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mossmx · 1 year ago
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While Merlin is trending I want to thank the whole Merlin fandom
people who have been with us since 2008 and people who have just started watching, people who have left us too soon but will be forever in our hearts and people who switched fandoms but are still amazing
whereter you create, lurk, cheer or just cry in the corner (most of us have been there lol) every part of the Merlin fandom is always part of our family
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even if we have no reason to trend we will always have a reason to celebrate :D
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doriana-gray-games · 15 days ago
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A little poll to help me with a thing 💖✨
Imagine a game:
a small-scale 3D, third-person, unreal engine RPG that focuses on immersion, player choices, and romance. 💖
Magic school sim (+persona like). 👩‍🏫
Gothic fairytale coded. 🥀
Villainess Femc. 👸
Which tone and aesthetic style would you be drawn to then:
Gothic Romance ❤️
Rose red, Moonlight white, and coal black.
1800s Historical.
Low-mid fantasy.
More grounded – in world and humour.
The school is old and haunted, by both spirits of good and ill will.
Classic Villainess 💜
Royal purple, midnight blue, and blushing pink.
Fantasy historical.
Mid-high fantasy.
More fantastical and surreal. Lighter writing tone.
The school is more elegant, shiny, safe. With a hidden darkness.
Grimpunk 💚
Pallid green, dusky black, and greying white.
Steampunk-esque victorian.
Low fantasy, higher tech.
Darker in tone. Stylised, and surreal.
The school is dusty and creaking. Dangerous and alive.
FURTHER DETAILS BELOW:
Colours (gothic):
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factual-fantasy · 3 months ago
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Hey!! I just saw your suggestions post and was wondering if you had any drawable barnaby headcannons that you haven’t shared? He’s a Favorite and I really like your redesign of him!!
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(Both comments from the Anon are referring to this post :000)
AAAAAAAA Thank you both! :DDD The question about drawable headcannons and the comment on Barnaby's snoot reminded me of this pixel Barnaby I drew a while back! :0
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I like to headcannon Barnaby having as many beagle-like features as I can add XDDD To start, he has darker coloring on his back and a pointy tail with a white tip. He's also basically 50% white. Having a white belly, snoot and paws.
I've been using this as my color reference when drawing Barnaby, but It might be due for a bit of an update.. I mostly say this because I've seen fanart of Barnaby from multiple different artist showing a red heart shaped spot on his chest. The fact that many different people have drawn this must mean that's canon. Right..? :0 That'd be such a cute detail to add..
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sadisthetic · 9 months ago
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BURST💥
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buttered-milky · 4 months ago
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https://youtu.be/XqXZ0tJppok?si=kF5httv3agxyOzqe
Messmer can actually turns into a snake it's his original form, and he looks soo abused and neglected maybe because of the seal?
Eeeee okay so. The summon he uses a: appears to have more blood and/or burn wounds on it. and b: otherwise has most of its scales and doesn’t have the transparency effect I thought it had like the winged serpents!! Also there’s a bunch of eyeballs all over the place but we’ll get to those later.
Burn wounds are pretty straightforward and also interesting since they imply either the serpent fucked around and found out (Messmer burned it) or the serpent fucked around and found out (burned itself like an idiot, not surprising in the slightest for snakes since they miss prey strikes all the time and are, in my humble snake owner opinion, some of the dumbest creatures you’ll ever meet. Curious yes. But also. Idiots)
The snake Messmer turns into has much deeper wounds and scarring on it than just the summon of the abyssal serpent. This snake also appears to have a blind right eye (note for any reptile keepers who care: not the temporary blindness that comes with shedding). Its body is very misshapen and there are scales trying to protrude along the spine, and in several places where there don’t appear to be any wounds the scales are just…missing. This is as expected not good for snakes! They need those scales! I am honestly not quite sure how to interpret the overlapping layers of scales in some places. Like sometimes it looks like a shedding issue but also it seems like it’s the attempts of two souls trying to occupy one body? Also missing shed transparency effect! Idk what the hell was going on in my brain or if it was just lighting but I was sooooo fucking sure of the shed buildup. I was also really tired though and don’t care. The visual read was still fun. It can be a headcanon to me <3
So on those thoughts of it being two souls trying to occupy one body. What strikes me about this design is that some of the wounds look like bite scarring you’d see from live prey fighting your snake back. Again, this is a thing entirely avoidable with good husbandry (don’t live feed unless absolutely necessary). The scales to me still imply shedding has gone very wrong at some point. You’d expect to see shedding heal and scar over these wounds, but they’re all fresh. Very symbolic. You can’t heal violence by just pretending it doesn’t exist.
Ideally when a snake is wounded, you do routine care to help them with sheds and make sure the wound is clean. The scales will grow back and the wound will scar, but it will take several sheds and consistent work! You cannot, as Marika tried to do, just put a bandaid on it. You also can’t just lock a snake in a cage it will hurt itself trying to get out of (ie messmer himself) and expect that to go even remotely well.
Some of this feels like visual symbolism of self-hatred. Like I said, the base serpent looks like it’s gotten in a fight. With its host. Some of it also feels like visible neglect (ie the wounds not being healed, missing scales)
I’m gonna discuss the eyeballs bc I fuck w them immensely. First of all congrats Messmer on having an Eldritch Horror in ur body. Second of all, all these eyes appear to have lids. Actual snakes don’t. They have hard eye caps instead and cannot blink. Some of the eyes seem like they might not be able to blink, but the scales around them are still more closed than you’d expect? I fuck with it. Fits with Messmer’s blindness motif which maybe I’ll make a post on eventually. But in regards to the base serpent specifically, of course violence can afford to close its eyes and be blind to who it chooses to hurt. Violence is also something that, when committed, always seems to haunt you. Its gaze will always be there.
It’s interesting that Marika replaced Messmer’s eye to seal the serpent off, and so maybe it grew more eyes? That could be why the scales around them aren’t correct—they’re trying to protrude from the body. This occurs in both the summon and the physical snake form Messmer has. Repression of identity = Eldritch horrors? Sure I’ll take that fromsoft.
Final thing on the eyes. They’re red, not green. The winged serpents have green eyes, Elden Ring’s color of endurance. Super fitting! The abyssal serpent’s eyes are all red, the color of rot and death in this game. Red to me also feels primordial given its use in lightning by the dragons, but I digress. It’s pretty obvious why a base serpent would have base powers. This thing is old as fuck.
Okay. I’m sure you all thought the post was done but one last note on snake biology! So, snakes’ tongues retract into their mouth. When a snake opens their mouth you won’t see a forked tongue just curled up, hanging out. It’s in a little pocket for safe keeping :)
Neither of the base serpent’s forms appear to have the anatomy for this, since there are eyeballs replacing this anatomy. This is problematic for Messmer in a snake form specifically since he’s blind, and real snakes compensate for shitty vision by having an incredibly strong sense of smell. Messmer’s snake form also doesn’t have the heat pits that the abyssal serpent has. Heat pits are another part of snake anatomy, usually located below the nostrils, and are what they use to “see” heat and locate prey. In pythons (like the winged serpents) you’ll see multiple heat pits all in a row above the lip as opposed to the single very deep pit behind and below the nostrils in vipers. This single pit is what the base serpent (summon) has. Neither Messmer’s base serpent form nor his winged serpents have heat pits which is…interesting. It could be a modeling error but I don’t think so given base serpent has very clear heat pits.
My point is, Messmer is somehow even more blind than you’d expect from a snake. Maybe this makes sense given Messmer carries an internal fire, which would likely fuck with infrared? Still interesting nonetheless.
In summary: The base serpent alone (summon) seems overall in better shape than its other form (transformation). I think this is pretty straightforward symbolism—as a being on its own the serpent would probably be fine. It’s just that it uses Messmer as a host and this causes issues. Fuck around and find out I guess, base serpent.
And holy shit Messmer Cannot fucking see. Good luck with the seeing eye snakes babe because snakes notoriously have shit vision !
(Also just an aside both of the base serpent forms kind of have narrower faces than you’d see on a real snake? Like they’re more eel like to me. Anyways.)
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wilberwrites · 4 months ago
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I am making myself digestible, I am removing myself piece by piece,
I start with my eyes, i remove the spark, the fire and passion,
Then i move to the hair, i take away my expression, my creativity
Next to go is my smile, my teeth and my tounge, along with them goes my cheek and my wit,
I am trying to make myself easy to like, to be around,
I take away my heart, my soul and my sadness,
Those get escorted out by my withering happiness,
I am making myself digestible,
I am making myself a good person.
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thelone-copper · 1 year ago
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Mmkay so I was working on some doodles for Colt’s new body type and these are some WIPs!! I wanna go for that hidden muscle thing (especially for mob Colt) and gave him a more trapezoid body type rather than the rectangular one I gave him before. It was too close to Samir’s body and I wanna diversify a lil more :D plus it didn’t give off enough “stronk cowboy” vibes imo I’m sorry😭😭😭
There’s some shirtless Colts in here so content warning ig🤭
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I broadened his shoulders and gave him some thighs and some more chest (he still has no ass because I’m generous but not that generous lol)
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And here’s some beefier Mob Colt doodles too!! All are anatomy studies on Colt’s new look and things to help with Mob Colt’s stitch placements :DDDDD
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oathkeeper-of-tarth · 7 months ago
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Isobel, Before
On something of a whim I decided to compile, in chronological order, the flashback segments from Isobel's POV that are woven throughout Moon-chosen, Moon-guided. I was curious how they'd read, and it turns out I quite like how they do - so here they are posted as a standalone little prequelish thing, a series of windows into a developing relationship and some family drama. This includes the segment I wrote for the upcoming third chapter, so consider it a sneak peek of an update that will take me a little while longer because it decided to develop a plot or some such nonsense, you know how it is. The years are my own very rough guesses, trying to somehow work around the Spellplague while keeping it all approximately a century before the main plot of the game, so don't take them too seriously.
Fandom: Baldur’s Gate 3 Characters: Dame Aylin/Isobel Thorm, Ketheric Thorm Length: ~8000 words Rating: M, for canon-typical violence (including temporary character death) and sexual content
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1381 DR
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It is an unusually warm and bright summer day for Reithwin, the relentless sun urging you to rush your errands around town and make your way home to the merciful shade. And it is upon your return there that you find the glorious Dame Aylin laying waste to an army of training dummies in the otherwise empty practice field beneath Moonrise Towers. 
You steal a moment to watch and appreciate the spectacle that is her entire being in perfectly orchestrated motion, uncharacteristically free of her ever-polished armour, sleeves rolled up - a vision of ferocity, even if it is against such laughably unworthy foes.
It calls to your mind, amusingly, the poor announcer in your father's audience chamber a little over a month ago, so very unusually formal and far too visibly nervous, struggling to rattle off one too many titles.
The Valiant Dame Aylin Silverblood, Undefeated Sword of the Moonmaiden, Paladin and Daughter of Selûne. Arriving as formal Emissary of Our Lady of Silver, speaking in Her name.
She turns when she hears you clearing your throat to announce your presence, an indulgent while after your arrival. Ever so slightly out of breath, with a subtle sheen of sweat on her radiant brow, she inclines her head with respect. "Ah! Lady Isobel. I was just thinking of sending to fetch you. A request, if you please."
"Of course, Dame Aylin." Anything for the resplendent emissary, you want to add, only half-teasingly. It is frustratingly difficult not to act a smitten fool around her, and sarcasm has proved a feeble defence from her charms.
Her request, however, is nowhere near anything you might have anticipated.
"I would have you meet me in the sparring ring, if you are willing."
You blink. "I-- pardon?"
"You are no mere lord's daughter, nor are you simply the demure local healer. I can tell by your bearing you have training. Not the typical mace of the clergy, no," she hums, as if in thought, looking you up and down quite brazenly, appraisingly. "The rapier, perhaps, along with a dagger for the offhand? No, rather, the quarterstaff--"
"The spear," you cut her off. And the lofty, approving tilt of her chin is so fetching as to be insufferable. "I can protect myself, you're right. My father is an accomplished general, after all," and stiflingly overprotective to boot, but that part you bite back and keep to yourself. "It is only fitting. Besides, any devotee of Our Lady knows how important it is to be able to fend for oneself."
"Show me, then, general's daughter," she gestures to the packed-dirt training ring with a grin. "I grow quite bored of this straw-filled wicker regiment I have been pitted against."
She's got a good head and a half of height on you. Her reach outclasses yours quite overwhelmingly. She is visibly broad and strong and unshakeable as a mighty fortress. And though you do indeed have training, the martial arts were hardly your main focus - very much unlike her.
A challenge, truly, but one you cannot help but suddenly crave.
"Fine, then, I accept." A giddiness washes over you as you speak, and your head feels oddly light. The heat and humidity of the day, surely. Treading dangerous ground, Isobel.
Aylin immediately goes over to the training weapon racks to put away the blunt sword she has been using, and you follow her.
"I have trained in arms of all sorts, but I find I most favour the greatsword," she muses as she rummages, retrieving two wooden staves with padded ends, testing their weight. "The spear I must confess I have neglected somewhat, in recent times."
You smirk as she hands you a staff that has evidently passed inspection. "There is no need for excuses, Dame Aylin. When I trounce you, I assure you it will have been fair and square and well deserved."
You expect the hearty bellow of her laugh, some lively banter in return, an exclamation, Ho! Instead, she inclines her head in a respectful gesture, and does so with a surprisingly soft smile and oddly inscrutable gaze in your direction. "I would expect no less of you, my lady." 
You look away hastily, wipe the sweat from your hands and put on the leather gloves from your belt. The day has been far too hot for them and the afternoon sun is still beating down fiercely, but you are not about to embarrass yourself and risk losing on the technicality of a splinter. 
Then, you face each other.
Her stance and the way she holds the wooden training weapon speak of years, decades… centuries of experience, perhaps. It is hard to truly imagine, and you find you do not really know. Immortal, yes, but… well, since when? Does she have a universe of deeds and escapades on you, a hundred lives lived to the fullest, or merely the knowledge that they lie ahead of her?
When could it possibly be polite to ask such a thing?
You shake away the distraction of your thoughts, just in time to block a quick, testing blow aimed at your own weapon. A tease, really, hoping for a reaction you know well enough not to provide.
She continues with the probing attacks, none of them with any real force behind them, and you think how under normal circumstances it might be a good strategy to let your opponent waste her strength and tire herself out like this - but you know better. You have discreetly observed enough of her training sessions to know that if she is anything at all she is tireless.
But she is leaving it up to you to attempt anything other than these light provocations. So you do - you would hate to disappoint, after all.
You strike out high at her head, once, twice, then at her front leg, swift as a viper, and when she moves her weapon down to parry, you jab at her shoulder and step back in time to avoid the afterblow. 
"Oh-ho! An excellent feint, perfectly executed!" The joy that lights her face even as she rolls the struck shoulder is so infectious, you can't help but laugh breathlessly, warmed by this small triumph. "I was indeed correct in my assumption - the most noble Lady Isobel is not to be underestimated. Her skills and merit extend far beyond even the lofty requirements of her duties - be they of the court or of the faith."
The next strike you attempt, flushed with both the heat of the day and the effusive praise, is met with far more resistance, and soon you are exchanging blows with vigour. She repays your shoulder blow with a tap to your hip, then tries to strike the staff from your hands in a disarm you just barely avoid with a well-timed tilt.
Your next attempt at a feint is parried at the very last moment, but you do not retreat, and so you end in a bind. She is much stronger than you, yes, but your angle is superior, and you can see her straining to stay in position, close to that ever-important centreline, and keep her balance. A bead of sweat trails down her neck to her collarbone, and it takes you a moment to realise you are following it, rapt. It takes you another moment to register she is staring at you just as raptly, even as you feel your hair sticking to your temples and realise the paint around your eyes is likely a smudged mess.
Distraction. An opening if you've ever seen one.
"Do you know, when I heard an emissary of Selûne was coming to our town, I did not expect her to have a bard's silver tongue on her." Instead of moving to disengage and putting distance between you, you draw even closer to her, until your mouth is almost at her ear. "In more ways than one, perhaps?"
Her eyes are wide and her cheeks are flushed silver, shining. It is the oddest and most captivating blush you have ever seen, made only more so by the closeness of your study.
And of course, the moment of distraction proves sufficient for that slight shift you needed. The great oak topples with so little effort - leverage, always, the key. Her reaction is faster than you anticipated, however, and so with the force of her riposte you go down right after her. Foolish of you, really - the thought has time to rush through your mind as your sense of balance disappears - to underestimate an accomplished paladin so.
In any case, within moments, Aylin is on the ground, and you land atop her. You have enough presence of mind, somehow, despite the proximity and the warmth and the, well-- to reach for where your weapon started to roll away and press the end of it lightly against her neck. "Yield?"
She raises her hands, palms up in surrender, and nods, struck speechless for once.
You scramble rather gracelessly to your feet in all your triumph, and offer her a hand up. She accepts, then somewhat disappointingly lets go to dust herself off before you've had a chance to fully appreciate the feel of her hand in yours.
"Well!" Aylin turns the bright glint of her full attention on you, charmingly tousled still. "I see no point in struggling to prolong a losing battle. A challenge, skillfully won." She steps closer to you and inclines her head in a slight bow. "Besides, I can tell my yielding on the field of battle pleases you, and I am not one to deny a lady her pleasure."
All of it spoken with a smile, and a shockingly honest, unmasked, open, and entirely unabashed look in her eyes. Damn her.
You do your best, feebly, to catch your breath and return to something resembling calm propriety. And you fail to squash a niggling doubt. "Thank you for the bout, Dame Aylin. But… honestly now, were you holding back?"
"Only as much as is appropriate for the training ring, of course. One is never to exert one's full might in these circumstances, as you well know." She shakes her head, a small frown furrowing her brow, and you can't help but feel this is a recitation she has been made to repeat until it stuck, something she had to deliberately become aware of after getting carried away one too many times. A thought to file away for later, perhaps. "But not in the sense you doubtlessly meant, no. I would not pretend and deceive after asking a fair duel of you. Such things are beneath Dame Aylin."
The heat floods your cheeks again. Damn her phrasing. 
"Ah," she clears her throat. "The day has grown too hot for martial pursuits, I fear - let us retire."
She offers you her arm, ever gallant. You allow yourself the bold indiscretion of taking it only after you have peeled off your gloves and tucked them back in your belt. You've not known Dame Aylin for a very long time, but you are well aware she is possibly the least subtle creature in all of Faerûn. The ill-concealed catch in her breath and stiffening in her shoulders as your skin meets hers is a treasured token you stow away for further contemplation.
It is a regrettably short walk to the pleasantly shaded entrance hall of Moonrise.
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1382 DR
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Sharran forces dare attack even here, in the shadow of your father's moonlit fortress, in the very heart of a famously devoted Selûnite region. Perhaps they heard, or tortured out of some poor soul, that their hated Moonwitch had sent an emissary.
But the emissary does not seem to be quite what they expected or prepared for.
You've heard of Dame Aylin's exploits, of some of the many glorious deeds to her name - well, to be quite honest, you've deliberately asked around for them and chased down all the tales, however ridiculous they seemed, with somewhat concerning single-mindedness. But none of them, not even the most outrageous exaggerations with all the force of poetic licence behind them, can compare to actually seeing her in the heat of battle.
It is certainly dangerous to be so distracted in the midst of a clearly planned and organised assault on your home, and it is especially egregious to keep looking up, chasing a vision as it flies somewhere high above all of you, soaring over the head of your father's statue gracing the centre of the embattled town square. But she is so utterly glorious and radiant and filled with unquestionable purpose in all that she does, and you are utterly beyond help.
"Selûne, Moonmother, in Your name!" The clear voice suddenly rings out from somewhere close by, drowning out the din of battle in your ears. You turn just in time to see a flash of silver light engulf one of the masked attackers, burnished black disks brazenly displayed on their armour, and, well, you are not the only one smitten.
But then - disaster. Three of Moonrise's most recently recruited silver-bedecked guards find themselves stumbling into a group of enemies that close a circle around them. You see one of them fall, gripped by inky-purple strands, before you can even start to intone a spell; another one loses his footing and opens himself up for a deadly blow.
Quick as lightning, Aylin rushes down and forward, pushing the stumbling guard fully out of the way. Instead of him, the cultist's scimitar finds purchase in her gut, sliding through a gap between armour-plates like butter, and another's obsidian-black axe bites into her shoulder.
The sound it makes, that Aylin makes, draws a shout from you. A bolt of moonlight dispatches the first cultist, rage and terror somehow making your aim uncanny, and you step forward to bathe the rest of his nearby comrades in deadly, burning radiance before he has even hit the ground.
After this, the battle is over as quickly as it had begun. The last of the attackers falls on her own blade rather than be captured and questioned, crying out some pitiful, ill-conceived mantra about secrets. 
You find you do not care: your world, for the moment, has sunk down to the breadth of one woman lying on the trampled ground in a distressingly rapidly growing pool of silver, the guards she saved hovering around her in a mix of awe and alarm.
They let you through without hesitation - you are a cleric, after all. A healer. But as you drop to your knees at her side and attempt to assess the damage, you can tell you are too late.
Your hands fly in well-practised movements all the same.
"Do not worry, fearsome, fair Isobel," Aylin manages, breathily, barely audible, around a mouthful of blood. Her hand makes a very weak attempt at a dismissive wave, or grabbing your wrist to stop your ministrations, you cannot quite tell. Her helmet and her wings are both already gone, and the silver burning in her gaze just moments ago is a weak flicker. "I--"
Her eyes flutter closed and she falls limp beneath your hands and you--
--do not have time to even begin to comprehend what has happened before she is gasping awake again, coughing and groaning, spitting up a clot, trying to sit up.
You gape for a moment, then help her in her efforts, lean her against your chest. The weight of the armour feels like it might crush you, but moving away feels unthinkable.
"No tears, no," she mumbles, half-coherently, as you strain to understand, as a gauntleted hand reaches up to brush against your cheek clumsily. "So mundane a blow cannot… truly fell… Dame Aylin."
It is one thing to be aware of it in theory. Another thing entirely to witness it. Immortal.
There is a crowd gathered around you by now, you register faintly. People crying out prayers of praise and thanks to the Moonmaiden, for Her infinite wisdom and Her endless gifts and the indomitable daughter-champion She has blessed you all with. You feel a tug in your chest, like you should be joining in; like you would be the one leading the prayer in ordinary circumstances. 
But you feel terribly far away from it all even as Aylin's breath grows more steady as she leans against you. You see her smile, still bloody, and understand only the most general sense of the reassuring platitudes she is whispering at you. 
You bring her to the House of Healing with the other wounded of the battle and insist rather possessively on treating her yourself. Only afterwards do you tear yourself away from her bedside to take full stock of damage and casualties while she sleeps it off. 
Your father rushes to embrace you tightly as soon as he catches sight of you from the House's grand entrance, and you let yourself cling to him for a moment. You do your best to assuage his worries, claim - lie - that you were in no real danger, insist on continuing to help here where you are most needed as he returns to his gubernatorial duties. And somehow, miraculously, he lets you go.
As you help the dutiful sisters with the worst of it, you finally manage to focus on murmuring your own prayer of thanks. It helps clear the long-clinging fog from your mind. And it helps, truly, that you count no deaths among Reithwin's faithful - the only fallen today are Shar's to claim if she deigns to do so.
Well - and then there's Aylin.
You go to check on her in the morning, after you've managed - been forced into, rather - a very brief nap. 
The glorious and apparently unconquerable Dame Aylin is awake, reclining against the headboard of the only occupied bed in that wing. You don't recall requesting she receive any special treatment, and she doesn't look too pleased with being singled out as if in a place of honour - in fact, she mostly looks bored. She is frowning down at herself, plucking at loose threads hanging off of the bandages that cover most of her shoulder, chest, and abdomen - your own handiwork.
You step into the room and set down the basin of fresh water and an assortment of healing supplies with a deliberately loud clatter, jarring her out of her reverie. The moment she sees you, an expression of blatant joy dawns on her face. You try very hard not to read too much into it.
Instead, you make very standard proper-bedside-manner-dictated small talk as you peel away the gauze. The wounds are mostly healed, as you would expect from your application of any and all magic you had remaining that night, but there is a small line of gold running down towards her left side, where the blade bit in and through, and another one cupping across her shoulder. Oddly beautiful for what is presumably a scar - and highlighting the marvellous build of a finely muscled torso, pipes up a segment of your mind that has no place around a sickbed.
You wrench yourself back into professionalism and lightly press down with your fingers, following the shining gold, the freshly knit-together skin, still reddened and bruised in places. "Do you feel any pain when I do this?"
"None at all," Aylin answers resolutely, entirely back to her old self. But then- "Ah," she winces as you find a particularly sore spot, expression wry, "it would appear I spoke too soon." 
You trace back up, murmuring incantations, letting the cool, healing relief flow from your fingertips.
The way she is unphased by all of this seems… uncanny. In fact, she shows more concern for you, completely untouched by the battle, than for herself. It is oddly and slightly frighteningly flattering, in retrospect, that she used her dying breath - well, this particular dying breath - to reassure you. 
And it all makes much more sense now, as things slot into place. The recklessness of her fighting style, of her whole manner. The way she shrugged off blows and rushed ever forward, where the battle was thickest and fiercest.
But now you've seen she is immortal, yes, but not invulnerable, however much she might like to act like she is both. And if she pulls herself out from literal death, no matter the scope of the wounds, she does not seem to magically heal much past that - the evidence is before you now. You can already picture her merely patching herself up with her own healing magic in the middle of the fray, as if in passing, just enough to enable her to storm on. All while her enemies gape and turn tail when they realise the futility of standing against her.
"I only hope you did not worry overmuch, Lady Isobel. It is in my nature, inextricable from my being. I cannot fall, not truly. But I keep the reminders, sometimes - wrought in gold."
Then she very cordially points out a few more, as if to indulge you. Some bigger, some smaller, some thin lines, barely there, some wide and jagged. But all of them bright gold seams, seamlessly integrated into her skin.
"Why not silver?" You blurt out, then feel your face burn with embarrassment. And then a mild but growing horror as you think back to the silver staining your hands and robes as you knelt on the damp cobblestones. This is in turn chased away by an odd warmth as you recall how she murmured your name and reached for your face. 
Aylin, however, guffaws joyfully, stopped short only by a sudden wince as she pulls something still tender.
"Would you believe - I do not know? It is simply how I am, how I have always been. Perhaps I shall ask my Mother to elucidate, when next we commune." Then she beams at you. "What a joy and pleasure you have proven to be, Lady Isobel. To make me consider things about myself I have never had cause nor inclination to before. A rare treasure."
You blame your lack of sleep on the ease with which she is managing to fluster you without even seeming to consciously try, so you do your best to keep your response polite and nothing more. "The pleasure is all mine, I assure you, Dame Aylin. All of Reithwin treasures your presence and is grateful for it, especially after tonight."
She looks up at you and you meet her gaze, pausing in your ministrations. She looks disappointed, if anything, and the disappointment is shared - those are not the words you truly wish to say to her. And you cannot quite explain to yourself why you feel like a sudden distance has sprung up between you, after months of a beautifully built-up rapport, laid on the foundations of those first few shared star-struck gazes. Why this one out of all the many reminders of her divine nature has shaken you so.
As you continue reapplying bandages and keep distractedly checking in with her about the tightness, she catches your hand and presses a kiss to your knuckles. "My wounds are a distant memory, for they are being tended by fair Isobel--"
There is a naked determination writ all over her face now. It brings to mind her battlefield bearing, more than anything else, but her eyes are wide and soft and almost pleading.
"Truly, I am in the best of hands." A kiss again, and she lets the hand go. It is a perfectly polite and courteous gesture. Nothing… scandalous. But there is a clear ardour to it you did not acknowledge before. Calling attention to a line you have not yet crossed, but that you have both, perhaps, been toeing for a while.
Then she moves to sit up fully, even through visible winces, and shrugs off the steadying hand you place on her shoulder.
"You are the worst patient I have ever had," you state dramatically, laughing. She merely cocks her head in response, so very winning and charming even when still covered in blood, dirt, and partially unravelled bandages. "I will go get some more fresh water so you can clean up - though we've already ruined these sheets, I fear."
But you do not move, despite your words. Your eyes have not left hers in what seems like hours, but can't have been more than a minute. There is a blatant yearning there that you know is reflected in your gaze, that you have both become utterly incapable of hiding.
"I would ask, greedily, another boon of my most gracious healer," she murmurs.
"Oh?" You lean closer, ostensibly to hear her quiet words better. "Why, Dame Aylin, after your valiant performance tonight, I might just grant it."
You are almost nose to nose when Aylin speaks up again, her throat visibly working, her entire impressive self working up the courage to leap the distance - and you find you very much want her to.
"A kiss, then. To drink but once from the lips of the incomparable Lady Isobel Thorm would soothe all that ails me, seal all my wounds."
You watched this woman take an axe to the shoulder and a sword through the belly, and only now does she sound hesitant. Nervous. Afraid, even. The smallest of trembles in that rich, regal voice.
"If… if I have misread, if I have misinterpreted your intentions, I beg your forgiveness with all possible contrition…"
Your reply is wordless as you surge forward, boon happily granted. The first of many to come.
-
1383 DR
-
The dinner is only slightly awkward, as far as these affairs have gone in the past. The most notable thing about it is that your father, it seems, has learned from last time.
First of all, Balthazar isn't here - wasn't invited, or had to beg off due to some undoubtedly important business. What your father sees in that man and why he holds his advice in such high esteem is quite beyond you. It is an amusing thought, however, that he, too, might have suffered from the horrible awkwardness and simply invented an excuse for this occasion.
Second - oh, Lady Arianella Bormul had been lovely, the very picture of elegance and rather breathtaking grace. With a crown of curls you felt a stab of envy over, and a perfectly cut gown that accentuated every curve of her and every dark blush shade of her skin. Carrying herself like a queen in the dining room, but perfectly polite and amicable in the conversations you two were inevitably forced into afterwards, with intriguing flashes of a cutting wit. But you shared so very little. And she was beautiful like a work of art whose objective qualities everyone agreed upon, you included, but that just were not to your personal taste.
Now you wonder just how obvious you'd made it.
As your father shoots you pointed glances from across the table and over a deliberately placed carafe of wine, you allow yourself, briefly, an entire slew of unkind thoughts. About how maybe things would be different if your mother were still here. About how much easier it would be if you had siblings, so that the entire future of Reithwin and the Thorm family and your father's heart didn't rest on your shoulders. About how selfish you truly would like to be. 
Then you shove it all back down and smile at the guests around the table, and offer your opinion about the most excellent skills of your local mason's guild and their potential for expansion.
The young Lady Jana Whitburn is strategically sat right across from you, as her father and yours conduct the important conversations on venison and marble and slate trade that this visit was ostensibly arranged for. She is tall and broad and clad in a marvellously fetching brocade suit of dark green. Her mother, rather obviously focused on you since their arrival in what is clearly a tactical division of duties agreed upon in advance, talks about Jana's successes in the tournament arenas across the Coast and her pending performance in Waterdeep's Field of Triumph. She herself, in a pleasantly deep yet melodic voice, mentions being interested in jousting, as a means of keeping her riding skills sharp while she is not out and about keeping her family's lands safe. Tilts her head at you with a winning smile at the conclusion of one adventurous story or other, the sharp cut of her chiselled jaw accentuated in perfect candlelight. You smile back, and poke half-heartedly at your tasteless dessert.
Later, you take her for a walk in Reithwin's small but well-kept gardens. She very gallantly offers you her arm, and you take it. Your father and her parents beam, and you contain your sigh. But when you look up at your companion, you are slightly surprised to notice that there is something brewing behind her eyes as well.
As soon as you are out of eyesight and earshot, you stop, take your hand off her arm and turn to face her.
"My apologies, Lady Whitburn…"
She almost winces when you address her, and shakes her head as if she is trying to physically shake off the formality and the trailing remnants of the dinner atmosphere. "Jana, please, Lady Thorm." 
"Jana, then," you smile your most agreeable smile, "and so I must be Isobel, no?"
"Of course, Isobel," she smiles back, but it is clearly strained, and you feel nothing so much as pity.
"Listen, Jana, I…" You hesitate, struggling to put your words into polite, inoffensive shape.
All this does is highlight the lack of Aylin, the lack of the connection and utterly natural understanding between the two of you. The ease. Even when there was supposed to be some fundamental and unbridgeable rift between you, according to your father.
"I'm afraid my father has misled you and your family - not out of any desire to harm, nor with ill intent. But, you see, I… I already have a lovely woman courting me. Well, rather further along than mere courting, I would say…"
To your surprise, Jana bursts into laughter, light and clear, and you are spared the embarrassment of elaborating further.
"Isobel, you cannot believe what a relief that is for me to hear."
You pause, a bit taken aback by the enthusiasm of her response. "Oh?"
"I'm afraid I count myself taken as well. Now, make no mistake, you are perfectly charming, and a delight in conversation. But," she waves a dismissive hand, "the heart wants what it wants and all that."
"That it does," you agree, and this time your smile is genuine. A tension you had gotten so used to seems to melt away from your shoulders, and the two of you resume your stroll among the gardener's latest offerings. "My father, well… he's a shrewd man. You and my Aylin would get along splendidly, I think. You seem very much alike in many ways."
"As would you and my Iona. She is training to be a cleric too, an acolyte of Ilmater. I swear, the realms have never seen a more patient and kind creature. Whenever I visit her at the temple I take a moment to observe her finishing her rounds - the way she all but glows with compassion is--" Jana halts both her words and her steps, slightly embarrassed, as if she has only now caught herself in her charmingly lovestruck enthusing. "Ah, but I've gone off on a tangent, haven't I?" 
You cannot help but smile at the sight of someone so utterly, beautifully enamoured. It is, after all, a feeling you happily know all too well.
"Please," you gesture at a bench behind some conveniently tall rose bushes - one of your favourite spots. "Don't stop on my account. Though, of course, now I can't help but wonder… what is your family's objection to the match? If you don't mind me asking," you add hastily.
Jana gives a wry smile as she takes a seat. "My parents would prefer someone of much higher birth for me." 
"I think mine would prefer I set my sights lower," you chuckle ruefully.
Jana's interest seems to be piqued. "Is that so? I've heard some… rumours, since our arrival. I've been wondering about, well, what kernel of truth spawned them."
"Have you, now?" You arch an eyebrow, allow a bit of bite into your tone. "You've barely been here a day - I wouldn't have taken you for a gossipmonger."
"You'll have to forgive my natural curiosity," her grin is as easily charming as it was during the dinner, but now, in the unexpectedly pleasant atmosphere of friendly understanding, you allow yourself to fully appreciate it, and to grin back. "But you must admit it's a bit unusual, Isobel. A celestial paramour… I suppose your father wants you to look lower than the very moon in the sky?" 
Her dramatic gesture in the general direction of said moon earns her a giggle, which she seems to take as encouragement.
"Is it true she single-handedly took on a score of Nightcloaks and won?"
You think back over the many rousing tales of victory Aylin has shared with you, and when nothing rings a bell you realise she must be talking about the raid last summer.
"You mean here, when the Sharrans dared to attack Reithwin?" It's hard to contain your amusement at her eager nod. "Well, it wasn't exactly single-handed and there were no Nightcloaks among the Sharran forces, but I can confirm she was certainly impressive."
You decide to leave out the part about Aylin dying and coming back right before your eyes. It is something you've yet to discuss with her, more than a full year later. Something you've no idea how to bring up, and something that inspires in you feelings you cannot quite define.
Something you know you will have to confront, one day.
For now, you sit on a secluded bench and shirk familial duties with a fellow highborn daughter. The two of you trade stories for the rest of the evening, and by the end of it you feel like you've known both Jana Whitburn and Iona Bluewater for years, and find yourself rather invested in the future of their relationship. In turn, you hope to have painted a picture of an Isobel who is more than just General Thorm's daughter, and of an Aylin who is something besides her divine silver bloodline.
You part amicably when the time comes, even promise to write to one another. Later on, the leave-takings complete, both of you having played your respective parts well enough to buy yourselves some very brief reprieve, you go to retreat to your room. Every stair you climb still seems to drop your heart that much deeper into a listless moroseness.
The air in your room is heavy and stale after the garden's freshness, so you decide to take your brooding out to your balcony. You may have won a friend today, but your father will be in a dour mood when he finds out his attempt has once again fallen through. And then how long until he plans another? Or turns to something else? No, this was simply untenable--
A gleaming Aylin alights on the balcony and pulls you into an embrace in a single, elegant movement, and it is like the Moon rising to dispel the dark of a cloudy night.
The first thing you notice as you are subjected to one kiss after another is that your beloved seems to be of a rather amorous disposition. You still wear your jewels and your finest silver-blue gown, the picture-perfect lady. But with the way Aylin's hands are wandering you sense this might not be the case for very long.
You place a hand on her chest, the metal pleasantly cool against your palm, and she stops, looking at you both questioningly and with blatant yearning.
Which should be ridiculous. You were barely apart for a day! You've gone longer without seeing each other when Aylin flew away on some divinely ordained quest or mission or another. But the feelings you read on her face are a perfect reflection of your own, and you are sick of the very thought of denying them. Instead, you throw your arms around her and draw her close once more.
"I missed you," you murmur the truth into her neck, just above the edge of her gorget, into that bit of unearthly pale skin that is always so conveniently available for you to kiss.
"I have dutifully stayed away, exactly as you bade me to," Aylin doesn't sound too disgruntled, and for that you find yourself both grateful and relieved. "But your guests are gone at long last, and so I consider my duty done."
You suppress a scowl at the bitterness that rises in you - because yes, you did pull Aylin aside and request, against the palpable wishes of every fibre of your being, that she not show herself around Moonrise today. All in the ultimately futile pursuit of appeasing your father, in a way so shallow and childish and stupidly obviously temporary that you feel a flare of anger - disgust, even - at yourself for not standing your ground. For going along with it all in the first place. But the slight yet audible disdain Aylin puts on the word guests is too conspicuous, too intriguing, and so your curiosity trumps your rising guilt.
"Do you have something against the Whitburn family?" Surely, if there was something objectionable about them, your father wouldn't have invited them the way he did. Aylin would have warned you of anything sinister. But then, suddenly, a different, more darkly amusing flavour of thought arises. "Or do you merely not like Lady Jana Whitburn?"
Aylin huffs, tilts her head with an unconvincing nonchalance. "She seems a fine woman. A knight with several deeds to her name - in particular some courageous outings against a local Cyricist offshoot, very recently. I hear she conducted herself with utmost skill and bravery."
"You've looked into her, I see?" You ask teasingly. Aylin's frown alone is an entire hundred-page novel. "Aylin. Are you jealous?"
The tinge of possessiveness in the way she holds you against her chest is clear to you now. You also find you have no complaint to give.
"I cannot help but feel this latest attempted match is… rather shrewdly targeted. Do you not find it so? Why, I would near take it as a slight."
With some reluctance, you pull away the slightest bit in order to face her properly.
"Aylin, look at me," you tilt her chin up, make her meet your eyes, reaching over to smooth the thundercloud away from her brow. "Forget about it, about them. I would have none but you - you know this by now, I hope. Only you."
Forever, you dearly wish you could say, sometimes. Your fingers trace down her cheek and to her lips as you watch her ire pour back into fervour. 
"Isobel, I swear, from the moment our eyes met, I--"
You interrupt her with a kiss - she is too striking and too beautiful and too achingly, passionately devoted not to.
The entire situation is a problem to solve, and a mounting one. You can tell by your own rising annoyance and resentment each time the subject comes up that you cannot entertain your father's attempts at denying your relationship for much longer. But you can sense in both your and Aylin's current moods that any discussion will be anything but productive.
You break apart, but stay close enough for you to whisper against her mouth. "Why don't we stop wasting time, and instead of wallowing in misery, you take me to bed."
A different frown creases her brow now as she inclines her head towards the door you left ajar behind you. "Your bed? Here?"
You glance back as well, almost drawn in and through the imposing towers of Moonrise and all it represents.
"Yes," you reply with little hesitation. You decide then and there to be done with this farce. No more flying away to stay at Last Light, or utterly unsubtle attempts at sneaking off, slinking back before dawn only to present yourself downstairs come morning, unacknowledged but fooling nobody. There are other methods in your arsenal besides pointless subterfuge. "And tomorrow - if you wish to join us, of course - I would like to invite you to breakfast. Where you will sit at my side."
Where you belong, you swallow back, keeping your mock-proclamation formal. Where the world should and will acknowledge you belong.
Aylin's smirk reassures you she understands fully how you intend to play this. "How could I decline my lady's invitation?"
You tilt your chin up, the picture of a lady issuing a decree, even as your lips curl into a smile. "Despite any slights, intended or not, and protests from my family, it is an honour to have you here. I will see that it is better demonstrated, as it should have been from the start."
Or perhaps it would be better to say how it was at the start, before Ketheric Thorm's welcome for Selûne's emissary cooled down to an icy, formal tolerance - of course, exactly as your and Aylin's relationship blossomed, decidedly informal, regardless.
Aylin's mouth is hot on your neck as she effortlessly lifts you up and carries you inside. You feel her grin through her kisses. "I think, Isobel, you'll find the honour is all mine. And so is having you. Here or anywhere else."
You cannot help but laugh, taking her face between both your hands and peppering it with kisses in return, always delighted by her utter lack of both subtlety and hesitation.
Once Aylin plants you on the bed and herself between your thighs, your dress lost to some darkened corner and her gauntlets lost to the aether, she leaves little room for thought or speech. Relentless and utterly driven, she refuses to stop until your legs are jelly, your head is void of all concerns, and your heels have all but left dents in her backplate. 
Her face both glows and glistens when she rests her cheek against your stomach at long last, alight with some private amusement and sheer pride. You thread your hands through her hair and catch your breath, and for a little while simply bask in her presence.
She stretches out a bit, unfolds her wings just enough to let fluffed-up, ruffled feathers settle back into place, and you sigh at the sight. So magnificent in her devotion, your angel.
Aylin next makes a show of licking at her fingers with a pleased smirk, then her lips for good measure. "I may not have been invited to the evening's festivities, but my darling, ever caring, ever thoughtful, provides bountiful nourishment nonetheless. It is the height of honour, to have such a delight saved for me alone."
You flush and squirm, and would like to state something rather precise and factual about moon cycles and the workings of your mortal body. "Aylin!" You throw an arm over your burning face instead. "Gods, you say such things…"
"But you take such delight in it when I do," she replies, tilting her head faux-innocently.
"I adore it. I adore you. Come here and I'll show you just how much."
This is what prompts her to finally take a moment to dismiss her armour, bringing her next to you in a heartbeat. You take another precious few seconds to marvel at how perfectly she fits into your arms, like she was made to be there, instead of for any divine mission.
You spend the night curled around each other in a too-small bed, both of you choosing to be utterly brazen.
-
1385 DR
-
You were very young when your mother died. The searing, half-understood pain of her departure had time to dull into an ache, then into a sense of absence you have grown up with, that will always be yet another part of you. You keep her final letter, and reread it less and less as the years and then decades go by. You can hear and feel her words just as well in the soft, warm moonlight that blankets Reithwin on blessed nights. It makes you feel like you can firmly grasp and hold and understand all that she tried to leave you with.
There is a distinct sense that she is proud of you. That she will see you again one day and tell you so herself. So you smile up at the Moon, the ever-changing treasured constant in your life, and bask in the pale, gentle love you receive in return. 
When you lost a mother, Reithwin lost its head cleric. In the years since, it has had only interim duty-bearers. And you understood, years ago, even as you settled into a promising role in the House of Healing, that you were being looked to as the replacement.
And true - this has ever been your calling. You feel you were born for this service, sometimes, so easily does it come to you - the deeply felt devotion, the lightness of moonlight always ready at your fingertips, the sheer awareness of Her presence, of all She gives and provides and strives for. A cause so good and just and right you would barely deign to call it a choice - though a choice it is, always, freely made by you, again and again and again.
So when you reject the notion of taking up office at Reithwin - at least for the foreseeable future - and announce your plan for undertaking several pilgrimages of increasing length and complexity, it causes a stir among the clergy and a dark thundercloud to settle upon your father's brow.
The further away the locations you list as you stand before him in his study, oddly formal, the deeper his frown becomes. By the time you mention leaving Waterdeep and the House of the Moon and the settlements on the way to Neverwinter, he raises a hand to cut you off.
"I do not think this is wise, Isobel. There is need of you here. The roads are perilous--"
"I can take care of myself. You know I can, papa - you've seen to that. I have trained and prepared for this all my life." Then you smile, hopeful, and make your biggest misstep. "Besides, Aylin will be there to protect me, should the need arise--"
"Of course she will," you catch the mutter under his breath and your mouth slams shut.
You take a deep, steadying breath, and reach across the desk to lay a gentle, reassuring hand on your father's, meeting and holding his heavy gaze. "Reithwin is my home. No matter where the road takes me, no matter how far, I'll always come back. And to you as well, papa."
Reithwin, ancestral seat of your family, safe and idyllic, surely does not need you as much as the wide world; the vast, colourful, challenging variety of the realms. There is so much you can do, and offer. What good are gifts if you are not going to use them? Hoarding them, hiding away, sheltered - no, you refuse to be a waste.
"I need you here, Isobel."
There is an edge of desperation to your father's voice that makes your breath catch and your eyes burn. A pain that calls to mind, oddly, the sting of the black ink being slowly applied around your lids, a needle shaping the curl of the holy symbol down towards your cheekbones. 
And there it is, perhaps - the real root of the struggle at hand.
"I can't be your little girl forever," you exhale, frustration mounting, somewhat undercut when you see the naked hurt on his face. "I can't be just that," you amend. "I have an entire life to live. My own life."
"With Aylin," he suggests darkly. Disapprovingly. "And when she carelessly discards you, a mayfly in her eyes--"
"Is that what this is truly about, again? Father," not quite papa at the moment, no, as you try so very hard to keep your calm in the face of your own rising irritation, "must we?"
"How can I not, Isobel? When she has clearly been feeding you this - this drivel."
"It has nothing to do with her!"
The doubt is writ plainly all over his face, and you bristle. Fine. If he is not ready to relinquish his chokehold over Isobel Thorm, cherished daughter, then he will have to reckon with Isobel, accomplished cleric of Selûne, and prospective Silver Lady initiate. You let go of his hand and step back, square your shoulders demonstratively, stand up ramrod straight.
"Our Lady champions and rewards self-sufficiency, agency, travel, and discovery - of ourselves, the world around us, and all in it who might need guidance or help in any way. It is mine to freely give, and I intend to do so, wherever I am needed. In Her name."
You turn and leave without waiting for your father to scrounge up a response.
It is the last conversation you have with him for a century.
-
It happens so very quickly, for something that would rewrite the fate of your home and all you ever loved for the next hundred years. Like a carelessly tossed pebble turning into a rockslide.
An ominous chill that barely has the time to register fully; a bark-whine from Squire, cut short; a searing pain in-- through-- your side and your chest, fading into numbness within moments, so fast that you barely choke out a desperate blood-drowned breath as blackness swarms the edges of your vision; a frantic cry of Isobel! ringing out from somewhere above or below; and then--
nothing
and nothing, and nothing, and nothing.
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koirian · 3 months ago
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Yoink!!!!
TW: Cursing (I think that’s about it)
Word Count: 1042
She ran and ran and ran. Her uniform soaked and heavy from the rain weighing her down. She grits her teeth in pain. Her legs had long since started burning from overexertion. They were relentless, not stopping for a break once. Hiding in the shadows while she sticks out like a sore thumb. All of it is making her go insane. She felt like an animal being hunted.
“Son of a bitch” She pants breathlessly taking a sharp turn into another alleyway
“Shoulda never took this job. Shoulda never trusted them sketchy ass mercs. Shoulda never joined the fucking army." Another turn. All of these alleyways were making her dizzy and can't even remember which way she came from. She just prays that she doesn’t come against a dead end. She curses the city in her mind much preferring the nice old countryside rather than a concrete jungle. She could hear their voices from all around her. There's no escaping from these guys.
There was a voice of her CO screaming in her ear. His irritating voice makes her ears ring. Throughout all the chaos around her and in her ears she manages to make out the coordinates of the extraction point from the screaming voice.
“Woulda been nice to know earlier” She grumbles under her breath fumbling with one of her vest pockets to pull out a compass taking a sharp right “Fuck!” She curses as she looks up from her compass to see a dead end to the alley she was running through. Her eyes scanned for any kind of way out of this situation. Footsteps ring out from behind her, only a few seconds away from being caught and who knows what.
She takes deep breaths to calm herself down. No use panicking in this situation, if anything that’ll make it worse. She scans her surroundings. Wall, Wall, more wall, dumpster, Fire Escape.
“Thank you gods” She grins; thanking whatever blessed higher being looking over her that day. She takes a few steps back before sprinting toward the dumpster and jumping onto it, throwing herself up onto the fire escape. Grabbing onto the bottom rung bottom of the rail. She grunts as she heaves herself up onto the metal floor of the escape. Taking desperate breaths curled up into herself, her head resting on the railing that her hands were still gripping shakily having fallen to her knees.
Her head snaps up at the sound of footsteps at the entrances of the alleyway “C’mon, don’t make this harder than it needs to be.” She pushes herself up onto shaky legs and starts climbing the stairs pushing herself to the brink of exhaustion up onto the rooftops. Probably not the best idea, but what other option does she have. One, Two Three, Four…. God how many floors were there.
She collapses onto her hands and knees at the top of the stairs on the roof of the building she climbed up onto. Black blurred the edges of her consciousness. She had no more strength to run anymore, praying that they had lost her or thought she wasn’t worth the effort anymore.
A voice chuckles. The same voice that had been tormented throughout this entire night. The same southern drawl that was making her lose her mind. “You're quite the runner, almost lost you” Sandra squeezed her eyes shut still taking in large deep breaths, She could hear the troop of heavy footsteps approaching her. She pushes herself off of her hands “What do you want from me” She glares up at the man.
Short blonde hair, a perfectly trimmed beard, beautiful eyes…stupidly handsom-. Let's stop thinking for now. He looks down at her with scrutinizing eyes “I’ll make you an offer. Join us” He gestures to himself and the soldiers behind him “or since ya got confidential information we’re gonna have to get rid of ya.” A few of the soldiers behind him shift their weapons threateningly.
She looks around wondering if she should take her chances. Close enough to the edge that she could lean back to fall. High enough to kill her. 95% chance she died here if she didn’t accept, but she did fancy herself a gamble.
“Well what do ya say?” The man grinned dangerously at her. This time She grinned back and leaned back “I’ll get back to you for that one.”
She could feel the wind rushing past her body and she braced herself for impact that never came. A few seconds after she was in the air she suddenly felt someone grab the back of her collar “Oh no you don’t you little brat!”
She was hefted back up onto the rooftop still being practically scuffed like a mischievous cat instead of a fully grown adult woman. She swings her legs at whoever was still holding her in ‘air jail’ hoping to get a good kick in before getting immediately stopped.
She sighs accepting that she finally lost a gamble and looking forward again. She sees the same man looking a little more annoyed, but not making any move to kill her yet. He raised an eyebrow expectantly. “I’ll join your company” she fumed slightly at her loss.
—————————————————————————
“SANDRA! GET YOUR ASS BACK HERE RIGHT NOW!” Graves shouted down the hallway as Sandra absolutely sprinted through the complex. Sandra knew she wouldn’t be able to run away forever, but at least she can delay the consequences.
Sandra starts weaving in and out between the rest of the shadows. Graves voice was getting quieter as she kept going until eventually she felt her collar get grabbed and she was suspended in the air “Let go of me!” She squirms trying to get out of whatever Shadow just grabbed her. Her attempts become more urgent as she hears a Grave’s voice get closer.
Sandra saw him approach giving the Shadow an approving nod before turning back to her. There was a radio in his hand. One that Sandra had hid in his ceiling weeks ago for the ongoing prank war. “I’ll make you an offer” Graves chuckles “Join my side of the prank war or I’ll have to get rid of you”
Sandra almost scoffs at the reminisce of their first meeting before sighing dramatically “I’ll join your side.”
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goodintentionswipfest · 1 year ago
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Gather up your ghosts!
Reminder that Good Intentions WIP Fest is coming up on October 31st! Dredge up those stories taking up space in your documents and in your mind and release them to the world! Let us see all that writing that would otherwise be denied to your readers! Let your dead come out to play!
Full event information is linked above, but the basics are: this is a time for your to post all those abandoned WIPs that you're never going to finish. Post them to this AO3 collection with the tag "Abandoned Work - Unfinished and Discontinued"; post them to Tumblr with the tags "good intentions wipfest" and "good intentions 2023;" and @ me here if you want them reblogged to this account.
This is a fest for people like me, who would rather have some of an amazing fic (or piece of art) than none of it at all. It's an invitation to free yourself from your guilt - and it's an invitation to readers to take a chance, read a story, and talk to an author. Who knows - maybe inspiration will strike again! Or at least you might learn how the story was going to end.
This fest is generally tailored to fics, but all unfinished work is welcome. Check out the FAQ for more information, or feel free to send me an ask if you have another question!
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l0ganberry · 1 year ago
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I never shown this to anyone else except for those close to me but here's a thing I did for my first time drawing all the neighbors in WH (Welcome Home) in my comfort art style. This is one of my favorites that helped me be more comfortable with WH itself. (And to practice on how to draw them in general.)
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thedeadthree · 1 year ago
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-`. TAG LIST POST ❦
i cannot recall to save my life if i did this yet but i thought it would be cute (and helpful for my brain sizjzj) to join in with the besties and make a post for y’all if you wish to be tagged in oc content / tag games / quizzes/picrews / edits / etc !!!!!!!
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grimgrinningghost456 · 8 months ago
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So you know how Adam says he named Vaggie after the “best thing”? Well it had me thinking. Adam likes guitars. And Lute is his right hand woman. Depending on how long they’ve been working together, and if Adam also named Lute, do you think that’s her name because he thought at the time that the Lute was the best thing in the world? Lutes are just old fashioned guitars, really. No wonder why people ship them.
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ichore · 2 months ago
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aceofthyme · 1 month ago
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on a scale of “no” to “jeez yeah that’s a little creepy” is it weird if i show up to the musical with an outfit fully matching doc’s onstage outfit. like. identical shirt, coveralls, etc
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originalaccountname · 2 years ago
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Thank you for the long post! That really helped!
I’ve actually bought a few of the LN (including Fifteen and Stormbringer) but I’ve been trying to read the main manga first so I haven’t gotten to them yet or watched anything more than clips from the anime (I’m borrowing the manga from the library and there’s someone else reading it too who always has the next volume when I need it, so I’m still waiting on vol 4).
Though I’ve never been too fussed about spoilers because even knowing what’s happening beforehand hit different when you have the full context of reading it.
Anyway, thanks again for the explanation of Chuuya’s ability! Btw, I heard that while the gravity manipulation is the result of what the scientist did to him (in forming that self-contradictory skill you mentioned), his skill’s original form was amplification? Or something like that? I was wondering if that was true because like…
Wow he and Dazai would really be matching even more.
You're my hero for reading the manga first, and also for picking Chuuya as your favourite with literally one chapter content of him. Do be careful of his characterization in fics, since new info on him comes out with huge gaps often measured in years between, interpretations vary a lot. Do have fun though! There are some real gems out there, both old and new.
About Chuuya's original ability: there is no hard confirmation on what it is. However! When explaining what a singularity is, how it happens, and how to create one with a self-referencing ability (a single ability interacting with itself on loop), a real example is "randomly" given, with a young boy being capable of amplifying others' abilities, and then using that ability on himself, creating a massive amount of energy and forming what is essentially a black hole in which he supposedly "vanished".
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That "real-life example" also came with video footage which is described in detail. That child is out of frame, his identity hidden, but he is holding a coin with a fox and the moon engraved on it, and recites a passage from Nakahara Chuuya's poetry.
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So no absolute confirmation, but the themes and hints are all there... and what would be the point of presenting us this child with this specific ability while using these specific words if they were not important?
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