#this was important for me to write
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elodieunderglass · 1 year ago
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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bardicbird · 2 months ago
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a little siffrin comic about touch, violence, and oranges
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acertainmoshke · 1 year ago
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I've been having a tough time lately, and when I don't have the energy for everything keeping up with social media is one of the first things I slip on. But I still care about all my writing buddies, so:
Reblog if you're not offended when people take a long time to answer asks, forget to reply to your replies, lag behind in tag games, or skip several weekly ask games.
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tomfrogisblue · 5 months ago
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i forgot to post this during june but i think one of the reasons qsmp was so important was how unapologetically Gay it was
for starters, the number of creators and admins involved who are irl queer of some variation, just chilling in a place where any kind of phobia would get Philza's legendary ban hammer faster than you could say "rainbow jelly"
and then the characters.
i remember showing up that first day and being shocked that somehow foolish had an ex-boyfriend already (I had missed the squidcraft lore apparently)
that server. gay. all the gay. all kinds of gay.
govermentally assigned platonic husbands that stayed together the whole time (despite one of them being gone for months at a time), not a chance in hell of infidelity. Proud fathers of two wonderful children.
governmentally assigned partners who yelled full volume at each other about cheating any time they were in the room together and between the two of them killed two children.
a grieving father and ex-convict becoming one of the most solid couples in the server, with a beautiful wedding and consistent public displays of affection via the in-game chat.
a demon ashamed of who she was and a lonely detective struggling with family trauma, now with a lil girl of their own, to love together and take care of, with more moms than could ever allow the little girl to ever be lonely herself.
a 2b2t warrior coming to terms with his sexuality with the support of his beautiful baby boy at his side, slowly but surely opening up to his eventual Brazilian Boyfriend. Where they went from the most cautious couple (baby steps) to the most sickeningly sweet couple on the server.
- and this list doesn't even scratch the surface.
gay characters, trans characters, ace characters, aroace characters, gender fluid characters, all kinds of relationships and families.
all presented without negativity or shame.
the point of the server was to exchange languages and cultures, without the biases and barriers seen so much in both the content creator scene and the wider world.
it also had a beautiful little side effect, practically by accident.
our lgbtqsmp.
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teethlordd · 3 months ago
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There are worms in my head
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starry-bi-sky · 3 months ago
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Incorrect Quotes for the Blood Blossom Au - DPXDC
Original Post Context Here but TL:DR - Vlad poisons (orphan) Danny with blood blossom. He runs off, finds Pre-Robin Battinson, Battinson saves his life. Danny is currently staying with him until the time being. Batdad all around, found family, woo!
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Bruce after giving Danny an antidote: poof. Just like that, the toxin’s gone
Blood Blossom, not gone just sedated: wrong! toxin’s right here you fucking brussel sprout
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Vlad at a gala while his godson is (allegedly) missing: Mister Wayne! A pleasure to meet you, I wanted to speak with you about hopefully setting up a deal between our brands—
Battinson, currently housing his (allegedly) missing godson: I don’t like you.
Vlad: —and it’d be a— i’m sorry?
Battinson, louder: I don’t. Like. You.
Vlad:
Bruce:
Vlad: If you could tell me what I did to offend you--
Battinson, with the intensity of a thousand suns: No.
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Danny: 🧿🧿
Bruce: 🧿🧿
Danny: 🧿🧿
Alfred, in the corner: Can you two socialize like normal people
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Danny: gun to your head, who would you rather kiss: riddler or the joker
Bruce:
Bruce: gun to my head?
Danny: gun to your head, yes.
Bruce, without missing a beat: pull the trigger
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Danny (is currently unaware Bruce = Bruce Wayne): hey Vlad's planning on poaching Mr. Wayne's company out from underneath his nose, would you be able to prevent Mr. Wayne from making any deals with him? Or just in general from being alone with him?
Bruce, realizing Danny doesn't know he's Bruce Wayne:
Bruce: ...yes.
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(Danny and Bruce are leaving Wayne Enterprises, Danny is wearing a face mask and obscuring most of his identity. There's a swarm of paparazzi at the doors)
Bruce:
Danny:
Danny: there's an open window on the first floor bathroom
Bruce, immediately turning on his heel: mh. mhm.
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Aunt Alicia:
Bruce:
Aunt Alicia:
Bruce:
Bruce 🤝 Aunt Alicia: "Vlad Masters can go fuck himself" club
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Bonus! Because looking at it makes me giggle and I think it needs to be shared
POV: You're Alfred living with two of the most socially awkward people in Gotham. Now with biblically accurate heights!
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plistommy · 7 months ago
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Steve takes Eddie’s virginity by riding the older boy after a long session of smoking and drinking inside the metalheads cramped van.
He’d praise Eddie on how good he’s making him feel, how big his dick is and how he’s so pretty under him that it makes Eddie moan loudly, strong hands roaming and squeezing the fat of Steve’s ass as he begs to fuck Steve harder.
”I need to fuck you, Steve- please, sweetheart-”
Steve would kiss him, sloppy and wet as he whines into Eddie’s mouth when the dick inside him hits just right.
When he pulls back, breathless, he picks up the pace and finally lets Eddie buck up to meet his thrusts.
Eddie would just look up at Steve, brown eyes wide and realize he’s so in love with the gorgeous boy on top of him and he never wants to let go. Never.
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milkovichrules · 1 year ago
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true love
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traumasurvivors · 4 months ago
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If you have trauma as a result of dealing with delusions and/or psychosis, your trauma is valid.
Trauma is largely about how you feel and how something impacts you. And even if you know something isn’t “real”, it doesn’t mean your feelings aren’t real. And it doesn’t change how real it feels to you.
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inkskinned · 1 year ago
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you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.
you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.
he says i don't like small talk. and then he smiles again, watching you.
a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.
he doesn't like small talk, figure out something to say.
you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.
people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.
wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.
also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.
he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."
you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.
"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."
he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.
you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.
is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?
you look down to your hand, clutching the knife.
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shushmal · 9 months ago
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Robin has a love-hate relationship with Steve-and-Eddie. Love, because those are her best friends and her best friends are in love with each other and they never leave her out of anything. Hate, because sometimes she wishes they would because she keeps accidentally third-wheeling herself.
She doesn't hate it that much though, if she's honest. It's just fun to complain, especially because it riles the both of them up.
But right now, she's being quiet so she can witness one of her secretly-favorite Steve-and-Eddie rituals—of which there are many, but this one is silly and endearing.
It starts like this:
The waitress sets down their drinks, lemonade for Robin, coca-cola for Steve, and a cherry soda for Eddie.
"Don't you dare," Eddie says, even as Steve reaches for Eddie's drink, slipping his straw in next to Eddie's and slurping obnoxiously. Eddie doesn't even pretend to stop him anymore. "Unbelievable."
"I just want to taste it!"
"You could just get a whole glass of it! All for yourself!!"
"It's too sweet, I don't want a whole glass."
"What, so you think you can just help yourself to mine?"
Steve's grin is far too smug, even for Robin, even when Steve slides it to her so she can take a sip. Steve is right, it is really too sweet and she wrinkles her nose, but it's worth it for the offended gasp Eddie makes when she slides it back to him.
The diner is their favorite, because everyone who works there has given up on understanding their weird dynamic: Robin and Steve squished into on side of the booth while Eddie's spread out on the other, Robin making gagging noises whenever Steve brushes against her, even though they never sit in any other configuration. The staff has long since stopped asking which of them was her boyfriend, and that's perfect for her.
Besides, she knows that under the table, Steve and Eddie have their ankles locked together like the disgusting love-sick dorks that they are.
The Steve-and-Eddie show continues when their meals come out. Chicken fingers and fries for Steve because he's an actual child, and breakfast for dinner for Eddie because he likes to be contrary. And then the real performance begins.
They "fight" over the ketchup bottle, which really means that Eddie picks it up and Steve snatches it out of his hands—only for Steve to spread it over Eddie's scrambled eggs (gross) for him before he adds a disgusting amount to his own basket.
Eddie makes a game of stealing Steve's fries when he thinks he isn't looking (Steve is, he's tallying each one up in his head, Robin knows this because she's doing it too), and when he finally "catches" Eddie in the act, he steals Eddie's last piece of bacon—the one that's sat untouched for the last five minutes for this very reason.
Then, Eddie's "forcing" Steve to try his grits, like he does every time, and game eats a spoonful of it, every time, and then complains at length how much he hates it (and he actually does hate it, the texture is just not for him, Robin knows because it's the same for her too).
And then they do the worst, most disgusting thing ever: they split the pancake in half. Without fail. Without argument. Every time.
Robin, slurping on her strawberry milk shake that she will NEVER share with anyone ever, thinks that stupid pancake is like the symbol of their love or something. Sh's sure if they weren't in public, they'd be feeding it to each other.
"What?" They say it in unison, and Robin hates when they do that to her.
(Eddie complains about it right back at her, because she and Steve do the same thing to him all the time. They should blame Steve, since he's the common denominator, but he just looks so pleased about them both that they can't rag on him for it, so Eddie remains Robin's sworn enemy and vice versa.)
"What what?" she sneers at them, voice quiet. "You two are disgusting, it's like you're making out right in front of me right now."
"What are you, homophobic?" Eddie hisses back, just as quiet. "I'm in love with your best friend, Buckley. I'm making out with him in front of you for the rest of your life."
"Ugh! I hate you so much."
"Right back at you."
And then they start kicking at each other beneath the table, no doubt catching Steve's ankles in the crossfire. He doesn't tell them to stop though, and Robin can see that pleased, sappy smile on his stupid face out of the corner of her eye, so she lands an exceptionally harsh blow to Eddie's shin in retaliation for making her best friend so happy. He digs his heel into her toes in return.
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swordsandholly · 4 months ago
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Thinking about hypersexual Simon Riley and aromantic reader. He doesn’t have time to date with his job, or the patience to find new hookups all the time. Dating apps are the bane of his existence. If he’s honest with himself, despite his wants, he doesn’t enjoy unfamiliarity. He doesn’t like having to explain himself over and over to people who often don’t understand (or care).
Instead he finds you, a pretty little thing that moves into the flat next door. You don’t demand commitment, or that he opens up more than he likes. You’re easy, kind, soft under his hands. You offer companionship when he needs, make conversation without expecting more than he’s able to give right now.
You’re in much the same position. Despite how men often say they want to hookup without any strings beyond maybe a casual friendship (if that), as soon as you’re the one to set that boundary they start whining. Can’t handle the idea that you don’t want them in every way possible. Can’t stand losing out on that control over the women they’re with. In your experience, at least.
You dread the day he inevitably finds someone. He’ll leave you behind, of course, and it’s not that you’d hold it against him. Simon deserves love like no one you’ve ever met. That impending day has become a little more real since he’s been talking about this “Johnny” from his work, though.
Obviously partially inspired by Service Dog Johnny by @void-my-warranty and a little bit by Harmless Fun from @rememberwren (if you haven’t read their stuff please please please do, they’re both incredible)
Update: I started it (LINK)
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poorly-drawn-mdzs · 11 months ago
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Turtle Takedown Teamwork.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#tulu xuanwu#Something about changing the action sequence to something gentle is hilarious to me.#The lesson here is “Be nice to turtles. They are gentle creatures. And many are very endangered.”#don't get me wrong here; I love this scene a lot. LWJ's string technique is one of my favoyrite things.#We do get a fair amount of LWJ fighting but I always loved how the theme of strings comes into play.#There is actually a lot to unpack with LWJ being associate with 'strings'.#The musicianship: Of dedication and rigor in one's practice.#The tension between following along a path or composing your own way forwards (playing what has been written vs composing)#A string is a tightly coiled/taunt entity; The same tension that makes it sing so beautifully can be it's downfall if pushed too hard.#And as a non-musical string - something that binds. Be it to his sect and family or how he binds his fate to WWX -#LWJ cannot exist without his binds. It is not something which ties him down though. It keeps him together.#And he himself *is* a bind. He 'ties wwx down' in ways that are initially negatively viewed ('come to gusu' - feels like: come be trapped)#But later it is shown how (despite being introduced as a free spirit) WWX truly wants to be bound to something and someone.#Marriage is a bind he wants. He wants to be tied and grounded by LWJ.#It's starting to sound like innuendo. Let's call his fondness for being literally tied up smart thematic writing.#Finally. Sex scenes that are important to the plot and characters
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twentyfivemiceinatrenchcoat · 5 months ago
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imagine being a shy little intern at jujutsu high and getting the fattest crush on gojo because he’s just. so strong and cool. you idolize him. you want to be his friend. and he seems to take a liking to you; he’s cheery and encouraging and sweet in a roundabout way. you feel like you’ve grown pretty close to him.
imagine him falling asleep right next to you on a sofa in the cafeteria. you can barely tell, with his blindfold still on. but you scurry away to find a blanket, happy that he trusts you enough to rest in your proximity, ready to wrap it around him —
only for it to slip right off. rejected by his infinity.
(he never turns it off, around you.)
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zuzu-draws · 2 months ago
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Yuuji's ''I'm going to die with him'' from the start of the series to ''Sukuna, Come back and live with me '' at the end is, honestly, very beautiful.
"Let's try again one more time Sukuna, but this time, without cursing anyone. Even if no one else accepts you, I'll live with you" do you understand what's going on here? This is Yuuji attempting to connect with Sukuna, to show a certain compassion that is entirely alien to Sukuna. To the way he delicately lifts Sukuna's remains, with such carefulness, as if holding the remains of a precious loved one, Yuuji tries to show Sukuna "love". The same "love" that has been teased to us this entire series, that who is it that will show it to Sukuna, teach him of it.
This is the same Yuuji, who, at the beginning of the series held absolute disdain towards Sukuna, and always looked at him with much accusatory contempt and mistrust. At that point, He truly did think of Sukuna as nothing more than a "curse". The same "curse" Sukuna calls himself one last time as the last embers of his soul fade in Yuuji's hands.
But this time, Yuuji has a troubled look in his eyes.
As if he disagreed with him.
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This is the look of someone, who is looking at the Humanity Sukuna does not believe exists within himself.
Humanity that Sukuna denies himself.
That Sukuna is not a curse, but a human that has been cursed.
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swordheld · 1 year ago
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do the silly thing. if you do not do the silly thing time will pass and it will not be the same silly thing it could have been. it will still be silly, and it will still be yours, but it will not be the same. this is both a blessing and a curse, but so is living; and if you do not do it now when will you? who will? it has to be you, it was always meant for you, waiting for you.
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