#tms meta

[heterosexistly]

The Morning Show: S3 meta about Bradley and the show's intentions/messages

I want to preface this by saying, the relationship between Laura and Bradley is beautiful. I am not necessarily a die hard shipper because the romantic relationships on the show don't resonate with me in such a way, but I enjoy seeing them on screen together. Bradley and Cory don't resonate with me deeply either.

I see many people upset about the statements made in the finale and confused with the characters decisions and I disagreed so I just wanted to do a little meta.

The issues that occurred in Bradley and Laura's relationship related to Bradley's feelings of inferiority. Whether or not Laura meant to, there were times were she judged Bradley's family and confirmed Bradley's fear of not being adequate. Laura breaking up with her was another confirmation of that. Though it made sense for Laura, a journalist, to put her morals ahead of her romantic prospects (in a similar way to Alex), it doesn't make their relationship no longer something important or valid but it does highlight Cory, his morals, and how gray they are.

While Cory does stop communicating with Bradley for a while after they both hide evidence, he doesn't stop loving her. And while laura doesn't stop loving Bradley either, it's the fact that Cory is willing to help her hide that makes her feel loved. We can speculate that feelings could be returned, but the main thing is Bradley doesn't feel rejected.

Bradley, while a good person, makes missteps. And feeling judged for those missteps might not be what she needs. Cory isn't necessarily what she needs either, but they have a better understanding of the other , and I think that's what you can take away from what the show said. It doesn't mean Laura and Bradley are now null and void. It just means Bradley will have someone to aid in her missteps if she's with Cory and based on how the season ended, I'm not sure that's what she wants.

Cory being investigated into briefly so they knew there was no misconduct when the contrast is Mitch, does feel weird but if you feel as though the show was saying his actions were alright because no one was hurt in that way, that doesn't mean you have to take that away from the show. Personally, i feel as though investigations like this should always happen to ensure the safety of employees and ultimately, Cory when he had control, was the lesser of two evils. And unlike Mitch, he initially regretted his decisions and though he was too scared to admit to them, he got to apologize and he gets to grow from here.

ultimately i think the show has always been about the struggle between power and morality as it plays out in journalism. While the first season had such a powerful point, s3 is still powerful. The way the media has been changed from reporting to keep everyone in the loop (sometimes), to more fear mongering and inaccurate news is still a prevalent issue that definitely impacts everyone. It has a different tone, but lately every show that changes its tone seems to upset people. I think the show has other issues, namely the confusion messaging in s2, but yeah.

[galedekarios]

while i did a gifset to showcase an armour set, i was also intrigued by just how different the animation is for the wizard class vs gale's unique animation:

wizard class animation

gale's unique animation

it's amazing to see not only just how quickly gale performs the somatic component of the spell, but also his efficiency of movement compared to the standard wizard animation.

there's a world of difference here, the difference between a wizard vs a prodigy, an archwizard and chosen.

[samwinchesterism]

in re: “cas knows dean better than sam”

“cas sees dean as a whole person and sam just sees dean’s façade as his big brother slash parent” but like how and where. outside of your fanfiction. season and episode. scene and line. if it’s so obvious and apparent you should have at least 3-5 concrete examples right? “sam doesn’t know dean carried him out of the burning house” yeah but did cas? outside of a footnote in the angelic manila folder they gave him between seasons 3 and 4 so he could better manipulate him and sam into doing heaven’s bidding? like if you’re going to say “cas knows dean better than sam” than you need to show how cas succeeds where you perceive sam to be failing at the very least. but even your perceptions of how sam doesn’t measure up are so warped, blinkered, and moronic that it wouldn’t even be worth much if you could provide the textual evidence, but at least you’d have a semblance of a point. like say anything without going “as an eldest daughter…” “well my relationship with my sibling isn’t…” please say anything without fucking projecting your own self-pitying crybaby bullshit onto your little woobie dean and using the actual canon text of the show. I’m literally begging you.

like the thing of it all is and always has been that you’re so hell-bent on twisting the sam and dean relationship to fit into this narrow and almost entirely inaccurate mold which is the basis upon which you build the entire Destiel Mythos that you literally lose all sense of media literacy. you don’t even miss the forest for the trees, you miss the trees for like, the pretend invisible things you’re seeing in between the trees, the forest is a whole long way away from your current level of perception. because the Destiel Mythos is based entirely on the fact that dean is Not Seen and Not Appreciated and Not Loved and Cannot Be Himself until cas comes along, and that Family (read: sam) Is Only A Burden on Him That He Must Be Freed From In Order to Flourish, so you keep trying to warp the sam relationship into something that is only one dimension of it – and keep ignoring the ways in which dean is seen, loved and understood within it, because you need to keep lying to yourselves that there is a narrative need to emancipate dean from something that he has never wanted emancipation from because it is ultimately a net good for dean in the particular circumstances of their lives. it’s also profoundly unhealthy, codependent, evil and toxic etc. (a lot more dean’s fault than sam’s but I will nawt be getting into all that right now) but that doesn’t change the fact that sam and dean both know and understand and feel deeply that they are each other’s person – that they know the best and love the most in the world. but that – which IS true canon fact – is incompatible with the Destiel Mythos so it must be ignored and all good sense must be thrown out the window in order to do it.

anyway i digress there are two main categories of Bad Thinking that i will be addressing below

childhood/ “parent/child” / blah blah blah

every single thing people are saying in favour of the deeply stupid thesis in the title of this post is proof positive of the very silly form of ‘analysis’ I just described. a few things:

“wah sam didn’t know that dean carried him out of the burning house :( this means that dean withholds things from sam to protect him because he is a PARENT and sam can only know things about him in the context of him being a PARENT to him” – what the fuck are you on about genuinely. first of all reducing the sam/dean relationship exclusively to parent/child is in itself foolishness for so many reasons that I don’t have time for right now. but also, it’s clear that this is just something that happened when sam was a baby that just never came up. in the scene (1.09) where this is brought up, dean is mildly surprised that he or john never mentioned that detail and then states that sam knows the rest of the story (i.e. the actual traumatic stuff) just as well as dean does – which is true, demonstrably whenever they talk about it.

obviously there are some things that happened to dean in their childhood that sam doesn’t know about (or didn’t know about, until told in whatever episode they come up in). equally, there are things dean doesn’t know about sam’s childhood, e.g. the fact that he was so lonely he needed a zanna (11.08). or how dean didn’t remember that sam was friends with barry cook until he mentions it when they go back to their old school (4.13). or about the nature of sam’s relationship with amy pond (7.03). these don’t mean that ‘sam withheld these things to protect dean out of parental love’ lol, it’s just that there are details and events in each of their lives that the other happens to not have been told about.

similarly “sam didn’t even know dean wanted to be a firefighter L” girl did dean know sam wanted to be a lawyer? in 1.01 he’s pretty surprised that sam has a law school interview. the point here isn’t “neither sam nor dean know each other well,” these are minutiae that aren’t relevant to how well you know someone as a whole, and very poorly demonstrate the bad and inaccurate point that dean withholds things from sam the way a parent does a child (on a constant or regular basis). obviously the way they were raised, sam was deemed too young to know about certain things until he got older and dean had to keep that secret, but as shown in 3.08 flashbacks, most if not all of this is eventually revealed throughout their childhood when sam is still fairly young.

or possibly the dumbest one is that “wah sam doesn’t even know that dean reads books L” whenever that was he was also obviously joking because in more serious moments (e.g. 8.14) he admits that dean is smart/a better researcher than he is, literally remembers dean reading to him as a kid (8.21) so like. clam down  

one of the extra annoying variants of this type of ‘proof’ covers things that are very clearly novel pieces of information about dean that dean, sam, and the audience are learning about dean in real time. like if you’re actually watching the show to comprehend it as it was intended to be comprehended, instead of funnelling everything through the Destiel Machine until it’s unrecognizable slop that fits neatly into your pre-ordained molds that Make Destiel Necessary In the Narrative (when it actually isn’t, at all) it’s abundantly clear. the top two worst offenders:

“sam didn’t even know that dean is good with kids :( he doesn’t even realize that dean raised him :(” first of all you people need to understand that parentification does not literally create a parent-child dynamic between siblings but I digress – this doesn’t make any sense bro. in 1.03 dean admits he doesn’t know any kids as an adult. dean being good with his own kid brother when they were both kids is to any reasonable person not necessarily linked with him being good with other random kids when he’s an adult. in 1.03 it’s clear that dean himself is a bit surprised that he’s able to connect w/ lucas so well because he’s clearly not dealt with a lot of kids since sam grew up. the whole point of this is that dean, sam, and the audience are all sort of seeing a new side of dean. who again is just 26. after this very early episode, there’s no question from sam that dean is able to connect w kids. sam being a bit surprised by this also has absolutely zero connection with him not understanding or realizing that dean looked out for him when they were both kids – sam is standing there at 22 years of age talking about adult dean and children – of fucking course he doesn’t mean himself are you stupid.

from the very first season, sam is very clearly aware of everything dean ~did for him~ when they were kids, see e.g. 1.21: “Dean...ah...I wanna thank you. […] For everything. You've always had my back you know? Even when I couldn't count on anyone I could always count on you. And I don't know, I just wanted to let you know, just in case.”

and 1.06: DEAN: Well, I’m a freak, too. I’m right there with ya, all the way. (SAM laughs.) SAM: Yeah, I know you are.

and then possibly even more stupidly, the one where it’s like “wah sam doesn’t even know dean can cook :( he doesn’t even know that DEAN was the one making him food as a babe in arms :(” – when sam is surprised that dean made something fairly gourmet and from scratch literally the first time they have ever had a permanent living space with a functional kitchen. in this VERY scene (8.14), dean himself points out that they haven’t had a kitchen before and when sam remarks on the irregularity of him doing serious cooking, he says “I’m nesting”, clearly showing that this is a novel development because they now have a kitchen, and that it’s irregular relative to past behaviour – both of them acknowledge this. because real proper in-depth cooking and making box mac and cheese for sam until he was like 11 and old enough to be left alone are two different things, which sam understands because he’s smart, unlike whoever chooses to make this point. dean never showed significant signs of liking to cook before this, which is what the exchange is about, but he did have to prepare food for them both when sam was too young – of course sam knows he had to, there are childhood memories referred to (e.g. 14.11) where sam is mentioned to literally help dean do the cooking as kids lol (and yes, genius, sam says ‘I didn’t know you knew what a kitchen was’ or something to that effect, but if you think he’s being 100% literal there I have an oceanfront property in Kansas to sell you)

again, obviously there are pieces that sam doesn’t know about dean, e.g. when he’s talking about his response to mary dying in 1.03. but again, Sam is 22, dean is 26, the last time they were in regular contact was when sam was 18-20, these are things that happen when people grow up, they’re able to reflect and share on childhood experiences if they’re close with their siblings as adults. it’s clearly not something that 26 y/o dean wanted to hide from 22 y/o sam. yes sam didn’t know everything about how dean felt when they were young, but that’s equally true in the other direction, and it’s such an irrelevant point in this discussion when, crucially, sam does learn these things about dean mostly fairly early on in the series (i.e. when they’re really not that deep into adulthood yet). cas was also not magically blessed w/ knowledge about dean, he also had to learn whatever it is that he knows, but somehow sam has to know everything about dean from age 7 or it doesn’t count when it’s sam lol.

“sam doesn’t know the One True Dean / doesn’t see through his facades”

the next branch of defending this flawed thesis is invariably that sam has little idea of the fronts and facades that dean puts up and is content to just believe them, whereas cas digs deep and sees the One True Dean that stupid sam always misses. there is nothing in the text that demonstrates this is true. multiple times, we see sam being very knowing of the fact that dean puts up fronts and facades. sam is also knowledgeable of the way dean perceives himself, and – demonstrated in multiple episodes before such sam lines were very poorly recycled and regurgitated into cas’s dialogue in 15.18, but keep acting like that was the first time anyone ever showed that they knew the One True Dean.

Obviously there are times where sam teases dean when he’s being more touchy-feely than usual, but 9.99 times out of 10 (as a conservative estimate in case there's something i'm forgetting otherwise i would say every time) that’s very clearly coming from a place of knowing the real dean vs. the façade he puts up because that’s the whole joke. and it’s allowed to be a joke because they’re siblings and that’s what siblings do lol. esp since sam and dean have touchy feely moments at the end of like every episode.

examples of all of the above off the top of my head (there are more than these, but these are the ones I can think of):

2.02 (about John’s death)

Sam: “I mean this ‘strong silent’ thing of yours, it's crap. […] I'm over it. This isn't just anyone we're talking about, this is Dad. I know how you felt about the man.”

Dean: “You know what, back off, all right? Just because I'm not caring and sharing like you want me to.”

Sam: “No, no, no, that's not what this is about, Dean. I don't care how you deal with this. But you have to deal with it, man. Listen, I'm your brother, all right? I just want to make sure you're okay.”

2.03 (Sam to Dean, also about John’s death): “You know, you slap on this big fake smile but I can see right through it. Because I know how you feel, Dean. Dad's dead. And he left a hole, and it hurts so bad you can't take it, but you can't just fill up that hole with whoever you want to. It's an insult to his memory.”

Note that Dean essentially admits that Sam is right in these two instances in 2.04 bc I know yall have stupid shit to say about john too that has nothing to do with how anyone actually felt about him in canon

3.07 (about Dean’s demon deal – also proven true in later episodes)

SAM: Dude, drop the attitude, Dean. Quit turning everything into a punch line. And you know something else? Stop trying to act like you're not afraid.

DEAN: I'm not!

SAM: You're lying. And you may as well drop it 'cause I can see right through you.

DEAN: You got no idea what you're talking about.

SAM: Yeah, I do. You're scared, Dean. You're scared because your year is running out, and you're still going to Hell, and you're freaked.

DEAN: And how do you know that?

SAM: Because I know you! […] Yeah, I've been following you around my entire life! I mean, I've been looking up to you since I was four, Dean. Studying you, trying to be just like my big brother. So yeah, I know you. Better than anyone else in the entire world. And this is exactly how you act when you're terrified. And, I mean, I can't blame you. It's just […] I wish you would drop the show and be my brother again. 'Cause... (can't find words; tears in his eyes) just 'cause.

5.18 [Sam figures out what Dean is doing re: his plan to let Michael possess him, tracks him down, and eventually is the catalyst for Dean ‘making the right call’, which he predicts] – e.g.:

SAM: No, you won’t. When push shoves, you’ll make the right call

DEAN: You know, if tables were turned…I’d let you rot in here. Hell, I have let you rot in here.

SAM: Yeah, well…I guess I’m not that smart.

DEAN: I—I don’t get it. Sam, why are you doing this?

SAM: Because… you’re still my big brother.

8.14 (basically the o.g. version of whatever went on in 15.18 + sam intrinsically understanding the trials are a death wish for dean): “I'm closing the gates. It's a suicide mission for you. I want to slam hell shut, too, okay? But I want to survive it. I want to live, and so should you. You have friends up here, family. I mean, hell, you even got your own room now. You were right, okay? I see light at the end of this tunnel. And I'm sorry you don't – I am. But it's there. And if you come with me, I can take you to it. […] I AM smart, and so are you. You're not a grunt, Dean. You're a genius – when it comes to lore, to – you're the best damn hunter I have ever seen – better than me, better than dad. I believe in you, Dean. So, please – please believe in me, too.”

10.22 (understanding how much dean has ~done for him~)

SAM: I'm saving my brother.

CASTIEL: You told Dean—

SAM: —I know what I told Dean. Cas, look. I've been the one out there, messed up and scared. And alone. And Dean—

CASTIEL: He did whatever he could to save you.

SAM: Yes. I mean, it's become his thing. I owe him this. I owe him everything.

10.23 (basically the o.g. version of whatever went on in 15.18, x2 – from Sam to Dean): “You were also willing to summon death to make sure you could never do any more harm. You summoned me because you knew I would do anything to protect you. That's not evil, Dean. That's not an evil man. That is a good man crying to be heard, searching for... some other way. […] You will never, ever hear me say that you -- the real you -- is anything but good.”

11.13 (Sam understanding exactly how Dean feels about Amara being his ‘deepest desire’, and confirming that it doesn’t make him a bad person)

Dean: Why? Because if she is that means that I’m…

Sam: Means you’re what? Complicit? Weak? Evil?

Dean: For starters, yeah.

Sam: Dean. Do you honestly think you ever had a choice in the matter? She’s the sister of God, and for some reason she picked you and that sucks, but if you think I’m gonna blame you or judge you…I’m not.

Dean: You know that I want her ass dead.

Sam: Yes. Of course. And I know you’ve also probably beaten yourself up a hundred times over it, but where has that gotten us? (Long silence) Just how bad is it?

13.02 (Sam perfectly explaining Dean’s psyche to Jack)

JACK: Is that why Dean hates me?

SAM: Dean doesn’t hate you. It… Look, sometimes the wires in Dean’s head get crossed and—and he gets frustrated, and then he mixes frustration with anger, and—and fear.

JACK: Why would he be afraid?

SAM: Because Dean feels like it’s his job to protect everyone. And right now, we need to protect you. But we may also need to protect people from you.

14.03 [Sam assesses Dean’s psychological/emotional response to the Michael possession; end of episode, Dean confirms that Sam’s assessment was fully accurate]

14.10 [Sam is the only one able to snap Dean out of his weird Michael mind loop by using their code word]

14.11 [Sam figuring out that something is troubling Dean just based on the fact that Dean hugs him]

15.17 (self explanatory at this point)

DEAN: Chuck has to die. He has to! Otherwise he'll keep us tap dancing forever, and I can't live like that, man! I can't live like that! I won't!

SAM: I know you feel like that right now, okay. I know you do. But you gotta trust me. My entire life, you've protected me— from Dad, from Lucifer, from everything. I didn't always like it, you know, but... it's the one thing in the whole world that I could always count on. It's the only thing I've ever known that was true. So please... put the gun away. Just put it away, and we'll figure it out, Dean, we'll find another way, you and me. We always do.

like maybe there are some cas moments w dean along these lines too. i don't know, i don't remember what the guy says or does anymore it's been too many years and he is not memorable. but the point is where and in what capacity and based on what metric other than the amount of bad fanfic you've read does cas exceed sam in these respects.

so basically just. genuinely, what are you people literally ever talking about. go watch the show instead of saying stupid wrong stuff about sam on the hellsites all day. or watch another show (please for the love of god watch any other show this one is absolutely lost on you and it’s such a stupid one too i'm embarrassed for you)

[disco-troy]

Donna Troy is truly the character of all time. Always struggling with how people percive her. Needing to be perfect on the outside if not on the inside. Spending her entire life hiding her faults from outside eyes.

And then the monkey paw curls.

She gets erased and brought back with Wally’s memories of her. All of a sudden the facade she’s put up all her life becomes her. She becomes what she’s always projected to the world.

But it fixes nothing. Instead of worrying about showing her flaws to the world she worries she’s successfully erased them. The jokes is on her. She finally perfected the mirage of herself, but instead of freedom she finds herself in a self built prison, trapped in a watered down Donna Troy, the hollow image of perfection she cultivated all her life.

Her response is to scream in her own voice for the first time in her life.

[thelionandtheeagle]

On the misconception of Jason attempting to take Tim's life at Titans Tower:

I've seen people be confused about this one, so I figured I'd provide some context/ analysis/ what have you, for anybody who might be interested.

Now, the incident we're talking about occurred in issue 29 of the 2003 Teen Titans book.

There is a lot that could be said about the whole issue, but in the interest of not having this post run on forever, let's just focus on the end to the actual physical altercation between Jason and Tim:

Jason warns Tim of the dangers associated with being Robin. He uses himself as a cautionary tale, making it clear that this isn't about envy; that Jason has no interest in being Robin again himself. That that's not what this is about.

Then he knocks Tim out.

Tim is unconscious for a while and Jason uses this opportunity to very dramatically put the word out there that, yep, he is indeed the real Jason Todd and he's ready to cause trouble.

When Tim comes to again, he is injured, yes, but okay overall. He isn't bleeding out on the floor, close to death. In fact, he's very much able to just sit up and have a normal conversation with people. All in all Tim is fine, and Jason has left.

And, well, that's that. At least from Tim's perspective.

The issue actually concludes with a really interesting page featuring Jason's narration:

Here we see Jason easily concede that Tim is good. No malice, no hate, no ill wishes towards him. And Tim is doing fine. Jason is shown to be in no way surprised that Tim is alive and well, back out in the field. Because he was never out to seriously injure Tim, let alone kill him.

Jason didn't want to take Tim's life at all. He had ample opportunity to do so, but he didn't. One of the reasons the whole confrontation went down the way it did, is because Jason was genuinely excited to meet Tim (see the intro narration of the issue). Aside from delivering the warning discussed above, Jason wanted to see for himself what Tim is capable of, what makes him tick. And he has no problem admitting that Tim is indeed good at what he does.

It's obviously an important incident in their lives, but Tim was never in any real danger here. Getting into brawls is nothing crazy at all in their line of work, and Tim has canonically acknowledged that he holds no ill will towards Jason over the whole thing, e.g. here in issue 8 of the 2011 Red Hood and the Outlaws book:

Summary/ conclusion: Does Jason feel guilty about things he's done to Tim in the past? Yes. Does Tim hold it against him? No. Was their fight at Titans Tower a murder attempt? Not at all.

Thanks for reading! I hope this helps clear some things up for anybody wondering (:

Bonus: Jason talking about Tim in Battle for the Cowl (2009) #2

[veinsfullofstars]

Daroach: *slaps roof of DMK* This bad boy can fit so much salt in- *is soundly punted into the sun by DMK*

(ID: Kirby series fanart comic of Daroach and Dark Meta Knight having a snack break and being silly, based off of this incorrect quote. Transcript below the cut. END ID.)

I told myself this would just be a quick sketch. Y'know. Like a liar. Anyway, thank you for the inspo, @incorrect-star-allies! (I hope you don't mind that I took some liberties with the quote. ^^' I can never resist adding some extra characterization, haha.)

Started 03/14/24, finished 03/15/24.

---

Transcript:

Panel 1

*DMK sits on the ground in his cape and armor, his mask tilted up to the top of his head as he prepares to take a bite out of a foil-wrapped burrito, one eye opened to glance towards our left. Daroach - holding up a container of strawberries in his paws - enters from our left and plops down beside the knight (SFX: POF).*

Daroach: Hey, sunshine! Whatcha eatin'? (Looks tasty!)

Panel 2

*DMK tilts his mask down as he chews, the burrito now turned to show a single bite taken out of it. Daroach turns his head to look slightly over the knight's shoulder, leaning heavily on one paw and idly digging into the container of strawberries set between his feet with the other.*

DMK: Eh, you wouldn't like it. It's really salty.

Panel 3

*Daroach turns back to lift a strawberry towards his open mouth, smiling smugly with his eyes shut and brows high.*

Daroach: Heh, y'sure about that? After all, I like you, don't I?

*DMK turns to squint at the thief through the visor of his mask, red lines of irritation shooting off from him in little zigzags.*

[tremorsmackenzie]

a major problem that im having is that there is no quake spinoff. like, daisys story is insane in agents of shield, they did so much with her and everyone elses character. but she deserves to get a really character focused show of her own like agent carter and jessica jones were for those characters.

give me the daisy johnson story dammit.

[ourflagmeansgayrights]

saw someone be like “why does nobody ever talk abt black pete when discussing toxic masculinity in ofmd?” and like. it’s bc there’s nothing interesting to say abt it. he was sexist abt doing feminine things. then he had gay sex and it fixed him. the end.

[revenantghost]

I’ve seen a lot of people on both sides of the fence of how people want Vash’s hair to fall (or not fall lmao) in Tristamp season two, but I think we already have a hint?

This is his corrected bounty poster from the end of episode twelve, from the official Twitter account. And while in ‘98, Vash had clearly outlined sentimental reasons for having his hair the way he does, it’s never stated that he keeps his hair Vash-style in Trimax (which Tristamp is most heavily based off of) for the same reasons. Though you could reasonably draw that line, for sure!

But Vash is and never has been the kind of person to run from his reputation. He could have, at the very least, decided to change the color or style of his coat more than he did, but he didn’t. He could have kept his hair down, but he didn’t. Even down to his boots and his gun--he is who he is, and he’s not running from that anymore, he won’t hide as Eriks. He went back to the very easily recognizable Vash the Stampede we see in the wanted posters.

So while I think that when things are tense and he’s using plant powers, his hair will be full og Vash, I wouldn’t be surprised if we’re gonna see this Vash often as well. Could be wrong though! I don’t have a horse in this race because I love them both so much I legitimately can’t decide which I’d rather have lmao

[freckles-a-constellation]

The Doctor is a tragic character in the best Greek tragedy tradition.

So y'all know how the most common driving factor for intelligence to develop in species is if they're social? (Octopi aren't very social but let's ignore that real quick, the Doctor's a vertebrate anyway so invertebrate intelligence can probably be dismissed as irrelevant) Because after a point, more intelligence isn't really needed to avoid danger or gather food. But more intelligence does make it possible to communicate more efficiently, form more complex social bonds, eventually develop culture. Cue why social species tend to be more intelligent than solitary ones of otherwise comparable lifestyle. And cue why humanity is the way it is.

Now look at Gallifreyans. (I am purposefully ignoring the Timeless Child thing bc I don't rlly believe it and besides, even assuming it's true, The Doctor is similar enough to Gallifreyans to have flawlessly believed himself/themselves/herself to be one for 13+ regenerations, so anything that can be concluded to be true from analysis of Gallifreyans has good basis to be presumed true about the Doctor, whatever the fuck semantics you wanna use) So, Gallifreyans. A species much more advanced than according to DW canon humanity will ever be. More intelligent than humanity. High levels of education and not on the basis of private tutoring. Lives in cities. Has complex language and technology capable of instantly translating pretty much any language of any other species to be understandable to them. (Hell the TARDIS consistently still translates shit to English for the companions while they're outside it.) Complex social structure. That's one fucking social species.

And it gets better. The TARDIS is meant to be operated by a team of six. And even if River was joking about six, it's still clear that it should at least be more than one. Compare the Doctor steering the TARDIS alone to when he was with Susan. I mean, even those two looked like they could use an extra hand. Have you ever seen a human private use vehicle designed with 2+ pilots in mind? Definitely a species more social than humanity.

And the telepathy thing? Hello? Insanely, mind-boggingly social species.

Now take a being this fundamentally social and do something to them so that they see no recourse other than to take one (1) same-species (as far as he was aware disclaimer ig) companion, steal a ship they have little to no clue how to pilot, leave everything and everyone they've ever known and run without ever stopping for breath, no matter how much they miss home, no matter if it hurts. (And I do believe something must have happened to make him run like that, since the beggining, way before the Time War) Have them be scorned, judged, punished, mistreated and rejected by their species, again and again, for ages. Have them love, again and again, only to always lose everyone they've cared about, through abandonment or death. Have them essentially be forced to exterminate their whole species and believe themselves to be the last of their kind, only to be proven wrong by the whole Master situation, which alright is better, but also in some ways is worse. Have them, once again, form deep bonds with companions and once again lose all of them in various varyingly tragic ways until they have no hope left that anyone can ever truly stay for any amount of time even close to satisfactory, that love can for them end in anything but loss and pain. And they can't even avoid love altogether in an effort to spare themselves the inevitable agony of losing loved ones, because they're incapable of not growing to care for those around them. And they can't be without company either, because their sanity goes straight to hell in a handbasket within like,, 5 minutes of being alone.

Let me remind you this is not a human we're talking about. It's a member of a species much more inherently social than humanity. My point?

The Doctor is literally more lonely than the human brain can comprehend.

[my-thyla-my-captain]

"using a bit of fiction to cover up your trauma" yall gave him the leg of a unicorn and called him one and yet you act surprised

[media-illiterate]

Fallout 4 Alternate Timeline

Because @datura-tea asked about my tags on this post, and I already have it sitting in my wips folder, I thought I'd post my alternate timeline of events for Fallout 4! It always bothered me that the Commonwealth is still so underdeveloped while the West Coast has trains and a working electical grid. So I tried to come up with a coherent narrative of how it could have backslid into its current state.

Timeline under the readmore because it is, not short.

2077: The Great War occurs. The surviving students and faculty of CIT take refuge in the institute’s underground particle-physics labs, locking the rest of the wasteland out. They live in fear of being discovered by other survivors and raided for their tech, making them paranoid and isolationist.

2097: Building on prewar research, CIT survivors complete development of their Mass Relay teleportation device. Dubbing themselves simply as The Institute, they fully wall themselves off from the surface world and embark on an ambitious plan of underground expansion, scavenging what they need from the surface.

2131: The Institute develops gen-1 synths to act as surface operatives, mostly removing the need for Institute personnel to go to the surface. Now mostly insulated from violence, the Institute much more callous and combative towards surface dwellers.

2163: The Institute isolates samples of FEV from the air, and begins a program of carefully controlled mutation. The resulting supermutants are found lacking, and the program is put on hold.

2176: The Commonwealth People's Government is formed from several prominent settlements. The new nation takes steps to protect its people from the Institute’s aggressive scavenging methods, earning its ire. Though the institute takes steps to try and destabilize the CPG, their new gen-2 synths prove insufficient for the task.

2177: Reactivating their FEV program, the Institute begin producing supermutants from kidnapped wastelanders and releasing them into the commonwealth with the intent to destabilize the CPG. Through careful false-flag attacks using disguised synths, they manage to spark a state of war between the mutants and surface humans that will last for more than a century.

2180: The newly formed Commonwealth Minutemen, a volunteer citizen’s militia created by the CPG, help drive off the initial wave of supermutants from central Boston.

2180-2224: Tensions between the Institute and CPG continue to escalate. Though the efforts of the Institute’s FEV project hampers the young nation’s expansion, the supermutants are too disorganized and scattered to topple the government. Faced with an increasingly cohesive and rapidly developing CPG, the Institute begins work on its Gen-3 synth infiltrator project.

2225: The Institute discovers information on Vault 111. Preparations are made for an expedition to recover a pristine pre-war genetic code from one of the pre-war vault dwellers in cryostasis.

2227: The part where they murder your spouse and steal your kid happens.

2229: An early model synth infiltrator "malfunctions" in downtown Diamond city, exposing the existence of Gen-3 synths to the world. The cause of the malfunction is never found, though escaped synths often claim that it was an intentional suicide-by-cop.

2230: Realizing the security threat posed by the new Gen-3 synths, mid-ranking members of the CPG's nascent spy corps founds the town of Covenant over top of an abandoned tunnel network. Posing as a new settlement, almost no one outside the project know its true purpose: the town is actually a front for researching a method to discern humans from Gen-3 synths.

2233: The Institute begins its infiltration of the CPG using upgraded Gen-3 synths, killing & replacing key individuals at all levels of power. Though paranoia about synths continues to build, most fail to anticipate just how far the tech has advanced.

2235: The Institute finalizes development of an advanced model of Gen-4 synth, dubbed Coursers. Incorporating FEV and cybernetic enhancements, Coursers form an elite corps of assassins that eliminate anyone who learns about the Institute’s plans.

(Side note: I think coursers should have been so much weirder)

2237: Having completed their infiltration of the CPG, the Institute kicks off their plan to topple the CPG.

August 4: The Executive Chair of the CPG council, Robert Gray, is assassinated by his secretary in broad daylight. During the assassination and subsequent arrest, the secretary loudly declares that the Chair has been replaced by an Institute Synth.

August 12: Scandal breaks out as evidence of massive financial corruption is leaked to the public. Protests occur across the commonwealth as the full scope becomes clear.

August 26: A special election is held, and voters elect minister of transportation Patricia Weiss as Chair. She delivers a hawkish election speech warning the Institute to back down.

September 10: A portion of the CPG stages a coup, using claims of mass election fraud as justification amid mass public unrest. They capture most of the CPG council members, and declare them traitors to the people of the commonwealth. Weiss escapes and sets up a government-in-exile out of Quincy with the remaining CPG military. She issues a two week ultimatum to the coup’s leaders, demanding that they release the counselors and surrender.

September 20: Before the date of the ultimatum passes, the CPG council is executed via mass firing squad in the CPG council chambers. Public dissent boils over into active civil war. The Minutemen quickly declare neutrality, but their attempts to protect outlying settlements are hampered by the widespread violence and lack of volunteers.

October 30: Under the guise of a ceasefire negotiation, the coup regime arrests Weiss. She is put through a kangaroo court and hanged as a synth infiltrator, to the shock of the public.

November: Multiple settlements withdraw from the CPG as the violence escalates, Bunker Hill and Goodneighbor first among them. The CPG civil war begins to peter out as both sides lose support, and numerous CPG military units defect to become raiders in search of pay.

December: Loyalist forces gain the upper hand, begin a reign of terror style purge of the remaining CPG officials, and declare the coup defeated. Weakened by the withdrawal of numerous settlements in reaction to the violence of the purge, the Loyalist government promptly collapses. Remnants of the rebel CPG forces attempt to declare a new government out of University Point, but fail to attract any major settlements.

2238: The CPG totally collapses. The remnants of its military forces, both loyalist and rebel, defect to the gunners en masse; many, disillusioned with military life, become raiders. Only the Minutemen command staff, operating out of Fort Independence, remain cohesive.

The collapse of the CPG ushers in an era of violence lasting decades as raider warlords exploit the chaos to carve the Commonwealth up into bandit fiefdoms.

Rumors begin to circulate that several of the key players of the CPG’s collapse were secretly synths. In truth, the entire chain of events was planned to a T, and leaders on all sides had been replaced. Only the Minutemen were overlooked, being seen by the Institute as just ragtag volunteers.

Several synth infiltrators defect from the Institute, seeking a way to free themselves and their peers. The organization they found will eventually grow into the Railroad.

Covenant, its secrecy miraculously intact, becomes radicalized by the fall of the CPG. Their methods become more desperate and more barbaric as time goes on.

2240's: The Minutemen begin rebuilding support for the CPG among the populace, striking back against the raider warlords and defending settlements from their depredations.

2250: Supermutant attacks increase sharply as the Institute releases more and more mutants onto the surface in an attempt to stop the Minutemen from reforming the CPG.

2274: After weathering two decades of freaquent supermutant attacks, Fort Independence finally falls at the hand of a mirelurk queen; unknown to anyone on the surface, this was the work of the Institute, who used their advanced signals technology to drive the creature into a frenzy.

2282: General Becker dies, leaving the Minutemen leaderless. The militia quickly declines, becoming disorganized and factional; raiders quickly exploit the chaos.

2285: Disgusted by his role in the Institute’s FEV program, Doctor Brian Virgil sabotages the program, mutates himself, and escapes into the glowing sea with the accumulated research. Distraught by the sudden lack of new reinforcements, the commonwealth mutants face an extinction crisis. Many begin to question their way of life, among them a mutant named Strong.

2288: The Sole Survivor wakes up.

[catofoldstones]

Catelyn as Jenny of Oldstones (F+TM) goes so hard tbh. High in the halls of the kings that are gone? She is the King who is gone. She couldn’t remember their names? She is Lady Stoneheart now. The ones she had lost? Her Stark family. The ones she had found? More like found her, the Brotherhood + Brienne + later Arya. The ones who had loved her the most? Her Tully family. Jenny would dance with her ghosts? Lady Stoneheart’s purpose. It’s a song she loved growing up, and now it’s about her? Fun. Jenny was born in Oldstones and Catelyn was resurrected in Oldstones? Fun. She used to act-play Jenny as a child and now she is Jenny. She’s haunting the narrative by literally haunting the most painful part of the 7 kingdoms, like Westeros is a living body and Riverlands are the bruised, bleeding heart. And she never wanted to leave. My god.

[batrogers]

If I had the terrible idea to try and muster interest in doing a, IDK event or drive for under-loved Zelda games on AO3 (based off numbers of fics per game) would y'all be interested?

This would be all ratings/all warnings, no themes about angst, fluff, or so on.

What IS the main Generic Zelda tag on Tumblr anyways, if someone knows?

[This is now a Thing at @thelittlelegends!!] The list of games (...and cartoon) per entries on AO3, for the curious:

[CDI] Zelda: The Wand of Gamelon = (4) [CDI] Link: The Faces of Evil = (10) The Legend of Zelda (Cartoon 1989) = 31 Cadence of Hyrule = (54) Tri Force Heroes (63) Oracle of Seasons = (90) Oracle of Ages = (98) Zelda II: AoL = (140) Spirit Tracks = (206) Phantom Hourglass = (215) Zelda (1986) = (248) Link to the Past = (316) Link's Awakening = (344) Minish Cap = (345) Four Swords Adventures (466) Link Between Worlds = (668) Wind Waker = (867) Age of Calamity = (1168) Hyrule Warriors = (1185) Four Swords = (1202) Majora's Mask = (1242) Skyward Sword = (2287) Twilight Princess = (2984) Ocarina of Time = (3114) BOTW/TOTK = (17610)

[patrickjanebrain]

Patrick Jane's Problems with Authority

On the show there are two specific situations you can expect Jane to get excited about. The first is when he comes across a performer or another con artist, someone who is also in the craft of fooling people. No matter how skilled or clumsy that person is, Patrick is always intrigued. He likes to view the competition. He always perks up when he smells a scam. It’s endearing. 

The second situation is when Jane encounters a petty tyrant available for him to take down. It doesn’t matter how small the throne they sit on, if they’re in any way unworthy, he views it as his honor to kick over that chair and laugh.

It’s not just once in a while. It’s every time. Every tyrant. Every politician, principal, CEO, security head, or society snob. They don’t have to get in Patrick’s way or insult him (or Lisbon) either, although if they do, he strikes like a mongoose. No mercy.

Patrick Jane hates authority. He really does. He especially hates unearned authority, blowhards, and tyrants, but he does not recognize any authority over himself at all. As he tells the sheriff in Red Alert (3x13): “I’m not below or above, I’m to the side.” He sees himself outside the hierarchy, an authority to himself and the only authority over himself. If he cooperates at all, it’s only because it’s in his best interest to do so. Sometimes, even when it is in his best interest, his impulse to be a pain in the ass wins out over practical concerns.

As far as Lisbon goes, she doesn’t control him, and his affection and care for her is the only reason he occasionally lets her put the brakes on him. Not because she’s his boss (she is, but he doesn’t acknowledge it), but because his messes get her in trouble, and he doesn’t want her to suffer. 

Outside of the people he interacts with regularly, Jane has three basic approaches to people. 

AUTHORITY FIGURES

Any person in authority, he automatically begins to try to poke at their achilles heel. He’ll make little mocking digs or outright humiliate them. He’ll question their leadership ability or just embrace his naughty side:

See that flourish? Jane artistically adds it after he paints the last letter in “SNYDER SUCKS"? That’s a fuck-you flourish. The vandalism is enough to get him the principal’s attention (which Jane needs to expose the fact that he’s been illegally surveilling minors in the bathrooms). The message is one of (Patrick’s usual) disdain. The flourish, though: that’s for every kid who’s had to deal with this self-righteous, hypocritical prick. He’s sticking it to the man, almost literally. 

He just loves to do this. It’s not work for him, it’s a privilege. 

REGULAR  PEOPLE

When Jane questions average people who are not authority figures and who have information to give, he’s sort of a neutral version of himself. He can still be bratty, but it’s not in any way malicious. Sometimes he has to stir people up to get an answer or idea, but there’s nothing personal in that. He doesn’t want to hurt them or help them. He’s just doing his job, and often that’s making trouble to cause a distraction or get someone to reveal something. 

Jane was trained from birth to view regular non-carny people as marks, and it’s still a habit. He doesn’t get involved, and he doesn’t feel guilty about how he interacts with them as long as he doesn’t really hurt them. 

THE VULNERABLE

This is the facet of Patrick Jane’s character that is the most interesting to me: his care and tenderness with people who are hurting or are weak in some way. I’ve read commentary online from people questioning whether Jane is a psychopath or a sociopath, but I don’t think that you can view how he interacts with children, injured or sick people, and anyone who is vulnerable and call him incapable of empathy. He’s capable of enormous empathy.  

He has a personal understanding of grief and pain, and when he sees it in others, he softens. He doesn’t hug people, but he will give them careful, useful advice. Occasionally he will do little favors, like a quick hypnotism to help them break a bad habit, or show them his real self and what he’s learned through suffering. 

Interestingly enough, he will change his approach when he sees someone get downgraded from authority figure to a vulnerable person. He does this with Bosco once he’s injured, and he also immediately drops his desire to toy with the coroner, Dr. Steiner, who has shown him outright disdain in the past (and present!). In The Red Mile (3x18), as soon as Jane comes to understand that Steiner is sick, he goes out of the way to give him what he knows he needs: a front row seat to an adventure, breaking the rules to catch the bad guy personally. He also gives Steiner the great gift of sitting with him and distracting him while he’s committing suicide, though it clearly costs him to see death come and take another person he’s grown to like. 

Jane takes pity on Lorelei Martins after he understands what Red John has done to her, even though she tried to hurt him and engineer Lisbon’s death. 

It’s easy to see Patrick Jane as cool or funny or even cruel, but the reality is that he has experienced a ton of loss and trauma and that’s permanently altered the way he relates to people and how he sees them. Ultimately, I think the reason that he has so many problems with authority is because his father was very abusive and controlling. Every petty tyrant Jane takes down is a proxy for his father and a win for his younger self. He is taking back control for all of the times he couldn’t when he was vulnerable and had no other options.

[bvckbiter]

some thoughts on characterization of the seven in hoo, VERY long post ahead:

for each of the five books in the series, i read them right as they came out and endured the year-long wait til the next release. like many readers, i was thrown off by the introduction of the new trio in the lost hero. but that was offset by 1) the seemingly more mature vibe/themes that riordan wanted to explore, 2) the monumental tension that was being built around the greek-roman separation, and 3) percy's comeback in son of neptune, even as an amnesiac.

mark of athena, released october 2012, was extremely anticipated because it was set to be the long-awaited percabeth reunion as well as the true crossover for the greek and roman spheres. there were a lot of theories being made at the time. would piper be able to mediate between eons-long enemies in a genuinely diplomatic way, or was she going to brainwash charmspeak them into compliance? how is reyna going to take jason suddenly having another girl and a new set of friends and another life after abruptly disappearing? will we get to learn more about jason's relationships within camp jupiter? would nico be dealing with any fallout from essentially boating along two riverbanks (translated directly from a tagalog idiom, so if the wording seems clunky thats why)? it didn't help that the first avengers movie came out in 2012, so the idea of a huge crossover event was all the hype then.

the published work, in my opinion... fell considerably short of expectations.

to be fair, we got some very good character moments. i did not find the judo flip scene cute, just kinda weird in the sense that i felt the author didn't know how to handle such a huge emotional turning point, but percabeth for the most part of moa was enjoyable, really giving you the high of this teenage couple finally being able to resume the honeymoon period they were probably in after four years of pining and a war lol. everything the fans wanted! unfortunately, we didn't get the same with other characters.

while i wouldn't say that percabeth was the reason, the difference in spotlight is nonetheless very staggering. the roman-greek reunification goes bad, sure, but it begins due to outside interference more rather than any actual intrinsic differences between the two camps; so the built-up tension from the previous books kinda falls flat. we get none of jason's backstory, so next to percy, he barely leaves an impression on the reader. hazel, frank, and leo get shafted into this weird love triangle where their enemy is leo's long-dead ancestor who ultimately makes no impact on the plot other than to have hazel and leo intersect somehow, contributing to leo's man-angst of being the seventh wheel. frank, who arguably has the most interesting set of powers and lineage, is basically relegated to being the muscle and hazel's (understandably) jealous boyfriend. piper... good lord. thats probably a whole other post, so i'll just say: cornucopia.

and yet, despite the disparity in characterization... you don't really feel that percabeth has a character arc or development per se. it's an odd contrast, with percy and annabeth getting a lot of time but pretty much remaining stagnant characters, as opposed to the other five who are written pretty blandly, but have valid, explicit inner struggles and questions they must face. for jason, it's being greek or roman. for hazel and leo, they want to parse their connection, even at the expense of frank, who is still struggling with his self-esteem. piper comes into her own power.

so despite being a book full of twists and turns, especially for percabeth, this is where you really feel the stakes begin to slump. decisions are being made to move the plot from point a to point b pretty straightforwardly, but there's not a ton of effort to make you invested in these characters other than what we know about them from previous books and the fact that they have a role to play in this apocalyptic second great prophecy.

but there's still two books left! the yearlong wait demands patience and creativity. surely percabeth falling into tartarus is going to make for some interesting development and impact. it was a brilliant plot twist, after all. with the darker turn that hoo was seemingly taking, there could have been so many consequences. percabeth could shut the doors of death from their side and come back alive, but come back wrong—unearthing old traumas, questioning and ultimately foreswearing their loyalty to the gods, threatening the reunification of the greek and roman aspects, etc.

and once again, house of hades... only semi-delivered? the tartarus chapters were certainly harrowing: percy choking akhlys is still a Scene of All Time to me because it felt earned, after all that percy has been through and what the series has been building up to! annabeth also having to face all the times she's been abandoned in her life, while less focused on, was also a very poignant moment for her character. they were events that seemed to push for development.

back on the argo ii, there's a continuing case of kind of low-effort writing on the other characters. frank and his mars blessing, for one; you kind of understand what rick was getting at, but... what! piper... girl idk what she was doing other than seeing visions in her dagger. leo... ue ue ue. jason commits to chb, but ofc he does because neither he nor we know/remember much about cj, so we don't really feel the loss! but there is one exception for his part, and that is of course the (in)famous cupid scene with nico, but i'll talk about nico much later.

hazel is an interesting case, so here's another paragraph for her. she gets to come into (more of) her powers just like piper did in the previous books, but from my viewpoint, it was considerably less engaged with who she was as a character compared to piper. in mark of athena, piper still struggles with being a daughter of aphrodite and how she can be "useful" as we know she struggles with internalized misogyny. on the other hand, hazel gets in touch with her mother's background... kinda? idk if controlling the mist can be considered equivalent to marie's voodoo; i dont think so. she certainly gains more understanding of her pluto heritage, too, and has this nice back-and-forth with hecate about creating her own path, but you don't really get the sense that doing so has consequences, or that she concretely shirked other paths to get where she was at.

where mark of athena fell flat with character stakes, house of hades to its credit does manage to up the ante—but only truly for percabeth. with all the resolutions to the character arcs in this book, you don't feel that the characters have anymore stakes or reasons to fight gaea other than the fact that she's still coming for them and they are in turn prophesied to defeat her. the one big thing that could be personal to them, which are the camps, ultimately fall under the purview of coach hedge, nico, and reyna, who are side characters, upgraded to main characters in the last book of a series already overbloated by shifting povs and favoritism.

ultimately, this is why blood of olympus falls apart. the best characterization work done, which is on percabeth and their time in tartarus, is in the end of no consequence and is barely mentioned. it's as if nothing has happened. all the build-up and investment fizzles out because in boo and beyond, even though they went through literal hell, they just shook it off (because accdg to rick demigods are extra resilient and don't get traumatized lmfao). the climactic face-off against gaea is headed by jason, piper, and leo, and it has no pay off. the books haven't dwelled on them as a trio after tlh because leo was too busy angsting about his love triangle, and jason's and piper's arcs, both individual and romantic, are shoddy, to say the least. to add insult to injury, leo's sacrifice is a fake-out! so he can finally shed the fucking seventh wheel arc that came about not because of a genuine exploration of how he has been outcasted all his life, but because the argo ii mysteriously became demigod tinder and also because rick thought "haha how funny that the latino is the outrageous flirt!" frank and hazel... just get shafted im so sorry babygirls T_T

what saves boo is not the cast of the seven that we have spent the five books journeying with. no, what saves boo is the three side characters suddenly made main characters because. well, fan favoritism and pandering. nico, reyna, and coach hedge comprised the only arc that wasn't an absolute slog to read through—high stakes, chemistry, and well-rounded character arcs that complemented each other. no hoo scene is honestly more heartwarming than reyna embracing nico. it makes you question if hoo's length and frankly shocking quantity of main ensemble members even constricted the narrative that could've been told, as opposed to the original intention of expanding the world of percy jackson through more povs. five books with at least 700-800+ pages each for five years. what a tremendous amount of time and energy to be wasted.

and there is, of course, the question of "should percabeth have been in hoo." until house of hades, my answer was yes. the fact that their tartarus arc fizzled into nothingness changed my answer to no. taking the whole series into perspective, if their treatment in boo was all that the hype and tension would amount to, it would've been better if they'd been relegated to side characters with mentor/helper roles as opposed to taking the spotlight away from the rest of the seven. their succeeding cameos in the other series + the new college reco trilogy makes the blunder all the more grievous.

heroes of olympus did give us a new cast of characters to love. along with all its racist stereotypes and pitfalls, it also diversified the percy jackson world. if not for the mid-2010s fandom who took up the slack of unexplored storylines and potential, these characters would be very much not impressioned on us. and as a successor to a series that was so deeply driven by family, friendship, love, and belonging, that it couldn't consistently humanize its main cast was the biggest sin.