#tht season 5

[iwasbored777]

The ending of Miraculous Ladybug season 5 will be lesbian which is interesting cuz the ending of The Handmaid's Tale season 5 was also lesbian

[skaifayaheda]

The Handmaid's Tale S03e01: Night

[daily-kagami]

Day #73: Grown Up

[art-the-f-up]

the miraculous s5 finale was so fcking beautiful idc what anyone says the animation the angles the story the ending the foreshadowing the everything.

my sister doesnt even like miraculous and she stopped while passing to watch and the next thing i know everyone was watching behind me and gasping mfs dont even know the story.

[bylertruther]

i don't like season three when viewing it as a continuation of seasons one and two, but i do very much like season three when viewing it as the prequel to seasons four and five... hmmmmm.

[sleepylittlesloth]

Holy Fricken HELL Yall I am so sick of June wtff!!! EYES ASK HER TO IDENTIFY HER HUSBAND

Who is SAFE in canada and what does she do? NAMES HIM????? TF YOU DOING LADY?? He's gonna get killed, they're gonna assasinate him and steal the baby back or kill bunch of people trying damn june I am once again disappointed at you (that and how FRICKEN SLOW she always is when shit gets real and she's gotta MOVE but she's instead dramatically walking and crouching and pausing and taking her damn tine like lady PROCESS AFTER YOU GET OUT)

Im tired yall theres 5 seasons?? She's had so many chances im so amazed she's still got all her fingers and eyeballs goddamn goddamn

[seokmatthewz]

I totally get it!!! I watched pd101s2 after it finished and it was chill, but I watched pdx101 as it aired and the finale was so stressful it made me sick the next day ;; I think gonna try watching boys planet!!

omg yeah i watched both those seasons live and like my faves made it both times but like it was so serious i was so stressed BDKDKD this season in particular was so bad for me tho to the point that i was so worried leading up to matthew's announcement that i zoned out all the speeches before his because i was so stressed and had to rewatch the announcement LMAO i hope u enjoy and pls pls come talk to me abt it if you'd like anon dearest!!!! 💕💞💘💗💘💗💘💗💘💞💘💖💘

[yelloworangesoda]

i think some people give ice king a little too much credit for quitting princess kidnapping. i saw someone call that season 1 ice king. ice king kidnaps a princess in the episode where betty is introduced. thats late season 5

[bylrlve]

Warning! Potential Spoilers for Stranger Things Season 5!

Eli (@revolvng_door) on twitter has been posting leaks related to Stranger Things - he claims to get info from his mother’s friend who is on set and is part of the crew watching scenes be filmed. In DMs he’s disclosed unreleased info about the military plot and the children plot to accs tracking spoilers, and thus knowledgeable people are pretty sure he’s accurate.

He privately messaged some byler accounts a few days ago, telling them that he’s been told Will has a love interest - a boy we’ve seen before, who likes him but is not liked romantically by Will yet, and tht it’s not Mike. The confusing thing is that another account on twitter - I won’t disclose the name here - was going around to other people telling them the same information but framing it in a more byler-positivd manner i.e., implying heavily that it is Mike - but it seems that this is incorrect as the news of a new LI for Will has been going around for months, now. Eli then went into a byler twt gc and told everyone, so it spread like crazy:

The confusing thing about this leak is that the description sounds like it should be Mike - but it isn’t? Finn and Noah are together a lot, and I haven’t seen any rumours of previous actors being spotted on set - either of the actors for Troy and James, for one. Nico - danceonth3moon - said it well here:

Worth noting that Ris aka byrhop, a very sensible and rational person who’s a byler but is very neutral on the possibility of it happening, is very pessimistic atm - they’ve been following leaks closely and know quite a bit.

Also might as well note here that Alex is absolutely full of it, and is completely out of the loop atm as a consequence of her own actions:

The only slight crumb of hope for byler is that there is an extended sequence of them at a church due to be filmed over the next month. I was privately told this a while ago and now it’s common knowledge. The church is either in the Upside Down or has been taken over by it - there are religious phrases painted on the property and vines all over it.

Noah Schnapp was very pessimistic about Byler for most of 2023, when he had the first few scripts. “Don’t watch the show just for byler, don’t be mad if it doesn’t happen’, etc. In late 2023 the cast got the scripts for the first six episodes, and in January this year he went on tiktok saying ‘Byler endgame, Byler kiss, you know I ship Byler’ etc - check my Noah Schnapp tag for that clip. This church sequence takes place during episode six - which is when they’d be setting up the endgame for 507 and 508. If there is any hope of byler endgame, I suspect it’ll come through leaks that get out over the next month.

Check out @conflictofthemind’s posts on church gate.

This kind cannot be driven out by anything but prayer.

[glasskey]

THT True Love and Double Trouble Remix Part 2.

It’s time for part 2 of our love triangle remixes and let’s not fool ourselves, from the moment we saw this one flexing in the garden in front of June, we knew he was nothing but trouble. He’s the customary “bad boy” portion of this love triangle, as such he’s required to be broody, romantic and pensive. As with all who occupy this coveted position: Black wardrobe IS optional, but preferred.

NICK

From seasons 1-5 Blaine plays the role of the reluctant loyal knight flawlessly, he’s constantly conflicted and repeatedly says that he’s just trying to “survive” and “stay out of trouble”. As such I was instantly reminded of the classic Leia / Luke and Han Solo love triangle, with the loveable, uber-cocky Solo constantly claiming he wants nothing to do with the rebellion and that he urgently owes some cash to a giant space slug. In the end Solo redeems himself, runs away with the girl to join the rebellion, and Luke, well Luke turns out to be her brother…..which was just weird. However in the Handmaids Tale, Nick is far more than simply the “loveable rogue”. He represents part of the masses of America, specifically lower working class males that were manipulated by right wing factions into doing their bidding in order to seize power. He is first introduced as someone of “low status” engaged in manual labor, he dresses in more casual attire and lives above the garage instead of the main house. It’s a statement about separating the wealthy from the working class.

These individuals are usually targeted because they’re vulnerable, disillusioned and therefore easy to recruit and manipulate. They’re searching for any kind of answer to their problems and as such they are susceptible to propaganda. They’re easy to mold in one’s own image due to the absence of sufficient guidance, thus Nick’s unending search for a father figure. Like many others Nick was “groomed” into this cause at a young age, a method tantamount to abuse or cult like programming. Photographs of Nick shown in S4 depict him to be in his early to mid 20’s, during his introduction to the Son’s of Jacob, a highly impressionable and vulnerable age.

These types of individuals are unquestioningly loyal because, having lived in poverty their entire lives, they respond to the slightest reward. Throughout the seasons we witness increasing servitude, as position and thus personal debt rises. Privilege, guilt, fear and incremental freedoms are all effective ways to drive devotion to a cause. When Nick is promoted to Commander, it is done not so much as a reward for service, but rather as a means to tighten the leash for his recent insubordination. Seeing their wayward son’s rebellious act, Gilead’s response is simply to clutch him tighter.

As diminutive as Nick’s role in the current role of Gilead government appears to be, his importance is huge conceptually. His original role is as one in the Sons of Jacob and his journey represents the rise of the next generation of political power. Nick personifies a level of compliance in young men that grows from simply turning up to a rally to military force and deadly violence. Nick, like those around him lives in a state of somewhat coercive control. They’ve been isolated, denied support, monitored, tracked and intimidated. Nick’s given only as much freedom as someone ALLOWS and there are always limits such as curfews, check points, and a heavily patrolled border. Having possessed freedom once before, the memory is still quite vivid, and the lure to return to it is extremely strong. He’s depicted as scared, servile and at times cowardly but despite this, Nick slowly begins to make increasingly impactful decisions of his own accord that signifies a rising tide of rebellion. He’s identified clearly throughout both texts as a member of Mayday, an underground secretive operation that June later leads, and consequently Nick is portrayed as mysterious and irresistibly drawn to June.

To Nick, June is freedom and enlightenment; she is constantly haloed in glowing light and speaks with an unvarnished truth and compassion that shames his fear or ignorance. She represents a choice that he must make between servitude to a dictatorship or freedom and democracy. Throughout the seasons we witness his constant inner conflict as his sense of commitment and fear battle with his heart and his better angels. As such Nick views June as a savior, much like a broken country views the voice of liberation, serving her out of love and conscience rather than obligation or fear. Blaine is constantly shrouded in black, seeping out of the shadows rather than actually ever entering a door. However his moments of connection with June are bathed in a dreamy “golden hour” lighting: the brief and beautiful window of time during sunrise or sunset. It highlights the ethereal romanticism and the inevitable brevity of their precious moments together.

It’s no coincidence that he conceives Holly with June, who leads directly to the downfall of Gilead. During S1 we witness Nick somewhat content to survive within Gilead’s bounds, but when June becomes pregnant with his own daughter, Nick realizes what his involvement with Gilead may personally cost him. The progress of June’s pregnancy and Holly’s presence signify a growing bond between them, and increasing level of loyalty from Blaine. In S5 when Tuello tries to enlist Blaine’s help he specifically asks if he would like to hold his daughter instead of asking about her, an allusion to freedom and an increased commitment to Canada. ��Children look to their fathers” June reminds Nick in 5 09, Holly is watching….waiting, so too is his country.

Nick Blaine has continuously displayed the need for a father figure, it’s common trait amongst young recruits of these right wing factions; the desire for a dominant figure to guide them. This longing is a sign of Nick’s lack of self-esteem and personal strength. Throughout the seasons we’ve observed this figures personality changing over time as his loyalties shift and he slowly gathers strength. His break with Lawrence to make a deal with Tuello indicates a transition from a mere subordinate to a respected partner, a bridge to his future family.

In S5, we get a rare glimpse inside Blaine’s mind’s eye, as he fantasizes about a passionate exchange between June and himself. They are flooded with a blinding light, a sign of the intensity of his obsessive love for her. There is almost an uncontainable sense of appetite in the way Blaine physically connects with her, as if constantly waiting for the briefest opportunity to breathe her in, like free air. Blaine is written to be an enigma, he embodies a theme, but defies solid definitions. He’s intentionally elusive, almost impossible to pin down because he’s constantly shifting and wrestling with his inner demons. Contrary to popular belief it is actually June who saves Blaine, for from the beginning we’ve seen him barely keep his head above water. His lack of self-worth constantly tempts him to submit to Gilead’s influence and it is only her presence that keeps him from doing so. Given the themes that these two embody it’s logical to see Gilead thrive when these two are seperated. In S5 we saw him lose hope in June’s absence, fall under Lawrence’s spell and acquiesce to Gilead’s will. In S 5 Blaine appeared like a figure caught in a rushing river, in 5 09 June reached out a hand, only to find him already drowning.

In 5 10 we saw him claw and fight his way out from the murky depths, reborn……and angry. Nick’s words to Tuello on the bridge: “she has a family who cares about her. I’m nothing” echoes the lack of self-worth that made Nick such easy prey for Gilead. “No you’re not Commander, not to her” Tuello replies; Nick is still part of her countries lost masses, she will not forsake him for her own new found freedom. Blaine may have chosen to break his bond with Gilead when he walked across that bridge, but the reality is he’ll need June and her rebellion to truly claim his liberty and pride.

At the risk of drawing some heat, I’ll share some personal thoughts on the Nick we’ve seen thus far; while he’s certainly gone above and beyond to protect June and his own daughter, he’s continued to participate in the goings on of Gilead. It’s important to acknowledge Nick’s role as one that was active and continuously conflicted, and not entirely romanticize his character or simply paint him as a victim. He was intentionally created as a complex and multi-faceted character designed to depict someone with choices, regrets, vulnerabilities and the ability to grow and change. It’s what humanizes him and allows us to connect, because let’s be honest, sometimes as human beings we aren’t our best selves, we fuck up….and Nick Blaine did….and sometimes he still does.

He’s designed to personify an entire section of society, their choices and their role in this regime. As such it’s a mistake to be reductive about who he is and what he’s done. It’s wrong to minimize his incredible journey of personal growth in the face of so much adversity. He’s the perfect “diamond in the rough”, but the nature of this character is that they’re good hearted, seriously flawed, conflicted and take a fair bit of time to get to where they need to go.

He’s the classic enigmatic, noir type character; silent and stoic, but revealing so much with a word, a gesture or even their silence. These characters allow the viewer to project their own perspective upon them based on the smallest of cues. As such the hopeless romantics see him as a lover, the suspicious see him as a traitor, and the pragmatists, like myself, see him as a simple man. Looking back, I see now I have projected so many of my own strengths and vulnerabilities onto Blaine, and I’m left wondering; where does it end and the writer’s intent begin? Perhaps mine and Millers concept of Blaine are an ocean apart. For me the beauty of Nick Blaine, as with most of these characters, is in his journey; he sometimes DOES fail to listen to his better angels, but most of the time he tries.

He’s not an untouchable prince or a pre-packaged hero, he’s real, a fail able human being trying to be better. At times June IS disappointed in him and we do see her call him on his shit because, well to be honest sometimes he deserves it, but deep down Nick Blaine is essentially a good and caring soul who ultimately succeeds. Nick represents a faction of emotionally vulnerable individuals, manipulated and mobilized, through the use of propaganda and fear, by those with a hateful agenda. He’s a young man who falls in love, becomes a father and realizes the personal cost of war. There are “a thousand choices” Lawrence says, and in 5 10 Nick finally makes the one we always knew he would. At the end of the day, June loves Nick because she knows that he is a good man who will ultimately make the right choice, and he loves her because she is the right choice that he always wanted to make.

For part 1 and other bloggy goodness, head over to my page. Back soon with part 3.

[trademarkblue]

The Handmaid's Tale Rewatch: 1x01

So, I started rewatching the show a few weeks back. I want to get through every episode before the final season airs. I'm watching 2-3 episodes per week, so I'm going to start posting about that here so we can talk about them!

Man. Let me just start by reiterating how jaw dropping the first episode of this show is to me. It's so rare to find a show, in my opinion, that just knocks it so far out of the park on the very first episode. It's paced like a movie, which I think is kinda what hooked me immediately... because honestly, I feel like TV shows drag a lot these days, knowing that they can, that they have 8-12 episodes to deliver ONE SECTION of a story that might be intended to run for 5+ seasons. They tend to sprinkle things in at a snail's pace from the beginning. So, that really makes a slam dunk like 1x01 of THT just that much more impressive.

You get to know so many of the characters that you'll follow for so many years... and it's not just a curious introduction, but you're given a really solid idea of who they are. And we even get a full circle shared joke between Nick and June, complete with flirting, flawless editing, and adorably smoldering eye contact.

Let's play "what's your favorite moment from 1x01."

It's the whole classic oranges & tune scene for me, but this exact moment - where Nick walks into the kitchen and nearly trips over himself when he spots June there - is just the cutest and most hilarious 3 seconds ever recorded. His whole body is literally doing an "oh shit" moment, and he's like 105% obsessed with her already.

What's your favorite moment from this episode? Feel free to reblog and add a screenshot or clip so we can get a 1x01 chain going! I would also love to hear your stories on when/how you got into this show and this ship!

If you're a podcast listener, here are the links to the spoiler free and spoiler full discussions of 1x01 from Above the Garage:

The June & Nick Cut:

About a year ago, I edited together every June & Nick scene + every Nick scene + every mention or insinuation of Nick into what I called "The June & Nick Cut." I unspliced unrelated content when it was mixed into Osblaine scenes, shortened long scenes with brief mentions of them so only the mention and context is included, and worked with the audio to make transitions smoother.

The full file for seasons 1-5 is 6 hours and 53 minutes long, including some title cards in 3 spots to serve as intermissions. Rather than post that whole 18 gig file, I'm going to post just the chunk that goes with the episode I'm writing about. So, if you'd like to download the Osblaine only version of each episode, you'll have the links for those within these posts. Enjoy!!

I would really appreciate credit if you share these anywhere else, because this project did take a whole lot of work. Like uncountable hours of work. And I really am pretty proud of it. ♥️

[iwasbored777]

Luke's sacrifice in the end of THT s5 is beautiful and noble and also unneeded. June got away with murdering Fred cuz it wasn't on Canadian land but Luke has to surrender himself to the authorities cuz they would what arrest him in Hawaii or wherever they were going bc of a man he killed in Canada? He could've escaped with June and Nicole and no one would know but they needed to make a cliffhanger with June and Serena and they knew Luke would've been a third wheel. I still think it's cool but also unnecessary.

[meownotgood]

I think this season could’ve used more episodes too causes there’s just a number of things that don’t make sense or just feel wrong the more I think about it. Like yeah the whole jayvik ending was cute and all but Jayce just doesn’t care to know abt what happened to ekko n heimerdinger?? Also I thought viktor said he’d only change those who were willing so did he just change his mind up abt tht at the end without saying anything?? And sevika is just totally cool n chill abt teaming up with piltover after everything and we don’t really get anything from her or jinx abt isha all there is is like a .5 sec flashback from vi. Also sorry this is rambly I just feel very disappointed n underwhelmed like there’s just So Much that felt off

don't worry, I definitely agree with you on everything. it's weird to me that sevika didn't have a single line of dialogue, definitely feel like it might've been content that got cut. and yeah... the thing is I'm probably going to have to rewatch the episodes to try and understand viktor's motivations better. I suppose it's because when the commune fell apart, viktor realized emotion was a weakness of humanity, and decided it was best to be eliminated entirely. it definitely happens fast tho in my opinion

[expectopatronum18]

Ok, can we talk about how ALL the main characters in teen wolf were on crack in season 1?

Scott 'my mom does the grocery shopping' Mcall

STILES STILINSKI (literally his entire character)

Allison 'not like other girly girls' Argent

Lydia still playing dumb for her dumbass bf, stuck in her ' popular girl TM' phase

Derek in his creepy batman phase, just scaring the shit outta ppl on principle

Kate just casually admitting tht she burnt a house with kids in it

Peter literally trying to kill every one of these characters by the end of the season

*(kate n peter r on crack throughout the series, but these make for solid character impressions considering there r 5 more seasons after this)*

Listen, I like charcter development as much as the next person, but the s1 characters were their own brand of iconic

PS: Peter is iconic throughout the series. I don't make the rules, he's the most enjoyable villain in this series lmaoo

[nickblaine]

season 5 script summaries

links to previous script summaries: season 4, season 3, season 2, season 1, seasons 1/2 cont’d also, check my tht scripts tag for gifs, excerpts, and more details

i got the librarian’s email about season 5 scripts, and even though driving to and parking at WGAW has become a literal nightmare, i said fuck it and flew (crawled in traffic) down there the very next day. i wanted to see what the mood was like during the strike, anyway.

the staff had the library running business as usual, but the energy was high and there were pro-union shirts everywhere. there were a couple of guys on the first floor making literal piles of picket signs. i chatted with them for a minute and they said everyone was mostly out on the streets, picketing at every major studio in the city. rock on WGA ✊

i was on a time limit to beat rush hour, so when i read the season 5 scripts it was only Nick scenes. i searched for all instances of his name and wrote down everything i could. i may go back to read the rest of the season, but i can’t make any promises on when that will be.

before i begin (same as last time):

• everything described here is from the official scripts that are archived at the Writers Guild in Los Angeles. • the scripts i read are final drafts. there is no “writing in the margins.” everything described is from dialogue and script direction that was used on set. (click for an example) • the library has a strict no copies/photos rule in place which is why i summarize what i read. • anything in italics is a direct quote for the sake of clarity. • feel free to ask questions and i’ll answer to the best of my ability. my private notes are pretty detailed, but if i need to do more research i may save the answer for a future library visit. • please do not share this post without my permission. thank you in advance for respecting my wishes.

5x01 - Morning

Nick and Rose’s morning scene in this episode is more or less the same as this early script draft. The only difference is after Nick tells Rose her coffee is good, there’s an additional line that says: “It’s a lie, and they both know it. Rose appreciates the polite kindness.”

5x02 - Ballet

There was a short scene of Nick and Joseph Lawrence having a private chat at the airport before meeting with Serena Joy. It was cut from the episode, but you can see it in the trailer.

In this scene, Lawrence confides in Nick that he’s nervous about the meeting with Serena because - in his words - “You had to let your girlfriend go after Fred.”

Nick assures Lawrence that they’re going to spin it as a savvy political move by blaming the Americans for killing Fred. Lawrence still chastises him for not doing his job. Then the conversation pivots (a little clunkily) to this line from the trailer:

NICK: Serena doesn’t know what happened.

LAWRENCE: Doesn’t matter what she knows. It matters what she believes.

When they meet Serena on the tarmac, she instantly has suspicions that they were responsible for Fred’s death. The conversation is tense until they all see Fred’s body getting rolled off the plane, then Serena needles Nick’s guilt and pokes at it with her “Fred saw promise in you” speech.

As they are leaving the tarmac, there’s a line that says “Nick acknowledges Mark with a nod” and Lawrence notices it. In the episode you can see Nick and Mark exchange looks in the background as they leave, but otherwise Lawrence doesn’t notice.

At the Putnam’s party later in the episode, you may have noticed that after the Handmaids arrive, Esther and Nick share a notable look. The script describes this as a fraught moment in which Nick is filled with remorse and wishing he could do more. It also says Esther remembers Nick from when he and the Eyes arrested her, and she’s visibly pissed about it. As they walk away from each other, “Nick can’t help but be reminded of June.”

While Serena Joy is manipulating the Commanders into broadcasting Fred’s funeral, Nick steps in because he’s moved by her bravery and “attempting to atone for his hand in killing Fred.”

In the secret meeting between Nick and Mark there were a few cut lines of dialogue. Most notable is after Nick tells him he just tries to stay out of trouble, Mark replies, “Catches up to everyone, at some point.“

Opaque, Nick thinks about that. How long does he think he can keep going?

Ok, so the end of the episode when the funeral is on TV in Canada, I’m happy to report that Nick IS mentioned in June’s inner dialogue. The scene describes her recognizing who is onscreen with Serena. First she sees Lawrence, and then... “And finally, most painfully -- NICK.” (Yes, in all caps like that, lol.)

5x03 - Border

Cute June inner-dialogue when Lily asks her if Nick’s a big Jezebels guy: “June doesn’t know how to explain what type of “guy” Nick is.”

The awkward Lawrence residence dinner scene. Commander Mackenzie genuinely loves Rose (”old friend of the family”) and is instantly distrustful of Nick. Serena doesn’t buy Nick and Rose’s relationship as genuine either, and tries to subtly acknowledge Rose’s close relationship with June’s daughter’s parents by telling him how lucky he is. Nick is tense, but then his banter with Rose relaxes him, making Serena surprised to observe real affection in their relationship.

During the dinner itself, Mackenzie is just making everyone extremely uncomfortable by bringing up June. Nothing too interesting in the script here, it’s mostly just dialogue.

There is a cut line after dinner when Nick and Rose are leaving, and she says to him, “Well I wouldn’t say that’s the most relaxing dinner party I’ve ever been to.” (He responds “Yeah. No.”) Then he spots Mark all alone. Script says Rose understands what he’s about to do. “Nick squeezes her hand, then heads over to Mark.”

The script emphasizes here that Nick is unsure talking to Mark is a good idea, but he really wants to be the one to tell June about Rose before Serena does.

Mackenzie scares the shit out of him in this scene, and the “fuck” Nick mutters at the end was originally not spoken out loud (”OFF NICK, fuck.”) but I’m so glad it was.

Alright, phone call scene. One of our few big Osblaine moments!

NICK: June. Hi.

June suddenly feels like everything is going to be okay.

This scene is mostly dialogue. The final product is all the acting that goes into it. It does say Nick is stressed to relay upsetting information about Hannah and Rose. When June hears about Rose, she knew this was coming eventually, but it’s still a blow. It also describes how painful and hard this is for both of them. But at the end of the call, right after June tells Nick to be happy, is my favorite line in the whole script:

It’s an impossible ask, maybe, for these two to be truly happy without each other.

After the phone call, there is a cut scene between Nick and Rose where they simply look at each other.

Rose knows exactly who he was on the phone with, and what he said to her.

She looks worried for him, knowing it wasn’t easy.

He nods to her -- it’s done.

5x06 - Together

According to the script, Lawrence only invited Warren Putnam over to his house to get Nick on board with killing him. Warren repulses Nick so he’s down.

The next scene they’re in is when they execute Warren. (Such a good scene.) After Nick shoots him in the head, the script describes the camera hanging onto Nick and “his soldier’s stoicism.”

Then it cuts straight to Rose in the Blaine home. “She’s disappointed in him and he knows it.”

Now this scene threw me off. It’s written much differently than how Max acted it. Nick is actually a lot more warm toward Rose in the script, much like how all their previous scenes were. Several lines of Nick’s dialogue were changed (”Can I help?” became “You gonna tell me what’s going on?” onscreen) and his body language comes across way more cold and defensive than what’s described on paper.

As for Rose, she isn’t soothed by Nick’s assurances here. And that’s it for this episode.

5x08 - Motherland

New Bethlehem opens with another cut private moment between Lawrence and Nick.

Nick is brooding by the water, “still grappling with the moral and emotional consequences of shooting Warren in the head.” Lawrence finds him and tries to prod, but Nick gives him nothing.

LAWRENCE: You look a little more moody and broody than usual. Really, you sleeping okay?  

NICK: I’m fine.

Lawrence moves on because they have work to do. He reminds Nick he’s counting on him.

Lawrence gives his New Bethlehem speech to the other Commanders. When one of them pushes back, “that’s the cue for Nick, the muscle. Enough carrots, time for sticks.”

After Nick bullies the Commanders and Lawrence consolidates his power, the script describes these two as a “dynamic duo” lol

Okay, brace yourselves, there’s a cut Osblaine scene up next. I had no idea this existed, I don’t think there are any shots of it in the trailer.

It takes place after June visits Serena in the detention center and realizes she can’t help Hannah unless she’s there. If you watch that part you will see her pull out Lawrence’s burner phone as she leaves. But instead of going to Lawrence’s office like she does in the filmed version, in the script she calls Lawrence and just says, “I want to talk to Nick.”

It cuts to the next night at the border wall between Gilead and Canada. June is waiting on the Canada side as flying drone searchlights swoop across the electrified fence. (All described in dramatic detail.) She sees Nick appear on the other side. They look at each other, waiting, and once the searchlights clear they move to meet each other at the fence.

JUNE: I need to know if this is for real. I need to know that Hannah and my family will be safe.

NICK: I know. You will be. I promise.

JUNE: How can you promise that?

NICK: Things are changing, people are scared of Lawrence. I’m in a position now where i can make sure you’ll be safe.

JUNE: I want to believe you.

NICK: June. You can finally be with Hannah, watch over her. Isn’t that what you always wanted?

She nods.

NICK (CONT’D): Then please. Come back.

“To me,” he means. June’s heart is torn.

At this point the searchlights return and they have to separate. This scene is written like a soap opera. “They can’t help but reach out to each other, almost brushing fingertips before they move apart and run back, escaping the lights.”

Photo of this scene from Max’s IG:

Later in the episode, Lawrence is back in New Bethlehem with Nick. Nick asks which way June is leaning and Lawrence says it’s toward yes. The script says here that Nick understands that Lawrence is trying to manipulate him, but he can’t help but be cautiously optimistic at the idea of having June and Nichole in New Bethlehem with him.

By the end of the conversation, Nick is “considering.”

5x09 - Allegiance

We’ll skip to 27 minutes into the episode, when June sits with Mark after the failed mission. Mark catches June off guard by bringing up Nick. She’s taken aback by the revelation that he turned down Mark’s offer, but Mark says she can still persuade him. The script says “June imagines the prospect of Nick in Toronto” which I think you can see pretty clearly on Lizzie’s face lol.

Then we cut to the big Osblaine reunion.

Lots of dramatic buildup in the script leading up to their conversation. I don’t know how to describe it other than to show you:

She looks toward the courtyard. And there he is --

NICK

Waiting for her. Strained.

JUNE

Takes a beat to soak him in. She gets out.

OUTSIDE

June approaches Nick, their eyes locked.

Like, damn. They love building tension with these two.

Anyway, dialogue proceeds as it does in the show. Nick tells June that his wife’s pregnant and June has the wind knocked out of her. She’s described as “appalled by Nick’s commitment to Gilead, but understanding of his loyalty to Rose and their future child.”

And then--

JUNE: I want what’s best for both our families.

They look at each other.

A giant chasm between them now. But they’ve shared so much. So much trauma. So much love. A daughter.

JUNE (CONT’D): Well. This is a fine mess, isn’t it?

This scene is once again described as painful for both of them. “She tries to keep it together. How can they part? How can they say goodbye?”

Before Nick says “I love you” he was supposed to wrap his arms around her, but in the final cut they keep their distance.

5x10 - Safe

Just wanna note that when Nick shows up on the bridge to meet Mark, it was originally written so American soldiers yank Nick out of his car, handcuff him, and drag him across the bridge to Mark. We were deprived.

Also the first thing out of Nick’s mouth here was supposed to be, “How is she?”

In the hospital, Mark is telling Nick what’s going on but, “Nick can’t even speak. Looking at June, with her black and blue eyes.”

Mark gets the hint and leaves Nick alone. An interesting thing to note is that the line “it’s probably better if she doesn’t know I was here” is NOT in the script. At all.

The rest of the scene is sweet and simple.

Nick crosses, sits beside June.

A beat. Nick takes her hand.

Says nothing as he watches her sleep.

And that’s it.

Mark and Nick’s second scene on the bridge is just as short and to the point. In fact it’s almost entirely dialogue, so the emotions you see onscreen came from acting and directing. The only notable difference here is when Mark tells Nick he could’ve run away with June, he was scripted to give actual examples of where. “Maybe not to Canada, but there are -- places you could’ve gone. Idaho, the Westward Territories.” (Hopefully foreshadowing lol.)

At the party, it is scripted that Rose tries to greet Nick when he arrives and he doesn’t even acknowledge her. Like she doesn’t even exist.

There isn’t much description to accompany the punch. There is a line that says if Nick wasn’t pulled off of Lawrence than he’d be happy to keep on whaling on him. It also describes Lawrence as “rattled” and Rose as “humiliated.”

At the train station, during June’s goodbye to Mark, she asks him to tell Nick that she and Nichole are safe as a nod to their phone call in episode 3. The only descriptive line here is, “A beat, as Mark clocks the deep and selfless connection between Nick and June.”

The final scene I have notes for is Nick and Rose’s breakup in jail.

There are a couple parts of their scripted conversation that didn’t make it onscreen. Starting with right after Rose tells him a good man wouldn’t leave his wife every time his girlfriend calls, Nick’s response was supposed to be, “she was almost killed.” Then Rose laments that she thought she was lucky that someone like [Nick] would deign to be with someone like [her.] Nick says, “I was the lucky one” and she tells him to shut up.

Then there’s the “You will never let go of her, will you?” line from the show. Nick explains that he tried, but Rose retorts with, “Who knows what that woman will bring to our door. I have to protect our son.” Nick is described as scared now, and pleads with her not to leave.

Now I have no idea if that “our son” drop was supposed to be a legitimate reveal or just hopeful Gilead thinking. The script says nothing else about it and it was cut from the show. But it will be fun to speculate as we wait for the final season.

[uss-catsneeze]

Whats name of the star trek porn tht references an obscure character?

I think it was star trek the next generation - an xxx parody or an approximation of that title, it's been long since I've seen it, so dont take my word on it, but I seem to remember that Tasha Yar's secret alternative timeline romulan commander daughter, Sela was in it, and so was leah brahms (but probably just to give Geordi a scene). It is a proper length (60-90 min?) porno but trying to look up rn I couldn't find much of it except 5 min sex scene excerpts, not telling me much really.

But I did find a thread on reddit where people are impressed with the plot and acting outside of the sex scenes, the Picard actor seems to be an actual Patrick Stewart look-alike too

I remember finding it while trying to torrent actual star trek tng seasons like 10 or so years ago