#though he doesn't have much of it at the moment

[ceilidho]

Buttermilk

It doesn't take long to settle into the rhythm of your new summer job. Or: the babysitter x single dad au

Part 3 | masterlist

-

It’s not unusual for someone to mistake you for the baby’s mama.

How could someone not, at least for a moment? When you take the baby to the grocery store, older people gush over him babbling in his stroller, eager to shower him with compliments in baby-talk or tell you how much you resemble the little tyke. After hearing the same comment for the umpteenth time, you tire of correcting people by saying you’re the babysitter only to watch their face fall, somewhat mortified and feeling as though their comment should’ve been directed to the baby’s actual mother. Which isn’t you. 

It’s less typical for someone to mistake you for John’s wife, though that does happen from time to time.

You’ve become a fixture around the neighbourhood since John hired you at the beginning of the summer, and over the weeks, the other nannies and the stay-at-home moms have started to gradually warm up to you. Before long, you’re being invited on coffee runs and playdates with some of the other women, always careful to ask for John’s permission before bringing his baby into a stranger’s house.

“Just text me the address and their names,” he requests while you stand awkwardly in front of him, John sitting on the bed to finish buttoning up his shirt and fixing his watch around his wrist. You would’ve been fine standing on the other side of the door while he finished changing, but he insisted on inviting you in.

“I will,” you promise, nodding along with his words.

“And call me if you don’t feel comfortable. I’ll come get the two of you right away if you need me.”

You swallow. Nod again.

The first time you take the baby for a playdate with a couple of the moms from the park, one catches you in the act of texting John the address of the house as he requested. “Hubby wants to know where you are, huh?”

“Oh,” you choke out, face heating up. “He’s not—”

“Not a control freak, I know. They’re all like that.” Her smile is ebullient, rolling her eyes like you’re in on a joke together when you most assuredly are not. “Why don’t you share your location with him? Mine’s the same way. Here—I’ll show you how.”

She takes your phone and tap-taps something and suddenly you see it in the notifications of your conversation with John. If you bite your lip instead of correcting her assumption about the nature of your and John’s relationship, that’s for you and you alone to know. Your rationale is that any explanation will just make things tense; it’s not like you haven’t seen it happen before. 

It’s far more concerning when John doesn’t correct those assumptions. Particularly when you’re standing right next to him. 

Like at the local water park on a particularly hot weekend, wading in the kiddy pool with the baby nestled tight against your chest in his little swim trunks and floppy hat only for an employee to ask John if his wife would like something to drink. 

“Iced coffee, love?” John asks, taking your stupefied silence as a yes. “Nothing for me, mate. Cheers.” 

Your head spins like a top on that thought until a good while later. The server hands you a glass of iced coffee with condensation already dripping down the sides and John thanks him for you, taking the baby from you and pulling you to his side. You drink your coffee quietly with your thigh flush with his under the water, gripping the glass harder when his free hand squeezes around your waist, laughing at something another parent said to him.

It’s so over for you. There’s no coming back from this. 

The sight of someone of John’s size, a bulky, military man with arms of pure steel dusted with dark hairs, cradling a tiny, chubby baby with a thatch of similar dark hair on his head and big cheeks and roly poly arms unlocks something primal in you. An old, buried need. 

In the family changing room, you stand under an ice cold shower until it breaks the fever slowly consuming you. All you can do is hope it takes. 

In the evening, you sit out on the porch with John at the back of the house until the crickets swell with song, the moon a half-crescent in the sky. A cool breeze makes your shoulders lift a little, huddling into your body to keep warm. 

It’s hard to keep your eyes on the view in front of you and off the man sitting beside you when they want so badly to be running over him. He’s changed out of his work clothes into a soft pair of sweatpants and an old threadbare shirt, the sage green fabric faded after years of being run through the washing machine. It clings to his biceps and the soft pudge of his stomach, a layer of fat over the hard muscle beneath. 

A cigarette dangles from his fingers, thick wrist perched on the arm of the adirondack chair. Every so often he lifts it to his lips for a puff, always breathing out in the opposite direction from you. Considerate of your health, at least, if not his own. 

“Cold, sweetheart?” he asks before ashing his cigarette, and your bottom lip purses when you turn your head to look at him because you thought you were doing a good job suppressing your shivers. 

You stare at him, confused. He cocks an eyebrow at your questioning stare and deliberately glances down, waiting until you notice the way your nipples are protruding through your white tank top. You forgot that you’d taken your bra off earlier for a bit of relief and hadn’t yet had a chance to put it back on. 

“Oh my god,” you squeak, crossing your arms to hide as much as possible, humiliation flooding through you. “I’m so sorry—that’s so—I-I’m so sorry.”

John makes a rough sound when he rises to his feet, knees cracking as he does. “S’alright, hun. Lemme get you something to put on.”

The screen door creaks when he goes back inside briefly to fetch something only to come back a few seconds later with a big, cotton sweater that reeks of him. It looks well loved, some remnant of his younger years, and even from a distance, you can smell the distinct smoky aroma clinging to the fabric. 

When he kneels in front of you, you nearly go cross-eyed at the realisation that even on his knees, he’s as tall as you. The bulk of his waist forces your legs to spread around him. 

“C’mon, arms up,” John commands, barely waiting until you’ve raised your arms above your head before helping guide your head and arms into the right holes. 

Dragging the sweater down the way he does forces it to rub over your nipples, sending a shock through you. If you had any less self-control, your teeth might actually chatter together. 

“There we go,” he says, fluffing out the sweater around your waist before resting his hands on the tops of your thighs, the gesture coming so naturally to him that you doubt he’s even noticed the placement of his hands. “Much better. That’ll warm you up.”

He isn't wrong. You’ve already worked up a sweat. 

Late night rain.

It comes down in buckets, a dark slate rapping hard against the window pane. A bolt of lightning flickers across the horizon off in the distance. White striations across an otherwise dark sky. About thirty seconds later, thunder rumbles. 

You peek from between the blinds, chewing your lip nervously. You’ve never driven in rain this bad, but with supper done and the dishes washed, there’s no excuse for you to stay any longer. Still, the rain comes down so heavily that despite your timidity, you briefly contemplate asking John if you can stay a little longer. At least until it lets up a bit; until your headlights won’t blind you reflecting off the puddles on the drive home. 

Someone else pulls the blinds further apart.

“There’s no way in hell you’re going out in that,” John says from behind you, practically growling his words. Daring you to contradict him. 

You glance over your shoulder to find him right there at your back, staring out the window. He’s so close that you can smell the red sauce on his flannel from dinner and make out the flecks of grey in his beard that are almost masked by the darker hairs. 

“It’s not…that bad…”

“Sweetheart, don’t piss me off,” he warns.

The blinds shuttle back together with a clatter when you finally let go of them. 

“I could—I could take the couch,” you offer. 

“Sweetheart,” John sighs, looking down at you meaningfully.

“What?” you ask, confused.

“I’m not gonna take the big, comfy bed and leave you with the couch.” When you open your mouth to protest, he cuts you off. “And don’t even try arguing. I won’t hear it.”

There’s not much you can say to dissuade him after that. The furrow of his brow lets you know he’s made up his mind; no ifs, ands, or buts. Besides, there’s a not-so-secret part of you that’s relieved that you don’t have to drive home in this weather. You’re an average driver on a good day. You don’t need your last moments before shuffling off this mortal coil to involve hydroplaning on the highway before ramming into the guardrail. 

John gives you a shirt of his to change into for after your shower, which you spend far too long in, scrubbing your body with his shower gel and quivering under the warm water. When you pull it on, you bring the collar up to your nose to smell. The same patent smoky scent, musky like ambergris and leather. Intoxicating. It makes the blood rush through your ear like a conch shell, the ocean swirling behind your eardrum. 

You hadn’t asked for underwear, content at first to keep on the same pair, but after your shower, you cringe at the thought of putting your day-old panties back on. Besides, his shirt is long enough to cover anything indecent. 

He sits on the edge of the bed when you come out, the concern on his brow melting away at the sight of you. 

“Practically a dress on you, isn’t it?” John says, voice a little wondrous. His eyes drag over you, tip to toe. 

You fiddle with the ends of it. “…Are you sure you want me to take the bed?” 

“Wouldn’t be fair. It’s yours for the night.” His lips quirk up at the corners when you frown. “Don’t worry about me—I’ve slept in worse places before.”

“Like where?” you ask dubiously.

“Tents. Abandoned buildings. Shacks. In the back of a moving van a few times. You wouldn’t believe half the places we used to make camp. Definitely no place for pretty girls like you.”

His condescending tone vaguely annoys you, but it’s hard to dig into your irritation when he thumbs the edge of the shirt you’re wearing and you realise that he’s just a few raised inches away from noticing that you don’t have any panties on. You should’ve just put your old ones back on, but it’s far too late now. 

You clear your throat instead. “We could…um…we could share.” 

You don’t know what possesses you to offer to share the bed, but the words are already gone, out of your mouth and in the air. John cocks an eyebrow.

“Unless you don’t want to,” you amend. 

“Don’t know about that, sweetheart,” he rasps. “…I snore like a bear.”

“That’s okay. I’m a pretty deep sleeper.”

John scrutinises you a bit longer, looking for any sign of hesitancy. You know he’d squash your offer in a second if he found any wariness in your gaze. 

“Alright,” he finally concedes, letting go of your shirt and slapping his thighs. “But don’t say I didn’t warn you when you wake up and can’t fall back asleep because of my snoring.”

After his shower, during which you lie on your side facing away from the bathroom door, stomach fraught with nerves as you consider the fact that he’s naked in the ensuite, you hear him come out and rummage around in the dresser for a change of clothes. You lie beside him with your stomach twisted in knots, your hands shoved under the pillow and staring resolutely at the wall. 

The appropriateness of sleeping in the same bed beside your boss isn't lost on you, but you're too far into this now.

The bed dips when he settles onto the other side, and the sudden absence of light when he switches the bedside lamp off nearly makes you cheep. 

He breathes heavily, you notice, particularly when he finally falls asleep. It’s a deep, rumbling sound—not entirely unlike a bear, though you can’t really confirm that for certain seeing as how you’ve never slept beside a bear before. 

Those are the thoughts that would signal the approach of sleep if you weren’t soon to be engulfed by it. 

Sometime in the middle of the night, you wake up to a rough hand stroking your back leisurely. There’s a hard chest under you, your cheek propped up on a pillowy pec that rises and falls with his breaths. Sleep bobs around in you like a toulouse decanter. You struggle to keep an eye open, certain that there’s something you need to tend to, but then his hand slides down your back again to curve over your rump and sleep drags you back down. 

You wake up again to your breath wafting back into your mouth, your face shoved into the crook of a man’s neck. Humid, hot. You’re lipping at the skin of his neck, little tongue darting out to lap up a bead of sweat, salty on your tongue. 

Your cunt pulses against his leg, toes curling when John drags his hand up your thigh and hitches it higher up around his waist. 

“Baby?” he groans, his voice still rusty from sleep. The sound is a rough burr up your spine. 

“Sorry,” you whisper. “Couldn’ get comfy.”

“You hot?” he asks.

The denial on the tip of your tongue slips back down your throat when he plants his foot on the bed and draws his leg up, pressing the meat of his thigh into your throbbing sex. 

“Here, lemme help you—” he groans, reaching down to ruck up your shirt, dragging it up over your breasts and helping manoeuvre your arms out of the holes. It gets tossed off the bed onto the floor. 

Now your breasts are flat on his chest, smushed against his ribcage. It registers somewhere in the back of your head as inappropriate, but sleep pushes that thought away, focusing instead on the discomfort of moving around when you just want to settle back down and go back to bed. 

It must be the heat making you act this way. 

“Shit—sorry, sweetheart,” he apologizes, shifting under you. “M’hot too.”

He plants a hand on your ass and heaves you up his chest, giving him enough room to wiggle out of his boxers. It pushes your breasts right into his face, your nipples mere inches from his mouth. When his tongue pokes out to wet his upper lip, it nicks your pebbled nipple. 

A hard length presses against your butt when you’re slid back down, the tip wet when it catches against your skin. 

“Jus’ ignore it, sweetie,” John mumbles, petting a hand down your back. 

You lie like that for a while, splayed over his body. Want simmering just under your skin. Flustered and exhausted all at once, sleep-drained; not a drop of strength in your muscles. 

The heat is just—

Scorching. Dizzying. You feel featherbrained, slipping in and out of sleep, biting off the whimpers that threaten to crawl up your throat when John tucks his hands into the crevice of your thighs to wrench them apart, spreading them around his hips again. 

Distantly, you remember that the man under you is at least twenty years your senior. Your employer at that. A man now palming your butt, sinking his fingers into the flesh and rumbling low in his throat. 

It’s wrong—flagrantly wrong. You know that you should say something, that you should get up and tell him that you’re going to sleep on the couch instead. But your tongue is too thick for your mouth. And your thoughts are a sticky paste. The pulse between your thighs empties out all the common sense from your head. 

His palms are slick on your skin. 

Your breathing grows shallow when a hard length suddenly pushes between your thighs as well. 

When the mushroomed head nudges at your opening, you flinch, heart thumping ferociously against your chest. 

“John—John—” you breathe, panicked. As if to warn him. As if he weren’t planting both feet on the bed and lifting his hips. 

As if it wasn’t his hands, warm on your waist, dragging you down onto the shaft spearing into you. 

Your blood is molten hot in your veins. Sticky hands and sticky fingers curl into his chest hair. Your head thumps against his pecs, too weak to hold it up, lipping at the damp skin of his chest. 

“It hurts—” you bleat, tears pricking at the backs of your eyes. 

“I know, baby, I know,” John pants. He draws his hips back just to press forward again, deeper this time. Filling you up more than before. “I’m sorry, baby—I can’t, it’s just…too good. Shit.”

Resolve in tatters. Shattered like his willpower, like his determination not to fuck the girl twenty years his junior sleeping beside him in his bed. 

His hips pump up into yours, bouncing you in his lap. Each thrust plunging his cock deeper into your pussy. It’d be painful if you weren’t so wet, but you’re dripping, arousal making you leak around his shaft and slickening his way. 

Sleep still rattles around in your brain, but not even the fog of sleep can shake the ever intensifying realisation that you’re fucking your boss. No two ways around it—breasts naked against his hirsute chest; pussy wet and stuffed to the hilt with a big dick. Knocked senseless by it. 

The veins of his cock drag over the viscid walls of your cunt with every thrust. He must like the involuntary noises you make because he loses his rhythm when you cry out, growling out a string of unintelligible curses. His body feels bigger like this somehow, biceps and forearms bulging where they’re wrapped around your waist, hips forcing your legs to spread wide around him, the ache sinking deep into your muscle, into your bones.  

When you look up at him, his eyes are more hooded than usual, the blue of his irises so dark that they’re almost black. 

“Such a good girl,” he grunts, big arms like steel bands around your waist, holding you tight to his chest so you have nowhere to run. “Jus’ let…jus’ let daddy come and—oh Christ, fuck, fuck…—jus’ lemme come and we’ll go back to bed, okay, sweetie?”

“I’m gonna…” you pant, trailing off when he gets a little rough, pumping harder up into you. The sound of your pussy squelching around his length makes your eyes roll back, mouth hanging open. 

“Yeah, yeah, you—you come too, baby. Jus’ need to take the edge off, both of us.”

You squeal when he reaches a hand down to dig his fingers into your butt cheek and it makes you tense up, walls tightening around his dick. One well-placed swat hard enough to make the flesh of your ass jiggle and you come, clenching up so tight that his next few thrusts are slowed by your spasming walls, forcing him to really cram his cock into your hole. 

“Christ, that’s cute,” John growls, his pupils blown out. 

It hurts to come that hard; makes your belly cramp up and everything. Whatever gibberish spills from your mouth gets lost in the aftermath. 

That’s when the temperature goes from hot to blistering. The muscles of his thighs tense, straining with his impending release. Even his grip around your waist gets tighter, his self-control steamrolled under his approaching climax, oblivious to the way you squeal and squirm when it threads the delicate needle of being too much. 

“Sorry, baby,” he apologises, voice treading gravel. “M’gonna mess your pussy up a bit—”

“Wait—wait—” you gasp, trying fruitlessly to lift yourself up, his arms keeping you pinned tight to his chest. “You’re gonna—John, you’re gonna come inside me—”

His hips thrust up hard at your words, one last rough pump that has him digging his heels into the mattress and clenching his jaw, the veins in his neck protruding. You feel it flood inside you, hot spurts of cum right up against your womb. He curses when he comes, eyelids sliding shut, lost in the sensation of emptying himself into you. 

A few last, punishing thrusts that make your teeth clack together. More heat spurting into you. A murmured oh fuck before his legs slide back down the bed, spreading out over the mattress. 

The blanket is somewhere at the foot of the bed, all scrunched up and nearly dangling off the edge. You only start to shiver when the sweat on your back finally begins to cool. 

When he pulls you off his cock, you whimper, a hot flash snaking through you. Oh Christ did he plug you up good. Stringy, viscous cum leaks from your hole, leaving a little puddle on his thigh when you slide off his chest and to the side a bit. 

“Oh baby,” he tuts softly, reaching between your legs to feel where you’re wet and a little swollen. “Sorry, sweetheart…wanna get cleaned up?”

“No…” you rasp, so dazed that you can’t even lift your cheek off his chest. 

Exhaustion has never ridden you this hard before, but considering the circumstances…—perhaps you’re lucky to be conscious at all, is all you mean. There’s not a chance of you having enough energy to do anything as rigorous as showering though. 

“Okay, baby. Little kiss?” John asks in a murmur, lifting your head up by your chin and swooping down for a kiss. Not even giving you enough time to process his words before his mouth is on yours. 

His lips glide slick against yours, tongue slipping into your mouth like he needs a good, deep kiss to ground him. A wet twisting of tongues; a thick finger stroking up your neck. He can’t stop touching you. Running a hand up your spine and curving it back down over your ass. Featherlight touches meant to calm you down. His kisses grow sticky, lingering; each one almost the last until he pulls you in for another. 

“Go back to sleep, okay?” John says, still speaking low enough to push you back under. He smooths his hand down your back again. 

You fall back asleep with a load in your belly and your head in a tizzy. The you of tomorrow is going to have a lot to contend with from the you of tonight.

[nightingale-prompts]

Danny: Everyone says they'd never fall for Zeus and his tricks. We all like to believe that but you have to understand that he doesn't look like those old murals and paintings. That man is HOT! He is divinely beautiful and sexy as hell. He's still a fucking asshole though, an absolute piece of shit and the others are marginally better. So if we fucked it would be hate sex and I'm topping.

Diana:*horrified* Did you have sex with Zeus?

Danny: Of course not! I have too much respect for Hera and her marriage even if he doesn't. Poseidon however has an open marriage and is the greatest power bottom of the pantheon. But its Loki who does it better.

Aquaman:*groaning in agony* Can we please just send them back to their realm?

Dan: *being held by the hair by Danny after attempting to invade the mortal realm after being freed* Did you have to free me or is this hellish moment my real punishment?

[spitdrunken]

HIAHA I LOVE HOW YOU WRITE MR SCARLETELLA CAN YOU WRITE MORE. so odd and unsettling and obscene m just giggling with delight

HIIII thank you so much for the high praise <3 this has kind of a different vibe from the last one but plays with similar-esque concepts!!!! this is 'weird and obscene' LMAO

Notes: Suggestive, mild body horror, bolded = dialogue in the Other World's language.

==========================

How do you touch a man without a physical form? Or, you suppose, 'man' isn't quite the correct term. 'Apparition' would perhaps best describe him. Though he can reach out to you and make you feel the illusion of touch, you can't actually make contact with him. Your hand passes through him as if he were nothing but air.

You don't think he minds. It's always a bit hard to tell, with him. Mr. Scarletella ususally just stares you down with a dead look, communication relatively limited. But you would like to touch him! So you experiment a little, an action for which no mutually intelligible word exists. Still, he doesn't move as you poke and prod at different parts of his body, coming up short every single time.

You crouch down before poking at his ankle, just in case. When you look up, your heart stops for just a moment. Mr. Scarletella's neck is snapped back, folded in on itself in order to observe you. Vacant-seeming eyes are trained on your every movement. The sight makes you feel squeamish. "God... Not do," you tell him. "Head look hurt. Not funny." There's no other way you can think of to put it. You get up and stick your hand down, waving your hand in the other direction at the side of his head. He seems to understands what you mean, as his skull snaps back in its usual direction. You circle around him. "Sorry. Not want upset you." He says, although you know he'll never really listen or learn, not when it comes to these things. "Me like you. You like me." As if you'd ever forget. You beckon him. Rather than simply leaning down, his form flickers, distorting, before reappearing in the desired position. There's just one place you haven't touched yet. Once again, you extend your hand, the tips of your fingers brushing against the top of his umbrella. The surface is smooth to the touch and wets your skin, accompanied by a small burst of static ringing in your ears. It takes a moment for the significance to register. "Oh! I can touch your umbrella!" You say, forgetting the Other World's language in excitement over your discovery. Even though it's relatively small. You can't touch Mr. Scarletella himself, but the umbrella appears to be 'realer' than the rest of him. ...Actually, maybe the umbrella is a part of his body? He's not human, after all. He doesn't have to exist according to your logic. Your brow furrows. The puzzle pieces of language move in your mind, until they're slotted together semi-coherently. You point at his arm. "Arm you." Then, you do the same for his leg. "Leg you." You wave your arm up and down. "Body you." Finally, you lift your hand in the direction of the umbrella. "Object you? Me can touch object. Touch you?" Mr. Scarletella's smile widens. It reveals a little bit of the void that stretches on behind his lips. "I see. Correct. Object me. Object is..." After which he lowers his umbrella and says a word you haven't heard before. You try to repeat it, and he says it once again, pointing the umbrella in your direction. "Touch umbrella. I want."

It's definitely... Weird. It's genuinely like touching an umbrella. Cold and smooth and slightly wet. But Mr. Scarletella wanted you to do it, and you're kind of intrigued yourself, so you do it. Because there's clearly something happening. As you trace your fingers over the outer canopy, making sure to at least touch every panel a little bit, his visible form starts to flicker and fade. When you apply a bit more pressure, move a little faster, parts of him start to distort and change colour. His arm appears a little dislodged from his shoulder, static rising in the background.

When you pinch one of the metal tips in between your fingers and rub it, he lets out a laugh that is far more high-pitched than you would've expected it to sound like. Clearly, there's some kind of link between the umbrella and the rest of himself. Though you can't envision what it must be like, he's feeling something. Your hand pauses. In the blink of an eye, Mr. Scarletella has materialised even closer to you, nose close enough to touch yours, if it could. The inky darkness of his pupils makes up most of what you can see.

"Me like. Like like like like." He sounds breathy despite not breathing. "Touch more. Again. Me want you."

[rizsu]

ꪆ୧ ── HUSH-HUSH ┊ KEEP IT A SECRET ﹑ JJK ⤿ starring: g. satoru ◟ choso ◟ sukuna ◟ f. toji.

꒰ love simulation ﹢ headcanon-type · most to least likely to keep your relationship a secret!

𖧷 · love, ‘su: i have nothing to say here but I Need To have this here for layout purposes. it Bothers me if its not there.

most likely 𓂃 can hold themselves back. choso and somewhat toji.

( pda = public display affection. )

listen, CHOSO can keep a secret, but leave it up to him and he would've made it known you two were dating. he's only keeping it a secret because you said to. when it comes to you, everyone knows he never questions your words.

in terms of pda . . . he doesn't do it — actually, he does, but only you know the true meaning to his touch. it's a regular thing to have an arm wrapped around your friend's shoulder, standing close to them, blah blah blah. you get the point: he keeps it entirely friendly.

this doesn't mean he's not clinging onto you the moment your peers aren't around! once they're out of his view, choso will not waste time to satisfy the itch he's been feeling. either he buries his head in your shoulder, whining about not being able to touch you at least, or his hands are intertwined with yours.

in mr. TOJI FUSHIGURO's case, your words are law. he usually sits back and let you do as you please — obviously he'd go along with whatever scheme you planned. he doesn't mind keeping to himself at all; he's not one for much pda anyway.

there are times where he gets touchy, though. he tries to keep it at a minimum, but don't let him be near you during a dinner-out with friends or anything of the sort. if he's seated next to you, trust, his hand will find comfort sitting on your thigh, occasionally squeezing here and there.

sometimes — really rare times — his friends suspect him. they don't reach the “are you dating y/n?” conclusion, but do they reach the “you got a thing for y/n or what?” one. it's all due to the fact that he softens his language with you. he doesn't curse, tone lowers an octave, and has a slight smile. three things his friends will never experience. he doesn't deny it, but he also doesn't confirm; he simply shrugs at their questions and never satisfies their curiosity.

least likely 𓂃 sorry, he's a bit selfish. satoru and sukuna.

SATORU . . . yeah, no. there's no way he would've succeeded. that's like asking him to not breathe for a day. when you brought up the idea of keeping the relationship a secret, he tried talking you out of it. why are you denying publicizing his affection for you? you must hate him, or are you hiding the fact that you're taken? satoru's dramatic, and his favourite literary device is hyperbole. he will exaggerate.

at first he tries his best to keep it a secret, but old habits die hard. calling you names clearly reserved for someone's romantic partner, arm snaked around your waist all the time, glaring at anyone who tries to flirt, giving you quick kisses — yeah, no way.

but, satoru does apologize for failing to obey! if you're mad at him for outing the relationship, he'll spend days upon days begging for forgiveness in creative ways til you accept his apology.

SUKUNA does not give a fuck. he's lived long enough to not care about secrecy. it's cute that you want to keep it on the low, but he prefers letting it known. pair that with him disliking physical contact with anyone else and you've got yourself the perfect recipe for disaster.

whenever he's not with you and someone approaches him — no matter the reason — he's quick to ring up his favourite sentence: yeah no, i'm taken. either that, or he's holding his palm up to reject them. he does not wish to engage with strangers. even his own friends struggle to get him out.

when he's with you, however, he's clinging to you like a magnet. game night with friends/family? he's pulling you to lean on him, doesn't fetch drinks for anyone but you, gets revenge for you if you lost the game, demands that they “go easy on y/n.” the list goes on. it took everyone zero time to put the clues together and figure out sukuna and you are a thing. it's entirely out-of-character for him to be nice in the first place.

[essektheylyss]

I love that Caleb does not ever seem to take opportunities to take any kind of "this might be the last moment I have" actions. No matter what, when everyone else is going around and making their desperate moves, Caleb doesn't. Even after he recommends otherwise to others, it is notable that he among the group doesn't do so, and this is consistent with his previous behavior.

I like to think that stems from the moment he opted against trying to work with Trent—which I think, at its core, was an attempt at such an action. If Caleb had died fighting the Somnovem, he had every reason to believe that Trent would continue in his actions. Though Astrid and Eadwulf were willing to subtly undermine him, they had made it clear that they were not willing to challenge him outright. Caleb tells the Nein, when they are discussing their last wishes at the Blooming Grove before returning to Eiselcross, that he would appreciate Trent being eliminated in the event of his death. I have to believe that there was a fear or regret that his dearest motivations would not come to fruition which spurred his interest in using an alliance with him in Aeor to trap and kill him.

I've mentioned elsewhere that I believe Essek's willingness to disagree with him was one of the factors in Caleb being able to trust him and his judgment, but I would also argue it was a wake-up call for Caleb—about letting himself be distracted; about not focusing in on the mission at hand; about, potentially, expecting failure in this goal, especially after he has watched his friends say their goodbyes as if they too expect to die. "Stay on task, Widogast," is a mantra he uses in Vergessen, but he does get caught up, to an extent, in enacting as much damage as he can to the place in the process, and regardless of whether this ruthless assault slowed or sped their discovery, Trent did catch up to them, and very nearly caught Veth and Jester as well as himself. Given Caleb's fears throughout the campaign that he will draw the danger that dogs him onto his newfound friends, and his later apology to Essek in the same conversation for drawing Trent's attention to him, it is not a stretch to argue that this is yet another guilt he shoulders.

It isn't lost on me that Caleb almost died before the Nein even met, he was perpetually aware of his fragility among the group, and he was the last member of the Nein to go down and need to be revived. So I just think it's very fun if he, who so often seemed to be on the verge of death, who in fact planned to step back in history and in the process erase the person he had become, found himself at some point determined to live, and firmly confident in his ability to do so.

He does not wrap up his affairs, he does not say goodbyes, and while he may acknowledge the stakes for the group, he does not entertain the idea that he personally will not make it out alive—because, as Dorian notes, he has a lot to live for. He has to get back home to his partner and his well-maintained garden; he has to make sure the Cerberus Assembly's nefarious schemes do not continue in Ludinus's absence, perhaps even in the absence of the Assembly itself, depending on what its members do in its wake; he probably has to go egg on his godson's shenanigans as payback for Veth threatening to shoot him out of the sky.

Caleb Widogast is an absolute cockroach of a wizard, and, in true Mighty Nein form, he is at all times thriving on unfinished business.

[buck-star]

Bucky’s babydoll | B.B

>> Your best friend gives you a present that makes clear who you belong to, to your best friend, Bucky. <<

Pairing: BestFriend!Bucky Barnes x BestFriend!Fem!Reader

Wordcount: 2.934 Words

Warnings: Minors DNI, 18+, best friends to lovers, fluff, collar, smut [daddykink, oral (m!rec), deepthroating, spitting, ball worship, praises], aftercare, love confession

Authors Note: Dividers made by me.

Masterlist | Bucky Barnes Masterlist

His ocean blue eyes roam over your smaller frame, a smile tugging at his lips as he tilts his head back to look into your face. Bucky is currently sitting on his bed while you present one outfit after another to him — you were shopping, and now your best friend has to tell you if he likes the outfits or not. He nods, leaning back and resting on his forearms, smirking at you.

“You know, you always look pretty. In a dress, in a hoodie, with bun or without,” Bucky says, his beautiful eyes light up when you twirl in front of him to show him the back of the dress you're wearing. You giggle and turn back to face your boyfriend; you take a step closer, towering above him, and grin down at Bucky.

“I have one more outfit for you to rate for me, oke?” You ask, making your best puppy eyes because you know that Bucky will do everything for you then — even though he would do it anyway, for you he would collect stars just to make you happy.

He nods, pushing himself up while he watches you leave the room to change into another outfit. The spark in his eyes he always has when he looks at you doesn't fade away when he gets lost in his thoughts; it only grows because the only thought that makes sense in his mind is about you. Bucky is in love with you forever already; when you moved in with him, it didn't take long for him to stop dating someone else and try to be as close as possible to you. You've been his best friend since the two of you were small kids, but his feelings only grew with the years.

The brown-haired man told his mom when he was around five that he was going to marry you one day, that he would be the one who makes you happy and the one who loves you the most — little did she know that he really meant it and that the feelings the kid had only turned into love over the years.

Bucky hates when you go out with your friends to parties, but he knows that it makes you happy, and luckily, you often ask him to join you. You don't date anyone either, which gives him hope that you could maybe be in love with him just as much as he is in love with you.

Little does Bucky know that you feel the same for him, that you’re craving his touch, his love, and that you would prefer sleeping in his bed every night with his strong arms wrapped around you instead of sleeping on your own. The blanket wrapped around was not even close to Bucky's warmth and his scent that you love so much. You even watch movies you hate and scare you because that's the easiest way to explain to Bucky why you need to sleep next to him and why he has to hold you close — to protect you from the dragons and other monsters from the movies.

“Bucky, you ready?” You ask, walking through the door. The moment his eyes catch you, his jaw drops open, and he struggles to sit still. The blood rushes into his cock within seconds, and a low groan leaves his plump lips. “Do you like it?”

Your grin tells your best friend everything he has to know; he knows you're teasing him. But did you know that you would get such a reaction from him? “Fuck, babydoll. Never seen someone as sweet and sexy as you before. But you— you can’t just wear that,” he growls, reaching his arms out for you.

You walk a step closer, letting Bucky place his big hands at your waist and pulling you into his lap, your legs dangling on both sides of his while he pulls you closer to his chest. Bucky's cock is pressing hard against his sweatpants; when he pulls you closer, your crotch rubs over his bulge, and he groans, causing a needy whine to slip past your lips.

“Such a tease, walking around with my hoodie and just panties underneath. You know what you're doing to me, don't you? Making me so hard, babydoll,” he growls, leaning forward until his nose brushes along your neck, his lips moving over sensitive skin, and you start thrusting your hips against his hard cock.

“D-Daddy, please,” you whine. Bucky's eyes widen before he smiles even wider. You never called anyone that before, but around Bucky you feel safe and cared for, plus his size makes you feel so small always, but he never uses his size to scare or force you — only to curl you into him and hold you close while his big body is wrapped around you, making sure nothing can scare or hurt you.

“Mhm, say that again, babydoll,” he grumbles. “You know, I bought something for you... I wasn’t sure if you would like it, but now I’m pretty sure. When I give it to you, you’re mine.”

You whine, nodding your head. Right now, you would agree with everything he says as long as he helps you with the aching feeling between your thighs. “W-what is it?”

He chuckles, his big hands moving up and down your sides. “Close your eyes,” he says, waiting until you do it. Then he reaches over to his bedside table to pull something out of the drawer.

With a soft hum, you feel his hands around your neck, something cool as well, as a soft click almost makes you open your eyes, but you try to keep them closed to make your best friend proud of you.

“Okay, you can open your eyes now, doll,” he says, his lips so close to your ear that you shiver. You slowly blink. Bucky smirks at you, his eyes staring into yours. “You look pretty, all of you. Now everyone knows you’re mine, babydoll.”

He takes his phone, smirking at you. You do the same, smiling at your best friend as he takes a photo and turns his phone to show you. Your eyes widen as you notice the collar around your neck; it’s pretty, your favorite color, and something is written on it. ‘Bucky’s babydoll,’ it says, and you grin at him, leaning forward to place your forehead against Bucky’s.

“It’s perfect; thank you, daddy,” you say. Your eyes light up with excitement when you stroke the fabric with your small fingers, sighing softly. You grin at your best friend, pulling him onto the bed, and slide down in front of the bed, looking up at Bucky with widened eyes, looking all innocent while you crawl in between your best friend's legs.

“Whatcha doin’ there, babygirl?” He asks, looking down with a wide smirk across his plump lips. You bring your hands to his thick thighs, slowly inching closer to his clothed cock with a smile. His ocean blue eyes roaming over your face, down to your collarbone, and along your arms to your hands, which are dangerously close to his crotch. “Babydoll?”

You don’t respond to him, just moving your hands as slowly as possible until your fingertips slip over the growing bulge in his pants. Bucky grasps your wrists with his big hands, pressing them down on his thigh while he looks at you with narrowed eyes.

“What are you doing? Tell me, what do you want to do?” Bucky knows exactly what you’re doing and what your intentions are, but he wants to hear it from you. He wants your permission, your assurance that you really know what you do instead of doing it because he gave you the collar and uses this moment to 'thank him'.

“P-please… w-want your cock, Bucky,” you whimper, tilting your head to the side and looking up at Bucky. Your head rests against his thigh as he smiles down at you, one hand removing from yours and slowly moving up your arm again to your cheek.

“Yeah? You want daddy’s cock?” He asks, and you immediately nod. Then he nods, letting go of your other hand too, and unbuckles his belt. “Then you have to lean back, babydoll, or else I can’t give you what you’re asking for.”

You do as you’re told, leaning back to let your best friend get up and take off his pants and boxer briefs. His leaking cock springs free, and you lick your lips, staring at the huge length and the prominent vein running along his shaft.

“Like what you see?” Bucky smirks at you, sitting back down, earning a nod from you as an answer to his question. Bucky grasps a pillow from his bed. He taps your thighs to get slightly up, giving him the opportunity to push the pillow between the floor and your knees. “Don’t want my best girl to get sore knees while she sucks daddy’s cock, huh?”

You shake your head, eyes still focused on Bucky’s cock. He chuckles, sitting up straight, and runs his hands through your hair, tilting your head back.

“Be daddy’s good girl; get what you need so bad.” His soft voice makes you almost melt, but you manage to get out a soft 'yes, daddy’. Your fingers trailing along his thick thighs once again until you reach his cock.

You wrap your fingers around his shaft, slowly moving your hand up and down. With your thumb, you collect some pre-cum and use it as a lubricant to make your movements easier. Bucky groans, watching you intensely with his blue orbs.

“Good girl! Doing so well for Daddy, yeah, such a good fucking girl,” he praises, his fingers curling around your strands, pulling at your hair softly. You moan, lowering your head above his cock, and kiss the tip of his dick.

Bucky throws his head back as your soft lips touch his sensitive tip. Your tongue is grazing over the slit, and you moan against him, sending vibrations through him. His fingers tightening in your hair, tugging softly on them.

“That’s it, good girl!” Bucky mumbles, watching you as you take him into your mouth. Your warm, wet mouth is taking his sensitive length slowly deeper, causing your best friend to turn into a groaning and panting mess. “You look pretty like that, with my cock in your mouth. Taking me so well, babydoll.”

You take more and more of his cock into your mouth, hitting the back of your throat when you’re a bit more than halfway into your mouth. A soft gag comes from you, and Bucky pulls you immediately away, tilting your head back to look into your face.

Tears well up in your eyes, your chin coated in your saliva, and his pre-cum and Bucky can’t help but groan at the way you look. Your eyes widen, and your lips form into a soft pout as you try to pull forward to get his cock back into your mouth, but Bucky's grip is firm to hold you in place.

“Daddy, please,” you whine. He shakes his head, his thumb brushing over your bottom lip, and you unconsciously part your lips. Bucky smirks, collecting some saliva in his mouth before he spits it into yours, grinning as you immediately swallow down and part them again for him to spit into your mouth once again. He spits into your mouth again, chuckling as you sigh happily. “Thank you, daddy.”

“Always, now don’t push too far; I don’t want you to feel uncomfortable, oke?” Bucky slides his thumb once again over your lips, waiting for you to answer, but he only gets a pout from you. He can’t help but to lean forward, capturing your lips with his, moving his lips softly against yours to get the pout off your lips.

As the two of you pull away, you’re panting softly, then nodding. “C-can I try to take your cool deep down my throat? P-please?” Your puppy eyes make it hard for him to say no, so he nods but holds you still firmly in place.

“But you tap my thigh if it’s too much. If you want to stop and you don’t try to do more as you feel comfortable to make me proud, oke? I’m proud of you; you don’t have to take my cock completely for that, babydoll,” he tells you the conditions.

“Yes, daddy!” With that, he loosens his grip and lets you lean forward to his cock once again. You take him almost halfway down your throat; just before you would gag around him, you stop and take a moment to breathe. You look up at your best friend with a pleading look, asking him to help you.

Bucky inhales deeply; your mouth feels perfect around him, and he wonders how your pussy would feel around him and how much you would squeeze him there. He smiles softly at you, his fingers gripping your hair tightly once more. “Remember, tap my thigh if it’s too much. And breathe through your nose; it helps. You can also take my balls in one of your hands, softly, but to steady yourself a bit.”

You nod as much as possible with his dick in your mouth, smirking a bit before tapping his thigh to show him that you understand. He then inhales deeply once again and pushes you down his throat, groaning loudly as he feels the tightness around his huge shaft.

You gag once again, trying to breathe your nose while you dig your fingers into his thighs to steady yourself. You would love to feel his balls; they look so big and heavy, but you don’t want to squeeze him too much.

Bucky holds your head in place, giving you a moment to get used to his size in your throat before pushing you further down and then letting go, so you can move your head on your own. His pants and groans are music to your ears, chasing shivers to run down your spine, and the aching between your thighs gets worse, but his dick is just too good to not suck him off.

You move your head slowly, twirling your tongue around the tip as you let his cock slide almost completely out of your mouth before you take him down your throat and move your tongue around the underside of his shaft. You bring your hand to his balls, kneading and rolling them in your palm. Bucky throws his head back, his plump lips parting and breathy moans leaving his lips.

“You’re feeling so good; your throat feels so fucking good, babydoll. Doing’ so well for me, so fucking well,” he mumbles, thrusting his hips up and your nose pressing against his pelvis. You smirk around his length, inhaling deeply and swallowing thickly shortly after, causing Bucky’s eyes to widen and his hips to buck once again. “So tight, feels so fucking good.”

You swallow once again, feeling his cock twitch in your throat, and without warning he is coming down your throat, letting you swallow all of his cum. Bucky pants, sweat running down his forehead as he pushes you away, tilting your head up.

“‘m so sorry. You were feeling so fucking good, couldn’t help myself, had to come down your throat, sorry,” he says, his fingers trialing along your cheek and jaw to your lips. You grin at him, licking your lips; you don’t mind that he came into your mouth, not at all. His cum is salty and musky on your lips, and you can get enough of it.

He leans forward, kissing you. You immediately kiss him back, fingers digging into his thighs. He tastes himself on your tongue, growling. “Now, get up on the bed, and let Daddy make you feel good. You were so good for me, babydoll. Making me feel so good.”

“B-Bucky, I-I can’t,” you mumble, leaning your head against his thigh once more and sliding your fingers up and down his soft skin. His cock twitches the closer your fingers move toward it, and you smile softly. Bucky narrows his eyes, looking with confusion written all over his face. “I- you’re my best friend, and I do love you; I’m in love with you, but if you see or touch me down there, it’s- if you don’t love me back, you know?”

“But I love you, babydoll, more than everything,” Bucky says, looking straight into your eyes. “Do you think I gave you the collar because I just want to be your best friend? No, because I love you, I want you to be mine, if you want to be mine.”

You nod, smiling. “I-I want to be yours, but only if you’re mine then too!”

“Of course, I am yours as much as you’re mine, doll,” he says, chuckling before leaning down and kissing you. “Now, get on the bed, and let me make you feel good; then I will mark you, all of you. And after we can do whatever you want, cuddles, cooking, showering, whatever you want else, another round, more than one round, you just have to ask. ‘Cause you’re Daddy’s good girl, and you only have to ask, and I will collect stars for you. Because I love you!”

“I love you too, Buck!" You giggle as you get on the bed, making it comfortable, and Bucky gets out of his shirt before placing himself between your legs to finally get his snack before he is going to make you his and mark you in his bites, kisses, and cum.

Taglist: @pono-pura-vida @sergeantbarnessdoll @rogersbarber @kimmie113080 @sebastianstanisahotmf

[lady-griffin]

Jinx's Hallucinations + Ekko

Before Act III drops, I wanted to talk about an aspect of Timebomb that I'm quite fascinated by -

Ekko isn’t a trigger for Jinx’s hallucinations.

He has even stopped her hallucinations – not intentionally or anything, but more than once Ekko's presence seems to have a nullifying impact on Jinx.

Which is odd, right?

One would assume due to their history Ekko would be just as triggering to Jinx as anyone else, if not more so, and yet the opposite seems to be true.

In Jinx's first reunion with Vi, she quickly becomes overwhelmed and has an episode due to a whole combination of factors, but notably because her hallucinations of Mylo and Claggor start attacking her, largely because she's starting to breakdown and is getting overwhelmed (a self-perpetuating cycle).

Jinx can't even begin to calm herself down, in fact she yells at everyone to shut up, because she needs to think.

Then she hears Ekko’s hoverboard and suddenly the hallucinations are completely gone.

Jinx isn’t sure if what she heard was real or not.

Which is a great detail, since it indicates Jinx is aware that the voices she hears aren’t “real," meaning she knows other people can’t hear them too. So, it's rather telling (at least for me) that she asks Vi to confirm if she too heard the hoverboard sound.

It's also impressive Jinx was able to instantly recognize the sound of Ekko's hoverboard, despite her being in the midst of a mental breakdown and unable to think properly.

It’s almost like Jinx’s brain went into fight mode or something, because seemingly all the hallucinations stopped at once because there’s now a much bigger threat Jinx needs to be on guard for – Ekko is heading her way.

I really can't emphasize how much I love that.

While not traditionally romantic, in any sense, this shows the amount of respect Jinx has towards Ekko and the threat he poses to her. He’s someone she actually has to take seriously when fighting.

Which is a bit unique for Jinx.

Throughout S1 we saw Jinx being far more scared of her hallucinations then actual real, physical threats, but in this moment it’s like her brain recognized Ekko as being the far greater threat than her hallucinations.

Which he is - but that’s also true for many of the other things Jinx faces and isn’t scared of.

Jinx does “glitch out” while fighting Ekko and the Firelights in “When These Walls Come Tumbling Down,” - but it’s more of an asset than a problem, as she easily dodges the Gorilla Mask Firelight (at least I think it’s a gorilla).

Then when Ekko disappears, Jinx's psychoses come rushing back; obviously, this has less to do with Ekko himself and everything to do with him taking Vi, but nonetheless, it's still a slight repetition of the pattern that keeps happening between them.

In "The Boy Savior," during Jinx's bridge fight with Ekko, she once again specifically doesn't experience any hallucinations; even though she was just experiencing them not too long ago.

Mylo was this 'demon' on her back that while she could initially argue against, the more upset she became, the bigger his presence was.

She saw Caitlyn as this devil figure, laughing and mocking her and her psychoses even blocked Vi almost entirely from her sight; whether literally or symbolically, Jinx clearly wasn’t fully aware she was shooting at Vi, despite her obviously seeing Vi and then shooting in her direction.

Then Ekko bursts onto the scene and suddenly no more hallucinations. Which is just...

I honestly don’t know what this is. I really don’t.

To be clear, I absolutely love this whole thing despite not knowing what it is exactly, because honestly, I'm just fascinated by this dynamic, because for whatever reason, Jinx isn't triggered by Ekko nor does she hallucinate him.

In S2, Jinx’s hallucinations have significantly decreased, but in “Paint the Town Blue," she's suddenly bombarded with pretty much everyone’s voices because she’s beyond upset and panicking about Isha being taken by the enforcers.

She sees pretty much everyone - Silco, Vi, Mylo, Claggor, Sevika, and Isha.

Jinx seeing Vi, Sevika, and Isha shows us that she can/does hallucinate people who she knows are alive.

In addition, Isha being one of her hallucinations shows us that Jinx doesn’t need to have negative or even complicated feelings towards someone for them to become a part of her psychoses, as Jinx largely thinks/feels positively towards Isha.

Though it should be noted, the hallucination of Isha isn’t acting aggressive towards Jinx, not like the others are.

Finally, Ekko or Vander are the only two she doesn't hallucinate, but we know Jinx has hallucinated Vander in the past, making Ekko the odd one out when it comes to Jinx's hallucinations once again.

Which for the millionth is absolutely fascinating to me.

Because why?

Why doesn't Ekko trigger Jinx? Why isn't he one of her hallucinations? How come he's the only one we've seen having the ability to stop Jinx's hallucinations altogether (even if it's completely unintentional)?

For whatever reason, Jinx’s mind has seemingly categorized Ekko as being different than everyone else and while it’s obviously not this big thing the show brings your attention to, it’s also clearly there, albeit subtly.

And yeah...

I don’t really have much more to say, I just wanted to talk about this interesting aspect of Timebomb before we get to the last and final arc of Arcane.

[witch-withdarkholdfingers]

That moment when you love death but don't want to die and that makes the love of your life feel unwanted because you don't want to give up your life. But she is death and she doesn't feel wanted because you don't want to die. And you don't want to die because she's the love of your life but what happens after life you don't know. So by refusing death you are refusing to fully give yourself to her even though you love her so much that you don't want to die and face not being with her, and also she had to take your son in the divorce. Because you weren't the mother he needed right now, because he's dead, and she's death so she's been taking care of your son. That's also her son. And she wants you to come home, but you couldn't save him and what if he's mad. And you spent all this time being mad at your wife because you couldn't cope with the loss and maybe if that fuck ass blond witch hadn't popped out of now where whining about the road maybe you could have had a moment to actually grieve the loss of your fucking child. And make up with your wife who is death that you love even though you don't wanna die.

i like to think that when Rio said "Why don't you want me" to Agatha, she meant Why don't you love me but also Why won't you just fucking die already

[ariiadnes]

╭ ⿻ ･ 0713

ଓ.° ・ simon riley. call of duty. family fic -- simon and reader have a daughter. may as well make this an unofficial series ～(　TロT)σ every day i am victim to the delusions !!

when you first met simon, you quite honestly did not think you'd end up having such a domestic life with him. you've known each other for a long while, been together for less. you've seen each other go through hell and back, worry for each other's safety and return, and here you are now, with a daughter that is exactly like him.

kind of. mostly, you'd say.

personality? absolutely. quiet, reserved-- her, mostly in the sense that she's shy. him, in the sense that he just doesn't like talking to people very much. but quiet all the same, you suppose.

appearances? oh, one hundred percent. brown eyes, brown hair. sharp gaze. you don't know how a two year old has a sharp gaze, but she does.

little quirks? you suppress a sigh just thinking about it. wherever you are, simon is. he's practically your shadow-- so what's your daughter? his shadow. so basically, in summary : anywhere you go? have no fear, you will never be alone. ever.

oh, forgot something in the bedroom? just turn around and you'll face-plant into your husband's chest, and when you recover, you'll see your daughter peek out from behind his leg to see what all the ruckus is. oh, you're going to do laundry? forget the television, make it a group effort instead. grocery shopping? no need to split up to make it faster. he's mapped out the most efficient route around the store to knock out this trip in less than an hour.

yeah. they're weird. but you love them, so it's okay.

you'd like to think that nothing surprises you at this point, until today -- when you're tending to the house, bright and early, only to see a certain half awake toddler and her dad standing in the living room. you pause for a moment, mildly surprised that she's already up. you don't say anything-- just watching, as they haven't noticed you around the corner of the hallway quite yet.

"papa."

"munchkin."

silence. like, a long silence. your brows furrow, and you can't help but tilt your head in confusion and curiosity as you witness the strange phenomenon that is your family. she closes the distance, looking up at him. and in return, he looks down at her.

and they just stare at each other. in even more silence. for a good few minutes. not a single word exchanged. you're just so confused by this interaction that you're about to speak up, but then she raises her arms, and just like that, he picks her up, pressing a gentle kiss to her forehead-- his usual good morning greeting to her, you've come to notice.

you stand there in the hallway, confused as ever, as he walks off to the kitchen to prepare breakfast for her. you have no idea what that was. you blink a few times before shaking your head, joining him in the kitchen to help with the morning prep.

-- so naturally, when night comes, the little one is sleeping, and you're laying in bed next to simon, you can't help but ask:

"what the hell happened this morning?"

he pauses at the sudden question.

"you burned the pancakes, dove."

your eye twitches.

"i did fucking not." you roll your eyes, though you don't put up any resistance as he pulls you closer to him, an arm draped over your waist. "i'm talking about your little stare down today. what was that?"

simon stares blankly at the wall in recollection of the event. a moment or two, then a slow shift in his gaze as he looks at you.

"-- just had a bit of a chat."

"...you both said one word each."

"said it was a bit, didn't i?"

oh, insufferable. weird and insufferable. you give him a deadpan stare, in which he returns full on-- and now you're stuck in a silent staring contest with him. as much as you'd love to try and redeem yourself from the losing streak you've maintained all these years, you understand that one : it is midnight, and you would like to not stay up until three in the morning only to lose, and two : you should be realistic and know that you'll never win.

"stop that." you grumble, hand covering his eyes. "she's gonna pick up on that and start staring into people's souls. it'll freak them out."

he chuckles softly, moves your hand away before lacing his fingers with yours, lips gently trailing down your neck. "not a bad thing. instills fear."

"...i would really like you to not encourage our two year old daughter to instill fear into people, simon riley."

a faint hum of acknowledgement and amusement, then another kiss along your jaw, the corner of your mouth, then your lips. he can't help but notice the feeling of your smile despite your disgruntled words, and he thinks he loves you all the more for it.

"i'll consider it, love."

[livinghalfway]

Right Reasons; Wrong Kid

Summary: Batfam thinks Damian is being kidnapped when they see Danny getting manhandled into a car by Vlad; Danny loves to make Vlad's life difficult and puts up a fight getting into the car.

Word Count: 1450

Being in Gotham was the last place Danny wanted to be today, especially when he had to be here with Vlad. The fruitloop had somehow convinced his parents that he should go to this stupid three day business conference with him.

While Danny can't make any decisions right now he can certainly make Vlad regret his. Which is why Danny doesn't feel an ounce of embarrassment at what he is currently doing.

"Daniel, get in the car." Vlad hissed at him with a tight smile as they both stood outside of the building the conference was being hosted in.

"No." He said; even going as far as to take a step backwards to further spite the man in front of him.

It was clear Vlad was losing his patience with him if the subtle flash of red in his eyes is anything to go off of. "Daniel, I won't ask again. Get in the car now, or I can drag you in. The choice is yours, but you will be getting in this car one way or another."

"You really gonna drag a kid into your car in front of all these people you're trying so hard to impress?" Danny looked from side to side at all the people congregating on the sidewalk and steps as they wait for their vehicles to arrive.

"I'm hardly the first person they've seen that has had to deal with a stubborn child refusing to listen." Vlad says as he takes a threatening step forward, "Now get in the car."

"No."

Seemingly annoyed but not surprised Vlad takes a deep breath before his hand, like a snake, strikes forward and grabs a hold of him before beginning to pull. Just as quickly though Danny is trying to pull away with just as much strength. Quickly taking a moment to look around he sees that others are already starting to look in their direction; perfect.

With him distracted though Vlad was able to get a sharp tug on him causing him to stubble towards the car. Before he can fall into the car though Danny is shooting his foot forward, firmly planting it down as his hands land on both sides of the open car door.

"Gonna have to try harder than that, fruitloop. I can't make it too easy for you." Danny teased as he fought against Vlad’s pushing.

Vlad doesn't say anything back to him besides giving a low growl. This situation is clearly not going the way he wanted to and Vlad’s frustration was starting to show, and Danny was determined to watch this man break in front of all these people he so desperately wanted to impress.

He locked his arms and knees when he felt Vlad start pushing harder against his back. Preparing himself to jump to the side the moment Vlad loosened his grip even slightly. What he wasn't prepared for though was for the weight pushing against him to suddenly disappear.

"What is going on here?" A deceivingly friendly voice sounds out behind him.

Before Danny can realize what has just happened though a much stronger hand is gripping his shoulder and yanking him away from the open car door. Finally able to see more than just the car's interior Danny see's that three other men are now standing by the car.

Two of them, a teen not much older than himself and a middle aged man, are standing in front of him as if forming a wall between him and Vlad. Who is being held in place by the third man.

Danny can see that Vlad was just as thrown off by these strangers as he is based on the startled look on his face. What confuses him though is when instead of becoming angry like he expects Vlad only looks surprised as he takes in the three guys with them.

"Bruce Wayne!" Vlad announces with a tight grin, "I was just trying to get my son to cooperate with me and get in the car. I'm sure you understand how teenage boys are."

"I'm not your son!" Danny instinctively yells out; no way in hell was he going to let Vlad tell people they were any way related.

It took him a second to register what name Vlad had even said.

Bruce Wayne? He remembers Sam and Tucker talking about that guy and his family when they found out he was going to Gotham. Which means if he's remembering correctly then the young man next to Vlad is most likely Dick Grayson and the older teen next to him is Tim Drake.

Without looking at him Bruce leans towards him and whispers, "Shh Damian, let me handle this."

Wait. What?

"I'm not-" Danny tried to say that his name wasn't Damian, but was quickly interrupted before he could.

"Damian, quiet." Bruce lowly growls; still not moving his gaze to look at Danny. "Actually, Mr. Masters, you'll find that this is my son, and I don't think you should be putting your hands on him."

Vlad looks from Bruce to Danny and then back to Bruce, "While I do agree that you and Daniel share some resemblance this is not your son Mr. Wayne."

It seems Bruce wasn't going to entertain Vlad's "lie" because he still doesn't bother to even look at Danny. Tim on the other hand seems to consider what Vlad said, and turns to actually look at his face.

Danny almost laughs out loud when he sees shock immediately overtake Tim's face. At least one of these fruit loops is smart enough to recognize that he isn't the youngest Wayne.

"Bruce, this isn't Damian." Tim states with wide eyes still locked with his.

Upon hearing this the other two Wayne's finally take a hard look at Danny for themselves.

"Oh my God B, that's not Damian!" Dick exclaims before releasing his hold on Vlad.

Bruce on the other hand is frozen in shock as he stares at Danny as he comes to the realization that the boy in front of him is in fact not his youngest son. Snapping himself out of his stupor, the older man finally addresses Vlad. "Mr. Masters, my deepest apologies. It seems this young man and my son look remarkably alike, and I assumed the worst when I saw him fighting to get into the car."

Vlad takes a step forward towards Danny clear with his intentions of getting them into the car now, but before he can grab him Bruce is once more taking a step in front of Danny. "I would actually like to have a quick word with Daniel if you won't mind."

"And why is that?"

"I have a son his age after all, maybe I can help ease this teenage rebellion phase, and cause less fights when it comes to getting in the car."

Danny must have been more focused on the growing argument in front of him more than he thought because he ends up slightly jumping when he feels a sudden hand on his shoulder. Looking to his right he sees that Dick is now standing next him with a soft smile. "Daniel, right?"

“Danny actually, and you’re Dick?”

"Yup! That's me," He gestures to the boy standing on Danny's other side, "and this is Tim. Sorry about all this; we thought our brother was being kidnapped."

"Do I seriously look that much like him?" At this point Danny had to meet Damian if the guy's family was even confusing the two of them.

Tim is giving him a concentrated look when he replies, "It's like the two of you could be twins or maybe even clones. The eye color is the biggest difference between the two of you."

If Danny didn't know any better he would think Tim was accusing him of being a clone based on the tone of his voice. He knew Gotham was weird, but he didn't think he would have to worry about cloning here. "While I was adopted when I was pretty young, but I think I'd know if I had a twin or if I was a clone."

"Crazy things happen all the time in Gotham."

Well, that doesn’t sound ominous at all. Danny can't believe saying this, but it's probably time to get Vlad's attention and get the hell out of here. He already has one crazy fruitloop to worry about; he doesn't need more. "Vlad, I think we really need to-."

“Father, what is the meaning of all this?” A new voice interrupts him, and when he sees who it is truly shocking to see a mirror of his own face. The other is also now looking at him with something akin to shock and grief.

“Damian?”

“Danyal.”

[boofeine]

AAA – ljh

pairing: woozi x afab reader

genre: smut

summary: you decide to make jihoon cum under your good care and you wouldn't receive different.

warnings: mdni, oral (f and m receiving), handjob, gagging, a lot of spit, praise, slow sex, not penetrative, unprotected, fingering, body workship, cum play, swearing

a/n: happy jihoon day!!! birthday post for birthday boy and my strong thoughts of woozi having the greatest ace potential on seventeen as part of the ace community 🫡

tags: @huen1ngk4i @aaniag @svteensworld @kooqitas @unlikelysublimekryptonite @yorkutis

Jihoon is a shy man. Don't get him wrong, he doesn't lack attitude, quite the opposite, he takes a lot of action, he just needs time to make sure that's really what you both want and feel totally comfortable and in it. That's a big part of it, that's one of the reasons sex with Jihoon is so... addictive. It's intense and has not a single pullback or doubt. He needs to have that something more. Sex for just sex is not for him.

You were getting impatient, you tried seducting him through it. Sure, you could use your words, but it's more fun to make you both figure it out. Jihoon isn't dumb, he notices the way you shoot those hungry eyes to him. The way you smile pretending to give attention to everything he's saying. Your gaze going from his eyes to his lips and them back up again. He looks unbothered though, but that's because he's too afraid to sport a hard on if he stares for too long.

And you're all so sure about it, having your back pressed on the mattress, your wrists pinned by his hands on top of your head as he kisses the outline of your jaw and neck. You mewl under his soft lips that let open mouth kisses to your torso and love bites just above your nipples. Your back arching for him, in need of his mouth somewherelse more needed. "You're just so impatient, aren't you?" He whispers, looking up at your face and God how that needy eyes say so much, the brows shut and mouth agape, he wants to ruin you.

He smears his tongue around your nipple, the most erotic moan leaving your mouth as you finally get the feeling you've been waiting on. He sucks and licks as he cups your other breast, changing sides to give the same attention to the other boob, pinching and playing with the one who lost his mouth. It's all too much, the ache and wetness between your legs get way too uncomfortable before he trails down with his kisses. His hands leave your wrists to grip your waist instead, keeping you in place so he can lick a long stripe of your folds. Your legs spreading as if it were instincts. His tongue alternating between fucking your hole and draw circles on your clit. "Fuck, Jihoon! Feels so good!" you praise and whine. The knot on your stomach finally undoing as you come undone on his mouth. He growls and laps on your center, drinking in all your juices. His cock rock hard on his boxers, ruining the material with his precum.

He makes his way back up, hovering over you, keeping his weight up as he stares down at your naked form and fucked out state as your chest rise and fall out of breath. He doesn't waist time in kissing you, your tongues swirling together, your own taste adding to it as you whimper on his lips, your pussy heated all over again. "You're so hot. I can't ever get enough of this" He adds.

You feel your body burning hot, not wanting to wait anymore, you roll his body to the side, pressing him on the mattress as you take your place above him. Your mouths unattaches for a moment, but dives back to the kiss right after.

You let your fingers go inside his hair, grabbing a full hand of it. With your other free hand, you cage and bring his wrist to your hair, stopping the kiss to lend softly the words "Do it for me". Your foreheads press together, eyes locked as he pulls your hair back, arranging and taking it on a ponytail. Without saying much more, you go down on him. His breath hiss watching you getting on your knees in between his legs as he watches you hand his base, giving a kitten lick to his cockhead, a sigh of satisfaction coming out from him. You let a kiss over it, so teasingly soft that makes him want to lose his control and just thrust inside your mouth. You take his head first, wrapping your mouth around it and sucking it with hallow cheeks, leaving with a loud pop. You look up at him, your palm going up to smear your spit and his arousal around his head with your two middle fingers, you scissors it, making a fist right after, bumping down his length. That's enough to make him let out a breathy low moan, his head going back as you start to bump him. He swears under his breath as you take him on your warmth mouth again. Your head bobing around what you can take as you fist the end.

With your legs on each side of his laid body, you go up to kiss him again. You go back to his length, fisting it in circle motions. He can feel your soft hands on his lower belly and around his cock, the same for you as your belly get all wet with his pre cum. He slides his palm over your sides, grabbing your waist as he brings you closer, your clit pressing over his balls, making you moan. Your face going down on his jaw as he grabs your ass cheeks, pushing them aside.

"Shit, baby, feels so good" His grip on your hair tightens when you finally reach for his balls, massaging it. You can see his eyes rolling back by your hooded view as he lets out a proper moan from the back of his throat. He've lost control, cuping your face and making you stay in place as he starts to thrust inside your mouth. The change in who has the control makes your legs press together as he pushes in more than you believe you can take. Your eyes watering as you dig your digits onto the skin of his thighs. You whimper and whine around him, a final thrusts making his cockhead poke the back of your throat as you gag around him, he groans pleasantly, taking his length out slowly, leaving your lips with a sloppy sound and a line of spit connecting them two together. You try to catch your breath, your chin all wet as well as his dick, your saliva and his arousal slipping down to his balls. Jihoon caresses his thumb on your cheeks, caging your chin on his grip to make you look up at him "Fucking gorgeous. Come over here" He praises, pulling you to him by the hair.

You push your upper body up, your palms landing on his abs as you suddenly move. Jihoon's face changes in confusion as you turn your back to him, going down again. Your legs are spread, your wet cunt just there in front of his face. "Fuck, you're going to ruin me" He lets out as he spreads your folds apart, your pussy clenching with the motion as he smears your arosal on it. "You're dripping, babe" He states, his fingers sliding easily as you moan his name, the pet name doing wonders to you as your body responds, a rush of your juices coming out of your entrance as Jihoon stares hungrily, his tongue coming out to lick his lips as he watches.

In the same position you are in, you take him in your mouth again, his cock twitching under your tongue before you start moving. On the other side, he draws circles to your sensitive muscle, teasing your entrance with his fingers. You whine, your ass wiggling asking for more of him. He laughs endeared by your neediness. Hearing your prayers, he thrust two fingers in, making you whimper and hault the rhythm you've set around his length. He keeps thrusting slowly, easing your hole as he goes more inside each time. Your whole body squirm when he reaches your further spot, your mouth leaving him, not being able to get anything done. "Fuck, Jihoon!" You moan out, at least bumping him so he feels something too. The tip of his fingers pressing over your g spot as your back arch with a whine.

He sighs, out of breath, his body losing weight as he lets go of you. You move to face him again as he isn't aware, feeling the post orgasm thrill, his eyes closed and body light. "Look at me" You say softly as he opens his eyes slowly. As soon as your presence is known, you lick his newly hot cum from his skin, his toned abs hardening under your tongue as you lick him dry. "Goddamit!" The sight nasty enough to make his cock spurr one last line of cum before starting to get back to its flacid state again. You suck everything clean, drinking his every drop, sitting down on the back of your legs with a small smile to your face that mirrors his under you.

"Oh! Do you like that, pretty?" He teases. There's no doubt by the way your walls pulsate around his digits and hug them tightly. Before you know, he's back at thrusting his fingers, his thumb making his way up to your clit as he caresses your ass with his free hand. You swear the room is spinning, your whole body hissing as the familiar knot starts to build on your stomach. You know it wont take much for you to cum. So, taking some action, you press his cock down over his lower belly, keeping massaging the flesh as you take his ball on your mouth. His legs shake under you, and you smirk proudly. Your tongue goes flat where his balls connected, licking the thin flash. Jihoon's hips bulk up to your mouth as he swears and moans, his fingers going faster on your whole, giving in how desesparate he is. "Shit, Yn, I'm gonna cum" he announces. His fingers curling inside you again as you moan and suck him harder. He feels the way your pussy sucks him in, he knows you're close too "Gonna cum with me, hm? Cum for me, babe" He pushes your high, his palm leaving your ass to fuck your clit instead.

It's all too much, your face burring to his legs as you, unintentionally, puts force around the grip you have on his cock as he grunts, stopping everything he's doing to grab your waist and pull your ass to him. His tongue laps on your center, his soft tongue on you clit while your head goes back as you finally cum on his mouth. He hums, drinking in all your cum that keeps coming out. Goosebumps spreading all over your body and the sweet taste of you on his tongue, soon after he can't take it anymore either. Jihoon cums. His hot white spread, messing all over his belly and stomach. Yours going down on your inner thigh.

[buckevantommy]

Buck could fill a small bakery with the amount he's baked in the past few weeks. He cleaned out the flour shelf at his local corner market, used a coop's worth of eggs, pushed his mixer to the limit, and had his oven working near constantly. Every neighbor on his floor and everyone he's passed in the lobby has had a loaf of some kind left on their doorstep or politely shoved into their hands. Everyone at the station is begging him not to overload them on anymore sugar - they'll take the carb-loaded meals he makes at work but avoid Buck the moment he enters the bay doors with a basket of saran-wrapped sweet bakes.

The worst part is that it's not even working anymore. It never really distracted him enough to not want to call Tommy, just put his hands and head to use for an hour or two at a time so that he couldn't text or call.

But now there's nothing left to bake with. And Eddie is looking at houses in El Paso. And everyone has family to go home to, except for Buck. And every reason he has for not being the one to reach out first goes out the window.

After a few rings, Tommy answers with a questioning: "-Buck?" and it's a gutpunch he doesn't need today but he's already feeling like shit so the pain just gets absorbed into the rest of it.

"H-hey, Tommy." It feels good to say his name under- well, not better circumstances than addressing his broken heart, but something with a bit of tentative hope at least.

And it's good to hear his voice. The voicemails and audio notes and videos from their time together have soothed him and tormented him at different times, but hearing Tommy respond sends a pang of longing through him.

"Um. I-I, uh."

"Are you okay?"

A bitter sound trips its way out of Buck's mouth. "No. No, I-I'm not okay."

"Are you hurt?"

The urgency in Tommy's voice thrills him; he still cares. But Buck doesn't want to misrepresent himself, doesn't want to trick Tommy into caring about what he's going through.

"Guess that depends."

"On what?"

"What kinda hurt you mean."

There's an inhale across the line. "What can I do?"

Tears prick at the corners of Buck's eyes. "I just- need someone to talk to." He doesn't say: even though we're not together anymore, can we still be friends? because even though he's missed Tommy being in his life, he doesn't know if he could be just friends.

"Okay." Buck hears some rustling in the background, footsteps, background noise receding. "I'm here. Talk to me."

Tommy wants to hear what Buck has to say, he always did. So Buck talks. He tells Tommy about Eddie moving away, and Tommy listens. And when it gets too much he tells Tommy about a new niece or nephew of his on the way, and Tommy offers his sincere congratulations. And then he tells Tommy about his baking coping mechanism and Tommy quiets.

So much so that Buck checks to see if the call dropped.

"I'm on my fifth engine," Tommy admit. "I keep taking them apart and putting them back together until they work better than before. But everytime I was done I had to start again, fix another broken thing, because I couldn't fix.."

Buck takes an unsteady breath. Us. "Me."

"No," Tommy says emphatically. "I couldn't fix me. Too broken to be good enough for you."

It's a heartwrenching confession, but Buck feels a smile beneath the tears sneaking down his face. "You don't think I'm broken? Nobody stays for me, Tommy. At some point I gotta realize I'm just not someone people wanna stick around for in the long run."

"Evan.."

Buck breezes over the sound of his name in Tommy's mouth, can't dwell on how good it feels because it won't last. "Guess neither of us are forever guys, huh." His heart, bruised and battered, bleeds a little more. The tears stream freely now. He sniffles, but manages to steady his voice as he says: "I loved you. That was real."

Tommy's breath hitches. "I was a coward."

Buck nods. Cries some more. They're both fucked up.

Tommy hesitates, but then: "I'm off-shift soon. We could.."

He leaves it hanging. There's so many ways Buck could finish that sentence, most of them unbearably hopeful. He doesn't want to stay in his empty apartment anymore. "Yours?" His voice is a little wet. "Maybe I could help you with that engine."

Tommy's breath of amusement is a balm to Buck's aching heart. "You know something about vintage cars I don't?" It's teasing, and gentle, and Buck has missed this.

"Maybe. Maybe trying to do it alone is the problem."

Another breath of laughter, followed by resignation in Tommy's voice. "Yeah. Maybe you're right."

Buck listens to him breathe for a moment: in, out, in..

"I'll meet you at mine."

Buck's poor heart beats a little stronger.

*

It was more than an hour later, of battling crosstown traffic and then letting himself into Tommy's house because Tommy had explicitly told him to use the spare key. They never gotten to the point of swapping keys. That probably should've been a step they didn't skip over. Buck's too-long legs had skipped too many for Tommy's comfort.

He pushes all thoughts of that aside. He's not perfect, he's too much, but Tommy agreed to see him. Tommy wants.. he's not sure.

Buck stands in the little living room, surveying Tommy's space while his mind spirals, heart yoyo-ing between hope and hopelessness. He doesn't know how much time passes when the front door opens and Tommy appears in the entryway.

He looks good. Tired, if the dark circles under his eyes are anything to go by, but good. His hair is a little longer all over, and it suits him. Buck wants to tell him as much but he can't seem to say anything.

Then Tommy says, "Hey," soft and concerned and fond, a sad smile at the corners of his eyes.

And Buck's tears threaten back into his own. "Hey." His voice is watery and brittle.

Tommy's there in three strides, gathering Buck into his arms, and Buck lets himself be wrapped in an embrace. Winds his arms around Tommy and presses into his solid warmth. Breathes him in as the tears come.

He feels safe. Seen. His heart cradled in care the way his body is cradled in Tommy's arms.

Buck takes a deep, steadying inhale of Tommy's scent and pulls back enough to look him in the face. His hands loose their grip at Tommy's shirt, smoothing to palm him through the cotton.

"About that engine.."

Tommy's smile is wide enough to crinkle his eyes in that way Buck loves, with joy etched in the creases.

"I wanna help you, if you'll let me. We could make it work. Together."

Tommy's eyes glisten. His smile breaks into a grin. "I'd like to try that."

buck probably called tommy every chance he got when they were together. driving home from work and stuck in traffic, it’s time to call tommy and tell him about his shift. late night in bed and he’s struggling to fall asleep without him, tommy’s soft voice will lull him to sleep from the other side of the phone. both on shift and the calls had been particularly slow, he will go and sit on the roof with tommy on loud speaker and they will just talk about anything and everything.

and when buck finds out that eddie is thinking about moving back to texas, tommy is the only person who he wants to talk to about it. so he finally gives in and calls. and of course, tommy will answer.

[fuctacles]

<< eight | 😺 | ten >>

a little poll while you're here

It's pure torture, sitting in a salon chair. Eddie briefly wonders how women can endure all this treatment and how many of them experience their first homoerotic thoughts under a hairdresser's touch.

The only time anyone is this hands-on with him is during sex, and even then it wildly depends on the partner. His body can't comprehend that it's not a bedroom setting, despite the intimacy of drawn curtains and soft music, and that it is not the time to pop a boner. 

Thankfully, Stephanie swiftly distracts him with questions about his interests, which always works on his nerdy brain. The fact that she's no longer massaging shampoo into his scalp also helps.

"I'm going to cut about this much, okay?" she asks after a moment of brushing and D&D talk, holding up the ends of his hair so he can see. 

"Sure. There's so much of it you can cut more," he jokes but Stephanie cocks her head, pursing her mouth.

Gods he wishes she'd stop making her lips look so kissable. 

"Don't you want to grow them out even more? I think it would look good."

She could also stop praising his hair and overall look.

"You think I could pull off ass-long elvish hair?" he smiles at her mirror reflection. 

"Hm..." She looks at him completely seriously, plays with the hair around his face, and traces the line of his cheeks with the tips of her nails. Whatever vision of him Steph is conjuring in her mind, she seems to like it. "I think yes. Absolutely," she decides, but Eddie doesn't remember what he has just asked.

"Only the ends, then?" she asks, backing away so he can release the breath he's been holding.

"Yeah. Just the ends." He tries to nod, but she swiftly taps her comb on the top of his head. 

"Don't move your head unless I say so," she scolds him with a played-up frown.

"Yes ma'am," he's quick to agree. It's her kingdom and all that. Also, she's maneuvering sharp objects around his head. 

"Good boy," Stephanie smiles again and one of these sharp object might as well have just pierced his heart. 

He knows he won't leave this ordeal unscathed. 

"Could you dye just a streak of my hair? Some weird color, like red?"

Eddie can see her little smile in the mirror. It's a knowing smirk like she was anticipating that question, and this hint of condescension makes her look hot as Hell. 

"If you want red-red and not ginger-red, then I'd have to order the dye," she says, thoughtfully combing through his hair. Stephanie works fast, though, so he's pretty sure she should be done soon. There's another snip of her scissors before she straightens up to look at him properly. 

"As you can imagine, there aren't many adventurous metalheads in Hawkins to work on."

"I'll let you know that during longer breaks there are at least four."

Stephanie laughs.

"Your bandmates, right? But are they all as willing to experiment with their hair?" She raises her eyebrow, and she's suddenly up in his face. The counter behind her creaks under her weight and Eddie wonders how nice it would be to feel it on his lap.

"Well... Gareth's been growing it out," he offers. 

"If he has anything in mind, let me know," she smiles. "I should probably look more into what's new and hip among kids anyway."

"If you weren't holding scissors, I'd pinch you," Eddie scoffs. "New and hip among kids," he repeats under his breath. 

Stephanie rolls her eyes. 

"There's a big difference in hairstyles between Hawkins and Indianapolis though, you can't deny that." She straightens up again to wet her comb in the sink. "Close your eyes."

He does as he's told. 

"Would you want to be—" his breath catches embarrassingly when her damp fingers touch his chin to angle his head where she wants it. "—a hairdresser in a city like that?" he asks.

She hums in affirmation as she combs through his fringe. A stray droplet falls on his nose and she swipes it away with her finger. Eddie wants to lick it clean.

"I've been saving for a second salon, actually. The prices in the city are crazy though."

"Really?" Eddie raises his eyebrows since it's all he can do right now, considering there's a snip of scissors way too close to his eye. He thinks about having Stephanie up in Indianapolis with him. In the same city, that is, close enough to drop for a friendly visit. He could show her all his favorite places, too. 

She hums.

"Do you cut your fringe yourself?" she asks suddenly. 

Eddie sighs. 

"Does it show?"

"Not really," she chuckles. "You did a good job, honestly. It's slightly choppy, but it suits you, so I'm just gonna even it out and leave it like that."

"Oh. Thank you."

She hums again, snipping some hair by his left temple. 

"If I didn't like working with hair, staying here would be torture," she picks up their previous topic. "I got this place shortly before Robin had to move, and I felt stuck in Hawkins without her. But I'm making good money here so I figured I could save enough for a place over there." She combs his fringe again, snips once, and then he can hear a clank when she puts her tools away. 

"How much more do you need?" Eddie asks and then jumps when she touches his face again, dusting stray hair from his cheeks. 

"A bit," she says, but it sounds like more than that. "I was going to sell this place to add to it, but then Robin was talking about opening a chain, so now I'm training Joyce to take over here. Don't tell her though." She bops his nose suddenly, making him squeak. "It's kind of a surprise and I need time to figure it out. You can open your eyes."

Eddie blinks his eyes open and smiles as soon as he can see Stephanie again. But she moves aside, to reveal the mirror behind her. 

"I know it's not much, but is that okay?"

There's indeed not much of a difference, other than his hair being an inch or two shorter and his fringe laying a bit better against his skin. 

"Yes, I'm never cutting it by myself," he says, lightly brushing the hair framing his face with his fingers.

"I can totally do it for you whenever you visit," she agrees easily. "Now, do you want some color in your hair anyway? Because I could bleach that streak you want dyed later, but we would have to deal with the roots when you come back."

Eddie hums thoughtfully. 

"How light can you go? Can you give me like, a white Bride of Frankenstein streak?" 

Stephanie snorts at that. 

"I'm afraid not." She purses her lips, gently rubbing a lock of his damp hair between her fingers. "At least not with what I have on hand. Your hair isn't that thick but it's dark enough to be a challenge for bleaching. I may be good, but I'm not good enough to promise it wouldn't burn to a crisp." She smiles apologetically. 

"I'll wait for the red dye, then." Eddie shrugs. "No problem." 

"Okay. I'll grab the conditioner then, and we should be done soon." Stephanie pats his shoulder and he briefly considers asking her for something outlandish just to keep her working with his hair. 

my boyos:

@wheneverfeasible @steddieinthesun @hattsy-likes-pretty-stuff @bumblebeecuttlefishes @phantomcat94

@tartarusknight  @tinyplanet95 @steddiefication @estrellami-1 @disrespectedgoatman

@madigoround @tartarusknight @blasvemous @cryptid-system

[mirrorcatcreditcard]

Take I haven't seen in the fandom yet:

Luka doesn't want to be freed.

"Now, MirrorCatCreditcard," you may say, "that's nonsense. Any human would want freedom from that system."

If you're thinking I'm gonna convince you that Luka doesn't know he wants freedom yet, you're wrong. I'm here to talk about indoctrination/conditioning, grooming/emotional manipulation, my own experience with those topics, and how all of the above connects with Luka as a character. If a deep dive like this is too much for you, please tap out for your own sake.

Luka's life was planned before he even existed. There has never ever been an alternative option. There is no life for Luka as anything but what Herperu chose. Everything in his life has been planned to have him be the perfect pet human idol. That is what he must be.

Fandom, I don't think most of you actually understand this and have dissected what this means (shout-out to the Luka stans who are getting there/have guessed similar things). These words we know have alternatives and are not set in stone are Luka's "gravity makes rain fall to the earth" and "water makes things wet." They are facts so deeply ingrained within him that even if shown the contrary he remarks that the person showing them is just disillusioned.

Take his commentary on Mizi and Hyun-A in the art book. He looks down on Mizi for not being able to control any of her emotions. How does he talk about Hyun-A? He has her at 70% affection yet shows a patronizing attitude—she's the one in denial at reality.

Now, how did we get here? How is a human so "delusional" and set in the control?

He's been conditioned.

Some of you don't know what I mean by this from experience and/or research, and count yourself fortunate that you don't. I pray you never experience such things firsthand. Don't worry about ignorance. Familiar or not, I will explain.

When you are surrounded by only one truth and reality, that is the way you interpret life. If a parent tells a child "the moon goes to sleep during the day," until the child learns otherwise, that's what they believe. Now take that child-like belief and add some toxic environments to the mix. With time, any other kid would learn that the earth rotates from their peers or adults around them. But if the creatures around them all say and believe the same thing "the moon goes to sleep during the day," then that is what the child continues to believe. Years of that same thing being the only truth make that false knowledge into a fact in the person's head, and everything that supports that fact is taken as truth or on the right path to truth.

"This is kinda silly though," you guys are no doubt murmuring, "All of this is a hypothetical. Give us something that makes sense or that someone could actually see happen in our society."

I'll give you my own experience then. My parents taught me that God is real. My parents taught me that I will be damned I do not follow the commandments of the scriptures. I didn't need to worry though. As long as I was obedient to the God who loved me and wanted what was best, I would be saved despite being born an awful sinful human. I was homeschooled, only interacted with people of similar beliefs, and taught that people too different from me in ideology or with radical beliefs against my own were trying to harm me and my family. I believed the people who raised me because why would people who love me lie to me? My task was simple. I needed to obey God and love everyone, especially them. Love meant giving up my entire being and living only as servant and sacrifice. After all, being selfless to the utmost was the greatest form of love.

Let's go back to Luka. His guardian, Herperu, when questioned about any surprises while training Luka, stated not only that he was the one who endured the "tough moments" but also that "(Luka) owes his success to me, and naturally, he should be grateful." This sentiment is echoed by Luka in his interview (shown on Patreon). My god, it's giving parents with disabled kids who brag on social media about how much trouble their kid is and how much they do for them. Sickening. This shows exactly what environment Luka has lived in though.

When you are manipulated into having something as your reality, everything else is fiction and delusion.

Let's review what exactly is Luka's reality.

Heperu is the one suffering if Luka has any difficulties being obedient.

Gratitude is what Herperu is owed because he goes through so much trouble to make Luka a star.

Love/care is shown by owning another's autonomy.

Emotions and bodily reactions exist, sure, but someone should be able to control them; and if they can't, someone should control those reactions for them.

Segyein are superior and the good ones for dealing with humans. Humans must be disciplined and shaped to how an segyein wants it to act to be considered deserving of this goodness.

(Luka)'s perfection is defined by his guardian.

Luka's life is directly connected to being the perfect performer. His guardian praises his abilities with the statement that no other pet human will ever be as perfect as him yet leaves an underlying threat saying that it will be no good if a pet is not trained properly. This has probably been mentally (if not physically) beaten into Luka's mind: his greatness doesn't stop him from being able to be disposed of. The human instinct to want to live has been explained to him as Heperu's wish for him to live and that has been further distorted as a duty to live for the stage he has been placed on.

Luka believes fully that there is a debt in play here. In his interview, he mentions repaying love. He thinks the relationship between fan and idol is completely normal, encouraged, and healthy. Performance is the most important thing. Being where he is is a privilege.

There's a chain here:

Heperu indoctrinated Luka into believing what he says is all true.

The guardian manipulated him easily to do what he wanted with his body and mind.

The years have been spent constantly conditioning Luka to be the god who encapsulated fantasies for the audience.

He is continually being groomed to exist for the entertainment and enjoyment of segyein.

Circle back to my first point of this post. Luka does not want to be freed. He doesn't know what freedom actually is. He sees freedom as either foolish denials of reality (and doesn't consider that actual freedom) or as controlling the song and stage when he performs (something he learned from Hyuna). He cannot want something he cannot understand. He cannot want freedom in the sense the fandom keeps speaking about.

It's funny. From the moment Luka was revealed to be hated by the fandom, I wanted to know why. Instead of digging and finding horrific deeds, I instead found a character who portrayed my own traumas and experiences. I instantly attached and delved deeply into learning about this thirty year old singer. Why does he express himself in a certain way? Where do we first see mention of him? Who does he have emotions towards? How was he trained? What makes Luka himself? I have past essays/replies to other's theories if you're interested, but in this one I got personal and didn't sugarcoat the facts. If the fandom can't handle deep thought, we shouldn't be discussing this incredibly profound and depth-filled web series.

As always, thank you for your time, and I hope my thoughts allowed you to open your mind to new things. Mostly, I hope you enjoyed them 🫶

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[eregyrn-falls]

^^^^^^ !!!!!

There's so much I'd like to add but it would be carrying coals to Newcastle. Great post! (And a lot of great tag-rants in the notes, too.)

I did want to add one thought to this set of tags from @achromaticegoist, about the punch in particular.

It took me a long while to realize it, but not only is the punch reflective of a whole lot of things about Ford's state of mind on his arrival back through the portral... but, it also serves as some really interesting closure (and I'm not even sure the writers realized it).

In the episode, it's told out of order, so we see the punch FIRST. But later in the ep, when we see the fight that led to Ford going through the portal in the first place, what happens is that he and scan are scuffling, and there's that moment when Ford pushes Stan off with his foot and inadvertantly presses Stan against the glowing (apparently red-hot) symbol on the side of the control panel.

Stan screams in pain, of course. And immediately, Ford is suddenly worried, and contrite. He says, "Stanley! Oh my gosh! I'm so sorry! Are you alr-"

And Stan punches him in the face.

That punch is what sends Ford stumbling out into the portal room and falling against the activation lever; and landing inside the danger zone. Ford does get up, but before he gets a chance to say anything else, Stan shoves the journal into his chest, Ford begins to float, and the disaster unfolds from there.

We don't spend enough time thinking that, basically, from Ford's point of view (if he replayed those last moments over and over in his head, as he probably did), the last things that Stan did to him was: punch him in the face, and then shoving him into the portal. The latter was accidental (though disastrous); but the first kind of wasn't. Ford stopped fighting, switching to concern and apology. While Stan lashing out due to the pain is understandable, Stan's punch is what prevents the fight from being over.

Ford coming out of the portal 30 years later and immediately punching Stan in the face kind of creates a book-end with that earlier punch from Stan, doesn't it? Ford getting to hit back the way he didn't (wouldn't?) 30 years ago. (He stands up, but he just stands there angrily staring at and listening to Stan as he approaches. He doesn't try to leap at Stan again or try to wrestle him for the book, etc. Was Ford, effectively, done fighting the moment Stan got seriously hurt?)

As I said, I'm not sure the writers were thinking about that consciously. I don't remember hearing them comment about it (i.e. that Ford's punch was a mirror of the punch that Stan gave him 30 years prior). But I do like to look at what's written and think about it in terms of, these scenes are deliberately written, the way it goes and the details included are chosen, often at the end of a long process of collaboration. I think that what's chosen for the final version is always very interesting.

And I just don't often see people discuss that moment where Ford stops fighting, and immediately becomes worried and apologetic. Not least because, like... up to that point in the series, we haven't seen Stan be apologetic very often. A few times, yes! And it's always notable when he does it. It clashes with the exterior he presents to the world; the man for whom saying "Please" gives him physical pain, etc. Some of which is meant for laughs, too! And some of which is just the product of being hardened by experience and so on.

It tells us something, I think, that Stan truly getting hurt, and screaming in pain, is enough to end Ford's desire to fight. That even after 10+ years of estrangement, he's that ready to be concerned for Stan; and that he's that ready with an apology. Later reads of Ford (post-portal) will portray him as the man who won't say "thank you", and I have other thoughts and feelings about that. But getting back to this, it's the show's choice to have Ford stop their fight and make a slight turn towards a sort of reconciliation. When they could have easily just had him and Stan keep fighting and struggling and the portal turn on because of that. It's such an interesting writing decision; and I just don't hear people dig into what it means for the characters very often.

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.