#to anyone wondering how i found these

[givelightningherharem]

WHAT THE HELL I DIDNT KNOW THESE THREE HAD ORIGINAL NEW ART FOR CARDS FOR THE FFTCG???!!!! THATS SO COOL I WASNT EXPECTING TO SEE THESE😭😭😭😭🙏🙏🙏🙏

[itsaceokay]

I feel like people don't often fully appreciate how hard dating can be for demisexuals.

It just hit me the other day when I found out that most people are kissing by the first date and having sex by the third and to me that is just wild. And apparently, some people wait up to three months before having sex and that's seen as like a really long time and I'm sorry but is everyone okay???

After three dates a person is still a stranger and after three months they're at most an acquaintance - and people are not willing to wait longer and you'll be seen as unreasonable if you want to wait for a year or more??

[twiggyrogue]

Please tell me Julia actually put bug pervert back in the season PLEASE

[episode source: Turning the Weirdest Zillow Homes Into People (~29:00 in )]

[rosesradio]

You're the only person i follow who posts about thomas sanders

And i only watch him for sanders sides, i'm not really in the fsndom online, so i guess you are the best person to ask this

Why does thomas take so long to upload new sander sides?

ten questions scientists still can't answer, anon

[turtleblogatlast]

Thinking about the Don Suave scene and what it means in terms of LGBTQ+ representation because my brain does nothing if not torment me with random topics to ramble about on the regular.

Anyway, I just wanted to ramble about why I like the scene but to get it out of the way - the scene can very easily be interpreted in so many different ways, and all of them are valid. I personally see it as Leo having at least some attraction to a man. And the following is an explanation of my own interpretation and thoughts on it and what it means especially for Leo’s portrayal in the grand scheme of things.

Long-winded interpretation under the cut!

Now, to start with, it’s important to me that in the scene Leo looks at Don Suave in the very beginning and then for the entirety of the rest of the time the man is on screen, Leo’s eyes are closed. Yet, in the end, he is still visibly enamored with Don Suave, happily cuddling up to him as he’s being carried away.

You can very easily interpret this as Leo being spellbound and that’s honestly super valid and I believe he likely was at least somewhat in the beginning, but considering how fast he looked away and how he never looked again, I personally think it makes more sense to read it as Leo just finding the man attractive, at least somewhat. (For the record, I personally headcanon Rise Leo as bisexual with a heavy preference for men, but I want to be blunt when I say that any interpretation is valid. Literally any. Ace, pan, gay, bi, none of the above or a mixture of something new literally all of it is more than okay and fair. Hell you could even interpret this entire scene as more romantic attraction than physical and it would still work. Anything goes!! Don’t bother people, guys, really.)

The main reason I take this scene to be at the very least LGBTQ+ adjacent isn’t just because of how it’s portrayed, but because of who Leonardo is. Not in terms of Rise of the TMNT, but in terms of the entire Teenage Mutant Ninja Turtles™️ franchise.

Leo’s a character who, while changing with each iteration, has still at his core been around for decades upon decades as “the blue one”. One fourth of the team. He’s the one most are going to look at as the Leader, and oftentimes he is the one closest to having the title of Main Character. Not to say the others aren’t just as important, but Leo’s presence in the A plots of basically all TMNT media is often something very main character-esque.

And that’s very, very important to note. Here we have a Main Character of a prolific and decades long-running franchise distributed by a children’s television network. You can play around with his and his brothers’ characters all you like, but there is always going to be challenges to dodge around, especially since this was still in 2018-2019.

For example, you can play around with their designs so long as they’re color coded turtles, but their sexualities? Now that’s tricky.

“But what about Hypno and Warren?” Not main characters and also they’re Rise originals. They have a lot more room to play around with than a character like Leo does. But even talking about main characters in the franchise, you could arguably have an easier time playing around with Donnie or Mikey’s sexualities than Leo or even Raph, as (unfortunately) the former two tend to get more B plots, so they’d likely have had a little more leeway (still not a lot though.)

So, where does this leave us?

It leaves us in a place where outright stating and/or showing undeniable proof of Leo’s attraction to men is very, very difficult. So, workarounds!

Workarounds like the entire Don Suave situation.

To be honest, as left up to interpretation and lowkey and deniable as it is, this whole scene means a lot to me because of who Leo is as a character. It’s just nice when we get so see even the bare bones of representation with characters that have been such a large part of pop culture for decades, y’know? Even if more would be so much nicer, this is better than I thought we’d ever get for these boys.

And, again, literally nothing I’ve said is the only way to interpret it, I’m more than happy when people interpret media on their own honestly, it’s just something I’ve been thinking of lately and I was wondering if others felt the same way.

Whatever you think when you interpret this scene or Rise Leo as a whole, I just thought this would be interesting to think about, even if it was ramble-y, haha.

[chloecherrysip]

"I hope you told your brother how much you loved him, because you're probably never gonna see him again."

"..."

"Was that too dark?"

"YES!"

"Sorry."

[mc-critical]

1.06 / 2.09 (33)

[rmbunnie]

Another little inconsequential red hood thing and I'll admit that I'm decently biased but it irks me to see the whole "Jason can't shut up about his death/he makes his death everyone else's problem" take really frequently because he simply does not do that enough for it to be a thing in like any actual Red Hood story.

It's a thing you see sometimes in modern annuals/comics with large casts, particularly if a writer doesn't seem super confident with writing all of the characters that they're working with or if he's just a background character in this one, because with comics it's quicker to reduce a character to recognizable landmarks than to try and work out a whole new complex voice if you don't really need to, so it's tire iron, Jane Austen, Joker, and death, and it's all written out in dialogue because every character in a group event can't have their own internal monologue, but like. That's pretty much it. UTRH is the establishing event for Jason Todd post death so of course a lot of it is about his death, although it's arguably about the lack of response to his death more than his death itself, and he certainly makes it Bruce's issue but one beef doesn't make a trend. Plus if his death is anyone's issue beyond his own Bruce and Joker are like the number one guys whose issue it is. He THINKS about his death a ton in Lost Days, but it doesn't really reflect externally on any of his interactions besides with Joker, which again, that's justified and relevant beef. Teen Titans 29 is more about his place in the hero community/feeling like he was an outsider even before the bomb/Tim being the new robin than about his death, and side note, that being counted as an attempt on Tim's life also bugs me. He beat him up and then left of his own volition. That's not an assassination attempt its called a fight, albeit a sneaky and unfair one. But anyways. I can't speak on Battle for the Cowl because i haven't read it, both that and Batman and Robin 2009 don't really compel me, but it's entirely possible that's an outlier to my point seeing as I kinda sorta haven't read it and don't care to lmao. Even New 52 (although HIGHLY unpopular) and Rebirth/Dawn of DC/Whatever we're doing now Red Hood content don't really have him talking to people about it besides the occasional little quips. He might make stances that were developed because of his death other people's problem, like in the Mia Dearden Green Arrow situation with the "getting involved in other people's business" issue, but acting like he makes specifically his death everyone else's problem is ignoring all of the perfectly valid actually canon things he makes other people's problem. Most of the unpleasant traits he brings to the table are a result of his death and the sense of abandonment and betrayal that came with it, but that doesn't mean he's bringing his death into it when he acts unpleasantly any more than he's bringing his birth into it when he shows up in the first place. The consequences do not equal the event. All this to say it's irritating when people say the character is grating because he doesn't stop whining about his death when that kinda just indicates to me that they're working off fanon based on fanon based on kinda mid batman annual.

[r0semultiverse]

How to Super Boop & evil Boop on desktop.

Super Boop:

Hold down/hover over the boop paw button or the boop back prompt for at least one rotation cycle of the text or paw.

Evil Boop:

Hold down/hover over the boop paw button or the boop back prompt for at least three rotation cycles of the text or paw.

I hit post limit so apologies if I can't post this guide in time. 😩💜

[applestorms]

i was just gonna leave this as a comment, but my response started spiraling sooooo. guess i'm makin' this a full on post lol =3=" uhh anyways, responding to @skyborneveggie's tags on this post:

#really good analysis #always here for high-functioning depression light takes #i want to add; while Light is better at reading & manipulating people in the moment he also tends to overlook some things in the long run #because of his superiority complex #like his father volunteering for the eyes in matsuda's place #and matsuda in the ending. As much as i like to think of matsuda as wholesome- #-i do think if light played his cards right he could have manipulated him over to kira's side #but he didn't because he didn't think matsuda was important in the grand scheme of things

very good points!! about matsuda in particular— it’s interesting in retrospect how consistently he’s set up as a side character, particularly with how he is almost always immediately pushed off to the side despite that. like, alongside soichiro, he’s really the first member of the JTF we see pre-lind l. tailor (in the anime, anyway. in the manga it’s a bit more ambiguous, though matsuda definitely shows up to mention KIRA bringing the crime rate down in ch.3, still quite early).

he’s always the one counterpoint within the group, playing devil's advocate in a way with how he brings up the pro-KIRA side of things, yet as you say light underestimates him So consistently that he even ends up evolving into a full on joke/shakespearean fool character by yotsuba, which is really what makes his actions in the end so incredibly significant.

i distinctly remember reading that section where aizawa & mogi are getting more deeply involved with near and, in the case of aizawa in particular, are starting to genuinely consider the possibility that light might be KIRA, and just getting sooooooo so SO goddamn suspicious of what matsuda was doing. this was in part because i already had some spoilers about the ending, specifically about matsuda shooting him, but goddamn do his actions start looking suspicious when you begin taking him seriously as a threat. like, while aizawa is starting to live through his own psychological horror novel come to life, realizing that the innocent kid & strong leader he's been taking care of & following all this time might actually have been the fucking serial murderer they've been after for literal Years, here's what matsuda is up to in the background:

(light's face here. fuckin freak LMFAO)

(this one is particularly notable to me as it shows that even aizawa underestimates him— it's not just light, it's the whole damn team. even ryuk joined in earlier.)

(and of course, my absolute favorite example. the contrast between their expressions alone here is absolutely golden all on its own, but matsuda's heartfelt "don't worry, light!! i'll never betray you!!!" in comparison to THIS only makes it all the more juicy:

like, light doesn't even bother responding to him until he's got a goddamn bullet in his hand. he just sits there confident in the expectation that matsuda will lick his soles like a dog. jesus fucking christ.)

anyways, as i was saying: he's mostly just doing a bunch of dumb shit, making silly jokes in the background, fucking around with ryuk and being written off as an idiot by most characters, especially light but again also aizawa and ryuk. AND YET. he is Always hanging around over light's shoulder, lurking somewhere behind him in almost ever panel he shows up in, perfectly innocent to the point where it's can almost be more off-putting than if he were outwardly, actively questionable. like, this panel in particular, and i mean goddamn, just look at it again:

it hits So Hard in retrospect, not just because matusda is the one to shoot light in the end, possibly being his cause of death had ryuk not stepped in when he did, but also because it's true. as incredibly fucking suspicious as this panel may seem if you are armed with the knowledge that matsuda does, eventually, end up being the one to shoot light, it's equally easy to write it off as normal dumbass matsuda behavior because that is Exactly What It Is. and you would be right!! matsuda is trusting of light to a fault— when he eventually breaks, it is Not due to his own betrayal. it's the evidence of light's. and not just of his manipulation of the task force, for years and years and years on end— it's soichiro's death specifically that finally makes matsuda lose his faith in him.

the idea that light could've manipulated matsuda over to KIRA's side had he just tried a little harder is fascinating, but i think i can also understand why he didn't exert any more effort— it was kinda unnecessary. for basically the entire story, from the moment matsuda is formally introduced, to the minute light breaks and admits he's actually KIRA, matsuda is one particularly dedicated conversation away from being a full-on KIRA supporter— or so light believes, anyway. and he's probably not that far off.

really, i'm of the opinion that it's matsuda's existence as this KIRA-sympathetic figure in the task force in the first place that causes light to believe so strongly that he could eventually convert the entire JTF over to the side of KIRA— possibly even saving all of them their lives in the process. like, as i've said before, for all that light monologues about how he's Definitely Going To Kill The Task Force, Don't Worry, I Can And Will Do It When I Have To, he. never actually does it. instead, light goes through all the trouble of keeping the JTF strung along behind him for more than half a decade following L's death, holding on to all of these strings of his former life even when they are almost undoubtedly more of a pain than they're worth. unable to kill his father, unable to kill misa, unable to kill matsuda— even when he directly tries to.

i forget which post this was on, but i believe someone pointed out before that potentially a major part of light's grief following soichiro's death comes from the fact that he springs a shock on him at the last minute before passing: soichiro never stopped suspecting his son. when he sees light's lifespan above his head his first thought is to be relieved, because the question he's held at the back of his mind for Years has finally been undoubtedly assuaged. light is desperate to believe up until the end that he can make the world truly and genuinely pro-KIRA; his final actions in the moments of clarity before he starts begging at ryuk's feet for his life involve an enthusiastic speech as he makes one final bid at converting the JTF and SPK to join him and believe in his vision of Justice.

and yet. he never quite gets mastuda.

never bothered? or never could? perhaps a bit of both, but it's a fascinating character progression nonetheless, and easily one of the most interesting arcs in the series. poor, poor mastuda, indeed.

sidenote: this is a somewhat half baked thought, but i can't help but make a somewhat minor connection between light's treatment of matsuda and his treatment of misa, as well as his relationship with takada. like, let's think through the list of his main (human) supporters throughout the series, the ones who end up taking on the title of KIRA themselves: in the first half, misa, in the second, takada & mikami. if we add matsuda to this list, we get two mirroring pairs: misa & matsuda for the front half of the series, takada & mikami for the latter.

light's treatment of each of these pairs is quite different, despite the fact that they all essentially fulfill the same purpose to him: misa & mikami act as KIRA's eyes, killing those light is unable/unwilling to himself, while takada & matsuda fill the role of KIRA's spokesperson, albeit to very different audiences. thus each half of each pair executes a different side of KIRA's ideology: misa & mikami the practical side, becoming killers themselves, and takada & matsuda the persuasive side, pointing out the positive influences KIRA's actions have had on the population to The People and the rest of the task force respectively.

it's not quite as simple as i've laid out here, of course— tadaka eventually ends up killing before she dies at light's hand herself, misa lives as light's partner until she loses her memories and never quite recovers, mikami becomes quite static, just playing at a killer for Appearances, until his actions eventually end up accidentally betraying light and leading to his downfall. yet it still seems notable to me that despite light treating takada & mikami noticeably better for the majority of the time that he's working with them, those two are the ones who eventually end up dead, betrayed and betrayer respectively. yet, in the case of misa & matsuda... for all that light degrades them and treats them like shit, those two are the ones that get to live on past him while remaining stubbornly loyal until the end, until light's own actions twist back and smack him in the head.

i think perhaps part of the reason why light never ends up converting matsuda is not just his own ego blowing Shit outta proportion and assuming that matsuda will either very easily convert/is too much of a dumb liability to even bother with, but also light's own discomfort with having followers at all. like, it really takes him that full time skip to get fully on board with the idea that people will Submit to KIRA, despite the fact that he logically must know how necessary that is. light wants the recognition and love and commitment of other people, but he doesn't necessarily want the responsibility of their own stupid actions— a sentiment perhaps reflected in how easily he kills criminals, seeing their "evil" as something to be Purged, an annoyance just as much as a liability for the happiness of the Good, Pure People of the world.

as i've outlined before, misa is the main person who's enthusiastic submission consistently gets on light's nerves and icks him the fuck out, but i can't help but wonder if this same reaction applies at least in part to his distaste of matsuda. it's easier to get away from matsuda at least, considering he doesn't have to play the Good, Heterosexual Boyfriend around him, but that doesn't mean it isn't still somewhat present either. this also gets interesting if you start considering lawlight dynamics during yotsuba as well, and L's similar (if somewhat more overt, even) dislike of matsuda during that era BUT. that'll perhaps have to wait until another essay lolol =3=

[alexandraisyes]

God what if I wrote a short fic about Lunar and Eclipse and toxic codependency because I've been going insane all night and I feel an urgent need to explore just how fucking reliant they were on each other to the point that even after Eclipse killed Lunar in canon he still felt like he needed Eclipse like

God that's so tragic and fucked up what if I wrote about that

(They remind me so much of Sun and Moon)

[aqqleshiqqing-archive]

heheheheh the lovelies 💚💜

[wonderfull-star]

I just completed one of mr. Qi challenges. I completed 100 levels of Skull Cavern without using food or drinks. This was the most HARDEST thing I ever did in this game. When I reached level 100 my character was literally half dead. She had COMPLETELY no health bar 💀

Poor girl 🤧

[realtapiocafan]

Ja'Marr vs Tee

tee comes in at around 3:28:00 (as thequiet1ne in the black and white shirt guy with the football on top, 2k startsl labeling him with his full name at 3:36:00), and he rage-quits at around 4:12:00

the 3v3 battles really start at like 3:51:00 tho.

special shout-out to 3:57:43 when tee scored the game-winning point ("i don't care tee, you fucking suck for that") and 3:59:30 when ja'marr cooked tee (apparently tee was apparently begging on his stream).

[orcelito]

Man, seeing all the valentines day decorations in stores n shit is just reminding me how much I fucking Hate valentines day

[kermakatti]

*offers you a handful of liquorice cock and balls*