#to add to the mix

[duskodair]

one of my favourite eurovision things is when eurovision artists make songs about being at eurovision or do special renditions of their songs for national finals. here are some special ones:

Ieva's song is so soft and lovely and the video really makes it. I loved the class of 2018 so much to watch and this song is a lovely tribute to them, and a perfect companion to 'when we're old'. It carries such joy of people from all over Europe coming together and having fun and I love it

summer of my life makes me cry so bad. it's so happy, so sad. I was clearing out my old pictures the other week and it was just full of Eurovision 2019 memes and KEiiNO pics and Hatari stuff and oh I miss that summer. I'm so happy KEiiNO came together as a band (even if I was rooting so hard for Alexandra and Stella Mwangi in the previous MGP, sorry Alexander Rybak). Every song of theirs is so fantastic but this is a love song to the best days, and I watched them and every day I miss them - from excitedly showing spirit in the sky to a friend on a bus when it came out, to requesting they cover only teardrops when they needed a second song - I watched every step of that Eurovision, the wiwiblogs livestream, the rehearsal clips, the preparties, and I loved it. My uni exams were over and it was the summer of my life

Tix's winner's reprise at MGP 2022 is so special to me. His glasses are off, the show is gone and we are left with a man and his song that means so much to him. And then we hit the last chorus and every single one of my Norwegian lessons paid off. This is fallen angel, one year later, solid and confident, saying 'du er ingen fallen engel. Vi vil aldri la deg gå'. I had to write an essay at uni about the power of switching pronouns and Tix really shows the power of turning 'I' to 'you'

Dadi has such a talent for making beauty out of the most clear cut language. It's the poetry of simplicity - 'this is the beginning, this is not the end' - has me weeping, every time.

This genre of music is so special. It's about eurovision being a journey, a shining glorious moment in a musical story. Each of these artists put so much in and as a result, they get so much out. It is not the end, but a beginning, a place to grow with and from. Just seeing them turn around and address Eurovision (my beloved, much memed upon and mocked Eurovision) with such sincerity is so lovely and I will always love songs like it

[oobbbear]

Alone Together au! Where both Ford and Fiddleford fall through the portal

30 years after + first fall through

They fell through the portal after Fidd left Ford and before Stan arrives, that middle period where Ford is haunted by bill and going crazy.

Fiddleford went back after the incident trying one last time to warn Ford but instead they got into a fight actives the portal get sucked in and you know the rest.

[1ddiscourseoftheday]

Liam was a boy, and then a man, who suffered so much trauma and pain. He was bullied as a child and then lived a nightmare that I think none of us can really imagine of having that triggering experience replicated on a literally global public scale. He became a man who inflicted trauma on others. He was an addict who was unable to find a way out of that disease, and now never will, but who was open and vulnerable about his struggles. He was an incredibly talented musician and artist and an absolutely integral part of one of the most important bands of a generation; his voice and songwriting and skill in the studio shaped every aspect of what One Direction became at their best. He loved that band and being a part of that experience with his whole being and would never have stopped celebrating what they meant to us and to the world. He had problems and did bad things; that doesn't mean he was a bad person who didn't deserve to be loved and helped to heal- everyone deserves that- and the fact that that's not something that can ever happen now is devastating. I was very distressed by many of his actions; and I cared deeply about this man I didn't know and wished for better for him than this outcome.

I'm so deeply, deeply SAD tonight. I'm sad for Liam, who will never now have the chance to look back on this hard time and reflect on how far he's come, and for Liam's family, for his parents and his sisters who loved and supported him so much, and for everyone in the 1D band family and circles. And I'm sad for us. It feels like nothing will ever be quite the same, and that's hard and sad and shocking. It's a special kind of doubled grief, to mourn the loss of the person, and also of what he meant to us in this strange world of parasocial fanning, for the real him and also for the version of him that we made up and attached so much meaning to and for the escape that brought us. For him, and also for the easy uncomplicated joy of listening to those beautiful songs from happier times, which might never feel the same again. For the other boys, who we love so much and wish we could shield from suffering and loss and pain. For our fellow fans, who we also worry about the impact of this on. Everything about this is terrible, and I am sending so much love out to all of you. We are not alone, and it's okay to feel complicated emotions and it's okay to mourn and it's okay to care about how it effects you and your life, whatever you're feeling- it's okay. We are here with you. We are 1D family.

[verflares]

(click for higher quality!) draconified link concept ive been chipping away at this past week ..... here's my funny little compendium concept for him:

"A heroic spirit has taken the form of this bestial dragon. Unlike it's kin, this creature exhibits an extremely aggressive disposition. It appears highly territorial, and will relentlessly chase down those who disturb its skywide patrols - of which it seems to be endlessly searching for either a long-time vassal or foe. Unfortunately, it seems the spirit within has long since forgotten exactly who it was looking for…"

[foxsnails]

Betta fish collage!

[elllisaaa]

THINK AABOUT THIS

horny bsfheeseung who can't control himself when he's with you and eventually ends up fucking you on a rainy night

i'm thinking about it yes, because imagine HORNY BSF!HEESEUNG who was only supposed to come spend the afternoon at your place and watch a film with you. it was a cold day, so you were wearing a hoodie three times too big for you, some shorts and your warmest socks. you had already set up the couch - cozy blankets prepared for you, snacks and drinks scattered all over your table. and you were just so excited about finally spending time with him that heeseung felt really guilty about the way he couldn't help feeling hot under the collar when you hugged him and dragged him to the couch, snuggling up against him because you were freezing.

you put on the film, but heeseung cannot focus on it at all. everytime he tries to look at the tv screen, his eyes are drawn back to you - to your pretty face, pretty eyes, and pretty lips that he's dying to kiss. he's not usually this bothered around you, he has self-control, but there's just something about you today and the way your scent intoxicates him more than usual that makes him hard in his sweatpants. but it's okay, heeseung thinks, he just has to go through the movie without being suspicious and then he can go home.

wrong. not even halfway through the film, rain starts pouring outside. and it doesn't seem to stop. its raining so much that when the movie ends, you decide that it's too dangerous for heeseung to take his car to go home now. "but it's okay, you sleep here." and heeseung wants to say no, because he knows that if he stays in your presence one more minute, he's going to lose control. but you're actually right, he cannot drive in this weather.

so heeseung tries to not look at your ass too much as you bend down to get him another pillow so he can sleep on your couch comfortably. and he tries to not get distracted by the way he can still see the outline of your boobs, even under your oversized sweater. it's hard - and he's very hard by now - but he really tries. he's aware you're just being sweet, he's aware that you're not feeling the same as him, he's aware that he's being pathetic, but just cannot stop himself when you bend down again in your tight shorts to pick up a pack of gummies that fell to the floor.

"fuck, y/n, can you stop doing this ?" you turn around, the bag of candies in your hands and a clueless look on your face as you plant your innocent gaze into heeseung's lustful one. "stop doing what hee ?" - "bending over like this, showing me your pretty ass. that is if you don't want me to fuck you, baby." he eats up the way your cheeks immediately grow red, mouth opening and closing without knowing what to say anymore. the smirk on his face widens as he gets closer and you don't back out, dropping back the sweets once he wraps his arms around your waist. "so, what do you say ?" his lips are brushing against yours with how close he is, but you don't mind it, you just him to kiss you now. "yes, please."

heeseung doesn't waste any more time talking before he grabs you by your neck to pull in a kiss that leaves dazed, your mind blank, breath short from how good his tongue alone makes you feel. he chuckles when you chase his lips, fists closing around the fabric of his tee. "you want more ?" - "heeseung, please, don't tease me… i've waited for this long enough." the realization that you had been wanting just as bad is what sends heeseung far away, too far away to have control over himself anymore. "shit, i'm sorry princess, i'm gonna make it up, yeah ?" you nod and the next thing you know is that heeseung has you bend over for him on the couch, your shorts and underwear pulled down just enough so that he can push his cock inside of you.

"feeling so good baby, knew you would, i knew you would be perfect for me." you only moan louder at his words, trying to keep a bit of sanity as heeseung pounds into you like an animal. but in the end you don't mind the way his hand presses against your lower back, under your hoodie that he didn't take the time to throw away, forcing your back to arch even more, his cock hitting even deeper into you. "hee ! i'm close, i'm close please…" - "gonna make you cum all over my dick and then fill you up. everybody's gonna know you're mine this way."

and you don't deny, because in the end that's what you want. as you come down from your high, slowly opening your eyes that fall on the raindrops hitting your windows, you wonder if he really means it. "shit… you're still so tight baby, makes me want to fuck you again." you only whine at his words, letting him grab your hair and yank your head back. and you don't dare ask him what's gonna happen after, you just want to enjoy the way he's making you feel a little longer.

[vixpunix]

silly CQ brothers + fatal comic

EYESTRAIN WARNING!!!

a new brother arrives, hurrah!

someone should stop them before error breaks his arm again

--------------------------------------------------------

Fresh, Geno, & Error by CrayonQueen/loverofpiggies

FATAL_Error by xedramon

[starkitten101]

Made this in like a minute out of frustration over a couple memories. Is this anything

[arinmoss]

strange guy who cries weird lol

[discard-celestia]

USE MOUTHWASH / DO NOTHING

[royalarchivist]

Pac: I'm not going to say anything to you guys [Chat], I'm not going to say anything to you. I'm not saying absolutely anything, I'm not going to comment. Man, you broke me here, you broke me in 3 parts! I'm not going to- no no no no no, I won't fall for your game, I won't fall for your game.*

Pac's chat allows viewers to make music requests, which led to this very well-timed moment today where Careless Whisper started playing as soon as Pac met back up with Fit.

* [Approximate translation. I'm not a native Portuguese speaker, so as always, please feel free to let me know if there's a better way to translate things!]

[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[sad-endings-suck]

I have seen exactly 1 episode of Blue Eye Samurai and I am gobsmacked by how amazing it is. Mizu is already my everything. I am almost never so deeply invested so quickly in any media. I am obsessed. If the rest of the show is consistent in quality with the first episode then this show is Arcane level incredible, and I do not say that lightly.

[mamepato]

Die Kirche hat einen guten Magen, // Hat ganze Länder aufgefressen // Und doch noch nie sich übergessen.

[plomegranate]

i love palestinian and arab culture so much.

my grandma wearing thobes around the house and making us tamriyeh. my cousins wedding when we all wore thobes and keffiyehs and took photos downtown and we danced with someone playing the guitar on the street and this lady stopping us to tell us we all looked so beautiful. walking the graduation stage in a thobe. the girl who liked to guess arab peoples ethnicities telling me "you're wearing tatreez... do you want me to write 'palestinian' on your forehead?" the keffiyeh my brother keeps on the drivers seat of his car.

my dad sending me off to my last semester of college with 2 pomegranates and a jar of palestinian olive oil. my cousins wife coming up with new ways to make zaatar and cheese pastries. me and my grandma sitting on the floor and making waraq 3neb- my job was to separate the leaves so she could roll them easier. my mom sending me and my brother to school with eid cookies for my teachers and tasking us with delivering some to the neighbors. my aunt glaring at me and piling more food on my plate and then asking if i was still hungry (i wasnt). my mom always telling me to invite my friends and cousins over for dinner and asking me what they like to eat. my family getting my dad knafeh instead of cake for his birthday. the man who told me i made the "best fetteh in the western hemisphere".

the man in the shawarma shop who gave me my fries for free and baklava i didnt order because we spoke about being palestinian while he took my order. the person on tumblr who i bonded with because we are from the same palestinian city. the girl i met on campus who exclaimed "youre palestinian? me too!" because i was wearing my keffiyeh. the girl in my class that showed me the artwork about palestine her dad made and donated for fundraising. the couple in the grocery store who noticed my palestinian shirt and talked with me for 20 minutes and ended up being a family friend. the silly palestinian kids i tutored sighing in disappointment when i told them i was born in america because they were hoping that id have been born "somewhere cooler". my friends family who bought me dinner despite me being there by chance and having met me for the first time the day before.

the boys starting uncoordinated dabke lines in my high school's hallways. the songs about the longing and love for our land. the festivals and parties and gatherings where everything smells like shisha and oud. memories of waiting in the car for an hour as my parents talked at the doorway of their friends homes. my cousins and i showing up at each others homes with cake or fruit or games as if it was the first time we ever visited even though we always say "you dont have to".

kids stubbornly helping to clean and make tea after a meal while being told to go sit down because they are guests. the necklaces in the shape of our home countries. people hugging and laughing and acting as if theyve known each other for years because they come from the same city or know people with the same last name. the day i finally got to bully my friends into letting me pay the bill because i had a job and they were still students. my moms friend who calls us every time she's at the grocery store to see if we need something

palestinian people are so resilient and hardworking and charitable. they love their culture and their community and are so quick to share and welcome anyone in. everyday i am so thankful and proud to be part of such a warm and lovely culture

[affectionatecorpse]

I'm once again getting overly philosophical over horror movies, so here's a study of the death angels from A Quiet Place as observed by a very enthusiastic animal loving veterinarian.

Every time people talk about death angels, it is, understandably, about how violent they are. These creatures are brutal and merciless, and will tear apart anything that makes too much noise. Hence the title of the movie.

Death angels are frankly terrifying, and show no empathy towards the creatures of the planet they invaded. No living thing is safe from them.

... so here's why they COULD be--

Look. Death angels are simply not suited for our planet. It's a noisy, chaotic place full of noisy, chaotic animals. From humans, to raccoons, to birds, to cats, nearly everything in our world is a potential trigger for a noise sensitive animal such as these.

But that's exactly what they are. Animals. And no one seems to remember that fact. People talk about them as though they themselves are sentient, anthropomorphic monsters, but the way these creatures act mimic many real life animals. Animals that don't belong here, but are trying to survive here. On a noisy planet covered in water, which they despise and cannot swim in.

Death angels are completely blind by nature, as seen in many other creatures such as cavefish, moles, and my personal favourite, the olm. Due to a lack of sight, they very clearly use echolocation in the film, to scan their surroundings and... well, not get dead. But echolocation is far from their only tool, as their ears are the strongest asset they have.

Their ears are INCREDIBLY sensitive. Just the slight ticking of an egg timer when heard from their perspective in the first film, is like a pounding drum in their ear. This is fine in a naturally quiet planet, but if a very subtle tick is that loud, then imagine the rest of the noise. Screaming. Explosions. Crashing. Little toy planes. Holy CRAP, that's gotta hurt.

Sounds that loud would definitely cause extreme hearing problems from pressure over time, and easily result in lifelong illnesses and disabilities such as deafness, infection, and so forth, if not stopped. It's going to be painful. It's literally bursting their ear drums inside their heads, and you can't explain to an animal why it hurts. You cannot rationalise with wildlife about treatment and self care. An injured and scared animal is always going to turn hostile, no matter how docile they may be normally. You can't explain to a lion with a knife in it's belly that you can stop the pain if it just doesn't attack you. You can't explain to a death angel that it needs to go somewhere more isolated instead of just destroying the source of the noise to shut it up.

Going to backtrack here a sec. Remember how I mentioned echolocation being another asset this creature has? Which means the slightest movement, the tiniest breath, can immediately allow you to be seen by it. With ears that good, too? It can see you from ages away. It knows you're there. Which means they DON'T attack for sport.

'Evil' is a concept rarely seen in nature. Yes, a lot of humans can be evil. And yes, many creatures can be too. Animals hunt for sport as well. Cats, for example! Although even then, I wouldn't describe it as evil. Calling the death angels evil implies they're attacking out of malicious intent, which just isn't true. In moments of panic, they'll destroy. But they are fully aware of humans around them.

Humans need to breathe, and can't stay perfectly still very easily. The death angels would be able to see our main cast at several points, even when they're being quiet. They don't attack whenever they locate a sign of life. For example, the scene in the basement. Being that close, whether the water was running or not, that alien absolutely would've heard Evelyn and the baby's sharp breaths. It didn't care. It was clicking at them almost curiously before it heard the bang of the silo, to which it ditched them to stop the sound.

This scene is a great example of why they don't kill for sport. Injured and young animals are especially easy prey for a creature built so strong and nimble. Evelyn is shown to be terrified of the mere presence of this thing, but it never actually does anything in the scene. It moves about. Ignores her movements in the flooding water. Investigates the baby. Clicks curiously at her while she backs away. It moves slowly and on all fours, when we know while aggressive, they will stand up on their hind legs (unless sprinting) and move very fast.

This implies it was in... well, not a submissive position, but a nonthreatening one. It wasn't baring it's teeth (as best it could), it had it's claws tucked up and unused, and was in no way in a primed-to-attack mentality. Until the silo made a loud bang. And even then, it could've quickly sliced up the two in the basement before running off, but it DIDN'T. It just left, without a moment of hesitation.

Let's also acknowledge the anatomy.

This is a carnivore. With sharp teeth for ripping apart prey, sharp claws for defence, and thick armour for protection from it's natural climate, as well as strong, long legs for running, this is absolutely a meat eater. The fact it's so well equipped makes me wonder if their natural prey is just as dangerous as them, which is why they have such tough skin. Or if they themselves have something above them in the food chain.

They seem to be pack animals, as usually others aren't far behind when one is about. Such as the trio by the Abbott house, the few at the docks, the ones by Emet's hideout, and even that group sliding down the building in the Day One clip I keep seeing as a gif. With their knack for running included, I wonder if they function like lions? Blending into their environment back home, clicking to hear prey, then the whole pack going on the chase when their target is vulnerable, in a way.

I got distracted. My point was, in a year, all the bodies from past victims vanished. All those people in the town who were swiped left and right just vanished from the town. They couldn't have decomposed in such short time, which means something moved them when it was safe. Something like a carnivore needing food after it felt comfortable in the silent aftermath. The argument that they do it for sport is one I see all the time, and it's just not true.

Everything needs to eat. Carnivores need to eat. Animals need to protect themselves from suspected danger. They never eat on screen because whenever they're on screen, they're surrounded by noise and are DISTRESSED. Have you ever had a sick pet? Most of the time, it won't eat when it's ill because it's too stressed, uncomfortable or in too much pain. When having their ear drums assaulted, a death angel isn't going to sit down with a cup of tea and a grilled cheese. Also, I won't add it because there's blood, but in the scene with the old man screaming in the woods, after it attacks, you can actually see it go back on all fours and sniff about the aftermath, like a hungry predator catching prey to eat. This was probably the first and currently only on screen proof of my claim.

By all means, not all animals are meant to be tamed. Jordan Peele's Nope said that best. Yet I can't help but wonder about the individual. Every animal is completely unique. Some will tolerate more than others. Due to their realistic nature and the similarities to actual animals, in specific circumstances, could they be befriended?

Anyway keep an eye out for A Quiet Place 4 where someone has a pet one that wears doggy ear protectors and accepts meat in exchange for pets-- /j