#to be clear i don't think it was *well* done but it was there and i still think it was handled mostly ok

[rokkit-story-time]

"L-look, I just... I wanted to chill out for a few days, yeah? Cats are a good form for that!"

I nodded slowly as I kept petting. The slow, gentle strokes along his fur seemed to be helping. "And now you've forgotten... how your power works?"

"No!" It was less a shout and more a whine. I decided to assume it was the cat body changing the quality of the voice. "I... I don't have a 'default' or anything, you know? I don't just 'shift back' to my original self, I actively turn *into* it each time. A-and now I'm..." They tuck their nose between their paws. "...I can't picture what I looked like clearly enough to change..."

Oh. "I have some pictures of us from a year or two back. Would that help?"

He looked up at me and blinked, then lowered his head back onto the couch. "Yeah... yeah that should be enough to go off of. Now all the panic feels a little silly..."

I didn't reach for my wallet right away. "I mean, you couldn't have known when I'd come over."

"Yeah, I guess, but even if it was a little uncanny, I could've turned back into something with hands and sent you a message asking..."

"...so why didn't you?" There was something else here. I could feel it. So I started nudging. "And before you say you were panicking too much, you've been silent for *days*. That doesn't seem like a short-term lapse in judgement."

"W-well, I was still enjoying being a cat up until yesterday!" The protest was weak; there *was* something else going on. "A-and..."

"And... you didn't want to change back?" I offered.

"No! M-maybe?" They tensed like they wanted to flee, but slowly relaxed again under my continued reassuring scritches. "I want to change back into a *human* again, b-but..."

I looked at them with a smile and nodded. "But...?"

They looked at me, then shifted to rest their chin on my leg. "...remember last year? At that club event?"

They paused, so I nodded and continued for them. "I wanted a possible hookup and you decided the discount was worth it, so we ditched the faux-het-couple routine by you turning into a girl." I tried to keep any smugness out of my encouraging smile. They were different that night, and no amount of excuses had made me forget just how.

"W-well, I, um... th-that was the first time I'd ever done that." They refused to look at me, but I nodded anyway. "But it... w-wasn't the last? I-I mean, it was the last in... in public..."

They seemed to have trouble continuing, so I offered another nudge. "...but sometimes you'd do it again in private...?"

"...yeah. I... I tried out different looks and body types. A few of them I really liked. And sometimes, I... I caught myself wishing I could wear a look all the time. While going about my life, you know?"

"...why can't you~?"

They raised their head, and even the cat features managed to look utterly incredulous. "What, do you want me to out myself as a shifter!? Or are you suggesting I fake my own death or something?"

I couldn't help but laugh as I shook my head. "Nothing that dramatic! C'mon, you can be subtle. Call up a therapist, talk about your feelings a bit, get a prescription for some new medication..."

"...so like... actually transition...?"

I nodded. "If that's how you feel, then yeah." My smile widened as I scritched under their chin for a moment. "In case it wasn't clear, I'm here for you and will always support you fully. And I say you should do what feels right!"

"M-maybe. But that whole plan feels, I dunno... a little disingenuous?"

"So you can pass better than most and won't actually need any HRT or any surgery. Does that change who you want to be?"

She laid there for a long moment before responding. "...no..."

I nodded, still alternating between head scritches and long pets down her body. "...have a name in mind~?"

"...Coral..."

"Damn, you picked a pretty one~" I flopped back against the couch. "You've really been thinking about this ever since that night at the club, huh?"

"...yeah..." She was silent for a few more moments before speaking up again. "...sorry. I... I should've talked to you about it before now. I kept meaning to! But there was always some excuse I'd give myself, and then I wouldn't be able to speak up, and..."

I just nodded. "I get it. Kind of a shame, though... I could've asked you out waaay sooner."

"You... what!?" Watching the cat body language take over as she suddenly leapt up and backwards made it *really* hard not to laugh, but I held it down.

"Well yeah, remember how I kept saying I wanted to make sure I only left with the cutest girl at the club? Well, the cutest girl at the club that night was *you*. But I couldn't just say, 'hey you should turn yourself into a girl more so we can date' or anything. Glad I didn't too, or I wouldn't get the chance to see what other cute looks you've grown attached to~"

"Y-yeah, I-I guess you're right!" The panic in Coral's voice was similar to when I'd first gotten there, but somehow much more gay this time. "I uhhh, I should probably go change then!"

I patted my pocket as she dashed for the stairs. "Need that picture~?"

She stopped. "...no. Not right now, at least." She looked back at me with what I could only assume was the cat version of an emotional smile. It was *adorable*. "Thank you~"

I just nodded again as she turned and zoomed up the stairs, excited to see what she might look like when she came back down.

Your friend, a shapeshifter (a secret you've kept since childhood) hasn't answered your texts in days, so you head to their home. Upon arriving, you find that they're in the middle of an existential crisis; they can't remember how to turn back into their original, human form.

[maxarchive]

Listen to the full interview here.

Now, just as the championship was starting to get to a really tense point around Austin, there was this big controversy about driving ethics between you and Lando. The drivers had a big conversation with the FIA after that race about the guidelines and it felt in some ways that it was a consequence of what had happened in Austin. How did you feel about that? Did you ever feel like they were singling you out?

You know, honestly, I don't, even if they would have done or did, I, first of all, I don't care because I drive to what I think is possible and what is allowed in the rules. And if the rules are written like that, I will use the rules. I'm just not the type of person that I think, if that would have happened to me the other way around, you know. There is then other people commenting on, other drivers commenting on that were not involved in that whatever incident or whatever you call it. I don't think I would have been the person then to complain so hard because I would just think to myself that, okay, if that's the rules, that's how we do it instead of screaming that we need to change the rules. Because the problem is, if you make less rules and then something happens, then they will start screaming for more rules. Now we have the rules, maybe not perfect, but it will never be perfect. Because if we get to a certain rule set, there will be another incident where someone is not happy about and then they start screaming that the rules are not correct again. It's the same in football. If there's a foul and there are some clear rules about certain things, it's not always that the right decision is made on it, or is it a penalty given or not? Or was it offside or not? That's why you can never, at the end of the day, do it right. Do I think that consistency in the penalties can be better? Yes, for sure. But that only comes with, I think, stewards that are paid, you know, professional stewards. Not that I think that the stewards that we have right now, you know, they're doing their very best to what they have, you know, but I do think that, you know, in a sport like this, like you see in other sports as well, that when you have a paid board of stewards, I think it just works way better.

You said something very interesting there about the rules that you were always driving to the rules. And that's the fundamental point. I think no one said in Austin or thought that you'd done anything against the rules. But there was this particular kind of defense, you know, the kind of race to the apex, trying to be ahead and all the rest of it that people are talking about now. Do you think that just taking a step back from that particular incident, do you feel that that's the right way to go racing? Would you choose to do it that way if those weren't the rules? How would you like to do it?

Like I grew up with go-karting, where it's not about who is ahead of the apex or not. I think every driver is anyway a little bit different. I remember from go-karting as well with some, you just knew that if you went around the outside, you could hang it around the outside. And with some others, you couldn't because they would push you off. And I think you need a little bit more freedom on that. Because when... When it's that clear rule that you need to be ahead or alongside fully to the apex, you will create other issues with that, right?

So would you naturally want to give someone room on the outside on the exit if you were racing?

Well, me personally, I don't race like that.

You don't... What, sorry, what do you mean?

Well, it's like when I... So when I race with someone, I would... Well, he will not be able to overtake me around the outside.

Okay. Why?

Because that's how I grew up racing.

Okay. So you always think it's okay to go to the edge of the track and force someone off?

Yes, but I've raced against other people in go-karting that would give me space. You know, it's like, it's just a driver-related thing, that some drivers are just a bit more passive, you know, in racing. And that's just how they are. And some I know that even in F1 I can't hang it around the outside because they will push me off. It's just, it's like a bit more of like a racing, I would say, instinct.

So I think if you were to play the devil's advocate, how would someone ever overtake you? Because you will always go to the inside to defend.

It depends on the track layout. I think the main problem is that when you have so much tarmac on the outside, you, even if you lock up a little bit, you just run a little bit wide. But on old-school tracks, you normally never really have these kind of issues because it just doesn't happen because people are a little bit more tentative on the brakes. Also, the guy that is trying to overtake knows that if he makes a mistake and locks up, he's in the gravel and his race is done. You know, so that's what I think is the problem is the track layout is letting us do these kind of, like, you then have questions with some moves. Where if you go to, like, Suzuka or even Red Bull Ring in turn four, the downhill right-hander, where sometimes, you know, it's very rare that there is any, like, question mark move that has been done there because if you make a mistake and you brake too late, you go off in the gravel and you're penalized anyway. And I think we have to try and go back to these kind of things that when a driver goes off the track, there's a harsher penalty with just natural, like, track limits.

So you would never give someone in the outside room on the exit of the corner if you were racing?

Well, that's just normally the case, yeah.

Yeah, okay, cool.

And, of course, when the track is naturally the limit with the gravel being there, then no one even want to go around the outside because they know that. So you then try to go for a cutback or, you know, set yourself up in a different way.

[soft-pine]

1.18 something wicked

say your desk is covered with a pile of paperclips. something wicked is the magnet you drop in the middle and then they all stick to it; they're all connected.

it's all here. the parentification, the neglect, the way john treats dean which sam doesn't witness, the extreme likelihood that john was using his kids as bait, and the intentional, specific, glorious, lovely ways dean has specifically chosen not to be like his dad.

in the flashbacks, we see dean is in charge of feeding and looking after sam for (at least) three days in some random motel room with the shades drawn. he's not even supposed to go outside. he doesn't have a number for john, just the instruction that if john's not back by a certain time, he's supposed to call pastor jim.

we see john giving dean instructions and responsibility (and criticisms) which he's not giving to sam.

dean is at most 11 years old (ep takes place in 2006. dean says the case from when he was a kid was 16-17 years ago (1989/1990). john's journal places it in 1988; dean was 9)

crucially, even as an adult, dean barely talks to sam about what he remembers of the case when he was a kid. he lets go of little bits at a time and absolutely necessary to the case. but he does not want to process what happened. even when he's so torn up that he breaks down and explains what happened, he doesn't want to talk about it. in part, of course, because he's ashamed of failing to kill the shtriga. but also because dean keeps john's secrets (9.07). and even when he doesn't, sam is not who he tends to process with.

but it's deeply impactful to have an episode where we get to see how dean was treated as a child versus how he treats the kids he meets.

dean is so kind to children throughout season 1, from lucas in 1.03 to lily and charlie in 1.05 to michael here. there is something so great about the way he is both clear that the bad things aren't these kid's fault, while also understanding kids have agency and insight.

i know dean is torn up about using michael as bait for the shtriga but feels he doesn't have much of a choice in order to stop the thing. but the conversation he has with michael is so thorough it really gets me.

DEAN: This camera has night vision on it so we'll be able to see clear as day.... Are we good? SAM: A hair to the right... There, there. MICHAEL: What do I do? DEAN: Just stay under the covers. MICHAEL: And if it shows up? DEAN: We'll be right in the next room. We're gonna come in with guns. So, as soon as we do you roll off this bed and you crawl under it. MICHAEL: What if you shoot me? DEAN: We won't shoot you. We're good shots. We're not going to fire until you're clear ok? Have you heard a gunshot before? MICHAEL: Like in the movies? DEAN: It's gonna be a lot louder than in the movies. So I want you to stay under the bed, cover your ears, do not come out until we say so. You understand? DEAN: Michael, you sure you wanna do this? DEAN: You don't have to, it's ok, I won't be mad. MICHAEL: No I'm ok. Just don't shoot me. DEAN: We're not going to let anything happen to you. I promise.

what a specific contrast that is with

DEAN hesitates, terrified. As he does JOHN bursts through the front door, gun raised. JOHN: (Shouting) Get out of the way! DEAN ducks and JOHN shoots the shtriga multiple times with his hand gun.

something wicked is up there with monster at the end of the book for episode titles that'll make you crazy if you think about it too much.

some other thoughts are just, the first time i watched this scene i thought i was going to explode with love:

DEAN: Yeah well, first of all, I'm not going to open fire in a freakin' pediatrics ward.... Second, wouldn't have done any good, because the bastard's bullet proof unless he's chowing down on something. And third, I wasn't packing, which is probably a really good thing cause I probably would have just burned a clip in him on principle alone.

moral compass boy i would die for you a thousand times and get up and gladly do it again.

and nothing - i mean nothing - hits like dean's voice cracking over the "if it means anything sometimes i do too." like i could actually go insane.

also watching supernatural is how you fill up a computer disc with pictures of dean looking ever so beautiful. like. look at him!! ethereal!!

also also ilu microaggression michael. they should have brought you back in the finale, king.

[cutieebabyy]

you belong with me - t.n

y/n pov

theodore nott has always fascinated me. he caught my eye as soon as he entered the train. i immediately was taken aback by his beauty. i couldn't comprehend that such a boy could be so beautiful, especially at his age. he's always been so captivating, but what drew me in the most were his eyes. when he stares at me, it's like everything melts away and it's just him and i.

i'm currently in his dorm, waiting for him to come back from quidditch practice. it isn't unusual for me to wait for him in his dorm, but what is unusual is the way he comes trudging in. what shocks me more is that he isn't alone. his arm is wrapped around some girls waist, his free hand fisting her hair.

they're kissing violently and all i can do is stare in shock, and mostly hurt. i don't even know why my heart aches as i look at the scene before me, but it just does. i desperately wish that girl was me. i wish we was kissing me passionately as if i was the only girl in his world.

unfortunately, all i'll ever be is his stupid best friend.

i clear my throat, alerting them of my presence. when the two pull away, he mutters a curse under his breath. "i didn't know you'd be in here." is all he says, wiping the remnants of her lipgloss from his lips.

i ball my fists as my sides before inhaling sharply. "i'm always in here when you get back, so i dunno what you mean by that."

he shuts his eyes before telling the girl behind him to leave. i hope she trips down the stairs on her way back to her dorm.

when she leaves, he shuts the door behind him, then walks over to where i'm sitting on his bed. "i'm sorry, Y/N, i didn't know you'd be here."

i shrug. "i'm going to go."

reluctantly, he asks, "are you mad at me?" i soften at that, hearing the boyish tone in his voice. deep down, i know theo would never hurt my intentionally, but i just can't get the image of them out of my mind. i'm no fool. i know theodore has slept with countless of women before, but i've never been one to witness it before my eyes.

so i sigh and admit, "no, but it hurt."

he cranes his neck to look at me. hesitantly, he places a hand over mine and runs his thumb over my knuckles. i shiver at his cold touch contradicting my warmth. "hurt?"

i nod, tucking away a stray curl behind my ear. "yes. i know it sounds dumb, but i didn't—" i pause to clear my throat. "i didn't like you kissing her."

he narrows his eyes. "you're hurt because i kissed her?"

"not just her, but all the girls you've ever done anything with." i shyly bite my lip, looking down at my lap so i can avoid his scrutinizing gaze.

"why does it hurt you?" he softly asks, moving his hand to my chin. he tilts my chin up gently to look at him and i'm left pouting. "why does it hurt you?" he repeats, slowly.

"i don't know." i reply, honestly. "but whenever i see you with another girl, my chest tightens and i feel like i can't breathe. i think i—" i can't say it.

"you think you're what, baby?" baby. it's not the first time he's let the pet name slip. he usually only calls me baby when we're cuddle up together late at night or when he's trying to coax me or when he makes me a hot cocoa to help me sleep or when he's— okay, he calls me baby a lot.

  "i think i like you." i whisper. i know i shouldn't fear about what theodore is going to reply because he's never made me feel stupid or less than, but i'm embarrassingly scared of rejection. 

  his lips tilt up into a smile, his eyes crinkling. "you think you like me?" he drawls.

  "uh-huh." i worry my lip in between my teeth, nervously fiddling with the hem of my — his — t-shirt.

  "well, you're in luck because i like you too."

  my eyes snap to his. our gazes connect and i'm about to grin, but then it hits me. "so, then why do you do stuff with other girls?"

  he lets his hand fall from my chin, but he doesn't stop touching me. he places his hand over my knee and softly caresses it. "it never went far, if that's what you're thinking. we never had sex. i do regret it everything i did, though. it should only have been you. and that girl? she stopped by the locking room, telling me she saw you with pucey again."

  "is that why you kept—"

  "—saying i didn't know you'd be here? yes. i would never, ever hurt you like that. i'd never put you in that position and i hate myself for doing it to you just now."

  "you didn't know." i say.

  he shrugs. "yeah, but still. deep down, i was hoping you'd be here, so you can just show me if you felt anything for me, which worked."

  i nudge him in the ribs with my elbow, earning a soft chuckle from him.

  "say it." he mutters, licking his lips.

  "hm?"

  "tell me you love me."

  "i love you, theo."

  "i love you, baby."

[ipusingularitae]

that's why I'm so confused ab how i feel towards this scene.

1) the only ppl who know jinx was ab to kill herself was us, the audience. jinx has little to no sense of self-preservation in s1, in the eyes of Vi she's reckless, but she haven't mentioned killing herself of made a movement like that as far as Vi knows. she had made the movement accepting death but not having death by her own hands, which are different things. so in some way, yes, there's reason for Vi taking that as Jinx saying "go and be happy and I'm going away". Vi's reaction, in my interpretation, is about her sister going away for good, as far as she knows, but not killing herself. hell, I'm not gonna lie, i wasn't immediately thinking she was talking about killing herself either. so it's so fucking annoying the ppl who are seriously saying that "Vi let her sister to kill herself" bc it's a matter of what the characters know (it's s1ep3 finale all over again and somehow y'all still put the blame on Vi entirely) and could/couldn't do (we have no way to know this was 5min later as far as we know it could've been 1h later)

2) what i don't enjoy is the lack of enough conversation between Cait and Vi. bc yes, it's not about singleminded trying to get Jinx anymore, Caitlyn is saying she's not there anymore, she's done with Jinx for good. that's implied/clear enough. what it's not clear is how the fuck did she just let a terrible enough situation become worse and just goes "well i was mourning". of course you were - but so MOST PPL AROUND ZAUN FOR DECADES. the writing here is shallow. it's not only a matter of what Caitlyn did, it's about what Caitlyn allowed to make worse. it didn't start with her and it won't finish with her, and season 1 makes it clear that Vi knows this well enough to let herself grow more and more fond of Caitlyn, while holding accountable the fact that the ppl currently leading Piltover aren't trying to do enough. they had a point and they ignored it in order to make the issue of Caitlyn seem less than it actually is.

3) finally, if this wasn't happening inside a fucking prison cell i would be way less thorned. sorry, you're (the writers) telling me this is better than, idk on Caitlyn's bed after a scene of them both maybe having a shower together while Caitlyn washes off the dry blood in Vi's wounds, clean her hurt knuckles? there's the oil and water/water and blood imagery right there, and y'all just decided to throw that out of the window?

anyway, stop blaming Vi for what she didn't know and/or couldn't do. and the writers dismissed Vi's trauma and Caitlyn's action's real impact.

The sex scene could only happen after these conditions:

1) Jinx telling Vi she deserves to be happy with Caitlyn

2) Caitlyn letting go of her singleminded mission to capture/punish Jinx

Vi as a character has ALWAYS been torn by the division between Jinx and Caitlyn. The narrative has always demanded that she choose only of them and she has always refused. Always loving both of them, always trying to keep both of them in her life.

But after those scenes, the two loves of her life, the two halves of her heart weren’t pulling her in different directions anymore. Now both of them were leading her to the same destination: allowing herself happiness.

[lefteagleblizzard]

𝔙𝔯𝔬𝔱𝔥𝔢𝔯𝔩𝔶 𝔰𝔲𝔭𝔭𝔬𝔯𝔱

Mike munroe x male reader

A request that I received from a really nice person here on tumblr: a small idea I liked for a fic if you like the idea as well. Nothing too big, just a fic about Reader and Chris being brothers and constantly nagging each other about their crushes on Ashley and Mike.

I expanded the request a bit, sorry if I went overboard with it. Hope you enjoyed it.

Tags: set before the event of the game. Male reader. He/him pronouns are used towards the reader. Chris and the reader are brothers. Some very quick shifts of pov between characters. Jealousy. Mike and Jess/ Emily are not together in this. Friends to lovers. Mike is a flirt.

Words count: 4000

Can also be found on wattpad and ao3

𝔉𝔦𝔯𝔰𝔱 𝔱𝔦𝔪𝔢'𝔰 𝔞 𝔠𝔥𝔞𝔯𝔪

𝔗𝔴𝔬 𝔥𝔢𝔞𝔯𝔱𝔰 𝔥𝔢𝔞𝔩𝔦𝔫𝔤 𝔱𝔬𝔤𝔢𝔱𝔥𝔢𝔯

𝔄 𝔱𝔬𝔲𝔠𝔥 𝔴𝔞𝔯𝔪𝔢𝔯 𝔱𝔥𝔞𝔫 𝔣𝔦𝔯𝔢

ℌ𝔬𝔩𝔡𝔦𝔫𝔤 𝔬𝔫 𝔱𝔬 𝔶𝔬𝔲

𝔍𝔢𝔞𝔩𝔬𝔲𝔰𝔶 𝔞𝔱 𝔅𝔩𝔞𝔠𝔨𝔴𝔬𝔬𝔡 𝔐𝔬𝔲𝔫𝔱𝔞𝔦𝔫

𝔗𝔥𝔢 𝔰𝔢𝔩𝔣𝔦𝔰𝔥 𝔭𝔞𝔱𝔥 Part 2 of it

For anyone interested, I took inspiration from this clue that you can find while playing as Chris.

The music thumps in the background, a mix of bass-heavy beats and voices blending into a dull roar. You and Chris sit at a small, round table near the back, well out of the action but with a good view of everyone mingling.

"So," Chris says, taking a long, dramatic sip. "You actually spent the whole night staring at Mike. Dude, seriously, you're lucky your eyes didn't burn a hole in the back of his head."

You scoff, leaning back in your chair with a mock sigh. "Like you're any better. When are you actually gonna talk to Ashley? She's cool, she's cute, she's well, out of your league but hey, a guy can dream.”

"Hey, I do talk to her," Chris retorts, feigning offense.

"Uh-huh," you say, raising an eyebrow. "It’s a lot if you can manage to squeak out a sentence before turning red.”

Chris chuckles, crossing his arms. "Fine. Why don't you go up to Mike and tell him what you think? 'Hey, by the way, I've been thinking about how perfect your jawline is all night!’ I'm sure that'll go over great." He did a horrible interpretation of your voice to mock you even further.

You roll your eyes, feeling your cheeks flush just a bit. "First of all, I would never phrase it like that. And second, at least I actually know things about him beyond his favorite book."

"Oh, really? Let's see who knows more about their crush. No cheating. No wimping out. Winner gets bragging rights." Chris leans forward, a wicked grin spreading across his face.

"Bragging rights? How about you admit I'm objectively hotter than you when I win?" you echoed, folding your arms.

"Sure. Whatever fantasy helps you sleep at night," Chris said, grinning as he dramatically cracked his knuckles. “I'll go first since I know you're just dying to hear all the juicy Ashley knowledge."

You chuckle. "Go with your in-depth research, Sherlock."

Chris clears his throat, sitting up straighter. "Fine. For starters, her favorite color is purple."

You make a face, unimpressed. "That's it? You think knowing her favorite color makes you the expert here?"

"Let me finish, smartass. She loves thriller movies. She also has this little habit of chewing on her nails when she's nervous."

You raise an eyebrow, genuinely impressed but unwilling to give him the satisfaction. "Okay, okay, not bad. But that's kid stuff. Let me show you how it's done."

Chris rolls his eyes, clearly not expecting much. "Alright, hotshot. Give me your best Mike trivia."

You sit forward, lowering your voice like you're letting him in on a secret. You have always been good at noticing things. Maybe it was a result of growing up with Chris and when it came to Mike Munroe, your crush, the small things were more than just interesting, they were revealing.

For one, every morning, without fail, he was up before the sun. He’d go for a quick run to stay in shape. You’d always catch glimpses of him at college heading back to his room in a tank top, earbuds in, eyes focused ahead and glimpses of sweat on his forehead.

He had this tough, confident exterior. He wasn’t loud like some of the others in the group. He had a way of using humor to deflect, to keep people from getting too close. You saw it when he’d brush off any talk about specific topics.

And then there were his tastes.

He likes his coffee black. Pretends it's macho. He had a surprising amount of nostalgia in his preferences. You couldn’t forget the time you’ve talked together casually on the lodge, his face lighting up as he talked about his love for old action movies.

Chris raises an eyebrow. "Alright. Maybe you’re better equipped than me. But, let's be real, you wouldn't even know where to start."

"Better than starting with nothing," you counter. "Besides, I could charm him if I wanted to."

Chris raises an eyebrow. "What would you even say?"

You grin, leaning in like you're revealing a grand plan. "I'd just walk up and ask him about his football season. Mention that time he scored the winning touchdown. You instead are hopeless"

Chris nods, pretending to take you seriously. "Oh, sure, because that'll definitely make him swoon. Hopeless? Me?" Chris laughs, leaning back with a smirk. "At least I don't have to worry about being mistaken for a stalker."

You both burst into laughter. For all the banter, you know neither of you would really judge the other for these harmless crushes. It's what makes the night so much fun.

From across the room, you caught sight of Ashley standing awkwardly near a table stacked with half-empty snack bowls and crumpled napkins. She shifted from foot to foot, clearly trying to blend into the background.

"Hey, Romeo. This is your chance," you said, leaning closer and nudging Chris with your elbow.

Chris snapped out of his trance, his head swiveling toward Ashley. His brows furrowed slightly, the corners of his mouth tugging upward in amusement before settling back into a more thoughtful expression.

Chris groaned, dragging a hand down his face. "What am I supposed to do? Walk up and make everything even more embarrassing?"

"News flash: she knows you're a loser," but she clearly likes you anyway. Stop overthinking it. Just go talk to her. Be romantic for once. She loves that whole 'awkward and sincere' thing you've got going on."

"First of all," Chris said, pointing a finger at you, "I'm not awkward. I'm, uh, charmingly self-aware. Second, what if I say something dumb? Or worse, nothing at all? I can't just walk up to her and-"

"You're a coward," you interrupted, shaking your head in mock disappointment.

"Yep," he said, popping the "p" and lifting his cup in mock toast.

You were scanning the room until your gaze landed on Mike Munroe.

He was leaning casually against the wall, drink in hand, chatting with a girl you vaguely recognized from English class. His tuxedo fit him perfectly, tailored in all the right places, the dark fabric catching the light just enough to highlight his athletic build. The black foulard tied loosely around his neck was an elegant touch, a little different from the usual bow ties and neckties most guys wore. His hair was perfectly tousled, like he hadn't even tried but still managed to look effortlessly handsome.

You felt your chest tighten. For a moment, your imagination betrayed you, painting a picture of Mike turning toward you, smiling like he did when he told one of his dumb jokes when he got elected class president. You could almost hear his laugh, warm and inviting, as if it were just for you. But reality snapped back into focus when the girl he was talking to leaned closer.

"Mike would never look twice at me like that." You mumble more to yourself without thinking, unable to keep the disappointment from your voice.

Chris, placed a hand on your shoulder. His touch was light but reassuring. "Don't do that to yourself. You're a catch. If Mike doesn't see that, he's an idiot."

You looked up at him, grateful but unconvinced. Chris stood up, brushing imaginary lint off his jacket. "I'm getting us drinks. Let's make it through the rest of this night together, yeah?"

You nodded, watching as he made his way to the bar. You glance around, your gaze landing once more on Ashley and an idea strikes you. Chris is now far away from your position. It’s your chance to do something.

You stride over to her, flashing a friendly smile, keeping your movements casual so you wouldn't startle her. Her eyes widened slightly when she noticed you, but she relaxed as you softly took her arm.

"Hey," you said, grinning playfully as you gently guided her away from the corner.

Ashley laughed, the sound light and genuine. "What are you doing?" she asked, her voice tinged with amusement but no resistance as you led her toward your table.

"Come on, you can't let Chris and I have all the fun sitting in the corner judging everyone." you replied, glancing over your shoulder with a mock-serious expression.

"That's what you two have been doing all night? Very productive." She scanned the place as you reached the table and she managed to spot Chris at the bar, meticulously mixing something with an unusual level of focus. But then her gaze shifted, catching Mike watching the two of you.

Jaw set, lips pressed into a firm line, eyes tracked the way you gently tugged Ashley along. His gaze lingered on your hand before flicking back up to your face. Lips pressed together in a faint, almost imperceptible scowl, as though something about the sight of the two of you together unsettled him. There was a slight tension in his posture, the way his shoulders seemed just a bit too stiff for someone casually enjoying a party.

Chris returned with two drinks in hand. "Okay, I've done it," he announced dramatically. "The ultimate drink. If you don't like it, I'm never speaking to you ag-" He cut himself off mid-sentence when he saw Ashley sitting at the table, smiling up at him.

"I... uh..." Chris stammered, turning an impressive shade of pink.

"You made this for me?” Ashley asked sweetly, taking the drink from his hand before he could respond. “Thank you, Mr. Bartender."

Chris blinks and he lets out a nervous laugh, giving you a quick glare as he hands the drink to Ashley.

She giggles, taking a sip and you watch as Chris visibly relaxes. They share a smile and there's a warm, unspoken understanding between them, a quiet moment that you can't help but feel a bit envious of.

The music shifts, slowing into a softer, more romantic melody. Couples move onto the dance floor, swaying together in a slow embrace. Ashley’s eyes light up as she turns to Chris, her cheeks flushed with a faint rosy tint from the slight inebriation she feels. "Come on, Chris," she says, tugging at his hand. "Want to go there for a bit?"

Chris's eyes dart to you, searching your face for reassurance, his expression almost apologetic. He's asking, without words, if you'll be okay.

You manage a smile, giving him a nod.

Chris lets out a laugh, his tension melting away as he lets Ashley pull him onto the dance floor. They disappear into the crowd, leaving you alone at the table. You watch them go, feeling a bittersweet pang in your chest as you take in the sight of them together, laughing and smiling, fitting together so effortlessly. Chris fumbling his way through the first few steps before finding his rhythm.

They looked so happy.

And you were here instead, alone at the table, your thoughts inevitably drifting back to Mike.

Chris feels his heart race as he stands on the dance floor, his hands resting lightly on Ashley's waist, her arms draped over his shoulders as they sway to the gentle rhythm of the music. Her gaze meets his every so often, a smile warm and genuine, making him feel like the only person in the room.

"I didn't know you had these moves." she teases, her eyes twinkling.

Chris chuckles, shaking his head. "Oh, trust me, I don't. I'm just doing my best not to crush your toes."

Ashley laughs, her grip tightening on his shoulders as she rolls her eyes. "You're doing just fine. I don't mind if you, you know, relax a little."

"Relax? Yeah, I can... I can do that," he says, voice faltering as he tries to ease into the rhythm, matching her movements as the song continues.

His focus wavers after a while, gaze drifting over her shoulder as he catches sight of his brother sitting across the room at one of the tables with Matt nearby.

There's something off about the way you're holding yourself. You're smiling, sure, even laughing at something Matt is saying, but Chris can tell that the smile doesn't quite reach your eyes. It's the kind of forced expression he's seen on you before, usually when you're trying to act like everything's fine when it really isn't.

Matt, on the other hand, seems entirely oblivious, leaning in a bit too close, his face lit up with that typical over-eager grin. He's almost leaning into your personal space as he chats away, looking way too thrilled to have your undivided attention, his eyes never leaving yours. The proximity feels a bit too familiar, too comfortable, with his arm casually resting on the back of your chair.

Chris feels a pang of protectiveness twist in his gut. He glances around the room, half-expecting Emily to appear and pull Matt back to the dance floor, but there's no sign of her. Instead, he spots her on the far side of the room, tipsy and laughing as she spins around with some stranger she's apparently mistaken for Matt. She's caught up in the music, oblivious to the fact that her boyfriend is practically glued to your side.

Ashley notices his distraction, her gaze softening as she studies him. "Chris?" she asks, her voice gentle, bringing him back to the moment. "Is everything okay?"

He blinks, snapping his attention back to her, guilt creeping in as he realizes he's been distracted. "Yeah, yeah, sorry," he says, rubbing the back of his neck awkwardly. "Just... got a lot on my mind."

Ashley smiles, tilting her head as she searches his face. "You sure? You can tell me, you know."

Chris hesitates, glancing around the room one more time. His gaze lands on Mike, who's slow-dancing with the girl in glittering dress. She's leaning against him, her head resting on his chest, but Mike's attention isn't on her.

His eyes are locked in your direction, his brow furrowed and his jaw set in a subtle scowl that's hard to miss. There's a tension in his gaze as he watches you and Matt together. There's a faint scowl tugging at his mouth, a subtle clenching of his jaw that makes it look like he's holding back the urge to step in but doesn't quite know how to act on it. His brows are drawn together and his eyes flick between you and Matt with a guarded intensity.

Chris frowns, glancing back at you. It's clear now that something is brewing beneath the surface, something he doesn't fully understand but can sense all the same. He looks down at Ashley, his expression softening as he makes up his mind.

"Hey, Ash?" he asks quietly, feeling a bit awkward but determined. "Would you mind helping me out with something real quick? I, uh... I owe someone a favor.”

You were mid-laugh at something Matt had said about his latest sports practice when a shadow loomed over the table. You looked up to find Mike standing there, holding his drink loosely in one hand and the other casually tucked in his pocket.

"Hey, Matt," Mike said, his tone light but carrying a subtle edge like he's asking for a favor he already expects to be granted. "Mind if I steal him for a bit?"

Matt's smile falters, and he glances at you, a bit reluctant, as if he doesn't quite want to let go of the moment he's carved out. "Uh... well, we were just-"

"Looks like Emily's about to make out with that guy," Mike interrupted, tilting his head toward the dance floor. "You might wanna handle that before it gets messy."

Matt whipped his head around, his face paling slightly as he spotted Emily drunkenly giggling and leaning far too close to the stranger. "Shit," he muttered, scrambling to his feet. "I'll, uh, catch you later." he says to you, giving you a quick nod before he disappears into the crowd.

"Yeah, sure," Mike said smoothly, his smirk widening as Matt hurried off. You glance back at him just in time to catch a wicked grin flash across his face as he watches Matt weave his way toward Emily.

He turns back to you and without a moment's hesitation, he slides into Matt's now-empty chair, shifting it even closer to yours with an obnoxiously loud scrap of wood against the floor. He dropped into the seat with a satisfied sigh. His arm resting along the back of your chair but soon sliding fully around your shoulders, pulling you closer to him.

The warmth of his body, the faint scent of his cologne, earthy with a hint of spice, made your thoughts scattered like leaves in the wind. From this close, you could see every detail of his face: the light beard perfectly trimmed along his jaw, the sharp angle of his cheekbones, the infuriatingly perfect way his smirk tugged at one corner of his mouth. He was leaning into his persona, that cocky, playful charm cranked up to eleven and it was doing things to your brain you weren't sure you were ready to admit.

"Well, this is cozy," Mike said, his voice low and smooth. "Didn't think Matt was ever gonna leave. Guy's got some stamina for talking, huh?"

You blinked, struggling to form words. "Uh, yeah. He's chatty"

Mike chuckled, the sound warm and teasing "Chatty? That's the nicest way to put it. Bet he's been boring you to death, huh?"

"Not entirely," you said, though your voice was far too shaky to be convincing. "He's enthusiastic."

Mike raised an eyebrow, clearly enjoying how flustered you were. "You're too nice, you know that? If I had to sit through more than five minutes of that guy's rambling, I'd be asleep in my chair."

You laughed, though it came out a little too breathy. "Maybe I'm just better at pretending to be interested."

"Pretending, huh?" Mike's smirk widened. "So, what about me? Are you pretending to enjoy this little moment we're having?"

Your brain short-circuited. "I... I mean, no. I-uh... you're not boring. Definitely not boring."

"Good to know," Mike said, his voice dipping slightly as he leaned in just a fraction closer. "I'd hate to think I was putting you to sleep."

"You're not," you managed to say, your face burning.

Mike grinned, clearly reveling in your flustered state. "You're cute when you're nervous, you know that?"

“I’m not nervous,” you said quickly, though your gaze flickered away from his, betraying you.

“Sure you’re not,” Mike murmured, his fingers brushing just a little too close against your shoulder, the touch lingering for a beat longer than necessary. “What were you and Matt talking about? You looked a little bored." His tone was smooth but there was a faint edge to it now, like he was testing the air.

You noticed the subtle shift in his expression. His jaw tightening just slightly, his eyes narrowing for a fraction of a second as if he didn’t quite like the idea of you and Matt sharing a private moment.

You shrugged, trying to sound casual. "Just sport stuff and his latest victory for his team. He was just being friendly,” you added, trying to sound indifferent.

You didn’t miss the slight tightening of his jaw, the way his eyes flickered just briefly toward the ground before locking onto yours again.

Mike’s lips quirked into a knowing smile, but it didn’t reach his eyes. “Yeah, he looked real friendly.” The smirk that followed didn’t help, pulling at the corner of his mouth as if he was more amused than you thought he should be.

You raised an eyebrow, narrowing your eyes at him. “What’s that supposed to mean?”

For a moment, Mike just stared at you, his expression unreadable. “Nothing,” he said too quickly, the innocence in his voice so forced that you could almost feel the tension cracking around him. The grin stretched wider, like a challenge. “Just saying, if I didn’t know better, I’d think Matt was hitting on you.”

Your breath caught in your throat and a flush of heat spread across your cheeks. You tried to play it off, but there was no denying the way your heart stuttered in your chest. “He wasn’t,” you said quickly, your voice coming out a little more defensively than you intended.

"Either way. Figured I'd come over and I don't know... make the night more interesting for you. Prom only happens once, right? Gotta make the most of it. Besides—” His voice softens, his gaze locking onto yours with a sincerity that takes you off guard. "—I've been waiting for an excuse to spend some time with you."

You swallow, feeling the heat rise to your face as his words sink in. "You have?"

"Yeah," he murmurs, his thumb grazing your shoulder in a slow, deliberate motion. "I mean, I could've come over sooner but you were busy with your brother. Then you were with Matt and I figured, maybe it's time I got a little selfish."

The intensity in his gaze makes it hard to breathe and for a moment, all you can do is stare at him, caught between disbelief and exhilaration. "I... didn't think you noticed me like that," you admit, your voice barely above a whisper.

Mike's grin softens, his hand moving from your shoulder to gently rest on your waist, pulling you even closer. "I notice a lot more than you think," he murmurs, his voice low and husky. "Like how you always look away when you think I'm watching, or how you get that little crease in your forehead when you're trying not to smile too much."

Mike makes a silent note to himself to later thank Chris for the insights he’d shared minutes ago.

You laugh, feeling both embarrassed and overjoyed. "Okay, now you're just showing off."

He chuckles, his arm tightening around your waist as he dips his head a bit closer, his voice a soft murmur. "Can't help it. You’ve got me so close to losing it and you don’t even realize it." His fingers press gently into your side.

“Dance with me,” he murmurs, his voice low and laced with a tenderness that surprises you. There’s a quiet intensity in his eyes, a vulnerability that makes your heart race. “Let me be the happiest guy in this place tonight.”

You feel your pulse race at the invitation, your mind whirling with both excitement and uncertainty. "What about that girl you were with?" you ask, your voice quiet and hesitant, unable to stop yourself from wondering.

Mike's smirk returns, his hold on your waist tightening slightly as he leans in, his voice a soft, almost possessive murmur. "She's not you. You’re the only one I can’t get out of my head.” His voice is rough, coated in something darker.

You meet his gaze, feeling your breath hitch as you search his face, trying to process the weight of his words.

He takes his chance to lean in, his lips brushing softly against yours in a kiss that leaves your heart racing. His lips crashing into yours with a desperate urgency that leaves you reeling. His hand slides around your waist, fingers tightening as he pulls you against him. The heat of his body sears through your clothes, and his thumb traces a slow, deliberate line along your cheek, sending jolts of pleasure straight to your core.

When he finally pulls back, his lips are swollen, a smirk tugging at the corners of his mouth, that familiar cocky edge in his eyes. His eyes burn with that familiar, dangerous gleam-a challenge, a promise. His breath is ragged, as if he's barely holding back.

"Still up for that dance? Because I've got this new boyfriend I'd really like to show off." he whispers, his voice low and teasing. His breath brushes your skin, sending a shiver down your spine. He looks at you with that trademark mischievous grin, the one that could melt anyone’s defenses.

A rush of warmth floods your chest at his words, a mixture of giddiness and disbelief. Your heart skips, caught between the sweetness of the moment and the thrill of his presence. The corners of your mouth twitch up as you meet his gaze, and though you can barely keep your composure, you nod.

Mike's grin widens and as he takes your hand, guiding you to the dance floor, you feel as if you're floating, lost in the warmth of his gaze and the excitement of being his.

Note: if you liked this, please leave a comment. I love reading them <3

[newkatzkafe2023]

@lara-legomonkiekid

(Genderbend) What if Y/N's being harassed by a bunch of demons? But Y/N doesn't want to worry his wife about it?

You wife's enemies are your enemies as well but to think their dumb enough to mess with you😑

(Lmk Wukong) Ohhhhhhhhhh no your wife maybe be a bit of an air head, but she's more observant than she lets on. She can feel that their is something you're keeping from her, and she's gonna find out what, so she followed you to your outing, and she was quick to find the truth. You were currently fighting these demon thugs who have been messing with you for a good few weeks at best, and the second one of them punched your face. She flew into a murderous rage, and soon you both were surrounded by dead bodies. Now you'll have to deal with your wife's interrogation.

(MKR Wukong) Again,THEY WILL BE A BLOODSTAIN ON THE GRASS WHEN SHE'S DONE WITH THEM!!👿 you felt that you never had to tell your wife about the bullying and harassment. After all, you know how to take care of yourself in battle, but also, these guys were bothering you because they knew that they would die if they messed with her. So when Wukong noticed that you came back with some bruises, she immediately saw red and demanded to know what happened. You sighed and told your wife about your problems with these guys that were bothering you, and well, let's just say there was a large of mystery meat after words.

(HIB Wukong) Hmmm, well, this is very bad for the other people involved. Ever since your wife got her powers back, she became extra protective of everyone in the family, including you. So when she finds that you were being bullied by some low-life demons and you refrain from telling her because she's already stressed out. One day, you came home with a black eye, and Luier immediately freaked out and told Wukong what happened, and now their all dead☠️

(NR Wukong) Ohhhhhhhhhh nooooooooo people constantly forget how crazy dangerous she actually is, like seriously you would find her dragging a dead body every other week!😧😰 so you think people would stay clear of you as much as they do your wife, but we always have that one arrogant moron and one day they got the jump on you and messed up your clothes and face. You never got a chance to tell Wukong about the harassment because apparently she knew already, because when you came home you found her roasting a very familiar demon head and you put two and two together and now you mildly fear her.

(Netflix Wukong) Ohhhhhhhhhh nooo 🙅‍♀️ this is bad, those clowns picked the wrong ones because you're both equally violent. Since you're both Fiercely protective of each other, you're both quick to neutralize each other's enemies and problems. Which is why you were open to tell her that you were assault and injured but fought them all back and told your wife about it, but the second you saw those Wrathful red eyes....well you both about to catch a bunch of bodies. 😈

(BMW Wukong) INSTA KILL ENOUGH SAID!!! Nobody messes with her darling husband and gets away with it. Also I advise that you don't even bother to hide your harassment from her because she gonna find out either way. So when she finds the bastards who dare to lay a fearful claw on your sweet handsome face, she totally went Nuclear she totally ripped their faces off. Even worse then ever, she took full brutal revenge and made them an example to never f*ck with you ever again.

(Destined one) The destined one may be calm and collected out of the monkey woman, but she can be just as lethal when provoked as well. The best way to get on her bad side literally attacks her husband. You knew this which is why you avoid telling her about any of you minor issues not seeing it as a big deal, It was until you received an severe injury there is absolutely no way you can hide from her. You finally came clean to her about the whole assault, and told her not to worry about it, but she just kissed your wounds and left. After all that, you haven't seen those guys ever again, infact Nobody has ever seen them again...........It was like they disappeared of the face of the earth. You wonder what happened?😈

FEEL FREE TO REBLOG

[mostly-marvel-musings]

Hi, I am slipping into your Kinktober requests again, if that's okay with you! I'd love to request something for Hugh Jackman this time, as I keep seeing more and more of him, and I'm happy to drool over that fantastic man with your stories! 👀

Kissing down every inch of your body they possibly can, showing how much they love you. + "Don't be shy baby, I love the way you moan my name.

I'm preparing to melt into a permanent puddle of goo here as I'm happily waiting to see what you'll come up with here. Again, thank you for everything you share with us, and I'm looking forward to reading it all! 🤍

Kiss away your insecurities

A/N: Thank you for requesting this, my darling! Hope you like it :) Special thanks to @stark-ironman for helping me with this idea 💛

Pairing: Hugh Jackman x F! Reader

Warnings: 18+ smut themes, angst, floof. Body image issues, self-doubt and negative talk.

.

You were still out of breath.

Heart pounding wildly against your ribcage thanks to the activities you and your boyfriend were up to ever since he got home. Even though the shared sounds of passion had died down, they were now replaced with your louder insecurities, forcing you to curl away from the man and head to the bathroom to clean up.

Hugh frowned as the door slammed shut with a little more force than usual. Concerned, he knocked on it asking if you were okay.

“Uh, yeah. Fine.” You responded, blinking back tears that began rapidly gathering. Your inner thoughts screamed you didn’t deserve all of this.

“Mind if I join you for a quick shower, darling?” Hugh called again after hearing the water running. Something you had a habit of doing every time you were overwhelmed with emotions.

“Actually I’m going to be right out. You know I have the—the thing early morning.”

Cursing yourself to have to lie, you scrubbed your body forcefully, glad the tears streamed down with the hot water and your shaky voice was somewhat covered.

As you stepped out of the bathroom, you were met with a concerned Hugh, arms crossed over his chest.

“Are you okay? Did I do something wrong?”

“No! Why would you think that?” You faked a laugh, going around him to get dressed for bed. Knowing fully well you weren’t fooling your boyfriend.

“Because you’re avoiding me.”

Giving him your most reassuring smile that you could muster, you shook your head as you slipped into one of his well worn t-shirts, getting onto your side of the bed.

“No it’s just, I have to wake up early tomorrow and I wanted to get a quick shower in. I’m fine. Really.”

He was silent for a while as he joined you in bed, watching you fluff the pillows before you turned away from the man to switch off the bedside lamp.

“You can tell that to someone who believes your lies, darling. Tell me what’s wrong. Please?” He tried again, switching the lamp back on and reaching out for your hand.

“Would you just drop it, Hugh?” You snapped, hating yourself for it as you turned the lights out again, pulling the blanket over and hiding yourself in its fluffy depths, hoping it would somehow cover your imperfections.

Your mind was still flooded with all sorts of thoughts about the way you looked, and how any day your little daydream would end and Hugh would realise what a mistake dating you was.

What was he even with you? You were far from perfect. You had curves that no matter what you did wouldn’t go away. You got trapped in your own head quite a bit, you were moody, and ten thousand other things that would push you away from the ‘ideal girlfriend’ title.

You lived in constant fear that he’d wake up one day and decide he was done with you. Then what would you ever do?

.

The next morning you woke up before Hugh did and went for a run, hoping it would clear your head.

It worked until you got a few heads turning in your direction, it wasn’t uncommon considering who you were dating; it was still overwhelming sometimes. You heard giggles and judgemental scoffs, possibly they were commenting on the way you looked.

It made you want to disappear. A sense of your deepest fears winning made you rush home, discard your jacket and ready to retreat into your room for the rest of the day. That was until your eyes fell on the breakfast spread that lay waiting on the table to your right.

“Morning sunshine! I thought I’d whip up your favourite breakfast today since you—hey, what’s wrong?”

You didn’t realise you had teared up again until Hugh rushed to your side with worry.

“Why are you with me?”

“What do you mean?” He frowned.

“I mean why are you with me? I don’t deserve any of this. You could be with anyone you want, I don’t understand why—”

He stepped in your line of vision, silencing your little ramble before gently wiping your tears away and leading you to sit on an armchair.

Wordlessly holding your hand against his chest, he took a deep breath in, gently coaxing you to follow. When you did, you could feel your erratic breaths returning to a normal slowly but surely. Just his presence on difficult days like these was calming.

“Talk to me?” he nudged, hands still clasped reassuringly.

“I just feel like you could do so much better than this…than me. You’re so—I mean, I am—”

Struggling to complete the sentence, you couldn’t help the crack in your voice as you avoided his gaze, shifting nervously on the chair.

“Beautiful? Kind? The best thing to have happened to me?” Hugh tilted your face to meet your eyes again, his own shining with all the love and adoration reserved just for you.

You wanted to believe him, so badly, yet the voices in your head got loud enough to make you doubt every single thing.

“I won’t allow you to talk much less think such lies about my amazing girlfriend, you know. She’s lucky her boyfriend immensely enjoys demonstrating just how much she means to him.”

You smiled at that, much to Hugh's relief, shaking your head.

"If you'll allow me to show you, my love."

With that he picked you up, leaving no room for any further protests from your side. Kicking the bedroom door shut with his foot, his lips descending onto yours in a kiss that effectively quieted down your fears and filled you with a renewed sense of assurance.

As the kiss deepened, your anxieties melted away, giving way for all the love that you held for this man, who by a miracle from the universe, was all yours. When you eventually broke the kiss after what felt like hours, he continued demonstrating all that he'd promised, making sure to whisper words that held such honesty, you wholeheartedly believed them.

This was nothing like you'd ever experienced before. This was more than just sex, it was worshiping, cherishing and much more. He held you close, accepting every curve, every scar, every last freckle as his own, showering you with all his love. You hadn't felt so loved, so respected, so seen, ever before in your life.

When you were filled to the hilt with his manhood, a moan that you trying so hard to suppress, escaped. Quickly covered your mouth with a hand, you quieted down, embarrassed.

"Don't be shy baby, I love the way you moan my name."

"I'm afraid I'm too loud." you whispered.

Hugh tutted, interlacing your fingers and firmly locking your hands over your head, securing them in their rightful place as he began moving in your sopping heat.

"Not loud enough. Let 'em hear. Let 'em hear who's making you feel good, sweetheart."

Hot and breathy against your ear, his honeyed voice was enough to turn your insides to mush, encouraging you to not hold back anymore.

Soon, the walls of the house echoed with your shared sounds of passion, the intensity of them evident as you reached your highs together. Bodies trembling with wanton need as you drew the most sinful moans out of each other, fully alive in the moment.

As your climax crashed over you, it seemed to wash away any lingering negativity and uncertainty you had previously felt, making you sure of your dreams being actualized.

[bad-as-me]

My point in replying to this is your take offers no applicable solution.

This isn't a suspision I "immediately jumped to" - I said it because this is where this cynical line of thinking inherently leads to. Whether no action is taken because we don't want anything to get done, or if it is because we are so consumed by the fear of people who take our attempts to perform healthy forum moderation and use it to form harassment campaigns, the result is the same.

My belief, one that I hope you are on the same page about, is that we should make a stronger effort to form clear distinctions of when a fandom space is becoming unsafe, and make sure we can identify which criticisms are legitimately towards harmful behavior, and which are centered around subjective experiences with imaginary people.

You are right that we can't control the amount of bigots are in the world, nor can we control if they decide to move to another circle. We are, however, well within our power to control who and what we engage with, and if they feel welcome enough in our lives to stick around. Making our own circles inhospitable to bigotry is where the greater goal of improving fandom culture begins, in my opinion. And your response, as I interpreted it, is that there is no point in even trying because of the litany of bad faith people you described.*

I do not want this to continue as much as you do, but I think it is worth the effort to cultivate a healthy space. Just as there will always be bigots, there will always be people looking for community in a shared interest, so why is it unreasonable to try and do better by that desire?

*(in terms I see just about every proshipper use, so you might understand why I brought the pro/anti labels into this. Not only that, but there are dozens of examples of people, within the replies of this very post, reporting a trend of self identitying proshippers doing so to avoid reasonable criticism for their behavior. I am talking about a greater trend of immaturity as well here!)

the problem with 'let people do what they want' is that fandom spaces will churn out the same bigoted content into perpetuity

[she-posts-nerdy-stuff]

Wicked the movie thoughts - spoiler version

I went to see Wicked today! If you want to read a spoiler free edition of what I thought you can do that here but otherwise below the cut I am going to talk in a lot of detail about the show and share my thoughts - they're overwhelmingly positive!! I loved this movie, I love this musical, and I have a lot of thoughts to discuss, I'm welcoming conversations about things I say or about stuff I didn't say but that you want to talk about let's absolutely chat, and this is all the way through going to contain spoilers for the plot but also for specific details, scenes, acting, etc, of the new movie so be warned if you don't want to read that

First of all, the genuine love and care that was put into the show and that can be seen not only in the acting but in the set, the music, in every aspect the care and the adoration for the theatre production was so clear, it was so lovingly crafted from the word go. I also felt like not only Wicked the musical but also Oz, in the original Wizard of Oz novel, in the Wicked novel, in the world and in everything that Gregory Maguire brought to the world, and so on and so forth was being treated with such care and being genuinely revered whilst also balancing well enough that I didn't feel like I was only ever seeing rehashes of existing material or a carbon copy of the past

Even as I was watching and thinking this, and thinking how well they had captured the feeling of watching something on stage, I was still wondering how they were possibly going to execute the Emerald City and the One Short Day performance because it's so iconic and so distinct in the musical but genuinely I was so impressed with the success of that scene. It both captured the essence of One Short Day on stage and added something new to it without taking anything away from the original and they deserve so much praise for that. I'm going to talk a little bit about the nail salon scene later when I discuss propaganda in Wicked (this is gonna be a looooooong post y'all buckle up) but other than that for One Short Day I just need to address, because how could I not, IDINA MENZEL AND KRISTEN CHENOWORTH!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I didn't know they were going to be there!!!!!!!!!! I was losing my goddamn mind you guys omg

I was genuinely astonished. Like I'd seen them doing press and stuff but I assumed that was just because their names are so synonymous with Wicked I didn't realise they were actually going to be there!!

I really enjoyed the small stage production about the Wise Ones and the Grimmerie it was brilliant in concept and execution for worldbuilding and lore but KRISTEN AND IDINA OMG wonderful oh my gosh. Now was it on the nose? Absolutely. But I don't think that it felt forced, I thought that if you didn't know who they were then even when Chenoworth was singing to Grande and Menzel was singing to Eviro then it still wouldn't have felt strange or out of place, but of course I'm looking at it through the lens of a fan receiving fan service so generally speaking even though I know it's fanservice I'm still going to enjoy it and it's possible that through another's eyes it would feel different. I thought it was brilliant though and nothing will take that away from me

I think it's fair to say that the pacing of Wicked is kind of messed up and I have heard concern that because of that the act 2 movie will struggle; pacing of act 2 does get messy, but I cannot fault them in any way for splitting it into two movies ok because this was spectacular and I would not want to cut a single thing from it so yeah that's kind of all my thoughts on that point; I think that even if act 2 is harder to bring to screen that it can still be done in a high quality and successful way and especially after watching part 1 today I absolutely trust that this production can do that

I'm gonna now hop right back to No-One Mourns the Wicked (the pacing of this post is gonna be worse than the pacing of wicked). I was slightly concerned that Ariana Grande's intense recognisable-ness was going to take something away from the show because it would be hard to see the character she was playing rather than just Ariana Grande singing, if that makes sense, but from as early as No-One Mourns the Wicked my concerns were alleviated. Glinda is not an easy character to play, in my opinion, and she's not an easy character to play because she acts incredibly melodramatic in everything she does whilst her genuine emotions are incredibly subtle. What I saw in both Grande and Erivo was how fantastic their micro-expressions are and how much they can tell the audience with one or two features, often the eyes, alone. In No-One Mourns the Wicked , Galinda genuinely believes and will presumably continue to believe for the rest of her life that Elphaba is dead. And throughout her performance of the song, I more than once found it visibly notable that Glinda was on the verge of tears. She was smiling, she was singing, she was moving gracefully with her typical accentuated and dramatic movements, but the pain in her eyes was remarkable. This was a woman who believed that the only person she had ever had a genuine emotional connection with was dead, a woman who had lost not only someone she had manufactured a relationship with (Fiyero) and convinced herself that she was happy with what she knew was a false pretence of love to receive from, but also the only person in the world who had ever shown her real love and was finally being confronted by the fullest extent of the choices she had made but having to keep everything light and cheerful because of those very choices. Did that make sense? I hope I'm not just spouting nonsense. One of the most emphasised moments of this for me was when this massive effigy of Elphaba and one of the munchkinland residents hands Glinda the torch to light it; there's this blink and you miss it moment where Glinda looks at the torch, at the effigy, then back to the man who held it out to her, who's watching her expectantly, before she turns and tosses it on with a sense of urgency. Not only is this alone powerful, but I also think it's powerful that she throws the torch instead of standing at the effigy and taking care to set it alight firstly because she may not be able to bring herself to do so but also in a way that may be reflective of their relationship and the story: Glinda does not outrightly attack or harm Elphaba but she makes the choices that she makes, she throws her torch and whatever burns will burn.

I also felt that she captured the comedic elements of Glinda fantastically, with one of my favourite moments being when she melodramatically collapses kneeling in front of the bed as though she is sobbing into the quilt but just sits there perfectly still and the camera just stares at her for a few moments before she peeks up over her shoulder to see if Elphie's looking. The difference we can see between these two sides of Glinda's character was very well executed and I think we also see something of her more vulnerable side in some of these comedic moments, because ultimately she does (I'm going to talk about this later) feel unloved because of how shallow all of her relationships are and even in melodramatic, foolish or naive moments like the throwing herself on the duvet cover she is actively seeking attention because she equates attention to love - she so desperately claws her way to attention and popularity because she feels unloved and she thinks that this is love, so when it doesn't give her the feeling she was searching for she becomes convinced that it was because she doesn't have enough of it yet and she needs more. I thought that she was incredibly well captured and presented from all angles with her very many layers being well laid out.

Again with the insane jumping around but let's just dive headfirst into a couple of little details that I noticed whilst I'm thinking about them - during the Wizard and I when Elphaba is imagining her success and her dream she runs through a cornfield!! As though she is running towards Fiyero!!! I loved it. Like it's so tiny, but I love it. Another tiny one - loved the silver shoes for Nessa as a hark to the original book wherein the magic slippers were silver, but then in Popular when Glinda is going through her wardrobe and pulling out all these different options she gives Elphaba a pair of ruby red slippers and then decides against them and throws them away again!! Loved it as a teeny little reference. I also really lovedddddddddddddddddddddddddddddddddddddddd and this one is more meaningful to the story but when Elphie has her magic outburst at Shiz right at the start where she sends Nessa into the air and stuff gets thrown everywhere, there's a statue on the wall of the Wizard that gets smashed. When it smashes, it's briefly visible that beneath the statue the wall was originally painted with a mural of animal scholars!!!!!!!!!!!!! I LOVED this detail, I was BUZZING. Like you saw it long enough to see what it was, there were three animals with a bear in the middle and I think the bear was wearing maroon robes and they were all clearly scholars

My personal theories on this is that either they were highly valued intellectual alumni of Shiz or that they founded the school, however there mya be lore standing on them that I am unaware of I started reading the book a long time ago and never finished it (I really want to read it but I haven't got around to it yet. I read enough to know what happened to Dr Dillimond in the book but I don't remember a lot after that)

Speaking of Dr Dillimond, I'm not sure if I just missed a detail or something implicit but I wasn't sure that they gave any real explanation as to why the poppies didn't knock Fiyero out????

On Fiyero: Johnathon Bailey understands Fiyero so well and it was brilliant. His performance very much took in the different layers of the character and the split between what he presents to the world and the intensity of the emotions he hides. Fiyero experiences emotion so intensely and feels such an intense response to others' emotions as well, and I think that you could really tell that whilst not feeling like anything was being taken away from the charismatic charming persona that you knew he was putting on. One of my favourite moments between him and Elphaba in this was when she siad something along the lines of 'you aren't as shallow and self-loving as I thought' and he replies something along the lines of 'how dare you? I genuinely love myself and I am deeply shallow' and I love this not only because his humour is enjoyable and his defence mechanisms are interesting but also because she immediately breaks through and says no, you're unhappy.

I promised thoughts on Dancing Through Life so whilst we're on Fiyero -> I don't at all intend to say that Bailey isn't a good singer because he is, I just thought that to some degree his voice didn't stand out from the chorus' voices in the same way that Erivo's and Grande's do and so the song did necessarily have the same bite to it as some of the others did/ That isn't to say that it wasn't a fantastic scene, because it was, and I loved the choreography and I was obsessed with the spinning bookshelves and all of it, the bringing the beat of the song in through the movement of the books was brilliant, and again he is a good singer and I think that having the actor's own voice in the movie is almost always the right decision

Okay I am going to make a post on its own about this as well because this is really long and I am so deeply obsessed with this I want to give it a chance to get proper discussion but one of my favourite propaganda-related details of this movie was Elphaba's nails. Yes, you read that right. Her nails.

In all of the imagery and posters of the 'Wicked Witch of the West' she is very often leaning forwards with her hands strangely position in the foreground and then her face behind them so your focus is drawn very quickly to the hands. In these images, her nails are always presented as extravagantly long, sharp, and claw-like. So in a world where animals are discriminated against and being used as the common enemy long before Elphaba is used as that enemy it's so fascinating that the dehumanisation of Elphaba has emphasis on her hands appearing strange or 'unnatural' and it makes me think of the line in Something Bad 'It's enough to give pause to anyone with paws' because that's where the emphasis on this distinction lies with no-one but humans having limbs that resemble hands - having Elphaba presented effectively as though she has claws in a world where animals are discriminated against and actively silenced, especially since she advocated against that silencing. And something I really enjoyed after having noticed the long nails in the posters during No-One Mourns the Wicked is that throughout the movie Elphaba has unapologetically long, beautiful nails that in a truly wonderful subtle aspect of Erivo's acting we get the sense she cares about even though they are never discussed. When she and Glinda go to the Emerald City we see this montage of their day during One Short Day and one of the things they do is go to a nail salon and we see Elphaba excitedly showing off to Glinda her long pretty nails that she loves so much and that make her feel pretty. Again this is such a massive testament to Erivo's acting skills because there's no dialogue about it but we know that she is so excited and we know that this is one of very few times that Elphie has felt pretty, she loves her nails. And they get used so horrifyingly against her. The nail salon is such a brief, subtle moment but it's so very well executed. There's also an earlier scene where she's alone with Madame Morrible practicing magic and when she reaches out to make the hand movements the camera cuts to show the shadow of her hand and it creates this emphasis on the length of her nails and how because of the shape of her hand midway through the movement the image looks like a claw or like a very stereotypical evil witch hands sort of thing. I also think that this moment is particularly powerful bc she's alone with Morrible and everything that Elphie does under Morrible's instruction is perfectly natural but what is seen on Morrible's stationary on the desk below her is representative of the propaganda that Morrible will turn the actions that she forced Elphaba to do into.

Also more propaganda stuff I could talk about the use of the word 'witch' for all goddamn eternity so I'm not going to hark on about it now but I will say that a piece of media like this one cannot be created today without acknowledgemnt of the difference between the word 'wtich' and the word 'wizard' and how they are presented, and I think that this was really interestingly handled in the word 'witch' not being said in the prequel aspect of it until Morrible labels her 'this Wicked Witch'.

Okay I think this is going to be what I finish off with but if you know this account you know that I LOVE a parallel and I was obsessed with the parallel drawn between family dynamics in Elphie's relationship with Nessa and her father, and then with the family that she's looking for and briefly thinks she could find with Morrible, the wizard, and Glinda. Yeoh said in an interview that Morrible's betrayal is realising that the mother figure isn't who you thought she was. Madame Morrible becomes Elphaba's maternal figure, and to her living memory realistically her only maternal figure, from very early on and this maternal view of her that we have through Elphaba's eyes is very much existent by the time we reach Sentimental Man, wherein the idea of the Wizard being able to offer her some kind of paternal love, that she has never felt because her relationship with her father is so fraught, is brought forth. Sentimental Man was very well performed in my opinion, it was the right decision to keep it low and subtle and close because it created this very specific closeness between Elphie and the Wizard and we felt what she felt, which was the exact manipulation that the Wizard wanted her to feel. When Madame Morrible enters the scene we then have both of these parental-style figures present telling Elphaba how precious she is, how amazing she is, how much they believe in her - essentially all these different things that she has been denied her entire life. What I find particularly fascinating about this is that what gets created here is exactly Elphaba's existing family dynamic - because Glinda is there too. This is what Elphaba always wanted - a motherly figure, a fatherly figure, and a sisterly figure - but it still comes at the expense of the sister. Glinda is being actively diminished and put down whilst Elphaba is raised and complimented for the purpose of manipulation and to be used for their purposes rather than existing for herself, just as her father diminishes and hurts her whilst complimenting and idolising Nessa but also manipulating her & never allowing her to live her own life. There's a moment where they're all stood around the grimmerie to get the four of them in shot with Elphie looking over the book, Morrible encouragingly at her side, the Wizard watching on from behind, and Glinda leaning over Elphie's other side to try and squeeze herself into the picture and I think that this still alone captures the entire thing so very well.

In a way, this is why Glinda turned round - without Elphie there, she gets love. When Elphaba had parental figures over her and no Nessa present to be better than her, she felt loved; when Glinda has parental figures over her and no Elphaba present to be better than her, she feels loved. The fundamental difference between them in the moment of choice is arguably that Elphaba's love for others, primarily Nessa, will always be stronger than her need for love from others, whereas Glinda's need for love from others will always be stronger than her love for others, primarily Elphaba.

In this moment, Glinda's warped distinction between love and popularity, as I discussed it earlier, is finally put to direct test and even though she loves Elphie and is loved by her in a way that she has arguably never been loved (we saw just how shallow her relationship with her parents was upon the arrival at Shiz. It's as shallow as her friendships at Shiz and romance with Fiyero.) she chooses popularity because she has somehow convinced herself that superficial love from many is better than genuine love from few. Elphaba's love for Glinda is probably the most genuine affection she's experienced in her entire life - but it doesn't come from authority. Elphaba's love isn't coming from someone who can raise Glina up or give her advantages and ultimately she is always seeking the approval of authority, possibly because she felt like she never received it from the authority that was her parents when she was a child, and she finds that feeling in Morrible and the Wizard, and arguably in the power that Fiyero's family could give her as well.

Okay super quick additions that i just remembered:

I loved loved loved the addition of her falling from the palace and seeing young Elphaba in the reflection and once again so freaking much could be said about the strength of Erivo's acting here it was truly beautiful and I found it like genuinely nerve-wracking even though I knew she obvs had to make it and the song wasn't over yk but yeah it was fantastic

When Elphaba's running from the soldiers & the flying monkeys just after the monkeys have been told to attack her and Glinda is chasing after her. They go through a narrow corridor of the palace lined by windows, and the wall are made of green brick. The sunset beyond casts pink light through every window. Every window is pink, all the walls are green. Elphaba is running and Glinda is following, trying to tell her to come back to the Wizard. As they run the flying monkeys start smashing the windows, so for every pace that they take THE PINK SHATTERS AND ONLY THE GREEN IS LEFT BEHIND. They are running towards Defying Gravity and for every step closer to it they become the less intertwined the colours are. The pink shatters and the green is left behind. It was visual poetry.

Okay I hope that this insane rambling made sense, I was partially transcribing this from voicenotes I sent to my friends when I got back after the movie and they actually got more than this so apologies to them and thank you for indulging me, and thank you to anyone who has bothered to read this lol I hope it was interesting - overall, excellent movie and I loved it!! Already can't wait for part 2

[alexanderwales]

Notes on 3000 miles

Last year my doctor told me that I had high blood pressure, high cholesterol, and a high resting heartrate. So I started biking on an exercise bike, and by my best estimations, I'm either close to hitting 3000 miles or have already gone past that.

I should clarify that this wasn't all at once. I took many breaks.

So here are some notes.

When I started, I was on an exercise bike that my wife had gotten from her work. It wasn't the best, but it was free, and I made a deal with myself that if I biked every day for a month, then I could justify getting something better. I really really did not want to buy a piece of exercise equipment that would just sit in the house gathering dust, because that would feel awful ... but I do kind of wish that I had gotten the better bike sooner, because it removed some of the "friction" of exercise, where it felt like there were too many reasons not to get on the bike. The new exercise bike (a refurbished Peleton off Facebook marketplace that my wife got me for Christmas) really does just feel and move better. I think the general principle of not doing costly monetary commitments until you've shown costly personal commitment is a good one, however.

Blood pressure is in normal range. Cholesterol is in normal range. Resting heartrate is in normal range. This was all the case three months in, and this level of cardio is more than enough to maintain it.

Right now, I bike for thirty minutes a day, going 8-10 miles according to the bike. That range is enormous, because it represents vastly different amounts of work. Going 10 miles in 30 minutes is 20 miles an hour, and I keep the resistance relatively high, so by the end of it I'm always panting. By contrast, going 8 miles makes me feel like I didn't put in enough work.

My goal every day is sweat-based and completely qualitative. I want to soak through a shirt. This means that doing more laundry than I'd prefer to, which is an unanticipated consequence of the biking. It's also, compared to all the metrics the bike gives me, a very clear sign that I am actually exercising my body "properly" in a way that's achieving something.

I did some of the Peleton classes, and found a lot of the metrics to be motivating, but ... eh. Exercise is mostly about being healthy and maintaining my body, so my current strategy, for the last six months, has been to either shut the brain down or keep it fully engaged in something that passes the exercise time. Usually this means a TV show, especially a foreign one with subtitles, which need slightly more brainpower.

The final two minutes is always the worst. I'm just ready to be done with it. Sometimes there's gas left in the tank, but I still feel sweaty, thirsty, and overheated. I have a water bottle, and I drink from it while I bike, and I have a fan pointed at me that I turn on once I'm warmed up, but I always have a sense, in those last two minutes, of "finally I'm done". I tried the thinking man's solution, only biking for 28 minutes, and this did not help. In my entire year of biking a half hour a day, I didn't ever elect to go into overtime.

I initially lost ten pounds, then slowly gained it back. I am, in fact, overweight, but I'm holding more or less steady now, and there have definitely been some body composition changes, with muscle replacing fat. I went down about four inches at the waist. I've changed very little about how I eat (which is 90% meals that I cook myself, and a daily coffee drink of some kind, usually made myself with sugar/cream/chocolate). Biking amounts to 300-400 calories a day or something like that, so I'm presumably eating more to compensate and just not realizing it.

Mental health has been rocky, but that's just sort of how it is for me. I definitely feel less mentally well on days that I don't bike, and feel better afterward, but I have no idea how tight the correlation is, and if I had been keeping track on a mood tracker, I'm not sure I would be able to sus out from self-reported mood alone whether or not I was biking.

During the summer I replaced a lot of indoor exercise bike stuff with outdoor biking. My son has only recently learned to bike, so he's been with me many of these times. Usually that means that we're either biking a lot less distance, or we're biking for a lot longer time at much lower intensity, sometimes both. There's a bike path that's downhill from our house which goes for maybe six miles, with some good, clear turn back points, but that means a fairly arduous uphill to get back home. If I lived in a place where the weather wasn't frigid for almost half the year, I would probably be doing outdoor biking more.

I think the most important thing, if you're doing exercise every day, is making sure that you're doing it in such a way that it's sustainable and virtually incapable of injuring you. This mostly means proper form. Early on, I had a habit of pressing down the right pedal with the outside edge of my foot, and after fifteen minutes of doing that, the muscles in the foot would be aching and uncomfortable. I'm not sure why I was doing that, but it was difficult to get myself to bike in a way that wouldn't be putting strain on me.

I think it's okay to skip a day ... if it's for the right reason. Of the days that I've skipped, I always try to make sure the reason isn't "fuck it, I don't want to". I should either be feeling sick, feeling like I need to rest, or replacing biking with some other form of exercise like a hike in the woods or some weightlifting or something. If I start skipping days because I just don't feel like it, that's where the whole scheme falls apart.

I am currently sort of wondering how long this is going to go on for, and I think the answer is "for the rest of my life", or at least until I'm unable to keep it up for whatever reason. I don't think there's any particular reason to prefer an exercise bike (or regular bike) over running or rowing or some other form of cardio, but I think I have proven to myself that this is cardio I can do daily and stick with it to the level that is probably necessary for me to stay healthy. I'm not committed to doing it for the rest of my life, since in theory some other form of cardio might come along and sweep me off my feet.

I do wish that I had started earlier in my life, even if daily exercise has not been the panacea for mental health that I had been kind of hoping it would be. I hope that I have the willpower and wisdom to keep up with it indefinitely.

[softringing]

There's always been a question that bugs me about sampo. Obviously, there are several, but this one specifically, has to do with his ideologies involving elation.

If sampo cares about people so much and desires to make everyone happy, why did he not take direct action in those 8 years he remained in belebog?

We all know sparkle said sampo has a line that he won't cross, and that line is very clearly not hurting people, well at least the ones who have already been hurt enough.

We see this from sampo's actions in the underworld vs overworld. For some reason, even tho sampo is a scammer and values money, he has never attempted to scam underworlders. In Hook's companion mission, hook's father had a rare mining item that was stolen by an npc named Skipper(?) I believe.

While Skipper was trying to sell this item to sampo, sampo kept insisting that he was selling it at such a low price. His direct words were "Are you sure you want to sell this at this price to me?"

And he kept hesitating until hook and tb found skipper and took the item back. We can see cleary that sampo means no harm to those who are weak but when he's in the overworld, he's known for scamming ppl like Chavez from Anti-Blue Scam Society without much remorse.

From all this, it's clear sampo has never done something to hurt anyone seriously, and to add to this, shields is the name for the belebog currency. Yet, in sampo's idle, we see him holding a different currency.

This pretty much implies that to sampo, belebogian currency would be useless. Although we know he's a scammer, we don't really know why he cares about money so much other than this text we got in game from him

Sampo seems personally tired of doing this :( but says that he has to to feed few mouths which we can take as him trying to help the ppl in the underworld with the money he 'earns'.

So, here we return to my initial question, why didn't sampo directly help ppl of belebog with their disaster if he has so much power?

He is hiding from a certain someone-- as mentioned by @/samposillies, in sampo's LC, the exact same currency he's holding is shown & his eidolon

(money model from @/kittykattz)

If u look really closely into his LC, you can see not only that it's from a POV of a sniper, but also another assasin behind sampo, holding a gun and wearing a foreign attire to belebog. The description also matches that someone's obviously trying to kill him, as told by the sniper himself.

At first, I assumed it was the ipc but their outfits lean towards red rather than plain black. Plus, although it looks like sampo isn't in belebog, there are two posters in the lc on the brick background and you can find these coffee posters in belebog at the location "Backwater pass".

But the thing is, sampo uses the non-belebogian currency (assumed to be Kalevalan currency) to convince the sniper to talk to him.

The lc's name is Eye of the Prey-- and although it's from sniper's POV, Sampo is clearly the Hunter, while the sniper is the prey.

This led me to think that someone from Kalevala is perhaps trying to kill sampo while he was in belebog, which is strange bc the world believed Jarilo-IV did not exist before the astral express saved them. Meaning that whoever is trying to kill sampo probably always knew about his whereabouts hence sampo decided to keep a low profile and decided to help underworlders in such a silent approach.

Not to mention, the currency sampo's holding doesn't have the usual hsr language on it (pointed out by @/samposillies)

(maybe it needs horizontal flipping ill check it later)

Therefore, we can assume sampo didn't help belebogians directly by bringing an end to the stelleron bc he's being chased by someone. and even tho sampo appears non-chalant or calm about it in his lc, maybe he just doesn't want that person to come and specifically show up in belebog.

We don't know why that person's trying to kill sampo but there are lots of reasons, just like the fact that sampo is LITERALLY the 'device' from Kalevala as referenced in his event. He CAN legit create ancient relics,

he laughs it off as a typo BUT HE CAN CLEARLY MAKE THESE RELICS!! GEPARD ALSO MENTIONS IN HIS LINES ABT HIM THAT HE SELLS A NUMBER OF ANCIENT RELICS!!

"ancient" MEANS OLDDD, like really old!! How can a normal person make such things?? Not to mention sampo can make his bombs and is immune to their poison and a MEMORY bubble (in autheirum wars), which had the description of being "abnormal or unusual"!! Only memokeepers can make memory bubbles, and herta has several of them in her space station. So he either stole one or knows how to make one himself!! Sampo also made those items in his pop-up shop event with some materials the tb brought so there's no doubt he's the object that's supposed to 'bring wealth'.

Or could it be that sampo is like Giovanni? He prefers natural endings rather than artificial ones? he's still a masked fool no matter how different his aesthetics are after all... LET ME KNOW WHAT YOU ALL THINK!!

Edit: Here's the flipped image of his money but I still can't read what it's supposed to mean and tried to google translate in Finnish but didn't. Work

[thebiggerbear]

Oh, this hit me right in the heart! In a good way. You know, I love Beth and Rip, don't get me wrong, and I love their dynamic but it was so nice to see someone taking care of Rip for once. To be the one willing to go the extra mile for him and withstand the storm. Not that Beth doesn't fight for him and will do whatever, but you get my point.

As much as I love Lee and grew to love the other characters (don't even ask me about John lol, I have a very love and hate relationship with him which is compounded by my admiration for Kevin Costner, this 2nd half of the season is just tearing me apart), Rip is the one I fell head over heels for (besides Beth herself) when I first binged the show a few years back. So reading this just applied some soothing balm to my Rip Wheeler heart that I didn't even know I needed. 🥹

Rip doesn’t have a heart, at least that’s what they say about him. They see his hard edges, his gruff exterior, the aura of violence and they think there’s a barbed wire where one should be. For a while even he thinks it’s true. The world has battered him, bruised him, broken him, he doesn’t have the capacity for softness anymore.

This absolutely broke me. Because I absolutely can see Rip thinking that about himself.

He tries to fight the fall, really he does but it’s a constant war deep inside of him. He forces himself to leave your bed when he’s finished with you, he redresses in the dark as you sleep, ignoring the urge to climb back into your sheets, to hold you, to love you.

Absolutely one hundred percent Rip.

You must see the exhaustion in him, the toll of the day has taken. He thinks that’s why you reach for him, why you catch his hand when he walks by. The gesture surprises him because the women he’s been with, they’ve steered clear of his moods, they didn’t walk head first into them.

Beautiful moment and perfectly written. Especially, that last line, omg.

“Come home with me tonight.” You say as he turns to face you, and he sees the sincerity in your features as you draw him close. “Let me look after you a little.” It’s the first time that anyone has ever offered him that, that they’ve cared enough to consider his wants, his needs.

Not going to lie, I flat out squealed in happiness at this part of the scene. That is exactly what my guy needs, what he deserves.

“Alright darlin.” He concedes, his thumb chasing over the blush of your cheek. “If you want me, you can have me.”

Oh. My. God. JUST SO PERFECT!!!!!!

So well done. As always. I have to dive into the rest of your Rip masterlist and all of your Yellowstone fics. You write this world so flawlessly, my friend. Thank you. 🥹💖💖

For Rip Wheeler

“Oh, if all I got is your hand in my hand Baby, I could die a happy man”

Tagging: @1-fuzzy-squirrels @nerdypinupcrystal @babygirl8900 @domquixotedospobresblog @buckysteveloki-me

Companion piece to Thrill of the Chase (NSFW) - Rip has always loved the thrill of the chase.

Rip doesn’t have a heart, at least that’s what they say about him. They see his hard edges, his gruff exterior, the aura of violence and they think there’s a barbed wire where one should be.

For a while even he thinks it’s true. The world has battered him, bruised him, broken him, he doesn’t have the capacity for softness anymore. He tells you that after you fuck him for the second time.

“Don’t expect anything from me. I don’t have anything to give you.”

His relationships have aways been physical, raw, primal. It’s about stress relief, not connection. He assumes it’s going to be the same with you until it isn’t.

There are so many ways you’re different to the women he’s been with before. There’s a softness in you he doesn’t anticipate. You aren’t rough with him like the others, you’re teasing, gentle. When he’s camping out alone, he thinks about the light caress of your fingertips across the scars that line his left shoulder, the tender brush of your lips as you explore every inch of him.

He might fuck but you, you make love.

He tries to fight the fall, really he does but it’s a constant war deep inside of him. He forces himself to leave your bed when he’s finished with you, he redresses in the dark as you sleep, ignoring the urge to climb back into your sheets, to hold you, to love you.

He’s tired, sore and pissed off when he comes across you in the barn. He’s been pulling up hemlock all day in one of the pastures and you’re finishing a check up on John Dutton’s horse Starbuck. The old girl is getting up there these days, she’s starting to have more health problems. There’s going to come a day soon where you make the recommendation to put her down and the thought of that…

It devastates him because the two of them, they sort of grew up together. She was the first foal he birthed back in the day.

You must see the exhaustion in him, the toll of the day has taken. He thinks that’s why you reach for him, why you catch his hand when he walks by. The gesture surprises him because the women he’s been with, they’ve steered clear of his moods, they didn’t walk head first into them.

“Come home with me tonight.” You say as he turns to face you, and he sees the sincerity in your features as you draw him close. “Let me look after you a little.”

It’s the first time that anyone has ever offered him that, that they’ve cared enough to consider his wants, his needs. He’s tired of this war he’s been waging with himself, he’s tired of resisting you. All he wants right now is to curl up in bed, with the woman he’s falling in love with.

“Alright darlin.” He concedes, his thumb chasing over the blush of your cheek. “If you want me, you can have me.”

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Like My Work? - Why Not Buy Me A Coffee

[sleepyparalysisdmon]

2 Minus 1 - Act Three

Seungcheol is doing good without you. Really good, in fact! He’s got a great job, has his own apartment, and has many friends surrounding him. He’s even done some dating in the three years that you’ve been gone. On some blissful days, you don’t even cross his mind. But when you reappear in his life, he has to come to terms with the fact that he might not be doing as good as he thought he was. 

Genres: ANGST with a little bit of fluff here and there. One suggestive scene (minors, use caution). 

Word count: 7.7k

Requested? Yes!

You can find the series masterlist here.

Minghao’s throwing a New Year’s Eve party. Seungcheol seemed to have found out last because it’s you that asks him if he’s going when you both step out for lunch a couple days before. Instead of going back to his office, he stops into his team’s office, hanging over Minghao’s cubicle wall. “When were you going to tell me you were throwing a New Year’s Eve party? Is this your way of telling me I’m not invited?”

“Huh?” Minghao mumbles, still typing up something. “Oh, yeah. It was kind of a spur of the moment thing. Didn’t get a chance to send a message about it yet.” Seungcheol sort of accepts this answer because things have been pretty busy around here in preparation for the new year. New budget means new plans and new goals, along with a renewed push from leadership to break records. There’s been a lot of pressure to start out the year on the right foot. 

Still, Seungcheol pouts a bit. “And Y/N knew before I did?”

“Oh, yeah. I ran into her in the elevator yesterday and mentioned it. Stop being a big baby,” Minghao says, totally unsympathetic. 

“Y/N is coming?” Chan pipes up from his cubicle, sounding excited. He rolls his chair into the aisle, running into Seungkwan when he does the same thing. They both groan and start pushing each other. The rest of them ignore the scuffle.

“Yes,” Minghao says shortly, turning to Seungcheol. “I assume you’ll be there since you’re attached to her hip.”

He doesn’t miss the sly look that all four of his friends give him at the mention. “Not sure what that’s supposed to mean. I thought you wanted me to get along with her.”

“As just a friend?” Vernon poses. 

Seungcheol stalls out for a second, blinking. “Yeah, of course. Why do you ask?”

“Well, that’s a good thing, I guess. She asked if I minded if she brings a friend of hers. Someone from law school, or something. He’s in town for the holidays,” Minghao explains and Seungcheol can see clear as day that this is bait. Still, he can’t seem to help how his jaw clenches. 

“Did she happen to mention his name?”

“Jeonghan, something or other. It’s a law school friend, you wouldn’t know him right?” 

He knows they’re continuing to bait him. She’s a friend and this is a person he doesn’t know, so what’s the big deal? Seungcheol can’t help the curse he mutters. “No, I know Jeonghan. He’s from here, we went to school with him. And they dated while they were in California, apparently.”

An ‘oooo’ echoes throughout the office, then a cackle or two. They all look like they need bags of popcorn with how entertained they look at his suffering. “Oh no,” Seungkwan cries out in faux sympathy. “Cheol, what are you going to do? Her exboyfriend came all the way here to see her.”

“He didn’t come here just to see her,” Seungcheol defends, fists tightening on the wall of Minghao’s cubicle. “I just said he’s from here. He’s here to see family first, surely.”

“And run to see his ex before he goes back home? Maybe get a New Year’s Kiss from her?” Chan wiggles an eyebrow. The thought makes Seungcheol’s blood boil. He’d intentionally avoided spending much time thinking about you with Jeonghan. He knew you had kind of made the poor guy’s dreams come true by dating him. 

“Oh my god, look how red he’s getting,” Seungkwan chortles. 

Minghao turns to give them a warning look, though he sort of looks entertained too. He glances back to Seungcheol. “Don't pop a vein. You look pretty jealous for someone that fell apart when he found out she worked here.”

“I’m not jealous,” he insists stubbornly. Not a single one of them buy it and he huffs. “Get back to work. We have things due at the end of the day.”

He is not jealous. He is not jealous. He is not jealous! It becomes his mantra the whole afternoon as he tries to get through his to-do list.

~

He is not jealous. He is not jealous. He is not jealous!

He chants it to himself in his head when he knocks on your door. Jeonghan opens the door with a wide grin. “Hey, Seungcheol. It’s been a while,” he says letting him in. Seungcheol had always liked Jeonghan in high school. He was funny, a little bit of a troublemaker, but also seemed to be incredibly intelligent, judging by how he was always in the running for top of the class. He tries to be warm, but Jeonghan looks far too comfortable in your apartment. He wonders if Jeonghan stayed here for a couple days while in town. He wonders where he slept - was it the guest bedroom or somewhere else?

“Yeah, it has. How have you been?” He sits with Jeonghan in the living room, doing small talk. They’re interrupted by a yell from the hallway. 

“Hannie, who are you talking to?” 

“Seungcheol,” Jeonghan shouts back. 

“Oh!” You shout. “Hi Cheol. I promise I’m almost ready.”

“Yeah right,” Jeonghan mumbles. “I’ve never seen her be ready on time.”

This does make Seungcheol snort. “Never.”

Jeonghan gives him a curious look. “How are things going there? Between you two, I mean. She was pretty anxious about running into you.”

The question gives Seungcheol pause for so many reasons. So many, in fact that it makes him shake his head confused. “You want to hear how things are going with your ex?”

Jeonghan raises an eyebrow, entertained. “Yes. Do you want to hear how things are going with your ex?” That question makes him grit his teeth and Jeonghan spots it, chuckling. “Yeah, that tracks. But yes, I want to know that things are going well between you two, no matter what it’s defined as.”

Seungcheol’s jaw is tight. “We’re fine. We always will be.”

He hates how Jeonghan leans back, feet propped up on your coffee table, sipping his drink like he owns the place. Like he has Seungcheol right where he wants him. “Uh huh. So no plans to rekindle anything then? Just going back to friends?” 

“Yes,” Seungcheol grinds out. “Have you always been this nosy?”

Jeonghan laughs. “Maybe not, but I’m invested when it comes to Y/N. The consequences of dating for a few years, I suppose.”

Seungcheol’s breath catches. When you said you had dated Jeonghan for a while, he was picturing a few months, not years. He doesn’t know why you didn’t just tell him the actual timeframe, but then he thinks better of it. If he’s not handling it well now, then he wouldn’t have handled it well a while back either.

Finally, Seungcheol decides he sort of hates Jeonghan - not him as a person necessarily, but because you sort of made a home with him in California for three years. Enough for Jeonghan to come see you when he’s in town. He wishes there was even a tinge of bitterness between you and Jeonghan post breakup.

“So, what? You've come to visit and get back together?” He can’t really hide his own bitterness. “How’s that going to work when you both live across the world from each other?”

Jeonghan shrugs casually. “Distance wouldn't be an issue for me personally, but I’m actually looking for jobs here.”

He doesn’t get a chance to reply because he’s spiraling a bit and you’re rushing into the room, dressed to the nines and it’s all so distracting. “I’m ready! Let’s go!” You yell, shoving your feet in heels and grabbing a coat while Seungcheol and Jeonghan trail behind you. You chatter enough for everyone on the way to Minghao’s and when he leads you both into his friend’s apartment, he goes straight to the alcohol. He feels sick to his stomach before the first sip, but he needs the distraction from thinking about Jeonghan moving back and moving in with you next door and having to see you two together all the time. 

He’d have to move and probably quit his job. And maybe leave the face of the earth.

~

Jeonghan knows quite a few people here tonight, but he still stays glued to you. It’s nice, really. You’ve settled in and have gotten comfortable with the way things are since moving back, but Jeonghan is an extra slice of familiarity that comforts you, if only for a couple days before he has to fly back. 

It’s not like you two haven’t talked nearly every week since you moved, but there are so many things that you both seem to want to talk about now that you’re face to face. You missed him, and you missed Joshua, who you can get decent updates on now that Jeonghan is in front of you. Joshua has scheduled to take the bar exam and has been studying night and day, ignoring pretty much everyone since graduation. Jeonghan says he pops in every few days to get him to come up for air. 

You’ve told him about your job, which you feel pretty neutral about it. Like Seungcheol, Jeonghan assures you that it’s okay to just have a job now and not a career, and that the degree wasn’t wasted if you don’t take the bar and practice law. He even discourages it because even though he hasn’t hit the books as hard as Joshua has, he says it’s still miserable.

He’s also incredibly nosy about how things are going with Seungcheol. When you told him about your first run in and subsequent birthday parties, he’d chuckled and told you it was only a matter of time. You can’t share mutual friends for your whole lives and never see each other. But he flat out cackled when you told him that you’d unknowingly accepted a job at the same company that he worked for. Jeonghan reveals that he knew that all along and you wished you could strangle him through the screen. You even threaten to get on a plane to do it in person. He just rolled his eyes and said, “What? You don’t check LinkedIn from time to time? I knew the company you accepted the role from sounded familiar so I checked.” He was still more entertained when you told him who your new neighbor was and made some joke about fate.

In the present, Jeonghan’s grinning over his glass at you in the corner of the room. “Someone hates me, I think. I’m getting a death glare.”

You raise an eyebrow. “Like it’s hard to hate you?” He shoves you lightly. “But who?”

Jeonghan snorts. “Who do you think? The most jealous person I think I’ve ever met.” He gestures across the room and it’s not hard to figure out who he’s talking about. Seungcheol looks pissed, but you’re confused because for the life of you you can’t figure out why he’d be pissed at you or Jeonghan. You thought things were good between you and Seungcheol now, especially after he said he didn’t hate you on Christmas just a week ago. He really looks like that could have been a lie right now.

“But why? He’s not entertained anything more than friendship, and even then that was like pulling teeth at first,” you sigh, looking down into your glass.

Jeonghan sighs lovingly. “Oh, honey. I love you so much, you know that, right?” You nod when it seems he actually wants an answer. “But sometimes, you’re incredibly dense. Don’t worry, I’ll fix it.”

Your eyes widen, hair standing on end. This doesn’t sound like a ‘spilled coffee on your laptop but here take mine’ kind of fix. The look on his face makes you nervous. “What are you planning, Yoon Jeonghan?”

He looks mildly entertained at your threatening tone before turning serious. “Do you trust me?” You stare up at him, blinking. “I need an answer to that. I can fix this but it might get worse before it gets better.”

“Define ‘fix’. And what are you fixing exactly?” You press.

“You and Seungcheol. It’s time to do something about this, but my methods might be unorthodox and you need to roll with it if it will work.”

Jeonghan has never led you astray and you do trust him implicitly. You glance to Seungcheol, who still looks angry, before looking back up at Jeonghan, huffing. “What did you have in mind?”

Minghao is coming around with flutes of champagne. The ball drop is queued up on the TV with the countdown ticking. You both take glasses from Minghao, setting your other ones to the side. “I promise it will be okay,” Jeonghan says evasively. It makes your anxiety spike.

“Hannie, please tell me what you’re planning.”

People are starting to countdown and he has to lean in close to your ear so you can hear him. “I’m going to help you make him jealous.”

You blanch, pulling away from him to give him a look. “What?!”

He’s pulling you back to him, hand now on the small of your back. “Just trust me. He’s holding back right now, but once all of that anger comes out I think he’ll be more upfront about his feelings. Namely that he’s not over you. You want that, don’t you?”

You think fast in seconds. You don’t like the pressure of the countdown. You do want to rekindle things with Seungcheol if he’d ever let you. You’d never really wanted it to end in the first place but it seemed inevitable at the time. And now he’s been a lock box for pretty much everything that isn’t professional as coworkers or casual as friends. He treats you like he wasn’t your best friend for years and it stings. He treats you like he wasn’t totally in love with you while dating, just as you were with him, and that stings even more. You want him back. 

The countdown has hit ten and you lean in to Jeonghan’s ear. “You’re sure this will work? How sure?”

“99% sure.”

“Okay, then. Don’t make me hate you.”

Jeonghan chuckles and his lips are on yours when the ball drops. 

~

It becomes apparent at approximately 11am on January 2nd that you should have doubted Jeonghan’s little plan. You have a meeting with Seungcheol's department to wrap up the contract revisions and Mrs. Jang and Seokmin have let you take the lead on it. It becomes clear within the first five minutes of the meeting that you’ve done something wrong.

Or everything wrong, really.

Seungcheol is cold, even flat out rude to you as you present the revisions, explaining the logic behind some of the changes. Nothing is good enough and he’s brutal about correcting your work in front of everyone. Minghao tries to delicately step in and get you back on track on some of the things you’ve done, but if he disagrees with the things he doesn’t speak up on, he doesn’t say so. Everyone’s uncomfortable and you close out the meeting as smoothly as possible, letting them know that you’ll make the revisions they mentioned and send out an updated version later today for review. 

In the elevator, Mrs. Jang kindly says that you did well and you’ll get better with those little things with time. You’re thankful that she’s not disappointed or upset with some of the mistakes you’ve made, and that she’s giving you grace to fix it. But still, you’re itching to go somewhere and cry because Seungcheol’s never treated you like that.

Seokmin seems to sense it because he’s handing you your coat as soon as you get back into your shared office. “Let’s go for a long lunch.” He doesn’t really leave room for an argument, and even threatens to go into the women’s restroom to get you if you take too long on your way out of the building. He promises he'll close the office door later this afternoon if you still wanted to cry.

At the restraurant down the street, he orders food before sitting back and sighing. “That was rough. How are you feeling?”

“Pretty fucking fragile,” you bite, trying to blink back your tears. You do not want to cry in this restaurant right now. You’re almost angry at how emotional of a reaction you’re having.

Seokmin looks sympathetic. “I’ll say. That must be the ‘unpleasantness’ some people alluded to before. What even prompted that? I thought things were going well there.”

You put your head in your hands, sighing. “My stupidity prompted it.” 

“What? What could you have possibly done to deserve that?” Seokmin cries out. You explain everything - Jeonghan, and your relationship back in California, and his bright idea on New Year’s. Seokmin hums, nodding his head with a deep sigh. “Okay, yeah. That might have been stupid.”

You groan, interrupted by the waiter bringing you and Seokmin your food. “It made sense at the time. And it’s not like Jeonghan doesn’t know Seungcheol. They might not have been super close, but Jeonghan’s usually pretty good at reading people and I trusted his assumption.”

“Eat,” Seokmin nudges, handing you chopsticks. “And his assumption was what? That Seungcheol would snap and confess his feelings?”

“Something like that,” you answer weakly. “Seems like it backfired. Yet another thing I’ve ruined.”

“Nuh uh,” Seokmin says automatically, waving his chopsticks at you. “Stop saying you ruin things. Ruining implies you can’t fix it.”

“And you think I can fix this? This felt pretty far gone before I made this most recent bad decision.”

Seokmin’s insistent though. “Going to law school abroad wasn’t a bad decision. Did it hurt? Probably. But stop acting like doing something for yourself ruins everything.” He pops a bite of chicken into his mouth, chewing and swallowing before continuing. “Besides, I’m not doubting your trust in Jeonghan’s theory. Some people respond to jealousy… It just seems like it will get worse before it ever gets better.”

You play with your food, moving it around on the plate. “Yeah, Jeonghan said something like that. I just expected some silent treatment or something. Not to be berated in a work meeting.”

“Yeah, I’m sure he’s hearing about that as we speak.” You give Seokmin a look and he chuckles, raising an eyebrow. “His team loves you. They did not look happy about his behavior. Not sure it will change anything, but this does seem like a problem between you and Seungcheol, rather than a problem with your work itself. I’ve made the same mistakes you did.”

You groan. “And to think he’s my neighbor. I can’t even escape it at home.”

Seokmin’s choking on his food. “He’s your neighbor?!” 

“Oh,” you start. “Yeah, did I forget to mention that?”

When he’s no longer choking, he shakes his head. “That’s it, you’re paying this time. I know it was my turn and I was going to be nice because you’ve had a rough morning, but you better have your wallet ready because I’m ordering egg rolls to go.”

You get scolded all afternoon about keeping secrets from your only favorite office mate.

~

Seungcheol huffs from behind his monitor. He’s sent a message in the team group chat and it’s starting to look like he’s talking to himself as he scrolls through the recent chat history. He sends something, be it a task or a request for a status update, and he gets the shortest responses possible. Usually a thumbs up emoji, but sometimes a short answer if an explanation is required. Sometimes, it’s nothing at all. They’re doing the work, but it’s clear they’re mad. They have been since earlier this week. 

Seungcheol isn’t proud of himself for how he handled that meeting with you earlier this week. He didn’t stick around afterwards because he could tell his team was disappointed. But they usually aren’t shy about telling him their problems, even with him. The silence is deafening and he knows he’s fucked up.

Minghao comes in to drop off a stack of papers and looks like he’s trying to exit quickly, but Seungcheol stops him. “What’s this?” 

Minghao spins in the doorway. “Financials for last quarter. I need your signature on it before I can ship it off to Budgets.”

“Oh,” Seungcheol mumbles. “I’ll just do it right now.” He grabs a pen and starts skimming, but Minghao cuts him off.

“Actually, do it later. I’m not ready to be berated for my work right now.”

Seungcheol pauses and purses his lips, placing the report and the pen back down. “Why would I do that? Your work is usually flawless. That’s why you’re the team lead.”

“I don’t know,” Minghao drawls coldly. “You can be pretty brutal it seems.” 

Seungcheol bites the inside of his cheek. “Is that why you guys have been dodging me all week?” To his credit, Minghao doesn’t deny it and that’s answer enough. Seungcheol sighs. “Was it that bad?”

“Bad? I’m sure she ran off to cry after the meeting. I think even I would have had an emotional reaction,” Minghao says bluntly. The knife twists in Seungcheol’s chest. He was so angry, and still is, that he hadn’t been thinking about your reaction. Minghao’s sighing, coming back in to sit down. “I thought you could be civil. What the hell happened to that?”

“I don’t know,” Seungcheol mumbles. He certainly does know, but he’s not brave enough to say it, lest he piss off his friends even more.

Still, Minghao scoffs. “Look. I saw her and Jeonghan on New Year’s. It really is okay if you just admit that you’re jealous. I’d even sympathize with you on it. You bottling things up is 90% of the problem here.”

Stubbornly, Seungcheol shakes his head. He doesn’t know why the word ‘jealous’ made him flip a switch so fast, but he’s back to being angry. “I’m not jealous. I did what you said and I tried to salvage some sort of friendship, but it’s hard to watch your ex with someone else. That’s not jealousy though. That’s me trying to accept the fact that things are different.”

“And your acceptance of these changes means ripping her apart in a professional setting?” Seungcheol doesn’t really have a response. No matter how he felt in the moment, he was embarrassed that he acted so unprofessionally. Minghao shakes his head. “I told you up front, you should just tell her you’re angry. Admit it and you’ll feel a lot lighter.”

“Why would she want to hear about that? I mean, who knows what’s going on with her and Jeonghan? He said he’s looking for jobs here.”

“And none of that might matter if you just admit how you feel,” Minghao insists. Seungcheol’s phone rings and Minghao stands up. “Take it. I’ve said all I can say now.”

~

It’s Saturday morning and your phone has gone off no less than ten times since 8am. You know who it is but you’ve been letting it ring. But after you’re ripped from sleep for the eleventh time, you’re starting to lose patience. You switch off the sound, turning on vibration. But the buzzing across your nightstand is just as obnoxious and by the thirteenth call, you’re snatching up your phone. “What?” You snap.

“Oh, so you aren’t dead!” Jeonghan cheers. 

“Nope, not dead. Just mad,” you bite, burying yourself back into the covers. 

“Uh huh, I kind of figured that out when you ignored everything I sent the whole week,” Jeonghan smarts. “Now are you going to tell me what’s wrong so I can fix it?”

You snort. “No, I will not let you fix anything else for a while.”

“Ah,” Jeonghan’s voice lifts and it irritates you. “Well I did tell you it could get worse before it gets better.” You’re silent, and his voice turns gentle. “Come on. Tell Hannie about it.”

“No. You need to be going to bed,” you insist, thinking of the time difference. Mad as you are, he needs his sleep.

“And I haven’t been able to do much of that, what with my best friend ignoring me. Now, help me so I can help you.”

You sigh. “Hold on. Let me get coffee and switch to FaceTime.” Once dressed with a coffee mug in hand in front of your computer, you rant. It feels never ending and it brings you to tears. All of the frustration of the last week, and really the last few months of living here, are boiling over and you feel like you could sob. 

To his credit, Jeonghan looks sympathetic. He usually prevents these crying jags before they start, but he can’t really do that oceans away. “I’m sorry, honey. I did say it could get worse before it gets better, but I was genuinely hoping it would never get that bad. I kind of just wanted him to spit it out, you know?” He sighs, watching you rub your watery eyes. “Have you seen or talked to him since then?”

You scoff. “No. Thankfully, there haven’t been any more meetings and I’ve managed to avoid him at home too. I’ve been going in early and staying late, if only so he doesn’t feel compelled to give me a ride or anything.” You snort at the thought. “Not that he would do that right now, I think.”

“I don’t know that I’d go that far,” Jeonghan trails off. “You know, you could just ask what his deal is? At least, he wouldn’t be holding back because he thinks you don’t want to hear it.” He hesitates for a beat. “You do want to hear it, right?”

You sigh, swirling your now-cold coffee. “I don’t know. Who knows what he might have to say? Maybe it’s better if we just stick to being coworkers. Maybe we can manage that one day.”

“I’m sure,” Jeonghan says confidently. “But don’t be shy about clearing the air for everything else if he gives an opening. You’ll both feel better for it, I think.” Then he’s holding up his phone. “Now, play me back in Words with Friends. Our game is about to expire! You can’t ignore me like this!”

~

The following week, Seungcheol stays late to wrap up some things. It’s 7pm before he finally stands to stretch, grabbing his coat and logging out of his computer. He looks at his phone on the way to the elevator and mumbles a curse. He’s got multiple notifications about a winter storm that’s rolling in, well, right now. He’s relieved he drove today, but it seems it doesn’t matter because road conditions seem to be a problem at the rate that the snow is coming down. 

He steps into the elevator when it arrives and presses for the first floor, going back to his phone. He’s surprised when the elevator stops almost immediately on the tenth floor. He bites back a sigh when it’s you of all people waiting for it. You look like you might back away and not get in the elevator with him, but he waves you in impatiently. You come in, finding the opposite corner in silence. It’s crushing and uncomfortable. 

On the first floor, he lets you step out first and even gets the door for you at the main exit. Outside, he’s ready to hustle to the parking garage because he had every reason to be concerned about the road conditions and doesn't want to dally. But you haven’t moved and it makes him bite back a curse. He doesn’t want to offer you a ride but it would be beyond rude not too. Plus, if Wonwoo or Mingyu knew he didn’t, he’d never hear the end of it. 

Seungcheol huffs irritably. “Come on.” You give him a confused look. “You’re not walking home. Come on before I change my mind.”

The only indication that you follow is the soft click of your heels behind him up into the parking garage. You don’t say anything as you climb into the passenger seat of his car, placing your bag in the floor. Seungcheol blasts the heat and pulls out of the space. The street is slick and he white knuckles it the whole way home as he drives around a number of accidents. You’re still silent, up until he pulls into his reserved spot in the parking garage at home. 

“Thank you,” you mumble softly. 

Seungcheol is tired in every sense of the word - mentally, physically, emotionally. So he mumbles back, “For what?” He rubs his eyes during the beat of silence that you let pass.

“For the ride. For making sure we got home safe.”

He’s exhausted by your constant thanks lately. ‘Thanks for asking.’ ‘Thanks for the help.’ ‘Thanks for the ride.’ It’d never occurred to him that you didn’t say it much before, but now it drives him up the wall that you do say it. “Why wouldn’t I do that?” He huffs tiredly. 

You hesitate again. “Because you hate me. It seems like it, anyway. You’re a good person for doing those things even if you feel that way, Cheol.”

His blood his boiling through the exhaustion and it occurs to him that this is a perfect opportunity to unload like Minghao has been encouraging him to do for months, so he does. His hand falls from his face, landing in his lap with a hard slap. He snaps his head to you sharply. “You know, yeah. I do hate you.” He watches how your perfectly guarded expression falls, but he’s on a roll already. “I do hate you. You make yourself a fixture in my life for over two decades. You let me in after I pined for you for years. You show me what it’s like to be loved by you. And then you rip it all away and move across the world like it all meant nothing.” His elbow lands on the door frame so he can lean into his hand in frustration. “And then you waltz back in like it’s no big deal and I can’t seem to get rid of you now because you’re everywhere. If I don’t see you at work or at home or with family and friends, I still hear about you. And I was doing good without any of that! I was happy again after you ripped my fucking heart out, and now I have to see you every goddamn day. So yeah. I do hate you.”

A thing about you that he should have remembered is that you have a temper to match his. You look livid now. “First of all, Choi Seungcheol, you act like you pined alone all that time. You know you didn’t. And you’re apparently still bitter that I did something for myself for once, rather than for you. I bent over backwards for everyone for years - taking care of my brothers and Mingyu, trying to be the perfect eldest daughter for my parents, and feeding your massive fucking ego. I needed to go explore that opportunity for myself for once but you didn’t have to leave my life because of it. The phone works both ways, asshole. I may have physically left, but you’re the one that ended all communication in the first place. Second of all, I didn’t come back for you! At least, not entirely! It’s not all about you! So you can keep being happy and pretend that I don’t exist if that’s what you prefer. Because I hate you too. I hate that I still want you even though I don’t even recognize you anymore sometimes.” 

Seungcheol scoffs heatedly. “Yeah, you wanted me enough to move on to Jeonghan as soon as you got to California. And you really wanted me on New Year’s while you were making out with him in the corner. Tell me, why did you even bother breaking up with him? Or is that just what you do? You seem rather good at it, two for two. And he’s still clinging on to your every word even though you left him, but that won’t be me.”

Your jaw drops briefly before you snap it back up sharply, eyes fiery. “You know what? Jeonghan was wrong about you. He’s been encouraging me this whole time to find a way to fix things with you, but I won’t be doing that anymore. You can watch me leave all over again.” You swing the car door open, lucky that there’s no car next to you to ding up, and slam it closed hard, marching into the apartment building. Seungcheol sits in the car for who knows how long until he realizes he shouldn’t let the car run inside the parking garage like this. He wanders into his own apartment and doesn’t see or hear from you the rest of the night. 

~

The snow comes down hard throughout the night and the city can barely keep up with it. Leadership in the office send out an email blast early the next day after your fight with Seungcheol saying that the offices will be closed. You enjoy the day off by going back to sleep to try to mend your broken heart. Around noon, you take a long shower and pile up on the couch with some hot chocolate to watch TV. As luck, or the lack of rather, would have it, the power cuts off within the first episode.

You curse out loud, clumsily dropping your mug onto the coffee table. It’s still bright out given that it’s midday, but the dark corners of your apartment unnerve you. You feel childish for it, but you don’t like the dark. It’s something you’ve never grown out of. Even in your mid to late twenties, you still like to sleep with the TV on at night if only to chase away the bad dreams. 

You think about who to call. It’s not a problem right now while it’s still light out, but if the power is still out when it’s dark out, you’ll be one big ball of anxiety. But you think better of calling anyone. You need to save your phone battery and you don’t want anyone out on the road to come and get you. Not your parents. Not Wonwoo or Mingyu. None of your other friends. Seungcheol has about twenty feet to travel, but reaching out to him is out of the question and it wouldn’t matter anyway because his apartment is just as dark as yours. You take some medicine that you rarely have to touch for anxiety anymore and plop down on the couch next to the window with a book to try to pass the time. You’ll cross that bridge when you get to it. 

It’s somewhere around 5:30pm when the light is beginning to dwindle. You’re trying to get through this last chapter when there’s a knock on your door. It startles you because the silence had your ears ringing all day, and you put your hand to your chest, book forgotten. Hesitantly, you stand up and go to the door, looking through the peep hole. However, it’s dark in the hall because there are no windows (not that they would have helped much now). 

“Who is it?” You call out, checking the lock. 

“It’s me,” a masculine voice says from the other side. You want to beat your head against the door because the voice is unmistakable. 

“Go away, Seungcheol. I’m fine,” you call out.

“Prove it,” he challenges. He knows he’s won by challenging you like that, but he has the good sense to not look overly pleased by it when you do open the door. In the dim light, he actually looks concerned. “I called and texted to check on you.”

You fold your arms across your chest. “Well, I’m fine. Just reading.” Never mind that you had no idea he reached out.

“Well, your reading session is limited with the daylight fading. So get some stuff and come over to mine,” he says impatiently. 

You blanch. “Uh, why would I do that? You hate me, remember?”

In the darkness, you see him squeeze his eyes shut, looking frustrated. “Come on, Y/N. I’m trying to do something nice here,” he nearly begs. “You don’t like the dark, but at least you don’t have to be here alone. Plus, I got food and have some portable chargers for our phones.” 

“I thought you didn’t want to see me anymore,” you bite. You’re aware that you might be acting like a bit of a bitch, especially since he’s extending some kind of olive branch in the moment, but you’re still incredibly bitter about how the conversation last night ended. 

Seungcheol huffs, impatience bleeding out of him. “Y/N, that was me asking nicely. I’ll just throw you over my shoulder. You know that. Don’t test me.”

You know his threat is real, but you don’t budge. “When did you become so fucking hot and cold?” You hiss. “You hate me, and now you aren’t accepting no for an answer. Pick a lane, Seungcheol.”

“And you have yet to tell me no. You’ve just sassed, throwing things I said yesterday back in my face. So what will it be?” He snaps. 

“I don’t understand you!” You groan. “You are so fucking frustrating, Choi Seungcheol.”

He hums, looking resigned. “So be it.” Then he’s barreling into the doorway, scooping you up over his shoulder. He grabs your phone off the coffee table, stuffing it in his pocket, grabbing your keys off the hook to lock the door behind you both on the way out. What little kicking and screaming you do is over fast because you know him better than to think it will work. Your arms stay crossed when he puts you back on the ground inside his own apartment, totally unfazed by your glare. “Make yourself comfortable,” he says, handing you your phone. 

He walks farther into the apartment and you whirl around to bite back at him, but you’re surprised at the sight in the living room. Candles are lit all over the room. He does have dinner - bags of takeout that are still steaming on the coffee table. And there are many blankets on the couch. The portable chargers he mentioned are also on the coffee table, along with a few different cords. It’s… cozy, like you two are having a sleepover, something you’ve done more times than you can count. 

Seungcheol’s sitting on the couch now, splitting the takeout boxes up. He puts a few boxes in front of the spot next to him along with some chopsticks. “Broccoli beef. Come on.”

He doesn’t ask if it’s still your favorite, and your stomach grumbles loudly, so you sigh, joining him on the couch in silence. You both eat and nearly an hour passes before either of you say anything. 

You’re leaning back into the corner of the couch with one of the blankets up to your neck, staring at the wall ahead. “I don’t get you,” you mumble.

“I know,” he says softly, lacking any heat. It makes you tear up and you feel stupid for it. Still, you sniffle and you know he knows what it means. But he stays planted on his corner of the couch, matching your pose.

“I feel like I’ll never be able to get it right with you now. Not as coworkers. Not as friends. Not as anything more,” you mumble. “I don’t even know which one I’m supposed to try to get right, but I feel like I’ll always ruin everything anyway.”

Seungcheol is quiet for a long time and you almost forget you’re carrying a conversation until he speaks up again. “I don’t hate you. I should have never said that. What I meant is that sometimes I wish I did. I feel like I’m 22 all over again, getting my heart ripped out when you’re around.” You feel your chin tremble a bit at his words. “I shouldn’t have made that your problem though. Not the way I have lately anyway.”

“You know I didn’t leave without any guilt, right? Because I was drowning in it for a long time. I'm sorry for how I left things.” 

“I know,” Seungcheol whispers, sitting up to look at you. You sit up, matching his pose. “You were right last night. You needed to go to do something for yourself for once. I’m sorry my ego got in the way. I was thinking about the loss that I was about to experience and I was selfish.”

You take a deep breath, never really expecting to get an apology of any sort from him. “You had every right to be upset. I just… wanted you to be happy for me. Someday, anyway.”

“And I am,” he says solidly. “I am happy for you. That you went to the program that you wanted. That you moved back. That you might fix things with Jeonghan. I really am.”

You can’t help but give him a quizzical look. “Jeonghan? What does he have to do with this?”

Seungcheol gives you a matching quizzical look. “I… was under the impression that you guys might be getting back together. After New Year’s and all.”

You chuckle, putting your hands over your face. “Oh, yeah. That.”

“Have I misunderstood?” Seungcheol asks, confusion obvious.

“No, I guess that was the entire point. I’m not proud of it at all, but Jeonghan seemed to think that it would rile you up.” Seungcheol looks irritated even in the darkness, so you tack on an honest apology. 

“So you wanted me to be jealous?” He grinds out.

“No,” you quickly say. “I just wanted anything from you, honestly. There were a lot of things unspoken between us and I didn’t know how to get them out into the open.”

Seungcheol crooks his finger at you and you’re really helpless to not follow the instruction. You push off your blanket and sit on the cushion next to him. His finger finds your chin, holding it gently. “Well, it worked. I was jealous. Still am.” 

“Oh?” You mumble, wide eyed. There’s something about his intensity that makes you feel both shy and excited at the same time. He was somewhat possessive in the past, and it’s a little thrilling to know that he still might feel that way about you. 

He’s getting closer, creeping into your space. “I kind of hate him, actually. Wish you’d never given him a chance, because he’ll always rub it in my face.” His hand wanders from your chin, up your cheek, pushing your hair back. The touch is soft and makes you want to fold right away. It’s really totally unfair how much power he has over you. You’re reduced to a little hum in acknowledgement and he continues. “Wish you’d forget about him. I’d make you if you’d let me.”

The words spill out fast. “I’d let you do whatever.”

In the darkness, you can see Seungcheol’s eyes flare before he’s breathing a long sigh. His fingers in your hair tug lightly, pulling your head to the side. He’s crowding you, other hand wrapping around to your back, lips finding your neck delicately. Your hands find his chest, clinging to his hoodie. “I missed you.” 

The words make your eyes well up again, despite how his hand is crawling up the back of your sweatshirt and his lips are trailing up and down to the spots he knows you like. “I missed you too.”

The crack in your voice makes him lift up to meet your eyes. “If we go here again, I need you to be all in like I am. Are you?” You think he might be tearing up too, but you can’t be sure. 

“Yeah, Cheol,” you say, hands crawling up from his chest into his hair. “I’m all in.”

“Oh, thank god,” he groans, slamming his body into yours, lips finding yours. You both fall back onto the couch together and in a lot of ways it feels like you never left.

~

“You’re late.”

Minghao tries to look upset as Seungcheol rushes into the conference room for their team meeting. Luckily, Seungcheol’s supervisor isn’t in this one, just Seungcheol and his team. The others try to match the annoyance, but it doesn’t stick. They haven’t been good about looking annoyed with him in weeks. 

“Sorry, got a late start this morning,” Seungcheol excuses, pulling out his notebook and pen. 

“Date night on a Wednesday?” Seungkwan teases. “Come on, we have things to do. Save it for Friday.”

“No, Friday’s still date night. Who knows what kept him up late last night?” Chan says, though he wiggles his eyebrows suggestively. Seungcheol throws one of the thin coasters on the table in his direction.

“Let’s keep it professional, please,” Seungcheol says, hoping it comes out as a demand, but he knows it's more of a plea.

“Uh huh. Professional like making out with Y/N in your office in the middle of the day?” Seungkwan bites back. 

“Oh man, that was traumatizing,” Vernon chuckles. 

“He has glass doors, you think he’d be more aware of his surroundings,” Chan tacks on.

They’d known the day that everyone came back after the snow storm that something had changed and they’d refused to leave his office until they found out what it was. Seungcheol shouldn’t have been astonished by it, but they started trading money in front of him when he announced that he was official with you (again). Apparently, his behavior in meetings wasn’t the only bet they’d made. Minghao pocketed a pretty generous amount of money and was once again unfazed at the threat of going to HR. His exact words were, “okay, fire me.”

Seungcheol wouldn’t be doing that. 

But since then, they hadn’t let him breathe about much of anything. He takes two minutes extra for lunch? Must have stopped to see you. Lingers after a meeting? It’s only because you were in that meeting. Running late like today? Must be your fault. 

Still, Seungcheol is flushing about the fact that he was caught with you in his office last week, so he brings the meeting to order. He knows he’s only delaying the inevitable, but he can force them to stay on topic for the hour so he’ll do that. 

You miss each other most of the day between meetings and such, and he meets you at your office door at exactly 5pm, leaning against the door frame. You grin at him, pulling on your coat. “Hi,” you say, leaning up to kiss him. 

He pulls you in for one more. “Hi. Busy day?”

You sigh. “Yeah, what about you? Didn’t see you much.”

Seungcheol nods. “Yeah, I know. I was booked most of the day. But they can’t keep me here anymore,” he insists. 

You giggle, before looking a little pensive. “Are you sure you’re okay with just going home today?”

Seungcheol nods automatically. “Of course. I’m fine with a night in.”

“If you’re sure,” you say, but a pout has settled on your lips that he just has to kiss. 

“Stop. Pouting is my job. But really, I don’t mind. We can always go out another night.”

“If you insist,” you sigh, leading him to the elevators. 

Later that night, he’s got you curled up into his side. You both rarely sleep alone anymore. It’s all too easy to just run to the other’s apartment when it's time for bed, if you weren't together already. He debates on mentioning moving in together to save the money, but it feels too soon, so he bites his tongue. 

“Thank you for the night in,” you mumble sleepily. He’s surprised because he thought you were asleep already, but he presses a kiss to your head. 

“Of course, baby. Happy Valentine’s Day.” 

You don’t say it back, but he’ll forgive you because you really are asleep now. He whispers a little ‘I love you’ just for good measure. 

[russeliarat]

So I've encountered some WILD vague posting about the CCCC fandom and it's arguments about gore fics. I haven't directly interacted with this fandom for over a year - not because of anything bad, I just moved on to other interests to be clear, however the fact that this issue that I encountered a full YEAR ago is still a prominent issue in the fandom is crazy. And according to my boyfriend, who still actively engages with the main section of the fandom and their fanfictions, it's apparently gotten a LOT worse.

So I'm gonna be clear, I still engage with CCCC and CJ's media. I still listen to his music, I still engage with art on tumblr, as well as headcanons, I still draw HMSW (plus two of my system's cohosts are directly sourced from the media). I just haven't read the fanfiction or gone on CJFS for a while. Hearing that this has been so bad, it's come to vague posting back and forth on tumblr makes me so fuckin fed up with this shit.

Read to the end of my post before you form an opinion on this, I have nuance, okay?

Hi people, maybe it doesn't take a genius to take a step back and figure out that saying that you should be allowed to make reasonless and intense gore, abuse, and torture fics about a REAL GUY'S personification of his own personal struggles with mental health and suicide is insanely entitled /neg.

Heart, Mind, Soul, and Whole are not just independent characters from Chonny Jash. They are his (self-admitted) personifications of his mental health struggles, thusly, they are him. CJ has said that Whole is just him.

Excusing making fanfiction about intense abuse and gore and torture and cannibalism and god knows what else about HMSW on 'they're AUs' or 'they're interpretations' is not okay. Usually, I'd agree that you should be allowed to make fanfiction freely without people telling you what to do. HOWEVER! This is a real man's struggle with his mental health so I think that there are certain lines and boundaries that should be placed out of respect for CJ. Reasonless gore isn't necessarily bad, but reasonless gore about a real person's struggles is above and beyond disgusting. I've seen someone argue that saying that is government state censorship...

Guys, there is a distinctive difference between 'reasonless fluff' and 'reasonless gore'. One is wanting them to get along and be nice. The other is wanting them to torture each other. I don't think it takes a genius to understand there's a huge difference between 'I want them to snuggle' and 'I want violence to be done upon them'.

I think over the past year, I've kept this idea to myself because I wasn't directly involved and I didn't want to face the backlash at the time. Then my boyfriend got slammed in dms by someone who had these views, so now I'm pissed. I have personal shit in the game now and I cannot hold myself at bay anymore because I'm at my wits fucking end.

I think a lot of writers who delve into these intense topics should keep in mind 'what would CJ think if he saw that I was making fics about gore/abuse/torture with characters that personify himself?' Not because all gore or abuse is bad, they can be used for some wonderful symbolism or tension when pulled off with meaning and though and tact - rather, it's because some people take it way too far, sometimes without realising. I've seen a lot of people I was close to get stuck in an echo-chamber and not realise they spiraled from the headcanon that The Juno Incident was a violent blinding to something as intense as frequent abuse or gore between HMS.

I want the people on the opposing side to realise that I'm not going after gore or violence or intense themes. Some of my favourite pieces of media contain very violent, gory, abusive, intensely triggering themes, and sometimes, they are reasonless and because the developer or writer wanted to explore different forms of horror and fear. I don't personally believe that those kinds of themes should carry over to CCCC because (for the fifth time I'm mentioning it but I feel like I really need to drill it into some people's heads) the album is about a real person's struggle with suicide and his own mental health.

I'm not trying to censor anyone's views, it's just that I think sometimes there's just general common sense boundaries surrounding fandoms that are about someone's mental health.

An additional point is how often these fics tend to be quite ableist and I do see these writers project their internalised ableism onto HMS, which is a much bigger issue in the fandom since about 90% of people headcanon Heart as being somewhere on the blind spectrum and Mind as having some sort of issue with his voice that means he needs to use a vocal implant/Mind being a robot (which can very quickly spiral into ableism depending on how it's used).

Frequently, I see people portray Heart's blindness as making him weak or helpless and the same with Mind and Soul if people headcanon them as having implants or prosthetics or some form of disability and use it in their gore fics. Due to a lot of gore/torture fics using helplessness from injury as horror, it can very easily become quite ableist. I've been in fandoms with a whole month dedicated to harming their faves, and this can be an issue with them as well, not just the CCCC fandom. It can be done without ableism, but more often than not (especially in the CCCC fandom) people aren't looking for it when they write and can create ableist fics about a helpless character because their new/old disabilities.

I also saw someone talking about mischaracterisation and how that ties into this whole thing, but that's for another time because it's partially a separate topic that I could do a full length thesis essay on, so I'll do it another time.

TLDR; Don't make gore/torture/abuse fics about a real person's personifications of himself and his mental health/suicide struggle. That's fucked???

[wheels-of-despair]

Stargazer Pairing: Eddie Munson x You Summary: Eddie and Evil Woman do a little stargazing. Contains: Budding romance, fall (of '84) vibes, a wish upon a star. Words: 700ish

You've never really thought of yourself as a romantic.

But lying on your back, on a blanket in the grass on top of a big hill Eddie calls Weathertop, holding the hand of the best person you've ever met, and looking up at the stars glittering against the night sky?

Eddie Munson has changed your opinion on a lot of things.

He brought you up there to see the leaves. The colors had just started to turn, and he assured you that the highest point in Hawkins was the absolute best place to take in the view. It did not disappoint.

You'd taken a few photos of the beautiful autumn landscape - and a few of Eddie when he wasn't looking - then sat on a blanket as the sun set, sharing a thermos of cider and a bag of cookies your mom had made. When the sun sank into the trees, you laid back and watched the stars appear.

"Do you know much about the constellations?" he asks.

"Uh… I could probably find something that resembles a dipper, if pressed," you chuckle awkwardly. Star-gazing wasn't really something you'd done a lot of in the past. Maybe if you'd had stars this bright to look at, or someone like Eddie to look at them with…

"Well you're in luck, 'cause I'm quite an expert," he says confidently.

"Oh yeah?" you ask. "Impress me."

"Okay." He scoots closer, so that your heads are touching. Your shoulders are pressed together. Smooth, Munson. He lifts the arm closest to you, his jacket brushing against yours. "See that one?" He points to a star, and you hum, pretending to see the same one. He traces a seemingly random pattern from star to star. "Did you see that?"

"Yeah," you lie.

"That's Judas Priest."

You snort.

"And this?" He keeps pointing at another imaginary constellation. "The Manowar."

"Wow, you're really good at this," you grin. He chuckles.

"You try one."

You laugh and search the sky, looking for a pattern. "Okay, see that one?" You point to a random star on the other side of Eddie, meaning you have to lean over him a little bit to show him. He doesn't seem to mind. You trace a pattern in the sky. "Diamond Head."

"Good one," he whispers, turning his head to face you.

You stare at each other, holding your breath, for far too long. What the hell is happening? You've kissed him before. Like, a lot. Why does it feel different right now? Why can't either one of you make a move?

A dog howls in the distance, breaking the spell, and you both turn back to the sky.

"Right," Eddie clears his throat. "And this one…"

You quickly fall back into your constellation-finding. When you run out of bands, you turn to body parts. The game ends when Eddie points out the massive Munson's Cock, and you both dissolve into fits of hysterics.

"Game over," you wheeze. "I don't think we're gonna beat that one."

"Aw, man," Eddie mourns. You both crack up again.

When you finally catch your breath, you reach for Eddie's hand. You stare up at the sky, dreading your looming curfew.

As if he can read your mind, Eddie holds up his wrist and checks the time on his light-up watch.

"We should head back in a few," he says quietly. You nuzzle a little closer to him, not ready to go back down the hill yet. Why can't you stay here forever, just the two of you? He gives your hand a squeeze, clearly not ready to let you go yet either.

"Look!" Eddie exclaims, pointing at a shooting star. You follow his finger and turn your head as you watch it streak across the sky in your direction. "Make a wish," he rumbles, right up against your neck. Your hair stands on end. Your whole body turns to jelly.

Somehow, you gather the strength to turn your head back to him. The stars are so bright, you can see them twinkling in his eyes. He's so fucking beautiful, you could burst.

"I wish you'd kiss me," you whisper.

Eddie leans forward and places a sweet kiss on your lips.

"Kind of a wasted wish," he smiles when it ends, his face only centimeters away from yours. "I was gonna kiss you anyway."

You shake your head.

"Not a waste," you breathe. "Not with you."

You can see him blushing, even in the dark.