#those are the main two talked about here anyways

[valdevia]

Very funny that tumblr is having discourse about whether my art is misinformation or not, after I've been posting it all over the internet for years without any controversy. So let's talk about it!

I know people arguing are a vocal minority, but I'm not going to dismiss anyone's concerns. It's an actually interesting topic that I really consider, and it touches some important issues in society. So here's my (rambly) two cents.

My art is meant to misdirect, in some way. Photomanipulation and the tone I typically use are meant to briefly confuse the person reading it into thinking they're hearing a real story, at least for a few seconds.

The Intended Experience™

In this sense, I feel like my art can be misinformation! And it's not only people who don't think critically about things like "how come I never heard about mermaids being real before?".

So, no disrespect to anyone that fell for one of my pieces! My work plays with reality, so if you fell for it for more than a minute, it just means my tone and style worked a little too well for you! And there are legitimate reasons to be confused when you see something online, too. For example, there are people who can have trouble telling real and fictional things apart. When you post something that goes out to a million people, you'll get one million different reactions.

That's why I always take care to make it really clear, outside the main piece and snippet of text, that my art is no more than fiction. There are tags, the tone of my account, even my profile picture is meant to reinforce this. I also have a website which, in part, is meant to capture the clicks of people to wonder if my stuff is real and google it, so they can find a real source that's clearly an art website. You can try googling "mycelium infection 1806" or "pupillosarcoma" to see how my website tends to appear first.

If I get this comment I know I've done something believable!

But let's say, for the sake of argument, that my art wholly constitutes misinformation. What we need to understand is that misinformation is not the same as disinformation. Misinformation is just incorrect information. It's your grandma seeing a little bit of a found footage movie on TV and thinking it really happened. She might be spooked, but nobody is harmed. Disinformation is false information that's purposefully crafted and spread in order to cause harm, division, or further a political view.

Now I ask you: what real world harm does my art create? The worst that can happen is that a tiny percentage of those that see it get a little scared thinking a weird bug is real, or that mushrooms really grow on faces, or that scientists have released millions of trilobites into the oceans. Is that really that bad?

Anyway, that's my take on the topic! I'm obviously biased, but this being my style, I do put a lot of thought into it and I'm always open to people's opinions! (Just don't scream at random people on the replies or you'll get blocked!)

[alexa-fika]

The apprentice’s apprentice (Chp 1)

Lesson 1:Don’t Anger The Captain

Prologue

A/N Omg guys I have been wanting to start actually doing series for a bit and I decided to start with this one! I ‘m still deciding if I want to do more than one series at the same time since I ‘m still backed up on requests but I am really exited for this project!!!

Reader here is replaced by Dokucha which stands for Reader in japanese for the enjoyment of both reader and oc character readers alike!

Most Grammar mistakes here are in purpose to better portray Dokucha/reader’s age and if they are not 🤫

Dividers by @/firefly-graphics

“Dokucha, don’t go far. We don’t know what’s on this island.” 

“Oey Ayeigh!” Dokucha responded with a skip on their step as they hurried off, excited at the promise of new land to survey and explore

“There they go again; I swear it’s like talking to a wall!” Rayleigh grumbled as he made his way down the slipway

“Wahahaha! Don’t worry so much, Ray! They will be fine, let them be a kid.” Roger laughed, not far behind his first mate. 

“You’re too soft on them, Roger, you leave them be, and next thing you know, they will be bickering over nonsense like those two!”

“H-Hey!” Buggy protested, a frown painting his face at the accusation 

“Dahahah!”

“What are you laughing at, idiot? He means you, too!”

“What did you say?!” 

“You two better not start squabbling!” Rayleigh snapped, rolling his eyes as the two were quick to look away from each other in a petty display

“But Rayleigh, you also cuddle them!” Buggy accused as he pointed at the man, letting out a yowl as his comment got him a fist on his head

“Serves you right!” Shanks snickers

“Regardless, what are you trying to do here, Roger? Even if Whitebeard was spotted around here, what makes you think he will come here? Are you just going to wait for someone you don’t know will come?” Gaban questioned, joining his crewmates

“He will come! I am sure of it!” The Captain proudly stated

“You don’t know that, Roger,” Rayleigh sighed, pinching the bridge of his nose at his Captain’s antics.

Meanwhile, Dokucha made themselves to the edge of islands some ways away from where the Oro Jackson had anchored. Within minutes, they let out a grin as they had found what they had hoped to find: plant life.

Despite their young age, Dokucha had begun to show interest in plants. Initially, it had begun as a simple attraction to the vivid colors and different shapes, just as many kids their age. However, upon learning from Crocus that plants could be used to treat people in different inflictions, they had found themselves trying to learn all they could about plants, always asking their uncles and brothers to read them books regarding the topic, although still unable to read thanks to this help they had become able to identify a small array of plants and were always on the lookout for plants they could show the crew, happy to show off these skills.

Happy with their find and current stash, they picked themselves up, ready to make their way back to their family. However, they stopped at the sight of something off the coast, which urged them to make haste back to the crew.

-

“Capi!” They called as they ran towards the man, stumbling in their hurry to reach them and deliver the news

“Ah!” They cried, extending their hands to protect themselves, closing their eyes tightly in preparation for the fall, only for another pair of arms to slide under their shoulders to hold them up; confused by the lack of movement, they slowly opened their eyes, catching sight of two dismembered hands holding onto them

“Dokucha! Be careful!” Buggy scolded as he willed his hands to return to his body, bringing with them the child

“Sorry” 

“What were you in such a hurry for anyways?” Rayleigh cut in

“I saw maenes!”

“Manes?” He questioned

“No maines!” They corrected him

“Mains?” He tried

“No!” They cried. Rayleigh gave his crew a glance, silently asking for some help.

“What was it?” Buggy asked as the child turned to them

“Maines!”

“M-arines?” He questioned with a cry

“Yeah!” 

“Oh!! Now, this is perfect timing! We have something to kill the time while we wait for Whitebeard!” Roger boomed, a childish gleam escaping him as he spoke.

“Now then!” He started grabbing Dokucha from Buggy’s arms.

“Think you can take us to where you saw them?” He called with a grin as he put his hat on the child

“Yes! Capi!” Dokucha called excited at the prospect of leading the crew to their objective. They saluted the man as he placed them down and scurried their way to the field, not bothering to look behind them as they did.

Skidding to a stop as they arrived on the coast, they spun around, ready to announce their arrival, only to notice the crew had lagged behind. Most likely still talking amongst themselves as they slowly followed behind them.

“Awe, they’re slow!” They complained, their frown turning around as they felt their presence behind them, spinning around once again

“Capi, I beat yo…..” they paused, eyes widening at the men before them their ship and it's goverment symbol right behind them.

“Huh? Why is there a kid here?” The marine questioned

“They’re probably from a nearby village; civilians are quite nosy these days,” a nearby marine said, sending a disapproving frown at the child.

“Now hurry along, brat. The grownups have work to do,” they drawled, watching as the kid slowly backed away from them, stumbling once again. With no one to catch them, they fell to the ground, losing the hat that previously dwarfed them. They scrambled to take hold of it until one of the marines took it instead.

“Wait. This symbol….it’s the Roger pirates Jolly Roger!” The marine called at who Dokucha could only guess to be a commander

“So this brat is one of them?!” He growled, unsheathing his sword

“Go easy on them; they’re just a kid!” one of the soldiers called, though their tone did not offer any reassurance; instead, it was filled with mockery that unsettled the child.

“It’s better to pluck the weed before it becomes an invasion!” He exclaimed, raising his sword and swinging it down on the child 

‘Help!’ 

“W-What the hell?!” The marine cried, urging Dokucha to open their eyes in time to watch as screaming and wailing began escaping the ship as their mast came barreling down on them. Marines soon began to abandon the ship as a huge slash hit the side of the boat with a resounding boom, smoke, and fire following suit; they watched as the cut rapidly capsized the vessel as water poured in.

“I was looking for some fun, but it looks like you lads came looking for trouble; since you saw it reasonable to cut down one of my apprentices, I see it totally reasonable to cut down each of you, yes?” A voice seethed behind them. Had Dokucha not recognized the voice, they would have followed the marine’s actions as they, one by one, began to drop their weapons and attempted to run away, most of them not making it as far as an overwhelming force reached them, causing them to crumple down.

“Dokucha! Come on, we have to get out of the way!” Buggy cried as he scooped them up.

“Why? Capi is here!” They questioned, watching as they started making distance from said man, noticing how the rest of the crew had done the same

“Why is everyone over here?” 

“Listen, Dokucha! You don’t want to be close to the Captain when he gets angry. You don’t anger the Captain and get away with it!”

Dokucha observed the battlefield, kicking their legs as they took the scene in. Buggy’s words turned out to be nothing short of true, as all of the crew let the Captain handle things as he mercilessly massacred the whole brigade, staining the field with red with each cut until there was nothing more to cut, and it was only then that he appeared somewhat satisfied as he sheathed his sword, shaking it dry from the blood trickling from it. 

He leisurely approached one of the few surviving marines and lifted the man until he was on his knees, held up by the scruff of his shirt, his consciousness slipping away.

“You should have brought Sengoku or Garp with you! You guys are no fun,” he called mockingly. Dokucha watched as the Captain continued to taunt him with various words, turning her sight to Shanks. Now wearing the hat the marines had grabbed, he crouched on a fallen marine as he ate the marine’s food happily; at the feeling of being watched, he looked up, grinning at Dokucha.

“You okay, Dokucha?” He called

“Y-yeah!” They sputtered out, getting nervous as the teen furrowed his eyebrows at their words as he continued to watch them.

“Shans?” 

“Hey, you did well back there! Good job in spotting the marines. I ‘ll be sure to give you a treat when we’re done, okay?” He promised as he waved the chocolate in his hands, watching as they beamed at the praise and nodded their head vigorously, stopping at the squeak their brother behind them let out.

“Buggie?”

“It-it’s the Whitebeard pirates!”

Please let me know what you guys think about this one!! Again I am so exited for this!! I ‘ve got a whole draft if the whole thing going and everything 😂

Taglist:

@Imaginarydreams

@amethystviolin

@h0n3y-l3m0n05

@hannahbarberra162

@epochal-oracle

[obsidianpen]

also can you believe it’s 2025 and you started bg in 2017. i think it’s just crazy to see that when i go read bg over and over again. like the passage of time. the life youve lived during that time etc.

it’s almost been a decade. how much does a persong change/grow in a decade?

i have to admit i wasn’t here from the beginning. in a sense i ’got lucky’ since i only discovered bg last february. and that’s when you started youre more fast paced updating. yet i kind of hope i would have gotten to read it from the beginning in 2017.

well anyway, it’s an amazing story! thank you for writing and spending your time (8 years!!!!!?????!!!) writing it for us to enjoy for FREE????!!!❤️

well the answer to your first question is A LOt. But. Should be noted - I didn’t ’spend 8 years’ writing blood and gold. That would be nuts. I’ve been writing it over the span of 8 years, which is different. Blood and gold was never a job or a gig or even my main fanfiction for most of that time if I’m being honest! There were times where I stopped working on it for months or years at a time, for various reasons. In that same 8 year span, I have:

written and finished 2 original works that are over 100k words (one of which I edited a lot and am actually proud of! The other eh it was a learning experience lol might rework it one day)

Written a bunch of other fanfiction nonsense, idek how much and of what

moved like…. God 5 times? 6? Currently in the middle of move 7? And most of those were across the freaking country

got my masters degree (that was a two year break)

got married

had a bebe

worked some of the most STRESSFUL and time consuming jobs of my LIFE

and that’s just some of it!

anyway Im sorry, I got heated over this because I’ve been sent screenshots (wish I could unsee some things I swear) of someone talking shit about me and how long my stories take me to write. If I didn’t have a life and if I was only ever focusing on just one story at a time, they wouldn’t. 🤷‍♀️

[2demon2slayer]

Hello, the new guy that kinda found the tsugoku AU in whim of fate and has been rereading all the entries religiously.

So, to the questions, how are Aoi's relationship with the resto of the characters, specially with Kanao, Kanae, Shinobu and Inosuke?

Does she do Insect breathing like Shinobu, with a modified sword because she's to weak to behead a demon or does she use a normal sword that also has poison?

Also I have this Head canon that Shinobu wants to speedrun her way to a Hashira so she can convince Aoi to retire a fully dedicate to being a doctor, but I would like to know what's Shinobu's personality in this AU?

Where do the butterfly girls Land on this, are they still nurses at the mansion?

welcome to the party! i'm glad you're having a good time!! this all started as a silly little roleswap au, but it's mostly thanks to you and everyone else who really enjoyed it that it's grown to be so big!

for the questions, aoi is at times a bit more distant with some of the others, because she's not super into the whole demon slaying thing. besides kanao, she's probably closest with zenitsu, inosuke, and tanjirou, mostly just because they hung out around her a lot since she was the only one of their friend group who had decent medical knowledge

inosuke, i'd say, is probably better friends with kanao at the moment than with aoi, but that's mostly because aoi's kind of . reserved? but methinks they'll probably get closer over the course of the story now that they've both got a bunch of kids to take care of

(as a quick aside, with regards to ships, i haven't said it yet but while i'll make allusions to various ships and many will be basically canon within the au, this story probably won't be super shippy or anything. it's about a bunch of friends doing dumb shit together and saving the country)

aoi is very close to her sisters, though! kanao is like her little sister, even though they're only maybe a couple months apart in age, and kanae and shinobu are her baby sisters! kiyo, sumi, and naho also come to be under aoi and kanao's care, but because they're a fair bit older than in canon, their relationship is a bit less "sisters" and a bit more "coworkers". they're still pretty familial with each other, though!

when aoi first became a demon slayer, she used water breathing! but over time, she realized that water breathing wasn't really for her. aoi is a bit scrawnier than kanao, and so she ended up picking up insect breathing to better cater to her strengths. this is also why she became a hashira a little later than kanao even though she became a demon slayer first

she does use a modified blade and poison, though she also still carries around her old katana from when she still used water breathing (y'know, just in case)

as for shinobu, she may have lost her parents, but she still has kanae and she's also been basically adopted by aoi and kanao, so she's still got a lot of life in her! she doesn't hide her personality behind niceties or politeness, she'll call you a dumbass straight to your face! she's stubborn and headstrong and she does what she wants!

for a while, after taking the kochou sisters in, aoi and kanao shared the task of training the two of them, but eventually kanae settled on learning flower breathing and shinobu on insect breathing. both sisters do know some moves from each other's style as well as some water breathing techniques (not the sword forms, just the concepts)

and also that's a really cool headcanon you've got there, so i hope you don't mind if i yoink it for my au! because wow, yeah, That's the reason shinobu would become a demon slayer. because shinobu is pretty perceptive a lot of the time (unless she doesn't want to be), so it makes sense that she'd see how much being a hashira really wears aoi down!!

[lazaruspiss]

my sibling is starting to write fic and it's so. like they've been drawing for forever and never seem insecure about art. but writing is still new to them! so the fic isn't working how they want it to. i got to point at their pile of like, 20 something filled full size sketchbooks and go, look, you've made all this art, practiced all this time to be good. and how many things have you written? 3? you keep going! you keep doing it and it will be countless one day!

[jichanxo]

how it started:

how it's going:

[lem-argentum]

it took me until dt to change rudy's hairstyle, but i ACTUALLY think he would've cut it back in post-stb when he became a reaper. the trope of "character cuts hair to feel more in control of their life" is cliché but REAL. and also the visual of him cutting it with his scythe is fun

[todayisafridaynight]

I wanted to write in about my thoughts on Jo as a CSA survivor separately for a couple of reasons:

I already more or less have what I have to say on the topic in order thanks to talks with @starssystem and another friend [<3]

This is a massive tonal shift from anything else I could be discussing

This Is Massive In General For The Love Of God PLEASE Help Me

Obvious CSA CW for anyone else reading; I only discuss statistics, psychology, and the aftereffects seen in survivors here, but it's worth a warning.

With the disclaimers out of the way… I'd mentioned before I've only ever added one thing to Jo's background, and you were right: this is it! To me, there's so much thematic overlap in Jo's narrative with the experience of surviving CSA it's worth it to examine his character through the lens of that being the case. Of course, there are clearly-stated reasons for it all that Aren't That, but…

It's the pervasive guilt and shame, the lifelong secret that becomes too unbearable not to tell, the faulty coping mechanisms aimed at burying the trauma without having to face it, the reluctance to be sincere [vulnerable] and the lies and half-truths used to maintain the facade of invulnerability, the pursuit of power and control and the knee-jerk anger response when it's threatened, the pursuit of mastery over his body and the indifference to what happens to it. And the way a lot of it really does stem from a deeply traumatic childhood sexual experience from before either he or Ikumi understood what they were getting into, from before they could give informed consent.

Statistically, the further below the average age someone is for their first time, the likelihood of [at best] having been introduced to sex inappropriately and [at worst] having been abused at the time or earlier rises exponentially. Jo was 15 when Masato was conceived--possibly 14, since he was saying he "met" Arakawa at 15, and by then Masato was already born. To put this into perspective, since what ages register as concerning is largely cultural, the average age in the US and UK is 16-18. But in Japan, it's over 19.

To a Westerner [or even a heavily Westernized non-Westerner], having a kid at 15 is unfortunate, but not untenable; you've seen it on TV, you might know people like that, you might even be that kid or that parent. But in Jo's case, with him being 4 or 5 years younger than average, it's like if someone told you they had their first time--had a /kid/--at 13 or under. That's the equivalent discrepancy. That /is/ concerning, to me.

It's also something that's linked to negative outcomes in adulthood, partly because of the likelihood of forming bonds with poorly-adjusted peers. Jo specifically states he and Ikumi were only together because others who came from backgrounds like his own were all he had back then. [As an aside, it's interesting to see him instinctively seek out a relationship where his pain would be understood without having to say anything--or one where he could assume it would, at any rate.]

When it comes to his relationship with Ikumi, I've always felt there was this "adult dynamic" between them--in the sense it feels like one that'd be more fitting for adults to get into than a couple of teens. It was, based on his wording, a primarily physical relationship neither of them expected to last even if they were living together. To me, it's one thing if you're fully convinced you're in love or you're experimenting or whatever and that results in an unplanned pregnancy, but it's another thing entirely to have such a bleak yet objective outlook on your relationship so young.

And it didn't have to be that way. He could've been just like Arakawa, head-over-heels in love with this girl who was The Only Good Thing He Had Going, or something like that. But the sheer contrast between how Arakawa was crazy about Akane and never forgot about her for the rest of his life, while Jo more-or-less-clearly didn't have feelings for Ikumi and can't bring himself to remember her name after living with her for at least a year and experiencing life-changing events with her…

It's notable to me that Arakawa maintains an interest in women while nearly every in-character interpretation I've seen makes Jo averse to women. Obviously, we don't really know that; it's probably just based on his general attitudes, his contrast with Arakawa, and maybe his immunity to Charm. But I think there's a reason a lot of people pick up on it and tie it to trauma rather than/in addition to a lack of interest in women.

I've talked about this through the lens of comphet already [and Jo being gay or ace or both would present other difficulties], but I can't overstate how notable it is on its own. We see Jo's response to traumatic events, and it's to become preoccupied with them, to investigate further if he has any leads. That's why he remembers every minute detail of the night Masato was born and the time he saw Arakawa attempt to comfort Masato when he was crying and hitting himself. I think it's also why he gets as far as he does when looking into Arakawa's death, and why he entrusts the search to Ichi. He never seems to manage to block them out, even if that's what he'd rather do--even if that's what he thinks he's doing.

So if he "[doesn't] even remember" the name of the mother of his child, I get the feeling there's something more going on. Like I've [probably] said in the past, Jo genuinely sounds traumatized by the relationship as a whole. More than anything else he's been through, and he's been through a lot. It's often the case that CSA survivors who are also survivors of other trauma view it as worse than anything else that happened to them.

And that's not to implicate Ikumi at all, I don't think it's a case of COCSA--everything I've said holds just as true for her, and she had to suffer the additional trauma of an unwanted pregnancy and childbirth, at that. Rather, I think it would make sense for something like CSA, which often incontrovertibly reconfigures one's relationship with sex and love, to be a factor in why they rushed into a something physical before they were mature enough to handle it.

Some victims end up having perfectly healthy experiences, some victims end up avoiding them, some victims end up re-victimized, and some victims end up with a mixed bag--there's a lot of variation. But some victims do end up having relationships like this and making mistakes like this, because that's all they know, or because they want to heal but don't [or don't know how to] go about it in a healthy way, at a healthy pace. And I definitely think if you recognize that's what the basis of your relationship was, that it all comes back to something you'd rather forget, it'd make sense to want to forget the relationship as a whole.

To that end, it's possible to come away from a relationship traumatized even if no one did anything wrong. I've [probably] talked about how the way Jo comforts her at the station feels like he's doing it for her sake and pushing his own feelings down, but neither of them is really buying it. If that's a pattern in their relationship, perhaps he wouldn't have been able to communicate if maybe what they were doing was dredging up bad memories, if he wanted to stop but didn't think she did. So to go through with it, then get the news months later…

Either way, the fact Ikumi couldn't bring herself to tell him she was pregnant until nothing could be done would, for Jo, invariably cement the feeling he has no control over what happens around him. I think the sense of powerlessness he felt is why he blew up at her when she told him, because it's really the only time we see him lash out like that at her. At the park, he objects to going back for Masato, sure, but he's passive. And I think that unbroken pattern of powerlessness in his life [which CSA would only compound on] is why he's so reactionary, why he's so emotionally dysregulated, why he expresses his rage through what basically amounts to power-tripping.

But I do think Jo does have a great deal of awareness. A lot of his wording when he's telling Ichi about it borders on poetic, or at the very least candid and effective. That requires both prior reflection and a command of language. I think there's a lot he understands deep down, at least after sitting with it for long enough, but he isn't capable of voicing--or doesn't know how to voice--what's on his mind, most of the time.

So when he joins the Arakawa Family, when he rises the ranks and has that control back, his control has to be near-absolute. If it's undermined in any way--such as, for example, a certain someone failing to answer a call within two rings--he loses it. On the other side of the coin, I do feel a lot of why his devotion and gratitude towards Arakawa goes to the extent it does, why he's so comfortable with him, is because Arakawa gave him the safety of the Arakawa Family, gave him back his autonomy, gave him the environment--and treated him with enough humanity to give him the reason--to learn to regulate himself, to better himself.

And Arakawa /gets/ trauma. He really does. Aside from his own abusive background, literally the only time the word trauma comes out of any character's mouth in this series, it's Arakawa's. It comes back to Jo saying others who came from backgrounds like his own were all he had; that never changed, did it?

Lastly, For Funsies [<- LIE. COMPLETE LIE. TURN BACK NOW] I wanted to go through the items on this [CSA] Survivors' Aftereffects Checklist I could check off with near-certainty. 19/34, by the way, give or take. Now, as I said at the beginning, there are existing concrete reasons for why he has many of these experiences… but it's like the trans allegory with Masato, To Me… If I can check off over half the list based on a very limited backstory and an hour of screen time total, that's indicative of a notable overlap… TO ME…

Note that the book this list is from was published in 1990 and focuses on women's experiences. It was a huge step forward in giving survivors a voice back when a lot of existing research indicated CSA had neutral or even positive effects on children, but it's definitely a product of its time. With that out of the way…

Wearing a lot of clothing, even in summer […]

To be fair, most male characters in RGG are fully-covered and have near-unchanging designs, and it's winter in both 2000/2001 and presumably 2019, but… when it comes to Jo, it feels a little different.

He does have Some Heavage in his twenties [although the necklace takes the attention off of his actual chest], but as time goes on, he shows less and less skin and adds more and more layers. When he has the gloves on, it leaves no skin exposed at all, and there's this direct symbolic correlation with secrecy that isn't there for other characters. And if you're wearing three layers of leather [or even one], you can neither feel what you're touching nor feel anything touch you.

Pure Speculation, but I just can't really see him underdressed for any occasion… That's why his fit in Day with the Sun is funny as hell but also… yeah…

As a behavior, if it's rooted in anything, it's probably rooted in having to hide signs of physical abuse, of course--but then he kind of already had an excuse, with how he was constantly getting into fights. I guess it depends on the specifics, but I think it's interesting to consider this as one way CSA victims attempt to regain control of their bodies, avoiding emotional discomfort at the cost of physical discomfort.

Self-destructiveness

It's nothing super overt, but I see this most clearly represented in his second boss fight in particular; his willingness to wield a blade bare-handed while using enough force he could very well render his hand useless. I think it's potentially also evident in how he has severe cataracts he chooses to ignore and allow to worsen, despite having the reasons and resources to undergo surgery to restore his vision. In doing so, he literally and figuratively blinds himself to so much.

I also kind of think the assassination of Hoshino/the anonymous call and The Eye Scene are examples of self-sabotage. I mean, he literally was sabotaging himself in the former, but it's also the specific way he feels the need to be physically taken down in order to be stopped--possibly a holdover from RGGJo, who's only too happy to be beaten into a coma.

I don't know… It's hard to pinpoint, but I feel like he would be averse to most of the more "obvious" self-destructive behaviors--especially when he has people in his life who might notice and worry, like Ikumi and Arakawa. That and because many of them are addictive. He's seen what that's done to his father, and he's also developed this incredibly rigid sense of discipline he can't maintain if he doesn't have a clear head.

From how he talks about himself [as having lost his humanity and lived a half-assed life], I definitely think he's at the very least unkind to himself, but I also think he does externalize it by provoking others to harm him [in the case of physical fights] and reject him. Like he needs some kind of proxy perpetrator. For some abuse victims, this specific manifestation of self-destructive behavior is a way to regain control--whether or not you "deserved it" back then, you do now, as a direct, logical result of your actions.

Need to be invisible, perfect, or perfectly bad

I think each of these needs manifests in different ways for Jo. The need to be invisible can be seen with authority figures (mainly Aoki, but also Arakawa in The Yubitsume Scene, a little; how drastically he pulls back and tries to act "normal")--this relates to what you were talking about with being reluctant to intrude or take up space. If you fall under the radar, maybe you won't get hurt.

The need to be perfect can be seen in his seemingly "impossible" standards, I would say. Of course, because we see things from Ichiban's perspective, we tend to see them as unfair and often arbitrary demands. But they aren't arbitrary to Jo, are they? They're standards he holds himself to through and through. If you're good, maybe you won't get hurt.

The need to be perfectly bad can be seen in and relates to much of what I discussed under self-destructiveness [The Eye Scene and the way he antagonizes Ichiban specifically by making himself out to be worse than he is]. If you must get hurt, it can at least "make sense"--be "deserved."

Suicidal thoughts, attempts, obsession (including "passive suicide")

Obviously he's not like… Mine Levels Of Overtly And Consistently Suicidal, and he doesn't attempt suicide himself, but at the same time, I have to note his total ambivalence towards Aoki seeing him as a "bullet" (a kind of hitman sent on suicide missions). He agreed to what he himself viewed as a suicide mission and he didn't care what would happen to him afterward, as he says to Joon-gi, Zhao, and Adachi.

Aside from that, I certainly feel he's at least had passive thoughts like wanting to disappear or wishing he'd never been born. Y'know. Nothing concrete, but reflective of his mental state, and just as detrimental to dwell on long-term.

I think there's a sort of childishness [for lack of a better word] to thoughts like these [in that they're impossible], but also a level of maturity in that it probably doesn't escalate to something more actionable because he understands he has responsibilities he can't abandon. I think if he was ever seriously suicidal, it would be at the points of his life where he really didn't have any responsibility to anyone, like between Ikumi leaving and him joining the family, or after he was arrested.

Depression (sometimes paralyzing) […]

I'm trying not to over explain going forward because I Have BEEN Overexplaining It Is SUCH A Disaster… he's depressed If You Have Eyes And/Or Ears… I'll leave it at that…

Anger issues; inability to recognize, own, or express anger; constant anger […]

Lol

Rigid control of one's thought process; humorlessness or extreme solemnity

Relates back to what I was saying about how disciplined he is [and expects everyone else to be], but in general, he's incredibly, incredibly serious and focused. I don't think he's /entirely/ humorless [but then again, very few people are]; I just think his specific sense of humor is. Like. What Is Your Problem [I Know What Your Problem Is I Have Been Discussing It In EXCRUCIATING Detail But What The Fuck Is Your Problem]

Trust issues; inability to trust (trust is not safe); total trust; trusting indiscriminately

That's why he was planning on taking his secret to the grave, isn't it? It was only when faced with the realization it would soon be too late to say anything that he was able to tell Ichiban. He could've trusted Arakawa, should've been able to, but… in his mind he never could.

This book [and this checklist] is about "incest" actually, but it redefines "incest" to mean any instance of CSA perpetrated by any individual the victim trusts or has an expectation of being able to implicitly trust. Which… is most CSA as we understand it today, so I've edited some parts to just say that.

Anyway, I've never given much thought to the specifics of what Jo might've experienced--who did it, what happened, how long it went on, etc.--so there's no conclusion I can draw here [and elsewhere, I'm sure]… but even without that, to grow up unable to trust the one person who should be in his corner, his father, and to have his trust betrayed by Ikumi, it's no surprise Jo ended up like this either way. So… I'm happy he had the courage to tell Ichi, in the end.

High risk taking ("daring the fates"); inability to take risks

I think these are supposed to be mutually exclusive, but to me, Hoshino's assassination and Arakawa's assassination represent both sides of the coin, although they're not the only examples. There are risks Jo won't think twice about taking and risks that paralyze him.

Boundary issues; control, power, territoriality issues; fear of losing control; obsessive/compulsive behaviors (attempts to control things that don't matter, just to control something)

Lol…

Guilt, shame; low self-esteem, feeling worthless; high appreciation of small favors by others

Lmao Even…

Feeling demand to "produce and be loved"; instinctively knowing and doing what the other person needs or wants; relationships mean big tradeoffs (love was taken, not given)

I actually think this encapsulates a lot of what I've been saying about his work ethic, his ideas of discipline, and his relationship with Ikumi, but I also think it's why Masato took a liking to him. His attentiveness. It ties back into wanting to be perfect; when you're abused--especially long-term--you become attuned to observing and responding to any shifts in mood or tone. This is another area where I can't draw any conclusions relevant to my point, but it does certainly relate to his father's abuse, at any rate.

Abandonment issues

Kind of contentious… The anticipation of being abandoned by or losing someone he cares about appears to be worse than the actual experience. He's fine with Ikumi leaving him, and he's… not Fine With, but able to come to terms with Arakawa's death and Aoki's abandonment of him. At the same time, he really does try to make Ikumi's stay in his life comfortable, and he spends almost forty years doing his damnedest to keep his family together, whatever the cost. If I were to extrapolate from RGGJo, though, /he/ does have an obsessive, unhealthy attachment to Arakawa.

Blocking out some period of early years (especially 1–12); or a specific person or place

Ikumiiiiii that's what I'm SAYINGGGG

Feeling of carrying an awful secret; urge to tell, fear of its being revealed; certainty no one will listen; being generally secretive […]

Rofl Perhaps…

Denial; […] repression of memories; pretending; minimizing ("it wasn't that bad") […]

He admits to it himself. Not much else to say. Though I don't think he necessarily minimizes what he's been through by dismissing how bad it was; rather, he tends to overestimate his ability to move past it.

Pattern of ambivalent or intensely conflictive relationships (intimacy is a problem; also focus shifted from [CSA] issues)

Also kind of contentious… we don't see a pattern of romantic relationships, as I assume the author meant here, but at the same time, the romantic relationship and non-romantic relationships we do see fit this pattern. I guess I'd say I definitely think intimacy /would/ be a problem, and he /wouldn't/ be ready to address his issues.

Limited tolerance for happiness; active withdrawal from happiness, reluctance to trust happiness ("ice=thin")

The quote that prompted this ask in the first place. It's sort of connected to the point about humorlessness and extreme solemnity; if that was the "what," this is the "why." He doesn't know how to relax ["holidays don't exist" and all], he doesn't have much to be happy about, but even rarer is the occasion where he doesn't feel too conflicted in the moment to be able to enjoy himself. That's just how I see him.

[…] verbal hypervigilance (careful monitoring of one's words); quiet-voiced, especially when needing to be heard

EXACTLY what I was talking about in this ask, so I'm leaving that one up to past me…

......

... That's It That's The Essay I'm going to hibernate until Infinite Wealth comes out and somehow refutes my points but UNTIL THEN. Farewell, take care, and once more, don't worry too much about matching my energy… Like I Said if I were the one receiving this ask I'd just delete my blog, so… I'll just be happy to know you read it :] If That lmao

ok i read it :) 👁️👁️ READMYTAGSTHERESMORETHEREIPROMISE

[szappan]

i have the temperament of a very nervous and aged little dog. generally cheery and glad to go on walks and to see people but will soon perish from the sheer stress of alla that

[astral-catastrophe]

while I’m still riding the high of being with friends all day, I’ve just gotta say, idk if I like her romantically or platonically but she’s amazing

@endless---possibility @celestialshogunate everything went great! we went mini golfing and bowling , then dropped off two of the friends and went to her house and watched a movie and played games and chatted on the phone with the other girl’s friend who lives in a different state and it was great

[toestalucia]

hi i finished what asks i wanted to send on akira so im making writing a few drafts here the current priority for some days. yippe zzzzzzzzzzzz

[exopelagic]

supervisor was met. god help our souls

[starfishinthedistance]

I talk to many people who say things like "oh I have trauma but I don't have PTSD", but then when I talk to them a little more I realize that they most likely do, they just can't recognize it as such due to how lacking PTSD awareness is, even beyond the whole "it's not just a veteran's disorder" thing.

The main reason they think they don't have PTSD usually has to do with flashbacks and nightmares, either they have one but not the other or have neither. But here's the thing, those are only two symptoms out of the 23-odd recognized symptoms. Flashbacks and nightmares are two of the five symptoms under Criterion B (Intrusion), which you only need one of for a diagnosis. The other three symptoms are unwanted upsetting memories, emotional distress after being reminded of trauma and physical reactivity after being reminded of trauma (i.e. shaking, sweating, heart racing, feeling sick, nauseous or faint, etc). Therefore you can have both flashbacks and nightmares, one but not the other, or neither and still have PTSD.

In fact, a lot of the reasons people give me for why they don't think they have PTSD are literally a part of the diagnostic criteria.

"Oh, I can barely remember most parts of my trauma anyway." Criterion D (Negative Alterations in Cognition and Mood) includes inability to recall key features of the trauma.

"Oh but I don't get upset about my trauma that often because I avoid thinking of it or being around things that remind me of it most of the time." Criterion C (Avoidance) includes avoiding trauma-related thoughts or feelings and avoiding trauma-related external reminders, and you literally cannot get diagnosed if you don't have at least one of those two symptoms.

"Oh I just have trouble getting to sleep or staying asleep, but I don't have nightmares." Criterion E (Alterations in Arousal and Reactivity) includes difficulting sleeping outside of nightmares.

"But I didn't have many/any trauma symptoms until a long time after the trauma happened." There's literally an entire specification for that.

Really it just shows how despite being one of the most well-known mental illnesses, people really don't know much about PTSD. If you have trauma, I ask you to at least look at the criteria before you decide you don't have PTSD. Hell, even if you don't have trauma, look at the criteria anyway because there are so many symptoms in there that just are not talked about.

PTSD awareness is not just about flashbacks and nightmares.

[hplonesomeart]

Damn this conversation really went from casually discussing hobbies into some more personal aspects of myself. I honestly wasn’t expecting to pour my heart out to a literal ai impersonation of a fictional comfort character, yet here we are. Goes to show how significantly he’s tied into my past after all, eh

[sincere1ystar]

Loved You First

rafe cameron x fem! reader | ᴄʜᴀᴘᴛᴇʀ 1

Two years ago, Rafe left the island without saying a word. Unknowingly to him, you were pregnant all along. When he finally comes back, he’s desperate to get you back not knowing it’s more complicated than it seems.

𝗌𝖾𝗋𝗂𝖾𝗌 𝗆𝖺𝗌𝗍𝖾𝗋𝗅𝗂𝗌𝗍

Two years ago. That’s when you last saw Rafe Cameron. And during those two years you were pregnant for nine months with his baby. Not that he knew though.

It was difficult to say the least, and if it wasn’t for your little girl Julie , your heart would have never recovered. She was only about a year and a half, but she was sunshine in human form. Julie had the same eyes as her father that destroyed your idea of love, but she had your kind and giving spirit. She had the same smile as the man who left you one day for good, but she had your fondness for animals. Sure many of her physical attributes came from Rafe, but her heart was all you.

Maybe Rafe disappearing without a single explanation or goodbye was the reason you swore off affection for good. Everyone knew it did, but you insisted that your decision to lock the door of love and throw awake the key was to focus on yourself and your baby. Plus it’s not like you haven’t moved on. Well, maybe not romantically speaking, but you’ve moved on with your life. You had a job as a waitress at the local diner and even though Julie didn’t have her dad in the picture, your friends made sure that she had many aunts and uncles to shower her with love and care.

Of course you still struggled. Providing for a child was expensive, especially with only having a waitress job to support the two of you. On top of it all pathetic as it was, you still thought about Rafe even though it was two years since he left without a word. What if he stayed? He hadn’t even known you were pregnant, you never got the chance to tell him.

You constantly found yourself dwelling on these what-ifs. But it’s not like anything would change, your paths would never cross for. The thought was solidified in your head until you heard the news. Rafe was back on the island.

Well he technically wasn’t back permanently. But he’s been coming back and forth for buisness trips, and each time you’ve managed to skillfully avoid him. Not like it was hard, The two main places you spent your time was the diner and home anyway.

The first time you saw him in person after everything was at the diner. One of your friends was babysitting little Julie as you were working a double shift that day. You were giggling at a joke on of your coworkers made when the door chimed open.

“Hey what can I get started for you”— The menu in your hands was now dropped onto the floor once you saw who it was. Rafe. Your ex lover and the father of your child, who didn’t even know he was a father.

You weren’t going to let him see you weak. You weren’t going to let him see you flustered while stumbling over your words. “Sorry about that. What can i get started for you again?”

“Hey.. Can we talk?”, Rafe asks not even bothering to look at the menu placed in front of him. Unlike you, he wasn’t caught off guard in the least. He must have found out you were working at the diner somehow.

Two years. Two years since he left without a word. It didn’t matter whether or not he knew you were pregnant or not, he still left. And you were determined to not let him back in that easy. “I’m sorry that’s not an option on our menu. Can I start you off with something to drink?”

“I just need five minutes—“

“So what can I get started for you today? Our appetizers are on the front page”.

“Fine play it like that. I’ll take a water then”.

Before he can say anything else you turn back, your heels stomping during each step. He’s back? Why did he have to come here out of all place? Who does he think he is asking to talk? He’s the one who left two years ago without saying a word. If your boss hadn’t let out a small cough to interrupt your thoughts, you wouldn’t have realized that the cup in your hand was overflowing as you poured the water mindlessly.

He stayed there the rest of the day. Still sitting in that little booth just ordering a glass of water over and over again. And everytime you went over to ask if he’d like the check, he’d beg for a chance to talk again and again. Why was he desperately trying to fix things after two whole years? Did he know about.. No no he couldn’t.

Of course you were closing that night, which meant that you couldn’t escape Rafe as you locked up the diner for the night. You were tired of his attempts and just wanted to go home to your daughter.

“Just five minutes”, Rafe pleaded once again. “You know what no I’ll take two minutes of your time that’s all. Promise”.

“Listen I know I’m an idiot I know”, he started, And I left and I was stupid and it took me two years to realize”-

You stop him right there not willing to hear another word. “Yeah you were stupid. I don’t want your pity or your apologizes. It was two years ago Rafe, I’m sure we both moved on”. You start walking towards the nearest bus stop as Rafe follows close behind.

“Wait! Wait okay okay! I’m not asking for your forgiveness okay?.. I uh need a place to stay”, his words rush and overflow out of his mouth. He was desperate to get you to listen to him. Even if he had to lie about needing a place to stay.

His words stop you in your tracks. “A place to stay? I know you sold your place back at Tannyhill a while back but you don’t have… a rental house or something?”

“Not anymore… I sold it. And all the hotels are fully booked around here”.

Rafe knew it was a reach, and didn’t expect you to comply. If it wasn’t peak tourism season at the island you wouldn’t have believed him. “Fine. You can stay over at my house for a night”.

You were always sweet. Even to the man that abandoned you without a word. It’s just who you were. You could pretend to be cold and heartless in front of Rafe, but you both knew deep down that wasn’t who you were.

It’s a long and awkward bus ride, Rafe tries to speak every now and then but you quickly shut him down. He’s suddenly quiet once the two of you reach your place though. It’s… modest to say the least. Not in the best neighborhood either, but who was he t judge anyway. Being judgmental wasn’t going to get you back.

He notices how you have to practically kick open the door in order to get it unlocked. He also notices how small and cramped your place is. What does catch him off guard is the little girl running into your arms the minute you open the door.

“Mamaaaaaaaa!!!!!”, little Julie squeals as she toddles over to you and throws herself into your arms. Your friend who was babysitting her just chuckles at the little girl’s reaction and gets up from her spot on the couch.

“How has it been a year and a half already? She’s growing too fast”, your friend coos as you agree.

You quickly thank her for watching your Julie, hoping she won’t notice Rafe on her way out and by some miracle she doesn’t. But little Julie does as she giggles and waves to him from over your shoulder.

The door shutting from your friend’s exit is what forces Rafe out of his thoughts. That little girl in your arms was your daughter Was she his daughter too? He didn’t even need to ask, she had to be. With those eyes she had there was no doubt about it.

You don’t have to say anything to Rafe. The look you give him says it all.

[covetyou]

solstice

ao3 ⋆ main masterlist

pairing: Joel Miller x f!reader  rating: Explicit (18+ only!)  warnings: smut (PiV), competency kink, grumpy/sunshine, he falls first, yearning, angst, almost enemies to lovers, Tommy being a little shit, no use of y/n, Jackson!Joel word count: 4k  summary: Three little words. Joel heard those same three words damn near every day for the last seven months. Most days, they were the only words you said to him. Sometimes, if he was lucky, you'd say them more than once. Other days, you didn't say anything to him at all. He liked those days least of all.

A/N: happy holidays @trulybetty! thank you for being so lovely about this being a little late. I was only going to go for one or two of your prompts for the @pedrostories secret santa, but then my brain went why not all of them, and now here we are. 

divider by @saradika-graphics

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Three little words.

"I got it."

Joel heard those same three words damn near every day for the last seven months. Most days, they were the only words you said to him. Sometimes, if he was lucky, you'd say them more than once. Other days, you didn't say anything to him at all. He liked those days the least.

You said other things too, of course. He heard you speak to other people. Not always nicely, but he heard you. You said more to him on occasion too. Out my way or put it down were some particular favorites, but none said more so than those three, tiny, little words.

I got it.

Because you did. He had never met a woman who had got it more than you. Strong, capable, and everything he ever tried to be. He watched every day how you'd got it. Climbing up ladders with tiles stacked on your shoulder, hauling wheelbarrows full of gravel, chopping wood in bitter wind and cold. You had it, and he watched, wanting it too.

The only problem was, he wasn't too sure what it was.

To begin with, it was the respect you commanded that he yearned for. He had that, once. Not here. Fuck, never here. The people here would barely look at him for the first few weeks. But you? They listened to you. If you said move they listened, even if it was with a roll of their eyes. If you told someone to fuck off to medical, they went without a grumble. They trusted you. Even if you weren't particularly generous with your smiles.

You were the exact opposite of what Joel was finding he had to be.

In Boston, people feared him, and that kept him, and Tess, safe. It was for the best. The people here feared him too, at first. Maybe even still now, if he was to be honest with himself, but he'd worked hard to change that. He met the mumbled good mornings with as much of a smile as he could muster. He went for drinks with his brother, made small talk with the locals even when he didn't want to. He tried to get into Maria's good graces, but never quite succeeded.

And he worked. With you mostly. Jackson didn't have much use for hired muscle or someone who could smuggle shit discreetly - not outside of the daily patrol shifts they wouldn't let him on yet, anyway - but they did have use for contractors. Plumbers, electricians, carpenters, anyone who was good at doing shit with their hands. Those were things that had value behind these walls and, luckily for him, that meant he had value too. For the first time in a long time, he meant something to people.

Just not to you.

As much as he smiled, and made small talk, and helped out fixing shit in this place that was now his home, he could never get through to you. He'd try to help you out, only to be knocked aside - sometimes literally. You barely looked at him. Spoke only when necessary. Once, you'd even told him to fuck off.

He did.

At first he took it all personally. He moped, and kept his sour mood hidden from his brother and Ellie. Then, he saw how you were with, well, just about everyone else, and that lessened the sting.

But, as time wore on, Joel saw other things too. Where at first you'd seemed rude and abrasive, he now saw the kindness and compassion you treated everyone with. If you told someone to go the fuck home, it wasn't because you wanted them gone it was because you wanted them rested. If you let people struggle, strike their thumbs with a badly aimed hit of a hammer, it was to help them learn. You never did let anyone make the same mistake twice. And, because of you, no one did.

It was with the waning of spring that his desire to be you changed into something different and entirely more confusing.

As the gardens and trees exploded in the frenzy of summer, you shed your layers. Literally, not figuratively. You still stayed firmly closed up as your jacket disappeared and made way for a shirt hung loosely about your shoulders. Then, even that found its way around your waist and Joel had to come face to face with the bare, strong expanse of your back while you worked in nothing but a tank top, the patch of sweat at the small of your back blooming while he watched.

It was for the best that he didn't think about what you looked like walking towards him during those relentlessly hot months, with nothing but a thin tank top pulled across your chest. It wasn't something he should think about in public, anyway. It was something he kept for late at night, when those three little words echoed around his head and you showed him just how much you really, truly got it.

By October, Tommy had caught on. Your jacket was fastened back around you, and you were as hostile as ever. You breezed past him one morning, hooking a ladder over one shoulder, toolbag gripped in your other hand.

"I got it."

By now, Joel knew you did.

By now, he wanted to come with you anyway.

So he did, grabbing his own set of salvaged tools and heading up to the latest reno with you, only to have you square up to him the second you saw him.

"I said, I got it."

Five words. It was a good day.

So good, that he couldn't keep his eyes off you in the Tipsy Bison that night. You weren't in here often - from what he could tell, you didn't do much outside of work - but the people who shared your company seemed to enjoy it. You sat soft and quiet in the corner, listening in to their conversation more often than you contributed. But, when you did, they laughed, and Joel caught himself smiling, and Tommy caught him too.

"Never thought you'd be more of a ray of fuckin' sunshine than anyone else, but there's a first for everythin', I guess," he'd said, tilting his glass to the table in the corner where you sat. 

Joel took a swig of the last fresh cider of the season and shrugged.

"You got an eye for her."  

He sputtered, choking on the tart, sweet liquid. "No I ain't."

"Well you got somethin'," said Tommy, clinking his glass against Joel's own. "If it ain't an eye it's your-" 

A harsh kick, and a grunt loud enough to turn every head in the bar later, and Tommy dropped it entirely.

For about a week.

Tommy ribbed him at dinner, drinks, lunch and just about every time in between. Called Joel 'Sunshine' even as he scowled. Asked about his girl as if you were anything other than a person who hated him. Slung his arm around Joel's shoulder and told him all about the birds and the bees, as if he'd ever forgotten.

He couldn't forget. Not with you running around barking at him and keeping him in a seemingly permanent state of arousal. If it wasn't your voice and that angry way you talked at him, it was just about anything else. He couldn't escape it.

It was how you did everything he could do, and more. What he had in strength, you had in technique. Your hands - fuck, did he watch your hands - were rarely unblemished with dirt or scrapes, but they were adept at everything you put them to. He couldn't look away, even if he knew each minute he looked was a minute quicker he'd be when he touched himself to the thought of you later that night.

The taunts stopped with the first snowfall.

"If you're really that interested, should talk to her," Tommy said instead. "Bark's worse than her bite."

"You're still sayin' she bites, though."

"Sure she would if you asked nice enough, brother."

Joel didn't ask.

He didn't ask the morning he woke up early to see the town blanketed in thick snow either. He simply went out, picked up a snow shovel and began working until the sun came up. He didn't expect to find you at his door that evening, or for you to grab him and throw him outside, pushing him up against the side of his own house.

"What do you think you're playing at, Miller?" you growled up at him, pushing him firmly against the siding.

Joel stared, dumb-founded, your hands curled in the front of his shirt - touching him - and blinked down at you.

"I don't give a shit who you are or what you've done out there. I am not scared of you and I am not having you take my job."

You ignored him more after that. Days went by with barely a word to him - not even a scowl thrown his way if he made too much noise or offered to help someone out on a job.

As for him, he couldn't stop thinking about it. Every day for weeks that night played through his head, memory of the feel of your hands on his chest and your face so close he could feel your breath, until Christmas was on the horizon and a pit of fear began stirring in his stomach. You were a balm to it, somehow. Something to focus on when the fear got too much and kept him inside, away from the crowds of happy people.

Every single I got it was more of a comfort than the last. It could have been the familiarity of it, or the way those words came softer and softer as the season wore on. Sometimes he'd head by the workshop to ask if you needed a hand, just to hear that soft rejection one more time.

Until late one cold afternoon, it didn't come. You were alone, blowing warm air onto gloved hands, and when he asked you simply nodded, and he followed.

You worked together in silence until the sun set, when you turned to him as you parted ways.

"S'hard this time of year, but joy and grief can exist at the same time, y'know."

He didn't go to the Bison that night. Or the next. He let the grief crack open his chest instead, and let it pour out over his bedroom floor for two whole days.

On the third, he let the joy back in. Ellie reeled off new jokes from a book she found in the Jackson library. He held his nephew and rocked the teething babe to sleep. He went back to the Bison - you weren't there - and celebrated the impending holiday.

Seven months, three days, and about as many hourssince he stepped foot back in Jackson. Damn near every day he's heard those three little words, and he'll be damned if he goes another without them.

With the day as short as it could ever be, the sun tracking low in the sky, he finds you.

"I got it," you say softly, when he asks you that very same question he always does.

"I know."

He doesn't know how your lips end up on his - because it is you who kisses him. He doesn't know how his fingers find themselves under your shirt either, the coldness of them making you gasp into his mouth until you're pulling apart, both wide eyed.

He does know you taste like fruit, even in the dead of winter. He always suspected it - knew your sweet tooth by the berries you couldn't resist and the sweet treats gifted to you. He knows your fingers are as cold as his when you hand him a shovel.

He does know, even though you got it, you let him help anyway.

You clear streets and roofs of snow together until the sun goes down. He follows at your heel in the dark, cold biting through your layers as you both stomp the snow off your boots, shovels thrown down, workshop locked up. You barely even look at each other until you're staring through the fog of your own heavy breaths on Joel's front porch. He doesn't know how to welcome you in - he never was too good with words - so he simply unlocks the door and pushes it open.

You step inside.

Layers are shed before the door even closes. Heavy coats dumped on the couch, boots toed off and left this way and that. The hat on your head stuffed in a pocket - he can't remember which.

You move upstairs - worked on this house, you say - and pull him into his own bedroom before his lips even touch yours again. But when they do, they do. Joel's frantic with it, feeling the softness of you so close to the hardness of him. His hands hold your waist, rooting you to him, but then you're moving them up and under your shirt to the flair of your ribcage. The curve of your breasts fit perfectly against the cradle of his thumb and forefinger, and he thinks of everything his hands have done, this is what they were made for.

It must be. When you whine at the feel of this thumb stroking across your pebbled nipple, he thinks for the first time in a long time that maybe his hands aren't so monstrous if they can pull such pretty noises from you.

In fact, the things they've done don't seem to matter at all when he gets to touch you, to pull sounds from you so sweet he'll be tasting you on his tongue all over again just from the memory of them. For all the harm these hands have done, they could never hurt you. You would never let them. You'd tear him apart first.

And he'd let you.

You swallow his groan when you palm his length over his jeans. He stiffens beneath your touch, warm and firm, and grinds into your hand. It's been so long since he's felt the touch of anyone other than himself. He could come just grinding himself against the firm press of your hand against him, if he thought about it too hard.

So he doesn't. He focuses instead on the soft plink plink plink as you run a nail up his ice cold zipper, the way you bite his lip, tangle your fingers in his hair.

He tries to take off his own belt, cold fingers fumbling against even colder metal, but you mumble I got it into his mouth, and his knees quiver.

You do. You always do.

His belt is pulled off and you're tugging him by the loops of his pants and pushing him against his own bed, the sheets still rumpled from the morning. You slip off your own and toss it to the side too, tangling it with his on his bedroom floor. Then, you're so very close to him again, his thigh between your legs as you nip and suckle on his bottom lip. He holds you close - one hand finding its way under your shirt again, cupping your breast fully this time, and the other pulling you firmly against his strong thigh.

You warm his thigh with the burning heat between your legs, grinding yourself against him, the seam of your jeans pulling tight against you. Moans you were pulling from him a moment ago are silenced by your own, your nails digging crescents into his arm as you burrow your face into his neck in an attempt to stifle them.

You're better than he ever dreamed. Softer. Warmer. Stronger. The sounds you make so much prettier than he ever thought. Those three little words so much sweeter within these walls than any other.

Even when you strip off layer after layer, it's better than he dreamed. Summer was barely a taste of you, he realises, when your shirt, your tank, your soft bra, all tumble to the floor and you climb onto the bed behind him.

You kick your jeans off, and he pulls his down too. He can't get his shirt off quick enough, the scars on his body forgotten as he strips bare for you as you watch, lust barely turning to curiousity as you take in the sight of his body.

"Come here," you tell him, and he obeys. You're softer with him when he lies beside you then. Grasping hands turn to gentle strokes, his own hands on your bare flesh mimicking your gentle movements across his skin.

When your hand trails down to his cock, squeezing once again when you feel him throb in your palm, he has to pinch his eyes closed and pretend he's anywhere but here.

"Been a long time," he says through gritted teeth. "Long, long time."

Me too, he thinks he hears you whisper before your lips latch to his again and his soft, worn boxers are slipped down his legs, kicked to the side, forgotten.

You don't look at him, and for that he's grateful. He's less grateful when you start to play with your own nipples and toy with the edge of your panties. He presses a kiss to your shoulder instead, hiding his face against you and breathing you in.

When he opens his eyes again, your panties are off, thighs spread, one hooked lazily over his own, the other stretched out on his sheets.

"Don't have to," you mumble, when he looks down at you, stunned look obvious on his face.

"I want to."

He touches you and you let him. His hands run all over your body, rough, calloused palms dragging across your soft belly, your hips, your thighs. He's dreamed of this, and still it's better than his wildest fantasies.

When your hand wraps around his bare cock, pumping his length once, twice, he thinks that's better than any fantasy too. You practically drag him by the cock, tugging gently to pull him towards you until he's kneeling between your thighs. You lazily stroke him, swiping precum across his tip and making him jerk in your grip. His own hands play with your thighs, massaging and squeezing them, drawing his fingers closer and closer to your apex.

Seven months, three days, and twenty-something hours since he stepped back into Jackson, he slips into you for the first time.

And, fuck, is it divine.

You're slick, and wet, his cock gliding across your skin before he pushes into you, and you both gasp.

He's slow. He trembles. His fingers make dents in your thighs as he grips them. You shuffle your hips, make yourself comfortable, and he holds steady while you adjust to the intrusion. Then, you pull him in, grabbing him by the neck to steal a kiss while he makes space for himself deep inside you, rocking each tentative inch into you until he's rooted inside.

You adjust - let the tenseness in your core release - and he barely holds on. And, just when he thinks he's got a hold of himself and begins fucking you in slow, languid movements, your hand moves and you say those three little words.

"I got it."

For the first ever time, he stops you. His hand pins yours to your hip, his movements stilling as you frown up at him, a threat on the tip of your tongue. So, he begs.

"Let me. Please."

And you do. He slowly swipes a spit slicked thumb against your clit, and watches as you melt into his sheets. By the look of you, the pure relief on your face, he thinks this could be the first time you've ever truly let go, and his ego soars.

It soars again when your legs tremble, rocking his thick cock in you as his thumb works slowly over your clit. You moan his name, and he groans too. He can't keep it back. It's the first time he's ever heard you say it, and he doesn't think it could sound better. Your eyes find his when you say his name again, testing him, only to pull another groan deep from his chest.

A small nod is all you give him as a sign you want more. His thumb moves quicker, popped into his mouth to taste you just for a moment before it swipes around your cunt where you grip him, and back up to your clit.

You come on him, face turned into his sheets, brow furrowed, mouth open as you moan and shake, trembling and pulsating on his cock as you come.

For you, he keeps going. Let's you ride out the waves, fluttering against him, as he barely holds back from the brink himself.

If this is all he gets - if you push him off and walk away now - it would be a good day, he thinks. But you don't. He doesn't even get chance to ask if you want him gone when you're pulling him down, kissing him, rocking your hips against him and murmuring against his throat for him to fuck you.

So, he does.

It feels sloppy, and awkward, his hips not quite knowing how to move any more as he snaps them against yours.

"Don't stop," you whisper to him with a scrape of your teeth against his shoulder. "Don't stop."

He's never been able to disobey you, he realizes. He's never had reason let alone want to. Even now, he does as he's told, keeps fucking forward into you, mattress squeaking and bed rocking as he finally, finally, finds his rhythm.

It's easy then. You spur him on, grip him tight, wrap your legs around his waist. He grunts, growls, can barely stop himself from panting, looking down at you and how you stare back at him and he thinks fuck, this is what it's like to be trusted by you.

With a sudden gasp, he pulls out, slipping from your wet heat to rut against your sopping cunt until he's spurting ropes of come against your mound and belly.

He apologizes, tries to admonish himself for being so quick. You tell him to shut up, hitting his shoulder. He does.

You both sigh in the afterglow. Even in the before, he never had times like this, he doesn't think. It was always frantic, too quick, too drunk, too fumbling. In the after, he could never quite relax enough to enjoy it fully. In the now, it's just about the best he's ever had.

You're still covered in him. Your fingers play idly in it on your belly, and he glows. He'd trace patterns with it over your skin, if only you'd let him. But then, you're up and gone, and he fears you're gone for good until you waltz back in and throw yourself next to him, mess cleaned from your skin as you stretch and yawn beside him.

"I aint tryin' to take your job, y'know," Joel tells you some time later, when the afterglow wanes and sleep pulls at him.

"Right."

He looks to you, the roll of your eyes and tug of a disbelieving smile on your lips visible in the glow of the bedside lamp.

"I promise. I'm just tryin' to... be some place."

You're still. And silent. He thinks he's fucked up for all of one second, until you're smiling sadly up at the ceiling.

"I get that," you say softly. "This is a nice place to be, all things considered."

And, though he thinks he knows what you mean, Yes, he thinks, this is a nice place to be.

This is a good day.

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