t want to do the hard work themselves.

Libra Mars is great at interpersonal connections. Like Gemini Mars, they enjoy talking to people, but Libra Mars tends to be more one-on-one and personal. While Gemini Mars is sociable in a larger sense, Libra Mars seeks to build meaningful connections with individuals, not groups. They find someone they can communicate their ideas to, and once they find that person, they feel empowered to share their thoughts. They will have many conversations, but their goal is to find someone who can act on those ideas.

Libra Mars, much like Taurus Mars, doesn’t like to move for petty change or engage in hard, physical labor. They’re not like Aries Mars, who thrives on action and strength. Libra Mars wants to show their intellect and creativity, not their physical strength. They prefer to relax, enjoy themselves, and talk to others. They’re charismatic, charming, and flirtatious, able to make people feel good with their words. They’ll often inflate someone’s ego, encourage them, and make them feel like they can achieve anything.

Once they’ve made someone feel good, Libra Mars will convey their ideas and ask that person to carry out the work. They’re all about balance and think they are providing the mental energy while others bring the physical action. For example, Libra Mars may have a business idea they think is great, but they don’t like to take action. They’re too caught up in the details, the balance, and the perfection of the idea. They’re always overthinking, trying to make everything perfect, and this prevents them from moving forward.

What Libra Mars wants is for others to do the hard work. They want someone to make the money, build the business, or take care of the physical aspects of a project while they sit back and be the brain behind it. They don’t mind working in a team, as long as they don’t have to take the lead in the execution. Libra Mars thrives when they can make connections and delegate tasks to others.

However, this placement isn’t always the best. Libra Mars can be so focused on balance that it takes them a long time to figure out exactly what they want or need. They’re constantly going back and forth in their mind, weighing options, and trying to make everything “just right.” This overthinking process can delay their ability to take action or even decide what they want others to do. They may lead others on with their charm and ideas, but when it comes time to act, they often don’t know what they want or how to proceed.

By the time Libra Mars figures out what they want, they’ve worn others out. They have a lot of ideas, and since they’re cardinal energy, they’re always coming up with new thoughts and inspirations. However, the problem is that they often don’t follow through. They have no follow-through because they’re too focused on the mental side of things and not the action side.

The best thing Libra Mars can do is build relationships with others who can help them bring their ideas to life. But it takes time for them to fully understand what they want, communicate it clearly, and work harmoniously with others to make it happen. This results in a delayed, sometimes chaotic process before they can achieve their desires.

Scorpio Mars

When Mars is hard at work, taking action, and making things materialize, Scorpio sneaks up from behind. Mars feels Scorpio’s energy permeating through them—Mars can feel both the Mars energy from Scorpio and the deeper, darker, murky energy from Pluto. When Mars turns around, they see nothing but Scorpio Mars.

Scorpio Mars is a strong placement because Mars rules Scorpio, and because of this, Mars appreciates how Scorpio operates. Scorpio gets straight to the point and doesn’t waste time, which is something Mars loves. However, Scorpio has a deeper, darker side that Mars doesn’t fully understand. While Scorpio Mars is effective at getting things done, using Mars energy to take action without overthinking or becoming too emotional, Pluto’s energy slows them down.

Mars wants fast results—it’s quick, action-oriented, and aggressive. But Pluto, which rules Scorpio, is about long-term, transformative results. Pluto doesn’t rush; it seeks to change things profoundly. This creates a collision. While Mars seeks quick results, Pluto requires a deeper, more gradual process. Scorpio Mars, therefore, tends to take longer to accomplish their goals because they’re focused on transformation and regeneration.

This long-term focus is actually beneficial because, unlike Aries Mars, which can burn out quickly, Scorpio Mars aims for lasting success. However, this comes with its challenges. Pluto demands hard work and persistence. In this placement, Scorpio Mars is fixed energy, which means it prefers to build upon what already exists rather than start something new.

When Scorpio Mars wants to transform something, they look at what’s already progressing or developing and decide, “I can make this better.” They thrive on improving what others may overlook. This makes them different from Aries Mars, as Scorpio Mars has the foresight to see potential before it’s fully realized. They don’t plan like Virgo Mars, which overthinks; instead, Scorpio Mars intuitively senses what could be improved and has the stamina to work toward that goal.

Scorpio Mars is the “rags to riches” type. They start with nothing, but they can see potential in what others view as broken. Their intuition and ability to transform situations make them smarter than Aries Mars in some ways. They see what others can’t, and they use their fixed energy to continue working toward that vision.

They also have Pluto’s energy, which grants them incredible resilience. When something breaks or fails, Scorpio Mars rises from the ashes, powered by Pluto’s regenerative force. This resilience is even stronger than Aries Mars because Pluto can endure harsher challenges. Pluto doesn’t just get through tough situations—it transforms them.

As Scorpio Mars ages, they begin to notice that things others have given up on, or neglected, are the very things they’ve transformed into something greater. By the time Scorpio Mars is older, they have profited and thrived from opportunities that others overlooked.

Scorpio, being a water sign, brings intuition to the action-oriented Mars energy. Mars is instinctive, while Pluto’s energy is intuitive, allowing Scorpio Mars to make decisions quickly. They don’t need to overthink because they trust their intuition, which often leads them to success. This combination of Mars’ action and Pluto’s depth makes Scorpio Mars incredibly powerful.

In summary, Scorpio Mars is a placement of transformation and power. Mars loves Mars, and Pluto’s energy makes it even stronger, adding depth and resilience. Scorpio Mars has the ability to endure, transform, and achieve success through their intuition and unyielding determination.

Sagittarius Mars

Now, let’s talk about Sagittarius Mars. Sagittarius is ruled by Jupiter, the planet of expansion, abundance, higher learning, and beliefs. But does Mars really care about beliefs or philosophy? Not at all. Does Mars care about higher learning? No. What Mars does care about is the energy of Sagittarius. Jupiter is all about expansion and abundance, and when it meets Mars, Jupiter makes Mars feel like it can work for more—more energy, more results, more success. This creates a sense of greed in Sagittarius Mars, making it feel like it can keep pushing for more, building stamina in the process.

Additionally, Sagittarius is a fire sign, and fire signs are action-oriented. When Mars is in a fire sign, it feels lit up and encouraged to take action, so Mars actually doesn’t do too bad in this placement. It’s not the worst position for Mars, but there are some challenges. Let me explain why Sagittarius Mars also isn’t the best placement for Mars.

As I mentioned, Jupiter is abundant, optimistic, and always looking toward the future. It overextends itself and tends to be overly hopeful. When this energy is placed in Mars, a doer and worker by nature, Mars becomes prone to overworking itself. Sagittarius Mars can overexert its energy in pursuit of action, and the combination of Jupiter’s optimism and Mars’ drive can lead to burnout. Sagittarius Mars tends to keep going, pushing forward without realizing it until they crash. This overexertion is a downside of having both Mars and Jupiter in one placement—Mars wants to work, but Jupiter’s energy encourages overdoing things without grounding or realism.

Another issue arises because Jupiter represents freedom, and Mars is all about action. Mars is not like Saturn, where discipline and hard work are the focus. Mars likes to get things done, but Sagittarius, being ruled by Jupiter, can often prioritize freedom and fun over hard work. Sagittarius Mars can be impulsive and abandon its drive for action when it finds something more enjoyable or adventurous.

Sagittarius Mars is mutable energy, which means it’s constantly moving, exploring, and looking for new experiences. It doesn’t like to stay in one place or focus on one task for too long. This lack of focus means that, while Sagittarius Mars is action-oriented, it may abandon the task at hand in favor of pursuing something more exciting, fun, or liberating.

Sagittarius Mars tends to split its energy: half the time, it’s burning through action, overexerting itself in the process; the other half, it’s seeking freedom and excitement, abandoning work to explore new ideas or enjoy life. This creates a 50-50 balance where Sagittarius Mars is both productive and lazy, depending on where their curiosity or desire for adventure takes them.

Overall, this is not a bad placement for Mars, but it’s a bit of a split energy. Sagittarius Mars is better than some placements like Earth or Water signs, as it brings action, but it’s also prone to distractions and overexertion. The key challenge is balancing the desire for action with the need for freedom and exploration.

Capricorn Mars

Capricorn Mars is a great position for Mars because Saturn, which rules Capricorn, is all about hard work, and Mars is all about action. Saturn’s influence means that Capricorn Mars is willing to put in the work necessary to take action. People with Capricorn Mars succeed far greater than other signs because they’re willing to do the hard work that others shy away from.

Unlike the Air Mars signs, who often want to facilitate, convey ideas, or translate thoughts, Capricorn Mars wants to get their hands dirty, dig in, and do the work. With Saturn’s influence, Capricorn Mars has the strength and endurance to push through any obstacle, giving them the longevity needed to reach their goals. They have the discipline and focus to achieve results.

Capricorn Mars is in a powerful position because Saturn loves discipline, and Mars is action-oriented. Saturn’s influence brings structure and focus to Mars’ energy, ensuring that it’s not scattered or impulsive. Instead, Capricorn Mars has a clear plan, a solid strategy, and a well-thought-out approach to materializing their goals. They use tried-and-true methods to turn their desires into reality, rather than relying solely on intuition or instinct.

Not only does Capricorn Mars take action, but they also do the dirty work that others might avoid. Just like the Capricorn sign, which is known for ambition, Capricorn Mars is decisive and knows exactly what they want. When they take action, they do so with purpose and drive. They can execute much faster than someone who is indecisive or overly emotional, as they know what they want and are focused on achieving it.

Saturn’s influence also teaches Capricorn Mars to take their time and understand that obstacles will come. Having the foresight to recognize potential challenges means they have the endurance to face them and still succeed. Capricorn Mars is methodical, patient, and determined to reach their goals, even if it takes longer than expected.

This makes Capricorn Mars an excellent placement for both work and action. Capricorn Mars doesn’t get caught up in emotions or overthinking. They focus on the facts and truth of the situation and take action based on that. They’re pragmatic and clear-sighted, working with what is in front of them—right or wrong—without getting lost in feelings or excessive analysis.

Capricorn Mars has a clear, steady approach to life, hitting milestones and achieving goals, even if it takes longer than others. Think of Capricorn Mars as someone who can go through years of schooling to become a doctor. Yes, an Aries Mars might make money quickly or lose weight rapidly, but Capricorn Mars is in it for the long haul. By the time they reach their goal, they are not only highly skilled but also financially secure in a sustainable way.

While an Aries Mars can achieve fast, short-term results—like earning money or achieving a quick transformation—Capricorn Mars is about long-term sustainability. An Aries Mars may make money quickly, only to lose it, or might shed weight fast but struggle to keep it off. In contrast, Capricorn Mars thinks ahead, planning for the future and building solid foundations for long-term success.

Thirty years from now, the payoff for Capricorn Mars will be immense, as they’ve built something lasting and sustainable. This is how Capricorn Mars operates—they don’t rush. They think about stability, longevity, and how their actions today will pay off in the future. They don’t force this process; it’s a natural way of working that ensures lasting results.

Aquarius Mars

Aquarius Mars brings a lot of goodness to the Mars energy. It introduces innovation, progressive ideas, and a future-oriented focus. Aquarius is great at facilitating change and progress, especially with an eye toward the future. In this position, Aquarius Mars helps the action-oriented Fire Mars take action and seize the moment through initiatives that benefit the long term or create a more cohesive, humanitarian society. They excel at organizing groups of people to work toward a collective goal and can guide others to take action toward creating positive change.

However, the downside of Aquarius Mars, which sometimes makes it a less effective Mars placement, is the rebellious and chaotic energy of Uranus, which rules Aquarius. Uranus brings abrupt changes that people may not always understand. It’s often focused on big dreams and ideals, which can be far-fetched and impractical. These ideals focus on the potential for success, but sometimes they don’t account for the practical steps needed to achieve it.

Because of this, Aquarius Mars can sometimes clash with others when it comes to their ideas or when trying to get others to act on them. Their ideas, though progressive, can be too disruptive or unconventional, leading to disagreements or friction within a group. It can take time for Aquarius Mars to find like-minded individuals who align with their vision and can help bring their ideas to fruition.

When it comes to decision-making, Aquarius Mars is good at making decisions about the future, but not as effective when it comes to the present. They are less interested in the mundane, day-to-day tasks or the practical details of life. These tasks don’t capture their attention. As a result, they might struggle to make decisions that require focus on the here and now. They’re more adept at communicating ideas and getting others to act on them, but actually taking action themselves can be challenging. Like other air Mars placements, Aquarius Mars may prefer to let others do the hard work while they contribute their ideas and vision.

Aquarius Mars can also struggle with making realistic, tangible decisions for the present. They tend to get caught up in their lofty, future-oriented goals, which can make them detached from what needs to be done in the moment. This detachment can cause them to neglect the practical actions needed for their own life, focusing more on larger, collective goals.

Moreover, Aquarius Mars is more focused on groups, social circles, and communities than on the individual. Their drive to take action is often geared toward collective causes, which can make it difficult for them to make decisions for their personal life. For example, they may struggle to make decisions regarding their personal relationships or daily routines because they’re more focused on their contribution to a larger, overarching purpose.

In the process, Aquarius Mars may shift their energy away from their own personal goals in favor of collective goals, sometimes causing them to lose track of what’s necessary for their own growth. This can lead to actions that may not be as functional or grounded in practicality. Their focus on the future, while valuable, may result in decisions that don’t necessarily pay off in the present moment.

Ultimately, Aquarius Mars can lack the functionality needed for practical decision-making. While their future-oriented ideas may pay off in some cases, they can also fail to produce results if not properly grounded in the present.

Pisces Mars

When we talk about Pisces Mars, we’re discussing a watery, elusive energy in the position of action. Mars, with its fiery, action-oriented energy, doesn’t align well with the water element. Water puts out fire, and while Mars wants to take action, the water from Pisces slows it down. Pisces Mars is more focused on emotions than on taking action. It’s caught up in the realm of imagination, sensitivity, and feeling, making it difficult to act.

Mars energy is too aggressive, direct, and passionate for Pisces Mars. Pisces prefers soft, subtle actions. They’re focused on their imagination and want to manifest their dreams and visions into reality. These are the true dreamers—not doers. Pisces Mars envisions everything they want out of life, but they struggle to make those dreams a reality. Why? Because they’re caught up in the passivity, subtlety, and emotional essence of their energy. The harshness of Mars pulls them away from their true nature, causing them to internalize too much.

Pisces Mars is a visionary, but their vivid imagination sometimes prevents them from taking action. The water energy of Pisces makes decisions based on feelings, not just action. Pisces Mars tends to feel out what they can do, and as a result, their dreams are often watered down by self-doubt or a lack of belief in their ability to follow through.

Pisces is a passive sign, a lover who doesn’t like aggression or harshness. They prefer calm and serenity, and taking action can feel too intense for them. It requires too much energy, and it’s not aligned with the peaceful energy they crave. Pisces Mars struggles with the mechanical, action-oriented nature of Mars, and may find it difficult to execute their dreams and make them real.

This makes Pisces Mars a challenging placement because they often just dream and envision but struggle to accomplish or do anything. Pisces Mars is highly sensitive, so any form of aggression, hardship, or rigidity—qualities inherent in Mars—will cause them to retreat. They may become introverted, withdraw into themselves, and shy away from the demands of the outside world. Mars’ direct energy doesn’t know how to deal with Neptune’s elusive, intangible qualities, and Pisces, ruled by Neptune, can’t easily channel Mars’ aggressive energy into concrete actions.

Furthermore, Pisces is ruled by Jupiter, and being a mutable sign, Pisces often flows through different stages and places in life. This makes it hard for Pisces Mars to focus on one task or goal. The mutable energy of Pisces doesn’t lend itself well to a constant, decisive course of action. Pisces Mars often craves freedom and choice, avoiding grounding themselves in any one thing for too long. Taking action can feel too rigid and confining, as Pisces just wants to explore, have options, and enjoy life on their terms.

This is the type of person who struggles to take things seriously, or to assert themselves and their ambitions. Pisces Mars may find themselves retreating into their imagination rather than stepping forward and actively pursuing their desires.

The combination of Pisces’ elusive energy with Mars’ direct energy makes it difficult for Pisces Mars to gain clarity. The lines between action and inaction blur, making it hard for them to pin down their direction. This confusion ultimately makes it harder for Pisces Mars to take decisive action in their life, further delaying their ability to turn their dreams into reality.

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solarpunkwarlock · 2 years ago

Text

Ways to Live in Direct Opposition to Capitalism

I am by no means an expert in any of these things I’m gonna talk about, so keep that in mind! I am just making a compilation of things I know of that we can do to lessen the stranglehold the capitalist lifestyle has on us while enriching our lives, our surroundings, and the lives of others. Please add anything I miss or correct anything I may be getting wrong! Anyway here goes!

Use what you have, fix what’s you can, make what you can, accept from others, thrift what you can, and finally purchase as a last resort.

This is advice I have seen float around here a couple of times that can apply to a lot of things including clothing, furniture, food, and more besides. It’s meant to be done roughly in that order as it applies to what you’re wanting/needing/doing. It’s about preventing waste, promoting self-capability, having a heightened reliance on your community, and consciously rejecting the ingrained habit many of us have to just purchase things or services.

Here’s where you can read about growing an indoor garden!

Here’s where you can read about sewing things yourself!

Here’s an online site for giving and receiving items for free!

Here is where you can find a local Mutual Aid to get things from, learn skills from, give do, volunteer for, etc. (in the U.S.)

Be politically active! (from a U.S. perspective)

Vote for every election. Know your representatives and those who will be competing in the next election. Vote without ignorance and without falling for unfounded claims. While operating within the system that actively oppresses us will not bring about the future we want, it can serve as damage control (preventing worse candidates from taking office) and it can potentially create a national atmosphere more open to change.

Here’s a good article about getting more involved in the U.S. political process.

Here’s a site that will show you how to register to vote, when and where elections are held, and more!

Here’s good advice on finding protests in your city!

Here’s some readings on unionizing! It’s your legal right to unionize!

Here’s a more user friendly site for learning about unions!

Be active within your community!

Developing strong, motivated, capable, knowledgeable, and inclusive communities is the ultimate way to combat the relentless and bleak present and future. When you’ve worked on the things above and have gotten good at it (or even if you haven’t gotten good at it yet), start spreading what you know and what you can do with others!

Give your neighbors, coworkers, and friends some of the vegetables you’ve grown.

Invite your community members to volunteer events.

Talk to folks about how to vote, when you’re doing it, etc.

Take part in Mutual Aids to teach what you’ve learned or whatever you may be an expert in! Invite neighbors, friends, and coworkers when you take part in the Mutual Aid!

Accept your community. Take them for who and what they are. Discrimination is the enemy of cooperation. You have much more in common with everyone in your community than a single billionaire or corporation. We’re all passengers on this spaceship earth.

Do it one step at a time!

Obviously we can’t do all of these things at once. Do what you can when you can, and you’ll start to notice real change in your life!

Our online communities where we talk about our visions and hopes are fantastic, but they have little impact if we don’t actually get up and do the real work that change requires.

Want to be better, and keep hope for the future!

Harbor and nourish that desire to be a better person and to be the change you want to see in the world. You need to be hungry for a better future if you plan to make it through the rough times when everything feels pointless and without hope. Reach out to others when you’re down, and be someone others can lean on when their lives get hard.

That’s it! Please interact with this, spread it to others, and add your own thoughts and ideas! It’s important that we do the real work to get the change we crave!

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gureumz · 1 year ago

Text

liar, sweetheart

rating: explicit

member: sunghoon

premise: your best friend, benj, is a twin but he's the complete opposite of his brother. his brother, sunghoon, is all kinds of sleazy, or so you've heard. knowing about your big fat crush on your best friend, this sorry excuse of a twin brother agrees to put in a good word, in exchange for a good fuck, of course.

notes: fem!reader, dom!sunghoon, sort of rivals-to-lovers, unprotected sex, slight breeding, dacryphilia, dirty talk, degradation, praise, clothed sex, accidental voyeurism, sunghoon is two people here lmao, lmk if i missed anything!

a/n: fifth entry for my 1k follower special! we're in the endgame now, people. one last after this and my 1k event is ending. how did that happen :') anyways, i really got back into my writing groove for this one so i hope you all enjoy!

"what do you think of sunghoon?"

your ears perk up as you turn your head to give your best friend a look.

oh, benj. sweet, sweet benjamin park.

awkward but in a cute, boyish sort of way, tall almost to the point of gangly, but handsome in the way supermodels were.

benj is a figure skater, a very good one at that. he's at the level where if he did well enough, he'd be international news tomorrow. you've seen him skate and to you, it was nothing short of mesmerizing.

oh, you. clueless, utterly clueless you.

honestly, it was all so predictable.

a situation right out of booktok's latest favorite friends-to-lovers novel by some up-and-coming author. the comfortable silence, the memorized starbucks orders, the pining, oh, the pining. booktok lives for the pining.

sitting here in benj's room as he casually games, fingers lazily moving over his ps5 controller, you realize just how utterly shortsighted you were.

of course you'd fall in love with your best friend. it's law. it's fate. a canon event, as the kids say.

but, you're getting out of topic here. right now, benj is asking you about his twin brother.

"what do you mean?" you ask, swiveling around in the office chair by benj's desk. benj is perched on his bed, leaned up against his headboard as he plays.

"like...what do you think of him...?" benj repeats, as if in an attempt to rephrase his question but ultimately failing.

your forehead creases even more.

"you have to be more specific than that," you chuckle.

benj pauses the game, setting the controller down. he shifts on his side so he can get a better look at you.

"do you like him?" benj deadpans, raising an eyebrow.

you nearly choke on your own saliva.

sunghoon. benj's twin brother.

the younger twin, as benj always reminded. your thoughts drift to the other park brother, complete in all his dark clothes and equally dark hair.

while benj afforded himself the preference of dying his hair an icy blonde, sunghoon kept his own hair jet black. benj wore sweaters and cardigans and loose-fitting shirts, but sunghoon wore button-ups, with the first three buttons popped open, paired with jeans ripped to the heavens.

benj is the shining star in this family, a star figure skater, an overachiever. sunghoon battles his way around ice hockey, dabbles in dance, keeps his triumphs to himself.

benj is the sun, while sunghoon is the moon. yin and yang.

you get the picture.

oh, and sunghoon is a complete asshole. benj is not.

"he's okay," you finally answer. benj looks at you like he's waiting for more.

"that's it?" benj asks after a second.

you roll your eyes. "i don't know what you want me to say. i barely talk to him since i spend most of my time with you."

benj cocks his head to the side, as if curious.

"weird," he says. "he asks about you all the time."

this piques your interest.

"he does?"

benj shrugs, returning his attention to the tv. he picks the forgotten controller back up, resuming his game.

"yeah. asks if and when you'll be coming over," benj explains. he shoots you a quick side glance.

"you're not hooking up behind my back, are you?"

you physically recoil at benj's words, the idea initially repulsive to you.

"absolutely not," you practically spit out. "he's not my type."

benj bursts out laughing, his eyes forming cute crescents as he does so.

"you basically just called me ugly with that," benj points out, eyes unmoving from the tv screen.

you stutter for a second. "that's not what i meant. it's just—well we're not close, at least not like how we are and—"

you sigh, cutting yourself off. you've embarrassed yourself enough, you think.

benj shakes his head, one side of his mouth turning up in a half-smile.

"okay, no need to explain, ______. i was just asking," benj says. "but the way you're so defensive about it is raising a few questions, not gonna lie."

you rub exasperatedly at your temples.

"i am not sleeping with your brother."

---

"hey."

you nearly jump a foot back in surprise. looking up, you're met with the stern gaze of sunghoon, black hair falling over his eyes. he's wearing one of those compression shirts, ridiculously tight against his toned upper body.

you turn away before it gets weird.

"oh, sorry, is benj home?" you ask, peeking momentarily past sunghoon.

"he's at training," sunghoon informs. "didn't he tell you?"

you glance at your watch. "he said he'd be done by now."

sunghoon raises an eyebrow. "well, he's not."

your mouth falls open, your mind momentarily going blank. you shift your expression to one of stony resolve.

"you know what, i'll just come back. sorry to bother you," you say, already turning away.

"i didn't tell you to leave, did i?"

you turn back, giving sunghoon a look. you stare hard, noticing just how much he resembles benj. but some things differ, naturally.

an extra beauty mark. the slightly sharper upturn of his nose. the seemingly eternal frown on his face.

"you can come in," sunghoon says with a sigh, stepping aside. you duck your head as you cross the threshold.

"and don't be so uptight next time," he adds. you can practically hear the smirk as he says this.

you glare daggers at sunghoon and he's still smiling as he closes the door behind him. he crosses his arms and studies you.

he leans back against the door and you straighten yourself up as much as you could.

"what's your problem, sunghoon?" you ask, planting your hands on your hips.

"what's yours?" sunghoon replies. you feel a twinge of annoyance spark in your chest.

"nothing," you emphasize. "and that's exactly it. i don't have a problem but if you don't stop acting like that, i might just have one soon enough."

"acting like what?" sunghoon questions, tilting his head to the side.

you swallow. you rack your brain for something to say, and don't be mistaken, you have a lot, but it's like your train of thought has halted altogether.

"like...that," you say, gesticulating vaguely with your hands.

sunghoon laughs, a hand coming up to run through his hair. you watch him, observe as his muscles shift beneath that stupidly tight, stupidly attractive shirt.

...what?

"are you this jumpy with my brother?" sunghoon asks, shoving his hands in the pockets of his grey sweatpants.

"i don't follow," you say, taking a step back. being close to sunghoon seems suffocating now, as if the air is stuffy with something you can't quite put your finger on.

"of course, you don't," sunghoon mutters under his breath.

it takes everything in you not to punch him square in the jaw.

"you like benj, don't you?" it's more of a statement rather than a question and it's so unexpected to you, you nearly stumble back in surprise.

"what?" is all you can say.

sunghoon snorts as if your confusion is oh-so-amusing.

"no need to deny it, _______," sunghoon reassures. "everyone with one working eye can see it."

you decide to stay silent. maybe if you don't react, sunghoon would drop the subject.

sunghoon seems satisfied with himself as he grins, nodding to himself, probably mentally patting himself on the back for his 'detective work'. he brushes past you and you get a whiff of his perfume and what you can assume is his body wash.

fresh. powdery. clean.

you wait a second before you hear his bedroom door close.

you let out a breath you weren't aware you were holding.

your phone vibrates with a notification and you're relieved to see it's a message from benj.

'are you at my place yet? i'll be home in a few. sunghoon will let you in. sorry, love u!'

you smile to yourself as you lock your phone.

---

you couldn't stop thinking about it.

were you really that obvious? or is it just some twin telepathy that's why sunghoon could tell? could benj tell?

you sit up, careful not to jostle anything in your immediate vicinity. you peer up at benj's sleeping figure from where you're situated on his spare mattress, positioned on the floor right next to his bed.

he seems to be deep in slumber, shoulders rising and falling steadily. you swallow, realizing how parched your throat has gotten. you get up on your feet, treading carefully around benj's room to get to the door.

you exit, walking down the hallway of the parks' penthouse apartment, trying to make as minimal sound as you can. you round the corner to where you know the kitchen is and you immediately stop in your tracks.

"shit—" you curse, startled by the figure standing by the kitchen island.

your eyes adjust to the dim lighting and you realize you've come face to face with sunghoon.

"hi, _______," sunghoon greets. "fancy seeing you here."

you huff, approaching the refrigerator. "ha ha. you scared the shit out of me."

you hear sunghoon laugh quietly from behind you.

you take the ice-cold pitcher out of the fridge, setting it on the counter before walking over to the cupboards where the parks keep their glasses.

you can feel sunghoon watching you, aware of the burning attention. you can feel your neck prickle with it.

you pull the cupboard door open and it's only now that you realize you can barely see. afraid to just reach in and possibly knock over and break something, you pause, willing your vision to adjust even more to the low lighting.

"hey, can you turn on the—"

your words are cut off when you feel warmth press up against your back. you flinch, watching with wide eyes as sunghoon's arm braces itself against the countertop in front of you. he reaches over you, his breath tickling the top of your head.

you shiver involuntarily.

you turn to face him, pressing yourself fully against the granite behind you. sunghoon pulls a glass down from the cupboard, handing it to you. his arm is still planted firmly to your side, half caging you in.

"here," sunghoon says.

you can just make out his face in the low light, his scent invading your senses once more. you take the glass from him and he steps away, freeing you.

you wordlessly return to the center of the kitchen, pouring yourself the water you desperately need. and boy, do you need it.

you gulp down mouthfuls of it, unsure why your legs are suddenly weak, your knees threatening to give out.

"hey," sunghoon calls out. you pause, turning to where he's still standing by the cupboards.

he has the same easy stance he had earlier in the day. leaned back, arms crossed. even in the dark, you can feel him staring.

"what?" it comes out a little more harshly than you'd like and you wince.

"do you hate me or something?" sunghoon asks brusquely.

once again, you find yourself rendered speechless by sunghoon.

"no," you answer simply, setting your glass down.

"then why don't you hang out with me like you do with benj?" sunghoon asks, approaching you.

"because benj is my best friend, you're not," you respond. sunghoon stops right in front of you and you have to crane your neck to meet where you think his eyes are.

"your best friend that you're in love with," sunghoon says, a hint of amusement in his voice.

"that's not true," you deny.

sunghoon snickers. "sure, keep lying to yourself, sweetheart."

you inhale at the term of endearment.

"you know, i never understood why you got closer to him but you stopped spending time with me altogether," sunghoon muses. "the three of us grew up together, remember?"

you do.

the afternoons spent in the local playground. you and benj sat on the swings while sunghoon pushed. you and sunghoon on the seesaw while benj attempted to balance in the middle (much to their mother's horror). the twins hiding while you played seeker.

a smile tugs at your lips at the memory. and then it falters just as quick.

"you were the one who stopped hanging out with us," you say, a little accusatory in the way you did. "you had newer ice hockey friends and when middle school rolled around, you decided those girls were worth your time more than us."

'more than me,' is what you wanted to say. but you swallow it down.

sunghoon stays silent at this. after what you estimate is a minute, he sighs.

"sorry," is all he says.

you shake your head. "it's okay, we all drift apart from our childhood friends at one point."

sunghoon steps even closer. you can feel him now. a strange crackle of electricity tickles your fingertips.

"that's not the case with you and benj," sunghoon observes.

it's your turn to say nothing.

"i can help you," sunghoon suggests. your head snaps up as you try to process sunghoon's words.

you can see him now, illuminated by the faint hallway lights behind you. sunghoon's looking at you, expression unreadable.

"help me?" you parrot back. sunghoon nods.

"i can help you get with benj, if that's what you want. plant the seeds, so to speak," sunghoon explains. "he is my twin brother, after all."

you consider this for a moment. there's no denying the giddy feeling you get in benj's presence. the comfort it gives you when you spend the whole day together. the butterflies in your stomach when he beams at you, all bright and shining.

this should be an offer you can't refuse.

"i just have one thing to ask of you," sunghoon cuts through your thoughts.

"what?" you ask.

sunghoon pauses, turning away as if gathering his own words.

"do you ever feel that there's this weird...thing between us?" sunghoon asks.

your whole body seems to stiffen. your hands turn cold, clammy.

"like tension," sunghoon elaborates. "something you can't really explain."

"no," you answer a little too quickly.

sunghoon chuckles. "there you go again, lying."

you avoid sunghoon's gaze, staring hard at a spot behind him where his shadow dances against the cabinets.

"if you agree to...try this thing with me just this once, i'll help you get together with benj," sunghoon concludes, bending lower so he's in your line of sight.

unable to avoid him any longer, you look into sunghoon's eyes. he's much clearer now, your eyes well-adjusted to the dark. he's looking at you, expression soft, unlike the other times you've come face-to-face with him.

"so, you're offering to be my wingman, but only if i let you fuck me?" you string your words out carefully. "is that it?"

sunghoon sighs, shrugging. "basically, yeah. sounds fucking weird but you can always say no."

"it is weird," you confirm. you cross your arms as you narrow your eyes at sunghoon.

"can't we just skip the part where we fuck and go straight to the part where you help me?"

sunghoon grins down at you, dipping even lower so you're eye level with him.

"it's as if you don't know me at all, _______," sunghoon says lowly. "that hardly seems fair, sweetheart."

you grit your teeth.

"besides, do you want to skip the part where we fuck?" sunghoon presses on the last word, holding your gaze as he said it. you feel a warmth spread all over your body.

you take a deep breath, steadying yourself. your mind is at war with itself, warning you that this is a bad idea. if you get together with benj after, what then? take the secret that you fucked his brother to your grave?

"just this once, and when we're done, you'll help me, correct?" you say, raising a brow at sunghoon.

sunghoon nods. "exactly."

you pause. you want it. what 'it' is, you're not so sure.

you reach your hand out.

"deal."

sunghoon grasps your hand in his, squeezing firmly. his fingers envelop yours easily, your palm almost cartoonishly smaller than his.

and he's warm. so warm.

your eyes meet his and it's like something snaps.

you feel sunghoon grasp at your waist and your own arms come flying up to wrap around sunghoon's neck. he kisses you fervently, harshly, desperately. you respond with the same enthusiasm, pulling him closer to you.

sunghoon pushes you against the fridge, the contents rattling within. you gasp as the cold metal presses through your thin pajamas, but sunghoon drinks in any noise from you with his mouth.

"fuck," sunghoon mutters softly.

"god, ______," sunghoon continues, hands splayed against your back, his lips exploring the expanse of your neck.

"sunghoon," you whisper, clutching onto his wide frame. you mewl softly when you feel him suckle on a spot just above your collarbone.

you pull sunghoon away from your neck, guiding his face back to level with yours. you kiss him some more, a strange feeling bubbling within you.

it's making you want more of sunghoon, as if your whole being craved him.

you hear a soft click of a door opening somewhere down the hall and your eyes fly open, your hands forcing sunghoon off you. he jumps back as well, a panicked look on his face.

footsteps echo in the hallway and a voice immediately follows after.

"_______?"

benj. it's benj. his voice is thick with sleep and you look over at sunghoon, eyes wide with alarm.

"i-i'm in the kitchen," you call out. "just needed a drink."

you rush out of the kitchen and into the hall, running right into benj's firm chest. he catches you before you stumble and he holds you at arm's length, looking at you through half-closed eyes.

"there you are," benj says with a laugh.

you let out a nervous giggle of your own, gently pushing benj back towards his room.

"i'm right here," you assure him. benj rambles on about hearing noises from his room and you quickly dismiss it as you just messing around in their kitchen.

just as you herd benj back into his room, you look back down the hall and see sunghoon sauntering casually towards his own door. he catches your eye and winks, stepping quietly into his room.

---

"i know what you were doing last night."

you stop dead in your tracks, hand frozen in midair just as you're unwrapping your hair from your towel.

you had just stepped out of the bathroom adjacent to benj's room, dressed in his shirt and your shorts from yesterday. it's the morning after your little tryst with sunghoon and you were nearly a hundred percent sure you had successfully lied your way out of an explanation to benj.

it turns out, you haven't.

"you were hooking up with sunghoon, weren't you?" benj says, looking at you expectantly.

you put on your best attempt at an appalled expression, eyes wide an lips turning down into a frown.

"no, i wasn't," you muster up with as much disgust as you can.

benj just laughs. "i've lived here for nearly half my life, ____. i know the sounds of this house better than you."

"well, you thought wrong," you argue, busying yourself with brushing through your hair. you keep your eyes trained on the full body mirror in front of you, setting your sight on your own face.

benj comes up behind you, looking at you as if he could see right through you.

you think maybe he can.

"you're such a bad liar," benj accuses.

"i would never hook up with your brother," you protest, raking through your hair aggressively. you're getting antsy and you pray that benj would just drop the subject.

"why not?" benj questions.

you look at his reflection, scowling. "i don't like him like that, benj."

"hooking up with him would feel like hooking up with you," you add. 'a red herring, yes,' you think. 'distract him, make him feel weird for even asking.'

benj gives you a look. "what's so bad about that?"

you stare open-mouthed at benj. a million thoughts are flying through your head and something pinches at your chest.

"you're my best friend, benj," you try to reason. "that's weird."

"and hooking up with my brother isn't?"

you groan, letting your head fall into your hands.

"i didn't hook up with sunghoon!"

benj nods, pouting as if not fully convinced. "okay, whatever you say."

he steps out through the door, leaving you in his eerily quiet room.

you sigh, turning back to your reflection.

"not yet," you whisper to yourself.

---

"aren't you leaving yet?"

you look up from your phone and you're met with sunghoon peeking through benj's door. his hair is damp and you can smell his aftershave from where you're sprawled out on benj's bed.

"nope," you reply curtly, turning back to your phone.

"you've been here two days," sunghoon points out, stepping into the room. you ignore the jolt of excitement in your gut.

"i'll leave once benj comes back from training," you say.

"oh sure, then the two of you will get caught up again in whatever nerd things you do, and then it's the evening and you'll stay another night, walking around in your skimpy pajamas," sunghoon rambles sarcastically.

you narrow your eyes him as you sit up. "what's wrong with my pajamas?"

"they make me impossibly hard, _______. that's what's wrong," sunghoon admits, expression unchanging.

your eyebrows shoot up in mild surprise. "that down bad, huh?"

"nah," sunghoon replies nonchalantly.

"whatever you say, sweetheart," you say, throwing the pet name back at sunghoon.

sunghoon lets his eyes travel over your body, expression darkening, and you feel every hair on your skin stand up under his unrelenting gaze. you shift around, unsure of what to do with sunghoon's undivided attention.

you watch as sunghoon approaches, his jaw set as he pauses right before benj's bed. he meets your eyes and before you know it, sunghoon is crawling over you, stopping once he has you caged in between his arms.

"you're seriously not thinking of fucking me on your twin brother's bed, are you?" you whisper. you're nearly nose to nose with sunghoon now.

"i am," sunghoon answers simply before kissing you, effectively driving you back against the plush mattress.

the same bubbling feeling reappears and you grab at any part of sunghoon that you can, hooking your legs around his waist. he grunts against your mouth and you feel him harden against your core.

"this is my shirt by the way," sunghoon grins against your lips. "benj stole it from me a while back."

you moan at the thought of it. you feel sunghoon reach under your—his—shirt, chuckling when he feels the absence of a bra. he cups one of your breasts in his hand, kneading as he continues his assault on your lips.

"lose this," sunghoon commands, his other hand tugging your shorts down harshly. you oblige, reaching down to discard the piece of clothing along with your underwear.

"but keep this on," sunghoon adds as he kisses along your jaw, referring to the large shirt swallowing your frame.

you kick off your shorts and underwear the same time sunghoon pulls back to undo his own joggers. he throws them off to the side unceremoniously before hovering back over you, his eyes scanning every feature of your face.

"if you're so in love with benj, why are you about to sleep with me on his bed?" sunghoon asks, his fingers trailing down delicately from your chest down to your stomach. you flinch, fighting the urge to curl into yourself at the ticklish feeling.

sunghoon continues down towards the space between your legs, wasting no time swiping through your folds. you gasp, back arching as sunghoon rubs up and down, finger circling teasingly around your entrance.

"you talk too much," you counter, voice shaking. "are you gonna fuck my brains out or what?"

sunghoon sneers, shoving two fingers in without warning. you yelp, turning to bury your face in benj's pillow. it smells like him, but you barely register that, seeing as his twin's fingers are knuckles deep in you.

"go on, run your mouth like you always do, slut," sunghoon taunts. you involuntarily clench down at his use of such a degrading word and sunghoon notices, of course, his mouth curling into a smirk.

"should have known you were into that," sunghoon wonders out loud. he moves his fingers in and out of you, pumping his thick digits into your wanting hole.

you clamp a hand down on your mouth, suppressing every noise that threatens to escape you.

"let me hear you, pretty, come on," sunghoon coos, prying your hand off your face. "it's just the two of us here."

you bite your lip but let yourself be heard as sunghoon continues to fuck you with his fingers. he curls them up inside you and you thrash about, the pressure building within your abdomen.

"gonna cum already? you're so fucking easy," sunghoon comments, leveling his face with your cunt. he blows softly against your clit and you cry out in pleasure.

you feel the wet heat of his tongue press against your bundle of nerves and coupled with sunghoon's fingers, you can't help but curse loudly at the sensations.

"shit, sunghoon!" you whine. "yes, just like that, please."

sunghoon wraps his lips around your clit, sucking and running his tongue over it alternately. you feel like you're about to lose your mind. you're seconds away from orgasm and you barely have any time to warn sunghoon.

"i'm gonna cum, sunghoon i'm gonna—"

you're cut short by your own loud moans as you feel yourself come undone, your whole body seizing up. you grip at the sheets beneath you with one hand while the other reaches down to thread through sunghoon's hair. you hear him grunt against your pussy as you tug at the strands.

eventually, you relax, easing up on sunghoon's hair. he comes up to face you, his mouth glistening with your release. he licks his lips, smirking at the way you watch him with awe.

"you still with me?" sunghoon asks with a raise of his brow. you nod weakly, hands coming up to cup at his face.

sunghoon leans down to kiss you tenderly and you moan as you taste yourself on his lips. he moves his lips against yours slowly, savoring each pass of your tongue over each other's, tugging on your bottom lip with his teeth as he pulls away.

you peek down and see that sunghoon's cock stands red and angry against the black of his shirt.

"fuck me raw," you say before you can stop yourself.

sunghoon's eyebrows shoot up.

"are you sure?" he asks.

you nod, angling your hips up. restraint be damned, you want sunghoon and you want him now.

sunghoon chews down on his bottom lip as he lines himself up against your dripping hole. he coats his tip with your juices and you throw your head back as he teases you with his leaking cock.

"please," you whisper.

sunghoon presses a kiss on your cheek. "i got you, angel."

you feel him push in, stretching you out more than you anticipated. your mouth falls open in a silent moan as sunghoon slowly but surely bottoms out. your heart races and your mind loses all coherent thought. all you can register is that sunghoon feels like he's splitting you open with his dick.

"fuuuuck," sunghoon drawls into your ear.

"so fucking tight and so fucking good," he continues, bracing himself on either side of you. he moves his hips experimentally, pulling out then thrusting in and the two of you moan at the same time.

"give it to me," you pant, pulling sunghoon closer. "don't you dare hold back."

sunghoon grunts as he snaps his hips forward. you whine and moan like a whore as sunghoon fucks into you with reckless abandon. he keeps his eyes on your face, observing every expression that passes over your features.

"look at me," sunghoon orders as you let your eyes flutter close. "i said, look at me."

you obey, peering up at sunghoon through your lashes. he grabs your jaw as he hammers even harder into you. you cry out brokenly as you feel him deep within you. he's like a man starved, eyes wild as he takes you like this. rough and uncaring and oh so desperate.

"waited so long for this," sunghoon grunts. "to have you moaning and begging under me."

you feel tears prickle in your eyes, half from sunghoon's sharp nails digging into your cheek and half from the way his cock repeatedly punches against your cervix. it hurts but it's a pain you'd like to savor.

"god," sunghoon says, his face scrunching up in pleasure. he momentarily closes his eyes as he moves his hips even faster. he turns back to you, and by this time, your tears have escaped, streaking your face.

"fuck yeah, cry for me," sunghoon curses. "my pretty slut, weeping over my dick."

"oh, fuck—"

it came so suddenly, so unexpectedly that you can physically feel your body jolt. your second orgasm of the day rips through you, brought about by the filthy words escaping sunghoon's mouth. you hear him practically growl above you as he stills, your cunt clenching down so hard he's unable to move. you feel him twitch inside you and a second later, the warmth of his cum follows, shooting deep inside.

you're full-on crying now, mind hazy from pleasure as sunghoon catches himself before completely crushing you with his weight.

you wrap your shaky arms around sunghoon's shoulders, stroking his hair as the two of you calm yourselves down. sunghoon pulls out a minute later and you wince, immediately clamping your legs together to keep all of him inside you.

sunghoon plops down next to you, breathing heavy as his eyes stare at the ceiling. you hug your knees to your chest, hoping that nothing stains benj's sheets.

"fuck, that's a good girl, keeping all my cum in," sunghoon says through breathless chuckles. you groan, swatting at his chest.

"get tissues or something," you demand weakly, rolling over to your side. sunghoon pulls you close and cradles you against his chest.

"later," he murmurs, kissing you on the forehead. "just wanna hold you."

you hum in agreement, letting your eyes droop close. the two of you lay there, unmoving for a few minutes.

you initially think it's your imagination but you can hear faint footsteps coming down the hallway from outside benj's room. just as your eyes fly open, a loud knock thunders against the door.

"are you done?" comes benj's muffled voice from the other side.

"as much as i wanted to stay and watch, that might not be something you guys are into, so i gave you your privacy," he continues.

you and sunghoon look at each other, clearly panicking.

"but please, for the love of god, don't do it on my goddamn bed next time!"

#enhypen smut #enhypen scenarios #sunghoon smut #sunghoon scenarios #w: sunghoon

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jedijoanna · 2 months ago

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I feel like the dynamic between Jedi Council members was criminally underutilized. While this isn’t canon, here are my headcanons on how things really went down.

Mace Windu:

I’ve done the math (badly), and I’m pretty sure Mace was around the same age as Xanatos. Which means Mace is like Obi-Wan’s unofficial older padawan brother. Obi-Wan didn’t ask for this, but let’s be real—he probably needed it. Not that Obi-Wan would recognize this dynamic. He’s part of the disaster lineage, so he wouldn’t know what a typical older brother acts like.

Mace seamlessly switches between “Head of the Council” mode and “exasperated big brother” mode. Except, of course, when he’s making Obi-Wan do all the paperwork.

Mace: "You're good at taxes, Kenobi. I’m just letting you shine." Obi-Wan: "I'm too honored to be insulted."

Yarael Poof:

This guy? Bigger gremlin energy than Yoda. And petty. Poof has perpetual beef with Ki-Adi-Mundi and finds great joy in trolling him. He’s the kind of guy who would take micro-naps during meetings just because “It’s only Mundi talking, everyone relax.”

Poof: "What was that, Mundi? Couldn't hear you over my sheer disinterest." Mundi: "I will demote you to Youngling wrangler, Poof."

Ki-Adi-Mundi:

The most logical thinker on the Council. He’s here to do his job, clock in, clock out, and keep the galaxy running. Unfortunately, the galaxy includes Qui-Gon and Poof, so it’s not happening. He despises surprises and strongly prefers order.

Poof: snoring in the corner

Mundi: "I swear to the Force, Poof..."

Even Piell:

Blunt. Gruff. Won’t lead a discussion but will absolutely cut into one. He’s the Jedi equivalent of “the friend who knows where to hide the body.”

Piell: "You’re the diplomat, Kenobi. I’m here to look mean so bad guys think twice." Obi-Wan: "What if we both look peaceful?" Piell: "We’ll die."

Gretz Doom:

The guy who grew up with Qui-Gon and spent his childhood teasing his clanmates, Gretz is now the Council’s strictest rule-follower. Why? Because he knows that if you mess with the Senate, the Senate will mess with the Jedi’s budget and oversight.

Doom: "Qui-Gon, did you directly disobey the Council again?"

Qui-Gon: "In fairness, the Council is often wrong."

Doom: "You’re lucky they don’t garnish your missions like they do our budget."

Tera Sinube (Retired):

The ultimate grandpa Jedi. Gives unsolicited advice, tells the same stories repeatedly, and refuses to admit that lightsaber duels aren’t "like they used to be."

Sinube: "Back in my day, we didn’t have fancy starships." Youngling: "How did you travel?" Sinube: "We walked. Uphill. Both ways. Through asteroid fields."

Youngling: "In space?"

Obi-Wan Kenobi:

Obi-Wan wanted to join the Council, found out it was a trap, and tried to quit—repeatedly. Every time he tries to mess up to get kicked out, he accidentally makes the galaxy better. Mace keeps him around because Obi-Wan’s life is the Jedi’s best unintentional reality show.

Mace: "Kenobi, you caused an intergalactic scandal again?" Obi-Wan: "Yes, but the scandal resulted in peace treaties for three systems, so..." Mace: "We are still not accepting you resignation letter"

Obi-Wan: “drats!”

Yaddle:

The only one brave enough to call Yoda out. Wise, patient, and kind, but she will not suffer riddles.

Yoda: "Difficult, the path is." Yaddle: "The budget’s tight. Just say that, Yoda."

Oppo Rancisis:

A reserved and analytical mind, Oppo specializes in strategy and seeing the bigger picture. His predictions about a rising Sith threat made him a quiet voice of reason long before others believed it.

Rancisis: "The Sith never vanished. They’re biding their time."

Mundi: "How do you know?"

Rancisis: "I just do.”

Eeth Koth:

An Anakin mirror. Eeth grew up as an angry orphan rescued by the Jedi, but he’s worked hard to control himself. Still, he’s known to clash with Mace and Grezzt Doom—occasionally on purpose. A former hothead turned disciplined Council member, Koth has a soft spot for Jedi who struggle with emotions, having once been in their shoes.

Koth: "Control your emotions, or they’ll control you."

Padawan: "Easier said than done."

Koth: "Trust me, I know. Now pick up your saber, we’re starting over."

Stass Allie:

A brilliant healer and fierce opponent of Senate corruption, Stass doesn’t tolerate nonsense. Most of her "menace energy" is reserved for politicians.

Senator: "The Republic is doing everything it can—"

Stass: "Then do better."

Senator: "I beg your pardon?"

Stass: "You heard me. Now get out of my medbay."

Adi Gallia:

The chillest Jedi off the clock, but the most cynical one during missions. She prefers intelligence to lightsabers (looking at you, Eeth Koth). Has a soft spot for Obi-Wan due to her long friendship with Qui-Gon. A calm and collected intelligence expert, Adi is the Council’s quiet strategist. She despises the war and blames the Senate for exploiting young Jedi.

Gallia: "The Senate sent Padawans to war."

Mace: "We needed soldiers."

Gallia: "We needed peace. What we got was child soldiers."

Yoda:

Wild card. Once a week, he’s doing something so bizarre that the other Council members have to pretend it’s normal.

Mace: "Why is Yoda levitating in the fountain?"

Poof: "Meditation, probably."

Feel free to add your takes!

#star wars #obi wan kenobi #pro jedi #mace windu #yaddle #eeth koth #yarael poof #ki adi mundi #master yoda #oppo rancisis #Tera Sinube #adi gallia #Stass Allie #jedi appreciation

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rawbin-hsr · 2 months ago

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Hiiiiii!! Ehmm are your requests open? If they are, could you share your thoughts about aventurine NSFW headcanons in a romantic relationship? Hope I'm not asking for too much. If you don't want to no worries!! just ignore me hehe. Still, i wanted to tell you that I really love how you write aventurine, you made me wanna listen to all his voice lines again lmao. Anyway sorry for my english, it's not my mother tongue, and have a nice day!

A/N: Ok so I decided to separate this hc into two parts (both parts are in this post just a little separated !!) because half of it is me kinda digging into his brain a little with more general stuff and the other is just more specific kinks and scenarios and stuff like that for people who are only here for the freakiness *smirks* Didn’t go in depth about anything here but feel free to send in another ask if you want me to dig deeper into something more specific 🐺

I had penis-haver reader in mind, but nothing specific is stated so reader is technically gender neutral !!

─ ⊹ ⊱꒰☆꒱⊰ ⊹ ─

CWs first section: Self destructive tendencies, mentions of hard kinks (not enacted), Aventurine not setting up proper sexual boundaries, switch Aventurine but I focus on when he subs

CWs last section: lingerie (for both Aventurine and reader), sex toys, semi-public sex, phone sex, overstimulation

Only slight aftercare mentions because any deeper digging into that will get sad real quick and I kinda wanted to keep this as not-sad as possible, but I’d be happy to talk more about it in another ask !!

─ ⊹ ⊱꒰☆꒱⊰ ⊹ ─

Like most people I think Aventurine is pretty open to a lot of things, but I think he also has a lot of hard limits and a lot of boundaries he hasn’t really thought about himself yet

Hard limits include hurting you, you hurting him, anything with leather, anything that makes either of you bleed, most types of bondage (esp handcuffs), any roleplay that put either of you in a position of authority over the other

(These are limits you discover a little into the relationship, because at the beginning, Aventurine claims he’s okay with everything and he would keep claiming that if he wasn’t in a very loving and stable relationship. He only feels comfortable establishing those boundaries when you’ve made it clear it’s safe to do so. 🙁)

Idk if you want me to go in depth about those hard limits because I have Thoughts about all of them but I’m assuming you want to get your freak on so I won’t go into too much detail about it, if anyone wants me to elaborate on it though feel free to send in an ask !!

I think a really big downside with him is he doesn’t really know himself how far these limits go and he doesn’t always communicate about it either. Like he’ll think light spanking is fine but then you’ll notice he kind of freezes up if you go for it during sex and after he’ll only admit he didn’t like it if you kind of push him to 😭

I think he’s a switch. I hate to say this because I know it plays into the fandom’s tendency of like,, further feminising and sexualising effeminate men and making them “bottoms” and all that but I do think he has a sort of sub lean. Or like power bottom sort of ? A brat basically. It makes me feel kind of gross to call him by these terms considering what the fandom likes to do to him but I’m using it as shorthand forgive me 💀

Or maybe I’m projecting because I have Issues and will only ever read and write dom reader idk

Like I think he likes having control, but with a partner he genuinely loves, he finds so much comfort in sort of just falling back and letting you take the lead. It’s a nice break because in his day-to-day life, he either needs to be in perfect control constantly or, when he does lose control, it’s never something good and/or a sort of loss of control he purposely takes to in order to punish himself (like when he gambles. Sure there’s a good chance he’ll win, but can he be sure? He’s always afraid he’ll lose. It’s ultimately out of his hands, since he doesn’t cheat). With you, he’s safe when he does it. It is not a gamble, it is not a bet. You unquestioningly just take care of him and it just feels nice.

At the same time, I think he won’t be as eager to let you lead at the beginning of your relationship. He doesn’t fully trust you so he won’t leave himself as vulnerable to you. Again, I think he has a lot of issues with control and power so that really plays into it.

(Please god don’t take this as me saying that Aventurine is ‘naturally submissive’ or some weird shit like that I will ACTUALLY shoot myself !!!! I will commit I’ll do it !!!!!!)

I imagine his libido is pretty low in the beginning. He’ll go whenever you want to, sure, but he doesn’t initiate a lot.

Quickly changes when he grows comfortable with you though. Once he actually really does love you he’d be more than happy to go like once a day or something wild like that he’s like an animal in heat for you dawg 😭😭😭🙏🙏🙏

Happy to go at your pace though, because I really really don’t think sex is that important to him. I think he’d prefer to have sex (in the beginning because it’s exciting, and then once you two are closer it’s because the intimacy is nice), but I don’t think it would be a dealbreaker at all if you don’t wanna have sex much/at all. He’s got a hand lol

Freaky part below 😈 ngh

─ ⊹ ⊱꒰☆꒱⊰ ⊹ ─

I think he definitely prefers having more ‘playful’ sex most of the time. Passionate and exciting and high-energy, lots of flirting while you’re doing it too <3

I bet he’s so annoying bru teasing you and purposely saying things to get you riled up with a stupid cocky grin on his face 😒 I need him sooo bad

Enjoys dressing up sexy for you and enjoys it even more when you do it back for him. I knowww everyone says this but he’d love to buy you lingerie as random gifts every now and then.

Loves toys. Whether you’re using them on him or he’s using them on you he’s game 😇 Fun way to switch things up !!

Ngh imagine using a vibrator on him,,, drooling,,,,,,,, anyways

Not above semi-public sex, but only when there’s barely any risk of really getting caught. Things typical for fanfiction LMAO like getting it on in a janitor’s closet. Just gotta be quiet and it should be safe, since the door’s got a lock.

Lotsss of phone sex for sure. Guy’s away a lot of the time, so if you’re okay with it he’s definitely not above sending/asking for nudes. Has a bad habit of calling you with little to no warning while he’s in the middle of masturbating too.

Panting into the receiver, saying he needs you, begging you to talk him through it. Happy to switch to a video call if you ask for it. Super good at it too, getting the best angles and everything (unless he’s getting so desperate he doesn’t have the mind to remember things like that <3)

Doesn’t like edging LMAO he’s too impatient for that. Except every now and then and ngh it’s so rewarding once he does want it he gets soo needy so quick

Bet he enjoys overstimulation too,,, somebody put me in a mental hospital the image of him sooo fucked out he’s whimpering and drooling and mindlessly rutting up against you,,,,,,, shoot me like actually

Would fall asleep so quick after that. Barely even awake enough to put on his pyjamas after ugh he’s so cute :((

Would probably not want to wear it after anyways he likes the feeling of your bare skin against his own I bet

Make sure to cuddle and reassure him lots after you have sex tho he’ll need it. Getting him a bath and a meal wouldn’t be bad ideas either

Super sorry about how short this was I definitely think he has a lot more turn-ons and stuff that I just forgot to write here but I’m very bad at answering such broad questions my bad 😞😞 Feel free to send in more asks asking about more specific things !!!

#[18+]#[rawbin]#[aventurine]#[by me]#[rawbin headcanon]#aventurine hsr #aventurine honkai star rail #aventurine star rail #aventurine x reader #hsr aventurine #reader x aventurine #star rail aventurine #aventurine #smut #aventurine smut #aventurine x reader smut #switch aventurine #sub aventurine #dom reader

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milswrites · 10 months ago

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Stubborn Little Fox

~ Eris Vanserra X Reader

Summary: Eris struggles to look after his stubborn mate when you are sick.

Warnings: Poorly reader but it’s pretty much fluff. Maybe some suggestiveness.

Notes: Just a silly little fic to tide you over until I finish the angst I’m writing. Dedicated to @sarawritestories who wrote me this exact scenario in an attempt to get me to stop writing and go to bed 😌

Your bed was empty.

Again.

The wrinkled covers pulled back to reveal the bare sheets of where you had once laid, where Eris was supposed find you soundly sleeping upon entering the room.

The Autumn Prince cursed lowly under his breath, knuckles turning white with frustration as he tightly gripped onto the tray of food he had prepared for you.

It was easier to control his hounds - Eris thought as he carefully placed the tray down on the edge of the bed, lest he toss its contents onto the floor in his anger.

Eris was used to completing impossible jobs, and yet nothing has been more difficult than trying to wrangle his sick mate and convince you to sleep away your illness. Your inability to sit still making caring for you harder than Eris had initially anticipated.

He needn’t try too hard to find you, a swift wander down the hall and to his office was all Eris needed to walk before he opened the door to find your sickly form hunched over his desk with a pen in hand. Scribbling away at whatever documents had been left for you once you had recovered.

It was impossible to stop the exasperated sigh which fell from his lips as he took in the paleness of your face and the worrying sheen of sweat which had coated it.

“And why, pray tell me, aren’t you in bed where you’re supposed to be Little Fox?” Eris snarled, all comfort forgotten as he once more found himself trying to coax you back towards your bed.

With shaking hands you reluctantly place your pen down, guilty eyes meeting the burning stare of your mates unforgiving glare. “I’ve got work to finish!” You defend, gesturing to the stack of paperwork which had only grown during your absence from your job.

At your excuse, the red-haired male inhaled deeply, a disbelieving hand coming to pinch the bridge of his nose in annoyance. And it wasn’t until Eris exhaled his frustrations that he allowed himself to reply as softly as he could, “work can wait until you’re feeling better.”

“It can’t,” you reason, a disappointed sigh drawing from your sickly lips, “I’m far enough behind as it is. Another day without work and I’ll never be able to catch up. Besides, I’m fine. I feel much better now.”

Whilst Eris prided himself on holding back the roll of his eyes which threatened to occur, he failed to stop the raise of his brow as you proceeded to burst into a fit of coughs after your weak-willed reassurances.

“All better?” He mused, a small smirk finding its home on his lips as he watched you pitifully try to compose yourself. Innocent eyes meeting his own as your incessant coughing eventually came to a halt.

“I have to say Little Fox, if I didn’t know any better I’d say you like going against my orders” Eris chided, slowly walking towards you as he spoke. Each step forward drawing you deeper into his hypnotic trance. “Would I be correct in assuming you keep leaving your bed because you want me to scold you?” He asks teasingly, bringing his face down to meet yours, until his playful eyes were level with your own.

“I can’t say I’d hate it if you had to take care of me” you replied honestly, unable to help the way your gaze drifted towards your mates slightly parted lips.

“Is that not what I’ve been doing all this time?” Eris feigns hurt which fails to read through his wicked smile, “Taking care of my mate?”

“I can think of a few more ways I’d like to be taken care of” you answer, hoping to be seductive but ultimately failing as another round of coughs wrack your chest.

“Later” Eris chuckled, his strong arms coming to lift you from where you were sat, “for now you need sleep.”

You furrow your brows in protest, opening your mouth to argue with your mate before he beat you to it. Eris’s soothing voice acting to calm you, “Don’t worry, I’m going to have to cuddle you just to make sure you don’t run off anywhere else.”

Eris’s warm lips came to meet your aching forehead, his kiss already working to dissipate the uncomfortable pulsating of your sore temples. Your mates healing touch enough to already have you drifting off in his comforting embrace.

“My stubborn Little Fox,” he uttered as he began to move back towards the bedroom which you shared, cradling you close to his body in hope that the heat which he emitted would soothe your aching joints, “you better feel well again soon, I’ll be waiting to deliver your punishment for disobeying me.”

You hum happily in response, nuzzling your face into his warm chest to hide your smirk of anticipation, “I’m looking forward to it, My Prince.”

It was only once you woke, when your fever had broken and the ache in your muscles had quelled, that you noticed that Eris was no longer holding you. That it was his turn to escape the comfortable confines of your sheets which had now grown cold in his absence.

Stepping out from the warmth of your covers, you walked barefoot across the cold wooden floors. Seeking the ever-lasting warmth of your mate. You followed the call, moving through the hall until you found yourself outside his office, the strong scent of crackling wood and chestnuts enough to tell you the male was waiting inside.

Cracking open the door you peered inside, noting the way Eris was slumped over the freshly inked papers you had saved to work on when your health had improved.

Your mate - your selfless, loving mate - had completed them all. No doubt seeking to ease your worries and provide you with the extra hours of rest you would no doubt need once you had woken.

Quietly pulling the door to, you move to the kitchen to prepare your love a warming tea. Because as much as Eris longed to take care of those he loved so dearly, sometimes what he needed was for someone to take care of him in return.

#acotar #fanfic #acotar imagine #sarah j maas #a court of thorns and roses #eris vanserra oneshot #eris vanserra imagine #eris oneshot #eris vanserra x reader #eris acotar #eris x reader #eris vanserra #eris imagine

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roseroro · 4 months ago

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Autonomy / choices in Mouthwashing…

I’ve only played the game once this very morning but goddamn the THOUGHTS. Will replay for more insight now that I know what it’s all about. In the meantime:

Daisuke, the young last-minute intern. From beginning to end, his autonomy is non-existent. He didn’t sign up to be on the Tulpar, his mother did it so he’d stop “slacking”. Under Swansea’s supervision, he can’t make his own choices, and instead spends his time on pointless repetitive tasks that don’t give him opportunities for mistakes. (Mistakes being the only example of him having a shred of autonomy, when he ends up stuck in foam… he’s doing his best I promise 😭). Then, when Anya locks herself in medical, Jimmy orders him to deceive Swansea then to go into the vent. Even his (merciful) death is someone else’s choice, Swansea’s (who swings the axe) and Jimmy’s (who brought him to that point).

Curly, the captain. Originally in a position of relative power (still under Pony Express), Jimmy strips him of everything and frames him for the mess he created. Curly is left unable to do anything but lie there and let others decide what he needs, what he wants, what he feels… what he did. No longer truly seen as human, his two perceived states are (irritating, noisy) pain and (accomodating) silence - silence achieved through force, shoving painkillers down his throat. He can do nothing but witness the events, yet he survives to the end. Unable to get in Jimmy’s way in his state, he becomes his puppet, the conduit for Jimmy’s delusion about being the hero and fixing things. His life is Jimmy’s choice.

Anya, the nurse and only woman on the ship. Belittled, abused, and raped by Jimmy and pregnant from it, her bodily autonomy is taken from her. After the crash, she’s left to care for Curly (who was supposed to take care of her before the crash, but didn’t despite his promises), who’s also lost his bodily autonomy, but she can’t bring herself to, well, force painkillers down his throat. The parallel to her own suffering too vivid. She chooses her death as a last attempt at regaining agency over her life (and, of course, makes that choice next to Curly), but Jimmy ultimately forced that choice on her, as he did with the others.

Swansea, the grumpy old man with a heart. As Daisuke’s supervisor, he steals part of his autonomy - but unlike Jimmy, he does so with Daisuke’s best interests in mind. He’s a protector, not an abuser. He also protects the sole working cryogenic pod from Jimmy - not for himself, as Jimmy believes, but most likely for his protégé. That choice is taken from him by Jimmy, who uses his alcoholism against him. In the end, Swansea is the only one who is able to truly fight back. Unfortunately, Jimmy is in possession of the strongest authority tool there is - a gun. The gun that the powers that be, Pony Express, placed there from the beginning to deal with eventual mutinies. Swansea never had a chance or a choice in the face of such powers.

Jimmy, the abuser. At the risk of repeating myself, he abuses everyone on the ship, he craves control and authority, he uses people’s weaknesses to obtain what he wants. He ends up as the only person in a position where he can make choices at all. He chooses how he lives and how he dies, he thinks he’s the hero of the story. The second he thinks his freedom is about to be taken from him (when he is about to lose his job and have a child with the woman he raped), he snaps and takes everyone’s fate into his own hands, he would rather kill everyone including himself than lose control. Obsessed with taking responsibility, never actually doing it.

Screaming crying chewing on drywall how can a 2h30 long game have so much in it there’s SO MUCH TO SAY

#mouthwashing #mouthwashing game #mouthwashing spoilers #mouthwashing analysis #my post

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jellybonbons · 10 months ago

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Calm husband x Assertive wife headcanons

DI!Leon Kennedy x fem!reader

A/N: heavily inspired by safa and fahad’s relationship from dubai bling.

Leon with a wife who is a bit of a firecracker—she's got that bratty streak, a stubborn side, and isn't afraid to speak her mind. But beneath all that, she's also incredibly understanding, compassionate, and fiercely loyal (only to him and her loved ones).

After all he's been through, he's looking for someone who can keep him grounded, bring him back down to earth, or just take charge in the relationship. He wants to be pampered and taken care of.

Leon, who's all about going with the flow, has this "it is what it is" mindset, but you, his wife, are the one who calls the shots on his behalf. As Leon grew older, he stopped giving fucks except for his darling wife.

Take driving, for example. If someone cuts him off, he's the type to shrug it off. But you? You're the one with road rage, ready to give them a piece of your mind. And when his order gets messed up, he'll just eat it, but not you. You'll be marching up to the manager, making sure he gets what he paid for because, hey, it's all about getting your his money's worth.

"Sweetheart, it's fine, really," he said, offering a small smile.

"No, it's not. You specifically said no chilli. And what do they do? Add it in anyway. It's like they're gunning for you," you replied, clearly irritated and a tad dramatic. Poor white man can't handle his spice.

Sometimes you'd push the limit, and he'd have your back. But once you're home and out of the public eye, he'll give you a lecture about where you went wrong. It might take you a minute to actually hear him out because, let's face it, you're stubborn. But he's got his tricks to make sure you eventually listen, if you know what I mean.

People might raise eyebrows at your marriage because you two are total opposites. They whisper nonsense behind your back because of your straightforwardness and confidence, and that's something Leon doesn't let slide. That's when he gives a damn, because nobody gets to badmouth his wife.

"I heard Leon's wife is quite controlling. Poor guy can't even make a decision without her approval," someone remarked, their tone condescending.

"Excuse me," Leon quickly interjected. "Let me make one thing clear: my wife is not controlling. Decisions in our marriage are made together, as equals."

“And if I hear anyone disrespecting her again, there will be consequences. Understood?" His tone was firm as he addressed his subordinates with a hard gaze.

"Yes sir," the subordinates replied hastily, scrambling to return to their tasks.

This might have been the only instance he'd wield his authority as the top agent, but it was a line he wouldn't allow anyone to cross.

What really makes your relationship click is the mutual respect and understanding you both share, along with your shared drive and ambition. You get that his job can eat up a lot of his time, with weeks and even months away from home, and sure, it gets to you sometimes. But he's pretty good at making it up to you (material gestures and physical affection).

Leon really appreciates how you get his career demands, and he's all for you pursuing your own career path too. He'd rather see you doing your thing than stuck at home while he's away. However, if and when you decide to have children, he might lean towards the idea of you being a stay-at-home mom, though ultimately, he respects it's entirely your decision.

As for that tracker thing, it's not about being controlling; it's more about being protective. With him going on those risky missions, you like having a way to keep tabs on him and make sure he's safe. At first, he wasn't too keen on the idea, but when you explained how it eases your mind, he kinda got it. Plus, it's kinda fun to mess around with it sometimes, right?

“Hey, where'd you sneak off to earlier?" you asked with a mock sternness, tapping your foot as Leon entered the room. "Your little dot disappeared for a while there."

Leon raised an eyebrow, feigning innocence. "What are you talking about? I've been right here the whole time."

You narrowed your eyes playfully. "Oh really? Because according to the tracker, you vanished into thin air."

A grin spread across Leon's face as he produced a cup of boba from behind his back, "I may have noticed a certain someone was feeling a bit down, so I thought I'd surprise her with her favourite pick-me-up.”

“Aw, Leon!” you exclaimed, jumping on him and nearly causing him to drop the boba and possibly break his back in the process.

#leon kennedy x reader #death island leon kennedy #leon kennedy fluff #leon kennedy headcanons #resident evil headcanons #death island leon #✧˚ ༘ ⋆｡ ˚

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dalishious · 5 months ago

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Dragon Age: Origins is still great today, and you should give it a try

I want to preface this post with an important disclaimer: I am not about gatekeeping, and I think that ultimately, you should play or skip whatever Dragon Age games you want. If even after this post you feel like Dragon Age: Origins just isn’t for you, that’s fine! That doesn’t mean you can’t still enjoy the Dragon Age media you do want to consume, and it certainly doesn’t mean you’re any less valid a fan. But I personally adore Dragon Age: Origins to this day, and I would love to see more modern gamers give it a chance, despite it being from 2009.

It’s a great introduction to the world of Thedas

Dragon Age: Origins had the tall order of being the first in a potential franchise, yet it climbed those heights and beyond. It perfectly balances the need to explain the world setting and tell a story within that world at the same time, by organizing the plot into puzzle pieces. You, the protagonist, have to recruit different factions into your cause to save the kingdom of Ferelden, so each piece of the game has a different focus on those factions. It spoon-feeds the player information at an easy to understand and absorb pace.

Dragon Age: Origins also makes good use of codex entries for those of you who are big lore buffs and want even more information. Yet at the same time, it does not overly rely on the codex; all the most crucial parts of the lore that you need to know are included in your interactions with characters and plot.

The player gets to shape the story

The nature of those puzzle pieces also means that you have huge control over the story from start to finish, because the puzzle itself is shaped by you! The outcomes of each piece form the blueprint of the climax. The end of the game is reactive to the choices you make in the story throughout. (Mind you, a lot of those choices have been retconned in later games, but still, within the confines of Dragon Age: Origins itself, it’s still fun to see the outcomes of your decisions.)

The story itself is great

I would consider Dragon Age: Origins to have the most straightforward premise of all the Dragon Age games released thus far, with a strong identity linking the different main quests all together. You are a newly recruited Grey Warden, left to unite Ferelden against the big bad Blight after 99% of the Order within the nation is wiped out in a catastrophic battle. You may get caught up in dwarven politics, ancient curses, demonic possession, and plenty more along the way, but no matter where you find yourself, your motivation always falls back to that ultimate responsibility.

The characters are also great

Almost all the companions you’re able to collect along the way are very easy to love, or at least appreciate them for what they are.

Alistair is also a new grey warden. He is struggling with grief over the loss of his mentor, and the weight of having no control over his identity his whole life.

Morrigan is a witch who grew up isolated in the woods with no one but her abusive mother for company. Now she must learn to interact with others, and dependant on the player, perhaps even make a friend, lover… or enemy.

Leliana is a bard from Orlais, whose faith told her to assist the grey warden plight. But beneath the demure outward appearance, she has a much darker past she’s running away from.

Sten is a Qunari warrior who was taught that outside his culture, everything is backwards and nonsense, but he cannot return home until he has restored his soul by recovering his lost sword. Along the way, he may learn to appreciate or despise Ferelden.

Zevran was enslaved by the Antivan Crows as a child and made into an assassin. If the player can chip away at his nonchalant mask, they will find his past has left a lot more scars on him than he thought it safe to admit.

Wynne is a mage from the Circle who is struggling to deal with the nature of age, death, and life purpose.

Shale is a golem who was once under complete and total control by her former master, now learning what it’s like to be free, and wanting to uncover her forgotten past before losing that freedom.

Oghren is there too, unfortunately.

And the player character really feels like they are of your own creation. The choices you make, little and small, offer a lot to shape whatever kind of protagonist you want. Additionally, the benefit of starting the game with a different origin, and playing out that origin before getting recruited into the grey wardens, offers a lot of prompting to get into the roleplay!

The datedness can be easily upgraded with modding anyway

Do you find the combat clunky? There’s mods for that. Do you find the graphics too bland? There’s mods for that. Do you wish you could kiss Alistair as a man or Morrigan as a woman? There’s mods for that, too. Dragon Age: Origins is very easy to mod; most of them you just drop the files into your override folder and start playing. Otherwise, you use the DA Modder app for DAZIP files, which is also not that complicated.

A lot of people consider Skyrim to be dated without mods, too. I personally don’t think there’s anything wrong with appreciating the ability to mod a game, as a positive point.

If you want to play, make sure you use LAA though!

Large Address Aware is a must-have on PC for Dragon Age: Origins.

For GoG or EA App/Origin users: You can just run LAA like normal!

For Steam users: You need THIS first

#dragon age #dao #dragon age origins #meta

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vidavalor · 1 year ago

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The *Original* Original Sin Theory or... why Aziraphale's "I forgive you"s really mean "forgive me" and just why he wants Crowley's absolution...

Will this break your heart in a good way and make the end of S2 hurt less? more? both? idk let's find out...

I want to talk about what the Before the Beginning scene does to the Eden scene and what all that suggests about Aziraphale and Crowley's relationship... because it might be enough to upend what we think this relationship is quite a bit, at least from Aziraphale's POV, if it goes in the direction that I think they are hinting at in S3, which I'm basing off of where they took it in S2 in these scenes.

This also contains an analysis of That Scene from 2.06 that ties into lots of other scenes and some other meta related to the show and it's a bit long-- like, the mother of all metas-- but there are pretty gifs and I brought snacks? Just letting you know it's a long post but tuck in with some tea if you're in the mood and thanks for reading. :)

Under the big cutty thing...

Before we get started, a couple of quick warnings: I curse a bit in here. It's in the show itself but just letting you know it's here a bit, too. I also mention *very* briefly suicide ideation in the characters and also very briefly (one sentence) Satan's mind-control of Crowley in S1 in a way that might be sensitive for a sexual assault survivor. There is general mention of religious trauma and abusive relationships (not Crowley & Aziraphale's relationship) all over this. If you are okay with the show, you should be more than fine reading this but just wanted to let you know up front. If you're okay with that, read on...

So, the Before the Beginning scene contains a twist, in that we learn that pre-Fall Crowley is naive to Heaven while Aziraphale is the one who is wary of it. This is especially interesting because, best we can tell, no angel has Fallen yet. There aren't *explicit* consequences for asking questions yet, as Crowley doesn't think it could get him into trouble to do so... but *Aziraphale* does. Heaven in S1 and S2 is shown to be basically a fascist state full of bullies jockeying for power where the ones on top dole out all sorts of abuses to maintain a sense of order among the rank and file. We see the emotional and even physical abuse they dole out to Aziraphale and how little they tolerate any sort of dissent, even from an archangel, based on what they ultimately do when Gabriel doesn't want to do arma-bloody-geddon anymore. Heaven is basically The Kremlin. Toe out of line and they'll toss you off a high-rise while telling everyone how sad it is that you recently had a spell of depression and heart troubles as a way of scaring everyone else into submission, right? What's surprising to us is that Aziraphale knows this *absolutely* Before the Beginning and he's terrified on Crowley's behalf, since this place functions as a kind of mafia state.

This implies something really kind of dark which is that Aziraphale knows enough to know how to toe a party line and keep quiet about any doubts he has. He knows how to survive in a way that then-innocent Crowley did not. He tries to tell Crowley that questioning things is going to get him angel-killed but Crowley has a faith in God that's different than Aziraphale's was even before the Earth was fully created. Crowley believed in Her more than Aziraphale does. He doesn't think anything will happen to him. Aziraphale knows what will and this implies knowledge of the abuse of the system and it completely changes our perspective of Aziraphale throughout the rest of the series. We often think of him as either willfully naive or just desperately optimistic regarding Heaven's goodness but, in reality, he's neither of those things. He's something else, entirely. His actions are not expressing naivete or desperate optimism or anything else.

They are expressions of guilt.

And the Eden scene tells us why he has that guilt.

The Eden scene introduces us to Crowley and Aziraphale and the series itself and it has Crowley posit the central question of the show regarding the nature of angels and demons:

Objectively, when you watch this scene, you think this is about the tempting of Eve and the flaming sword. It is... but it's also not *just* about that. Because Crowley and Aziraphale are watching Adam & Eve venture off beyond the Garden of Eden in this scene. They're still within view so the flaming sword situation happened a matter of minutes earlier. Yet, when Crowley posits that central question of which one of them actually did the good thing and which did the bad thing, Aziraphale reveals that it wouldn't be funny at all if what Crowley is saying (that Aziraphale actually did the bad thing) is true. He's distressed about it and so Crowley, somewhat dryly, reassures him that he's an angel so he couldn't have done the wrong thing. (Crowley, of course, being a literal former angel punished for doing the wrong thing lol and that being the joke but also in there is also the layer of Crowley genuinely liking Aziraphale and trying to tell him that it's all okay and meaning it.) Aziraphale is relieved and this is the key bit here-- he says oh good "because it's been bothering me."

The tone of this is that this central question of whether or not he did wrong or right by Crowley and whether or not Crowley was wrong or right in his actions *has been bothering* Aziraphale and he phrases it in a way that implies he's been losing angelic sleep (so to speak) about it for a little while now. If this was *just about Adam and Eve* then Aziraphale's reaction here makes absolutely no sense because the camera also then cuts in their conversation to in front of Crowley and Aziraphale *to show us Adam and Eve still visible in the near-distance* fighting off the lion with the flaming sword. They literally *just left* so how could Aziraphale be all in knots for awhile now over whether or not he made the wrong call? He's not. You can argue that his decision here in Eden to help Adam and Eve by giving them his flaming sword-- by standing up and doing something in the face of God to help out other beings he secretly thinks might have been treated unfairly-- *is a direct response to what he failed to do back in Before the Beginning*...

... which was to stand up for Crowley.

Meaning: Aziraphale doesn't need to see Heaven's files to find out what happened to Crowley when Crowley fell because he was there. S3 is going to be about preventing the Second Coming and so plot allusions to the crucification (which had its own Crowley & Aziraphale scene in S1) will likely abound. Aziraphale was there when Lucifer and The Gang were tossed out of Heaven. To be fair to Aziraphale, there is basically nothing he could have done to prevent this and the best possible situation is that he didn't even have the chance to. The worst possible situation is that he's literally Judas and sold Crowley out, out of fear of being tossed out of Heaven himself. I tend to think it's more that he just didn't stand up and say anything in support of Crowley to prevent himself from being seen as on the side of the eventual demons. Still, just as Crowley thinks the punishment for Adam and Eve was harsh, Aziraphale thought that asking questions and being curious wasn't enough to send Lucifer and everyone around him to Hell to be damned for all of eternity but it caused an obvious existential crisis in him that he still struggles to totally resolve.

If he disagreed with the decision to cast out the suggestion box-happy angels, he was as "bad" as they were. If he agreed with the decision, he was condemning them and that didn't seem angelic, either. How to be a good angel, which is the only thing he had ever tried to be or knew how to be? He did what he thought must be right-- to follow what the other, more powerful angels said the word of God was-- and if it was Her will, then it must be what was right, even if it was *extremely difficult* to see how this lovebug here was really an evil, demonic creature of Hell...

Not to mention that Aziraphale was in love with WhateverHeWasCalledPre-Crawly!Crowley. (We will just call him "Crowley" for this whole meta, because that is the name he chose for himself.) And maybe Angel!Crowley went after the more glamorous, daring guys. Heaven honestly seems like both a fascist state and high school at once (is there really a difference? lol). Crowley describes how he wound up falling in S1 as that he "hung out with the wrong crowd" and Aziraphale in Before the Beginning honestly seems like he's been flying around watching Crowley make stars for ages, trying to work up the nerve to or find an opportunity to introduce himself to the beautiful hot cool arty science-y guy who barely looks at him when his other option for a view are nebulas... or Benedict Cumberbatch's Lucifer/Satan, whose "stroke of demonic genius, dahling" bit in S1 and dark assault on his fave Crowley while Crowley was driving had a real "Angel!Crowley went for the bad boy who were so bad pre-Fall that they wound up fucking Satan afterwards and friend-zoned angels like Aziraphale" vibes. Alternatively, maybe he didn't totally? Before the Beginning seems to be the first time they met and maybe after that, Crowley and Aziraphale became close. It's just that Crowley canonically also wound up sitting at the cool kids' table because they were the only ones questioning things and he wound up damned for eternity for it and Aziraphale?

Aziraphale blames himself for it.

He has blamed himself for Crowley's Fall for six thousand years.

When they speak in Eden, Aziraphale is being confronted for the first time with what has come of his nebula-joyous, freshly baked blueberry muffin of an angel. He calls himself "Crawly" now-- or that's the name he's been given-- because who he was is dead. His eyes are yellow. He's now a snake. He's maybe a bit sarcastic, a bit dry, and a lot more guarded and aloof but Aziraphale sees flickers of Angel!Crowley in there. He's *kind* to Aziraphale. He's still inquisitive, in spite of it being what damned him to Hell. Aziraphale, God help him, is still wildly into him and, ugh, maybe even *more* so, in spite of everything.

And 'everything', for Aziraphale, includes Crowley being a demon being Aziraphale's fault.

They don't talk about it. Ever.

They don't talk about it because Aziraphale thinks that Crowley doesn't remember. Crowley's memory loss of a lot of his time pre-Fall is canon in S2-- something we, the audience, will need to understand the whole picture when/if we end up getting this revelation in S3 of Crowley's Fall and that Aziraphale feels he's at least partially responsible. What's even harder for Aziraphale is that because Crowley doesn't remember his time as an angel, he doesn't remember their full history together. He doesn't remember how they met and protecting Aziraphale from the first celestial shower and all the times they chatted after that and if they were in love back then, Crowley doesn't remember it. Eden then becomes, to Crowley, the first time they meet... but then look at how while Aziraphale seems to think that Crowley doesn't know him while Aziraphale knows Crowley-- the moment that he pauses so Crowley can introduce himself-- *Crowley* seems a little bemused. Why?

Because what Aziraphale has failed to consider is that the one memory that the demons are allowed to keep, most likely, is their Fall, which means that if Aziraphale was there when Crowley fell, Crowley actually *does* remember him. At minimum, he remembers Aziraphale being there and looking stricken by what was happening so even if he can't remember more than that, he knows he's safe with Aziraphale and that Aziraphale cared about him, which would explain why he risked going to talk to with him on the wall in Eden. He knows they were friends and that Aziraphale is good and he can trust him. It's also theoretically possible that if Crowley remembers his Fall and if Aziraphale was there, it's a trigger to him being able to remember all of his and Aziraphale's time before Crowley fell. Aziraphale might not know this and because these two idiots do not know how to talk-- and especially don't talk about this-- Crowley hasn't told him. In part because Crowley can't go back and he doesn't want them to dwell on Angel!Crowley when Crowley is who he is and if that's a demon, it's a demon, and the whole system can go fuck itself anyway, as far as Crowley's concerned.

Aziraphale, though, is still back on "it's my fault". He thinks he literally took goodness from the world; that he participated in the murder of his friend and the love of his life. He has never. In six. thousand. years. lol. told Crowley that he feels like this because he still thinks that Crowley doesn't remember Aziraphale betraying him and he is terrified that if he told Crowley he did-- if he told him that he was responsible, in part, for his Fall-- that Crowley would hate him and Crowley is Aziraphale's only friend in the universe and Aziraphale is madly in love with him. He couldn't bear the loss of him. He can handle their occasional spats and disagreements, knowing that Crowley always comes back, but this? If Crowley knew that his Fall was Aziraphale's fault? Aziraphale thinks Crowley wouldn't come back from that and he'd never see him again.

In reality? Crowley either already knows this and has the whole time or suspects it or if he found it out, would forgive Aziraphale for it. If he knows, he already has. His counter-argument is, like, what were you supposed to do to save me, exactly, angel? You alone versus all the hierarchy of Heaven and God Herself? I'm *glad* you didn't do something stupid and get yourself tossed into a pit of boiling sulphur. You don't deserve that.

Thing is, though, because they've never had this conversation because they DO NOT TALK lol, Aziraphale thinks he *does* deserve that. But look at what's happened since he made the decision not to save Crowley from falling...

...nothing.

Nothing has happened to Aziraphale. He didn't fall for it himself. He didn't fall for betraying the angel he loved and he wonders every. single. day. why he didn't and the only thing he can come up with is that he must have done the right thing. *It must be* that Crowley did the bad thing and Aziraphale did the good one because Crowley was damned to Hell for all of eternity and Aziraphale is still an angel of Heaven, six thousand years later. It's not for Aziraphale to question God. Her will is ineffable. It's ineffable because he cannot begin to understand how any of this can possibly be just and that just keeps happening over and over and over and over throughout the years to come in every situation he and Crowley find themselves in, from Job to The Flood to Wee Morag and Elspeth to Arma-bloody-geddon, right?

Aziraphale begins to lose count of how many times he's gone up against God at this point. Gives away his flaming sword to Adam and Eve. Saves as many as he could during The Flood-- *with* Crowley. (You know they did.) Lies to Gabriel's face in the eyes of God to save Job and Sitis' children... and learning that Falling was political, really, in the process. Nothing happened to Aziraphale for Job's kids. He suffered no consequence for lying to Heaven and God because Crowley was willing to lie for him-- to protect him from Falling, where Aziraphale couldn't protect Crowley himself ages before-- and nothing happened. Falling, suddenly, didn't seem totally God-ordained it it could be tossed aside by something as simple as having a demon just choose not to toss you to Satan. Crowley didn't take him to Hell because he didn't feel like Aziraphale belonged there. It wound up all entirely within Crowley's control, which then made Aziraphale begin to question if God was even really behind the Fall of Lucifer and the Gang or if it wasn't just the thugs in charge of Heaven who decided to toss them out... thoughts he was terrified to think and didn't dare voice aloud, at least not then.

In another era, Aziraphale and Crowley stood there together to witness the torture and murder of Jesus Christ in the name of God, in a parallel to the Fall. What happened to Jesus? He was betrayed by his closest friend, then tortured and murdered by those in the government who thought he posed a threat to social order. Heaven as Pontius Pilate. Aziraphale as a kind of Judas, in Aziraphale's mind, anyway.

Jesus as Crowley.

Time goes on and he and The Demon Crowley form friendship in their own right, regardless of what Crowley might remember from before his Fall. They form their Arrangement off of that and Aziraphale learns even more that, often, no one is really paying attention to what they do. That no one seems to notice if Crowley performs an angelic miracle or if Aziraphale performs what has become termed a 'demonic miracle'... because, really, *they're the same*, though that's not something Aziraphale can fully admit. He cannot allow himself to believe that demons *are angels* because if there's nothing different between demons and angels than Aziraphale doesn't know anything at all.

Anything at all... He doesn't know what being an angel *is* and it's what he supposedly is so it means he doesn't know who or what he is, really.

He doesn't know what God wants or if he truly believes in Her.

He doesn't know what the purpose of all of this is-- why Crowley had to suffer, why demons in general have to, why the *humans* do. Why it all has to be destroyed eventually. To what end?

Aziraphale has the same questions Crowley does and sometimes, late at night, often a little drunk, he'll dare to ask them with Crowley, and every morning that he still wakes up and sobers up and finds himself still an angel when Crowley Fell for so much less than Aziraphale has ever thought or done, he wonders just *why?*

Why is he still an angel when he, really, is no different from Crowley? Why Crowley is damned? Punished for all of eternity for curiosity and innovation and imagination, while Aziraphale is still an angel, doomed to only have until the clock runs out on Armageddon before losing him for the rest of fucking *eternity* but, until then, stuck suffering watching him suffer while remaining an angel? Is being an angel at this point, really, his punishment for failing the apparently foul fiend he adores?

Does Aziraphale ever have any answers to these questions? Good God, no lol. He's six thousand years into this and he's in the same spot as Amnesiac!ArchangelFuckingGabriel in 2.01:

...would be okay if you could just be one near particular person?

Of course Aziraphale knows what this feels like. Of course. We know he does. And that's why he hasn't been able to make a real move in six thousand years-- because it's his fault, as far as he's concerned.

Crowley's damnation is his fault. Crowley cannot really love him, or couldn't if he knew. Not because he's a demon, though Aziraphale might have thought that at one point but he definitely was cured of it by events in 1941. The more time that goes by, the more Aziraphale knows that Crowley loves him-- that he's *in* love with him-- and the worse it all gets for Aziraphale because every day that he hasn't told Crowley that he didn't prevent him from Falling is another day within the last *six thousand years* of them falling in love and the betrayal seems to get worse and worse to Aziraphale. The time to have this conversation was on the wall in Eden and it still hasn't happened. Still, over time, he starts to realize that Crowley, if ever knew, would forgive him.

Because his Crowley has the kindest of hearts. He really does, and that wasn't taken from him when he Fell and Aziraphale finds every opportunity he can to delight in seeing that and making Crowley reveal it.

It goes against everything Aziraphale is supposed to believe.

Demons are not supposed to be good-- if they were, they wouldn't have Fallen. Yet, Aziraphale knows Crowley is. He never has truly believed that Crowley isn't-- even when he could have, at least at the start. He worried, maybe, that he had helped create a monster out of the most lovely being he'd ever known but Crowley just kept proving him wrong about that, time and time again. *Crowley* doesn't believe it about himself, really, because that's his own trauma from his Fall but Aziraphale believes it about him and that's often good enough for Crowley.

But, really, this is why they still haven't gotten together in six thousand years. This is why Aziraphale seems like he can never get beyond "I'm an angel and you're a demon", no matter what Crowley does or how he proves that there are shades of gray and also, that the entire system is bullshit. It is not that Aziraphale doesn't *know* that it's bullshit-- it's that if he admits that it is, if he stops believing in Heaven (even if he doesn't stop believing in God), then he's left with nothing but the crushing weight of guilt that he has for all the pain that Crowley has been through.

If he tells himself that Crowley Fell *for a reason* and that he (Aziraphale) was *right* to not interfere, to not try to thwart God, even if it would have likely failed, just on principle, to stand up for his friend... then Aziraphale doesn't have to deal with the fact that he made what he really considers to be a colossal mistake and that it has caused the continued pain and torture and eternal damnation of the being he considers his soulmate...

...which is why everytime that pain comes to the surface in something Crowley says or does, Aziraphale *cannot handle it at all whatsoever* and reverts to You'reADemonI'mAnAngel!Mode.

Example: Crowley's religious trauma on display in their bandstand argument:

Crowley owns this, even if he's still traumatized by it. He's saying it sarcastically, making a joke on a song Aziraphale probably barely knows, if he knows at all ("Unforgettable"-- Nat King Cole). Aziraphale *aches* at Crowley saying this-- because it reminds him that it's partially his own fault. And he can't. Do. Anything. About. It.

He's an all-powerful *angel* here but he can't change this for Crowley. He can't stop his suffering some six thousand years after his Fall. He's looking at sexy goth Crowley here and he's thinking about curly-haired, beaming, ball of light! Crowley and that they are *the same person* and Aziraphale *does* know that. He knows it and he loves him passionately and desperately and he is one of the most powerful beings ever in existence and he's standing there looking at the man-shaped-being he adores talking about how he still aches from the betrayal of his fellow angels and his mother God and *there is no way for Aziraphale to fix it* when he can mend broken bones and heal the sick and let their be light! all over the place. He can do proper magic and still, he cannot take away Crowley's pain.

This is Aziraphale's Hell. He didn't Fall but he's been in Hell anyway.

So when Crowley's religious trauma and pain comes out, usually in an argument like in the bandstand scene, Aziraphale does the only thing he thinks he *can* do, right? He's an angel. Still. Somehow. He's an angel and there must be some reason for that and an angel is not a demon-- an angel is a purer being, a healer-- and so he says "I forgive you". He doesn't mean it to be patronizing, even if it is. ("I am a *great deal* holier than thou," as he told Crowley at one point and that was the point, right?) He is trying to say "I am still of Heaven and if it's absolution you need, I can give it to you."

He is trying to say: You are not unforgivable to me.

The real lyric of the song Crowley parodies in the bandstand is what Aziraphale means, whether he knows that song or not...

Unforgettable/That's what you are...

*Crowley*, though, doesn't know about Aziraphale's inner turmoil because *heavy sigh* FFS TALK, YOU IDIOTS *breathes* lol, so *he* hears:

I still think I am better than you and you are Fallen, so you're not worthy of me. I can't love you, not the way you want. I love all beings because I'm an angel and I you know I'm in love with you but I can't *allow* myself to be because it goes against the nature of an angel and I've only done eleven thousand things that should have made me Fall over the years but letting myself be in love with you is the rubicon I won't cross, apparently...

Crowley knows by the time they're having the bandstand argument enough about Aziraphale's general religious trauma (not necessarily about how it pertains to Crowley's Fall but about it in general) to know that he spits out hateful garbage when he feels cornered and how to just call it bullshit and move on. ("I don't even like you."/"You doooo.") But he understandably walks away when Aziraphale pushes him away past a point he can handle-- and Aziraphale knows how to do that. He does it *intentionally.* The "I forgive you" is sadness because it's all he has to offer Crowley but he also knows it'll piss Crowley off enough to end the argument, so he says it intentionally to get Crowley to go away. In this scene (which parallels the end of S2 quite a bit, as many have noticed), Aziraphale is trying to deal with it all on his own, right?

He knows where the antichrist is. He's just not telling Crowley yet. He's trying to deal with it to keep him safe. He's doing it because he thinks he should-- that maybe, when it's something of this level of importance, that his job should be as an angel first, above his side with Crowley. (It's also worth mentioning here that Aziraphale is straight up terrified of Falling, not even just for being damned to Hell but because then, if he's no longer in Heaven, he has exactly zero power to even *try* to protect Crowley.) At the end of S2? With The Metatron?

Aziraphale does the same thing as with the antichrist for a time in S1, really.

The beginning of S2 shows us that Aziraphale has known that Heaven is North Korea since Before the Beginning so now marry that with its last scenes and see the arc that connects them-- Aziraphale does what he does out of guilt over what happened to Crowley to *protect* Crowley. He didn't want to do any of it without Crowley and when The Metatron finally offers that carrot, Aziraphale is suspicious as all hell (pardon the pun) and here we have this moment where part of him *wants* this to all be real, right?

Times change and sometimes, your parents who traumatized the living fuck out of you and didn't approve of your boyfriend, grow the hell up a bit and try to repent and mend fences. Maybe the trust is broken but maybe it can be healed and *as an angel*, Aziraphale is a being of goodness and hope and optimism. He's pure of heart, as Crowley put it to Nina. He *wants* that to be the case... but he also knows it likely is not.

Still... they can't run. There's nowhere that Heaven won't find them. It's no life for them-- no life for Crowley, in Aziraphale's mind, no matter how many times Crowley tries to get him to run away with him. "We can go off together!" begs Crowley, over and over, and Aziraphale's only really ever found that Crowley will only slither off if he's ticked off enough and only "I forgive you" ever really does that enough to work lol. He *means* I love you endlessly but you know this is impossible, you bloody maddening, gorgeous serpent! Will you stop reminding me of what we could have when it can never happen?! but that's not exactly how Crowley's taking it.

In the end, to Aziraphale, Aziraphale is an angel and Crowley is a demon and they are doomed to spend eternity apart and Aziraphale thinks he has no one to blame, really, but himself. If he had somehow saved Crowley six thousand years ago-- or had somehow been brave enough to stand up for him and Fallen alongside him-- they could have been together forever.

But he wasn't then and now The Metatron is here and it's time for Aziraphale to go back to Heaven and he knows, as he sits there drinking coffee with the being whose posse sent Crowley in a free fall into a pit of boiling sulphur, that Crowley will never, ever, ever, EVER go back to Heaven.

But he also knows that Heaven is here to collect Aziraphale and they are making it clear that there is no escape. There's nowhere to run. Everyday, it's been getting closer for six thousand years and going faster than a roller coaster for the last handful but a love like Beez and Gabe's will surely never come his and Crowley's way now.

It was always going to end like this. Nothing lasts forever. He told Crowley that, Before the Beginning. Six thousand years. That was all the time they had before the end of Earth, the place they'd come to call home. They found a way to borrow a few more years at the end of it since S1 and he got to dance with Crowley, their fingers brushing, and that is going to have to be enough because they're out of time.

The Metatron never needed say it directly but it was evident: they wanted Aziraphale to go to Heaven and they would say or do anything to get him up there and Aziraphale may have bought it for a moment but he's definitely figured out by the end of S2 that they need him up there not to become the Supreme Archangel but because his time as an angel is now over. The threat to Crowley is unspoken but omnipresent.

The Metatron makes it sound like he doesn't care if Crowley comes back up to Heaven with Aziraphale or not and he really doesn't and why would that be? Why would he be eager to have the two most troublesome beings in all of Heaven and Hell teaming up and getting in the way of his Second Coming plans, which he absolutely *knows* they won't support? Because they won't have jobs waiting for them up there. Crowley will not be restored to full angelic status.

They're going to kill them. Aziraphale knows it. He's known what Heaven is since Before the Beginning, even if he's been in denial about it for almost as long to try to assuage his own guilt over participating in it.

And it's a lot easier a goal for Heaven to accomplish if they separate them and just Aziraphale goes up to Heaven. If Aziraphale goes alone-- if he keeps Crowley from following-- then Crowley is not a threat to them if Aziraphale is gone.

They aren't as powerful apart.

Aziraphale knows that if Crowley comes to Heaven with him that they will kill him and Aziraphale thinks okay, this is it... this is my moment of redemption.

Six thousand years since Crowley Fell and I can finally make up for not saving him by saving him now.

I can go with The Metatron and let Heaven kill me and know that they will not threaten Crowley if they do because what they are threatened by is both of us together. One of us, alone, is less of a threat and the only problem here is that if I go... Crowley will follow me.

If I just go without telling him what The Metatron said and I don't come back right away, he'll go to Heaven, worried that something happened to me, and they'll kill him when he comes looking for me. He'll find out they've Book of Life'd me and do something stupid and my sacrifice to keep him safe will all be for nothing.

So what's our tortured angel to do?

Bandstand 2.0, right?

He's got to piss Crowley off enough that Crowley won't follow him.

He's got to piss Crowley off so much that Crowley *will never come back* and the worst part is that Aziraphale knows *exactly* how to do it.

He makes his own plans and if things get drastic enough, he'll blow up that damn halo, metaphorically-speaking this time. To save Crowley, he will break Crowley.

It's darkly romantic, really. He'll sacrifice himself for Crowley but to be sure that Crowley will be safe and not follow, he'll have to break his heart a bit first-- to further their misunderstandings in a season based on "I don't think your exactly is my exactly exactly"-level miscommunications.

So Aziraphale accepts The Metatron's offer and lets The Metatron think he completely believes that the offer is legit and maybe a part of him is still hoping that it is but he knows it's really not and that this is a suicide run. This is Aziraphale's Holy Water arc...

...and speaking of Holy Water... that arc from the perspective of this being Aziraphale's mentality... Crowley, tortured by Hell for what he did while with Aziraphale in 1827, then refusing to talk about it, showing up with a cane, sullen and depressed, asking Aziraphale for the one thing that would kill him and Aziraphale's unwillingness to understand that it wasn't completely suicide ideation on Crowley's part but as a way to *protect Aziraphale* and keep him safe. Crowley wanted what could kill a demon not to kill himself but to kill one that might come after Aziraphale. All Aziraphale could see, though, was Crowley's physical and emotional pain, that he could barely keep hidden in that era, and how Aziraphale couldn't make it better. All he could see was how he failed him and led him to this suffering. All he could see in a note begging for "holy water" was Crowley wanting a suicide pill, wanting to destroy himself, unable to take any more, in so much pain that he'd leave Aziraphale forever to make it stop. Aziraphale is blinded entirely by guilt and fails to see what Crowley is really saying, which was, ironically, the last time Crowley began to try to tell Aziraphale how he felt, which was:

I've been thinking-- what if it all goes wrong? (What if I lose you? I'm terrified of losing you. I love you. I wake up from nightmares of you being destroyed by the demons who just spent a couple of decades after 1827 not that long ago torturing me. I didn't know for sure if you were still alive during any of it.) We have a lot in common, you and me. (We're a team. A... group of the two of us.) What if it all goes pear-shaped? I need you to get me the magical demon-killing stuff so I have a weapon against *my own fellow fallen angels* that I can use in case they come after us. I would kill another demon and send every legion of Hell after me to protect you.

Aziraphale: I like pears.

(My God, they are so stupid. Please. I can't take any more lol.)

So, yeah... it's Aziraphale's turn for the holy water suicide run here only with an actual suicide run...

It takes the books in The Blitz for Aziraphale to really understand what Crowley was asking for and what he meant by asking for holy water and by 1967, he gives Crowley the holy water, in the one moment when *they actually talk*, as much as they can, about how much they love one another, that exists prior to the end of its parallel-- the end of S2.

So, yeah, Aziraphale "goes to tell his friend the good news" with a look on his face like he's marching to his death *because he is* and he knows it. His last moments with Crowley, in some of his last moments in existence, he already knows will be spent upsetting the man-shaped being he loves. He's got it all planned out. Not exactly the picnic of his dreams but it'll redeem him and save Crowley and that's all that matters to Aziraphale in this moment.

He will sound naive to the threat of Heaven and because Crowley doesn't remember pre-Fall, he won't remember how Aziraphale warned him against taking on the brass in Heaven so Crowley won't be suspicious, he'll be *frustrated*, like he was in the bandstand. He'll get angry. Aziraphale's goal is to get him to storm out-- but it has to be a really, really, bad relationship-ending storming out.

He can't come back after he drives The Bentley around the block like he did back in 2.01 and say "okay, fine, I'll help you" and Aziraphale knows that if he plays this right, he can make it so Crowley won't because helping Gabriel was one thing but asking Crowley to become an angel with him and pretending like they can go fix the broken system of Heaven is going to be Crowley's bridge too far. It's *the only thing* that Aziraphale believes is Crowley's bridge too far where Aziraphale is concerned and isn't that heartbreaking as hell? That Crowley loves him this much? And they never got to be together the way they wanted? That they were just beginning to get close to trying to figure that out?

That, hours ago, Aziraphale was asking him to dance and trying to ignore the signs of trouble around the corner, desperately wanting more time with him? That they are semi-immortal beings that always somehow seem to be out of time?

Truer words have never been spoken, Crowley. Little did you know, poor demon...

So Aziraphale goes into the bookshop and Crowley looks all worked up and wants to say something and some part of Aziraphale begins to hear warning alarms going off in his head because Crowley *never* looks like this-- is never this flustered, never this uncomfortable, never this nervous, never in a rush to say something-- and Aziraphale thinks no, can't be, we don't talk about this... even if, ironically, all of S2 shows that Aziraphale has been trying *for just that*. It was just a few hours ago that he was trying to Jane Austen a ball for them to use as a pretense to discuss their feelings because, in the height of ironies here, right?

Aziraphale was ready.

They'd had some time without Heaven and Hell breathing so much down their necks, even if the threat still loomed, and spent every day together and it was perfect and it was lovely and he knew Crowley would forgive him and Aziraphale was almost there, right, he was *almost* ready to tell him. He was almost ready to tell him he loved him and that it was him, all those millennia ago, who could have done something and didn't and he's so, so, so sorry and can Crowley ever forgive him? Is there any way that Crowley could ever forgive him after what he didn't say and didn't do when he should have? For all the times since that he's said things in anger when, really, he was madly in love and just full of his own issues to sort out? (Damn, Aziraphale, we're beginning to see your affinity for Austen heroes here...)

But he's out of time so there will be none of that now. Now is his karmic payback. Six thousand beautiful years with the being he loves and feels he doesn't deserve have led to Aziraphale's redemption being that he can sacrifice himself to save him. He can leave the world they love with Crowley and Crowley's *goodness* in it, as it should be. So when Crowley says he needs to say something, Aziraphale cannot-- CANNOT-- let him speak because he cannot bear it.

He suddenly fears that of course-- OF COURSE-- the one moment in all of these trillions of moments they've lived through where Crowley is about to directly say he loves him for the first time is the also the same fucking moment when Aziraphale has to destroy their relationship to save Crowley's life and Aziraphale will be dead after this and he cannot bear hearing what his life could have been. He can't hear Crowley say this right now or else he worries he might lose his nerve. He *wants* to hear it but if Crowley speaks first, Aziraphale might cave, he might be weak again like he was when Crowley Fell, he might fail him again, and he can't. Not after all this time. Not when he loves Crowley so much.

"What's that lovely human expression?! 'Hold that thought!'" he blurts out, in a callback to, of course, the moment Crowley saved him in 1941-- to that night where Aziraphale really realized for the first time that Crowley wasn't just capable of good or capable of being friendly towards him but that Crowley *loved* him and that he loved the Demon Crowley, whether or not he should. ("But somewhere in my wicked, miserable past," sings Frances McDormand as the Voice of God, from her apparent favorite film lol, "I must have done something good.")

Ah, yes. Played for suckers. Here is where it's important to note that in 1941, Aziraphale had no idea that Rose was really Greta and that he, in fact, was the one being played for a sucker. By the end of S2, though, it could be argued that he very much knows that The Metatron is Fraulein Greta Klauschmidt-- someone who presented herself as Captain Rose Montgomery, an agent of anti-fascist good, who approached Aziraphale in his bookshop and told him that he could be an agent of change, too. He could help save the world and stop the global rising tide of fascism represented by the Third Reich. He could even do so using his books. They plotted a sting together, in which he'd bring his books to a church and seem to give them to Nazis to give to the Fuhrer, only for agents to surround them and arrest the Nazis. Aziraphale, desperate to *do* good and to *be* good, falls for this-- he fails to see that Rose is really Greta, a Nazi agent who fools him into working for the enemy and getting him to help destroy the world in the process. Pretty obvious to see here that Greta is The Metatron in S2... but it's likely that Aziraphale knows it and is playing along because it's his turn to save Crowley, unlike what happened in 1941, when Crowley saves him and his books.

Crowley, in the bookshop back at the end of S2 in our present time, stops speaking at the "hold that thought", looking like he's about to be ill, and has to also be thinking of 1941 and the church now that Aziraphale has referenced it. Maybe, in some way, it's an unconscious effort on Aziraphale's part to convey to Crowley that this is a charade-- that he doesn't mean this, that it's an act-- but he really doesn't want Crowley to figure that out. It would defeat his goal. But he also doesn't want to hurt him because he loves him but this is the only way that Aziraphale can see to save him. So he starts gushing about his coffee with The Metatron, right? We all remember this pain lol.

Maybe I've misjudged him. (Aziraphale, we suspect you know that he tossed Crowley into hellfire and stole Gabriel's memories so honestly, the worst part of all of this is that you're so traumatized that Crowley is *buying* what you're saying here...) And guess what?! He wants me to be the new Supreme Archangel! And he said you can come! And you can be an angel again! It will be so fun! We can have a slumber party, Crowley, after days of doing good, and braid each other's hair!

Crowley is like jfc fml are you even serious right now? Which, of course, is what Aziraphale *was going for.* It's the "I don't even like you" and the "we're hereditary enemies" and the "I'm an angel, you're a demon" way of trying to intentionally push Crowley away but the new version of it because none of that flies with S2 Crowley-- most of it barely flew with him in S1-- because Crowley *knows.*

He knows that Aziraphale loves him. And he knows that Aziraphale knows him, which is to say he knows how to hurt him, and that's what this is but also Crowley just sees it as how much Heaven has hurt them both. How much they've hurt Aziraphale. Because just as Aziraphale looks at Crowley in the throes of his religious trauma-- "Unforgivable. It's what I am", etc.-- and wants to help and save and protect him, Crowley feels the same way in return when Aziraphale is like this. Frustrated, sure, but in just as much pain at how much pain Aziraphale is in and feels powerless to stop it but will do whatever he can to try to, yeah?

For Aziraphale, this is all going fairly well (it's miserable but in terms of goal, it's working) through "tell me you said no" but the problem is that Crowley is still pleading. He's still trying to work through it because they're an *us* now and also ironically of course this is when Crowley's been trying to do better with storming out lol so he's trying to couple-solve this. He's not just *leaving* like how Aziraphale had hoped. He had been trying to sell to Crowley that he could pick Heaven over Crowley and Crowley is just kinda... not believing it so much at first and, instead, is trying to approach it like a problem for the two of them to solve together, instead of as a decision that Aziraphale has made for his life that he's stating that Crowley can take or leave.

Which calls back to this scene in 2.01 at the start of this arc, when Crowley calls their life *his* life and Aziraphale counters with that he thought *they* had carved out a life for themselves *together* and Crowley answers: "so did I!" Because they haven't had a discussion about what they are, exactly, at that point, Crowley still cautiously calls *their* life *his* life, retaining a sense of autonomy, as if he's only making decisions for himself when, in reality, they are a couple who are trying to make a life together and have been doing so consciously since S1. Crowley calls that life "precious" and "peaceful" to Aziraphale-- beautiful, lovely things that they both treasure and want and find with one another-- but also "fragile". The threats to them still loom large in the background and they are still so afraid to go much further in their relationship because, in part, of those threats and how terrified they are of losing one another... which just makes the end of S2 even more brutal, really.

(*mantras* cottage in the south downs cottage in the south downs...)

So back in That Scene later in S2, Aziraphale is then just kind of stuck trying to figure out how to get Crowley to be so angry with him that he storms out and never comes back in the face of Crowley trying to very much not do that and then Crowley starts saying that he needs to say what he was going to say or he never will and Aziraphale *knows*, ok? He knows what Crowley needs to say. He just literally cannot believe this is going to happen right now. He honestly can't believe it's happening at all but right now?!

He knows before Crowley begins speaking. He probably knew when he told him to "hold that thought" a few moments before but he *really* knows now. Crowley has no idea that Aziraphale has planned for this to be the last time they ever see one another and to go sacrifice himself to Heaven for whatever they want to do with him to keep them away from Crowley. Crowley looks like he's about to pass out from nerves and can barely speak and just...

...six. thousand. years...

...I know we have all looked at the heartbreak of this scene from Crowley's POV here every which way to Sunday, okay, but just imagine you are Aziraphale, who has loved this being since before the literal beginning of time, and you blame yourself for his pain and suffering, and he's standing here, braver than you've ever been with him, looking into your eyes and telling you that he knows that you love him and that he loves you and he knows you both have known this for basically the entirety of your existence together and he can't pretend anymore. He doesn't want to pretend anymore. He knows things have changed over the last few years between you and he wants more of that. He wants to be with you.

The two of you are not even human, just human-adjacent beings who have gone native from the stars and clouds here, who live and love like humans, who know that maybe the angels and demons have it backwards and God's great creatures are the humans-- that it should be the good in them that you should be trying to emulate-- and Crowley had never been more beautifully, impossibly human than while he's standing there looking ready to pass out while asking you if, after six millennia, it might be alright for him to not hide how much he loves you.

How many times has Aziraphale imagined this by this point? A million? How many different ways? There's at least half of them when he imagines that he's the one who gets up the courage first but there are so. many. Crowley. fantasies. Ones in every time period. But always *a fantasy*, at least up until maybe very recently. Why?

Not even just Heaven and Hell and the threat of being caught but the fact that Aziraphale believes that Crowley doesn't know Aziraphale didn't save him during The Fall and how could he ever really love him if he knew? How could Aziraphale ever go to him like this and give Crowley everything he knows Crowley has desired for so long without telling him the truth about Aziraphale's role in Crowley's Fall-- but then, Aziraphale assumes, he'd lose Crowley forever? So this has always been a pipe dream for Aziraphale-- fantasies from a world where they ever stood a chance of being together-- never really something that could be reality and here it is, starting, happening *now*...

...after six. thousand. years. of living with this guilt and in the last moments in which he will ever see Crowley before he heads to his likely death, with no time to tell him the truth and beg for his forgiveness, no time to ever know what their lives might be like if they could be together.

As Crowley, unbeknownst to Aziraphale, mused dramatically, if not inaccurately, earlier in the season... it's always too late.

It's punishment, in Aziraphale's mind. That's what Crowley's proposal, his confession, is now. It's his Fall, whether he falls or not when he leaves the bookshop for Heaven. It's karmic retribution-- it's God, finally saying something, and what she's saying is:

Look at what you've done, Aziraphale...

Look at how he loves you.

He was never unforgivable.

You are.

Aziraphale might be erased from existence once he gets to Heaven and he knows that's a possibility but he basically is dying here. Crowley is killing him. Crowley has pointed that silver bullet gun straight at his head and fired but he's missed and the bullet isn't in Aziraphale's teeth, it's gone through him.

Crowley, here, tears in his eyes, asking for whatever time they have. An eternity? Impossible, unlikely. Angel and demon. One day, the war will begin again-- another war to end all wars, like all the ones they've fell more and more in love during throughout history-- but it might be the one where Heaven or Hell wins and they're doomed to spend eternity apart. Crowley has said before he thinks the real war is humanity versus Heaven and Hell and that sounds like he thinks there's a chance they could survive it but who knows? They don't know. They're immortal beings who live like humans and that's, of late, included a sense of mortality. They don't know how much time they have left and Crowley is asking for all of it. He is asking for whatever time they have left to be spent together, openly loving one another, and what he doesn't know is what Aziraphale knows:

That they're already out of time.

Crowley is proposing marriage unaware that Aziraphale is dying. It's always too late, Crowley had stated earlier but had hope that maybe it wasn't but it is. And Aziraphale?

Gah. Aziraphale...

He's never loved him more. He's never wanted him more. He wants to tell him that he wants that, too, that they can have it, that Crowley can have anything he wants, but it's not true. It's not true because they could run out the back door of the bookshop now and hop in the Bentley and end-of-Grease it up to Alpha Centauri and Heaven will still find them. Heaven and Hell will still be after them. Running away solves nothing and Crowley always, ultimately, anyway, comes back and this time-- this time-- for Crowley's own good, to save his life, Aziraphale needs him to leave the bookshop and never come back.

And the moment that Crowley confesses that he loves him and that he knows Aziraphale loves him in return and that they've both known this, forever, and asks him if he can be allowed to just love him, Aziraphale loves him so much in return that he'll break his heart to save him from dying.

Dying is... not on, as High!Crowley put it in 1827 lol, but suicide-ish attempts are, if it's Aziraphale's turn this time.

So he twists the knife. He hides the goats as pigeons and he looks at Crowley and does a bit of this:

...only with the exact opposite intent. In the Job minisode, Crowley cannot speak aloud his true intentions. (Something he can finally do in the S2 finale, when he declares his love for Aziraphale.) He cannot tell Aziraphale outrightly that he had zero desire whatosever to kill Job's kids and animals and doesn't plan on actually doing it and, in fact, is actively engaged in a bit of bait-and-switch to make it look like he's doing what he's supposed to be doing as mandated by Heaven! this time as well as Hell (a nice little extra bit of paralleling to the end of S2 and Aziraphale, there.) He wants Aziraphale to believe him enough to allow him to pull it off because saving the kids and the pets (and protecting Aziraphale from any harm that might come to him if he gets in the way of what Crowley's been asked to do) matters more to Crowley than Aziraphale believing him...

...and believing him here means believing *in* him. Believing that they are on the same side and it's their own side and they're in it together. Crowley has to lie to him here *and it works for a moment*. It's really important to note that *it works*. Aziraphale believes that Crowley can do this and that he wants to-- that he not only can but he *longs* (lol) to "kill the blameless kids of Job"-- but it's all in Crowley's wording. He isn't *actually* lying. He *does* long to kill the blameless kids of Job like how he killed the blameless goats of Job-- because he "killed the blameless goats of Job" by turning them into pigeons. So he's really saying to Aziraphale that he longs to *fake the deaths* of the blameless kids of Job and plans to in the same way that he did the goats. In that moment, though? It didn't matter if Crowley was lying or telling the truth. There was only one goal--

--to get Aziraphale to walk away.

To get Aziraphale to leave, for his own safety, and let Crowley handle this. Better that he misunderstand Crowley and be disappointed in him and think him a lost cause than to get himself into trouble. Crowley out here loving Aziraphale that much in the days of Bildad the Shuite. (This poor mfer. Six. Thousand. Years lol.)

So what caused Crowley's plan to save Aziraphale in the Job era to not work?

One of the pigeons bleated, right?

Aziraphale heard it and realized that Crowley hadn't been lying so much as he had been trying to protect Aziraphale from his plan of subterfuge against the Almighty and Satan. The difference is that there are no bleating pigeons in the S2 finale... there's just *a whole certain famous other kind of damn bird instead* and its *absence* from the scene is the big emotional gut punch moment. And we all know it but I'll gif it anyway since this is already a depressing meta (cottage in the south downs cottage in the south downs...)...

...and that *is* the point. Because unlike back in the Bildad the Shuite days, there is no bleating pigeon (at least, not yet) to make Crowley realize that all is not what it seems and that Aziraphale is trying to lie to him and get him to leave to protect him from Heaven.

As Aziraphale is like mortally wounded here by Crowley's confession of love and is so not going to recover from this, he's now got to not only get Crowley to leave feeling like Aziraphale rejected being their own team for Heaven, he has to now do it with all of it out in the open-- with Crowley having openly confessed love for him, with him having asked for them to be together. He's not just going to have to frustrate Crowley more than he ever has before and get him to leave more angry than he was before, he has to, instead, smash into little tiny bits the very beautiful, very passionate, beating heart of the being he has loved since he met him *making the stars* in the bloody sky here...

The only way to get Crowley to go now is to make Crowley think he's rejecting the idea of loving him. Aziraphale honestly can't even sell the idea that he *doesn't* love Crowley because Crowley won't believe it-- he knows Aziraphale does and he's said as much in his whole marriage proposal here. So it has to be that Crowley thinks Aziraphale chose Heaven over loving him. Chose being an angel. That he really meant all of those 'hereditary enemies' and 'you're a demon' moments and to sell that, he sells it.

(You're a dark horse, Mr. Fell, Nina said of him in 2.01... the same turn of phrase Crowley uses when surprised by the secret skills and narrative power of Jane Austen later on in the pub.)

Aziraphale does love himself a bit of theatre. A bit of a disappearing act. The West End, The West End...

...our Nefertiti-fooling fellow...

He sells it with:

Well, of course you said no, *you're* the bad guys...

Come with me... I'll run, it you can be *my second-in-command*...

We can be together. *Angels*. Doing *good*...

...oh, Crowley... nothing lasts forever...

For his final act, The Marvelous Mr. Fell will saw his ineffable husband's heart in half by spewing a litany of everything he can think of to say that will piss him off enough to make him leave the bookshop broken-hearted enough to never come back.

Only someone put a miracle blocker on here because, try as he might and good heavens (pardon the pun), Aziraphale is *trying* here...

...this turnip is not turning into a damn inkwell.

Crowley finally starts to go-- it's looking promising. Finally, Aziraphale thinks, this misery might end. Six thousand years of wanting to speak of all of this between them and hoping for some happiness when-- if-- it could maybe someday arrive, if it even could-- and it's the worst moment of Aziraphale's existence and he knows it is the same for Crowley.

Crowley stops and the "do you hear that?" And no, Aziraphale doesn't hear anything, he just has never been more upset and Crowley needs to just go because Aziraphale can't handle another moment of this, how could it possibly get worse?

Nightingales. Of course.

A call back to S1's "no more world-class composers/little restaurants where they know you/gravalax and dill sauce/old bookshops" but this time, it's "no nightingales". There's Armageddon coming that neither of them know about in this moment. It's still a 'someday, they'll try again' concept to them in this scene, not an extremely immediate threat, as Aziraphale doesn't learn about The Second Coming until after this. So the end of the world that Crowley references here is the end of *their* world and that means no nightingales. No romance. No *them*, together. Worth remembering that Crowley thought, up until maybe what? Five minutes ago? That they were headed to breakfast at the Ritz together. They should have been sitting there together *in this moment*, is what he's saying. Miracling the pianist to play "A Nightingale Sang in Berkeley Square" and gazing at one another over teapots and mimosas and croissants.

That's gone, since you chose Heaven instead, is what Crowley states and Aziraphale knows it because, God help him (no, literally, GOD HELP HIM! WHERE THE HELL DID YOU GO OFF TO THIS SEASON, FRANCES?!), it's what he's *trying* to make happen.

You idiot, says the once-Bildad the Shuite, who thought he was taking his beloved to the ox rib special this morning and not getting dumped for an old floating head and the cinematic world's most contentious to-go cup of coffee, we could have been... us.

Not really a part of the theory here, just the observation that Crowley's confession/proposal begins with him unable to say "a couple", in case this all goes pear-shaped and he needs to have never said something that romantic, so he says instead "a team", "a group-- of the two of us". He says it without saying it. But, by the end? He just says "us." He *present*-tenses it. He's like forget everything else, angel, we could have just kept on being us because we both know what we are. We don't need to find the right turn of phrase or even the most specific human word for it. We are just *us* and we could have kept on with that but you chose the mentality of your abusive family and asked me to be what I'm not and I still love you because I *know* you but I can't be with you like that and *you* know that.

And he kisses him. Because Franny McD says you ain't suffered enough yet, Aziraphale lol. Should I just gif it while we're miserable? If you've read this far, a month has passed and hopefully, you've taken breaks and I do apologize but I'm gonna gif it because yeah. Here we go, folks...

God, make it stop, pleads Aziraphale to literal God and here comes Crowley with the S1 wall slam parallel, all dammit, angel, I know you've wanted us to snog for centuries and this is our last chance.

I know people have opinions about this kiss and I know we're all posting them here, obviously myself included, but while I've seen a lot of like... 'Crowley knows it's the only time they ever will be able to because Aziraphale is leaving him for Heaven' and 'Crowley wants to remind Aziraphale what he's giving up and could have had' and 'Crowley tries the kiss to see if it'll change Aziraphale's mind' takes-- and I agree with all of those things and think they're all right-- I've not seen a lot of 'Crowley kisses Aziraphale *for Aziraphale*' and I think that's a big part of it, too.

Crowley really isn't stupid. Not when it comes to Aziraphale wanting him. It would be honestly hard to spend a zillion lifetimes on Earth and not get it after like...

And Crowley understands Aziraphale's particular brand of religious trauma more than most, since he has a variant version of it himself. He understands that where his whole thing is that he's very much *not* an angel anymore, that Aziraphale's identity is wrapped up in being one and the conflicts he has with Heaven and while Crowley is not yet quite hearing what Nina said-- that she just got out of an abusive relationship and that she's not yet ready to be with Maggie and needs time-- and marrying that to Aziraphale and Heaven (especially because Aziraphale is showing exactly zero signs of trying to get out of his relationship with Heaven lol), Crowley wants Aziraphale to have had what he (Aziraphale) wanted, even if it was for only a moment. He can't go with him. This is the *one* scenario where Crowley cannot follow where Aziraphale goes, where he can't come to him and rescue him, because Aziraphale has said he doesn't want him to. Aziraphale wants to go and do this and the only way he'll take Crowley is if Crowley wants to become an angel again, which Crowley will not do.

And damned if there isn't a part of Aziraphale that thinks that if The Metatron can really be trusted, wouldn't that be something? That if he gets up there to Heaven and he really is made Supreme Archangel and if Crowley changes his mind, if he comes back, like he always does... if he storms out and leaves but then misses him too much and takes the elevator up... then maybe Aziraphale could make him an angel again and while Crowley hears in Aziraphale offering that you aren't good enough as a demon-- you're not good, period and even if he doesn't totally believe that Aziraphale really thinks that but knows Aziraphale has enough religious conflict that it's a problem for their relationship, what Aziraphale *really* means is... I could fix it.

I could go back and un-Fall you. I could take away your pain. I could stop your suffering. I'd have the *power* to do it when I don't right now and it kills me, every day. I could right the wrong I did, the sin I committed-- the real Original Sin-- six thousand years ago when I betrayed you, when Heaven betrayed you.

I could do right by you, the way She never did.

I am going to Heaven to either have the power to do that or to be obliterated into non-existence and I don't totally know which, though surviving is not looking promising, but all I know is that it's too dangerous for you to follow me right now until I do know so I'd rather hurt you than see you dead.

You want to be with me and I am afraid it will lead to your destruction so I need to say anything to put the breaks on your attempt and make you back off. To a lesser extent, I've done it before. Can do again.

Only this time, no hope of the possible, future picnic, I'm afraid...

It really is the worst possible Aziraphale nightmare here like... everything he's ever wanted. Six millennia of wanting to pull Crowley close and he has to reject him or Crowley could die. Fanfic season here said Coffee Shop AU and also a reverse-Fuck or Die for the ages. People complaining that it's awkward? YES. It's supposed to be. Crowley has no idea that Aziraphale is facing a round of sudden death here and was just hoping for his one fabulous kiss and vavoom. Even if it didn't change anything-- he wanted *Aziraphale* to feel that. To know how much he's wanted this for so long and to have it, even if they can't again. The intent is terribly romantic, as is Aziraphale flailing in the middle of it and giving in because he is made of strong, halo-exploding stuff here but he's wanted this forever. He goes up on his toes, he leans in, his hands flail around and he touches Crowley's back. He *shouldn't* do any of this if he's trying to meet his goal of getting Crowley to leave because it gave Crowley hope. It might have even been what motivated Crowley to stay outside and not go right away, or at least a part of it. But Aziraphale had to because he loves him and he couldn't help it.

Then, *sob*, The Michael Sheen eviscerating all of us here...

For anyone who might still be saying that is an "I didn't want his kiss" face... hard, HARD, VERY HARD disagree. That is "I didn't want *this* kiss, like this, right now." That is a man-shaped being who was just kissed by the love of his life for what may have been the first time but, at minimum, is for what he believes will be the *last* time. (I'm still out here holding out some hope for Blitz, Part 3-- a nice first kiss after they kill some Zombie Nazis with Chekhov's derringer in the bookshop but I digress...somehow, even if this entire long meta is one long digression, I digress lol...)

It's the face of a man gutted by the fact that this, in his wildest dreams, was not supposed to happen like this and he's been alive for damn ever at this point so he's had *all* the wildest dreams. And a lot of them, let's be real, have centered around Crowley doing just this. Exactly this. Crowley ain't wrong with the 'grabbing him by the collar and kissing him senseless in the middle of the bookshop' thing. He's wanted to do it for centuries. And the middle of the bookshop bit? That's important, too. This is their home. It's *their* home, even if Crowley is technically homeless. It's safe for him in here and Aziraphale has made it so. It's where they've spent thousands of hours together, happy and safe in each other's company, and here they are, bouille-bouile-bouile-baby-ing finally and it's a complete and utter, unmitigated trash truck dumpster fire.

Honestly, this was a better kiss than in S2 lol. S1 laying down though how long they've been dreaming about it (and having Crowley start listing animals that are in Aziraphale's nonsense magic spell, like he flashes back to 1941 when thinking about the end of the world and kissing Aziraphale in the bookshop... so you can see why I'm moderately hopeful that maybe they did kiss then, once, before then trying to never again until Crowley kisses Aziraphale in 2.06.)

I'm going to bring this back around now to the comparison I made above with Crowley and Jesus and talk about how 2.06's end scenes are also like the last temptation of Christ. Good Omens makes it pretty clear that Aziraphale is the tempter, really, of the two of them, in their relationship. Crowley can't say no to him and Aziraphale has learned it and loves to puppy eyes Crowley into anything he wants.

Crowley knows it and is fine with it. He's smitten and happy to be wrapped around Aziraphale's finger. Crowley has tempted Aziraphale and we see that in S2 with the ox rib. He is, himself, just by existing, tempting to Aziraphale. But in terms of temptation carrying with it a bit of manipulation and *that* kind of tempting being what's demonic in nature? Then Aziraphale is, and always has been, the demon of the two of them. This is true into the end of S2, as while there is almost nothing that Crowley would deny Aziraphale, there is really only one thing and that's to change who he is for him. To become an angel again, to work for Heaven again, after what they've done to him and Aziraphale. So the end of S2 is then Aziraphale's temptation-- it's a test, of sorts, for Crowley, even if Aziraphale doesn't intend for it to be. Crowley resists the temptation. Even for Aziraphale, he won't follow the path of darkness for himself and become something he's not. Crowley-Jesus. (Aziraphale-Satan S3 incoming lol.)

And if you've been reading all of this right then you know what happens next and what it means from the POV of this guilt-ridden Aziraphale...

I honestly don't think Aziraphale is really that angry *with Crowley* at this point-- I think he's just angry. He's reached his limit and then some. He has a lot of simmering, under the surface rage on a good day that only bubbles over when he's stressed by a situation he can't control and here is the ultimate one, really. He's a little mad at Crowley because they've waited countless years for that and in an argument, while ironically probably kind of perfect for them, is not really how *either* of them wanted it to be... but, mostly, Aziraphale is just angry that he can't have any of those moments at all. That they're out of time. That they had all this time and they never really could be safely together and that he's been haunted for six thousand years of the image of his fluffy cloud of redheaded sunshine, bloodied and stricken, and then tossed to Hell while Aziraphale was powerless to stop it. He's never seen those eyes since and he loves the snake ones. He loves all of Crowley with all he has but he's never been allowed to *have* him and never felt safe enough to try and now it's all over. And he still has to make Crowley fucking leave this bookshop for his plan of self-sacrifice to fucking work here so...

...I forgive you. It's the worst thing he can think of. The thing Crowley always hates. The thing that he knows makes Crowley feel lesser and demonic, even if Aziraphale has always, always meant it as an I love you. He even spits it out to Crowley with an almost self-deprecating, referential tone to it-- like "here we go again-- you say you love me and I say 'I forgive you' because I can't say anything else, can I?" The anger is laced underneath it and all the pain but he's intentionally referencing how this this the thing he says whenever Crowley says they can be their own side. He's trying to claim that nothing has changed in all of these years, when they both know that everything has changed since S1 and the bandstand. That's what makes it hurt both of them even more. Aziraphale chooses to say "I forgive you" because he knows that Crowley has never heard it for how Aziraphale means it and Aziraphale is a little bitter about it and lets it show in the moment, since Aziraphale's I forgive you always really means...

I can't stand to see you in pain and if there's any power in me as an angel to stop it, then I will do that so I forgive you and may that make it easier, may that make it all okay, even though I know it won't.

And just before saying I forgive you, Aziraphale's mouth works and he almost-- almost-- says I love you instead... what Crowley would really give anything to hear.

You can see the 'l' forming there, the beginning of "love", what he *really* wanted to say... what Crowley himself didn't even actually explicitly say. Crowley said it without saying it. He called them a couple without saying that word, asked for eternity without fully asking for it, said he loved him by acknowledging that they had both been pretending, but Crowley was terrified and so he said the things in a way that made it obvious what he was saying and asking for but, so unused to not speaking in code are they, that Crowley didn't say he loved Aziraphale, not directly. He did say it. He just didn't say it in those words.

And for a second, Aziraphale almost does.

He can't stand that he's breaking Crowley's heart. He can't stand that Crowley has kissed him and Aziraphale only briefly kissed him back, only barely touched him, when he really wanted to go at him like an ox rib and never let him go, and he starts to say the truth because no part of him really *wants* to be lying like this to Crowley. But he stops. And not even just because he needs Crowley to leave the shop to save his life but because, in the last four minutes, Crowley has confessed love and proposed and they've kissed and Aziraphale, pretty sure he actually died somewhere in the middle there and he's now stuck somewhere in one of Dante's worst circles of Hell lol, just cannot *also* have this be the moment where he says "I love you" to Crowley.

It's not even false hope that maybe they'll somehow have more time. With Heaven breathing down his neck in the form of The Metatron, Aziraphale has no real hope of that. He just always dreamed of telling him and not like this. He doesn't want Crowley to hear it like this, either, not as a part of a rejection. The anger, instead, surfaces, because why can't he and Crowley just *have* this?! How the hell did Gabriel and Beezlebub get to fuck off to Alpha Centauri after dating for ten minutes when he and Crowley have spent bloody eons in queer pining hell over here? What did they ever do that was so wrong to deserve this? Why was Crowley asking questions so terrible? Why have they had to spend thousands of years pretending not to love each other as if love-- the epitome of the angelic-- was unholy? Why, Aziraphale is wondering, now that they are out of time, did he ever spend so many years terrified when, in the end, it all ended tragically anyway?

How many of those years could Aziraphale have spent loving Crowley the way they ought to have been able to have and denied themselves of for so long?

And then Crowley finally does it. Tells him "don't bother" about the forgiveness-- about the love, as Aziraphale has always meant it-- and he leaves. It worked. The anger and pain and saying "I forgive you" after that kiss... it worked. And Crowley leaves and Aziraphale, alone, is a complete mess of broken and furious and broken some more.

Crowley, as we know, doesn't get to see this moment. Muriel does! Great for fic! Hilarious by show standards that the new angel who is literally being ordered to take over Aziraphale's home against his will is who witnesses the aftermath of the intimate moment our angel has been craving, oh, just since before the dawn of humanity over here.

He touches his lips, his hand trembles... have you all noticed that Aziraphale is literally fucking *tasting and eating* what of himself Crowley left in his mouth here? He's pulling every bit of Crowley to his tongue from his teeth and *swallowing*, like he knows it's all of him he'll ever again be able to consume, like he's committing how he tastes to memory for the last like, who knows, ten? fifteen? twenty minutes? of his own existence that he knows he probably has left...

Jesus fucking Christ, Michael Sheen...

This is all without yet mentioning the single most under-analyzed line in S2 that calls into question a ton of stuff, which is this beauty from Shax, right off the top of 2.01:

"Beezlebub's put some of the lesser demons on half-rations."

What does this have to do with Aziraphale consuming Crowley's kiss like it's the most scrumptious thing he's ever tasted (because it is) and being furious that it'll be their last?

Because that Shax line casually confirms that demons eat. Do they eat human food or some sort of demon food or both? Who knows, really, but they're *supposed* to eat. Ok, but is it just a demon thing? No, because it ties to Crowley's comments in S1 about how he complained that the food wasn't really that good lately when hanging out with Lucifer and The Gang, which then implies that, at least back then, *angels* ate, too. Eating was a normal thing. Over time, though, we know that the higher angels have come to see eating as human and pedestrian and not something befitting of an angel. Some demons eat-- even Crowley eats, if less than and differently than Aziraphale-- but the angels think it's beneath them and if we have confirmation via Shax in S2 that they are supposed to be eating and basically only don't die because they're immortal beings and not human, even if they have human corporations, then the show is saying that all of these angels are fucking starving themselves.

They're doing what they're told and denying their own nature and their own needs in the process.

S2 also shows that with the ox rib, right?

Aziraphale went *at* that thing. He'd never eaten at all in a couple thousand years after being told it was un-angelic and so when he tasted food for the first time, he went so overboard that he's been Mr. Prim and Proper with his napkins and table etiquette ever since out of embarrassment over Crowley watching him food orgasm once-- and that's the metaphor there, as we've all figured out. Our show that has a sex worker named Mrs. Sandwich is all about its ongoing food-as-sex metaphor. S2 even opens with the hilarious turnabout from S1 as a "thank you for my pornography", "why do you consume *that*?" Gabriel shows up at the bookshop-- naked-- and has a food orgasm trying hot chocolate for the first time.

Gabe, babe, Aziraphale does not need the play-by-play here....

Mah point is... mah point is that Tumblr is maxing me at 30 images per post and so you'll just have to picture Crowley slurring "dolphins" while I get to my actual point here...

Mah point is while this is a whole separate analysis almost and one that many of you have already done in different ways re: food & sex on the show, my point here is that starving yourself of food in Good Omens is analogous to being touch-starved or love-deprived and before someone yells at me about how angelic beings don't necessarily need sex or are by nature not into sex unless they make an Effort, I agree with you and Neil Gaiman. I'm just also saying the show is suggesting that they all have human corporations and that many of those human corporations are not sex-averse so for those of them that are not, they're literally out here touch-starved and/or sex-starved here in different ways. But, you say, maybe Crowley is hungry (goodness knows, Crowley *is hungry* lol) but Aziraphale eats all the time!

Yeah. Aziraphale eats *food*, all the time. But he isn't touched all the time. He doesn't have sex all the time. He isn't kissed all the time. The 2.06 scene shows him *physically* making that metaphor of food and sex real for us-- we watch him *consume* what remains of Crowley's kiss--showing that he's desperate for it and deprived of it. He's starved for it, to a point of trembling hands and rolling every bit of Crowley's lingering taste around his mouth like he's taking on every last bite of the best crepe he could ever imagine in all his days...

...and then being, understandably, full of rage that this is the only time he's going to ever have Crowley-- and all he's ever going to have of him, when Crowley just offered all of himself-- forever.

And then The Metatron comes back and is Aziraphale ready to go to his death now? And, Friends, Aziraphale...

...is absolutely not.

He's turned away from the door, barely containing tears. When the door opened and he turned, he half-hoped it'd be Crowley but it was grr That Bastard instead. He looks out the window and Crowley is still out there...

...he left but he didn't really *leave*... and it somehow then still isn't over and will someone please just take Aziraphale out back and angel-shoot him? He can't take any more of this.

What about the shop? he asks, in a moment of desperation and terror over what's to come and some blind, stupid hope that he can somehow get out of all of this with him and Crowley still alive and The Metatron, who anticipated this, tells him Muriel lives here now. Aziraphale looks around the home he's made for him and Crowley for the last 223 years and his favorite books and possessions. Crowley's hat from 1941 is on the hat stand, the horse statue is where Crowley put his glasses back when he trusted him, back when he let Aziraphale see his pretty yellow eyes whenever Aziraphale wanted in recent years... before he just put his glasses back on now and closed himself off again.

Aziraphale is never going to see those eyes he loves again. He didn't even get to kiss Crowley without the sunglasses on before it was all over.

Even Gabriel had something to take up to Heaven with him to remind him of the demon he loved but Aziraphale goes to Heaven and to his death empty-handed because he pushed Crowley away to save him from all of this and, in the final push, he looks at Crowley standing there by The Bentley, all that secretly optimistic, beautiful, romantic hope about him still in him from the angel Aziraphale first met, all the awareness there of Aziraphale-- the only being who really knows him-- and so he's still waiting, still hoping. It goes back a few hours to the ball.

I'll be back. I won't leave you on your own.

But it's Aziraphale's call now and he gets into the elevator. The Metatron wins because Aziraphale's love for Crowley wins. He'll die before he lets anything happen to him, even if he wants to run to that car and to him but where would they run *to*? There's no place to go. Crowley has always been wrong about that. They can't go off together. There's no place safe from Heaven for them.

So Aziraphale gets into the elevator at The Dirty Donkey, leaving Crowley alone in the street once again, just with less hope this time than in 1967.

So Aziraphale leaves the bookshop this time, instead of going into it like he did in S1, when he left Crowley in the street, standing beside The Bentley, while clutching a different book this time-- Agnes Nutter's prophecies in his hand versus The Book of Life and its threatened erasure hanging over Aziraphale like the specter that it is. What was predicted about the future versus erasure from the past and all time. Nothing to see here, Crowley! Everything is as it's seems.

Everything is tickety-boo!

Tickety-boo?

Yes, which is also what Aziraphale-as-Crowley said... when he was kidnapped by Heaven and Hell in S1, remember? When he was taken from Earth to be sentenced to death... along *with* Crowley.

This time, Aziraphale is shutting Crowley out again. Telling him 'mind how you go' again, this time a bit more, uh, emphatically lol. And on their heels, again, the end of the world. Arma-bloody-geddon 2.0: The Second Coming.

Aziraphale heard The Metatron saying that was the plan-- as, of course, our villain walked away and meant for it not to be totally heard, further implying that they have no plans to really make Aziraphale the Supreme Archangel and that this is all a remix of Fraulein Greta Klauschmidt. That then makes this all somehow *even worse*... because now Aziraphale gets in the elevator to ride up to his death to save Crowley but now he knows that it was all for nothing.

War is coming. The planet they love will be destroyed. Crowley, if he knows him well enough, will likely die trying to save it. When he does, he'll still be damned to Hell for all of eternity while Aziraphale thinks he likely won't exist at all once he makes it upstairs and Michael finally gets to Book of Life him. Let the other angels think he's been played for a sucker. Better they think him a fool than that they come for Crowley.

He doesn't want to Fall and doesn't wish for it. If they take his memories as punishment, and they almost certainly will, he won't remember any of the moments he spent with Crowley and even if they could have eternity together in Hell if the world is destroyed, he wouldn't wish Crowley the pain of being around him when he didn't remember anything.

Aziraphale only finding out about The Second Coming in the moment before he gets on the elevator-- *after* everything happens with Crowley-- is a million times worse because now Aziraphale is riding to his death knowing that everything they've done in six thousand years doesn't matter and that the events of S1 didn't matter because all it did was delay the inevitable end of the world and everything Aziraphale loves is about to be destroyed.

That, apparently, was God's ineffable, Great Plan.

All of that is what is on Aziraphale's face on the ride up to Heaven in the final splitscreen.

In that splitscreen, Crowley, for what it's worth, is visually echoing the driving back from Tadfield bit that leads to the "tickety-boo" moment of Aziraphale lying to him by omission. He looks close to a parallel to the S1 moment where he suddenly yelled:

"DUCKS!"

They're what water slides off of. In this context? They were also the thing itching at the back of Crowley's mind-- the not quite right thing, the puzzle he couldn't quite figure out, the question he coudln't yet quite answer... until he could. That's positive, actually. It means there might be something for him to realize, even if that realization might come too late in the short term. (They will solve everything and be fine, memory-intact, immortal beings in love who go off together by the end of it. This is all just until then.)

Ducks are also, sort of, the be all and end all of Good Omens. Crowley knows how to take care of them, after all, when others do not. You feed them frozen peas-- they are good for them and they love them, too. (Don't feed him coffee, you Metatron idiot! He only ever drank one mug of it in S1 and it led to the *points above* see: tickety-boo Aziraphale lying to Crowley paralleling sequence of scenes.) [The "do you have one, single, better idea?" scene is Aziraphale drinking coffee, for reference.]

So, yeah, by comparison here... Aziraphale, you are a duck lol. You have been fed bread by idiots for far too long when, really, you need to be eating frozen peas. Crowley knows this and he knows how to take care of you. With any luck, he's about to have his duck-moment-paralleling epiphany any moment now, though I fear you're already going to be memory-wiped and fallen to Hell when he does. That's okay, though, because this is the main scene that still needs a go-around in paralleling and we know Crowley knows where the dungeons are down there from unfortunate, personal experience.

Cottage in the south downs, cottage in the south downs, cottage in the south downs, cottage....

Notes: Hi! If you have made it all the way here, thank you for reading. I hope it was worth the read for you. You all write such great stuff that I felt inspired to put my lit and film studies and psych background to use and jump in a bit. Thanks for indulging me. I also wish to note that there is a gif above that is by @fuckyeahgoodomens but for some reason, the credit was not working properly so I just wanted to make sure you knew who was providing us the visual joy.

#ineffable husbands #good omens #crowley x aziraphale #good omens meta #long post #good omens theory #i am not kidding you this is kinda long but there are gifs and jokes and i brought snacks?#aziraphale #crowley #good omens 2 #good omens 2 spoilers #gabriel

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shsl-analyzer-guy · 8 months ago

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In-Depth Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 2: Mondo Owada

So yeah, I decided to do Mondo's next. After all the material I ended up inadvertently collecting for him in my Taka analysis, it just made more sense to go ahead and get him out of the way, even if I'd rather go for my personal favorite characters first.

As noted previously, this analysis will only be using canon material. It'll primarily focus on the game and its english translation since that's what I'm most familiar with, but may also pull from the original Japanese, as well as the animation, stageplay, etc. If you aren't interested, just keep scrolling. Mondo fans, prepare some popcorn, and perhaps a tissue box since if you're anything like the Taka fans you may end up crying. You're welcome.

Part 1- Character Design

Mondo Owada is a delinquent character whose design pays homage to manga series Jojo's Bizarre Adventure: Diamond is Unbreakable, and is modeled after its protagonist, Josuke Hikashigata. Mondo sports a massive pompadour and a modified uniform that mimics Josuke's, and is the leader of a biker gang called the Crazy Diamonds, a direct reference to Josuke's Stand, Crazy Diamond.

Due to leading this biker gang, he was given the title of SHSL Gang Leader, or Ultimate Biker Gang Leader.

Part 2- Character Introduction

Most of Mondo's character introduction isn't actually from himself, but from the researching Makoto did prior to entering the school in-game. We know immediately that he's leader of the largest biker gang in Japan, and get a look into his public image via Makoto. Despite the fact that Mondo is being fairly chill with his greeting, Makoto remains terrified of him based off of reputation alone- "I'd better be careful around him. One wrong word and I could wake up at the bottom of the sea..."

However, we can quickly see that this reputation is built mainly on bravado, as when Monokuma first calls for the entrance ceremony, we can see Mondo begin to sweat, despite his claiming otherwise- "Well hell, it ain't like I'm scared or nothin'. Let's just get this over with!"

He continues to sweat throughout Monokuma's explanation of the communal life, attempting to cover it up by yelling at the bear to let them out. We get a brief look at his more protective nature, as he purposefully puts himself between Hiro and Monokuma in order to confront him. We also quickly learn just how easily provoked he is.

Despite this provocation, he's not completely swept up in his rage, as he's able to listen to Kyoko's warning of the bomb and follows her advice- to throw it away- without hesitation. So our first real impression of him is that he's a short-tempered and intimidating- but well-intentioned- protector of sorts. He's not completely brainless; he's considerate of his classmates and their safety even when putting himself at risk.

Part 3- Early Game Development

Mondo is an interesting case, as he's a character that almost immediately looks directly into the camera and tells the player directly what their main motivation is. The only other character in this series that's as transparent about their goals so early in is Sayaka, and even then the game makes you ask for that information.

He tells us, in no uncertain terms, that keeping promises is the #1 most important thing to him. He also tells us indirectly how highly he values his family and personal connections, holding his brother's word as law. These combined with his talent being that of a gang leader all suggest a pack leader mentality, which is immediately confirmed by his anger at Byakuya for trying to separate from the group- "Like hell I'm gonna let you run off and do whatever you want!"

Not only is this loss of control upsetting to him, but he's then immediately provoked and called insignificant by Byakuya, leading him to lash out at the closest person in an attempt to regain that hold of power- which just so happens to be Makoto. Not only is this response irrational and violent, but it knocks out Makoto for 10-11 hours. Mondo is a leader, yes, but he's a gang leader, and his bite does match his bark.

Mondo's aggressive and fairly single-minded nature is made apparent when he continuously tries to break down the hatch in the main hall. Not only does he attempt to bust it open with Sakura on the first day, but he then returns to the hatch with Leon the following day, despite the fact he already admitted there was probably no way to open it from inside, and continues to check into the following chapter. He sees one possible way out, and zeroes in on it, just in case.

The game continues to double down on the irrational, defensive aspects of his character when Monokuma appears again to present the first motive. He again confronts Monokuma directly- pretending as if he knows who's piloting the bear for a fact("We know who you are!")- and attempting to intimidate him into letting them go. Once again, this demonstrates both his desire to protect himself and his classmates, and his unwavering confidence in the intelligence of said classmates, as Chihiro was the one to suggest the mastermind being Genocide Jack based only off her gut feeling. He then proceeds to immediately turn around and make Makoto be the one to go find the motive instead of going himself, getting extremely angry when Makoto doesn't instantly do as he's told- "Hey... Hey hey hey hey hey... HEEEEEY!!! You see how passionately I'm begging you!? What's the big deal? Just check it out real quick!"

He then calms down the second Makoto agrees.

It creates a sort of duality with his character between his more protective nature and his need to exert control, something the game makes a point to call out.

Part 4- Relationships

Mondo develops a fair number of relationships across his time in the game, to varying levels of importance- some antagonistic, some exceedingly complex. We'll go from least to most important to the overarching story.

4.1- Celeste

Celeste and Mondo are written in directly opposing ways, as while they're both fairly short-tempered, Celeste is much better at hiding it. It's by this logic that throughout the early game, oftentimes when Mondo starts to get riled up by the rules of the school and/or their circumstances, it's Celeste who ends up deescalating before he can explode, maintaining a facade of calm where he can't.

4.2- Sakuraoi

While not very touched upon, Mondo does end up developing a mutual respect for Sakura and Hina. When the class splits up to investigate the school on the first day, he joins the two of them in trying to find a way to get back to the outside, and he and Sakura work together to try and bust open the hatch in the main hall.

Hina's the one that stops Mondo from attacking Byakuya in the library, and when Chihiro begins to cry over Mondo saying that 'women are naturally weak anyway', it's Hina who calls him out for 'screaming like a lunatic.'

His relationship with Taka is also directly contrasted to Sakura's with Hina by Sakura herself- "Friendship between men seems very simplistic. Nothing like what I'm used to with girls." "Yeah, for real..." It's an interesting comparison, considering both Sakura and Mondo end up dying and leaving the responsibility of failure on Hina and Taka.

4.3- Byakuya

Byakuya antagonizes Mondo more than once, first as they're splitting up to search the school, and again after the library opens. Both times he seems to take enjoyment from it, calling him unimportant more than once and refusing to even entertain the idea that he might die.

"So miniscule, so insignificant, they couldn't possibly have any kind of influence on the boundless ocean."

"You know, I still just can't believe it..." "Believe what?" "That an uneducated, brain-dead, useless piece of garbage like you has survived this long."

"You all need to try harder. If an opponent isn't going to give it their best, where's the fun for me?"

It's enough of a threat for Mondo to genuinely believe that he's dangerous and want to keep him bound so he can't attack (foreshadowing when Byakuya himself would go one to tie Chihiro up? Probably not but it's a neat connection)

He also goes on to fuck with Chihiro, both by mocking her fear and by purposefully tampering with (what he believed to be) the crime scene of her death. On both counts, this directly affects Mondo, calling him out for his bullying("Hey, shithead! You get off on bullying people that can't fight back?") and letting Byakuya pin the crime of killing Chihiro on himself in the trial.

However, despite all this, Mondo never gets the chance to give Byakuya his comeuppance for his words and actions.

4.4- Ishimondo (yeah these bitches gay)

Similarly to Byakuya, Taka starts in a more antagonistic position, directly opposing Mondo as the unofficial, self-designated 'leader' of the class and remaining insensitive to the feelings of his classmates.

Unlike Byakuya, there's no actual intent to harm here, and their banter remains more focused on their differing ideas on how to help their classmates than anything else. Still, as time continues to pass, Mondo's impatience combined with the recent losses from ch 1 starts to push him over the edge, getting angrier with the class's lack of urgency.

This impatience only leads him to butt heads with Taka more, who's trying to keep the class together and safe first and foremost. On top of that, Mondo's delinquency is directly opposed to Taka's disciplinary background, making it all too easy to see each other as foes. Despite the fact they consider themselves the better type of man to the other, they have similar views on how men are to face each other, leading to the sauna scene.

Both characters' strong-willed determination and stubbornness inadvertently puts them on the same path, attempting to use their physical abilities to prove himself a more worthy leader than the other. It's a simplistic way of deciding, but it's one they both wholeheartedly believe in, and this gives them the opportunity to connect with each other in a way they're unable to with anyone else in the class. Thus, the following morning, when asked about the contest, the two have formed an inseparable brotherhood and refuse to even acknowledge the contest, as having a winner would put them on different levels. Interestingly, Mondo shares the belief with Taka that men bond by being naked around each other("Guys gotta expose themselves to each other, ya know?"), suggesting that he removed his clothes in order for this 'brotherhood' to form.

4.5- Daiya

The first thing we learn about Mondo's older brother in-game is that he was the one who taught Mondo to always keep his promises, no matter the cost. The second thing we learn is that he fucking died. And until nearly the end of Mondo's run in the game, that's all we as an audience need to know. He had an older brother that taught him his core values and passed away, leaving Mondo to carry out his wishes. It's not until after the chapter 2 trial is said and done that we learn anything more about him through Mondo's secret: "That embarrassing memory, that secret he didn't want anyone to know... You know what he did? He killed his own brother!"

It's through Monokuma that we learn the truth of Mondo's history with his brother: Daiya was his only family growing up, and thus, became his role model, the man Mondo himself wanted to become. He respected Daiya and Daiya alone. He followed him everywhere, and together, they formed the Crazy Diamonds, which went from a local biker gang to one of the greatest in Japan. It was through his brother that he developed his biking talent, and acted as his right hand. But some of the gang didn't believe in Mondo or trust him the way Daiya did. As Daiya grew older and prepared to retire, rumors of nepotism circulated throughout the gang, saying that Mondo was nothing compared to Daiya, that he wasn't worthy to take over the gang.

"Daiya created the gang with his bare hands! Mondo's just along for the ride." "Can someone like that be our leader?" "All that'll do is make the gang look bad."

Any accomplishments Mondo had made within the gang didn't count to the gang, or to Mondo himself, because they were put next to the leader's achievements. He compared himself to Daiya as well, feeding into the rumors and developing a deep-rooted jealousy. He felt like he had to be the stronger man, had to prove himself to the gang, had to best his brother or he wouldn't be accepted. So he challenged him. He challenged Daiya, and lost all restraint on the road, charging forward with the desperation of a dead man. And it cost him his brother's life.

His brother made him promise not to let the gang go as he passed; Mondo became shackled by his honor to stay. He fully believes it was his fault Daiya died, and now not only is he indebted to stay with the gang, but can never admit blame for fear of tarnishing not only his own reputation, but tearing his brother's gang apart. His community demands unwavering macho leadership, and he can't afford to break character for even a second.

4.6- Chihiro (will be using mostly he/him due to discussing canon)

Mondo and Chihiro exist on 2 sides of the same coin- toxic masculinity. Both characters (canonically speaking here) are men, but are perceived totally differently, both by those around them and by themselves. And because of this design, when put into the high-stress scenario that they were, they were doomed to drive each other to ruin.

Even before chapter 2 starts, there are multiple instances of Mondo listening to Chihiro and respecting his words without doubt(his theory of Genocide Jack and asking his opinion on '11037'). We've also seen Mondo's confrontational and protective nature in action. So it's no surprise at all when he stands up to Byakuya on Chihiro's behalf when he clams up. And while this is done with good intentions, it only serves to make Chihiro feel weaker. Mondo is physically stronger- anyone can see that- and he's not afraid to mouth off to someone showing excitement at the killing game they were all forced into. So when asked if he's okay the following morning, he can't help but explain himself- he feels weak, and doesn't like having someone else stand up for him. For Mondo, this goes directly against his idea of strength, and can't comprehend why "she'd" possibly care.

With all of Mondo's toughness, he carries not just the expectations of a man, but the misogynist beliefs that often come with it. But regardless of that, he's immediately able to tell he fucked up("Hey, c'mon, don't cry... I-It's my fault, okay? I won't yell anymore...") as far as the narrative will allow him due to writer's bias*. He feels bad about this, genuinely, enough to offer Chihiro his promise as a man. It's enough of a gesture for Chihiro to trust him completely, believing in the man's promise he's emphasized as being the most important thing to him since the very beginning.

(*Writer's bias in this case means the author is also sexist to a degree. Mondo is very clearly meant to be a tough guy with good intentions but because the creator appears to agree with the sentiment that women are weaker on average, we as an audience are meant to take issue with the fact that he's yelling and not the sexist statement. Said bias is made pretty clear by the fact their 'weak boy' character is dressed like a woman to emphasize his weakness and be a 'gotcha', as well as the fact they later have Kyoko force Makoto to tear paper out of Hifumi's rigor mortis hand because Makoto's a boy and she's a girl, even though earlier in that same game she, still a girl, was allowed to examine Chihiro's corpse in enough detail to find her dick. Writer's biases can and does affect the final product, so it's always important to consider that when looking at a character's development to determine whether they're being shitty because they're supposed to be or if it's some fault with the creator themself inputting their biases into something that otherwise wouldn't develop in this way. This has been Critical Consumption of Media 101.)

When Chihiro's found dead, Mondo keeps his head hung, lamenting about the fact that Chihiro wanted to be stronger, and when Makoto points out Chihiro was a woman anyway, Mondo just dismisses it, contradicting his earlier statement.

He respects Chihiro's memory and refuses to speak poorly of him. And while at first glance this is all it appears to be, as the trial unfolds and we learn the truth about what happened to Chihiro, a dual meaning behind this reveals itself- another showcasing of his devotion to the promises he keeps and the desire to protect his friend, even in death.

Chihiro is physically weak; a strong wind could probably knock him over, and he's much more in-tune with his emotions than your average guy. He mourns the losses of Sayaka, "Junko", and Leon all deeply, and has a deep shame for not being able to defend himself against Byakuya. But despite all this, when tested by Monokuma's secrets motive, he doesn't crumble away. He thrives, taking that threat and turning it into motivation to push his limits. He has the self-awareness to know when to ask for help, and isn't swayed by the threat of death. He's physically weak, but is incredibly strong mentally and is able to conquer his fears and face the lie he created for himself. Unfortunately for him, living with this toxic idea of what masculinity is supposed to look like makes him believe the way to do this can only be found in becoming physically stronger, and dies without ever seeing the strength he already had.

Mondo, on the inverse, is extremely physically capable, even without trying. He's 187 cm of muscle, and is confrontational to a fault, only giving him more opportunities to show off that physical strength. But on the inside, he can't face the sins of his past, can't admit his faults, and can't comprehend how to make peace with himself. All this is exacerbated by the weight he carries of leading the gang his brother formed, unable to release that weight from his conscience.

"N-No matter what... I couldn't let the other gang members find out. If that happened, everything would've been ruined... Everything me and my brother worked to create... woulda been destroyed... His death... all the guilt I'd been carrying around... it all woulda been for nothing."

And when Monokuma tests his resolve, he completely crumbles. Unable to admit the truth to himself, he's faced with Chihiro, someone who has the mental capability he could only dream of. That primal fear of breaking the promise he made for his brother on his deathbed, combined with Chihiro's unwavering confidence as he happily chimes how unbothered Mondo must be, blocks out all rationale. He spirals, forgetting where he is and who he's talking to, trying to make the panic go away as he throws the dumbbell in his hand.

Chihiro and Mondo each have everything the other wants, and drive each other to death trying to get it.

Part 5- Chihiro's Trial

For most of the trial, Mondo doesn't appear suspicious at all. So much time is spent on Byakuya's suspicious behavior and his framing of Genocide Jack that you barely notice him. He fully appears to be trying to find Chihiro's killer and find justice for her, following Makoto's line of reasoning to find Byakuya as the killer- with the body's suspension and the subtle differences between Jack's methods of killing and the murder of Chihiro herself. He's all too eager to declare Byakuya as the killer- and though we can't know for sure, he may have genuinely believed it. After all, walking into the girls' locker room to find her body suspended and the message of 'Bloodlust' written on the walls certainly wasn't his doing. Unfortunately for him, that's all Byakuya did, and the conversation continues.

In the end, Mondo brings about his own execution. Even after slipping up with his words, the conversation is able to continue on, sfifting focus over to Chihiro's missing E-Handbook and what exactly happened to it. And when Mondo becomes cornered with Makoto's mention of the sauna, it's not Mondo who goes on the defensive; it's Taka. Mondo gives up; he lets his tough-guy persona go. He finally faces the truth; he's undoubtedly the one that ended Chihiro's life, no matter how he may have wanted to delude himself otherwise. He sees his bro defending him, and he accepts that he has to die. It's not beyond reason to say that Taka's insistence of his innocence was what pushed him to truly admit his guilt, both to the class and to himself. Up until this point, he'd still been trying to play it off and get away with it. But was it worth it to live and kill his bro, and everyone else, just to protect his pride? No. He admits to being the killer, straight up.

"Yeah. Yeah... I did it... I killed him."

"Go ahead, Monokuma. Get it over with... Ask for the goddamned verdict..."

Part 6- The Cage of Death

The first person that comments with some variation of OH MY GOD YOU'RE SO EVIL HOW COULD YOU PUT THE EXECUTION IN THIS gets a cookie. Anyways, the executions in these games are always thematic to the characters and are meant to send them into the worst possible despair in their final moments, so let's break this down.

The execution begins with Mondo forcefully strapped to his motorcycle by Monokuma, who's sporting the same pompadour as him. This may be representative of Mondo feeling confined to the biker gang by his guilt; he was never able to break free of the lie he created about that night. The pompadour is likely just Monokuma making fun of him for his hair again, as the thing that nearly killed him in the prologue.

The kanji written on the motorcycle reads 'Little Black Sambo,' a reference to a children's story of the same title. The entire execution is an inverse of this story as well. In the story, a boy named Sambo is surrounded by four hungry tigers, and gives up his clothes to avoid being eaten. The tigers are all conceited and argue over who's the best-dressed, chasing each other in circles until they churn themselves into butter. Sambo is then able to recollect his clothes and the butter, and his mother uses the butter to make pancakes. This story is well-known and beloved in Japan, but isn't in basically the entire rest of the world on account of the racist caricatures of the POC present in it.

Mondo's execution is a inversed version of the story(and also, because Mondo isn't blasian there's thankfully no directly racist art in it, just tigers). Rather than being the one to trick the tigers, he's the one who's full of pride, and so he's sent into a motorcycle cage and left to spin around and around, while the tigers dance on either side of him. He ends up being the one who's turned into butter, and Monokuma gets to enjoy a delicious plate of Mondocakes. It's meant to represent the downfall of Mondo's macho personality and how he sent himself into a spiral, but loses a lot of its meaning if you aren't familiar with the story.

Part 7- Jealousy

So, we've torn this character apart. We know what makes him tick, but why does that all matter? What was the point of his story? Simple- it's a cautionary tale. It's a warning against everything he stands for. Mondo, through all his faults, is NOT someone you're actually supposed to idealize or hold up as the epitome of manhood in the way that Chihiro does. Rather, he's a deconstruction of everything society views as 'manly', and a demonstration of why that line of thinking is inherently flawed. He's big and tough, he yells and cusses at the people around him, he doesn't have a handle on his own strength. He knocks a dude out for like, 10 hours straight because he was mad at someone else!!! That's not a healthy way to get your frustration out!!!

Simply put, your image and pride are not worth your mental health, and comparing yourself to the people around you not only tortures yourself, but can hurt those who you love. Mondo couldn't stop comparing his own faults to the strengths of others, and ended up pushing himself too hard trying to prove himself. Not only did he lose his brother over it, but he felt like he had to keep all his pain and regret locked up for the sake of an image they'd painted together. It pushed him up to the edge, and he never learned to cope with it in a way that was healthy. It only led to him lashing out more and more, and repeating history when he killed Chihiro. Your trauma can't be fixed by ignoring it or shoving it down; seek out help when you need it. It's okay to confide in your friends; they aren't your enemy, and they aren't making fun of you. That line of thinking will only push you over the edge.

Afterword

So yeah, this was longer than anticipated. Even after doing Taka's and creating a point of reference for myself, I still ended up surprised. I mean, Taka survived longer, so you'd think his would be longer, right? But no, Mondo is not only a very well-established character, but he has more important connections and a much more impactful storyline. I'm gonna go out on a limb here and say Mondo may be one of the easiest characters to understand from THH, considering how in-your-face they make him. And I respect that, even if his whole facade can be kind of annoying for me. I totally see why this guy is so popular among fans. Happy birthday Mondo!

Anyways, hope y'all enjoyed this one, and be sure to stick around! Sayaka's analysis is coming up next, and holy shit am I excited for this one.

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