#this whole thing was a literal experiment

[ohnoitstbskyen]

asking sincerely. do you see a romance between jayce and viktor? do you think they ended up being something romantic at the end?

With apologies I am going to only half talk about the thing you are asking me, since I have something else on my mind and you happened to hit the button that makes me vomit it into words.

Coming at this from an aromantic perspective, I obviously don't experience the state of absurd obsessive delusion that you bizarre romantic freaks fetishize so feverishly*, but I am often annoyed by the idea that friendship and romance are either opposites or mutually exclusive. From my perspective, the boundary between the two is at best thin, and more realistically not actually a boundary at all except by cultural construction.

*i am taking an excessively hostile, crass tone for my own amusement i do not mean this seriously please be normal at me, weird allo freaks

I won't get into my full feelings about the end of Arcane, but it seems perfectly plain to me that the script, the imagery and the animation presents Jayce and Viktor as two halves of a whole, not opposing forces but alike to yin and yang: opposites which each contain the other. And at the climax of the show, the greatest peril to life and peace in the narrative is resolved by these two men literally joining their bodies and souls together, and going into eternity holding one another for comfort and strength. They are quite literally soulmates, quite literally the most important people in one another's lives.

I don't think that that kind of intimate emotional connection between men must necessarily be either romantic or sexual - I am aromantic, and plenty of ace people exist, and there is nothing in our natures excluding us from intense connections of love with other people of any gender.

I also think it is willfully ignorant (and genuinely homophobic) to act as though these deep connections are mutually exclusive with sex and romance. As though if Viktor and Jayce fucked nasty and made out sloppy style, suddenly their intimacy is less pure or valid, or tainted somehow.

"If these two men who are emotionally close to one another also fuck or get romantically involved, then friendship is dead, murdered on the floor by a dick-shaped knife; vile sexuality corrupts and debases the true, pure and virtuous love of ✨friendship✨" <- This shit is homophobic at a baseline, queerphobic in general, and frankly as an aromantic man I find it pretty fucking insulting as well.

What, are my friendships with other men just inherently more pure and divine, more meaningful and true than a gay man's can ever be, because I will never suffer the vile temptation of adding romance to my affection? Is that how I should think of myself? And is an aroace man more pure than me still, the only source of TRUE male friendship that a man can ever experience, free from the pustulant corruption of sexuality and romantic desire?

You get this pathetic defensiveness (especially from men, but other genders aren't immune) wherein sex and sexuality and romance between men is perceived as a threat to men's right and ability to experience deep connection to each other. But the emotional castration of men comes not from people imagining sex and romance as a component of our relationships - it comes from people who insist that our emotional lives must be ruled by strict binaries. Sex and romance, OR ELSE friendship. Deep romantic connection OR ELSE deep platonic connection. Pick one and do not dare to imagine both, nor act as though the boundary between them is something that we built by cultural fiat, and which can be dismantled just the same.

And yes, yes, yes, I know there are cultural forces literally illuminati-style conspiring to systemically erase the entire existence of explicitly romantic, sexual male love from media, and I know that homophobic puritanism is on the rise and there are material concerns and a real necessity for explicit representation in fiction, yes I know. Everything is more complicated than a tumblr post can cover, I am not trying to Solve Rainbow Capitalism™ over here, I am trying to express frustration as an aromantic man that this stupid fucking binary keeps getting culturally reinforced by both my enemies and my well-meaning allies, when I think the binary is what's fucking killing us in the first place.

So anyway. My position is that Viktor and Jayce can be entirely aromantic no-homo friends, and they can fuck nasty in the throes of mutual need and obsession, and I refuse to entertain the idea that there is an irresolvable contradiction between those things. Each of those can contain the other, or become the other given time and circumstance.

What the imagery, storytelling and script of Arcane makes clear is that Viktor and Jayce love each other more than life itself. To say that that love must be shoved into the box of either "platonic" or "romantic" is to miss out on almost everything that is beautiful about love. It can be both and neither! It can be a secret third, ninth or fifteenth thing that they haven't invented a tag for on Ao3 yet.

They are giving each other whatever the spiritual mind-ghost equivalent of sloppy backshots are on the ethereal plain forever, they are the most romantic lovers in the cosmos, and they are also the most chaste and platonic life-partner friends you have ever seen, effortlessly intimate and unashamedly tender. They are men who love one another, in every way that love matters.

You can pick whichever interpretation brings you joy, and resonates with what your heart needs, the text of the show is eminently and explicity open to it, and anyone who says otherwise either failed to pay attention, or refused to pay attention on purpose.

[lady-griffin]

Jinx's Hallucinations + Ekko

Before Act III drops, I wanted to talk about an aspect of Timebomb that I'm quite fascinated by -

Ekko isn’t a trigger for Jinx’s hallucinations.

He has even stopped her hallucinations – not intentionally or anything, but more than once Ekko's presence seems to have a nullifying impact on Jinx.

Which is odd, right?

One would assume due to their history Ekko would be just as triggering to Jinx as anyone else, if not more so, and yet the opposite seems to be true.

In Jinx's first reunion with Vi, she quickly becomes overwhelmed and has an episode due to a whole combination of factors, but notably because her hallucinations of Mylo and Claggor start attacking her, largely because she's starting to breakdown and is getting overwhelmed (a self-perpetuating cycle).

Jinx can't even begin to calm herself down, in fact she yells at everyone to shut up, because she needs to think.

Then she hears Ekko’s hoverboard and suddenly the hallucinations are completely gone.

Jinx isn’t sure if what she heard was real or not.

Which is a great detail, since it indicates Jinx is aware that the voices she hears aren’t “real," meaning she knows other people can’t hear them too. So, it's rather telling (at least for me) that she asks Vi to confirm if she too heard the hoverboard sound.

It's also impressive Jinx was able to instantly recognize the sound of Ekko's hoverboard, despite her being in the midst of a mental breakdown and unable to think properly.

It’s almost like Jinx’s brain went into fight mode or something, because seemingly all the hallucinations stopped at once because there’s now a much bigger threat Jinx needs to be on guard for – Ekko is heading her way.

I really can't emphasize how much I love that.

While not traditionally romantic, in any sense, this shows the amount of respect Jinx has towards Ekko and the threat he poses to her. He’s someone she actually has to take seriously when fighting.

Which is a bit unique for Jinx.

Throughout S1 we saw Jinx being far more scared of her hallucinations then actual real, physical threats, but in this moment it’s like her brain recognized Ekko as being the far greater threat than her hallucinations.

Which he is - but that’s also true for many of the other things Jinx faces and isn’t scared of.

Jinx does “glitch out” while fighting Ekko and the Firelights in “When These Walls Come Tumbling Down,” - but it’s more of an asset than a problem, as she easily dodges the Gorilla Mask Firelight (at least I think it’s a gorilla).

Then when Ekko disappears, Jinx's psychoses come rushing back; obviously, this has less to do with Ekko himself and everything to do with him taking Vi, but nonetheless, it's still a slight repetition of the pattern that keeps happening between them.

In "The Boy Savior," during Jinx's bridge fight with Ekko, she once again specifically doesn't experience any hallucinations; even though she was just experiencing them not too long ago.

Mylo was this 'demon' on her back that while she could initially argue against, the more upset she became, the bigger his presence was.

She saw Caitlyn as this devil figure, laughing and mocking her and her psychoses even blocked Vi almost entirely from her sight; whether literally or symbolically, Jinx clearly wasn’t fully aware she was shooting at Vi, despite her obviously seeing Vi and then shooting in her direction.

Then Ekko bursts onto the scene and suddenly no more hallucinations. Which is just...

I honestly don’t know what this is. I really don’t.

To be clear, I absolutely love this whole thing despite not knowing what it is exactly, because honestly, I'm just fascinated by this dynamic, because for whatever reason, Jinx isn't triggered by Ekko nor does she hallucinate him.

In S2, Jinx’s hallucinations have significantly decreased, but in “Paint the Town Blue," she's suddenly bombarded with pretty much everyone’s voices because she’s beyond upset and panicking about Isha being taken by the enforcers.

She sees pretty much everyone - Silco, Vi, Mylo, Claggor, Sevika, and Isha.

Jinx seeing Vi, Sevika, and Isha shows us that she can/does hallucinate people who she knows are alive.

In addition, Isha being one of her hallucinations shows us that Jinx doesn’t need to have negative or even complicated feelings towards someone for them to become a part of her psychoses, as Jinx largely thinks/feels positively towards Isha.

Though it should be noted, the hallucination of Isha isn’t acting aggressive towards Jinx, not like the others are.

Finally, Ekko or Vander are the only two she doesn't hallucinate, but we know Jinx has hallucinated Vander in the past, making Ekko the odd one out when it comes to Jinx's hallucinations once again.

Which for the millionth is absolutely fascinating to me.

Because why?

Why doesn't Ekko trigger Jinx? Why isn't he one of her hallucinations? How come he's the only one we've seen having the ability to stop Jinx's hallucinations altogether (even if it's completely unintentional)?

For whatever reason, Jinx’s mind has seemingly categorized Ekko as being different than everyone else and while it’s obviously not this big thing the show brings your attention to, it’s also clearly there, albeit subtly.

And yeah...

I don’t really have much more to say, I just wanted to talk about this interesting aspect of Timebomb before we get to the last and final arc of Arcane.

[touchstoneaf]

I've heard people say this before; that they discuss my stories on Discord servers and I'm like, "well, that would be nice to see". But I'm either not on that specific server because it is not relevant to my interests, or because I just don't really pay attention to Discord in general because I'm old and it confuses the hell out of me, hence I wouldn't know where to find the stuff either way. But I just don't understand why they wouldn't say these things in the place where they're reading the things. Like, a writer shouldn't have to go hunting for the comments that are made about their stories in some random place elsewhere in the ether.

I actually enjoy a relative plenty of comments, between two and five per chapter in my longest series, which is great engagement compared to some people's, because people are kind enough to say something to keep me rolling... but that's five out of generally the same 10 people commenting almost every single time, which means I'm kind of depending on them to keep me from feeling like I'm just shouting into the void (a lot of pressure on them). Meanwhile, I'm getting enough hits that if everybody who read each chapter commented I would probably have 30+ comments per chapter. Sometimes up to 100. That's rotten stats. It just doesn't make any sense to me.

Someone literally told me after reading the whole series up to now as a total specter that they couldn't bring themselves to comment until the 12th part of the series because they were scared to, for whatever reason. If people have been scaring y'all from commenting, I want to know who did that because that's ridiculous and does a disservice to everybody out here literally begging for engagement. Because the OPs are right; this is our currency in this world.

Fanfiction is motivated by community, by discussion, connection, by shared experience. We don't want to be throwing precious things into the vacuum and praying someone even notices... because we have no idea if anybody notices unless they tell us. Some of the best comments I've ever seen on any of my writing have been in the bookmarks. I just wish people would tell me what they do and don't like so that I can know that I'm not alone out there. Because other series get one or two comments per every four or five chapters, if that; and that's very hard to sustain out there on your own.

Please feed your authors if you actually want their productivity. And commenting "when is the next chapter going to be up?!" doesn't count.

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[meansevika]

okay so very long thinkpiece about meljay and jayce' treatment of mel / the writers treatment of mel and how i think that all things considered she hasnt really won as much as we think she did

the thing about this that makes me so mad or rather sad (both, actually) is that we learn in season 1 how mel was brought up, that she didn't get to be soft and kind, that her surroundings were hard and rough just like her mother was, that love isn't a thing she knows like that especially not in relation to vulnerability. now if you think about media in general there is a pattern we know. the black woman is always the strong woman, the independent woman, the woman who doesnt get to be vulnerable bc of the first two points. so here comes this man she's trying to use not just for her own endeavors but for the good of piltover, clearly having a different mindset than her mother, and he cracks her open just like that. he's vulnerable with her and he lets her be vulnerable with him and it allows this woman this kind of vulnerability that she was never allowed to feel. she feels and she loves and there is someone who holds her and looks out for her when things go bad. he is his first thought after the bombing and hes so loving and endearing unlike her mother who is concerned, of course, but straight back to business too. and oh what a lovely thing that was to watch as a black woman who to this day still doesn't get to see this as often as we really should

so mel gets to experience something she hasnt before and you can tell it means something to her because when she gets back in act 3 the first reaction to him is an excited, hopeful one.

this is the man she cares deeply for and it is also the man who shes comforted before many times. something she needs in those very confusing times too. something she might be looking out for. something she might hope to get herself. some comforting after what shes been through for months. someone to share what is going on with her and how confusing it is to find out all those lies and secrets about herself.

until she notices how changed he is, how different he looks, so instantly she is worried. of course! who wouldnt be! she very likely didnt even know he was missing since its the first time we see her back in the city so she must've assumed he has been here and well for the whole time being (does she even know how long its been?) but it isnt fine as we know. she puts herself second! immediately! (and rewatching that scene now it actually makes me mad how she does that. and how anyone can question any of her feelings for him when shes immediately all jayce. or how in general people think shes only interested in her own goals) she asks this man who has shown her to be vulnerable around him and it BEING FINE, what happened, shes opening herself up to him, again, over and over, and he not only tells her it doesnt matter (what happened to him) but TURNS HIS BACK ON HER. he is literally shutting her off. he is saying with his body she does not get to do that. and for someone who has grown up like this, with a mother cutting off any kind of displays of weakness, this must be a familiar feeling, something that goes off like a bell

but she still tries! she still tries! she sees something is wrong but she tries to get comfort anyway, because this is jayce, right, this is the man she cares for deeply, the man who has opened this door for her and the door she's let herself through, the man who has always had compassion for her. of course she tries again. why wouldn't she? so she starts that something has happened to her but he doesn't even let her tell him what happened (actually it makes me so mad seeing this again and how crazy hostile he is towards her, its like im looking at the mel hating part of arcanetwt and him repeating beat for beat what theyve been saying for years) he doesnt give her room to speak, just takes it for himself, prioritizing himself and his own feelings. and, yes, figuring out the bombing thing and wanting to talk about it is valid and i think in general this could've been a great angsty way to deal with this topic IF they would've had the opportunity to talk this out properly but what happens instead is that the man that makes mel feel safe starts INTERROGATING her like she is a criminal that should be held for trial FOR SAVING HIM something she doesnt even undestand herself. and suddenly she is in a whole different position and i think by now she knows that this kind of compassion and understanding and room for vulnerability isn't part of their conversation anymore

she loses her composure and that of course isnt a first because she has started to be less put together around him, allowing her more room to "sway" but this kind of destruction is a different one because she feels at trial, feels cornered, feels like she has to explain herself but - and thats what is important - isnt heard. and i think that is something she knows very well, something shes grown up with, trying to explain herself and not being heard.

all of that happens while he is, mind you, still holding onto that hammer. something she surely notices too. the man who's usually quick to let down his defences around her, who isnt councilor talis or mister talis but just jayce around her, is holding onto that hammer like shes a threat. so he tells her he thinks shes lying and she asks him why he would think she'd do that, obviously, because her understanding of their relationship and their trust is a different one than his or at least this jayce that has come back from the arcane, because clearly this kind of understanding comes from somewhere and it comes from the times they've spent together alone throughout season 1 and a little in the beginning of season 2.

he throws at her that shes been using him, something that surprises her, because clearly she doesnt know what has happened, but she tries to explain anyway, because she doesnt know what has happened at least not in full (as you can tell by her reaction to viktor appearing, sensing the hostile mood between both, but also the way she reacts when viktor mentions the noxians intentions), and you can see that these thoughts of his are a result of months in the arcane alone with them and imagining conversations over conversations (although for me its still hard to understand how he grew that hostile towards her this quickly as if she were responsible for everything that happened but those are thoughts for a different post). he crashes out during that conversation, his face is warped with hatred and that is. all. for. her. to. see. and then BOOM goes the hammer off. mid conversation. a conversation that should feel safe with a man she should feel safe with but none of that is there. there is no space for her. (and yes i know hes aiming at viktors puppet but that isnt somethng mel is aware in that moment)

it all leads up to a fight and eventually they walk together and he apologizes, although very distantly and without much explanation, and despite it all, despite having good reasons to shut off and not share what she's feeling, she does. she talks to him about what is on her mind and they have a short, bittersweet exchange but it's just nowhere to what they've established in the first season. as a shipper of course that is super frustrating, but as a mel fan it's just sad to see that the person she felt safe enough to seek comfort in is just so closed off. but not only that, it's obvious they're parting ways and it's very obvious this is coming from his side and i think that is also why she so wilingly accepts it. she doesn't fight much back throughout their whole fight earlier either, she tries to explain herself, but doesnt demand that room for herself even though in this relationship she should be able to take just as much room for herself and her feelings as he does, but she doesn't. she just lets it happen and i understand it bc you have this man you trust and probably love and his first reaction to you is hostile when hostile has never been a response to her. he made a complete u-turn and of course that's off putting, maybe even scary, of course it shuts her down, makes someone who's so good with words and fighting just try to cause as little damage as possible because that is how she's grown up, isn't it?

and that is why i am sad about this. she learned that love doesnt have to look like her mothers and that being vulnerable isnt a weakness and its his doing but here she is met by this kind of hostility she only knows from noxus and it hurts even more that it COMES FROM HIM and over something as SAVING HIS LIFE when its clearly was an act out of love and not investment bc if i'd would've been just that than she would've saved viktor as well? but it wasnt about that. it was her subconscious making a decision and it was something her mother would describe as an act of weakness (theres a reason she gets renni to attack him bc she sees how fond mel of him is maybe even because shes been fond of a man herself once and she knows what itll do) and i think the worst part about it is that she doesnt ever get to truly articulate this or anything else and now that jayce is gone (dead? in a stone? who knows?) she won't get to ever probably. she won't get to say what she thinks and explain herself truly and she won't have anyone to confide in, to be comforted by or comfort. elora is dead, kino wasn't real and the real one is actually dead too, jayce is well whatever he is, and her mother died in her arms. yes, mel is a mage and that is fucking awesome and i was so happy to see her go off and get so many spotlights in battle, but shes also so fucking tragic actually. because here she is with a fuck ton of weight on her shoulders, the noxian army looking up to her, the whole name, not knowing who her father is or what any of her powers mean, the whole black rose thing, everything unresolved between her and jayce, the death of the people she loves, and shes all alone with it. shes all alone with it and she gets no one. man im just fucking sad that this woman got a glimpse of what it could be like to be loved and have someone to "come home to" just for her to have literally no one left like why do you hate black women so much why cant they get a fucking good ending and why cant they be fucking loved even when things get hard

also im lowkey mad that jayce got to find comfort in her lap so many times and not once did she get that in return, not even a squeeze of her shoulder, but dont let me get started on that....

[enemui]

So Mel Medarda

Watched her own mother behead a woman when she was a child

Was exiled from her own family for not being ruthless enough

Still managed to make herself prominent enough to become a member of the Piltover council

Helped two young inventors pursue their project even though it seemed like what they were doing is madness—This brought incredible profit and technological advancements to the city. And then it also turned out this stuff was causing crazy magic polution, which she couldn't have known but now can blame herself for, since she supported the project.

She was there for the bombing of her workplace which killed half of her colleagues, crippled one and almost killed her at-the-time lover's partner. Then she learned why she was unscathed was dormant magic powers, so now she gets to grapple with the reality that she could've saved them all if she just knew about this stuff and how to control it. At the same time, if she didn't subconsciously activate that shield, she would've been dead. Like. Wow. Oh my God.

Then she got attacked again, directly had a gun pointed at her and when she tried to escape, she got trapped in a carriage that toppled over.

Then she got kidnapped and watched as her kidnapper brutally murdered her friend. Then said kidnapper took the form of her late brother and tried to play with her emotionally and she bashed that bitch's head in.

Then this kidnapper tried to manipulate her into betraying her own mom.

It's revealed she has crazy magic powers which have been kept from her her whole life, her mom basically traded her brother's life for hers to hide her away and now she has to grapple with the fact that this is what she is, and God knows what other people might think of her if they learn.

She saved Jayce's ungrateful ass from the Viktor robot, after he literally had the worst fucking reaction to the previous point.

She saved Caitlin's life.

She killed her kidnapper.

She held her own mother and watched her die.

And now she basically has to return home to take over as the new head of the family, despite all the connections and the life she built in Piltover, not to mention that place also got fucked and she can't even be there to help rebuild, because she has all this other shit going on and God knows when will all this finally emotionally break her.

Did I miss anything?

Like, holy shit, Mel Medarda the character you are. The shit you've been through that nobody gives you enough credit for.

I want more of this woman. I want her to finally be actually happy, not just on top of things or in control. I want her to experience good things to make up for all this crap and then I want to see her do cool magic stuff, while still being the intelligent ruler that she is.

[nativegirltapes]

boyfriend headcanons . . . . featuring drew starkey !

notes: hcs for boyfie >.< i'll probably do a part 2 bc there's so much you can cover doing boyfriend hcs lol. not proofread bc i am lazy. these are all kinda random idk.

sfw

sweetest boyfriend ever! he’s genuinely just too kind for his own good. he pays attention to the little things, listens to you, spoils you rotten, is constantly complimenting you, and never lets his love for you go unheard. you didn’t think it was possible for boyfriend like drew to exist until you met him.

whenever asked about you in interviews he gets all smiley and flustered. doesn’t matter if you’ve been together for a year or for 17 years, he’s still cheesing and talking about you like you’re the only woman to ever exist.

he loves staying in and reading books. i can see him helping you broaden your horizons when it comes to reading. he’ll buy you both a copy of a book he’s been itching to read and he’ll let you read it at your own pace but he’s constantly asking questions about how far you are in it and what you think.

drew is soooo secretly clingy. everyone knows he loves physical touch and being around his loved ones, but they don’t realize how ‘bad’ it really is. he’s literally a big baby in a 6’4 beefy mans body. when you’re getting up in the morning he’s the type to say “no, don’t leave yet. just a few more minutes.” and yank you back into bed and kiss every crevice of your body. or he’ll always want his arms around your waist, he just loves holding you and making you feel safe because you make him feel safe too.

drew has no problem taking on the more "womanly roles", he loves cooking, cleaning and doing really any household chores for you. he's such a good cook, sometimes you'll come home to the best pasta of your life. he loves making sure you're fed asf and healthy!

he's so supportive of literally everything you do! he'll always hear you out on everything, even things you think are "stupid" or "not good ideas". if you want to pursue something, he's always the first person backing you up.

nsfw

he can man handle you like it's nothing. whenever you're teasing him he'll just pick you up and take you to his room and throw you on the bed, and you're just giggling the whole way there.

size kink. more for you than him...... but you love how big he is compared to you. his big arms, big back, big hands, his height. just standing next to him having him basically hovering over you is enough to get you going.

drew is soooo sweet in bed, he really takes his time with you. foreplay is huge for the both of you; kissing, heavy petting, dry humping. he's so playful and just wants the experienced to be fun and feel good for the both of you. obviously drew loves sex, but I don't think he sees it as something he necessarily needs, but moreso is just happy he gets to experience, especially with you. if that makes sense, he's just happy he gets to be with someone who makes him feel good and thinks he's sexy. and obviously vice verse, he's happy he gets to make you feel good and thinks you're the sexiest woman alive.

he loves to experiment. if you're ever down to try something new, so is he! he makes your relationship such a comfortable space to share and talk about new things you want to try.

[hrrtshape]

THINGS TO REMEMBER WHEN YOU'RE DOUBTING SHIFTING a.k.a DIVING INTO THE CONCEPT OF THE SOUL ✶

the idea of souls is the most beautiful, most romantic thing ever. because...who are we really? we’re not just flesh and bone, ticking along. we’re something more.

your soul is the eternal essence of you—your consciousness, your thoughts, your love, your dreams. it’s the part of you that has existed forever and will continue long after this one human life is done. the body? a temporary rental. the soul? that's the real home.

imagine this: your soul is like a little spark of the universe, a fragment of the stars, wandering through realities to experience everything it can. each life, each timeline, each moment is like flipping to a new page in a book. it’s all about the story, and the story is infinite.

𖥻  THE ETERNAL YOU. who you are right now? that’s just one chapter. your soul has seen other worlds, other lives, other possibilities. every little thing you feel, the deja vu, the dreams that feel too real, the magnetic pull toward certain initiatives, periods of time, objects—that’s your soul saying, “hey, remember when we were here before ?”

𖥻  SOULS DON’T AGE. that’s the gag. you might be whatever age you are right now here and now, but your soul? it's ancient. timeless. wise beyond the stars. think about how you sometimes just know things, or you feel a deep connection to places, people, or ideas. that’s your soul’s memory peeking through.

𖥻  THE COSMIC GAME. your soul came here to play. to love, cry, mess up, and learn. it’s all about experience—because even the messy parts, the heartbreak and chaos? they add flavour to the story. your soul isn’t scared of pain; it’s curious. it’s here to gather every emotion, every shade of existence.

𖥻  SOUL CONNECTIONS. you know those people you meet and immediately click with, like you’ve known them forever? or the places that feel like home even if you’ve never been there? that’s soul recognition. your soul is like, “hey, I know you ! we’ve danced this dance before.” example of this in my life is the fact that i genuinely believe i'm connected with the city of paris—i can't begin to describe the depression i have whenever i leave it or the ecstasy that runs through my brain every second i'm there. coincidence`? i think not.

𖥻  THE UNIVERSE IS YOUR CANVAS. your soul doesn’t just exist in this one little reality. oh no. it's out there painting across dimensions, skipping through timelines, creating infinite versions of itself. and every version? it’s still YOU. all of them are threads in the tapestry of your existence.

𖥻  SOULS ARE STARDUST. LITERALLY. you’re made of the same stuff as the stars. so, if you’ve ever stared at the night sky and felt small, flip that thought. you’re not small—you’re connected. you’re the universe looking back at itself. you’re a whole galaxy in human form.

𖥻  LOVE IS THE LANGUAGE OF SOULS. not just romantic love (though, yes, swoon), but the love you feel for life, art, music, laughter, sunsets, the way your favourite book smells. that’s your soul’s way of speaking. every time you feel love, you’re feeding your soul.

𖥻  DEATH ISN’T THE END. it’s just the soul saying, “okay, cool chapter. time for the next one.” it’s moving forward, exploring, learning, always expanding. the end of this life is just the beginning of another adventure.

𖥻  YOU’RE NOT YOUR BODY. your body is stunning and unique and so, so special. but it’s not YOU. the real you is the consciousness inside, the little light piloting this human-shaped vessel. your soul chose this body, this life, this moment for a reason.

𖥻  EVERYTHING IS VIBRATION. your soul is energy. and energy? it doesn’t die. it flows, shifts, and transforms. when you feel aligned, like you’re glowing or vibrating with joy—that’s your soul saying, “YES, this is it, this is what i’m here for.”

so when you feel stuck or small, remember this: you are a spark of eternity wrapped up in human skin. you are light, love, and infinite potential. your soul is dancing through this reality, and every breath, every moment is a gift it chose to experience.

you’re a freaking miracle. and everything is truly possible.

[blossoms-phan]

What The Hell. like genuinely do we realize. just their cadence of speech and the way they carry themselves now is so different to the way it was years ago, and that shows itself in everything from videos to what they post on social media to what they’ve been doing on stage for the last few months but like. god. i hold ii as a stage show and the whole era like very close to my heart it really hurts to know how much dan struggled in that time and that it was supposed to be the end of Dan and Phil (it wasn’t!!) but I’ve been thinking about just how completely different ii and tit are as stage shows and the way dnp perform them and it’s like i saw someone wondering about the acting in ii and though it was heavily dependent on audience participation a lot of the show was also acting and it’s not that they didn’t do it well! they’re great performers and maybe I don’t remember bc I wasn’t super into the phandom ar that time but it just felt like they were a lot stiffer performing it and that they didn’t really let themselves mess up or be silly a lot (outside of what was scripted I mean). someone lmk if you have different thoughts on this bc I haven’t rewatched it in a while this is just a ramble but i am so so happy about everything that tit is and that I got to experience this version of them as a longtime fan because it is so, so evident that they are really in the dgaf era, being unapologetically themselves, no one can tell us what to do and just having the most fun ever- that all comes out through the way they carry themselves on stage, improv silly little things for fun, genuinely laugh and smile through it all and dan calling phil babe. that’s the whole reason I started writing this like. cheers dear. it’s okay honey. we let ourselves phannie out over those moments as well but this feels so different?? and we haven’t even gotten audio yet but idk how to explain this I just feel like if phil had messed up a line years ago it would’ve been like a more performance level reaction y’know, like an eye roll and a this guy which dan still very much does, but just genuinely letting an “it doesn’t matter babe” slip out like????????????? they’re literally just boyfriends partners in life actual soulmates who live and work and do everything together doing this stupid silly fucking stage show together every night and dan can just call him babe and they move on and do the show talking about them sharing a bed and the ways they’ve supported each other through this whole thing and how they’ve gotten to this point of beautiful shared authentic fun with their audience and fucking press their hands together and go back to back after that song like this has no fucking clear point to it and yet im losing my mind. does anyone hear me

[suzukiblu]

Day twenty-three of “obligatory sugar baby Kon”; no cut today. prev: (( chrono || non-chrono ))

“That the best you got, babe?” Kon calls teasingly. Tim glances back over his shoulder at him for a moment and sees Kon standing there grinning at him and feels a little–weird, maybe, about how easily Kon just called him that even with his voice raised. It’s not like . . . 

Well. He’s not out, obviously, and very obviously Kon is not out because otherwise Superboy would’ve told the whole damn world exactly what he thought about anyone who had a problem with that, but Tim Drake isn’t a superhero, and Robin isn’t a public figure. There’s not–it isn’t–the same, technically. 

And Tim knows that they’ve been very obviously on dates while out in public and not really worrying about who saw, objectively speaking. Like–he’s perfectly aware of that fact. Obviously. But it’s not like they’re really doing that around anyone they ever have to see again. They aren’t, like–introducing each other to anyone, or inviting each other over, or . . . 

Well–Kon said he couldn’t invite him over, admittedly. Cadmus has clearance or whatever, and the Justice Cave isn’t really civilian-friendly either, even though they use it as a hangout more than anything else sometimes. So technically it’s just Tim not inviting Kon over, but . . . 

. . . . . . should he be inviting Kon over? Is that, like . . . a thing he should be doing? 

Tim spends half a second picturing explaining Kon to his dad and Dana without outing himself and decides that he would actually rather jump off a bridge without a grappling line. Just–no. No, he is not going there. He is buying Kon a cul-de-sac or a condo or a small to mid-sized suburb and Kon can invite him over, if he wants to, and no one’s legal guardians will be involved whatsoever. 

Not that Kon actually, like, has those. Maybe somewhere there’s some paperwork with a “property of Cadmus Labs” rubber stamp on it, but not in any real way. 

Tim spends another half a second seething with rage about literally everything about the state of this bullshit-ass planet, then heads for the edge of the bowl and drops straight down into it. 

He really needs to not be thinking about that shit right now, so yeah, definitely time for some actual skating. 

Mind, Tim doesn’t really know what kind of skate tricks would actually interest Kon, since actually impressing him is realistically very unlikely, given the nature of literally everything about Kon’s entire life experience and also just the fact Kon can literally fly.

[catis15]

I'm in gen Z and I've got friends who think like this

I wasn't too sheltered as a kid or a teen so like I don't agree with some but I can see the reasoning. Though the asking to masturbate one is wild, like wtf dude that's just like... A weird thing to ask. Also thought it was like a canon event for some ppl to masturbate to like the idea of ppl they found attractive. I've never done that cuz yeah it feels really fucking weird like dawg I know that person, but ASKING is so fucking wild man 😭

And actors younger than 18 what's that about? If it ain't got sexual content I don't see the problem as long as like workplace abuse isn't happening because it's pretty common to my knowledge in the industry.

Like how am I on the other side of my own generations BS 😂😭 I think I should be grateful??

Don't think not smoking and drinking is a bad thing though lmao. But I know a lot of my friends and I were shamed for sex related stuff by our parents. I mean when I was i think 16 or 17 my mother went through *private* ifykyk messages and continued to shame me for things that were said for a month or so after, even getting my MUCH younger sisters involved by telling them "Leaf is doing nasty things' or "Leaf is doing things she knows she shouldn't" and then she'd directly quote things I said to my partner as a way to embarrass me. Kinda weird looking back on it but my mom's kinda fucked up lol

But I had a lot of friends with similar experiences. It doesn't really create a safe place for what are pretty normal feelings :/

But then on the complete opposite side we have shows like Big Mouth and sites like AO3 where it's a very normal thing to be horny and have kinks and it's not shamed, sometimes even encouraged. We grew up wack y'all lol

So lines had to be drawn SOMEWHERE and for a lot of ppl my age it gets to be a little much

Like I have a friend who hates like any sort of sexual reference to underage characters. Which is totally fair they're underage it's whatever. But it's to the point he gets like defensive about it. And he's the dude who's pretty steadfast in his beliefs, but it got to the point even i thought it was a little weird. Like sometimes he'd get mad about making out or slightly heavier relationships between minors, eich again I can see the thought process, but also ppl are having sex by 16 or 17, and it makes sense that characters those ages would be doing similar things. I grew up reading books where teenagers did teenager things, and I feel like there is a level of age appropriate stuff? Like no dawg don't make full ass bdsm shit for teens but I feel like referenced or even vanilla type shit is fine????

I don't have a license so I can't talk-

Working on it though ;v;

And yeah lmao masturbate it's good for you (no literally there are studies saying it's good to do lmfao, like drinking a single glass of red wine before bed once a night is good for you... Unless your a recovering alcoholic then maybe not)

Sorry went on like a whole tangent lol but I'm bored and wanted to throw my two cents as someone who's got friends who think like op mentioned but I... Don't lol.

weird anti ideology finally leaking out into the mainstream

[miabluee]

｡ﾟ.｡✧ some tricks. .

. . .n’ rules .* . ｡ﾟ.

* always prepare if your gonna eat heaver meals— ex. i have Bloom before to help with bloating and digestion, and about an hour after i eat or whenever i get home i have a straight ACV shot. sometimes i will have ginger too, just depends (i use the ready-to-use paste, about as much as the length of my finger). lastly, i usually always have a cup of lax tea (x2-3 packets) before bed as a natural laxative and digestion aid. if i decide to fast after that consecutive day, i will normally continue this for 1-2 days. limiting the effects of eating like this might be a small thing, but with consistency it works.

* gradually drink full glasses of water before eating (within the span of about 30-45 minutes so you don’t get sick) or, have ‘sips’ of water between bites. in my experience, this makes what little food i actually do eat pass quicker (depending of what i eat ofc, which is not usually junk).

* using small plates/bowls— take time to prep your meals. spread out and separate what you are having to cover the whole plate and AGAIN, make a little seem like a lot. ofc sometimes eating from bigger dishware is unavoidable, ex. some holiday like Thanksgiving. if that happens, try to fill your plate with primarily vegetables. however still in this case, do your best to never finish what’s on your plate.

✧☾𖤓

* cut your food into smaller pieces; make a little seem like a lot then, limit further— ex. cutting a plain burger patty in 1/2, and one of those half’s into small pieces while leavening that other half alone on the plate. remember, less is always better<3

* enjoy your meal but don’t finish before others— chew your food slowly and thoroughly. match pace with who your around; trick them into thinking that your eating as much. do not make it obvious; engage in the conversation more to help as a distraction.

* illusion; you have to make it seem as if your actually eating— start leaving wrappers around the house, eat (throw away) some leftover meals and dirty a plate, etc. . . saying you ate at work or school will not work forever. u need to make them actually see evidence of food. plan your meals so when you do eat, they see. trust me<3

✧☾𖤓

* focus on clean eating and gut health— limiting sugar, dairy, and carbs; that’s as simple as it gets. (what keeps me from eating that bad shit is my fear of acne; yes, ofc weight gain and bloating too, but acne actually visibly shows on your skin and who genuinely wants to see that). ALSO, keep in mind that the more healthy you eat, the better it will actually taste. trust me<3

* choose quality if binging— here’s the thing; we all are gonna have binge and meta days, and wether you b/p or not, your still eating calories. it’s inevitable. nonetheless, what’s important is that you to pay attention to what you put into your body. in other words, binge on diet foods, dairy free options and overall lower caloric content. like if you want pizza, maybe choose cauliflower crust rather than regular. bread is super high in carbs and same for calories (i’m sure that’s obvious), but my point is that at least you’d be able to cut back some of the calories you’re consuming rather than eating say double or triple what the original product is. it’s a small difference, but it helps.

* adding 100% lemon/ lime juice to water— it helps curb hunger, speed up your metabolism, and reduce bloating (i bring a water bottle of this to work so i don’t eat on my lunches).

* tea and coffee— literally the best, but really try to cut/limit out the sweetener and additives (sugar is sugar, despite it being 0 cal, and u honestly really don’t need it; get the sugar you need from fruit) and, the bad taste of black coffee may deter you from eating.

* bone broth/ vegetable stock— soooo good for you, extremely low cal, and is a wonderful way to get a bit of energy without actually eating. it’s a healthy liquid that has nutrients BUT it is bland, so on occasion i’ll add a tablespoon of salsa (might sound strange but it’s actually reallyyy fucking good).

* diets drinks— i personally try to limit myself because of ‘nonexistent’ sugar (again, even if it says 0). however, caffeine is caffeine and it helps you seem full; go crazy on it because they will become your best friend.

* juice— most juice brands add sugar anyways (even the all natural ones) and if they don’t, still get in the habit of cutting that shit out of your diet. you honestly don’t need it. ofc if you do crave juice, have something on a meta day or spoil yourself with a yet low cal option (like an Sparkling Ice [5cal]). even better, make a smoothie; the best thing is actually knowing what you put into your body.

* honey— it’s very good for you, but it is HIGH in sugar. hear me out: as little as i’ve had it throughout my life, whether it’s in tea, baklava, graham crackers, or whatever else (like it doesn’t even matter how much or what i consume) i’ve found that honey WILL break me out without question. so, while it’s good for you, i do everything to avoid it because i usually get the sugar i want/ need from fruit. ofc there are those few people that can literally eat it— practically drink— as much as they want, so don’t be scared of it because it is sugar. remember, it still is a 100% natural source of sweetener. this is what just works for me, that being cutting it out from my diet completely.

* chia seeds— they are an excellent source of fiber (when i have them, its when i need a pick-me-up; like rather than breaking my fast completely by having solid foods, i’ll always have less that a tbsp with a glass of water instead). just keep in mind calorie content.

* chili peppers/ hot sauce & seasonings— a really good way to help boost your metabolism and limit what you eat; if spice makes you uncomfortable, try to start slowly and build a tolerance (i like to pickle/ jar the chili peppers i get and i usually just add few to my meals, or, i use the alternative: hot sauce).

* gum— it’s a staple, but try to lean towards the sugar free option. (i like fruit flavors most; i just can’t chew the others on an empty stomach easily. sometimes i treat a piece as if it’s a meal and that typically it works for me. it really honestly makes me just drink more water, which is obviously an added bonus).

✧☾𖤓

* fasting— be mindful that metabolic adaptation can occur in as little as two weeks so don’t overdo; the goal is to continuously lose weight. but again, if u do break a fast, it’s okay. please don’t beat yourself up: just accept it and move on.

* we all know this, but distraction; find ways to keep yourself occupied— research something interesting, do something you like, or try something new (there’s infinite possibilities, just keep exploring).

* continuous movement— doesn’t matter what, just burn calories (ex. i try my best to walk at least 10k steps everyday at work, even if i decide to workout or not that night. on my days off i try to focus primarily on reps.). mindset: even a little exercise is better than nothing.

* brushing your teeth— i was actually skeptical about this one, but it does work (i like to do it all; brush and then floss, mouthwash, and then do whitening strips or whatever when i’m really craving something).

* food log/planner— i know that this is controversial, but i personally like to plan out ahead of time (as in weeks) of what exactly i’m going to eat and when/how long i’m going to fast, including meta days. i count calories usually that ‘scheduled’ day before i eat so i don’t go over. i mainly just do this to make sure i’m getting enough of everything, or at least a taste, so i don’t get horrible cravings and binge really bad. however, do NOT obsess; it’s important to treat it as a guideline.

[twopoppies]

It’s funny I kind of think of what your anon said about Harry at 22 a lot.

It kind I makes me feel bad when you see them all when it started then look at a pic of them when they were going on hiatus, they LIVED, the amount of things they did in literally all aspects (you know what I mean) aged them so fast, people say it’s foolish to think about but in a way it’s sad. I want to scream you have your whole life to experience things you only have a short time when you’re still kind of sweet or even innocent about the world and what’s in it and they lived 2 lifetimes in 5 years

What breaks me is when Louis looks at a pic of himself from the fetus years he says how much sweeter that boy was

Oh, that offhand comment stabbed me in the heart. "He were a lot sweeter, this lad."

They all lived multiple lifetimes in those five years they were in that band. And yeah, it aged them a lot, physically and emotionally.

[theecholegend]

*gasps

This idea literally just occurred to me:

What if Legend went to Termina?! So many headcanons are whirling in my head.

He had to save Termina because Time died before he even reached his second quest? Or because he got tricked like Time?

What if.... so many what ifs.....

I like this train of thought, it's fun to think about. What about you?

(also sorry I haven't chatted with you in a while, my brain was empty. Ironically enough, as soon as I break my finger the ideas start coming at me full force lol)

Wait you broke your finger??? What??? For real?! I hope you're ok! 🙏

For the question... Legend in Termina would be GREAT. character development and Trauma wise. Koholint but much MUCH worse. Especially of he's already lived through Koholint then this will only remind him of that.

This idea actually reminds me of another idea I had forever ago. I didn't have much of anything put together but it was fun to entertain for a bit. (This kind of strays from your question and I'm sorry for that)

so, something happens, rest of the chain were either cursed somehow or kidnapped and unable to be freed. Though, Legend was untouched because there IS a way to save them, but only one person could do it. And, well, it's him. Hylia herself saved him from whatever happened to the others.

Now, he has to save them, and to do so, he has to literally live their adventures. kind of like a Termina/Koholint scenario where it's the other persons dream in a way. So boom Legend's life gets 100 times worse because now he has at least eight other adventures to go through. maybe more if he has to do ALL of their adventures.

so, for example, we'll take Twilight's adventure and stick Legend in it. Rusl, Ilia, Colin, all the people Twilight would interact with just see Legend as the hero of Twilight.

It's basically a simulation and the only purpose is for Legend to live through this simulation, grow attached to people who won't even remember him because the ones he met aren't even the real them, and then leave, only to immediately be thrown into a new adventure seconds after an intense battle with Ganondorf or some other big bad dude.

Though, as fun as that idea is, it takes away from the others too much. It takes away their individual experiences, all their secrets and things that made them the hero they are. I wouldn't write a whole 37 chapter fic for this (even if I could T-T) but maybe if I ever have the motivation to I'll write some small scenes.

Also, if anyone wanted to ask me questions about it I would happily answer them. Like... things about the others and their experience with this or Legends thought process and slow descent into madness. things like that 😊

I call this the "hero of countless Legends AU" or just "hocl au"

[insipid-drivel]

THERE IS A REAL REASON ODYSSEUS DIDN'T GET HOME FOR 20 YEARS AND IT HAS NOTHING TO DO WITH ODY BEING SHIT AT SEA TRAVEL. PLEASE PAY ATTENTION FOR THOSE ENJOYING THE EPIC ALBUMS AS MUCH AS I'VE BEEN BECAUSE THIS WILL ENHANCE THE EXPERIENCE:

At the very beginning of "The Iliad" (aka the story of Helen of Troy and the Trojan War), the only main characters on the Greek side of the war that don't want to help are Achilles and Odysseus. In the "Epic" Albums, the story starts off at the very end of the war, where Odysseus is forced by his fellow Kings of Greece to kill Hector's newborn son and heir, Astyanax, by dropping him from the city walls after the battle is over and the city is burning.

Odysseus was even more desperate to avoid having to go to war. When he was young - before meeting the Morticia to his Gomez, Penelope - an oracle revealed to Odysseus that, if he were ever to leave Ithaca for any reason, he wouldn't return until 20 years later, and he would return alone and poor.

This is why, for those of you that are familiar with the beginning of The Iliad, Odysseus dresses himself as a peasant farmer, yokes a donkey and a bull to the same farming plow, and begins to drive the animals around a field outside of his palace while sowing soot into the soil when the other Greek Kings come to call on him and the forces of Ithaca to join their war on Troy. Odysseus knew, the moment he saw soldiers and ships approaching his island, that the prophecy set for his life was unfolding.

Odysseus was also the grandson of Sisyphus, who was notoriously clever and crafty, and was cursed with the pushing-the-boulder-uphill hex by Zeus because the fucker kept outsmarting the gods and finding loopholes in his deals with them and ultimately driving Zeus bananas. So, the whole "trying to outsmart fate" thing may have been genetic for Ody. However, he did absolutely love and adore Penelope and their infant son, Telemachus, and Odysseus was forced to stop malingering when Diomedes snatched the newborn Telemachus from Penelope's arms and put him directly in the path of the hooves of the bull and donkey pulling Odysseus' plow. Being a loving dad, Odysseus immediately stopped everything to rescue his son, but he'd been found out and was forced to leave for Troy.

The Trojan War alone was a siege war that lasted 10 YEARS on its own. The Iliad literally takes place over the course of an entire decade of war. Odysseus wasn't even responsible for how long the war lasted. Agamemnon and Menelaus were so stubborn about getting Helen back that they waged a fruitless siege war on the city for A WHOLE ASS DECADE. That accounts for the first decade.

Decade #2 was the one Odysseus spent trying to get home to Ithaca, but 10 years of desperate siege warfare had resulted in the gods themselves starting to fight amongst each other, and take their quarreling out on the Greek and Trojan troops. Odysseus ultimately winds up being an accessory to pissing off Poseidon in particular multiple times, but clinches Poseidon's notorious grudge-bearing rage on himself when he orders his men to help him blind the cyclops Polyphemus after Odysseus and his crew become trapped by him.

Because Odysseus refused to kill Polyphemus and only blinded him so he and his men could escape and get the FUCK off The Island Of Poor Depth Perception, you'd think he'd get brownie points for being merciful. Sadly though, Polyphemus and the other Cyclopes were the children of Poseidon, and if Odysseus had just killed Polyphemus while the cyclops only believed his name was "Nobody" (Nemo), then Poseidon would never have known who had harmed his son.

But that's not what happened. Odysseus and his men were bloodsick from 10 years of gruesome, bloody, traumatizing warfare, and Odysseus showed Polyphemus mercy and let him live. Polyphemus learned Odysseus' name as a result, and cried out to his father, Poseidon, that Odysseus be "made to suffer more than any mortal yet alive".

And in comes Contract Law. Poseidon just wants to kill Odysseus and his crew and be done with it, but Zeus is the one who gets final say over it as King of the Gods, and is also just as sick to fucking death of the wars and bloodshed. So, Zeus takes Polyphemus' request literally: Odysseus would SUFFER more than any mortal man alive, but he would not DIE because of it.

So, Zeus, Poseidon, and Athena worked together to help, hinder, and ultimately force Odysseus and his crew on an extra 10 years of strife and death being blown around the Mediterranean Sea before Zeus finally decided enough was enough and let Odysseus return home. 20 years later, alone and poor, just as the Oracle had warned him.

Was curious how far Ithaca was from troy today while listening to epic the musical and rereading the illiad and I found this map

I think odysseus would have been better just to walk😭

[hestzhyen]

Analysis: Hakuri & Abusive Backstories

Hello dear void. Hakuri is a character that is near and dear to my heart so I wanted to yap about him and why his story is so important to me on a deeply personal level.

This is a LONG yapfest- the Tumblr Edit Post UI is hitching and lagging while I try to type this little notice there's so much word vomit in here. I honestly don't expect anyone to read it all the way through. I just wrote this to figure out why I was so goddamn attached to a fictional character and decided to jettison it into the ambivalent embrace of the internet. I spent too many hours on this to just delete it all once I found my answers, so... if you wanna strap in, go ahead. But maybe make sure you've got a decent chunk of free time and high tolerance for extremely subjective interpretations first.

*---------------------------------------------------------------------------*

DISCLAIMER: This is purely my opinion- I can't speak for anyone's experience but my own.

First, this isn't a trauma dump. Not for me at least. I'll be talking about what Hakuri endured and how it shaped his character in relatable ways thanks to the quality of the writing. But there won't be anything discussed outside of what happens in Kagurabachi canon, so rest assured on that front.

Second, please don't assume I had a terrible life because I latched on to a character that was literally tortured for years! Even though the major themes resonated with me and many of my thoughts were eerily similar to Hakuri's, nothing I experienced rose to such an extreme level. Like, I genuinely deserved the one time I was hit for being a shitty over-dramatic teenager so it doesn't even come close lmao. Fictional characters don't have to be 1:1 mirrors in terms of type or severity of trauma to be helpful self-reflection tools is all.

Third, I started writing this around chapter 53 and it's being posted as of chapter 58. If it ages poorly, well, I'm not saying I'm smart just because I yap a lot.

Without further ado... prepare for an expansion of massive proportions under the cut.

*---------------------------------------------------------------------------*

All too often we see shounen characters have an abusive sob story background to give them a sympathetic hook and a reason to start from zero. There's little to say about them other than they go from zero to hero for the good vibes and catharsis. They begin their story as a victim first and foremost, and there are little or no lingering effects from trauma once they have their moment of triumph. In the "good" cases they're healed and whole. In the "bad" cases they have negatively warped personalities for the rest of the story. There's not much in between the two extremes.

Portraying the abuse characters endure in such a shallow way is not the best way to write about it, from my point of view. Writing it as something that can be overcome with strength of will alone is harmful. So is writing the victim as a permanently damaged, defective person. Instead, we need more characters like Hakuri that are shaped but not wholly defined by their abuse, and aren't completely healed by putting the manifestation of their torment in the dirt.

Hakuri is the first character the [abusive past] attribute that actually worked as a hook for me. This is largely due to two key writing decisions: not centering Hakuri's entire narrative around overcoming the abuse he suffered, and carefully depicting how trauma influences his actions. It's necessary to read between the lines of what he says and does to see how much he hasn't said about himself- what he won't admit or recognize, despite how core it is to his character.

Chapters 19-23, Meeting and Getting to Know Sazanami Hakuri

Mantis imagery for courage!

The very first things we learn about Hakuri are as follows:

1) He pushes through hardship with sheer force of will 2) He lost his whole family and has probably been on his own for a while 3) #1 is a lie

I've brought it up before, but food symbolism is all over the place in Kagurabachi- it's often a short-hand for comfort and connection. So Hakuri spilling that metaphor out of his mouth right after telling us he's able to "push through" is a sign that he actually isn't coping with his situation that well. His thoughts about himself and his actual status don't match up. But it's ridiculous imagery that puts us off and pushes us towards thinking he's kind of pathetic rather than making us feel sorry for him. And the rest of his introduction, while accurate to his character, buries the lede on how much he's suffering.

As for his backstory: he was disowned, yes. He says his family will kill him if they see him, yes. But it reads more like Hakuri was punished for being a moral black sheep after he himself framed being disowned as punishment for "being weak" and "getting in the way of business". There's no hint of foul play on his family's part other than being low-life criminals to be fought as the arc villains. So he's primed for some sadness but probably nothing on Char's level. The only hints we have towards something serious until the chapter 24 reveal are not exactly obvious:

-He has a fatalistic mindset and thinks it's natural for him to be overpowered and kicked around because he's weak. (Could just be typical zero-to-hero shounen character things.)

-He's generally unafraid and highly tolerant of pain. He gives no shits about his condition after being kicked around by the Yakuza, smears the blood from his nose while casually talking to Chihiro, and willingly takes a strong hit and is able to yell encouragement to Chihiro while lying bloody on the floor. (Doesn't really stand out in a series as violent as Kagurabachi; this is kind of the bare minimum for being involved in the plot if you aren't a child to be protected.)

-Perhaps the only big tell-tale sign: we zoom in on his trembling fist when describing his older siblings as "strong and scary" in chapter 23. (Could be inferred as fearing for his life since he also says they'd kill him on sight in the same chapter.)

Hakuri's not written like a typical abuse victim in this intro. We don't get commentary from other characters about how much pain Hakuri seems to be in- they comment on how weak and dopey he appears instead. Nor do we get shots of him looking sad, flinching away from touch, or being hesitant to connect with other people. He's actually kind of unhinged with how passionate and eager he is to join forces with Chihiro. He's intense and ridiculous and gets used like a wholesome gag character more than anything else.

So there's not much to suspect here. Hakuri's got more to reveal to us but there are no signs of what we should brace ourselves for. Then the nightmare starts.

Chs. 24-26, The First Glimpse

This page goes from 0 to 100 REAL quick.

Well, shit.

Behold the understated reveal of Hakuri's status as a victim of abuse. The revelation at the bottom of the page only to see his suicide attempt on the page turn is an extremely effective "oh shit- OH SHIT-" two-hit combo that arrests the reader's attention, and I really wish that it was the most memorable part of the chapter for more people. Because holy hell, this recontextualizes everything we know about Hakuri. He's still a passionate, silly, and slightly insane guy, but damn he actually suffered more than he let on.

To find out like this is unusual, isn't it? Char's situation wasn't shown right away either, but meeting her as a scruffy orphan clued us in that she was going to have a tough past from the start. Hakuri, by comparison, gave us very few obvious hints about it. It's like he doesn't want to be seen that way. He openly admits to being "weak" and "useless" but his own pain? The suffering he endured? He's totally fine pushing past it all (lies).

But we're not even close to done yet.

Note how Hakuri's focused on Soya's hands...

Hakuri's first instinct being to jump to his death says a lot. Unlike standing up for the little girl or jumping in to save Chihiro, this is a purely reactionary response. There's no room to think back to Chihiro's bravery for inspiration as those memories overwhelm him. He's terrified. So he jumps and trembles in fear as Soya tries to talk him into coming back to relive his nightmares.

We laughed at the soda spilling out of his mouth and his expressions after he got hit in the face by Hiyuki, but this is deadly serious. Hakuri isn't okay at all. He's actually in very bad condition and the way he thinks about Soya says so much.

The panel explaining Soya's expression of "love" on the page above is important, but it's not emphasized in the same way as what's happening in the present. It feels like an unpleasant detour into Hakuri's inner thoughts for extra context while the main focus is on him and Soya in the moment. Hakuri doesn't even describe what happened to him directly- he says "punching and kicking" like it could be anything from hazing to broken bones, but the backdrop lets us know that it's probably closer to the latter. It gives the impression that Hakuri (understandably) doesn't want to think about this at all.

He also frames Soya's aggression towards him as an expression of "sincere" affection. That's preposterous and heart-breaking to most people- violence isn't love. Even most victims will acknowledge that... to a point. Violence hurts, it's unwanted, but it's still a valid expression of emotion to be acknowledged. It's something they earn or deserve. The rational people are correctly screaming NO IT'S NOT! And most victims would agree again... to a point. Somehow they're the exception to that mindset. Other people don't deserve it, but they do.

So despite it all, Hakuri is still able to be brave for Hinao's sake. He's not going to let Soya hurt anyone else if he can help it, even if it means putting himself back in harm's way. This adds an interesting layer to his character. He's laden with trauma, but he's still able to show courage for others. He thinks he's weak and won't prevent whatever abuse comes his way, but he will put himself at risk to stop others from experiencing the same or worse.

Why is he so devoted to protecting other people at his own expense? Sadly, it's not uncommon for victims to advocate harder for other people than they do for themselves. It also has something to do with the merchandise woman that was mentioned this chapter, but that reasoning won't be revealed for a while yet.

"This pathetic wretch was born a Sazanami, but he can't even do sorcery. He's useless. Worse, he's a hindrance. His life is worthless."

There's another thrill of panic when Kyora summons Hakuri to use his life as a bargaining chip. Hakuri's at his most pathetic here- he's on the ground, helpless under Kyora's foot, not even trying to resist or escape. None of the fire we saw when he saved the little girl, took that hit for Chihiro, or defended Hinao is present. Hakuri can't be brave for himself. He's quite literally trampled by what passes for the Sazanami version of "love" and "basic human decency". It doesn't need to be spelled out any clearer than this: Hakuri's woes come from his family, especially his father. The Sazanamis are fucked up even when it comes to how they treat their own flesh and blood. They're rotten from the head down.

It's obvious then why Chihiro's words and actions affect Hakuri so much. Hakuri thinks he has no value whatsoever- his father says as much, and he falls for Shiba's bluff implying the same. Only Chihiro steps in to directly repudiate Kyora's toxicity and say yes, Hakuri does have value. So much, in fact, that he's willing to trade the precious memento of his father (and the majority of his strength) to prove it. So they're able to leave, but not without Hakuri encumbering himself with a huge amount of guilt for how things went down.

The face of someone ready to spiral down and out.

It's telling that reassurances don't do much to help Hakuri feel better. Shiba tries to help by offering generic comfort (ice cream) and Chihiro tells him it's alright, but it's not until Hakuri hears that he's still needed that he's able to bring himself out of the mire of self-hate.

Of course it's extra effective for Hakuri because he was considered totally useless, but this is very relatable even for folks who weren't told they had no value on a daily basis. Offers of comfort only make the self-hate worse for some people who think they're utterly worthless. Even simple gestures like Shiba's twist the knife and reinforce the idea that the person doesn't deserve any kindness whatsoever. It just piles on the guilt. But being given something to do -especially if it's believably framed as something only they're capable of doing- feels incredible. They might have some value after all, even if only for this one thing.

It's something that I really appreciate the author doing since it's a touch that didn't need to be added. Hakuri could have just found a bit of solace in Shiba and Chihiro's words, which would have given more time for other things to be addressed in the chapter. But it's important to show that Hakuri struggles with accepting kindness because he took his father's words to heart. His feelings of worthlessness and uselessness are essential to who he is.

After this we see him at Chihiro's beck and call, prioritizing his requests over everything- relaxing with Char and Hinao, even his own comfort with another ice cream/food metaphor. It's framed as something silly and dog-like for the laughs, which once again encourages us to downplay the severity of this issue for him. None of the other characters ever directly point this out either. It's one of those informed traits that influences Hakuri's actions without any acknowledgment from himself or others, but just like the soda spilling out of his mouth, we're invited to treat it as a gag.

From here, the focus shifts entirely to building tension for the raid on the Rakuzaichi. Hakuri's circumstances are put on the back-burner to simmer for 5 weeks in real time until he confronts Soya in chapter 30.

Chs. 30 & 32-34, The Soya Rematch (what Chihiro and Shiba know):

Hakuri puts his fear of Soya aside to bait him out to help the mission. Chihiro and Shiba gave him a job to do, so he'll see it through no matter what. Unfortunately things don't go as planned and he ends up all alone with his biggest tormentor.

I'll have more to say about Soya himself in his own section with Kyora later, but it's very clear what his role as Chief Bully is, narratively speaking:

In a lot of ways, Soya is more object than actual character. He's our almost cartoonishly evil device to represent everything that's been repressing Hakuri. He's the demon in his head telling him he's useless, pathetic, weak, and so on. So Hakuri trying to square up to Soya is also him facing off against the things he's internalized that hold him back.

Hakuri's struggle against Soya before he awakens seems very hopeful and standard shounen. He's fighting the internal battle at the same time as the external, telling his brother to "shut up" while his mind races to figure out what he should do now that the situation went belly-up. He could keep playing the victim and take Shiba up on his offer to help since he can't reach Chihiro, or he could play dead and wait for it all to be over... or he could try believing in himself. Because Chihiro saw something in him and even if he can't bring himself to think he's strong and capable, he can at least have faith in Chihiro's words that they would end the Rakuzaichi together.

This time it works and he's able to shove Soya close enough to the tree wall so that Chihiro can give us a great visual metaphor to show us what just happened to Hakuri:

Chihiro is the one who broke Hakuri's mental barrier for him. He couldn't do it himself, but someone he admired believing in him in return made all the difference. Hakuri just needed a little support to start coming into his own.

He stays behind to handle the rest of the fight on his own while Chihiro goes ahead to meet up with Shiba- he can do this himself now that he's awakened thanks to their help. Very wholesome, extremely shounen. But there are deliberate writing choices which make it obvious that there's more going on beyond the surface that winning this fight won't fix or even fully address.

In Chapter 32, Hakuri tells Chihiro and Shiba a slightly condensed version of his experience as an uncomfortable reminder for the reader. Oh, right, Hakuri was abused- at least that explains why he survived a Flame Bone punch to the face. Anyway, let's move on to ditching John Hishaku and kicking Soya's ass.

The framing is so interesting to me. Chapter 32 uses preexisting panels that are cropped and presented slightly differently compared to how they originally appeared: Ch. 24

Ch. 32

Full page for reference.

When Hakuri recounts a version of the abuse flashbacks, they're not merely downsized to fit. They're cropped to downplay the gang-ups and are smaller in size compared to the rest of his story, almost as if he doesn't think it's that big of a deal compared to being unable to keep up with his siblings. We don't even see his own words describing what happened despite him talking freely about everything else. Instead, the abuse sequence is treated like the panel where he describes Soya's "love"- Hakuri talking to Chihiro and Shiba about his suffering is an unpleasant aside to give context rather than the main event.

Seriously. The dialogue of him explaining why his family gave up on him over the reused backdrop of the Sazanami estate is given more time than him being hit and kicked. Chihiro and Shiba get the "it wasn't so bad" version of events compared to what Hakuri remembers experiencing, and we're invited to treat what's normally the foundation of a character's entire existence as a convenient explanation for why he's so goddamn sturdy.

Neither of them noticeably react to his story too. We got a bit from Shiba in the car in Chapter 26 when he realized Hakuri was probably stewing in self-hatred, but we've never seen any of Chihiro's thoughts or reactions since he was disgusted by Kyora using Hakuri as a bargaining chip. He does reassure Hakuri that they'll be there to help him, but isn't it strange we don't see Chihiro's reaction to this information at all? We see little panels of his concerned faces all the time for less than what Hakuri talked about here:

Chihiro cares a hell of a lot, and he's very attentive to boot.

Obviously we don't see Chihiro and Shiba's reactions because they aren't important. This isn't about Hakuri's abuse- we already knew about it. The focus is on Hakuri's awakening and his faith in Chihiro, not the past.

This is a victim's mindset manifesting as clever visual storytelling, in my opinion. Of course it's not that bad when he has to talk about it; he invited it by being weak and not living up to standards. It wasn't a big deal though. There's more important stuff to do right now anyway. And the story moves on as if to agree with him- we go right back to our regularly scheduled action scenes interspersed with some flashbacks to contextualize other characters, namely Tenri and the Sazanamis before Hakuri was rejected.

That's right, Hakuri once again dodges abusive past cliches by being doted on and cared for before he was found lacking. He knew what it was to be loved, even if the Sazanami version is manipulative to the point of being abusive all by itself. There's more to say about this under Kyora's section but no wonder Hakuri's so fixated on being useful- he wants that affection and sense of belonging back more than anything. It's fucked up, but it's all he knows. So Hakuri was abused twice over: emotionally and physically. Damn. He turned out pretty alright despite it all, huh? Wonder how that happened...

Well, it's time to move on now so he can ascend and overcome it all. He's gotta yell "Isou!" and prove himself, and the next two chapters seem to be putting him on course to do just that, albeit with some difficulty. Can't make a character's awakening too easy or it won't feel earned. He's got some serious trauma to overcome thanks to his family's bullshit.

Then chapter 35 hits and we get the nightmare fuel.

Ch. 35, The Real Backstory (what Ice Lady knew):

Chapter 35 is that long-awaited full-chapter delve into Hakuri's painful past with the mysterious woman, and boy does it have some unsettling revelations.

Ice Lady's tragedy is framed as the important driving force for Hakuri as we know him- she broke him free from his family's grip and motivated him to seek help to end their evil ways. She's the entire reason we meet him in Chapter 19. Everything Hakuri is doing this arc ties back to how badly he fucked up with her, setting the stage for him to become the savior he tried to be when we met him. Oh yeah, we got more Hakuri abuse lore. Can you believe that WSJ let the author get away with showing someone slitting their throat in front of a kid?! And make it at least partially his fault? Jesus Christ. Now it's truly time for him to come into his own, though- oh man that cliffhanger at the end of the chapter...! Wait, what do you mean there was more to his suffering besides the situation with Ice Lady?

I was being a bit facetious there but the point stands. We didn't get a tear-jerker reveal chapter dedicated solely to Hakuri's pain and suffering at long last just to make us feel bad for him and nothing else. Instead, we got a full-blown tragedy caused by the Sazanami cycle of abuse. The nightmare of Ice Lady killing herself in front of Hakuri overshadowed the reveal that damn, Hakuri actually had it super rough. Because yeah, that was unexpectedly brutal even compared to Chihiro being baited with Char's severed leg last arc. It really drove home just how fucked up the situation with the Sazanami family was and how it affected everyone that got tangled up in their bullshit.

So the presentation of what he endured is once again subdued even though the panels showcasing the tools took up half the page. Soya breaking Hakuri's finger was called "bullying" (いじめ[ijime], not 虐待 [gyakutai, abuse]). A single flash back frame off to the side seems small compared to the emphasis on Hakuri telling Ice Lady (and us) that it's "not that bad" because Soya keeps losing the tools and going back to using his fists (the terror in Hakuri's expression in that panel is completely at odds with how calm is explanation is, though). It's also not unreasonable to presume that the jump rope, peeler, and wrench were shown for the audience's benefit to clue us in that Hakuri's holding back again, much like the panel describing Soya's "love" in chapter 24. He's always saying the bare minimum and trying not to think of the rest- he buries that shit deep.

But he has to if he wants to keep going. There's no way he can sit down and process all of this right now:

Hakuri: "It's normal for my brother to break my bones and worse before he loses the tools. He usually only hits me anyway, so it's not like this happens all the time."

Woman betrayed by the man she loved to be sold at an auction as merchandise to the boy overseeing her captivity: "That's messed up!"

"This is as close as I can get to being cherished by the people who are supposed to care for and support me."

He even misses the point when he finally does open up:

"You're the one who's trapped in a cage."

This part is the hardest for me to write about, honestly. Again: I was never tortured or anything, much less hit. But this chapter is the one that made me take a good, hard look at what I went through and connect some dots. Hakuri's mindset, the things he says, the way he phrases things- that's someone who doesn't want to acknowledge that they're in a bad situation that's not their fault.

Hakuri will talk about his own worthlessness and all his defects that "invite" the abuse, but he won't acknowledge that he doesn't deserve what's happening to him at all. He's not the kind of shounen character who understands that his situation sucks and uses it as fuel to become better. Instead, he's stuck in that oh-so-relatable spiral of self-deprecating negativity that keeps victims trapped.

It's easier for Hakuri to think he deserved it for his own failings. This wouldn't be happening if he hadn't earned it somehow. He's in this situation because he's weak and any "love" is better than none at all. Then it's reinforced by the genuine helplessness and vulnerability of being too isolated to escape or know better, compacting down into dense layers of denial and self-hate that act as defensive armour against emotions that are too difficult to face. Like anger or the desire for something better. Like hope. Those are only felt on behalf of others, not himself.

At any rate, it's a bit distressing that so many people forget that Hakuri's actually a hell of a lot more complex than he was hinted to be before this chapter. He's not an innocent in all this like Char was, which is incredibly smart and realistic writing from the author. Hakuri was also an abuser himself. An accidental one, but doesn't matter when you talk to someone the way he did to Ice Lady. He didn't swing the knife but he did kill her with the same mentality that was crushing him down on the inside.

He doesn't use his suffering as an excuse for anything he does, good or bad. Not even in the sense of wanting to save others- that's all about Ice Lady and his family's terrible legacy. What happened to him isn't worth mentioning or acting on. Yet another distressingly accurate facet of a victim's mentality, unfortunately.

But this must be it. This chapter was a depressing surprise but surely there's nothing left to reveal. We had his big moment of sadness so it's only going up from here. Hakuri's going to overcome everything and it'll all be okay! Back to standard shounen powerups!

Chs. 36-43, Putting the Past to Rest (things only Hakuri knows):

Oh.

In chapter 36, the storehouse reveal somewhat overshadows all the instruments of abuse Hakuri unwittingly stored inside it. There are a lot of people who completely forgot about the objects in there during the hype of the moment, and I never get tired of seeing "WTF?!" posts and comments from folks doing re-reads of the arc. It's so easy to overlook the rope and sticks and all the other tools when you're cheering hard for Hakuri to finally, finally overcome his tragic past by putting Soya down. Worst Big Bro is gonna pay and Hakuri's ascension will be complete! ... Wait, was that a goddamn chair?

There's also a point made of Soya's defeat not being a resounding victory.

Still framing Soya's abuse as love, but it's got a bitter feel to it this time.

Hakuri is the one who gives Chihiro strength in the moment despite everything he's just been through.

We're cheering when he awakens and pressurizes Soya's guts, but then these panels remind us that there's nothing to celebrate from Hakuri's perspective. He doesn't savor finally overcoming Soya as his abuser or the manifestation of everything that's messed up about his family. There's no immediate sense that things will be okay from now on either. To Hakuri, this isn't a personal victory. It's just something that needed to be done for Ice Lady and all the victims of the Rakuzaichi.

This is a sort of capstone to Hakuri's backstory. The second-to-last new thing we learn about him is that the abuse was still somehow worse than we thought. He really, truly buries the lede when it comes to what he suffered and the writing is in cahoots with him on it. He won't even take the time to smile or feel a little relief- he's not ready for that yet. Instead he just walks past Tenri's mutilated corpse to pull Chihiro along to get the job done.

If this was a different series we might get a little more catharsis- even just the barest hint that Hakuri's gonna be just fine from now on. But this is Kagurabachi and the author fucking gets it so there's still a little more to unpack before Hakuri can have an opportunity to begin the healing process.

In chapter 37, the pain of Kyora looking away was framed as just as important to Hakuri as the fond memories of when he was loved and wanted:

"... I still wanted you to praise me, Father."

The very last thing we learn about Hakuri is that he wanted his father's love despite it all.

Hakuri ended the torment from Soya- he'll never have to worry about his skin being peeled off or getting beaten with a pipe ever again. But the cycle that caused it- and the complex feelings for the people who hurt him- aren't so easily dealt with. It's not so simple as being hurt and flipping a switch to stop feeling affection for the perpetrator. So Hakuri acknowledges that he still wanted his father's praise in spite of the years of torment the man knowingly enabled.

In the end, Kyora grants Hakuri's secret wish and acknowledges him at the very last as the chaos fades away so that they're the only thing in each other's view. He really, truly won it all. He doesn't rejoice in victory, though. Once more there's no triumph for Hakuri to celebrate. Killing his father was just another thing that had to be done so that there would never be another Ice Lady.

It's hard to say what exactly Hakuri's feeling about Kyora's death since it's yet another thing we haven't seen him talk about- and may never. It's not too much of a stretch to think he's got a complex mix of sadness, relief, and guilt going on, though. At least the moment when their eyes met was intensely cathartic after all the times Kyora deliberately looked away. But Hakuri's still not okay yet.

It's not like life suddenly gets better when the abuser is gone for good in some cases. Hakuri's still struggling in the immediate aftermath of seeing his father die at last. It's a relief that there won't be any more pain caused by the Sazanami clan -and Kyora in particular- but it still fucking hurts to lose someone so important to you. It's also frightening to suddenly be thrust into the unknown without a guide of any kind.

Fortunately for him, Hakuri is able to find new purpose with Chihiro. He gets to walk away from his family and stay with the people who believed in him. This is another thing that I can't praise the author enough for. It's far, far too common for writers to frame victims reforming their abusers as some kind of ultimate victory.

No, no, no!

The most charitable way to explain this is that the survivor is so saintly that they'll even reach out to the ones who hurt them to help them become better people. But that is such utter bullshit I don't even have the words to express myself properly. It's terrible messaging for survivors. They don't have any obligation whatsoever to help the people who hurt them. They don't even have to keep tabs on how the abusers are doing in a general sense. They get to fucking leave and find happiness with people who treat them well. That is the true ideal.

Hakuri being given a clear out to leave is where the rest of the catharsis in his story comes from. He doesn't have to stay and fix things even though he absolutely could as the first person since the clan's founder to have both Isou and the storehouse powers. Kyoura and Soya are gone- he could have stepped in to make the clan right their wrongs and atone as a family. But there's not even a hint of guilt tripping from the author about Hakuri's decision to follow Chihiro. It's framed as the best possible thing for him to do, in fact.

If he stayed, he'd never work on the other issues around self-worth that he's burying so deep inside. Switching from villainy to good deeds won't resolve the issues with the clan's mindset about being living tools for a greater cause either. Not to mention the fact that there's nothing his siblings can offer him even if they treat him like a king for the rest of his life- the damage was already done long ago. There's nothing left for him there except more misery and stagnation. He needs to go with Chihiro, his new north star, to learn how to heal.

But lest this outcome be too heartwarming, Hakuri's still not directly facing everything that he went through. Hakuri phrases working alongside Chihiro as "proving the value that [Chihiro] saw in him", not "starting over" or "making the world a better place together" or even "paying Chihiro back" by helping him on his mission. He's still trying to be useful in the service of someone else like a tool.

Hakuri's bruises are already fading; or at least they were until I had to edit this part in light of the events of chapter 56 onward. But the mental scars of the abuse are still guiding his actions and thought processes even if he doesn't acknowledge it. And that's where we come back to the torture implements still hidden in his warehouse.

Hakuri's not home free despite us collectively sighing in relief that he got his Happily Ever After, subdued as it was. He needs to face what he's been avoiding and burying so that he's not endangering Chihiro's plan and the people around him by throwing himself in danger just to be even the slightest bit useful.

Oftentimes, trauma is an invisible scar that needs to be worked around for the rest of someone's life- hence why he's still got those physical manifestations stored deep inside where only he can see and grant access. Hakuri's only just started out on the path to redemption and recovery. He needs to start addressing the guilt over Ice Lady and learn some tough lessons about self-worth before he can even begin to look further inside to those Visual Metaphor Tools.

After that, if the author's interested in continuing this part of Hakuri's character, is exposing them and what they mean to someone who can help Hakuri get rid of them. Whether that's Chihiro, Shiba, or someone else doesn't really matter. Hakuri's got a long road ahead dealing with the lingering after-effects, unlike so many of his fictional fellow survivors. He's still very much in need of a lot of support from his new found family- now more so than ever after what happened in chapter 58.

Soya and Kyora

There's something to be said about the writing for the primary abusers, too. The Rakuzaichi arc was well-received in large part to Kyora being an incredible villain and Soya being... Soya.

Soya

And the "Worst Big Brother" Award goes to...

Soya serves two primary purposes in the narrative: to contrast Hakuri's character, and be the manifestation of everything that was wrong with the clan.

Soya and Hakuri share similar looks, hand gestures, and extreme expressions but they couldn't be more different. Soya has the inverse of Hakuri's character framing: he's shown to be competent and strong, and almost everyone in-universe acknowledges him as such-we're even told he's smarter than Kyora. But he's actually quite the pathetic loser due to his freakish obsession with his "weak" little brother.

More obviously, Soya is the rotten core of the family. He's obsessive over Hakuri to an extremely alarming degree- he even refuses his duties as the next clan head and a member of the elite Tou to find and stay with Hakuri. Kyoura tells him to "stop fixating on that failure" but Soya's having none of it, he just can't let go of his "endearing" weakling of a little brother. Bullying Hakuri is what he lives for and he does it all in the name of purest love. Just like the clan lives for the Rakuzaichi and are devoted to it mind, body, and soul. They're both extremely toxic and Soya's the guy who gets to represent the deleterious effects of cleaving to abusive mentalities on individual members.

Soya's fists and words to Hakuri are the blatant messaging about what the Sazanami mindset did to him. He had that mental block preventing him from using his sorcery because he was constantly being told he was weak and useless. It was literally beaten into him as a form of love, but not all abusive mentalities need to be reinforced with violence. Soya was just there to make the point too obvious to be missed.

Hakuri's final words to Soya say it all. Soya throws a tantrum over Hakuri refusing to lay down and take the abuse any more and screams "Why won't you go down?! Why won't you die?!" Hakuri simply responds that it's because Soya "always loved [him]" and deals the final blow. He was able to recognize the strengths his family gave him through Soya's "love" but he's not grateful in the slightest (and he shouldn't be). He's simply ready to sever all ties and move on with tearing it all down now. Hakuri was finally able to accept that he didn't want or need that kind of love in his life any more.

Kyora

And the "Worst Dad" Award goes to...

Obviously, Kyoura is the key to this whole mess. He's the one who instilled his children with corrupt values, enabled Hakuri's abuse, and generally Fucked Up Big Time when it came to loving his kids properly. But he thought he was doing the right thing because what's what he went through. He was both abuser and victim himself, just like Hakuri.

This is the key part of abusive backstories that are so often missed. Abuse doesn't always come from deadbeat caretakers that hate the innocent little kid. That scenario is actually way too over represented in fiction, honestly. Abuse isn't always constant malice- it can start later in life. It can even be born from love. Ultimately, it's all too often the unintended consequence of a family haunted by the specter of the cycle. And Kyora is the perfect summary of how and why it echoes through generations.

Hakuri was loved and wanted for at least half of his life. His family might not be wholesome or have healthy attitudes about affection, but he wasn't born hated and mistreated just for existing. He was cared for to the best of his dad's ability just like Tenri and his other siblings.

Even when Hakuri failed to live up to expectations, Kyora didn't just write him off and turn him loose. He kept Hakuri around for years feeding and clothing him and let him try to do what he could. Kyora simply couldn't justify protecting him or showing love since the family ideals were so warped around being able to serve the clan's tradition. He wasn't "allowed" to love a failure, no matter how much he wanted to.

Kyoura struggled about his feelings for his "worthless son" in the flashback we saw through Tenri's PoV- he wanted Hakuri to succeed. He acted like Hakuri forced his hand to punish and marginalize him for failing too hard, not out of ill-will. And during the raid itself he was actually "bent out of shape because he used Hakuri's life as a bargaining chip", according to Enji. It wasn't even until Hakuri showed up to break into the storehouse that Kyora truly cast everything away to prioritize the Rakuzaichi. He really did love Hakuri in his own way.

Kyora was a shitty dad and person, don't get me wrong. No one should put family tradition over their child's well-being and he more than earned his death just by being a human trafficker. But it's clear that Kyora wasn't written to be a shallow, irredeemable monster of a person- he didn't exist in the story just to be a villain and to make us feel bad for Hakuri. He's a tragic character in his own right.

He couldn't even understand why his wife's final words about the auction ruining their lives was replaying in his head near his final moments. The what-if scenario of his happy family sitting down to eat dinner in an apartment somewhere showed his longing for something that he could have had, if not for the goddamn auction. If not for the abuse that made him into the person he chose to be until the very end.

It's why Hakuri getting to walk away is such a poignant end to the Rakuzaichi arc. He's the one who gets to break the cycle on his own terms, and that's the true end of the Sazanami dynasty. The auction hall doesn't collapse until he decides to stand tall and follow a new path. Whatever Hakuri's siblings do with the Sazanami legacy isn't his concern any more- he's free.

What About Char?

Char's story was also well told! It's the earliest evidence that the author actually gets it when it comes to depicting abuse victims. She's reticent despite her desperation, unable to open up even when Shiba and Chihiro tell her she needs to or they'll send her to an orphanage. Eventually Chihiro wins her trust through his altruism and she comes to believe in him. She and us are the only ones who know exactly what happened with her mom, but it's not important for the rest of the cast to be in on it. She's safe and happy now and that's enough.

Even though Char's arc ended close to that overly-simplistic "everything is k now" scenario that I hate, there's one key difference that sets it apart to let us know that no, she's not truly okay yet.

Char's still got some attachment issues, which makes perfect sense. She lost her mom in a traumatic way so of course she's happily surprised that Chihiro came back to her. Char's on the path to healing- she's able to thrive thanks to Team Goldfish's care- but her abusive past still shapes who she is in small ways like this.

I doubt we'll see more development of her beyond checking in now and then. She's too young to be consistently involved in the heavy themes of Kagurabachi's story, much less the fights. But it's good to know that the author includes little details like this so we don't assume Char's 100% fine now. He understands that trauma doesn't just vanish when the victim's safe in their Happily Ever After scenario. That's why he made sure we knew that she's going to be okay in the long-run.

Ch. 26, right after Chihiro trades Enten for Hakuri

But Hakuri's not there himself yet.

Food as a metaphor for comfort, security, and/or connection is constant in this series. It's very obvious symbolism to let the author convey a bit more context in the scene than dialogue alone can. So when Hakuri rejects food here, he's rejecting reassurance from Shiba. Meanwhile Char's already comfortable enough to accept it. Good for her, truly!

Hakuri's situation wasn't necessarily worse than hers, but it was a lot more complex. So even though he's safe now, he's not really able to pursue his happiness yet. All those tools he keeps locked up inside, the mindset of being one himself- they're still issues for him to work through. But there's hope for him too.

The author went out of his way to show us that Hakuri's also on the path to healing here. The last time Hakuri shared food with someone, he was forcing his abusive ideology on Ice Lady. She started finishing the meals and truly internalizing the hopelessness of her situation. He fucked up the food as comfort/connection metaphor bad with her.

Yet in Chapter 47, we see Hakuri sharing some snacks with Chihiro on the train. Sharing food isn't connected to the situation at hand or the information dump it's serving as backdrop for, so it's definitely a deliberate choice on the author's part to depict this instead of literally anything else. It was shown to let us know that Hakuri's on his way to his own Happily Ever After.

He's able to connect to Chihiro and not worry about the repercussions. This is a huge step for his character and speaks volumes about the level of trust between them; this is the first time Chihiro's willingly accepted food from someone else too. Hakuri's not only still reaching out to other people, he's still able to provide warmth to others despite it all.

What's Next?

I'm not going to pretend that I can predict what Hakuri's story will look like from here on out. He'll have a hard time for as long as he's slated to get development though- Kagurabachi takes the adage "suffering builds character" very seriously. We're only 58 chapters in as of finally posting this so it's best to strap in and expect a lot more pain.

That said, I feel like Hakuri's self-sacrificing mindset is going to be addressed first. As of chapter 55, he's set up to fail and cause problems by throwing himself into danger despite not being fully healed or rested. The root of this issue would likely be his atoning savior mindset. Hakuri needs to protect and save others very badly after what happened to Ice Lady. He also loathes the idea of others making sacrifices for his sake. So he's willing to throw his life away even when it would be better for his allies if he stayed out of the fighting.

There's also a good reason we met the Makizumi clan in the arc immediately after the Rakuzaichi fell- Hakuri needs to start dismantling the "tool" mindset that was drilled into him. He's only switched his fervor from serving the Rakuzaichi to serving/saving others. This is extremely toxic when combined with his guilt over Ice Lady and drives him to go to extremes to do good, to the point where he's ignoring everyone trying to get him to rest and heal for the sake of the mission if nothing else.

In essence, I believe we are going to finally address the lie of his introduction- that he can keep pushing through hardship with sheer force of will. Because that is not how overcoming trauma actually works.

After that, only the author and his editor know exactly where things will go. But I hope that no matter what happens, Hakuri's lingering trauma is exposed and dealt with. It's informing all of his actions, positive or negative, whether he wants to acknowledge it or not. I have faith that this author can tackle this subject compassionately and realistically- he's already done it twice with Char and the Rakuzaichi arc.

So that's that. If you read all this... thanks. Take care, and choose kindness for yourself for today.

[piesafterdark]

Predictions for Arcane as a franchise + my thoughts! Season 2, Act 3 spoilers ahead.

jayce, viktor, and jinx can't be dead. Let me tell you why.

no. 1, Arcane's been pretty explicit with deaths. Silco, Vi and Cait's moms, Benzo, the sergeant from season 1 act 1 etc etc we've all seen dead bodies, time pass without them coming back, or character arcs shifting to accommodate deaths (lsha's and Silco's death shaping Jinx). In season 2, Maddie's, Ambessa's, and random extra's deaths were all shown on screen. Therefore, if we don't see a body, the body's still moving.

no. 2, while this is Arcane's last season, there's going to be more Runeterra shows. Of course we don't know what's going to happen over there, but I don't think Riot and Fortische are just going to throw Arcane's characters away unless they do. "the arcane is waking up" and all that jazz. Seems to me like the arcane isn't back to sleep, and who has experience with the arcane. Oh, right, all these cool guys. Leading to points 3 and 4.

no. 3, Jayce's crystal, given to him by the mage (Viktor) in season 1, was used for teleportation, if I remember correctly. Rather than dying/getting sucked into the crystal, they've been teleported somewhere else and will be used to shift the focus onto that location. This fits. Moving to a completely different location would disrupt the glorious evolution. Plus we didn't see their bodies so.

EDIT: apparently it was the rune of insight or smth. my bad. Still, theres a chance? Please Riot, pleaaseee

from arcanegifs

no. 4, Jinx my beloved. There was a line of shimmer leaving the explosion at the bottom of the pit, and the epilogue of Cait looking at the pit and seeing air ducts hints that Jinx/Powder escaped. I'm pretty sure the Zepplin shown at the end was to imply she left Piltover and Zaun, finally becoming her own person. Throughout the show, her identity was determined by her relationships (hair mirroring Silco's, smoke tattoos for Vi, mental illness from causing her brothers' deaths), and with hallucination Silco suggesting the best way to change the Cycle of Killing is leaving, that's what she chose to do. Additionally, her handwriting for the "the end" at the finale suggests that she was there to write it. She's alive guys trust me. Her change of scenery can be used to shift the focus to a different location.

My personal Thoughts:

on no. 4, I would hate it if they decided to kill Jinx after she found herself. It's overused. Seeing Jinx/Powder finally become herself without Silco's, Zaun's, and her sister's baggage in a new place would be super interesting. As someone who doesn't play League, I've heard there's some blond character she's shipped with from a different country/city? Foreshadowing perhaps? Plus it'd be so in character for her to start a new series with a chaotic "I bet you're wondering what I did after I faked my death."

Cait and Vi will probably remain in Piltover/Zaun doing reform (the show's whole point). The reason why Vi didn't look super duper sad is probably because she's going through shock or because Cait reassured her that Jinx/Powder isn't dead (air ducts). Ekko's probably going to do reform w/ the power couple because that's his motivation.

The sex scene's context is a bit odd, but Jinx literally gave Vi permission to be with Cait so... ? When life gives you lemons, give your gf head i guess. Wish Cait did apology head though, she really hurt Vi... But then again, Vi probably wanted to get lost in the sauce and forget about everything around her, hence the "I don't fucking care" comment.

Jayce was right, Viktor was blinded. Love that they're in love.

It's so interesting to see Sevika going from backing revolutionaries (Silco and Vander) to becoming a revolutionary herself and actually getting a seat on the council!! She went from kingmaker to king.

Thought season 2 was kinda rushed? Idk wished we had hour long episodes just to flesh things out.... still a great season.

It's not over. With the success this show's been giving Netflix, there's at least twenty more on the horizon. God bless Riot and Fortische.

going to go cry now.