#this was supposed to be done two weeks ago

[boobav]

!season 1

Viktor is, you've clearly observed, insecure of himself.

Quite valiantly, due to some looming social norm or personal feeling, he tries to hide it. But in moments like these, such an act becomes impossible. Try as he might, desperately at times, when he's pressed against you in the warm water, your fingers over his skin, your fingers in his hair, his failure is palpable.

"Are you okay?" You murmur into the nape of his neck, his back against your chest. The water threatens with gentle churns to spill over the bathtub.

He turns his head to press a kiss against your wrist.

"More than," he says, voice quiet but firm, "I just feel, sometimes," and he hums, as though forming an adequate description of his emotions were the hardest task on the planet. Viktor, your genius scientist, hesitant not to innovate, to change the world with his research, no. He's hesitant only to make sure he says the right thing to you.

"Like I'm too good for you?" You ask, catching his eye. By the gentle look you know that's what he means. He faces away again, nods in a vaguely ashamed way.

How, you've always wondered, can you truly change someone's perspective? When words don't seem to persuade, when actions bring only fleeting relief, what can you do?

"It's irrational, I know, some... flaw of the mind. You don't need to keep reassuring my senselessness." He leans into your touch, takes your free hand into his, soap suds bubbling between your fingers.

"Sometimes you talk about yourself like you're a machine, you know." You muse. He gives a half-hearted laugh.

"Not a well functioning one."

Are words or actions worth more in this game of convincing? Does he feel it deeper when you press your lips into his hair, or when you mumble compliments and honeysuckle words into his ear? He shivers either way.

It's a long game, you know. It's taken months to even reach this stage, where the self-deprication is a rarity, not the norm. Maybe it'll take his whole life before he can accept every part of himself like you can, before he can truly see himself through your eyes, gleaming and gem-speckled as they are.

You free your hand from his, reach up instead to knead shampoo into his thick hair. He responds with a sigh and sinks somehow further against you, the water falling slowly to a more lukewarm temperature. You're not sure how long the two of you have been in here, talking quietly about very little, exchanging words that'll disappear forever with the water. But you really can't find it in you to care.

There's work to be done, errands to run. Errands that should've been run a week ago. This ceremony, this meditation makes all of it null. For where else would you want to be? Where else exists besides here, this room, this moment, static in the cooling water with the embodiment of perfection.

When you tell it to him, as you so often do, when you tell him that he's perfect, he can't believe you. The first time you ever said it, peering into his eyes as if they held some secret treasure within, he thought you were joking. He'd laughed, more out of obligation than actual humour, but your expression remained still. Sincere. To say he was moved would be a wildly inadequate explanation. What he felt in his chest that night was something otherworldly, something without a name. He's come now to associate it simply with yours.

You run water through his hair, rinse out the shampoo as he lies pliant in your hands. He insists you use your soaps in his hair, some floral-scented collection you've used for who knows how long, because the smell reminds him of you.

There's no point in overthinking it, you suppose. No point in trying to map out and organise moods, emotions. No point in trying to turn a gentle human experience into something clinical, something without humanity.

That swirling, omnipresent yet transient concept of humanity. You simply must cradle it within your own. You press your lips into his wet hair, whisper words made of ginger and lavender into his ear. Because at the end of the day, you're human. You're in love. And sometimes, that's all that matters.

[illbegottenfaith]

lucky pt 2 - theo nott x reader

after the Felix Felicis incident, your relationship with theo has dramatically changed, for better and for worse

Part 1 | Part 2 | Part 3

a/n - by popular demand! rip my title tho the best alternative I could come up with was ‘feminine ass-kicking’ but idk if that’s too out there. also I’ve started part 3 too! (which should be the final part) this was kind of inspired by gilmore girls season 6 :)

tropes/warnings - academic rivals to lovers, angst, slow burn, miscommunication

word count - 2.1k

The Felix Felicis incident had given the both of you much to think about. Outwardly, you maintained the appearance that nothing had changed between the two of you, taking snipes at each other every now and then. But every night, before you’d fall asleep, your mind would wander back to that evening at the Astronomy Tower, the sight of Theo and the harsh contours of his face softened by the forgiving setting sun. Every night, he asks if you have anything else to say. Every night, you shake your head.

And as much as you’d like to pretend otherwise, things had changed between you. Theo became more reserved, somehow, less determined to spar with you. Your fights didn’t hold anywhere near the spark they once did. And you hated it. You hated that it bothered you, you hated that it upset you, you hated that it was all you could think about every time you were in the same classroom as him. It just wasn’t fair.

What also wasn’t fair was your entire group falling sick the day before an extremely crucial Potions project was due. They were all more than apologetic, but it didn’t change the fact that months worth of work to complete in one night if you wanted even a semblance of a chance at passing.

Which was how Theodore Nott found you in the library late one night, pouring over five gnarly tomes on Potions from the Medieval era, writing what looked like three essays at once. You flinched when you heard a noise near the bookshelves, and your mood wasn’t much improved when you saw who it was.

“Trying to read every book in one night, L/N?”

You wanted to roll your eyes. After weeks of stunted conversation, now that it was just the two of them, he was suddenly feeling chatty?

“I'm busy. Buzz off.”

Ignoring you, Theo crept closer, tilting his head to read what you were haphazardly scribbling.

“The Potions project? But we started that months ago. And it’s due tomorrow.”

You swept the papers up out of his sight. You were already in a testy mood to begin with and you were in no mood to have him crow over your bad luck.

“What part of ‘buzz off’ don’t you get?”

“Where are your groupmates?”

“Sick.”

“Sick?”

“They all went on some Hogsmeade trip together, the whole lot of them. They all caught it from each other and they’re supposed to be stupidly contagious.”

“But their reports should be fine.”

“They were, until Madam Pomfrey declared them a biohazard.” Your head was beginning to hurt from the bottled-up frustration. You knew it wasn’t their fault for falling sick, but now you had to pull an all-nighter just so you wouldn’t fail. You stood and walked past him to the shelves, pulling out any and every book that remotely looked like it might help. 

You glanced at the clock, mentally calculating how much time you’d need. There was no way you could get it all done by 9 am. Feeling quite proud of yourself for successfully giving Theo the same cold shoulder he had been giving you the past couple of weeks, you walked to the library telephone and started dialing the number to Slughorn’s office. One of the only people who could help you now was Jeeves, Slughorn’s teaching assistant, provided he was in a good enough mood.

“Jeeves, hi. Yes, I know it’s late, but I was wondering if you could delay the Potions project submission by just an hour? I’m sure Slughorn wouldn’t mind. It’s just my entire team fell sick all at once, and Madam Pomfrey threw out everything they’ve touched in the past three days, including their reports. I know it's due 9 am but couldn’t you bend the rule a little, just this once? For me?”

You rubbed your forehead anxiously, an unpleasant expression on your face as you tried to follow whatever Jeeves was yammering about punctuality. When he moved on to the importance of personal accountability, you felt like you were going to combust if you didn’t shut him up soon.

“Y’know, Jeeves,” you interrupted with a dramatic sigh, dropping your voice, “just the other day I was thinking about that one Quidditch match you had played a couple of years back. Yes, that one game you subbed in for the Chaser? I have to say, you’re no slouch yourself out on the pitch. You sure look like you know your way around a broom. Yes, exactly, way better than those oafs on the team. I always thought it was a shame you didn’t make the cut - one hour. Yes, yes, that’s all I need. Thank you, thank you!”

You hung up, already feeling much more hopeful with the one-hour extension. All that was left to do was slave away for the rest of the night, and by morning you’d have a more than acceptable report ready.

“…what was that?”

You started, having nearly forgotten who was with you. “What was what?” You asked, half-distracted, once again absorbed in rearranging the layout of your Potions project.

“That, with the - ‘you look like you know your way around a broom?’ Really?”

You glanced at Theo, frowning. “Well, how do you get what you want?”

You turned your gaze back to the book splayed out in front of you, missing the brief look of longing that passed over Theo’s face. “Hmm. Bribery, mainly.”

“Right,” you said slowly, a hint of sarcasm in your tone underneath the flurry of activity. “That trust fund isn’t going to spend itself, now is it?”

“My trust fund doesn’t kick in ‘til I’m 25, tesoro.”

You wanted to kick yourself when your heart fluttered over the stupidly endearing pet name. You didn’t realise how much you missed it. “Oh, oh, of course. Mr. Moneybags here is just absolutely rolling in it even without his trust fund. How could I forget?”

“Mr. Moneybags? That’s the best you can come up with?”

You huffed without any real annoyance. You walked over to where Theo was lounging as he lazily watched you spin like a top between the bookshelves. He had the decency to sit up slightly as you approached and dumped the stack of papers into his lap.

“Look, Nott, I’m on a time crunch here. So either help me or get out.”

Theo looked up at you without a trace of mockery in his otherwise teasing blue eyes. You willed yourself to not look away. 

“Yes, ma'am.”

You made the mistake of holding his gaze. A beat passed, then two. It seemed that it was surprisingly impossible for either of you to look away. Finally, you snapped out of it, mentally giving yourself a good shake as you hurried out of his magnetic field back to the table. If you didn’t know any better, you’d have thought you were flirting with him.

“Wha -?”

“Toast. From breakfast.”

You glanced around the room bleary-eyed, seizing Theo’s wrist a little harder than necessary as you blinked the sleep out of your eyes. As much as you hated to admit it, last night had gone better than you could have ever hoped. It helped to have another pair of hands and a brain that was almost as good as yours. Unfortunately, you must have nodded off at some point, 

Cursing as you finally made out the time on his watch, you peeled off the piece of parchment stuck to your face and continued writing, even as every muscle in your palm protested. Theo rolled his eyes and stuck the toast in your mouth, which you mindlessly nibbled on for the next hour or so. 

When you were finally done, you stuck your group’s names on the cover page and the two of you hurried down to Slughorn’s office a little before 10 o clock. Jeeves, good man that he was, was still in. But your relief was short-lived.

Jeeves did an insufferably exaggerated impression of reading the time as you walked in. “It’s 2 past 10. I’m afraid I can’t accept your submission.”

This was it. You reached your limit. You weren’t running on what was at most 2 hours of sleep just for some self-important dimwit of a teaching assistant to refuse your submission.

You grabbed the collar of Jeeves’ shirt, manhandling him with hours' worth of frustration. “Listen here, Jeeves. You will accept my group’s submission if you want to walk out of here with every part of your anatomy intact. You will take these essays I have here and you will accept them graciously, Merlin help you if you don’t.”

“What happened to using your feminine wiles?” asked Theo, thoroughly enjoying himself.

“Yeah, well, now I’m more in the mood for a feminine ass-kicking. Jeeves, come on. ”

You only released him when Theo placed a calming hand on your wrist. He reached into his pocket, offering something to a very red-faced and highly affronted Jeeves.

“C’mon, Jeeves. Maybe we could make this more worth your while.”

You hesitated, torn. On the one hand, you were raised better than to bribe people or accept financial aid, especially when you didn’t really need it. On the other hand, this project was worth 40% of your grade and Jeeves was being a little bitch. 

Jeeves mulled over the coins in his palm, taking his sweet time appraising them. Just as it looked like he was about to ask for something a little more, you slammed a hand on his desk.

“Alright, fine, hand it over.”

Once you’d finally successfully submitted your project, the two of you walked out of Slughorn’s office in a daze. Without the stress of the impending deadline to act as a buffer between you, a certain awkwardness started to set in. Theo had his hands in his pockets, rubbing at a scuffed patch on the floor with his shoe.

“You didn’t have to do that,” you started, but he waved off your protests. Still, no one pulls an all-nighter for just about anyone.

“So how much did you give him?”

Theo sighed. “L/N.”

But you were already pulling out your coin purse. “It can’t have been more than what I have on me now.”

“Y/N.” You stopped counting out your coins. He was looking at you strangely, like he didn’t understand what he was doing either. “Forget it. Really.”

Reluctantly, you pocketed your coin purse. A hysterical sort of giddiness was starting to set in. “We did it.”

“You did it.”

Maybe it was the long night of endless writing or your grumbling stomach. Maybe it was the sleep deprivation. Or maybe it was the way he was looking at you now, with a smile so sincere like he was genuinely so proud of you. Whatever it was, you took a step towards him, and then another before throwing your arms around his neck.

It was a little less dignified than you would have hoped, what with you trembling with barely any sleep and the vestiges of caffeine-induced adrenaline and him having the audacity of being a whole head taller than you since sixth year. But he steadied you before you could tip back, his arms resting around your waist. You had never shaken hands, much less hugged each other, but something about it felt so warm, comforting, familiar. The feel of his solid body pressed against yours didn’t feel so terrible.

But as you pulled apart, you caught sight of his expression, and your face fell. He wasn’t smiling like you, not anymore. 

“I’m sorry,” you blurted out, immediately feeling like the biggest idiot in the world. He still wasn’t smiling, but he didn’t look angry either. He looked - you couldn’t tell how he looked. He reached out and tucked a strand of hair behind your ear almost regretfully, before turning to leave.

“Don’t.”

Theo paused. He didn’t turn to face you.

“Don’t do this, Nott. Don’t be cold. Don’t be distant.”

He adjusted the shoulder strap of his satchel. If you didn’t know any better, you’d say he was nervous. “I have Charms to get to.” He turned his head slightly but not enough to meet your gaze. “You should get a proper breakfast.”

And then he left, as if he had no idea what you were talking about. As if the last twelve hours hadn’t occurred. As if he hadn’t felt the void festering between you the past couple of weeks.

As if he didn’t care about you.

[dresshistorynerd]

The Morrisian case against fast fashion

Today I discovered that H&M made a William Morris collection some years ago. The heath death of the universe can't come quickly enough. We can stop now. Satire is dead and we killed her.

It's not just the whole concept of H&M using William Morris' designs for their fast fashion which is insanity inducing, but also the critical response it garnered. Like sure, people did realize this is insane and there was a lot of think pieces about it at the time, but I read several of them and they all seem to still miss the point in spectacular way.

The basic premise of these think pieces go along the lines of: "Would William Morris spin in his grave with a speed of light because of the H&M collection of his designs? A difficult question indeed. William Morris was a complicated man. He wanted art to be affordable to everyone. Isn't H&M affordable? That kinda fits. Though probably he would have some concerns about H&M's practices."

On the surface - yes - but like in reality - fuck no. There's no nuance in this particular issue. He talked about many times what he though of the H&Ms of his time, the retailers selling poor quality industrially produced "fashionable" bullshit. We know exactly what he would have thought of H&M. Here's couple of quotes from his 1884 lecture "Art and Socialism", which makes it very clear.

"It would be an instructive day's work for any one of us who is strong enough to walk through two or three of the principal streets of London on a week-day, and take accurate note of everything in the shop windows which is embarrassing or superfluous to the daily life of a serious man. Nay, the most of these things no one, serious or unserious, wants at all; only a foolish habit makes even the lightest-minded of us suppose that he wants them, and to many people even of those who buy them they are obvious encumbrances to real work, thought and pleasure. But I beg you to think of the enormous mass of men who are occupied with this miserable trumpery, from the engineers who have had to make the machines for making them, down to the hapless clerks who sit day-long year after year in the horrible dens wherein the wholesale exchange of them is transacted, and the shopmen, who not daring to call their souls their own, retail them amidst numberless insults which they must not resent, to the idle public which doesn't want them but buys them to be bored by them and sick to death of them."

He is describing the birth of consumerism, which was taking form during his lifetime in the late Victorian Era, which fast fashion is the extreme logical conclusion of, and he fucking hated it. He specifically railed against endless consumerist products, which H&M is the perfect representation of. It was definitely not the art and beauty he believed everyone required and deserved. He makes the distinction often.

"Now if we are to have popular Art, or indeed Art of any kind, we must at once and for all be done with this luxury; it is the supplanter, the changeling of Art; so much so that by those who know of nothing better it has even been taken for Art, the divine solace of human labour, the romance of each day's hard practice of the difficult art of living."

"And here furthermore is at least a little sign whereby to distinguish between a rag of fashion and a work of Art: whereas the toys of fashion when the first gloss is worn off them do become obviously worthless even to the frivolous—a work of Art, be it ever so humble, is long lived; we never tire of it; as long as a scrap hangs together it is valuable and instructive to each new generation. All works of Art in short have the property of becoming venerable amidst decay: and reason good, for from the first there was a soul in them, the thought of man, which will be visible in them so long as the body exists in which they were implanted."

When he thought of popular Art he thought of the craftsmanship of the common people. The art people have made from useful everyday objects with skillful handicrafts. This is what he means by "divine solace of human labour". It's not reverence of Puritanical work ethic, on the contrary, it's the reverence of creation, of the earnest joy people feel when they get to express themselves through their creative pursuits. He certainly didn't believe in work for work's sake, work needed to be worthwhile and enjoyable. He summarized his own position on what labour should be thusly:

"It is right and necessary that all men should have work to do which shall be worth doing, and be of itself pleasant to do; and which should he done under such conditions as would make it neither over-wearisome nor over-anxious."

He urged his middle class audience to reject consumerism (the lecture was for a very much middle class atheist society):

"For I say again that in buying these things: 'Tis the lives of men you buy! Will you from mere folly and thoughtlessness make yourselves partakers of the guilt of those who compel their fellow men to labour uselessly?"

I think it's glaringly obvious H&M and fast fashion in general is what he would consider luxury. Rags of fashion that are just churned out and discarded without thought and produced by compelling people to labour uselessly. It's not popular art that's made by workers and craftsmen, who are able to express themselves through it. There's no agency for the abused workers in H&M's sweatshops, they are not expressing their joy of creation, they are simply labouring uselessly.

Morris didn't shame workers for buying affortable things even if they weren't Art with big A, because that's the problem he despised the whole economic system for, for taking away the popular Art from people, making it inaccessible, and selling back mass produced products with very little practical or aesthetic value. So I don't think he would have problem with people who can only afford fast fashion today. They are the victims of capitalism too, because Art has been taken away from them. But the idea that some of these think pieces had that perhaps the H&M's Morris collection can be good actually if you squint, that H&M has the capacity to bring the art and beauty Morris advocated for for the people, is level of stupidity that's hard to express in words.

Morris didn't believe anything made with exploited labour could be truly beautiful, truly art. In his 1879 lecture "The Art of the People" he put it like this:

"That thing which I understand by real art is the expression by man of his pleasure in labour."

The way I understand this, is that art is communication. Through it we communicate feelings, ideas and thoughts, that is it's purpose. So for that communication to work, for it to be imbued with message, the person making it needs to feel passion and love for it's creation. How can there be love and passion if the hands making the garment belong to a tired exploited worker who has no egency what so ever in their work and can only think about survival to the next day?

Beyond the fundamental exploitativeness of H&M and fast fashion, this collection would still get zero points on aesthetic values from Morris even with his own designs. Because the work itself was such an important part of art for Morris, good design was nothing without good craftsmanship. Good design in his mind was always relative and dependent on it's purpose.

"For everything made by man’s hands has a form, which must be either beautiful or ugly; beautiful if it is in accord with Nature, and helps her; ugly if it is discordant with Nature, and thwarts her; it cannot be indifferent." (The Lesser Arts, 1877)

Here when he says nature, he means the nature of the thing that is made - basically it's purpose and function - and the nature of the materials it's made from. Basically, the design must always be made to bring out the function of the art and the qualities of the material it's made from, not fight against them. This is because he believed handicrafts were uniquely suitable for expressing the love of creation, therefore superior labour, and to really bring out the qualities of the craftsmanship and enjoy the creative process, the design should be suitable for that craft. The other side, which was the joy of using and experiencing art, required the craft to be selected for the suitable purpose. Using poorly functioning furniture for example is not very enjoyable, nor is using clothing that's made from materials that are not suitable for the climactic conditions it's supposed to be used in.

H&M of course utterly fails in this. They use Morris' designs in fully unsuitable ways. They print patterns made for example for wall papers on poor quality fabrics with synthetics dyes they weren't made for. This line from one blog post I came across really got me: "Therefore, without cheapening the artistic value of Morris’ designs, H&M’s collection offers an unparalleled potential for accessibility to them." No. Fuck no. They do in fact cheapen Morris' designs in every single way possible. Literally this is atrocious.

Despite the popular depiction, Morris wasn't in fact against industrial machinery or industrial art even, or at least he wasn't once his views on art and politics matured. He did think technology was useful, but he thought the people should use industrial methods for the benefit of all, not be enslaved by the industrial machine.

"I have spoken of machinery being used freely for releasing people from the more mechanical and repulsive part of necessary labour; and I know that to some cultivated people, people of the artistic turn of mind, machinery is particularly distasteful, and they will be apt to say you will never get your surroundings pleasant so long as you are surrounded by machinery. I don't quite admit that; it is the allowing machines to be our masters and not our servants that so injures the beauty of life nowadays. In other words, it is the token of the terrible crime we have fallen into of using our control of the powers of Nature for the purpose of enslaving people, we care less meantime of how much happiness we rob their lives of." ("How we live and how we might live", 1887)

However, he thought that the designer should approach it the way they approached any craft, by designing for the strengths of the machine work.

"But if you have to design for machine-work, at least let your design show clearly what it is. Make it mechanical with a vengeance, at the same time as simple at possible. Don't try, for instance, to make a printed plate look like a hand-painted one: make it something which no one would try to do if he were painting by hand..." ("Art and the Beauty of the Earth", 1881)

He did use some machinery for fabric and wall paper printing, but he was very intentional about their use. Still his designs weren't made for the type of methods these modern H&M machinery uses and he did for example use natural dyes. Particularly insulting is that some of the H&M clothes are made from viscose, rayon made with viscose method. Viscose method is extremely toxic and is known to cause long term health consequences for the workers and the people in surrounding areas. This has been well proven knowledge for ages. William Morris' wall paper factory in the beginning used the typical method used at the time which involved arsenic, but once he learned this could pose risks for the workers, he changed the method. Many of the new synthetic dyes were toxic at the time, which is the major reason he so favoured natural dyes, known to not cause health issues for workers or pollute the environment.

The question many of these think pieces about the H&M Morris collection posed was, would Morris disapprove and should we care? The first part of that is very easy to answer. Yes. Of course Morris would disapprove. He is currently powering the whole of British Isles with purely the kinetic energy his grave-spinning produces. Should we care though? If you care about Morris' art, if you want to see more of that kind of art in this world, you should care. Morris' art is not about the superficial qualities. Copying his designs and aesthetics and styles, will only lead to hollow imitations, that are exactly what he described the rags of fashion to be; as the shininess of novelty wears off they will reveal themselves to be soulless, useless and utterly empty. This collection is just that. To see more of the kind of art that makes you feel like his art makes you feel, not just something that reminds you of that feeling, you should focus more on the way the art is made and less on the specific aesthetics. If his vision of labour and art was realised, all art produced of course wouldn't be loved by every person, but all of it would be loved by someone, even if that someone was just the maker. And that would be more worthwhile than every single rag of fast fashion.

I will stop William-Morris-posting now and return to my thesis.

[astralis-ortus]

guess i missed you too much

✱ boyfriend!bc x fem!reader

— that's what being in love does to you.

w.count → 1.2k genre → fluff warning → reader referred to as baby and my love, 2 (two) chatroom screenshots a.n → based on this request! ngl i was like '!!!' as soon as i read the request bc i can just imagine how it would go i'm—ㅠㅠㅠ also, i have an announcement here about requests, commissions, and fanart shop—i would really appreciate it if you'd check it and help a girl out♡ ⋆ see masterlist

to put it simply, chan is dumbfounded.

he's pretty sure he had mentioned to both han and changbin that you're coming here, to seoul, in a exactly week and chan needs to have all the urgent project revisions to be done prior to your arrival. he's absolutely sure the two promised they will only be gone for a little while to get some coffee to wake them up, and chan is now certain that the two are definitely not only heading out to grab those goddamn coffee.

"if you two aren't back here in 5, just know this is your one and only warning," chan muttered through gritted teeth, trying his best not to sound too pissed before sending the voicenote in their '3racha only' groupchat.

it's not that chan didn't understand—he knows he's been pushing both changbin and han more than he usually does, and chan is very much aware that the duo are bound to be a bit more rebellious than usual once they reach their point of exhaustion, but he really is looking forward to the time he's about to spend with you, and he's not about to let anything come and ruin that.

it's been a while since you've last spent a considerable amount of time together with chan. sure, there are stolen dates here and there whenever a holiday would match up and you could take some time off to visit chan's version of paradise (which is unironically everywhere within the bounds of japan) together, but those visits always ends as quickly as it starts and left the two of you with a longer list of regrets by the time you had to let your hands slip away from chan' warmth.

so this time, when you finally were able put your responsibilities on rest for two whole weeks, it didn't take much of a convincing for either you or chan to finalize the dates when you would finally be able to be within each other's reach. chan even went the extra mile to immediately book your flight coming in, though you had to basically threaten him with no video calls for a week if he went through with his other plans to spoil you rotten.

well, you could only hope that chan won't pull any uno reverse card on you once this plan came to an end.

a bell sound from his phone quickly distracts chan from the lines of lyrics he's trying to edit—an action he came to regret when the notification in view were merely a singular line of emojis sent by changbin, consisting of the same teasing faces and a pink ribbon both changbin and han been sending chan for days now on end.

"oh, he's done," chan groaned, head tilted back in annoyance as he threw his poor beanie back at the sofa where changbin was supposed to be seated right now. to be frank, chan didn't understand what changbin has been implying with the string of emojis at all. presumably changbin and han had seen the way chan saved your kakao talk profile—hence the pink ribbon, but why now? exactly when chan's the most sensitive of the topic? the fact that chan couldn't contact you drives him even crazier—you had told him you haven't been feeling well and you'd text him again once you feel better, but that was like, what, an eternity ago? chan didn't want the risk of waking you up either especially with your trip coming up, so…

he's basically helpless.

another set of annoyed groan became chan's initial response when his phone came alive with a new notification. reluctantly grabbing the device, chan was mentally prepared for a text bubble sent by the youngest of the three, containing of the same string of emojis changbin had just sent—only for his heart to jump out of his chest when he saw the pink ribbon next to your name.

before chan could type another reply, his attention were robbed by the knocks on his studio door—which is a little weird considering neither han or changbin would bother, and the fact that it's nearly midnight meant that almost no one that chan knows of should be looking for him around this time of night.

"manager hyung?" chan cautiously called out, instinctively grabbing his discarded beanie before he went to reach for the door. "did you leave something? or are you—"

the words on chan's tongue dissipates soon after the door swung open—but even with the way his eyes just doubled in size, chan still couldn't believe what he's currently seeing right in front of him now.

"hi, my channie," you finally spoke, a wide grin decorating your lightly flushed face from all the adrenaline you've been feeling; and only then, chan seems to wake up from his trance.

"wha—baby?" chan could hear how voice had skipped an octave higher, but he couldn't care less—did he fell asleep? is this a dream? chan had to pinch himself before he even pulled you in his arms, tightly wrapping the giggling mess that you are in his warmth. "you're actually here? wasn't your flight next week? did i got the dates wrong? how—"

"whoa whoa, calm down there, racer," you quickly stopped your boyfriend's wild train of questions, still with your smile plastered across the span of your face—your plan is a massive success.

"it was supposed to be next week," you confirmed, eyes still taking in chan's perplexed face while your brain etched the memory in its hall of fame, "but i miss my boyfriend too much to wait another week, so… i asked for bin and jisung's help to change my plane ticket!"

suddenly, everything that's been happening to chan in the past week just clicked—the time he caught changbin and han meddling with his laptop, the nervous chuckles, the way they become way to secretive with their phones, the phone calls, and those lines of goddamn emojis. it all finally makes sense.

"is that so?" chan shook his head despite the clear view of his dimpled smile, arms tightening around your waist, "so you three little naughty being has been cooking up plans behind my back, that's what you're saying?"

the sound of your sweet laugh fills chan with an overwhelming sense of warmth— you might spend the majority of your year apart from each other, but for chan, it's moment like this that makes all the dark nights of longing seem worth to be worth his patience.

after all, you're everthing chan ever wanted in his life.

"my my," clicking his tongue in faux disappointment, chan gently fixed the strands of hair falling over your eyes—ones ever so tender whenever you fixed your gaze on him, "what am i gonna do with you, hm? you naughty little baby?"

"not sure," you cheekily replied, lightly scrunching your nose the way chan usually does. you're just happy that you're finally in chan's arms again, to hell with any of the 'repercussions' chan might be building in his head for your little misdemeanor.

"but can you kiss me first?" you continued, trying your best to stay nonchalant despite the sudden spike of your heartbeat due to your own silly attempt at being witty and chan's surprised laugh, "i think i need my boyfriend's kiss so i could face my punishments later."

frankly, chan's head is still plagued with tons after tons of questions of your little successful stunt—he can't help it, you're someone he love and cares about after all,

but who is he to deny your sweet little plea?

©️ astralisortus, 2024. | likes and reblogs are highly appreciated♡

[edaworks]

For my lovely wife @twosides--samecoin, who has been preternaturally patient with my VERY delayed production of this parody of the album cover art for Tyler, the Creator’s Flower Boy (alt., Scum Fuck Flower Boy).

All she has heard this week is me apologizing for spending 2847383 hours on this after starting late and saying “just a bit longer” while alternately cursing Todd Howard for the 230-year old highway lines on Mass Pike and repeating “I hope you like kudzu”

Original album art below the cut.

Cover Artist: Eric White

[norigohan]

knight portraits

[soupbtch]

ummm. my fic is done.

[luck-of-the-drawings]

THAT WOUND. THAT VILE WOUND. it throbs in time with your speeding heart, and the ache it carries through your veins is oppressive, its hot, it tangles around your jaw and through your spine and behind your eyes. there are needles, sprouting from the lacerations like the most heinous ivy, and it strangles your lungs, rips tears from your eyes, lures bile to your throat. it hurts. oh god it hurts. you cant think, you cant breathe, you cant swallow, you cant see. you cant see. you cant see. you cannot see but you know when your eyes are closed, because there are colors stained upon the backs of your eyelids. they form images of loved ones, of viscera, of bile and blood and blackened mud. its jarring, they make anxiety spike outwards, frantic ferro fluid, frightened from faces too scared, too pained, too dead, too piercing with eyes staring straight at you, straight at you. actually, you cant tell when your eyes are open.

SAUCE FREE VERSION UNDER THE CUT.

[front-facing-pokemon]

[bbeeohazardd]

Flames shootin' up to the sky like some vision of hell Satan send me a signal, there's Blood in the sink There's blood on the windows I need a drink I need to, I need to, I need to know

[meownotgood]

50,000 words. 50k words of aki sex. five zero zero zero zero. aki sex.

[tytolito]

🐉 woman 🐉 woman

twitter instagram inprnt

[shikai-the-storyteller]

Head in my hands wondering if I'll have to cut the entire Chume Labs section out because it's more suited to being a different chapter, but also knowing the next chapter can't have it either so I might have to cut it from this fic entirely aaaAAAAAAAAAA

[horsemage]

I fucked up and now I have to write like. three weeks worth of coding homework in 24 hours

[scarletwitch1918]

Today was the second birthday this year of a friend that I thought I was really close with that i didn’t get invited to

[writeouswriter]

Finally at the last chapter of my fic where I can write like every moment I’ve been wanting to write for a month now and I’m just, I’m just—

[ID: Ben Affleck smoking .jpeg reaction image End ID]