#thought I where dead did you?

[bunnieswithknives]

As much as I love angst I think it would be funny if he just didnt give af

[volturilovers]

🪩✨sparkling✨🪩

and

✨shining bright like a Diamond✨ that only the skin of a killer can do

A day when the volturi is on a trip.

Aro: Caius have you seen Marcus? He told me he was going with you.

Caius: no I thought he was with you?

Aro:……

Caius:….

Aro: oh shit.

Meanwhile Chaos is happening in the volturi coven

Marcus sitting at the ens of a cliff thinking about his love

[lotus-pear]

i love you royal trio (minus akechi)

[egophiliac]

LEON

LEON YOUR EYEBALLS

[mamawasatesttube]

something i like to think about sometimes is that. man. you could really create some kind of perfect storm with the combo of tim's post-infinite crisis fear of losing kon again + kon's intense, but generally passive, suicidality. guy who was so convinced he had to die a hero that when it happened he didn't even seem bothered by it (because he can't be traumatized by his own death if it was what he was literally made for, right?) x guy who has developed a whole new type of mental illness out of the survivor's guilt 100x combo. put them both through the wringer at the same time with one easy trick (make tim think kon will try to sacrifice himself for something) (and kon very well might!)

[bertoyana]

something something when your best friend, your wife, and your daughter take the killing shot that was meant for you

X-Men: First Class | X-Men: Apocalypse

[starry-bi-sky]

realizing i have. a lot of untapped trauma potential for clone^2 danny because i just Fully Processed Four Months Late the fact that his parents were capturing and torturing ghosts in the basement before he became Phantom. and the fact that he was on house rest for 2 weeks. during that time period. and he wasn't really leaving the house. he could hear their screaming through the floorboards

*points at clone danny* i can give you suuuuuuch a bad time babe ahaha. i've got two untouched years before you meet damian what fucks you up before then

[urfavisananimegirl]

walter white from breaking bad

Walter Hartwell White (Breaking Bad) is an Anime Girl!

[bookshelfdreams]

oh and one more thing i am SO GLAD we got to see the first meeting between edwin and charles, it is so sweet and understated and so so SO absolutely insane like

imagine you are curled up in a dark corner somewhere and you have been hurt plenty before so you know this time it's really, really bad. and you can't get help, don't have the energy left for it, and there never was any getting help for you anyway, was there? finding a quiet spot to hide until you can pick yourself up again has always been the only option, but you just - you don't even feel the pain, and isn't that the biggest sign that you're truly fucked? you just feel cold, and scared and you wish. you probably just wish you weren't alone.

and then you suddenly aren't, anymore. suddenly there is light, and a kind face, and a voice keeping you company, answering your silly questions, distracting you from the fear and the memories, soothing you, being there in a way no one has ever been, not in all your life

and then you realize oh it's because you were dying. dying, and haven't even noticed, he "did not want to scare you", and you do not have the words for how that makes you feel, that kindness, how it makes something crack open, how it wraps itself around the core of you like warmth you can no longer feel, and tells you you're alright, you'll be fine

so that's not so bad, then. you have someone with you now.

except you don't, you don't, because turns out you're supposed to go on by yourself, which means you will be left alone again, and no. you will not.

he tells you he's "not good with people" and you know that's a lie, and also, you don't care at all. you don't care what is waiting for you in the afterlife, as long as you get to draw out this moment. so you turn your back to the light, and walk away towards him, and you never regret that, not one bit

imagine crawling out of hell and the first person you meet immediately refuses to go to heaven so he can spend more time with you

[lemongogo]

is this the part where i say i like jaymel . bc i do

[prolibytherium]

I never touched it but I feel like i only ever hear positive things said about song of achilles.. in (rough strokes at least) what makes it dogshit to you?

Okay it's been a while since I actually read it so some of this might not be spot on accurate. Sorry if at any point I say 'the book never does xyz' and it actually does once or twice but I think my underlying criticisms are accurate

-Patroclus is made into like this soft gentle tender quivering little yaoi boy. In the source text, he's shown as compassionate and moved by the suffering of his own men (and apparently having some medical skill, tending to the wounded in the camp), but very much invested n combat and very, very good at it (pages worth of descriptions of the guys he's killing left and right). In this, the arguably more complex character from this 8th century BC text is flattened into Being A Healer, he doesn't want to go to war he just wants to help people, he only goes because Achilles has to but he doesn't want to fight he's a HEALER he's a gentle lover NOT A FIGHTER who just wants to help he just wants to help everyone around him he HEALS while Achilles is a doomed warrior who is so good at fighting and KILLING its a DICHOTOMY GUYS!!!LIKE THE BEAUTIFUL SUN AND MOON DOOMED LOVERS SO SAD patocluse HEALER . (I Think he's specifically characterized as being BAD at fighting but might be misremembering)

-I don't remember much about Achilles' characterization I think it just makes him less of a jackass while not adding anything of interest and levels out into being mad boring.

-Not getting into the literal millenias old debate whether the mythological characters Achilles and Patroclus were being characterized as some type of lover by the original oral sources of the Iliad or its Homeric writers. We will never know. We don't even know what (if any) culturally accepted conventions of male homosexuality existed in bronze age Greece (we know much more about their descendants). But there are some interesting elements of their characterization in this direction, with how unconventional their relationship is WITHIN the text itself- Patroclus is described as cooking for Achilles and his guests (very specifically a woman/wife's job), Achilles chides Patroclus like a father, but there's also scene where Achilles' mourning of him directly echoes a passage of Hector's wife mourning her husband, Patroclus is explicitly stated to Achilles' elder, and is overall treated as his equal or near-equal, closest confidant and most beloved friend (to the point that pederastic classical Greeks would debate over who was erastes (older authority figure lover) and who was eromenos (adolescent 'beloved')- many took it as a given that this text depicted their present-day cultural norms of homosexual behavior but it existed so Outside of these norms that it had to be debated who was who). Their relationship is non-standard both within the text and to the descendants of the civilization that wrote them.

Basically what I'm saying is this book had opportunities to like, explore the unconventionality of the relationship (being presented here as explicitly lovers), explore the dynamics of why Patroclus wants to do 'women's work' (besides being a tenderhearted softboy), the weird dynamics where they take on paternal roles to each other but also roles of wives, how they feel about being this way, and just kind of Doesn't. Which I guess isn't an intrinsic fault (because it omits much of what I just talked about to begin with). it's just like.... Lame. This book takes jsut abandons everything interesting about the source text in favor of flattening it into bland Doomed Yaoi.

-The conflict that sets off the core story of the Iliad is Achilles and Agamemnon fighting over Briseis, an enslaved Trojan woman taken by Achilles as a war-trophy, Achilles spends most of the story moping because he was dishonored by his 'trophy' being taken. Achilles and Patroclus and everyone else are raping their captives, all the women in the story are either captured Trojans (or in the case of the free women within the walls of Troy, soon to be enslaved, and are slave owners themselves). Slavery as an institution and extreme patriarchal conventions are innate to the text and reflective of the context in which it was developed. You cannot avoid it.

But obviously you can't have your soft yaoi boys doing this, so the author has them capturing women to Protect Them from the other men. Their slaves are UNDER THEIR PROTECTION and VERY SAFE (and they might even Like And Befriend Them but I might be misremembering that. Briseis does though). Our heroes have apparently absorbed none of the ideals of the culture they exist in and the author seems to think "they're gay and aren't sexually attracted to their captives" would translate to them being outright benevolent (also as if wartime sexual violence is just about attraction and not part of a wider spectrum of violent acts to dehumanize and brutalize an accepted 'enemy')

In the source text, Briseis mourns Patroclus as being the kindest to her of her captors, who tried to get her a slightly better outcome by getting her married to Achilles (which probably would be the Least Bad of all possible outcomes for a woman in that situation, becoming a legal wife instead of a slave), and wonders what will happen to her now that he's gone. This is a really really sad, horrible, and compelling dynamic which could be fleshed out in very interesting ways but is instead is tossed entirely aside in favor of them being Besties. Like brother and sister.

All of the above pisses me off so much. If you don't want to engage in the icky parts of ancient/bronze age Greece then don't write a retelling of a story taking place in bronze age Greece. I'm not gonna get mad at children's adaptations of Greek myths or silly fun stories loosely based on them for omitting the rape and slavery but it is SO fundamental to the Iliad. If you're not willing to handle it, either fully omit it or better yet set your Iliad inspired yaoi in an invented swords-and-sandals setting where you can have all your heartbreaking tragic doomed lovers plot beats and not have to clumsily write around the women they're brutalizing.

-The author didn't seem to know what to do with Thetis and she made her just like, Achilles bitch mother who spends most of the story trying to separate our Yaoi Boys (iirc her disguising Achilles as a girl and hiding him on Scyros is made to be more about getting him away from Patroclus than trying to save her son from his prophesied doom in the Trojan War) until she sees how much they loooove each other and I think helps Patroclus' spirit get to the afterlife or something in the end?

-This is more of a personal taste gripe but it has that writing style I loathe where the prose feels less like a story and more like an attempt to string together Deep Beautiful Hard Hitting Poetic Lines that will look great as excerpts on booktok (might predate booktok but same vibe). It's all very Pretty and Haunting and Deep but feels devoid of real substance.

I really like The Iliad and The Odyssey in of themselves. They're fascinating historical texts that give a window into how 8th century BC Greeks told their stories, saw their world, interpreted their ancestors, etc. And genuinely I think these texts have 'good' characters, there's a lot of complexity and humanity to it.

WRT the Iliad- all of the main Achaeans are pretty fascinating, the one singular part where Briseis Gets To Talk and laments her situation is great, Achilles fantasizing that all of the Trojans AND the Achaeans die so he and Patroclus alone can have the glory of conquering Troy (wild), Achilles asking to embrace Patroclus' shade and reaching out for him but it's immaterial (and the shade being sucked back underground with a 'squeak' (the squeak kinda gets me it's disturbing and sad)), Hecuba talking about wanting to tear out Achilles' liver and eat it in a (taboo, exceptioally pointed) expression of rage and grief for his mutilation of her son's corpse, just one tiny line where the enslaved women performing ritual wailing for their dead captors are described as using it as an outlet to 'grieve for their own troubles' is heartrending, etc. A lot of grappling with anger and grief and the inevitability of death, a lot of groundwork laid for characters that could be very interesting when expanded upon in the framework of a conventional novel.

And Song Of Achilles really doesn't do much with all that. I know a lot of my gripes here are kind of just "It's different from the Iliad", I would have thought of it as mostly mediocre and forgettable rather than infuriating if it wasn't a retelling (and I DEFINITELY have strong biases here). But I think the ways in which it is different are less just a product of a retelling (of course there's going to be omissions and differences) and more a complete and utter disinterest in vast majority of its own subject matter, to the book's detriment. I think a retelling has a point when it EXPANDS on the source, or provides a NEW ANGLE to the source. This book doesn't Really do either, it just shaves off the complexity of its source material, renders the characters into a really boring archetype of a gay relationship, and gives very little else. Its content boils down to a middling tragic romance that has been inserted into the hollowed out defleshed skeleton of the Iliad.

Bottom line: I definitely would not be as mad about it if I wasn't familiar with the source material but I think it's fair to expect a retelling to Engage with/expand on its source, and I also think it's weak purely on its own merits. This book was set up to disappoint Me specifically.

[twilight-zoned-out]

Edwin Payne is a dweeb who gives terrible weak comebacks, who can be unnecessarily petty, or overly smug, who is inordinately pleased with himself when wearing detective gear and using scientific gear, the thought never crossing his mind that he might not look as cool as he thinks he does, who carries a continual and utter absolute delight at acting like the characters he loved to read about, who was enthralled by his magazine detective and adventure stories and who wears a similar smile when he sits on the bed watching Scooby Doo with Niko, 'these detectives are terribly clever,' whose board game collection is mostly variations of Clue, who requires payment (because any good detective is worth some kind of payment) but whose idea of payment is whatever interesting object the client offers to add to his collection, who has encyclopedic intelligence he clearly dedicated hours to learning, who has a particular way of acting and speaking like everything is of vital importance, because to him, it is.

[greyedian]

MAN I'm seriously so sad about season 2. Bc I wish act 2 had the same emotional impact on me as it appears to have on so many others. But rn I'm just somewhere between unable to care and actively annoyed by some of those writing decisions. Seriously the more I think about it the less I like it.

[dazais-guardian-angel]

Well, at least Fukuzawa got his wish granted, I guess.... he's finally inside Fukuchi <3

[necrotic-nephilim]

Do you have any more ideas about the dead dove vampire!dickxtim au you wrote a while ago? It's lived in my head ever since and I'd love to know more.

first of all thank you so much that's so sweet! second of all, i have SO many ideas you have no idea. that fic ate at my brain for like a month before i found the time to write it so i had plenty of ideas i didn't fully explore. i'm adding a read more just bc. that was one of my more fucked up fics so i don't want to subject anyone to a necro kink jumpscare

so one of the big ideas i've thought about with that fic is Tim dealing with the aftermath of it, right. bc he's of course going to hide it from everyone. the Batfam all just neds to hold onto the hope that they can save Dick somehow, and knowing what Dick did would kill any lingering hope that there's anything left of Dick Grayson in the walking husk that he's become. so Tim has to deal with the worst of it alone, probably not even mentioning he ran into Dick.

the fun part tho is that above everything else, Tim wouldn't be able to let go of Dick's comment about fantasizing about Tim before being a vampire. Tim knows the comment was made just to get in his head, but that doesn't stop it from working. he spends hours pouring over old footage of him and Dick training, hanging out, on patrol, anything he can find. just to like. try to find evidence of Dick's gaze lingering. it eats Tim alive not knowing one way or the other if it was a lie. if it's true, at least it makes it easier for Tim to move on from the memory of Dick. but not knowing is worse. and he never finds anything that satiates the question so like. that'd destroy Tim the most. (the real answer is that Dick genuinely didn't feel attraction to Tim before being a vampire, *but* Dick is convinced he did bc being a vampire fucked him up so badly that he's become his own unreliable narrator. so it's both true and untrue, and in the end, it doesn't matter either way bc Tim is fucked up by the thought of it and even if they "fixed" Dick by curing him, i think Dick's romantic feelings would linger in the horror of what he did.)

i'm really just. in love with Dick's feelings toward Tim in the fic. the most difficult part of the fic was figuring out how to end it, bc sure as a sexual fantasy Dick is obsessed with killing Tim, but he's also deeply in love with Tim, so it's difficult to follow through on. Dick wants to make Tim a vampire more than anything, but he is genuinely worried about how well it'd take for Tim. the fic doesn't really go into who's on Dick's side as a vampire, but i personally believe he's turned most of the Titans. probably some of his own rogues as well, i could see him turning Slade. i can't explain why, those are just the vibes.

it is important to me just how much of Dick's feelings for Tim are based in him not wanting Tim to live under Bruce's thumb. like the whole vampire brain has convinced Dick that Bruce is somehow the villain in this, and it was Bruce's control keeping Dick from being the person he wanted to be. it's a very warped reality and if i continued the fic i'd love for the second part to be from Dick's perspective just to have fun with the unreliable narrator of it.

back to the porn tho. Dick would seek TIm out again. probably in Tim's own apartment, just bc he wants to destroy every safe space Tim has. getting into Tim's head is an important part of breaking TIm down. the fear of Tim fighting back against being a vampire is one that Dick is trying to figure out how to manage and his current plan is to break Tim mentally. it's why he brings up wanting to sleep with TIm before being a vampire. he *knows* it's gonna fuck up Tim. and the more he puts these little cracks in Tim's psyche, the more he's sure he's breaking Tim down enough to be able to turn him. so going to Tim's apartment and proving that at any point, Dick can easily find Tim and fuck him. always holding the threat of killing Tim over his head. and Dick knows Tim didn't tell anyone when days pass after their first meeting and no Bat comes after him so like. Dick really just pushes the limits. i think he would brand Tim just bc he can. i also got a comment on the fic that mentioned Dick stabbing Tim and fucking the wound and i canNOT get that image out of my head either-

and the necro/snuff kink just. Dick playing the long game, so it takes maybe months of stalking Tim, going after him. sometimes he fucks Tim, sometimes he just fights and taunts him. and all the talk about killing Tim fucks with Tim's head a little bit. i think it'd be fun if it killed Tim's ability to have vanilla/normal sex with someone else, like Kon. it's hard for Tim to understand anyone being attracted to him in a way that doesn't involve him being a dead body. i don't think he develops the kink fully, but he does end up convincing himself being a corpse is the only way he's attractive bc of all the things Dick has said to him. it all plays into Dick psychologically breaking Tim.

i am a lover of fucked up/unhappy endings so. for me. the ending would be Dick following through on his plan to kill Tim and turn him. it'd take months for Dick to work up the courage bc TIm was absolutely right when he pointed out that Dick was too scared to actually follow through on his fantasy. Dick tries, multiple times. he convinces himself no less than five times that this is going to be the one. this'll be the time he really does it. but just as Tim starts to die, Dick panics. i think it's especially fun if once Dick even gives Tim CPR bc of his cold feet. so Tim does "die" for a second and has to brutally come back while Dick is buried inside of him.

but when Dick does it, his fears manifest in that Tim does *not* take being a vampire well. he's constantly trying to kill himself (in the time it takes for Dick to break Tim, Tim probably does figure out what poison can kill a vampire) and Dick ends up having to keep Tim locked up so Tim doesn't kill himself. would truly love to try to write Tim as mentally shattered as possible. part of him loves Dick, but he's fighting himself so hard he's not even sure if it's the vampire side that loves Dick or the human side. he's kept like a human pet, bc Dick is convinced he'll get Tim to accept it sooner or later. just a very fun, very fucked up sort of ending. i say this about all the fics i write but this one specifically i do *really* want to continue someday. i know exactly the direction i'd take it, and it could turn into a pretty long fic with a lot of fucked up porn, a lot of unrequited love, and an eventual mind break for Tim.

[celtrist]

Why does Vassago already have merch, we haven't even met him yet