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I find it funny that Wild, who has basically a couple years ish of full life experience, comes up with the most insane theories for everything
He assumed that the only other explanation to Four being able to split in Four was. That he was quadruplets who'd been hiding this whole time???
Also apparently he believed that his wolf companion Twilight in botw was a diety (and felt very uhh shocked upon finding out that he was not)
Malon made things worse, telling him about her aliens theory
What's even FUNNIER is that every time Wild expresses any sort of confusion at magic stuff that he's never seen before, everyone else in the chain acts like it's crazy for him to be weirded out by it
Honestly maybe Wild's the only one with his head on straight, rather than everyone else who are just like 'it's magic bro' like no he's right this is weird
I appreciate this because it's very considerate of the fact that he woke up with no memories not too long ago, so he doesn't have much experience to explain the stuff that's 'normal' for the chain. Plus the explanations he comes up with are funny.
:)
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Art and comic and adorable character by Jojo @linkeduniverse au :D
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What did they do to you
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None of these people know that kenji was an undesirable child
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something something about autism masking and how it relates to Mystreet Garroth’s character development. something about how Mystreet Aphmau “Has Never Masked Her Chaotic Audhd Once In Her Life” McGee influences Garroth to crawl out of his posh boy shell and goof off and run wild
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Okay, now I'm thinking of a florist itfs au where Mamagumi had a flower shop and when she died, Toji decided to take over the business so he could keep his beloved wife's memory alive. He also remarried Tsumiki's mother because he thought Megumi needed some family structure, even though he didn't love this other woman. But Miki's mother left, which left Toji with two kids and a business to take care of.
Then Meg and Tsumiki grow up and take care of the flower shop with Toji.
Then one day Yuji, who was from Sendai and came to live in Tokyo with UncKuna (who is a surgeon because in my head it makes sense), meets Megs and is so enchanted that he makes the flower shop his favorite place while he adapts to the busy life of the capital.
Oh, and Gojo is Megs and Tsumiki's meddling godfather who is in the story because Toji needs to yell at someone other than his childrens.
Junpei and Yuji are online best friends who finally met, and Nobara is the gossip queen who will smile mischievously at Megumi whenever Yuji shows up.
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Talk about haunting the narrative huh
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me: I do not really understand the hardcore insistence of some Mohg fans/simps that he could not or must not have done any sexual-incestous crime! Not only it is a reasonable version, but also extremely interesting and intriguing to explore how not all victims of oppressive system are good people! Soulsborne is super fitting for fucked up themes and characters, any Mohg is valid and fun including the darkest you can get, right? Extremely messed-up interpretations of Mohg don't THREATEN other fans in any way shape or form!
fandom clowns: *passively-aggressively shun Mohg fans from the circles, attack Fromsoft for """homophobia""" (wtf), confuse acknowledging the event with enjoying the event, will label Mohg fans as insensitive or danger to real SO/incest victims, fear Mohg as an awful scary taboo to bring up in memes compilations or fanart that could obliterate all fun despite him being part of the canon, demand blacklisting anything about him in their clown Discord servers thus making lore chats weird, shame or block people with flattering interpretations for MeDiA iLiTeRaCy uwu, treat hating Mohg as a moral act rather than personal stance and generally cause a lot of hostility in the fandom, ALL because whereas seeing Mohg's SO as canon they then got mad at this canon instead of either swallowing it or move onto another videogame free of this theme*
me:
me: Nevermind, this fandom is chronically incapable of handling the dark themes and think the fandom owes them sanitised experience.
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No i dont think its a good thing to make hating children your entire personality but can i please just say that i dont like them and dont want to deal with screaming temper tantrums and meltdowns from other peoples kids (especially, ESPECIALLY when the parents are absolutely useless in dealing with them) without 30,000 people crawling out of the woodwork to assume that i think all kids should die
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I want to make a longer post about this someday but: I think Arya's TWOW arc is going to include her coming to terms with her identity as a Lady. This has been an ongoing conflict with her since her first chapter and I think her flowering in winds is going to mark a turning point. The theory of her having an apprenticeship with the courtesans holds a lot of weight and the idea of Arya going through puberty among a group of unconventional women she's fostered a positive relationship with is just too perfect. It would really have an impact on Arya reconciling her personal idea of what a Lady should be. There's also a lot that she could learn from them in terms of courtesies, communication, appearances, body-language, etc. that would elevate her current skill-set and ways her relationship with them could push the plot.
Not to mention she will undoubtedly reclaim her identity as Arya Stark, and her being a Lady is inseparable from that. Arya Stark is a Lady Stark and being a Lady is a social position, not a measure of how well someone preforms feminine tasks. She shouldn't have to relinquish her position because she doesn't fit patriarchal standards. That's not to say that she's ever going to be the perfect example of a traditional Lady but what I think will happen is that she becomes capable of playing the part. She plays several identities throughout the series but she's always been Arya underneath, so I think it's appropriate that she learns to adopt a "persona" that's part of her. Her remembering Ned putting on his "Lord's face" (+ the various examples of other characters being separate from their ruling persona) makes me think that Arya will be donning her "Lady's face" when she makes a return to Westeros.
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People should talk more about how Patroclus was unhinged
No, I don't mean rude, I mean he's crazy lmao
For example, he had 9 dogs, have you meet someone with 9 dogs? I have, and they're lovely people, very kind, but they're definitely not "normal" (I know that Achilles's tent smelled like dog)
Plus the fact that he was joking after killing someone, I know some people interpret this as him being rude or whatever, but no. Taunting your enemy after their death was very common in the iliad, but generally is a lot more meaner. Compare Patroclus's joke to what Agamemnon was doing, dismembering the bodies after he killed them, why? Idk he just wanted to be a jerk I guess?
So, Patroclus was out there, making jokes in the middle of the battlefield as if someone was listening. He was doing the marvel thing before marvel even existed lol
And then the fact that he tried climbing the wall of Troy, like??? Why??? No seriously whyy??? Lmao
First of all, where were the archers? A dude trying to climb a wall alone is a great target. Second, what was Patroclus's plan? Just climb; get in, then??? Like there were people inside Troy, and I know that Patroclus was an excellent warrior, but he couldn't take Troy alone, no; maybe it would've been a massacre of trojans, but at some point numbers outweighs strength and skill.
Or was he trying to get to Helen? Helen wouldn't have gone with him peacefully lmao
So really, not only was a bad crazy idea, he kept trying to do it after Apollo threw him off the wall three times 😅
If I had been him I would've gotten up after the first time I fell and walked away checking if somebody saw me lmao
So I have the theory that Patroclus only seems normal because he was with Achilles, so in comparison he's pretty calm lol
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Too many people want tsukasa to be viewed as socially cool. I think we need to accept that the only kind of cool wxs member is emu who befriends idols joined like 400 clubs and knows almost everyone. Emu has a million friends & most of the lines other characters have abt her are like “emu :)” meanwhile the lines abt tsukasa are all like “he is so weird.” & you want to pretend he’s cooler than her… be so serious…
Nene is also Lame & Rui is only cool to other nerds (gestures at pandemonium npcs). Crucially Tsukasa is an annoying theater kid. No annoying theater kid is popular or cool in highschool. It is central to his character and him being a weirdo who (canonically!) gets no bitches & yet somehow knows major celebrities is one of the funniest and most endearing things about him. Guy who in canon goes to school and people are like “it’s this weirdo again (sees he’s with rui) oh fuck oh no.”An (friends with everyone) & Akito (guy on sports teams) are the only cool characters at Kamiyama.
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thinking about love in danger days
this is part of my conspiracy theory that that album is aroallo, but i've always gotten the sense that romance and romantic attatchment is much less important to danger days than any other mcr record. with bullets&revenge it's quite obvious as the demolition lovers take up like, everything, and the black parade has a heavy focus on a romantic relationship as well.
while i do think there are lines in it that are romantically coded, there is a definitive lack of emphasis on it- like it's nowhere in the plot at all.
i do think danger days represents a very familial type of love though. while other albums visit a sense of "i want you, i need you, i miss you, i hate you,", this is more like…"i love you, i want to protect you, i'm sorry"
i find this especially strongly in s/c/a/r/e/c/r/o/w:
"Nevermind about the shape i'm in, I'll keep you safe tonight"
"love, love, love won't stop this bomb"
"run, run, bunny, run"
and other songs:
"i'll find you when the sun goes black"
"just save yourself and i'll hold them back tonight"
"how long until we find our way in the dark and out of harm"
relevant things i can't cover with just quotes are planetary go, oft-theorized to be about party poison and kobra kid, as brothers, leaving battery city together; sing, about the killjoys' last message to the girl while saving her; goodnite dr. death, phrased as him saying goodnight to children; and summertime, which i can't discern the meaning of but seems more like a family type of love.
i think it makes sense that danger days is like this, seeing as it features main characters that take care of a child main character as opposed to main characters that love other main characters of the same age/ability.
another thing i noticed while re-listening to the more sentimental songs for this essay is that there's just a distinctly different vibe to it. So much of it is focused around wanting to protect people, keep them safe and out of danger (<- ha that's the name of the album) and loved. i think this also makes sense, because the killjoys live a very, well, dangerous life without much security, and they'd want to provide what they lack the most. another semi-related thing i noticed is just how much of an emphasis there is on childhood in this album. i feel like there's a vibe of youth or teen-hood throughout the earlier ones, but this is just VERY strongly about kids. again this makes sense cause not only are the killjoys teenagers (a type of kid!) they also have a proper little kid to watch.
also, i wonder how much of this stuff was due to gerard becoming a parent. just something to think about
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