#those are for another day

[elizabro]

please consider how you engage with aaron bushnell's death. you may react to it as you will, but it's crucial to remember that his death was specifically a call to action. it was not meant solely to shock but to draw attention to a vast moral hypocrisy: that to many, a soldier dying in a campaign backed by the U.S. government is noble, even if the soldier kills innocents to do so, even if the cause is morally bankrupt--but this? this is insanity. a man taking his own life, on his own terms, in an attempt to help others while hurting nobody else, is somehow less rational and more horrifying than the mass killing of civilians.

of course aaron's death was horrific. but as he said beforehand, it is realistically no more horrific than what's happening in gaza. if we can't stomach this, then why can we stomach children being bombed? thousands being starved? for all that self immolation is, it brings death in a matter of minutes. it is a fraction of the amount of pain, fear, and grief that people in gaza are experiencing. it's just that we are able to quantify it. and this tiny, quantifiable sliver of horror is still so unbelievably awful. how can anyone bear to think about anything else when this horror is happening a millionfold in palestine? this is the question aaron bushnell was asking. and he wanted you to face it, head-on, watching him burn to death.

I've been seeing people make fanart. minimalist graphics to sell on t-shirts. to commodify his death, to mythologize it not a day afterwards, is not only in poor taste but a hindrance to his message. the answer is not commodification, nor is it defeatism, nor is it rejoicing in his death. if you want to honor aaron's legacy, take action. channel your horror and your outrage into making a material change. this wasn't about him. this was about palestine. remember that it was always about palestine.

[fictionadventurer]

How did Treasure Planet manage to come up with the greatest aesthetic in all human history? Victorian elegance plus space-age flair, with just enough dirt and grime and wear and tear to make it feel real? A combination of traditional and computer animation that perfectly embodies the movie's blend of old and futuristic? How does it get any better than that?

[thetoyboxs]

Older Brother Advice #35: As long as Legend doesn't die, you can fight him

[midoristeashop]

Jack prost

Jack studies but I was only allowed to ref the rotg concept art 🤩

[a-scary-lack-of-common-sense]

I cannot wait for this Stan to reconnect with his Ford.

I still haven't figured out HOW exactly they'll meet yet, but I do think that Ford would ATTACH himself to Stanley and talk his ears off forever when they eventually get comfortable :] and Stanley would listen because HOLY SHIT, THAT'S HIS BRO HE HASN'T SEEN FOR 40-ISH YEARS, HE MISSED HIS VOICE. Nonstop certified Yapper & Listener relationship <3

Stanley looks dead faced because of his ingrained poker face, but he's thouroughly enjoying it, even if sometimes he has no idea what the fuck Ford is saying. He never interrupts him though, since he knows people usually ignore or interrupt him mid-talk already. So sometimes Stan gets stuck in awkward situations where he has to leave or do stuff, but also doesn't have it in his heart to stop Ford and extract himself out of a (one-sided) conversation.

[daily-odile]

mosesdile

[royalarchivist]

Jaiden: How did you guys even find out that, um... Chayanne's admin plays Cucurucho? [Reading chat] Ohhh, accidentally played the soundboard as Chayanne? That's hilarious actually. I wanna see the clip of Phil reacting to that.

Jaiden: I love– I love the way that Phil laughs, it's just such a hearty, genuine laugh. The few times that I've made him laugh, I've felt really good about myself! [Embarrassed laugh] Because he makes me feel much funnier than I am, you know?

Jaiden talks about silly QSMP moments and laughter. 💜

[ Full Subtitle Transcript ↓ ]

—

TRANSCRIPT

Jaiden: How did you guys even find out that, um... Chayanne's admin plays Cucurucho? Did they just tell- tell Phil? Did- were they just hangin' out? [Reading chat] "The same username"? Ohhh. [Reading chat] "It was a mistake"? ...Wait, what was the mistake? What do you mean "it was an accident"?

Jaiden: Ohhh, accidentally played the soundboard [Laughs] as Chayanne? That's hilarious actually. [Laughs] What di- what did he say, was he just like, "Ha ha ha"? [Laughs]

[Old clip of Bad, Fit, and the Eggs] Bad: –have one of the things I'm looking for. Chayanne: [Cucurucho voice] HA HA HA Bad: What was that? Fit: You heard that too, right? Chayanne: [Cucurucho voice] NO Bad: ...What the fudge was that. Fit: Wait–

Jaiden: [Reading chat] "He said 'no'" [Laughs] That's so funny. [Laughs] I wanna see the clip of Phil reacting to that. I love– I love the way that Phil laughs, it's just such a hearty, genuine laugh.

[Clip of Phil laughing]

Jaiden: The few times that I've made him laugh, I've felt really good about myself! [Embarrassed laugh] Because he makes me feel much funnier than I am, you know?

[Old clip of Phil and Jaiden] Jaiden: Oh, that's awesome! And then it– [She gets snagged by the machine] Jaiden: Oh– Ahh! Phil: Be careful! Jaiden: AAAAAᵃᵃᵃᵃᵃᵃ — [Her screams fade as she's dragged away] Phil: [Laughs] There she goes! [Hits his desk and laughs]

[Another old clip plays] Jaiden: [Singing along to "It's Been So Long" from FNAF] It's been so long, since I've last seen my– Phil: What is happening? [Laughs, then laughs more seeing Jaiden's mask] PFTTT– [Laughs] Jaiden: [Laughing] Phil: Jesus Christ–

Jaiden: It's just like, such a good laugh! I wish I had a– a like, more-hearty laugh. You know? You know what I'm talking about? My laugh is kinda like... Uh, you know how you guys compare Foolish's laugh to like, the... window cleaner? Like a– [Squeaky window-cleaning sound]

[Short clip of Foolish covering his face with one hand and making the squeaky laugh he's known for, slapping the arm of his chair as he keeps laughing]

Jaiden: I can't do it– [Laughs] It doesn't sound like that. I think mine is like... Because like, I do like, "Hee hee hee!" and I also like, breathe in, like– [Squeaky sound] You know? So I think– My laugh kinda just sounds like... Like, after you spray the window, and you're like, cleaning it. Like, wiping it down with a cloth. You know? That's what my laugh sounds like. I wish it was more of like a, "Ha ha ha."

[Short clip of Cucurucho saying "HA HA HA"]

Jaiden: But, I mean, I'm not complaining. I don't think– I don't think "laugh anxiety" is something that I wanna– is not a path I would really wanna go down. [Quiet laugh] It's like- sometimes, you just gotta pick your battles. [Laughs]

Jaiden: [Reading chat] "You have a good laugh" Thank you. [Quiet laugh]

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[alienssstufff]

I love the way you draw Etho he's so squishy

thank you! Whwh honestly I don’t think I ever have or could draw him threatening I never saw him that way

Even in the Apocalypse au he isn’t

[evercelle]

2024 art summary! it sure has been a year

[fuupan]

drew these for heart pirates day and uhhhh ep1115

[thychesters]

sometimes love is stored in a kind ao3 comment

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[stubz]

"Hey guys! 4 days and the rescue team will be here!...any luck with setting up that emergency shelter?" Quip looked towards the others.

They all groan and curse in response. The small group surrounded by pieces and parts and an instruction sheet.

"It's not hard...it's not! We have everything we need; food, water, first aid, enough to last us weeks! ...So why does our downfall have to because of a faulty packaging?!!" screams Glip throwing down the piece she was holding.

"We're not going to die! We'll just have to sleep in the shuttle tonight and bundle up close tonight..." sighs Quip.

The shuttle had crashed thanks to a malfunction on the navigation system which lead to the shuttle getting blindsided by a meteor shower.

No one was killed and the most injured would surely live and the planet they crashed on was a favorable one. They had plenty of emergency food and water but what they didn't have was a proper shelter. The planet they landed on was freezing cold in the night, reaching far below the negatives.

If only the emergency shelter included the much needed tools necessary to build it...

The night was cold and unforgiving. The shuttle creaked and groaned from the violent winds and accumulating snow on it's roof. The beings inside shivered and prayed that when they fell asleep they would wake up in the morning.

When morning came they had to dig themselves out of the shuttle. Over 3 feet of snow from last night. The roof sank in the center in a way that made everyone nervous.

"...just 3 days. We just have to make it through 3 more days and we'll be rescued." muttered Quip.

"If we don't get suffocated in our sleep that is...or freeze." grumbles Glip.

"Would it kill you to be positive?"

"Oh, I'm sorry! Unlike you I don't have a fur coat to keep me warm in the night and stayed up all night worried that I wouldn't wake up if went to sleep!"

"Stop yelling! You're making the others worry!"

"You-!"

"The human is awake! She woke up!" shouted a purple looking avian.

During the crash the only one to really get injured was the human on board, having hit their head on impact and been unconscious for the past 30 hours.

"...how is she?!" calls Glip

"She's lost it! She's digging through the snow like a lunatic!"

Glip and Quip share a look before heading to the other side of the shuttle where the avian was and looked.

There several yards away was the human who was digging through the snow with her bare hands.

"What's she doing?" asks Quip.

"No idea! She was already awake when I went to check on her looking for something in the shuttle and then made break for it once she saw the door was open...think she's brain damaged or something." they muttered.

"...someone should check on her." Glip says before shoving Quip forward.

..

After some arguing and reminders that out of the three of them he was the most people friendly Quip trudged out where the human was to check on her.

She had dug a hole nearly 4 feet deep and showed no signs of stopping. The look in her eyes and bloody bandages on her head made Quip feel she was too far gone to the Great Stars but he had to the right thing.

"...heeyyyy...Kim...what uh, watcha doing there?" he asked a safe 5 feet away.

"Looking for tools...need tools for the shelter." she muttered.

"Tools? ...Kim the shelter didn't come with tools; they weren't lost in he crash." he tried to gently explain.

"Not those, different tools. Good tools that every planet has."

"And what...tools, are those?"

"Rocks and sticks!"

"...great! Good luck on that!" he walked as fast he could to the others, practicing how to gently break the news that the human was broken.

...

Hours passed and the human Kim had founded 3 rocks of different sizes, some large sticks, and taken whatever pieces of the shuttle that had broken off and put them in a pile in front of the Emergency Instantaneous Shelter manual.

The others looked on with pity with some looking disturbed at how proud she was for her findings.

No one stopped her when she started to grab the pieces of the E.I.S. and smash them together with her rocks and hunks of broken metal. Nor when they heard the scraping and screeching of the metal shards she twisted against them. Without tools it was worthless...plus the determined manic look in her eyes scared everyone too much.

When night was starting to fall everyone had taken refuge in the shelter again. Everyone but the human who was too focused and entertained by the smashing of rocks and scratching of metal.

"Kim! Come inside! You'll freeze out here!" ordered Quip.

"Human! You don't have fur or anything to keep you warm during the night!" Glip shouted.

The human looked at them and smiled, waving and shouting that she was almost finished.

"...she's a little out of it but she's well enough to come inside when she should." Glip pushed her friend through the shuttle door and together they joined the sleep pile.

....

When Glip surfaced from the snow that landed on her face she screamed for everyone to leave. The roof had finally gave and was seconds away from dropping a mountain of snow onto them all.

She grabbed Quip and the purple avian, Kal, and dragged their half-asleep panicked bodies out of the shuttle. When out she watched with them and the others the shuttle concaving from the snow.

The wind and snow bit and scratched their faces and exposed flesh. The shrieks and howls from the dying shuttle, their only hope of surviving the nights, seemed almost organic. The fear and realization of their fate made them shiver more than the cold did.

"DONE! ITS FINALLY FINISHED! LOOK! LOOK AT WHAT I BUILT!!!" The human popped up from the other side of the destroyed shuttle, eyes wide and glowing from the flare she held for light.

When no one came forward fast enough for her liking she scrambled over and grabbed Kal and dragged them towards the thing she built.

"ITS NOT AS NICE AS IT WOULD HAVE BEEN WITH REAL TOOLS BUT I LIKE IT! YOU CAN HAVE SECOND DIBS OF WHAT SPOT YOU WANT!" she shouted over the howling wind.

The two disappeared from view for a minute before Kal popped his head out screaming.

She had built the Emergency Instantaneous Shelter. With nothing but the rocks and pieces of metal she found. It wasn't perfect; a wall or two was dented, the roof was scratched and somewhat held up by two strong sticks she dug up, but it was warm, safe, and dry.

"...how in the f*ck did you build this?" Quip shivered as he climbed inside.

"I just followed the instructions, its pretty simple really." the human smiled.

"...but you didn't have any of the tools!" Glip shrieked.

"Well after reading the instructions I realized that a good rock would perfectly substitute like half of the tools I didn't have. And the metals shards I found worked great as screwdrivers!"

Glip opened her mouth to argue, to scream that a rock was nothing like the sophisticated tools that great engineering minds had invented...until she realized the human was right. The tools simply added the instant to instantaneous shelter. With them you build this grand 20 person shelter in 2 minutes. Without them it would take hours of hard labor.

"...how did you know that a rock would be the perfect substitute?"

"...I don't know. Its basically instinct to most of us. The perfect tool for a simple job is a big heavy object... rock."

"...rock." Glip repeated.

"Rock." the human confirmed.

*weeks later*

"Oh my god it is instinct!" Glip screams as she watches a group of human younglings use rocks to crack open other rocks to simply see the shiny patterns on the inside at the indoor park she walks through. With others using sticks to dig up more rocks to smash.

[ricky-mortis]

Hatchetfield @femslashfortnight Day 1: Make It Sapphic AU

[falmerbrook]

Falmer appearance and attire headcanons

(click on drawings for more details and notes!)

Hair

In Skyrim, we pretty much only see two hair styles to go off of: completely bald and the hair the "shaman" have (which are also the only females we see (a post for another day)).

In concept art, particularly Adam Adamowicz's, we see more potential hairstyles. He draws it as wispy and messy, as well as containing braids and the ties we see in the shaman in the game. This art is largely what defines my own interpretation of their hair.

I picture the typical Falmer hair as wavy, thin, wispy, and looking frizzy. Given the high number of hairless Falmer we see, I imagine baldness is common, particularly among males, and sometimes among females. Their hair can be commonly styled into braids or knots to keep it under control.

The ability to grow long, thick hair is less common, but those who can tend to style it in other unique ways. Especially among females, long hair is commonly styled into large dense locs (akin to a Polish plait) and held into shapes using ropes or leather ties.

(While I think the intention with the way their hair is drawn and modelled in the game models and concept art was that it was braided and held up with those ties, before looking at it closely I always sorta interpreted it as too stiff to just be braided. As a result, I developed the locs headcanon and have become kinda attached to it even though I have 0 in game or lore support for it)

Materials

The material used in their clothing is obviously dependent on what is accessible to them, and given their unique situation that makes the materials they use and value unique as well. In Skyrim, we see that almost all of their armor (which is mostly what we see them wearing) and homes are made of chaurus chitin (and potentially shellbug chitin), so this is likely the most common resource available to them for non-combative coverings as well. Other materials from their arthropods companions could include their cocoons, unhatched eggs, etc.

Bones from other creatures (draugr, skeevers, trolls, adventurers, bandits, etc.) underground or from aboveground raids could also be used fairly often. These could also provide a source of leather or fur, albeit not a lot of it.

Falmer groups and subcultures inside or in close proximity to Dwemer ruins probably make regular use of the materials present in those ruins as well. With all the metal and machinery present in Dwemer ruins, metal probably makes regular appearances in their clothing (and general decorations) even if they can't manipulate it themselves. Falmer more separated from Dwemer ruins would make much lesser use of these materials, however. Additionally, We see implications of Falmer preparing, cooking, and potentially cultivating fungus in-game, but see nothing indicating they have any plants in their diet, and therefore it is unlikely they regularly make or use textiles or fabrics in their clothing, and if they do they likely come form Dwemer ruins or raided adventurers/bandits/settlements from the surface.

On that note, we know that there have supposedly been incidents of Falmer coming to the surface to attack its inhabitants and travelers, as well as instances of them killing bandits, adventurers, and researchers who venture below, so it's not far fetched to believe that they have access to some materials from the surface. This could give them some access to furs from surface animals, beads, glass, jewelry, textiles, metal objects, etc. they might not otherwise have access to. The rarity of these material among the Falmer would depend on the amount of access any given group of Falmer have to the surface, but among many of them these materials could be seen as more valuable for their rarity and the difficulty to gain them.

While gemstones and ore might be accessible from both natural deposits and underground ruins, unless they had some kind of auditory function or unique texture, they might not have much value to Falmer.

General Attire/Accessories

I like to imagine that the Snow Elves, and by extension the Falmer, have an innate cold resistance in the same way Nords do, and therefore don't require clothes for the purpose of warmth even in the chilly caves of Skyrim. Additionally, their blindness likely means that wouldn't dress for visual aesthetic either. My thoughts are that they are then left with the sense of sound and touch to communicate with each other, and their clothing and accessories could reflect that.

Falmer clothing, decoration, and society in general is very heavily based on touch and texture and little on appearances. They touch each other very often for both communication, movement, and just general day-to-day interactions, and their clothes isn’t very modest, but the tactile patterns and materials used can communicate certain things such as position in society, “wealth”/power, whether they are taken, single, pregnant, with a child, etc., their roles, their age, notable achievements/skills, who is who, etc. on both their clothes and buildings. The more noise one makes, the more attention they draw and the more they drown out other noises, and the more noise making things they can “afford” to have, so the amount of noise one makes in a Falmer settlement is a status symbol. Certain types of noises or noise makers are more coveted than others (chitin beads are common, while furs are less common, and materials only gained from raiding the surface are rare and coveted).

Some noise making accessories could include:

Dangling metal, bones, beads, chitin, etc. that hangs off of their clothing or ears and jingle/clank against each other (in my drawing I show them as pretty uniform in shape and size, but they would probably be much more irregular than I depicted them)

Bells (metal or other materials) that are affixed to or dangle off of their clothing or as earrings.

Hollow bracelets, anklets, necklaces, or other accessories that are filled with rocks or beads.

Rattles tied to the body (made of chitin, dried hollow chaurus eggs, dried chaurus cocoons, beads, etc.) with leather or rope.

Flute or whistle like tubes made of metal, chitin, or dried and treated tube-like fungus that makes a woodwind-esque noise when air passes through it in a certain way. They have been designed to make noise easily from even the slightest movements.

Dried grasses (more temporary) tied to the body that make a swishy noise. More permanently, a similar thing can be achieved with hair. The hair can be sourced from Falmer (either through just cutting hair or through taking it from fallen enemies) or killed humans/mer/draugr. That sort of thing can also act as a kind of trophy.

Necklaces with various materials dangling close together that jingle against each other.

Various materials can be tied into braids or the leather ties in their hair as well.

Some textural accessories could include:

Beads. Since they wouldn't have the ability to tell the color of the beads, the patterning of beadwork would be based on the roughness, material, size, or shape of the beads. (I'm sorry I suck as drawing beads)

Furs. This wouldn't be as common since the Falmer likely don't have too much interaction with furry mammals, but some they may have access to that are big enough to make clothing/accessories out of include skeevers or trolls (and potentially rarely animals from the surface). A potential meaning of wearing furs could be as hunting trophies, but it could have other meanings as well.

Chaurus chitin would like be the most common material in Falmer attire, and depending on the part of the chaurus body, the size of the chaurus, or the life stage of the chaurus it was sourced from it could have different textures. Some chitin parts could include large spikes and deep groves, while other parts could be smoother and less rough. The use of this chitin in clothing could take advantage of this contrast in textures. Additionally, chitin or shells from shell bugs might be a different texture from the chaurus chitin. (it's unclear to me whether shell bugs are exclusive to the caves around the Forgotten Vale or if we should consider them distributed throughout Skyrim's underground)

The placement of textured components on the body could have their own meaning to it alongside what accessories or textures are being used.

Specific Falmer Subcultures

While most Falmer settlements we see in Skyrim are just a small-ish collection of huts and chaurus corrals, there are two distinctive settlements that are larger, seemingly more organized, and I like to think have their own distinct subcultures worth mentioning: Blackreach and the Forgotten Vale. The unique scope and environment of these Falmer cities (as I like to think of them) could lend to unique clothing cultures as well.

The Falmer of Blackreach have access to a vast Dwemer settlement and have has the space to spread out throughout it more fully since it seems to be more in tact than other Dwemer ruins we see. These guys would likely have a clothing culture much more heavily based on what the can access from these Dwemer ruins (metal scraps, leftover fabrics, etc.)

The Falmer of the Forgotten Vale would also have access to unique resources, such as Vale deer, Vale sabre cats, and frost giants for fur and leather. Additionally, materials accessed from the Chantry of Auri-El such as textiles from clothing, bedding, tapestries, etc. could give them a greater access to fabrics than other Falmer groups. We don't see many close Dwemer settlements to the Vale, so they would have less Dwemeri influence in their clothing than other Falmer groups.

I like to think that the Falmer's evolution exclusively underground has made them poorly equipped to handle the outdoors during the day and has made them particularly susceptible to sunburn, necessitating the need for covering for those in the Forgotten Vale who have significant settlements outdoors. With greater access to textiles and leather, they could use them as coverings when outdoors.

Armor

I actually have very few notes on armor, for two reasons. 1) I hate designing and drawing armor. It is the bane of my existence. 2) I really like the armor they have in game! I think they look awesome aesthetically, and I like how clearly they are made from chaurus chitin. Per usual, Adam Adamowicz's designs seem to have been the major inspiration for the Falmer armor, and he did a great jobs (even if it isn't the most functional looking armor ever).

(off topic but I also just want to add that he draws them with little hairs and tufts on their ears and I love it. ok that is all)

I do have a few thoughts about armor though.

Even attire made of textiles make noise when someone moves in them, and I can imagine moving around in armor, especially armor made of hard, insect shells would make a lot of noise when someone moves around in it. When you're relying on sound to navigate your environment and pinpoint potential threats or targets, wearing something making a lot of noise would not be ideal. On the other hand, getting into a fight unarmored would be a problem.

So here's my solution: heavy armor (see below) would only be worm within the camps/settlements where noise was already high and space is more cramped (and therefore more risky in a fight) as a sort of guard in case they were attacked. Those guarding the settlements along the outside might still wear armor as well, but less of it. Those going out to scout or hunt (if they do hunt) would wear as little armor as possible, and try to wear it strategically so that it wouldn't rub against itself and make noise. This is why most Falmer we encounter in the game are wearing little except for loin cloths and kneepads.

One more idea I have for armor is a specific armor piece. On the note of guarding or protecting a camp or settlement, I imagine the noises of it all (especially with the noise based headcanons I've laid out here) would make it hard to actually catch any potential threats when you can't see. A large slightly concave piece of armor worn behind the head could block out noises from behind the wearer, as well as a help focus sounds ahead of them.

That is all! Thank you for reading! A lot of these concepts around the culture of sound I think could also be applied to their buildings and even a culture of music, but those are posts for another time.

All of the concept art I used was taken from here and all of the Skyrim screenshots are from UESP.