#thought organizing

[eternallynamelessvoid]

Eeeee - Rambling about (maybe) being a system

Long post

Okay. I’m here to organize thoughts lol.

So, I MIGHT have OSDD-a. My logic for this is that it would explain the random as hell chatter, the mood shifts (and wanting to go by a different name sometimes) and never feeling ‘fully’ myself.

Reasons I MIGHT have OSDD-1a (or have a UDD)

1) the mood-changing shit, somebody says something and suddenly my mood is way, way different. (Ex; my friend started venting and I went from content to very apathetic. This is a regular occurrence, however it could be a mood disorder but I’d have to research that first)

2) voices in my head, although relatively rare, are very very weird. (SB makes funny dirty-jokes and is a flirt, and RBN is murderous and typically talks about violence.)

3) I have amnesia, but it’s incredibly random, and is more like dissociative amnesia (where I zone-out, then I dissociate, and then 5 hours have passed when I snap back. 90% of this is in school, where I’m on auto—pilot.)

4) Body dysmorphia. It’s not always there, but sometimes looking in a mirror feels like a stab to the heart.

5) The edge between daydreams and reality is very blurred. While this wouldn’t make me an OSDD system, it could (potentially) be me being a schizo-system. It’s akin to psychosis, and typically the rule is ‘believe half of what you see, and none of what you hear.’ That quote. Aka I don’t trust my sight, hearing or smell and rely on touch.

6) Trauma. Although not enough to garner being a system, but ‘trauma is your reaction, not the event’ and that whole thing. (Which I’m trying to wrap my head around. I thought I was overly paranoid about males.)

7) I’m writing this (this isn’t an actual reason, just putting humor so I don’t fucking implode)

My argument against NOT having OSDD-1a is :

1) if I was a system, I probably would’ve noticed earlier instead of when I first started learning about them.

2) I’m very prone to thinking I have a mental disorder I do not because my brain is set on ‘being the most special’. (Aka, sometimes if I can’t fight it I self dx with no research so I can become special. Why? No fucking clue and if anybody knows how to fix it, thank you.)

3) I could be hallucinating, I do that because i feel lonely lots. (I am not an endo system. If anything this would make me a schizo-system. I got research that more actually-(I’m not strictly anti-endo, but a lot of them are in thin ice))

4) it’s so incredibly rare as a trauma response, it’s very unlikely I do not have it

5) Although I was traumatized, I highly doubt it was not that severe. (Although I cannot remember anything from the years 1-12, but this could be amnesia, memory blocking and other crap)

6) literally no. It’s so unlikely. So so unlikely.

7) I think SOMEBODY would notice, even if it was a minor thing.

[devsgames]

Me: "hey game developers, especially AAA ones, are getting laid off en-mass and it's awful for our industry" Gamer: "well I only play INDIE games and the problem with AAA games is they are creatively bankrupt"

Me, slamming my fists on the table like a baby: "WHAT ARE YOU TALKING ABOUT THIS IS ABOUT A BUSINESS PROBLEM PERPETUATED BY CAPITALISM NOT A STATEMENT ON CREATIVE DECISION MAKING"

[gerrykeay]

im not putting this post into words. beams into your mind The Parallels

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[bunnieswithknives]

As much as I love angst I think it would be funny if he just didnt give af

[qcomicsy]

I think a thing that people get wrong about Jason's anger is that it's not explosive.

It's cold. Jason isn't the type of person who storms off at every little thing or goes throwing tantrums and setting things on fire blindfully.

He's the type of person who's very practical. He keeps to himself, always. You rarely see issues where Jason's anger is reactive at the moment where the trigger happens to him. If you see his character up close, most of the time when he's triggered his reaction is calm. Even cold.

He gets triggered -> He keeps to himself → He makes a plan → And then he reacts.

Jason's anger being something explosive and out of character and out of place is actually how other people (characters) see it, because they have no idea on how it's playing out on Jason's head.

And that's a thing you can see operating since he was a child.

Where the only exceptions about this effect is either when someone he believes needs his help is involved.

See Nightwing Annual (2021)

But In Batman #411 when Jason learns the fact that Two-Face was responsible for his father's death and Bruce was keeping that from him as a secret his first reaction isn't to blow up on him.

Was to seethe.

Bruce goes up home after dealing with a Two-Face case (in my field we call that poetic irony) and asks Alfred where Jason is, Alfred's answer is that he's been sleeping all day (which is a conclusion that Alfred drew probably after going to check on Jason and seeing him in fact on his bed all day).

But when you see the next panel, even though he is on the bed, He's fully awake and both his expression and his body language shows that he's in fact angry.

This is the first time he appears again in the comics after learning that Two Face killed his dad.

Jason doesn't go towards Bruce immediately to demand an explanation or ask why he did this, or even to throw the truth on his face.

(Which could be debatable that that's something the Dick would usually do, but I'm not that literate on Dick's comics)

His reaction wasn't immediate.

His reaction was to go to his bed and stay quiet. Jason stayed calm and collected the whole trip until meeting Two Face again.

But the moment Jason as Robin has the opportunity to get his hands on Two-Face he does this

From Bruce, and maybe Alfred's perspective it could be interpreted as out of place or him storming off.

But it isn't. Jason was able to keep his cool (even though he shut off), until he was face a face to Two Face.

Does that mean he planned that to happen?

That's debatable, in any moment of this issue it is shown that Jason was actually planning to get to Two Face and do this. I my personal opinion, other and much more plausible explanation is: That he was in fact trying to keep to himself but couldn't hold back the moment that he saw his dad's murder.

You can see the same thing happening as Jason learns that Batman got another Robin in Red Hood: Lost Days.

Talia asks "You all right?" and Jason's first answer is "Sure Why Wouldn't I Be Alright?"

When he's alone he finally has the moment to break down.

(Actually both Red Hood: The lost days and Batman: Under the Red Hood are great case studies on how that usually play out on Jason's head.)

Jason is way more in control of his emotions than people ever give him credit for. The thing is that Jason holds it back until he either blows off or is capable to throw it back in someone's face.

[fictionadventurer]

Pop culture reduces It's a Wonderful Life to that last half hour, and thinks the whole thing is about this guy traveling to an alternate universe where he doesn't exist and a little girl saying, "Every time a bell rings, an angel gets its wings." A hokey, sugary fantasy. A light and fluffy story fit for Hallmark movies.

But this reading completely glosses over the fact that George Bailey is actively suicidal. He's not just standing there moping about, "My friends don't like me," like some characters do in shows that try to adapt this conceit to other settings. George's life has been destroyed. He's bankrupt and facing prison. The lifetime of struggle we've been watching for the last two hours has accomplished nothing but this crushing defeat, and he honestly believes that the best thing he can do is kill himself because he's worth more dead than alive. He would have thrown himself from a bridge had an actual angel from heaven not intervened at the last possible moment.

That's dark. The banker villain that pop culture reduces to a cartoon purposely drove a man to the brink of suicide, which only a miracle pulled him back from. And then George Bailey goes even deeper into despair. He not only believes that his future's not worth living, but that his past wasn't worth living. He thinks that every suffering he endured, every piece of good that he tried to do was not only pointless, but actively harmful, and he and the world would be better off if he had never existed at all.

This is the context that leads to the famed alternate universe of a million pastiches, and it's absolutely vital to understanding the world that George finds. It's there to specifically show him that his despondent views about his effect on the universe are wrong. His bum ear kept him from serving his country in the war--but the act that gave him that injury was what allowed his brother to grow up to become a war hero. His fight against Potter's domination of the town felt like useless tiny battles in a war that could never be won--but it turns out that even the act of fighting was enough to save the town from falling into hopeless slavery. He thought that if it weren't for him, his wife would have married Sam Wainwright and had a life of ease and luxury as a millionaire's wife, instead of suffering a painful life of penny-pinching with him. Finding out that she'd have been a spinster isn't, "Ha ha, she'd have been pathetic without you." It's showing him that she never loved Wainwright enough to marry him, and that George's existence didn't stop her from having a happier life, but saved her from having a sadder one. Everywhere he turns, he finds out that his existence wasn't a mistake, that his struggles and sufferings did accomplish something, that his painful existence wasn't a tragedy but a gift to the people around him.

Only when he realizes this does he get to come back home in wild joy over the gift of his existence. The scenes of hope and joy and love only exist because of the two hours of struggle and despair that came before. Even Zuzu's saccharine line about bells and angel wings exists, not as a sugary proverb, but as a climax to Clarence's story--showing that even George's despair had good effect, and that his newfound thankfulness for life causes not only earthly, but heavenly joy.

If this movie has light and hope, it's not because it exists in some fantasy world where everything is sunshine and rainbows, but because it fights tooth and nail to scrape every bit of hope it can from our all too dark and painful world. The light here exists, not because it ignores the dark, but because the dark makes light more precious and meaningful. The light exists in defiance of the dark, the hope in defiance of despair, and there is nothing saccharine about that. It's just about as realistic as it gets.

[biggest-gaudiest-patronuses]

got a worm nibbling my brain. can someone help me find a piece of obscure media?

webcomic/indie comic from the 2010s. basically a sci-fi short story about a young girl (with red hair?) who was being raised by scientists as part of an experiment. she receives a haircut/has her head shaved, in preparation for her annual brain scan/testing. it is revealed that while her body is human, her "brain" is artificial, made of computer implants throughout her skull and spine. at some point her biological mother (also a scientist on the same campus?) encounters her and is repulsed, viewing her as a machine who has murdered her daughter.

it was very poignant and it bruised my heart and i can NOT find it anywhere

[altruistic-meme]

i know it's been said a million times by now but Neil making the FBI agents give him a to-go container before going with them to the headquarters and then pulling it out MID INTERROGATION to continue eating is so fucking unhinged. i love him so fucking much. i fully believe that was a completely intentional power move on Neil's part i doubt he was even that hungry he just wanted to be a little bitch.

[slime-water-shrew]

Allonormativity and BillFord

(Links mentioned are at the bottom of the post)

I think aimasup puts it best in the caption above their comic linked below “They loved/love each other but not exactly romantically do you get me.” Bill and Stanford’s relationship was mutual and they definitely cared for each other in one way or another, however I don’t believe that love was romantic or even sexual in nature. Both Stanford and Bill show a lack of interest and/or understanding of romance in their respective books as countless people have pointed out, Ford even being referred to as “plansexual” (check out the Love page in The Book of Bill.)

[Photo of a pink page from The Book of Bill. The page says the following: "Bill, have you ever been in love?" "Sure -- tell your mom hi for me! By the way, have you taken a DNA test recently? Not asking for any particular reason." "Seriously, though, have you?" "Asking me if I've been in love is like asking a black hole if it liked your mixtape or asking a subterranean fungal spore network who its favorite animated princess is. I'm a multidimensional specter of chaos that transcends reality, I couldn't possibly care less about which bag of plasma blushes at who or why!" "Okay, but like... You gotta be crushing on someone." "I will light this book on fire." "Methinks you doth protest too much." " "Methinks"? Kill me before you start telling me about your polycule."]

[Photo of a grey page from The Book of Bill. The six fingered hand symbol representing Stanford Pines rests above a block of text that reads "Sixer dreams about a pop quiz that asks him, "What are you attracted to?" Usually writes, "I'm attracted to logic and preparation." Not sure what to call that! Plansexual?"]

And yet it seems that Bill and Stanford had a romantic/sexual relationship in the past. Bill gives you flirting tips and has done several of them on Ford. He gave him rats in the book and the “The “LOVE CAGE”” in the show itself.

[Photo of a damaged and yellow page from The Book of Bill. The page has a drawing by Ford of a pile of dead rats arranged to spell out his name, "Ford". Above the rat drawing is the text "Why?" with an arrow pointing at the rats.]

The karaoke page heavily implies that they went on a date and slept together too.

[A Photo of the aformentioned karaoke page in The Book of Bill. The page is yellowed and the text written on it is messy and completely unlike Ford's normal handwritting. It is also filled with spelling errors. It is hard to read so my best attempt to write out what it says are as follows: "I probabbly shouldn't be writin this down but I had such a crazy??? WOW what a. It was a night! And now it's mornign? Cill Bipher.... He did a dream? Karaoke? And then one thing led to another thing and normally I try to be sober but... He mixed a dream drink and??? I gotta say. I just gotta say. Look it's just me and my journal here, I gotta say: This Bill guy he's really got it all figured out. Also the rats were his idea? I get it now. I'm gonna, we're gonna what a time. What a hangover. Gonna sleep. Whole day. Ad aspera asperin -Stranford Pi" The pen then trials off the page and below the wall of mangled words is a drawing of Ford and Bill infront of the stars with mics in their hands singing. Ford is holding a drink in one hand with his eyes closed in a smile and Bill has an arm around him and is looking at him sweetly. The song they are singing is Disco Girl.]

So does this mean they aren’t aroace? Not at all. I believe that the two of them confused obsession for love. As wishwizardliv states in their post linked below “NOBODY CAN TELL ME IT WAS ROMANTIC[.] THAT SHIT WAS JUST OBSESSION ON BOTH ENDS”. Ford was practically consumed by obsession. His carpets, walls, everything down to the windows were made in Bill’s image. He prayed to him and his favorite constellation is Bill. He was a god to him.

[Photo of a page from Journal 3. The page is yellowed and there is a drawing of a few constalations. One being Ursa Major and the other being William. William is a triangle with a bowtie and one eye. The drawings are labled with a note underneath with a arrow "Favorite constellations".]

And Bill was no better. From the stories we have of his past his involvement in any one person’s life is a rarity and the fact that he visited Ford often says a lot. Not to mention I do believe Bill when he offered Ford to rule the universe with him. I think he honestly wanted to have Ford by his side for all of weirdmageddon. Not to mention he carried him around everywhere like a doll and made him out of gold unlike all the other people he petrified. They were clearly obsessed with each other and in our allonormative world that is hard to rationalize unless you assume it is romantic or sexual in nature.

Hana Hyperfixates in their video Gravity Falls and LGBTQ+ subtext: Decoding the Queercoding | A Video Essay, around the 1 hour and 33 minute mark they say “... there’s a lot here about Ford wanting women to notice him, and not a lot about him noticing women. He was a guy in the 80s who wanted stardom and acclaim. Women wanting men in power was imagery he likely was surrounded with growing up.”. You might be thinking “Okay but what about Bill? We know allonormativity exists in our world but how can we say the same for his actions?” Well I have news for you: we can also see Bill Cipher literally being pressured about how “you gotta be crushing on someone” (Book of Bill Love page); it’s clear that even though Bill is not even from our dimension even he can’t escape allonormativity. All of this in mind with how deeply obsessed with each other the two of them were it makes sense they would confuse it for the traditional kind of love and try their hands at dating. Which explains why a triangle that is above love (as he kinda states in the Love page), and a “plansexual” man would go on a date and sleep together. They may not ever actually have been in love but them attempting to flirt and date makes sense when you consider they just confused their obsessions with romantic love. In this context it recontextualizes Bill’s statement in the Love page shown below.

[Photo of a pink page from The Book of Bill. The words are written in white blocky but setchy leaters with a black box around them. The text reads: "Love is a trick. And worst of all. It's a trick you play on yourself!"]

What at first seems like the bitter words of someone who feels like love is pointless could be taken more literally. It was in a sense a trick he played on himself.

As an aroace person myself who has often confused obsessing over fictional characters or gender envy, or just really caring about a friend deeply with a crush, I have to say there is nothing more relatable than that.

Sources & Links

wishwizardliv : https://www.tumblr.com/wishwizardliv

wishwizardliv’s post : https://www.tumblr.com/wishwizardliv/758841130677862400/nobody-can-tell-me-it-was-romantic-that-shit-was?source=share

aimasup : https://www.tumblr.com/aimasup

aimasup’s comic : https://www.tumblr.com/aimasup/758803563813224448/they-lovedlove-each-other-but-not-exactly?source=share

Hana Hyperfixates : https://www.youtube.com/@hanahyperfixates

Hana Hyperfixates’s queer reading video : https://www.youtube.com/watch?v=JFRx3ibU3yU&t=146s

[justcallme-ange]

I saw a video recently on Insta of a knight riding around shirtless in a Ren Fair and was unable to do anything but recreate it with Techno XD This took me 3 days and 3 nights - just so I could see some bounce physics ;3

I cannot believe I animated an entire horse - just to justify it OTL Please enjoy the fruits of my labor XD

[jeeaark]

The End

Never had my max level 12 ass been more humbled than trying to complete that Nightmare of a Haunted House Quest during the Patch 0 days. Back when those friggin' cursed skulls were indestructible and hurt.

Every other Act 3 quest: Full-on Limitless Confidence, No strategy?Not fully rested? No worries, we're practically gods.

This Artist quest????: Put the fear of TPK back into me. What a wild Quest. I loved it. Shame they nerfed it. Truly the Ultimate DND experience.

Was the last quest I completed before the finale. Fitting to have the last reward be a painting of you. Real nice of the game to allow you to acquire a permanent physical copy of the 'old' you, just moments before becoming the 'new' you. Something real to hold onto instead of only having the memories of who you were before. A tribute to your past and a reminder of 'who are you?' in case you started to...forget. Fucked me up y'all, had to turn the bittersweet thought into something more wholesome.

[rewrittenwrongs]

Bruce freaking the fuck out because someone vandalised his son’s grave. He is pissed, and so sick at the thought of seeing what they did to the coffin that he barely even tries to look. Tim is the one who checks if the robbers left anything behind or did something to Jasons body, and is shocked to see an empty coffin. Then he remembers how paranoid Bruce is and the sensors he put in the coffin, but strangely enough none of them were activated. Then he remembers; the sensors only go off if the coffin is breached from outside. And upon inspection the wood certainly seems to be breaking outward…

[th3e-m4ng0]

blub blub

their actual colors

[hoofpeet]

Potentially weird habit but. When I get really fixated on an oc/blorbo or whatever I get embarrassed thinking cringey shit "In front of" them. Like ah fuck I was cringe in front of my imaginary fursona. shit

[kestrelteens]

with this build (penthouse) I wanted to achieve a mixture of the french haussmann architecture and the classic industrial style (who would I be if I didn't add a skylight in there somehow??) that belongs in a city, I guess it's kinda there? but anyway, I thought it was perfect for an atelier 🎨

the other segments of the building will be turned into small apartments that all have balconies and rooftop areas for hanging out or watching the sunset (sunrise?) 🏙