#those arcs are just the very beginning lol

[muqingapologist]

it’s always crazy to me when i meet somebody who has only watched the heaven official’s blessing donghua, and sometimes they don’t even know there’s a novel. im just like, do you know?? how much you’re missing out on?? do you know?? let me help you. here’s a 2000-page pdf of the entire story. or would you rather an epub? what’s your email?

[prettyboykatsuki]

fang i couldn't find ur meta blog but i wanted to ask ur opinion/analysis of bakugou's "what part of her was frail" from season one against ochako if u have any <3

@fangs-animereview thought i havent posted anything on it in ages.. rip all my half-baked hxh meta posts about shounen trope subversions

i dont know if i have any particular analysis of that but i do think that scene highlights an interesting element of bkgs character which is that he is decidedly not very shallow

i think often his arrogance or projected arrogance makes his fandom image a guy who is shallowly obsessed with appearances. but i think for him to say what part of her was frail kind of speaks to the fact that the opposite is true. that bkg doesn't see people as their appearance but measures them by what they're capable of

[goldentigerfestival]

Forgot to post this earlier but I did in fact comb the entire Vesperia script to determine how many times he uses ま/まあ throughout the game, along with a few other phrases he uses repeatedly. This counts all of main story, every single sidequest, and every single skit in the game.

Final counts were:

ま/まあ: 279

Ma/Maa; translates to "well". He uses this at the beginning of a sentence usually, but it's sometimes in the middle. "Ma" is usually more quick and snappy. "Maa" is more thoughtful and/or prolonged. Obviously it can vary based on context, but that's the general breakdown.

んじゃ and any variants: 133

Nja, along with variants such as "ja", "soreja", etc. Variants are counted when they're all used to express "let's get going", when they're about to head off ("ja" could be used in a sentence such as "ja/but then, why is xyz like this", etc). They encompass translations such as "well then" (let's get going implied. includes "so then", "then" "alright then", and so on), "we should be off", "let's get going", "let's go", etc. (not to be confused with 行こう(ikou), 行くぜ, (ikuze), and other similar versions of this phrase. That can also mean "let's go", but any instances of Yuri using that particular phrase was not counted because it wasn't a variant of, specifically, んじゃ, which is also his most common "let's go" ja variant).

おい / おいおい: 66

Oi/Oi oi; translates to "hey"/"hey, hey", though "oi" is more or less an accepted word in English nowadays.

おっと: 12

Otto (not to be confused with "oto", referring to sound); an expression of surprise that can translate roughly to "whoa there" (which is the most common translation I do see for it and what I'd use in most cases too, context of course varying). The reason I included this one despite it being so seemingly low in number is because it's not a particularly common expression, much less one used multiple times by a single character? It's so rare from anyone else, which is just a regular thing relative to Yuri and his dialogue/speech (i.e. most characters sparingly use phrases repeatedly, as compared to Yuri... as you can see lol. Other characters use these words/phrases, but nowhere near as regularly, if regularly at all).

Realized along the way I should've included やれやれ (yare yare, "good grief", "oh dear", "oh boy" etc), but by the time I realized I should have in case it was an interesting count, I was too far into the script to be able to handle going all the way back through it LOL.

No. No, I am not joking that Yuri used ま/まあ 279 times throughout the course of the game. That is to say, it could be more if I missed any, but on the assumption I didn't, that's where it stands.

Why do I love this so much? Because it's a very specific character quirk of a character I adore. I'm very fond of his repetition. Thank you.

[agnimybeloved]

regarding that last post... not that black butler's canon has to be uplifting or have dadbastian or a happy ending to be "good" (i'm actually partial to tragedies especially the cyclical kind and would love for the series to straight up end with despair and the collection on the contract lol) but i do think that toboso's largely fumbled the found-family/interpersonal,/introspective aspects of her story and sacrificed a lot of narrative and thematic meat there for low-brow and off-putting comedy.... which is really exactly all she does with ciel's trauma as well-- shallowly using it for the purposes of trauma porn and/or comedy/inappropriate fanservice.

ciel only seems to have reasonable responses to his trauma when its aesthetically convenient if that makes sense. i honestly could go as far as to say that she depicts his trauma fetishistically-- every instance i can recall of ciel having an extreme traumatic response (i.e. vomiting, flashbacks, psychosis) is represented with (imo but honestly.... i'd be shocked if this wasn't intentional...) sexual undertones. his episode during the green witch arc doesn't have one of these moments within the episode itself as far as i can recall, but certainly i think the preceding/inciting medical emergency that forces him and sebastian to bathe together contributes to the reoccurring sexualization of "sickness" (physical & psychological).

not to mention ciel's subsequent episode is treated as the dramatic peak of his ptsd and something that he "overcomes" through sheer force of will (and the threats of sebastian... neither of which are a proper/reasonable way to handle such an extreme trauma response) and doesn't really battle going forward in the story. of course a lot of stories take this "one dramatic moment and then its fixed" approach to representing mental illness, and it makes narrative sense for toboso to want to more or less settle that thread to gear up for the important blue cult arc, but i think toboso's handling of mental illness in general goes so far beyond suspension of disbelief and tastelessness that i think she should lowkey be brained for it. the way she intermittently writes ciel's traumatic experiences as something horrifying and wrong and to be given sympathy meanwhile relentlessly putting ciel in inappropriate fanservice situations that diminish the severity of csa & pedophilia as well as disrespect the complexities of trauma and turn them into comedy... mind boggling...

overall though i think that black butler shows a real mastery of narrative arcs while falling short in terms of character arcs. most of the time these arcs are shown in retrospect with the addition of new backstory, but it feels as if the characters in present have barely grown at all... not that every story has to be character driven and a static character type makes sense for someone like sebastian, but for all that ciel is a unique and mature thirteen year old due to the circumstances of his life, he is still a thirteen year old, and one that has experienced a significant trauma quite recently at that. not allowing him coming of age-esque character arcs considering all that sort of breaks the believability of his character imo.

but i think that coattails does a lot in staying loyal to ciel's character and experiences while also respecting his trauma and bringing the depth and flexibility of adolescence to his worldview and actions that toboso unfortunately seems disinterested in. i love that aforementioned chapter of coattails and its sentiments especially with how it reexamines ciel's actions at kelvin's manor and the worldview that lead to burning it down with the children inside... not that it was an out of character decision for ciel in the moment, but i think it established a lot more severe facts about his character and worldview than toboso is willing to address in her writing and therefore feels unresolved. coattails' remedy to that awkwardness by coming full circle is so intriguing and fulfilling in contrast... it shows how adolescence and trauma can work together to so completely convince one of hopelessness and yet how just a bit of hope can change that worldview entirely. literally just the honest love of a random dog and the mundane care of a guardian... there is a cure and it is this..... what da helllll....

[kingdomoftyto]

First off, Turnabout Goodbyes was insane. Very good chapter. I see why people are obsessed with Edgeworth (and Wrightworth as a ship) now.

Secondly, I'm halfway through From the Ashes and,,, why does this read so much like Edgeworth and Gumshoe are/were dating

[malewifesband]

EDIT: if this post has made you think about whether or not you are autistic, im really glad! i hope you get some better understanding of yourself and are able to find community and support

however before you go and tell a therapist and seek an official diagnosis please read this thread and consider the points made therein:

autism is highly stigmatized. be fully informed about what you gain and what you lose from having an official diagnosis before seeking one.

EDIT OVER ENJOY THE POST

people do correctly identify that laios is autistic fairly often but a lot of the reasoning begins and ends with his special interest and social difficulties, but honestly it goes far deeper into the build of his character than just those two things

his pain tolerance is wildly inconsistent, unable to tolerate a drop of hot oil (or any heat) but able to shrug off both his leg being bitten off and it being reattached

hes sensory seeking in the extreme. he rubs the bat bones against his face, pets and fluffs the shapeshifter tail.

his desire to eat monsters comes from three very autistic places. 1) the rules for why monsters are not okay to eat but animals are are arbitrary to him so he cannot follow them easily: he cannot understand the 'feelings' argument others make. 2) this too is a sensory seeking behavior. he wants to experience these new things, new flavors and new textures. 3) it completes his knowledge of the monster in question to also have data on its edibility. because he cannot draw that arbitrary line around all monsters, he wants to evaluate them case-by-case and see if real patterns emerge. butchering and eating the monsters improves his knowledge of them greatly and highlights their importance in their ecosystem, as well as making him a part of that same ecosystem

he cannot emote the way others expect him to. he compartmentalizes his feelings (to an unhealthy degree) because he needs a pragmatic solution. so as long as there is a problem to solve, that matters far more than evaluating his emotions and allowing himself to experience them. while this is also a coping mechanism for ptsd, it is a trait found in many autistic people regardless of trauma, as we have trouble sorting the feelings we have and often need time to think about what we feel, so it becomes easier to simply not do it and pretend we dont need to. laios emotions certainly affect him, with or without his processing them, but others do not see what they expect to see and thus dismiss that he is feeling what they would feel

he is incredibly gifted with pattern recognition, observation, and analysis within realms he understands. to understand subjects that dont come easily to him, he must filter them through his established schema (his special interest--this is why they are so special! they help us sort the world). when he isnt sure about the social cues and details hes observed in the shapeshifter arc, he filters it through the lens he understands best: monsters. he was making correct observations about his friends all along, but he could not be confident in that the way he was about their behavior when it came to his interest (chilchucks caution, senshis passions, and marcilles carelessness)

[stardynamite]

While rewatching ducktales, I realised that they looove foreshadowing, they do it all the time, sometimes they even give the whole plot of an episode in the very first scenes without the viewer noticing lol.

Anyway, I realised that they foreshadowed the whole “duke of making a mess” thing that Huey had in the sword of swanstantine episode!

THE THING IS, EVEN on my first watch, I could tell that this was supposed to be a multiple episode arc but they HAD to make it shorter because ducktales was getting cancelled and I’m PISSED. LIKE ALL OF MY FAVOURITE CARTOONS, THIS COULD HAVE BEEN SO MUCH MORE.

DEWEY had his own arc where he’s trying to uncover his mom’s dissaperance with Webby. LOUIE had his own arc where he was struggling with his place in the family and HUEY. DIDN’T.

Ughhh they foreshadowed the Duke of making a mess in the intern episode and even in Scrooge’s birthday!!

Those are BOTH season 1 episodes (I’m not gonna list more foreshadowing because you get my point) SO THEY’VE BEEN BUILDING UP THIS ARC SINCE THE BEGINNING AND THEY DIDNT GET TO CASH IT INNNNN RAHHHHHH 🗣️‼️‼️‼️‼️

When watching the ONE episode where he appears, you could IMMEDIATELY tell that it should’ve been a bigger deal. I mean come onnnn, they enter Huey’s mind scape and there’s a huge closed up door??? With locks??? DUUUDE THAT WOULD’VE BEEN AWESOMMMMEEE

I’m saying all of this but this is just to vent some frustration about how animation shows will just be cancelled without the chance to say all that they’ve wanted to say… and as the one who wants to hear it: *cries and wails and pees on the floor*

Ducktales was planning so many more seasons and only got 3, like every other great animation show nowadays i fear

[nyerusnova]

Glad to see that Tim being a giant Dick Grayson fanboy is finally being highlighted again, and sparking more discussion especially on their early relationship! (Please gimme more!!! I love them so much, augh!)

Probably as a result of that surge, there seems to be reciprocal chatter on the topic of how young Tim actually felt towards Jason, too. It's honestly pretty interesting, because it's more nuanced than it appears at first glance.

Which means it's very fun to dissect! ✨

There's a degree of subjectivity to keep in mind, because readers are going to have different interpretations of the same scenes, or will pull from entirely different scenes than one another to form their individual view on this topic. That's just how it is in comic book fandom, for many things! Regardless, in this case... if the scale ranges from the extreme of "Jason was Tim's Robin" to the other extreme of "Tim actually hated Jason [as Robin] or thought he was a loser that got himself killed" — the actual truth is closer to the middle, as is often the case.

At least, in my opinion.

Mainly I want to focus on those relatively early days with this post, to highlight Tim's initial(-ish) feelings towards his heroes, and touch on the point at which they really begin to change. This turned into a very long post, though. Brevity is beyond my skill, so grab snacks and water lol. Transcripts for each image will be posted at the very end under the cut.

So, the two storylines I want to cover are "Rite of Passage," which is rolls into "Identity Crisis." (NOT to be confused with the major crossover event "Identity Crisis™" which came years later, and is where Jack Drake dies.... But it sure is an interesting coincidence that Tim deals with the loss of each parent in two similarly named stories!) These take place before Tim is even Robin, and I'll be considering them as one arc for this post.

Detective Comics vol. 1 #618 (July, 1990) -- Pages 1 & 2

"When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero."

"One day, I'll be as good as Jason. One day I'll wear the suit."

To start off, we have this opening from "Rite of Passage." Tim is still in training here, mainly helping Bruce with minor stuff from the cave. His parents are off traveling, alive and well as of these next few pages. He's still bright-eyed and full of wonder. An extraordinarily weird but ultimately innocent kid.

So his view on Jason is positive and fairly simple: a hero, and someone to look up to as Robin. Clearly, Tim here doesn't think Jason was deficient in his role, either as a protector of Gotham or as Batman's trusted partner.

Moreover, Tim already held Dick in very high regard because he was amazingly skilled before he became Robin. To Tim, that's not something he'll ever be able to achieve. Meanwhile, Jason wasn't like that. He was a regular kid without crazy acrobatic training since practically birth. Yet he still went on to be a hero—which is obviously motivational for Tim who finds himself in similar shoes.

It's true that Tim only ever knew or thought of Jason as Robin, and idolized him in that regard. But that's kind of all that mattered to him at that point, because he was this kid who was utterly star-struck by his heroes. Even if he's technically aware of their shortcomings as people, it's overshadowed by the hero-worship.

It was kind of the same with Bruce as Batman at first. (Which was still enough for Tim to risk life and limb to help his beloved hero, before Bruce even knew his name.) Dick was the only one Tim had any sort of "personal" relationship with beforehand, so there is an extra level of attachment—and hence why it was the nidus for his obsession with Batman. Yet even then, it wasn't like he actually knew anything about Dick as a person until later. Until then, Tim's ideas of him were all he had, too. With Jason, Tim just didn't get to know him at any point before his return (oof), apart from what he heard over the years secondhand (also oof).

Ultimately, it's the loss of innocence—along with the ricocheting bullet that is the unresolved guilt of those around him—that begins to change Tim's perception. Not just of Jason, but of things in general.

Batman vol. 1 #455 (Oct., 1990) -- Page 13

"I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry, they're full of rage. They want to hit back."

Losing his mother was a major shift for Tim, obviously. This is right after the previous storyline, and Tim's had the worst week or two of his life (so far). His monologue here is a reference to what happened to both Dick and Jason. The unbearable pain of loss, the rage masking the grief underneath. And importantly, that he feels both of them were justified in their anger. (And Bruce too, indirectly.)

The major theme of the aptly named "Identity Crisis" is to mirror aspects of Dick and Jason and Tim's lives—to show how they converged onto the same tragic road. It's something that Tim notices early in the story, and was frightened by. Now, horrifically, it's become a part of him as well. His parents are gone, and he was entirely helpless to do anything about it. Dick was the same way, Jason was the same way. The cycle is repeated.

In particular, the part about him wanting to go to Haiti for revenge—for his mother—sort of struck me as being an intentional parallel to Jason and Ethiopia. It's a bit of a stretch, especially in isolation, so others may see it differently (e.g. the angry ramblings of a grieving child that does sound like something anyone might say). But it always stuck out to me because of how much Tim is compared directly to Jason in this arc. More on that below.

It's not something I can really give an accurate feel of because it's a lot of subtle things that begin to add up, so I'd encourage folks to read this arc themselves to see what I mean. (Or maybe you'll still disagree which is fine too lol.) Again, many things are in reference to both Dick and Jason in relation to Tim, but it's weighted more on Jason's side.

Batman vol. 1 #455 (Oct., 1990) -- Page 18

"You think my anger will boil over, the way Jason's did. I can assure you, it won't!"

Tim's grief has begun to pull away the veil of idealism that enshrouded his heroes in his mind. It doesn't apply only to Jason, but to the rest of them. Plus add the fact that Tim's keenly aware that he's being managed, even if the adults around him are careful to not outright say certain things. He still knows.

Bruce, Dick, and Alfred are all worried about Tim potentially turning into "another Jason." They (and mainly Bruce) caution Tim to not ignore his emotions, but they're still concerned that he may be overly eager to prove himself in order to cope, and could get hurt or killed as a result. While they aren't wrong for their caution—especially at how unsettlingly similar all the circumstances are—they aren't very subtle about the elephant in the room.

Imagine how that would affect Tim's perception of his predecessor, especially when he's in the midst of a traumatic event he hasn't had time to fully process. The negative association is pretty much inevitable.

Tim's known from day one that he's walking in Jason's shadow, and now it's become inescapable. Tim went from seeing Jason as a goal to reach, to feeling that unless he surpasses him, he wasn't going to be taken seriously by anyone. However, as of this arc, Tim doesn't even fully come to that point yet.

Batman vol. 1 #456 (Nov., 1990) -- Pages 14 & 15

"Drop-outs don't make it. And dead heroes are no use to anyone!"

It's really easy to take away "Tim totally thought Jason got himself killed" as the main thing here, but I think that's missing the forest for the trees.

First some context: Bruce has gone out on a mission to get Scarecrow, and expressly forbade Tim from doing any shenanigans. Meanwhile, Tim is grappling with wanting to prove himself and trying to help Bruce from the cave, all while trying to deal with his emotions. At some point, he falls asleep and ends up having like... exhaustion-grief hallucinations of Dick!Robin and Jason!Robin who confusingly caution yet encourage him. The main theme of this part is facing your fears.

Depending on how you want to interpret the intent of Jason's dialogue here, you could go several ways with it. Ranging from "writer's feelings towards Jason" to "a peek into Tim's mind as his fears manifest as visions of his heroes" or some mixture thereof.

Though Tim argues with Bruce that Batman needs a Robin, we're shown that Tim is understandably scared of joining Batman's "war." He's still not willing to let Bruce go it alone, though, and that's something he feels more strongly than his fear.

Meanwhile, hallucination!Jason's warnings are a lamentation of what happened to him in a way, but it actually exactly describes Tim's current situation even more so. Unlike Jason, Tim is under-trained, under-experienced, doesn't even have a suit of his own yet. But like Jason, he can't sit by and do nothing while someone he cares about is in danger. Tim knows that if he goes out there, he will probably get himself killed, and it will be his own fault. So he's about to disobey Batman's orders, and fly right into danger. If that got Jason killed, then Tim—who is in a way worse position experience-wise—has every chance of ending up the same.

Like... it's about Jason, but it's also about Tim. It's Tim's worst fears made manifest, via the representation of why he is even here in the first place (Jason's death).

That's my theory anyway, but perhaps this is an overly charitable reading of this scene on my end. (Not that I think that makes me wrong lol.) However given that Grant wrote both parts of this arc, and the beginning of which is especially favorable towards Jason, it certainly is something to ponder. I have a lot of thoughts on it I can't expand on here tbh but perhaps that'll be another post.

Anyway, returning to the point of the similarities vs differences between Tim and Jason: since this is the arc that solidified Tim as the next Robin in comic continuity, it makes sense that the writers really pushed the comparisons between the two of them, specifically. (Even though Dick was pretty similar, as going against Batman's orders is the Robin thing to do, it's not his shoes Tim is directly filling.) So making Tim's "debut" story arc mirror Jason's "swansong" is an obvious narrative choice.

To drive home the parallels, I wanted to include this panel from just a few pages prior to the "daydream":

Batman vol. 1 #456 (Nov., 1990) -- Page 9

"The suit is magic."

That so distressingly close to Jason's famous "being Robin gives me magic" line (Batman #385, page 6). Given all the previous context, it's hard for me to just dismiss it as pure coincidence. Even if it is, the point still stands. Tim is shown having the some of the same heartbreakingly naive views as Jason once did, right in front of Jason's memorial, just as he's about to go and run off into the night against orders.

I think that speaks for itself. There's a lot to take away from it, if you so choose. Especially given the context of that specific Jason arc.

Alright, back to the main course:

So in the end, Tim actually goes out in civvies and a ski mask because if he fails, then at least he wouldn't bring shame to Robin's legacy™. When he gets fear gassed saving Batman, it's once again both Dick and Jason that he hallucinates encouraging him to push past his fear. (Shout out to the fact that he's literally more afraid of tarnishing the legacy of Batman & Robin than he is of dying.... I'm sure this will not be a recurring thing for him in the future.)

Tim's ideology is shown to be similar to Jason's, and the actions Tim ultimately takes are similar to Jason's... but the outcome is different. And it really isn't just "Tim succeeded where Jason failed." At least, that's not what I took away from this. Rather, Tim had no reason to succeed any more than he had to fail, just that he did. Luck combined with caution because he knew what happened to his predecessor, and the fact that Batman was there to finish the job all made the difference.

You could say (and I know some will) that it's just classic Jason character assassination and the writers trying to implore readers that this new kid is different we promise pls don't hate us look how much better he is! But in this case, that feels like it undermines the whole point of this story. It doesn't fit with what the characters actually say.

Thus, we return to the question of how Tim felt towards his predecessor. And the answer is different from where we started, because Tim is different. Not that different though. Because even though at this point Tim—like all the adults around him—has probably attributed Jason "going off on his own" being what led to his death, Tim still thought of him as a hero to look up to. It's about Robin, first and foremost, yes. But Tim is fully aware of the people who made that suit mean what it does, because it's all intertwined.

Batman vol. 1 #457 (Dec., 1990) -- Page 20

"I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it."

Even further, Tim thinks of it in terms of Jason having given his life for what he believed in, for the legacy that now falls to Tim. There's a sense of gravitas there. He's afraid of failing both the Robins who came before him.

Ultimately do I think Tim adored and loved Jason on the same level as Dick or something? No. It's not comparable. (Dick was like part of some of Tim's earliest memories and everything! They have a really unique bond ok.) Yet Tim was also far from thinking poorly of Jason so early on. Frankly, it seems that Tim thought of Jason as a noble hero and a cautionary tale. Yes he took risks and sometimes went too far, generally stuff that Tim doesn't want to repeat and all that. At the same time, Tim still saw him as someone whose legacy and memory was worth honoring.

It's complicated, which is why I like it so much—because it feels real. Having conflicting feelings towards someone is... so human. Especially someone you never got to know, yet who plays such an integral role in your life via the shadow of their death. How can you feel anything but complicated towards them?

It has to be said that, yes, Tim's views—even before Jason's return—change over the years. He becomes more jaded as a person and is surrounded by people who are even more jaded than him... and who often mention Jason as the "failed Robin." It's something that's hung over Tim's head all the damn time. The curse of the Robin mantle.

So it shouldn't come as a surprise that Tim's idea of him becomes more akin to "sounds like a skill issue" as the years go by. All bets are off after Jason's return, and the Titans Tower Incident™. At that point it's firmly "I am better than you, loser" lmao.

And... that's all without getting too into things like authorial intent and general "moods" of different DC writers towards Jason at a given point. Or retcons that played a role in his characterization and how other characters talk about him, depending on what "era" you're reading. That's way beyond the scope of this post though!

TLDR; even though young Tim Drake was obsessed with Dick Grayson as Robin, he still looked up to Jason Todd as well. He didn't think of Jason as a cringefail loser until later. :)

(image dialogue transcripts under cut ↓)

Dialogue Transcript for Image 1 (Detective Comics vol. 1 #618 -- Page 1):

Narration box (Tim): When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero.

Dialogue Transcript for Image 2 (Detective Comics vol. 1 #618 -- Page 2):

(Scene continued from previous page)

Narration box: But he was nothing special, really. Just a boy, who was taught--trained--brought to his full potential by someone who knew how. Just a boy... like me. I know I can do it. I know I can. One day I'll be as good as Jason. One day I'll wear the suit. One day I'll be a hero.

Dialogue Transcript for Image 3 (Batman vol. 1 #455 -- Page 13):

Tim: I hate him! I hate him! I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry. Full of rage. They want to hit back. They want to fill the hole that's burning inside them.

Bruce: There's more to it than that, son. Much more.

Tim: I know. It's just--I feel--like going to Haiti myself and strangling that creep with my bare hands!

Bruce: The Obeah Man will spend the rest of his life in a prison hospital. He's history. Forget him! But don't fight against your anger. It's natural. Accept it. Live with it. One day it'll be your friend.

Dialogue Transcript for Image 4 (Batman vol. 1 #455 -- Panels from page 18):

Tim: Because you think my mother's death has upset me too much. Well, it did. But I've taken your words to heart. I can cope. You think my anger will boil over, the way Jason's did. I can assure you, it won't. But that doesn't make any difference, does it? Why can't you have a little faith in me?

Dialogue Transcript for Image 5 (Batman vol. 1 #456 -- Page 14):

Narration box (Tim): Blast it! My head's starting to swim. I'm about ready to give up. I almost wish I'd never heard of Batman and Robin!

Vision Dick: Heroes never give up, Tim.

Vision Jason: You know that.

Tim: Dick--! Jason Todd!

Vision Dick: You're training to fight in a war, Tim. It'll last all your life. No matter what, you have to go on fighting.

Vision Jason: Drop-outs don't make it. And dead heroes are no use to anyone! I thought I knew better than Batman. I thought I could run before I could walk. I killed myself, Tim. Because I couldn't wait. Because I couldn't think it through.

Dialogue Transcript for Image 6 (Batman vol. 1 #456 -- Page 15):

(Scene continued from previous page)

Vision Dick: Think, Tim. Concentrate!

Vision Jason: You can do it.

Both: You can do it!

Tim, waking up: What--? Robin...?

Narration box (Tim): I must have been daydreaming. They're right, though. There's a solution to everything. I can find it! So here I go again... Whim. Caprice. Doing something without forethought.

Dialogue Transcript for Image 7 (Batman vol. 1 #456 -- Panel from page 9):

Narration box (Tim): The suit is magic. It gives you power. It hides your weakness. It makes you give it everything you've got. It makes you a hero. If only I could!

Dialogue Transcript for Image 8 (Batman vol. 1 #457 -- Page 20):

Bruce: Are you afraid of it?

Tim: No. It isn't fear. It's more... the suit carries so much history. I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it. Failing them--what they fought so hard to build--that's what worries me!

Bruce: I appreciate that, Tim. That costume weighs a whole lot more than any symbol should... and I'd be failing you if I expected you to bear that weight. So... let me know what you think.

Narration box: A mask has a double edged, he said. It hides your own anxiety as it strikes fear into your enemy.

[gingernut1314]

Face Your Fears

Luffy x GN!Reader

Summary: Deep in the jungle, you are faced with your biggest fear and your captain is more than happy to help you.

Warnings: fluff, arachnophobia, very mild spoilers for the anime (Alabasta arc to Post-Enies Lobby arc mentioned), use of Y/N

Word Count: 1.4K

A/N: This is my first "full-fledged" Luffy fic soooo I hope it turned out okay lol. Regardless, I hope you all enjoy!! 🩷🩷🩷

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You stood deathly still in the middle of the thick, dense jungle. Sweat ran down your skin in pools, the muggy heat doing nothing to help calm you down. Your muscles had grown so taut you feared they might snap under the pressure. Your limbs were frozen in place as you fought against the rising panic in your chest. 

This was a nightmare. Your worst nightmare.

The one thing you feared above everything else. 

And you were stuck--unable to move to free yourself from the situation. 

You whimpered pitifully as your captain came hopping back down from the tree he had climbed, bouncing like some ball as he called your name, arm extended to show off the stick he had found for you to admire.

“This one is so much cooler then the one you found. Usopp is going to be so jealo--why are you all pale?” Luffy asked, titling his strawhat adorned head and blinking his long eyelashes slowly at you as he tried to figure out what was wrong.

Everything was wrong. So, so wrong. 

“H-Help.” Your tightened throat croaked out. “Help me. Please.” Luffy’s easy going nature shifted instantly, steady seriousness filling his dark brown eyes as they scanned the small amount of cleared space you both stood in.

“What’s wrong? Someone here?” 

“Luffy.” You stressed, that nightmare growing closer and closer. He snapped back to you and you found the strength within you to shakily lift your hand to point to your other, already outstretched arm. “Please--get it off.” 

His eyes followed your guidance to find the big, furry spider crawling its way slowly up your arm. One that had some how, thanks your horrible luck, had found its way to land on you. 

But, instead of instantly coming to your rescue, that signature grin of his stretched across his face, bringing attention to the thin scar just under his left eye. 

“Cooool! Where did you find that tarantula?” Luffy asked, coming into your orbit. He took your wrist in his strong, warm hand only so he could observe the creature more closely.

“Get it off!” You panicked, your heart feeling as if it might burst out of your chest. “Please, please, please get it off!” Your panic turned into a near sob of fear, your eyes beginning to sting with it.

“‘Kay.” Luffy shurgged, happily scooping the too-many legged monster off your skin. 

The frozen spell the vile beast had put you under fell away and you scrambled from Luffy, bumping into a nearby tree in your rush. You frantically swiped and scrubbed at your skin to try and get rid of the icky feel of all those furry legs. 

“He’s not bad, Y/N. He’s friendly, see.” Luffy said, bounding back over to you, spider in hand, to show you just how ‘firendly’ it was. 

“NO! Luffy!” You screamed, sprinting away from your captain who continued to happily chase you with it like this was a game, that cackling, mischievous laugh of his never ceasing.

“He’s so tiny and fluffy! He’s not gonna hurt you.” 

“Tiny? Look at it’s fangs!” You screeched as Luffy hopped infront of you again. You were quick to freeze in your place before you could run head first into Luffy and the horrid demon he held. Luffy smiled brightly at you as he raised the spider up all too close to his eyes.  

“You know it would be the coolest if we could have fangs too.” He mused, lightly petting the tarantula who seemed too at ease within Luffy’s hold. “Like….this!” Luffy snapped his head back towards you, both his canine teeth stretched, thanks to his Devil Fruit powers, to resemble that of long, sharp fangs. You huffed in annoyance at him.

“Can you please just--throw it away or something? It’s--I don’t like it.” Luffy gave a loud whine in protest, teeth snapping back to normal.

“But--Y/N, just come look at him. He’s super cute. And you like super cute animals. He’s like Chopper--well…expect he’s not a reindeer and can’t talk.” Luffy said, starting towards you once more. You took a step back with every step he took forward. 

“It sure as hell is nowhere near as cute as Chopper. I don’t want to look at it.” You snapped. 

“He’s more scared of you then you are of him, I swear.” You yelped when your back hit another tree, blocking you from moving any further. Your heart began to race as you spied the demon still resting in Luffy’s plam. 

“Luffy--I’m serious.” 

“And I’m serious too. Can you just look at him? Please? I’ll hold him the whole time.” Luffy begged, thankfully stopping in his journey towards you. You watched him and the monster for a very, very long moment. A moment you took to try and calm your heaving breath. 

“Will it make you quit bugging me with that--thing, if I do?” Luffy nodded rapidly, his smiling growing ever the more wide. “Don’t you dare more or I swear I’ll kill you.”

“Still as a statue.” Luffy said, making a show of freezing up his body. You approached him as slow as a snail, your breath becoming heavy and short all over again. 

“It’s okay. You know I won’t let anything happen to you.” Luffy smoothed as you came to a stop a few inches before him. His words helped steady your breathing, but made your heart pitter-patter in a different rhythm then that of fear or panic. 

A rhythm your heart had been beating for your captain for a long, long time now. Ever since he had dragged you from your little back water home and took you on all the adventures you had ever dreamed of. 

From wicked, hook-wielding Warlords, islands in the sky full of angels, strange games amongst enemy pirates, to islands flooded with water, and the start of new friendships--that rhythm had been there, sounding only for him. For the man who was making your dreams become a reality and whose kind and warm, yet strong nature pushed you to grow more then you could have ever thought possible.

And here he was again, pushing you to over come this seemingly silly fear of yours in such a--loving and caring way that just made that rhythm beat all the more fast.

“Its…” It was ugly. It was just as horrible to look at in Luffy hand as it was on your arm…but it was fluffy…and you did enjoy a good fluffy animal. “It looks like he’s wearing orange socks.” You observed, glancing up at Luffy whose smile was brighter then the sun beating down on you.

“He does! That’s what we should call him then. Socks!” Luffy broke his statued state to pet the spider again. “Hi, Socks. You’re gonna love it on the Sunny. We’ll even have Franky build you a tank--Oo! Right next to the aquarium!” You snapped away from the spider with a shake of your head. 

“No. That thing--”

“Socks.” Luffy reminded you chipperly. You only huffed. 

“Socks is not coming with us back to the Sunny.” Luffy whined again as you started for your dropped supply pack. 

“But--he’ll be lonely here.” You felt your skin prick in more fear when Luffy’s voice was much closer to you then it had been before. You hesitantly looked to the side to find a thousand beady little eyes staring back at you. You gave a throaty scream that you tried to keep as muffled as you physically could, all but throwing yourself backward.

“He--he has family here, I’m sure.” You said as calmly as you could, pulling your pack onto your shoulder. Luffy groaned, but agreed with you. 

“Yeah.” You watched him place Socks on a moss covered log, saying a quick goodbye to the furry beast. Luffy’s sad face made you feel just the tiniest bit sorry for him…for him and Socks. 

“Luffy…” You said as he grabbed up his stick again and you both started back through the jungle. “I’m sorry we couldn’t keep Socks.” Luffy shrugged.

“Eh. You’re right. He has a family here. A life. I couldn’t take him from that.” Luffy said, that lovely smile of his pulling to his face. “Besides,” He continued, throwing an arm over your shoulders and pulling you into his side. You felt your skin heat and heart start up its pitter-pattering all over again at his closeness. “I wouldn’t want Socks to keep scaring you like that.” He said, nuzzling his face into your cheek. You leaned into his affectionate touch, savoring anything he would give you. 

“Thank you…maybe we can find a less--leggy animal to keep as a pet.” Luffy lit up like one of Usopp’s fireworks. 

“Really?” You nodded, spurring Luffy’s hold on you to fall away despite your want to keep him close. “Awesome! I’m gonna go look!” He stated before bouncing off deeper into the jungle, leaving you to try and calm your racing heart all over again.

Taglist: @fanaticsnail

[prapaiwife]

Prapai being sky's voice Episode 12 breakdown💕

Another lita take cause I'm always finding more and more stuff to talk about as i rewatch this is long so bear with me 😭

Episode 12 is truly the beginning. Well, it was till it wasn't as the episode goes on, which kind of makes it a restart for their relationship. Sky wrote in his journal "always knows what i think," that is the truth, as we see in their arc, but especially with this episode. Because we see in this episode how Sky takes pai on this cute little stationary date. While trying to downplay it for what it actually is lol which is a date but prapai knows and him being the most observant person that he is, can pick up on all the things that Sky says or even doesn't say or what he doesn't even deny! He knows full well at this point that Sky can't just be truthful about his feelings, nor will he even honestly allow himself to. And so he can see the inconsistencies with the things that Sky says versus to his actions. And prapai will even teasingly point it out to him as he does in this episode and other times earlier on. But as we see as well, pai, let's sky have his way about that at times cause he doesn't want to make sky feel uncomfortable. And so he will playfully watch him deny and run away from the situation, especially whenever he can tell Sky isn't going to budge at all and be truthful yet to him on how he really feels.

Then we get to the scene where we see them fully for the first time on the same page about where they both stand for their feelings for each other. I love this scene because it starts with pai taking sky back to the place where they first hooked up essentially. But he's here essentially rewriting it as more than just their one night stand. And though Sky doesn't really see the romanticization of it all at first, lol. Prapai really bares his heart out and lets him know how it means a lot to bring him here again this time because being in this condo, all he can think about is him.

He tells him almost desperately but very dearing lol about how his feelings are way beyond his control. At this point, he's so overwhelmed with how he feels for Sky. He goes on to tell him how he likes loves, even lbr lol the way sky snarls at him, the way he tells him to stay away and doesn't admit how he wants him to stay close. Or when Sky tells him to get bored, he wants to tell him reassuring he won't. He leaves it all out there, his feelings, his heart, just letting Sky know that he is fully committed to just him and only him. And that hell do whatever cause he likes sky so much. And i feel some forget that for pai, all of this is new to him cause he never had any thought in his mind that he would've found a partner. And all these feelings are new for him. We see pai go through it lol And Sky, this whole time is so shy and can't make eye contact with him till pai touches his chin and tells him he wants to kiss him. Prapai wants to hear from him, but so it's when Sky says that he wants him to like him he wants him to kiss him because the feeling is mutal and has been for a while building up. And what makes this even more of a special moment is when sky tells pai when they escalate in the bathroom scene that he's his

(their is an extended scene in the box set that just wraps up that they want this just as bad as the other.)

(also this picture 😭😭😭😭😭😭😭😭😭😭 who's gonna tell them they are married)

Now, onto the title of prapai being Sky's voice, this episode shows it. We know with Sky that he often refutes everything when it comes down to his feelings, his health worries, and / or fears. He although has a lot of wishes and pleas or hopes, but he keeps that close to himself. Sky doesn't dare to voice out any of that cause it will make it all too real for him understandably so with what he had been through.

Back in episode 11, Sky had put those thoughts into his journal but not about his feelings yet for pai! He writes that later on after the party emotionally. but here, instead, he jots down, all the things he's listened from pai that he claims earlier on he wasn't listening nor cared to know!" His upbringing his silbings his personality, etc. And then writes about prapai in detail in terms of how much he does for him even when he's exhausted he will still stop by to see him. He always makes me happy. He questions what excuses he should use to keep pai around. All the food he brings to Sky, Sky wants to treat him to his favorites as well. He says prapai is the kindest man he knows(that broke me lol)🥺 and now is when he starts pleading crying while writing for pai to not look at anyone else and how he wants to be the only one. He goes on to write that although he doesn't think he's anything near cute or pretty to look at and boring but he still wants prapai to not get bored with him.

All of this is a huge moment cause he's bringing those thoughts into the world, and that's a step for sky to truly be honest to himself. Pai here really sky's voice cause he pays attention to Sky so much. Sky is constantly fighting his inner thoughts. So when pai voices those thoughts and feelings, it's soothing and comforting, encouraging for sky, of course, but the viewers, if u actually really pay attention to see that.

I made a separate post before on the journal scene and why it was so important. Cuz a lot of people look at this scene and just villainize prapai. When in reality, he wasn't doing any of that to hurt sky. In that journal scene, pai was understandably frustrated and confused, yet at the same time, he was trying to have sky confront these feelings that he hadn't told him before but he's not alone prapai is there to make it eaiser although it took alot out of sky not surprisingly cause he never had anyone fight and show up for him this way.

Pai asks, though, as he knows the answer that all of what he read was lies and an act. Pai wasn't gonna let Sky run away he has let him before when he sees Sky Shy it off about his feelings. And yeah, he sounds upset, but he becomes more softer, and as he gets eye to eye with Sky. And while doing all of this , it's not easy for pai as well to do he's taking moments before turning the pages and taking deep breaths. He's seeing sky so distraught, and I bet he wanted to comfort him, but he also knew they had to go through this. Now, after pai knows it all, he somewhat eliminates Sky's fear, his worries into hope, and he tells him he loves him and tells him more than once for it really sink in that he's loved and has been for a while. And that's when Sky starts to realize that he can finally stop letting that denial creep in and tell prapai what he wanted that he loved him.

If they are going to be together and make this relationship work, it won't if pai doesn't know what sky is feeling or telling him. He knows at the same time that sky isn't in a place to communicate with him. But seeing again the extent of how sky took it really left him astounded. He truly felt that whole breakup came out of nowhere. And so he didn't let sky go because I feel like if he did, it would have proven Sky's point that he would have thought that he was worthless and not worth trying or worth even pursuing. Early on his way back to the dorm he was imagining as if prapai was actually there walking with him waiting for him at the door cuz he wanted him to show up he wanted him to be there to clear this whole thing up. But Sky had to keep reminding himself and telling himself that basically, this is for the best. When truly he knew but was too scared to actually say and do anything about those feelings.

But that's okay because prapai doesn't just give up, and he didn't give up on him especially. That is so important, and it always gets me teary-eyed each time.Because he never had someone fight for him in any capticy,and he was gentle with him, letting him know that it's way beyond liking at this point and that he's in love with him. And it is okay that he can't say that right now even if he feels it and can't vocalize that to him it's okay. Prapai can say it first so Sky can feel ready when he is able to say those words back because prapai knows his truest feelings and can definitely tell that sky harbors a lot of feelings a lot of love for him and he will wait till he gets there to tell him that among with whatever is holding him back to do so.

And back to the phone call cause with the sky's trauma obviously affecting him, it does as well with the people around you. prapai whole world changes when sky started to retreat from him. When he goes to the apartment where they usually meet and Sky hasn't been there and hasn't been contacted in 2 weeks, he sees the lengths that Sky took to avoid him. in which Sky said some very harsh to prapai, saying all of his efforts were wasteful and didn't matter at all. He basically said that pai wasted his time trying with him cause it was all nothing but entertainment for him. And so pai was so confused, angry, and frustrated at how and when they got here when things were seemingly fine. Prapai feeling this way is fair he's hurt. He couldn't fathom that Sky would say this to him it doesn't sound believeable. And so when prapai specifically says "my sky isn't that type of person" he won't and can't accept how sky fastly agrees to break up this relationship not when pai hasn't even had a chance to find out or explain himself.

And I know another critique i see is like Sky's crying in that scene. And I think people don't really understand but sky has cried so much since what has happened to him. But it comes to a point for a lot of people where you can't cry anymore as much as you want to as much as you feel it in your chest weighing on you. All you can do is wail or be numb. And seeing especially Sky's having to face his feelings head on and he didn't have anywhere to go he had to face the man that he does love listen and tell him how can he throw away something that they just started. Sky knew he hurt him with that phone call, and pai doesn't even know what he did to have Sky avoid him the way he has. Also earlier on with sig he says something very important about how sky not being to cry. And how it's uncomfortable to see someone not crying when it's such a form of a release and it can help a little but for sky he can't do it cause he's numbed it all or shut down tightly on his feelings or emotions.

Episode 12 is such a pivotal point in their relationship and theirs probably even more to unpack within this episode alone because it's the somewhat calm before the big storm. But they have been able to find their common ground here and be on the same page.🥺

[lemonsharkgirlfriend]

alicent, a woman who’s been stripped of all power and agency and has no sway or influence amongst the green council, should have concluded her liberation arc by… coming to the understand that her mistreatment within this patriarchal system pales in comparison to the love she holds for her sons (one of whom she’s disowned in 1x08, the other pre-2x01), and she should have used the power (that she doesn’t have) to continue to support the green claim (that she doesn’t believe in). she should have thrown away her own feelings of (freely chosen) love for rhaenyra, knowing these feelings ���don’t actually matter’ (they do), and just, again, sacrifice her body, mind, and mouth for her sons (who she 1. doesn’t believe in and 2. knows do not have her own or helaena’s best interest in mind). the driftmark scene (that alicent verbally expresses regretting and which otto tries to manipulate her into believing was justified directly afterward) and alicent standing in front of meleys during aegon’s coronation (yet another example of alicent sacrificing her body to otto’s cause that she’s been manipulated into believing is her only purpose) are definitive proof that alicent should have become a scorched earth mama bear in season 2 that should have not have had any conflicted feelings about her sons’ unnecessary violence and total ineptitude at ruling the kingdom because… the ends (i.e., aegon being in the throne… which she doesn’t believe in) justify the means. alicent could have just used her voice (again, the one that she doesn’t have in this version of the story; let go of book!alicent) to sway her sons’ policy if they were trying to do something she didn’t agree with, and otherwise, she should have just let them do what they wanted to secure the green claim (that alicent doesn’t believe in). turning to rhaenyra (alicent’s only reference for freedom and chosen love) after concluding her liberation arc is out of character (it isn’t, alicent has chosen rhaenyra over her children several times) and doesn’t make sense (i’m just going to assume you weren’t paying attention to the plot, dialogue, set design, editing, costuming, etc., that suggested alicent was seeking out rhaenyra throughout the entire season, starting with her moving into rhaenyra’s childhood bedroom before the season even began). alicent is dumb (sure, i’ll give you that) for trusting rhaenyra (she can’t trust her own sons either, and arguably, to a greater extent). alicent should realize her love for rhaenyra is no longer relevant (it is and always will be, as expressed by the writers about… one million times) because she should care more about her sons (that she doesn’t support anymore and that she cannot control) than her own happiness and securing safety for helaena/jaehaera (her children/grandchildren that she’d like to see no harm come to). also, exploring alicent’s motherhood (alicent ‘switching sides’ still does this lol) would have been more interesting than exploring her repressed queerness/lesbianism (i mean idek know what to say to this bc how the hell do you think this isn’t interesting and novel and worth exploring). ultimately, i have another version of alicent in my head (book!alicent) that i wish had been adapted instead (totally valid opinion to have! though you ultimately shouldn’t project book!alicent onto show!alicent because they have been fundamentally different characters since the very beginning), so i’m going to pretend alicent going to rhaenyra in 2x08 is bad, unpredictable writing (instead of something those ‘annoying shippers’ had been theorizing about since before the season even began because the clues were literally there, even that early).

[dingodad]

which of your fantrolls are derse and which are prospit. and do you believe there's a meaningful divide?

these guys inherited their dream moons pretty straightforwardly from the characters they were inspired by.

dream moon feels kind of like the most astrology esque of all of homestuck's astrology type systems LOL in that basically all of the characters inherited them based on totally arbitrary circumstance (same moon as the rest of my family members, same moon as the rest of the players who wanted to join team vriska / team equius, etc.) and the comic never once seems to try to explain it in any deeper terms than that. so any analysis of what they might mean is just trying to find patterns in disparate personalities. (i guess dream moon being significant is a real thing now that it's included in the official aspect test but i'm not even going to bother looking those up because i don't really care that much. lol)

there are some interpretations i've found interesting.. like prospit dreamers playing active roles and being protagonists while derse dreamers are behind the scenes actors and backgrounders is so obviously true but it also seems so redundantly similar to active + passive classes. and the one about prospit dreamers being upfront with their personalities and derse dreamers hiding behind a mask is fun for explaining oddities like dersite nepeta but falls apart for other characters.

so i've never once thought about what moon "fits" a character before deciding where they go, i 100% always just sort them towards the beginning of the design process and then soooometimes when i develop a character further i will take their lunar sway into account and think about how it might contribute to their personality or arc. but it's usually a more personalised thing, like, what does being on prospit or on derse mean to that character in particular.. so i wouldn't say i think of there being a "divide" between the two. their significances can vary. while being a derse dreamer obviously doesn't MAKE you a villain for instance it's easy to justify why a villain might belong on derse and a dersite villain might be very different to a prospitian villain. <- thinking about it harder right now than i probably ever have before in my life

[ourflagmeansgayrights]

man i saw this and i was gonna write a whole post abt how maybe the problem for these ppl isn’t that ed wasn’t punished enough (even tho that’s what they say) maybe it’s that it’s a poorly-executed redemption arc but they don’t know how to verbalize that.

and that would actually make sense bc ed doesn’t have a redemption arc in s2. bc the show does not think ed needs redeeming. even at his worst and most harmful to the people around him the show is deeply sympathetic towards him and gives us sooooo much screentime dedicated to showing us that everything ed does he only does bc he’s hurting. which doesn’t excuse any of what he does but it does shift the narrative framing away from an actual redemption arc, where a character needs to like, learn why the things they did were bad and try to make amends. but ed never needed to learn anything, he knew his actions were unacceptable and that’s why he did them. he was trying to be the most horrific monster he could be in hopes that someone would get sick of him and kill him.

so then i went looking for an old post i wrote abt redemption arcs to talk abt why ed’s s2 arc probably reads like a poorly-written redemption arc for ppl who are expecting an actual redemption arc and. i change my mind actually. because “is this character willing to accept that their behavior is harmful, to make amends for their past behavior if at all possible, and to try and become a better person?” yeah we see ed do all of that tho.

Accept Their Behavior Is Harmful: i mean aside from the fact that ed knew this the whole time, we also see ed talking to fang about how guilty he feels for how he treated the crew. but like this isn’t zuko slowly unlearning an entire lifetime of fire nation propaganda, ed doesn’t need a season(s)-long arc abt this. He Already Knows

Make Amends For Their Past Behavior: like literally the whole thing with getting pushed off the ship!! wearing a sack and a collar at the crew’s behest!! he’s very much trying to make amends!!!!!

Try To Become A Better Person: there’s a lot i could talk abt here but just on a surface level, he’s trying to quit his job where he attacks and steals from random innocent ppl for a living. like objectively that job does not make you a good person. and also that job makes him miserable and when his mental health is in the shitter sometimes he hurts other ppl in his efforts to hurt himself so like!!! he is very much trying to not be the kind of person who forces crew members to fight to the death anymore!!!!

so yeah, thinking this was abt a “poorly-written redemption arc” was giving these ppl too much benefit of the doubt lol they just want to see ed grovel and suffer for an entire season, which was never going to happen lmao. the show thought izzy had more to apologize for than ed and that’s why ed’s apology was one sentence and izzy’s apology was a whole speech on his deathbed. the show thought izzy needed more punishment for his actions than ed did and that’s we see izzy get put through the physical ringer in the beginning of s2 and ed getting beat to death by the crew happens off-screen. ppl can argue all they want abt how ed did so much worse than izzy but at the end of the day the show disagrees with those takes and that’s why it treats these characters the way it does. die mad about it.

[genericpuff]

How long do you plan making rekindled? I loved Lo at some point, But now I cant get enough of your version!! And I wanted to know how did you come up with the darker back stories for Rekindled?

I have a semi-detailed skeleton of the plot with basically every story beat planned out, but I can't definitively say how long it will be as I haven't actually scripted every single episode out yet.

Not to mention a lot of the time my scripts will change from their original versions, by the time I get to an episode I've planned ahead for I've either thought of new ways to do it or don't like how it's paced so I change it. Case in point, there was a specific scene I had planned for the next episode and then wound up not liking the pacing because it was too fast so I moved it to several episodes away and restructured everything on the fly, took a whole new text document and scrapping sketches to figure shit out LOL I actually do have up until Episode 70ish scripted out in my documents with like, actual notes and dialogue for each episode, but I already have sooo many of those crossed out now because of how much I've had to tweak and change as time has gone on. This is why I plan ahead well in advance though, so that if I do need to make those changes, I can make them long before the episodes are even due to be drawn (and believe me, they get changed during the sketching phases too LOL).

What I can confirm for certain is that the current 'arc' we're in right now is definitely the bulk of the story. And that's not to say there isn't any content afterwards, more like the pacing just gets completely turned on its head in the last 30-40% of it where shit gets N U T S and just can't go back to the same energy that it was in the beginning. Without spoiling, there's a certain 'turning point' in the plot and everything after it isn't quite as long as the stint of story we're in now. This is mostly because the arc we're currently in is still establishing a bunch of stuff like the Underworld Corp, Persephone's schooling, etc. and once that turning point hits, it's basically all character development and focusing on the consequences of everything setup in the first arc.

I guess if I had to illustrate it, the story progression in the end will look something like this?

It's basically just this slow and chill climb that, once it hits that sharp peak, doesn't ever return to normal levels LMAO So I guess enjoy this part of the story while you can because it's the chillest it'll ever be w(°ｏ°)w And boy, I am EXCITED for that peak, but we have a long way to go before we get there. As for how long, well, I'm hoping I'll be able to have Rekindled's story wrapped up in the next 2 years, tops. Just depends on how the update schedule goes, and assuming the plans I have put down for the plotting don't change in any major way. I don't have as much of the latter half of the story actually scripted out yet so for all I know it could wind up being way longer than anticipated, but right now I have a pretty good sense of how the story beats will play out in relation to each other.

So it's kind of a wait and see thing, at least until I have every episode scripted out, and even then I won't be 100% sure because things are always being tweaked and fixed and changed on the fly! I'm guessing it won't go much longer than 170 episodes, give or take, but that's a very very VERY rough estimate.

Regardless, Rekindled still has a lot more story to tell, and I'm hoping y'all enjoy the ride with me <3

As for the darker backstories, y'all don't even know yet. Like... I've got stuff planned. Stuff that even Banshriek (my BG assistant) doesn't know about. Stuff that I keep buried very deep in Rekindled's episode documents that won't see the light of day until they have to be ripped out of the deep dark trenches of the characters' own buried secrets, and by that point, the toothpaste will be out of the tube, there will be no going back. So, again... enjoy it while it lasts. Because I don't pull my punches. And maybe even you won't be able to look at me the same way again once the final blow has been dealt.

Sleep well.

:)

[ihopesocomic]

Do you think bullying is considered a type of abuse? Does "bully redemption" trope can also be considered a abuser redemption? I can't like this kind of narrative at all. Not even "A Silent Voice " could convince me.

The thing is with bullying is that it is often committed by children and the overreaching fact is that hardly any adult is going to look back on their actions as a child/young adult and say yes, that totally was not cringe of me. This further compounded by the person's home life and/or if they're dealing with personal issues.

I was a pretty huge asshole as a kid and it's not like I mellowed out the moment I hit 18 either. I was dealing with a lot of stuff (i.e. such as undiagnosed autism/schizophrenia and psychologists refusing to take me seriously) and I dealt with it in a shitty manner by being this "edgy badass" online and just getting into online fights whenever I can because being deemed intimidating and scary online made up for the fact I was an insecure outcast offline.

I truly regret how I conducted myself back then. Regardless of what I was going through, nobody deserved to have to deal with me lashing out at them. It was also just embarrassing behaviour to boot.

But I do think bullying can certainly be counted as abuse and it certainly begets abusive tendencies (points to self, who was bullied throughout elementary and high school). But in that vain, I feel people respond to depictions of it in a manner that isn't exactly constructive and is borderline abusive itself, like the desire to outright commit assault or murder on said bully being depicted. lol

Because I also feel this question is also in reference to Rose and her behaviour and while I can't give much away on how we're going to handle her arc, I feel like people demanding she dies or whatever is just... Yeah, let's not. It's essentially 'I hope Vicious dies, particularly at the hands of her abuser' all over again.

It's clear Rose is growing up in a pretty unhealthy environment and is being groomed to take on a position of authority in said unhealthy environment.

I've seen the same kind of reception to irl children of cult leaders and the intent behind Rose's character is to deconstruct the fact that people - particularly children - are very much influenced by what surrounds them and will respond accordingly to it. We're social animals at the end of the day. Same goes for (anthropomorphic) lions. Not to mention what goes on in a cult that may seem alarming and disturbing to us is not necessarily the case for those within it... because they've been brainwashed into thinking it's OK. Rose is very much not exempt from this and her being groomed to become Queen by her father has only made things worse.

Anyway, my apologies, this thing got pretty long and also kinda personal and it probably also doesn't make a whole lot of sense but feeling that bullies cannot be redeemed? Totally get that. Responding to the depiction with unhealthy thoughts of child abuse or murder? I can't really get behind that. If there's room for growth and a chance for them to change rather than becoming outright established abusers as fully-fledged adults, I feel we should hope for that. - RJ

--

Like everything, it depends on how it's done. I don't know what A Silent Voice is, but some things are just too far past forgiveness or redemption. Cuz at that point its not "bullying", it's hazing. If it's teasing, or there's mutual sass happening, or heck even if one person thinks the other is bullying but it was a misunderstanding (Amity calling Luz a bully in The Owl House), and its not full on harassment, or stalking, I don't see the harm in allowing someone to better themselves and liking how they've changed, especially if they're young. And I don't see a problem with a friendship beginning at a place of conflict and grow into something strong and meaningful. I don't even think forgiveness of the bullying itself is a requirement to move on? Maybe I'm just old so I handle things differently than like a teenager would, but certain stuff just stops bothering you. People I'm still friends with to this day weren't exactly pleasant to me early on in our relationship or vice versa, but we never "forgave" the infraction and we've all just moved on because the infraction in question was never done again which is something I personally care more about. I've actually had someone from High school see me years later and apologize for how they treated me. It was just all water under the bridge at that point. But what I think about how things are handled in media is not the same thing as real people. What might not be a big deal to one person might be a big deal for someone else. Again bully redemption is something to be done with care and more often just excuses abuse which is gross. But I've seen it done right, but I wouldn't exactly call it commonplace. - Cat

[arolock]

Is Prime's arc really over?

I mean, he's dead alright, no doubt in that, and tbh I sort of hope that he will not be brought back to life. But. BUT.

This is a long ass rant. If you open it, it's on you.

Even in the last confrontation between Prime and C-137 we didn't really get any solid confirmations of Prime and C-137 origin story. We know they've met, we know Prime showed C-137 "infinity" (in his own words) and killed C-137's family, which resulted into C-137 trying to hunt him down, but except those facts confirmed and explained in s6ep1, s7ep3, s7ep5, nothing else was. Not the real meaning of their conversation in the garage, not even the fact of this garage meet-up being the first time they've met, and also not the meaning of Prime's words that he misses it when there were only two of them.

Both Mortys seem to buy everything Evil Morty extracted from C-137's memories (Evil Morty is confident in his tech and Prime Morty is just like that lol), but can we really trust that those memories are intact? What if, just like with Federation, Rick kept main points of events, but changed the details or timeline, that can potentially flip the meaning or change the tone of said events?

The most confusing part in relation to the timeline for me is Prime's slips during his rants: "I do miss when it was just us. The only two Rick's who actually invented portal travel", especially combined with "I showed you infinity".

It makes sense in two possible situations: if Prime showed C-137 the portal tech ("showed you infinity"), offered it, was rejected, left, killed his family and then was actively fucking with C-137 during the first hunt (which can explain the "miss when it was just us" line) OR if Prime showed him the portal tech, C-137, being inspired, also invented the portal travel, and then he and Prime were on friendly terms for some time after that, travelling together or each on their own with random meet-ups, until Prime offered him something else, which C-137 declined. Then everything else followed.

And honestly? IMO, first option doesn't line up. We never saw clones or decoys of Prime during C-137's first hunt in the crybaby backstory, no mocking images of Diane, nothing that could possibly indicate that Prime was actively playing with him. We also see other Ricks owning portal technology during young C-137's run, so there already weren't "just two of us", only in the very beginning maybe. Prime obviously watched C-137 to keep track on him and his whereabouts and shenanigans, but we don't see him making any moves himself, interacting with C-137 in any way. So what's there to miss at all?

Let's look at the second option. What's really interesting about it is how Prime's words "I showed you infinity" can be interpreted in two ways that are not mutually exclusive - as in showing interdimensional travel or showing something entirely else, possibly even bigger. Like something that was supposed to create "Infinite Rick, a GOD", which was mentioned in the 'falce' memory in 03x01 together with another interesting line: "Once we give you this technology, you become the smartest man in the universe". Since we know that Rick uses his own memories to fool people, it's entirely possible that these lines are real, they sound real, like something Prime could say. But.

But how simply owning a technology makes you the smartest man in the universe? The answer is - it doesn't. You just own it. You don't become smarter because you get your hands on a sci-fi tech, unless it alters your own mind/brain to make you smarter, and portal travel doesn't work like that.

This is just a theory based on the altered memory of Rick C-137, but what if Rick Prime wasn't just giving out portal tech, but was actively doing almost the same thing Evil Morty have done - absorbing every possible knowledge of every Rick he encountered, maybe connecting them in some kind of a web instead of killing them, so he could cover his presence not using a Morty, but creating virtual clones of himself everywhere in all those Ricks? Maybe that's what he was tempting C-137 with - infinite knowledge of infinite Rick. Unite every single one of them, make them bigger than the universe, make them THE GOD in every sense possible.

Only that it can cost you everything. Cost you your humanity. Change you ultimately, make you so much above any other being, that it will eventually sound lonely. So Rick C-137 declined.

It's just a random ass theory. But how does it sound?