#i see the world in them

[lazaruspiss]

my sibling is starting to write fic and it's so. like they've been drawing for forever and never seem insecure about art. but writing is still new to them! so the fic isn't working how they want it to. i got to point at their pile of like, 20 something filled full size sketchbooks and go, look, you've made all this art, practiced all this time to be good. and how many things have you written? 3? you keep going! you keep doing it and it will be countless one day!

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[elliesbelle]

emily gwen, the creator of the sunset lesbian flag that we’ve come to commonly use, still continues to live in poverty.

multi-billion dollar companies have used their design and made profit from it, and yet they have not seen a cent for their creation.

i’ve been friends with emily for years, and i have not once seen them be financially stable the entire time. i’ve seen them homeless, unemployed, starving. right now, they need our help more than ever.

please consider donating to emily’s ko-fi, especially if you’ve used their design to create something and profited from it.

[crowiin]

welcome to the world

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[mafuyuakgae]

even if I came to love humanity in the end, there’s no proof I was ever here, right?

[heartorbit]

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[chloesimaginationthings]

Do any of you remember Scott's games before FNAF?

[sixth-light]

I have had these thoughts bubbling away in my head for like...eighteen months or so now (it will become very obvious why shortly) but the discussion in this post has pushed me to write them down: I think societally we HUGELY underestimate how motherhood for primary caregivers, particularly first-time motherhood, can be a source of vulnerability to radicalisation.

There is obviously huge cultural variance here, but for a lot of cis women becoming primary caregiver to an infant in a capitalist Western society represents a time of immense vulnerability because in general you are:

Incredibly sleep-deprived (which has well-documented knock-on effects for your judgement, mental health, etc)

If you gave birth, recovering from a significant challenge to your physical health (even in the best-case scenario)

Isolated from your previous networks and communities of people in full-time work

Completely separated from the context of your prior career goals and achievements

Under huge amounts of stress to learn how to care for an infant (don't get me started on breastfeeding)

And on top of this, you are also be experiencing a huge amount of messaging about how all this is natural, wonderful, something you're meant to do, something you should love doing, and something that you must do for the welfare of their child. It's a huge amount of pressure and life change even when everything goes right and there's very little cultural space to express negative feelings about it.

Any group of people who offer community, support, and affirmation to cis women in this situation are going to have a really good shot at radicalising them into some very weird and dangerous headspaces and in fact we see this happen all the time - think antivaxxers and TERFs. It flies under the radar because of the hazy positive glow that associates with motherhood and babies and also because we don't take the radicalisation of women seriously I guess because they rarely shoot anybody, but...yeah. It is such a vulnerable time!

[butterflyscribbles]

Swaddled🧣💛

[akanemnon]

I wonder if she takes cash or credit.

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[ruegarding]

i never understood ppl claiming percy has never suffered the consequences of his loyalty. you're talking about percy "i know the prophecy said my friend would betray me but these are my friends they wouldn't betray me" jackson, who walked into a remote part of the forest with luke and almost died in book one. you're talking about percy "kronos told me point-blank there was a traitor but i can't imagine any of these ppl betraying me" jackson, who decided to stop looking for the traitor and moved on. you're talking about percy "nico is acting suspicious and very clearly hiding something from me but he's my friend and i trust him" jackson, who walked into nico's very obvious set up and almost got himself held hostage during the titan war. percy is so loyal that he cannot fathom betrayal until it's happening, and it has nearly killed him multiple times.

[casscainmainly]

The lack of substantial Duke and Tim interactions is funny to me because in a lot of ways Duke is Tim's exact opposite. They have really dissimilar backgrounds; Duke's motto, 'Robin doesn't need a Batman', is a deliberate inversion of Tim's 'Batman needs a Robin'; in their introductions, Tim helps pull Batman out of a dark place, whereas Duke more or less puts an amnesiac Bruce back into a dark place. They also have wildly different opinions on basically every other Robin, particularly Dick. It's funny that even with all of their differences they have no real dynamic - they kind of just know each other. I don't think they dislike each other, but given their opposing philosophies and perspectives, I think it would be very hard for them to understand each other.

[whydoihavetoart]

something lgbt is happening

[demonio-fleurs]

To me, what is so fantastic about One Piece Fan Letter is the emphasis on the way the Straw Hats have created these connections in the lives of people they have never met. The ending scene, with all the hands putting together the puzzle pieces, and the way that all these connections came together in one dazzling way-- I loved that. I teared up at that. Wherever the Straw Hats go, they leave behind all of these puzzle pieces for people to put together and create bonds that would not have existed had the Straw Hats not shown up!

And it also just... Makes me so in love with the concept of the world after Luffy becomes King of The Pirates. I know that Oda has the final chapter planned in his head, and I doubt we will really see the long lasting effects of Luffy achieving the title of Pirate King + his dream, and I really do not want a sequel series ala Boruto or Yasahime, but.... I want to see a world in which children believe they can become a Brave Warrior of the Sea thanks to Usopp, I want to see more children look at Nami and realize they don't NEED to have a Devil Fruit or Haki or muscles to have adventures. I want to see the next generation of the One Piece world believe so strongly in their dreams, that they set out to accomplish them.

One Piece Fan Letter really opened the door, I think, for more and more stories about the "regular" people in the world of One Piece, the people you don't see in the arcs because they're the nondescript background characters, and how the Straw Hat Crew has changed them. And I want that. To me, that is fantastic.