#this was fun to write though!!!

[hergrandplan]

for the drabble challenge: “Remember back when we were kids?” 💕

Hi! Thank you so much for sending this in! 100 words sounds fun until you try to write it lol, but I hope you'll enjoy this little thing 💜

For @youngroyals-events ; send in a prompt, get a drabble

"Remember back when we were kids?” Sara asks. “Remember how I used to bring you to my room, and we'd imagine where we would go if we could run anywhere?”

“Hm-hm.” Simon can still see the outlines of the glow-in-the-dark stars Sara used to have on her ceiling, the ones they would stare up at when hiding from their father.

“Where would you go now?"

“Actually…” Simon thinks of Wille, currently preparing dinner with their mom. How they’ll drive home tomorrow, badly singing along to the radio, Wille's hand on his thigh. “I don't think I need to go anywhere."

[citrenecult]

Drew the Lamb, Narinder, and the Follower Bishops.

Some close ups.

[wardingshout]

Zelda goes mushroom girl

[qwantzfeed]

if you're not recording ominous audio logs and strewing them about the estate on self-playing machinery, can you even say you're ready for houseguests??

[rcmclachlan]

8x06 fix-it fic: Amnion

Buck doesn't bounce back from Tommy the way he did with all his other breakups for reasons he can't articulate or even look at. He thinks of how long it took him to recover from Abby, but even that felt different, because he'd had hope carrying him through most of it. He doesn't have that now.

The worst part is it's bringing everyone else down. It's starting to affect the job, and he can't take any more of Bobby's pity dinner invites or the kid gloves Eddie handles him with. Then one day, Chimney (in an attempt to lighten the mood) asks Buck if he's pregnant, and it awakens some primordial rage in Buck that he never knew he possessed and damn near rips off Chimney's head about it.

But once the blood levels in his adrenaline start rising and he calms down, he starts thinking about it. Before he knows it he's thinking about it day and night, and now that's starting to affect the job more than his heartbreak had been.

Then one night Maddie invites him over to watch trash TV and eat junk food until they can't feel feelings anymore, but instead of the patented Maddie Hug he's expecting, she hands him a First Response test stick the second he walks in the door.

Five minutes later, he comes out of the bathroom pale-faced and dripping tears because there are two lines in the test result window, and Maddie leads him over to the couch where they curl up and cry together. Just like the old days.

Maddie asks if he's going to tell Tommy, but there's no judgment in her voice, like she's behind him no matter what he decides, and Buck tries to make her laugh when he says, "How do you know it's his? I could've been living it up for the last month. New person almost every night. Exploring myself."

She just gives him a Look. Also patented.

Under the weight of her scrutiny, Buck thinks about Tommy's face before he left the loft that night and how ''Buck'' looked and sounded so wrong coming from him. Like the shape of it was so painful he could barely move his mouth around it.

Finally, he shakes his head. His eyes well up with more tears, which feels impossible, because the human body can't possibly produce this much liquid. He's going to drown them both. "I thought... I thought we had a future, Maddie. I really did. I guess I still get one... but only with part of him."

A couple of months pass and Buck's entire world shifts. The 118 have rallied around him in a way that almost feels like they're closing ranks to every other firehouse. Eddie becomes especially protective and devises a 5000-point care plan that makes him twitch if Buck so much as thinks about deviating from it, but he also keeps telling Buck that he needs to tell Tommy about the pregnancy.

"If only to get his family history," Eddie says reasonably, but there's something pleading in his voice every time, like there's so much more under the surface that he's trying to keep under wraps. Like there's more about this that he thinks Tommy should know.

Chimney's in the middle of explaining why he's stealing the cool uncle crown from Buck and sitting pretty on the throne when Buck asks him about it.

"Is there something about Tommy that no one's telling me?"

It trips Chimney up. Literally. He just barely catches himself from going headfirst into the kitchen counter.

Buck's heart starts pounding. "Chim, does he know?"

"No," Chimney says, firm and almost a little offended. "We promised you we wouldn't say anything. But Buck... you should tell him. You should talk to him."

Part of him wants to whip his phone out right then and there and dial Tommy's number. He could do what he did the first time: ask to meet somewhere and laugh about bad coffee and plead his case for a second chance. He could reach across the table for his hand, but this time, he'd stand up and walk over to Tommy and place it on his belly. "I don't care about firsts or lasts," he'd say. "I care about only's. And you're the only one I want."

But the other part of him, still licking its wounds, hormones in flux and forcing organs to shift and bend as it makes room for the thing he and Tommy made together, bares its teeth and snaps, "He made it very clear that he had no interest in hearing what I had to say."

Chimney never brings it up again.

Meanwhile, Hen goes a little overboard with forcing him to undergo random physicals—she pops out of the shadows twice a day to ambush him with the blood pressure machine, and he keeps threatening to avoid rooms that have doors—but he loves it. His body is a complete stranger to him for the first time in a long time, but the changes he's experiencing are interesting and he's having a blast cataloging every new one. He and Hen have a spreadsheet with like fifty tabs, and she helps him navigate every test his actual OBGYN sets him up for.

He's over her house at least once a week, although pregnancy talk at the dinner table is verboten.

"If one of you says the word 'amniocentesis' one more time, I will start a food fight," Karen had said, finally putting her foot down. Across the table, Denny perked up.

As much as he hesitates to even think the Q-word, it's a pretty quiet pregnancy. The cravings are kind of wild, though, and he goes most of his first trimester feeling like he's going to die if he can't eat rice krispie treats with cottage cheese. Every time Bobby sees him cracking open another container of Hood, it looks like he's seriously reconsidering sobriety.

But as incredible as they are about the pregnancy, they're all tiptoeing around the other elephant in the room: when Buck is going to stop working scenes. He and Bobby have a series of discussions that satisfies neither of them and resolves nothing, and it builds to a big blow-out that ends when Bobby tearfully begs Buck to stop risking his own life and the life of Bobby's grandkid.

After that, it's like some stone thing in him dissolves into sand and he finally eases back a bit in his fifth month. He doesn't put up a fight when Bobby orders him to only handle the winch or stick with hose duty, and if he stays a little closer to the engine because he gets winded so easily these days, no one comments on it.

In his sixth month, the inevitable happens: there's a call out at Palos Verdes and it's all hands on deck, which means the 217 is there too. At first he thinks he might make it through without running into Tommy at all, but he turns a corner and—there he is. Smudged with mud and looking like a drowned rat because of the downpours, but in his turnouts he's big and capable and, for a second, he's walking into First Presbyterian and apologizing for missing the ceremony.

But the memory is easily wrestled back into the past the second Tommy's gaze fixes on Buck's belly.

Buck wants to stage a retreat that would make the Allies at Dunkirk stand up and applaud. He wants to throw his arms open so Tommy can get a better look at it, say something cool and mean, like, "Did you know that INNOTEX makes turnouts for carriers these days? Pretty progressive of them, if you ask me."

He wants to be weak and ask if Tommy will spare him a hug. Just one. Nothing greedy. Just—a moment to soak in his warmth, to inhale the smell of his skin. Enough to carry him through the rest of it.

But he does none of that. He inhales through his nose, lifts his chin, and says, "Firefighter Kinard."

At that, Tommy smiles, and it's completely awful. There's no joy in it. Not even amusement. He looks like he wants to be sick, and Buck feels like a monster.

But Tommy swallows and says, earnest as anything, "Congratulations. I-I knew you'd find it. I never doubted for a second that you'd find the person who'd be your last."

Even as he says it, Tommy's face does something indescribable, but it rips through Buck's chest and shatters his ribs, tearing through pericardial layers until it scores the vulnerable muscle of his heart. It's so shocking that it almost knocks the truth right out of Buck's mouth.

Someone comes over the radio and requests all available first responders with flight experience to report to the B-zone, and Tommy straightens up and locks whatever it was away.

With an unsteady hand, he tips an invisible hat to Buck and says wryly, "Firefighter Buckley," before jogging away.

And Buck stands there like an idiot watching him go. It's that night all over again. It's Buck instead of Evan.

"See you around," he whispers, and then runs back to his post in the A-zone.

+

Tommy gets the call when he's halfway through a burrito foisted upon him by Dana, who had taken one look at him and said, "You look like a flood victim. Eat something before I get HR involved."

He'd taken a mutinous bite and couldn't argue with her. Months later and it still felt like he'd watched everything he loved wash away with a tide he couldn't fight. Except he'd sent the tide himself. He had no business feeling like this.

But they send him to the site of a car accident where a pregnant driver had been T-boned by some asshole who ran the red light, and the RA unit called to the scene didn't have the right equipment to assess the fetus. But the victim's belly was hard enough to warrant a med evac.

By the time Dana gets the victim loaded on the backboard and inside, Tommy's already on with both First Presbyterian and LA General to see whose neonatal surgery team is available.

The door on Tommy's side slides open and Tommy turns in his seat to ask what the hell Dana's doing over there, but it's Hen who's pulling herself inside.

His stomach clenches with dread. "Hen?"

"I'm riding with you," she shouts, taking the headset that Dana gives her.

He looks just beyond her and wishes he'd had the presence of mind to listen to the manifest when Dana had read it aloud to him, because Evan Buckley is strapped to the gurney and looks like he's on a completely different planet.

"Hen." Tommy can't hear him say her name, but he sees Evan's mouth shape the word. Evan reaches clumsily out for her with one hand while pressing the other to his belly.

Hen murmurs something to him that the comms can't pick up, and Tommy wonders if they've notified Maddie, if they've notified the father, whoever they are. If they're already at the hospital waiting for them. If Tommy will have to see them, talk to them face to face.

Tommy bites the inside of his cheek until he feels the hot wash of blood over his tongue, then forces everything down to join the burrito from earlier that really wants to make a reappearance. It isn't his right to know any of it. That went out with the tide, too.

He locks it down tight enough that he gets them into the air so easily they might be a feather on the wind, then he heads in the direction of First Presbyterian. The real start of it all.

They're maybe halfway across the city when Evan shouts, desperation and fear carrying his voice over the rotors, the words sliding together, "Hen, check Nora! Y-Y'need to ch—"

"Nora's fine, Buck," Hen says, her voice clear as a bell in Tommy's ear.

Staring at a skyline he can't see, Tommy says, "'Nora'? Was someone else in the car with him?"

When Hen comes over the comm, her voice is as inescapable as a flood. "Nora's what he decided on for the baby. It's her name."

Tommy's hand tightens on the cyclic so the way it starts shaking won't be so obvious. "Nora was my grandmother's name."

He'd told Buck about the woman who was basically the only family he could stand, who was responsible for not letting him become his piece of shit father, who accepted him when no one else would. She'd meant the world to him. She'd been the world to him. And for Evan to give his kid her name—

Realization hits like a levy breaking, and he turns to look wide-eyed over his shoulder at Hen, because it can't—he couldn't be—

"Patient, male, 33, prenatal course complicated at 8 months gestation," Dispatch had said.

The timeline is right.

Hen stares right back, as good of a confirmation that he could get outside of a DNA test.

Without breaking her gaze, Tommy tells Dana to take over. She gives him an unreadable look but says nothing except, "Copy that," and smoothly resumes their journey while he squeezes into the back. There's hardly any room next to the gurney and his knees are compressing his lungs, but he takes Evan's' hand and stares blankly at the shiner forming around his right eye until Hen breaks the silence.

Why didn't you tell me, he wants to demand, but he knows that if he so much as opens his mouth, he's going to start screaming until someone sedates him.

"For the record," she says, "I hate what you did. I hate what you took from him. But I understand why you did it."

Tommy rolls his lips inward and wants to suffocate himself to death. She understands? Does she? Does she know a life can be obliterated in the span of a minute? Does she know what it is to live a half life, to walk through the world like a five-year old drew a scribble on a blank sheet of paper that was supposed to be a person?

Does she know what Evan looks like when his joy is sucked away? Because Tommy does. She hates what he did? No one hates what he did more than him. No one hates him more than him.

Shakily, he lifts his other hand and touches the tips of his fingers to Evan's birthmark, which used to know the touch of his lips so well that Evan would joke that it was actually in the shape of Tommy's mouth print. Like a brand.

He forces himself to inhale. It seems impossible that Evan's here, carrying their child, their Nora. Evan used to say the lightning strike gave him super powers, made him invincible, and Tommy's ashamed to admit that he almost believed him. It seemed like nothing could ever bring Evan Buckley down, but here he is in Tommy's sky, halfway to Heaven already.

He glances at the LifePAK—where Evan's life has been concentrated into a series of lines and numbers, the reading strong despite everything—and then looks back at Evan, who is still the most beautiful man Tommy has ever seen even now.

"Evan," he chokes out.

There's no answer. At least not from Evan.

Across from him, Hen breathes through her nose and then quietly says, "I'm only going to say this once, Tommy, so I hope you're listening. If you can't trust him to know what his own heart wants, then this flight will never have happened. When he wakes up, you will not have been here. I'll change the manifest myself."

Tommy closes his eyes. Something hot spills down his cheeks.

"I know things haven't been all sunshine and roses for you. Lucy's said you've basically shut down since it ended. I know you're hurting just as much as Buck is... which is why I'm telling you: be sure. He's going to have enough on his plate without worrying about whether or not you're going to swan out of his life again. You need to be sure, Tommy."

Tommy doesn't say anything, but he opens his eyes and holds her gaze without flinching, and he tightens his hold on Evan's hand.

The rest of the flight passes in the kind of silence that feels like a cyst was lanced. Or maybe a boil, as it were.

+

Buck wakes up in stages to find he's in a hospital bed, and when he puts a hand on his belly it's smaller and almost deflated beneath his palm. He is just starting to hyperventilate when suddenly Tommy's there, murmuring to him, "You're okay. Everything's okay, I promise, she's fine. She's fine. Look."

And Buck, heart racing, forces himself to breathe slowly while he follows Tommy's gaze down to the bundle in Tommy's arms. Then he stops breathing altogether.

"She's fine," Tommy says. "A little early, according to the doctor, but absolutely fine."

Buck collapses back to the bed and weeps in relief, because she's fine. She's here and she's fine and she's perfect. Tommy gently places her in Buck's arms before retreating to the chair next to the bed which has a dent in the vinyl in the shape of his ass.

But Buck is enraptured with Nora, who smacks her lips in her sleep, and he marvels aloud, "She has my mouth."

"Thank God for that," Tommy says with a laugh. "It'll help take the focus off my nose. Poor kid."

It hits Buck like lightning that Tommy is here. He's in this room and talking about Nora like—like he knows. And there are things Buck should probably be saying, like apologizing for not telling Tommy about her as soon as he found out, or asking why he's there at all, but the words are crowding in his mouth and he can't figure out which ones should go first.

Tommy's lips twitch in a smile that is awful to look at, like he completely understand Buck's struggle, but his voice is soft and even when he says, "I need you to know that it wasn't about you. Not you personally. It never was."

Buck stops trying to speak and just stares at him, because that is bullshit, and oh, he knows which words should come first, and he opens his mouth to release them into the wild but Tommy holds up a hand.

"I know," he says. "I was a coward and an asshole, and I'm more sorry than I can possibly say. I won't ever be able to make up for what I did. But I need you to know why I did it."

And, in fits and starts before he finally finds the thread, Tommy tells him about Jeremy.

After Tommy ended things with Abby and then finally came out, he dated around for a long time before he met Jeremy, who was brilliant and fun and new. Tommy was the first man Jeremy had ever been with, and Jeremy was the first person Tommy saw a future with. He'd been so sure about Jeremy. He'd believed that Jeremy was it.

Until, almost two years in, Jeremy ended it. He'd sat Tommy down and said kindly, cruelly, "You're amazing, Tom, but you're just the first. You can't be my last." And then he'd left Tommy completely shattered in the rearview.

"That night, when you asked me to move in... it was like I was watching him put on his coat all over again," Tommy says shakily. "But what I felt for you was lightyears beyond anything I felt for him. I'd fallen so hard for you that I knew if I had to watch you walk away I'd never get up again."

Buck stares at Tommy, eyes rimmed red, and says, "So instead you made me watch you walk away."

It must land like a fist because Tommy exhales sharply and hangs his head, bowing around the pain. He sits like that for a moment, absorbing it, before he lifts his head and nods. "Yeah. That's exactly what I did."

There are deep, dark circles under Tommy's eyes that speak of a hundred sleepless nights, and his body is sharper, leaner, trimmed entirely of anything soft. He's made entirely of angles. He's so unfairly hot. He's miserable to look at.

Buck swallows and murmurs, "You look like there's no love in your life, Tommy."

Sucking in a trembling breath, Tommy smiles weakly and sketches a shrug. It looks like the fatigued steel of his edges are starting to crack.

"I left all my love with you that night." His gaze darts down. "Among other things."

Buck looks down at Nora, who's sleeping the sleep of someone already exhausted by existence, or maybe just by her fathers' drama, and thinks that maybe he really has been carrying all his love plus Tommy's around. Because otherwise he has no idea how he's so full of it.

"She's absolutely perfect," Buck says, smiling dopily.

"She's... more than anything I could've ever dreamed of."

He looks up in time to see Tommy drop his gaze to the floor at the same time his shoulders lift and lock like they're bracing for a blow. And in a voice so thin it's barely a sound, Tommy says, "I know I don't have... any right to ask, but is there any... any chance I could be part of her life?"

The tears that have been languishing at the edges of Buck's eyes finally see an opportunity. He doesn't think he could've held them back any longer if he tried.

Mouth trembling, he whispers, "Just hers?"

At that, Tommy looks up, eyes wide, disbelief and hope chasing each other across his face like dogs. He jerks a little in his chair but he doesn't move. He doesn't move.

Buck stares at him, a tsunami pulling everything back from his shoreline, and bites out, "Thomas James Kinard, if you don't get over here and kiss me, I swear to Christ—"

But Tommy's out of the chair and at his bedside, cupping Buck's face and tenderly smearing a kiss over his open mouth, licking the relieved gasp right off Buck's tongue.

Between them, Nora makes a tiny noise, and Tommy startles away just enough that he can press the side of his head to Buck's and gaze down at her with a tremulous smile.

"She really is something, huh? Sorry about the nose, kiddo," he says softly.

Buck knocks their heads together and says, "I happen to love that nose, thanks. And like you said, my lips will help balance it out."

Huffing a laugh, Tommy kisses Buck's lips. And the side of his nose and the bolt of his jaw. Then he leans down and presses a kiss to Nora's little pink and blue hat.

"I'm sure if you are," Tommy murmurs, tilting his chin up so he can flash a brave smile up at Buck, who smiles back.

"I was always sure."

[harmonysanreads]

as Sunday's canon wife, what do you think about a reader who, whenever sitting or just near Sunday, gently takes a glove off of his hand and just holds the bare hand. when he looks at you in question you give a smile and he asks himself why he loves you but then smiles back because you're adorable.

maybe you'd even push your fingers through the gaps in his gloves instead-

(also I am yet to play the quest so ignore this if it's out of character for him)

With each passing day, I feel like we share a telepathic connection Zuri, because I was JUST about to make a post about Sunday and his gloves :o

Hear me out, white gloves in particular have symbolized class and cleanliness. For someone as tidy as Sunday moreover, they're an inconsequential part of his daily life. I hc that he even carries extra pairs with him just in case. And for that man to take them off himself or to allow someone else to do it, is a big deal.

Sunday is touch starved, which he didn't quite realize until he met you. It's not that he's been deprived of them, but the touches he's had to exchange were meaningless formalities and they never permeated the barrier of his gloves. You are the only one deserving of that privilege, so whenever Sunday shares a moment with you without external interferences, he makes sure to take off his gloves — actually, that's not enough, he'll even wash his hands before touching you ; you shouldn't come in contact with the filth that he regularly deals with.

The very first time you held hands without any restrictions, Sunday couldn't go for more than a few minutes because he felt like he was seeing stars. Please don't misunderstand, he likes it!Just give him a moment to process all the feelings. He sincerely hopes you won't quit with your advances thinking he's uncomfortable, but if you do, at least he'll know that you respect his boundaries ; way to go, making him fall harder.

But now arrives a different problem, Sunday loves feeling your touch with his bare hands so much that he craves for it even in public settings. But he has an image to maintain and he really doesn't want to deal with more barrages of back handed comments on his apparent “favoritism”. Please don't go holding hands or being touchy with anyone else in the meantime, he isn't as put together as appears inside.

[crimson-constellations]

atla modern au where suki & zuko are life guards for the summer and sokka just keeps drowning

[sensitiveheartless]

Day 2: Chef Dazai from my Little Mermaid AU!

[egophiliac]

another one that I'm not super happy with, but continuing to mess with it isn't going to help! so here he is! 🦇 there was a lot I was trying to get across in this one, so uhhhhh hopefully it reads.

we're almost out of unique magics now...just Ace (and maybe Grim?) left!

[benevolenterrancy]

hi!! I think your art is *so cool* o(≧∇≦o)

do you think you could draw more moshang? either post canon or that au you did last time?? (baby mobei has my heart and all I own)

(˵ •̀ ᴗ •́ ˵ ) oh! how about return to childhood—moshang flavor?

don't question this king, shang qinghua, he knows what he's about

[solarmorrigan]

Silly idea I talked about ages ago with @azure7539arts, inspired by a similar event my workplace hosts every year. Would minors be allowed to participate in such an event? Probably not! But then again, it was the 80s, who can say for sure. Anyway, it's my birthday and I'll post nonsense if I want to <3

-

“I need you to buy me.”

Eddie looks up from his notebook, effectively jarred from his campaign-plotting fugue state by Steve’s declaration.

Steve is standing at the other end of the dining table, staring at him expectantly.

“Y’know, this is the part where someone usually follows up their completely bonkers demand with an explanation,” Eddie says slowly.

“At the charity auction,” Steve clarifies. “I need you to bid on me, and I need you to win.”

Ah, yes, that weird Rent-an-Athlete charity auction the school runs every year; anyone on any Hawkins High sports team could volunteer to be “auctioned” off in order to raise money for said sports team, to spend a day at the beck and call of the highest bidder (within reason, supposedly). It’s generally restricted to students, but occasionally, prominent alumni are invited to participate – and Steve certainly fits the bill, especially after the story the government spun about his heroism in the face of “serial killer” Henry Creel last spring.

“And what, deny all those pretty girls a chance to get at you?” Eddie asks drily (he’d never turned up at previous auctions himself, but you could hardly avoid gossip in a school their size; it had usually been some cheerleader bidding with daddy’s money who won a date– that is, a day with Steve Harrington).

“It wasn’t always a girl who won,” Steve says, crossing his arms over his chest. “One time it was Mrs. Dalton – you know, the lady on the school board who lives on my block? I just spent the day doing yard work for her. She gave me lemonade. That was pretty cool.”

“Right,” Eddie drawls. “And I’m sure she definitely didn’t sit outside and stare at your ass while you were working.”

“She did not– she– I mean she was on the porch, but, like– she wouldn’t have– she’s, like, seventy, Eddie,” Steve splutters, and it’s all Eddie can do not to laugh.

“Older gals have needs, too, Steve,” Eddie says, giving in to a smirk. “So she was checking you out from the porch, huh?”

Steve goes red. “Shut up, that isn’t the point. I’m trying to ask for your help.”

“Right, right, your absolutely reasonable request for me to buy you at market. Why, again?” Eddie asks.

“The kids are planning to bid on me,” Steve says gravely.

Eddie blinks at him. “Okay?” he says, when no further explanation is forthcoming. “You basically do most of what they ask, anyway, so…?”

“Okay, believe it or not, I actually say no to at least half of what they ask me to do. I would literally never get anything done if I gave in to all their demands.” Steve jabs a finger at Eddie, who holds up his hands in mock surrender. “Anyway, this is all Henderson’s fault.”

“It usually is,” Eddie agrees, nodding sagely.

“He decided that he was going to bid on me and then use that day to finally make me play your nerd game with you–” Eddie snorts, and Steve shoots him a look, “but Wheeler doesn’t want me to play, so he said he was going to bid against Dustin and make me do anything but sit in on a session with you guys.”

“So let Wheeler win.” Eddie shrugs.

“No! I can’t let fuckin’ Mike win, he’ll probably make me do something even more ridiculous!” Steve exclaims. "He’ll make me play chauffeur for him and El on a date, or something, and he’ll probably include the stupid hat.”

“Wait, I thought El broke up with him,” Eddie breaks in.

“No, they’re on again,” Steve says absently, shaking his head. “Which is why Max has been in a bad mood lately.”

Eddie bites back the reflexive need to ask “How can you tell?”, going instead with, “I thought she and Sinclair were on again.”

“No, they are. That’s why no one’s been actively murdered,” Steve says.

“How do you keep track of all of this?” Eddie asks, squinting at Steve.

“It’s a natural skill. And we’re getting off track,” Steve says quickly. “Normally, I wouldn’t be that worried, because Dustin regularly blows his savings on weird science gadgets or whatever, but then Lucas and Will started taking sides.”

“This is getting very involved,” Eddie says.

“So you see why I’m stressed!” Steve insists, smacking a hand to his forehead (personally, Eddie thinks Steve is stressed for many other reasons, but he figures pointing that out just now won’t be appreciated). “Lucas is on Dustin’s side, and that kid does odd jobs like nobody’s goddamn business; he actually has shit saved up. And usually I’d have faith in him being more, like, sensible than to spend it all on this, but the little shit is really fucking competitive.”

“Wonder who he got that from?” Eddie mutters.

“Okay, we do remember that I’m not actually biologically related to any of these idiots, right?” Steve snaps.

“Well now we’re just getting into nature versus nurture–”

“Eddie.”

“Right, sorry, continue.”

“Well, Will took Mike’s side–”

“Shocking.”

“Right? But anyway, I don’t know if the kid has much saved up, but between him and Wheeler, they might be able to win.” Steve sighs, looking far more world-weary than Eddie feels the situation really warrants.

“You know you don’t actually have to do what they ask you to, right?” Eddie points out.

Steve rolls his eyes. “If an auction winner complains to the school that the person they bid on didn’t fulfill their end of the bargain, they can get their money back. It’s a whole…” he waves his hand vaguely, “thing. Happened once when I was a sophomore; Deacon McNab. Lost a good chunk of change for the football team, and they vandalized the shit out of his car.”

“Ah, right. Forgot we went to school with literal psychopaths,” Eddie hums.

“So, I just need you to bid on me and win, so I’m not stuck wasting a Saturday on whatever the hell the kids are going to try to make me do. Or not do. Or– whatever,” Steve says.

“Okay, not that I don’t understand your predicament here, but I think you’re forgetting something kind of important, Steve,” Eddie drawls.

Steve’s brows draw together in question. “What?”

“I’m fucking poor.”

“Oh.” Steve shakes his head. “I didn’t mean– no, I will give you the money, you don’t have to spend a dime, man, I just need you to get me out of this.”

“Why not have Buckley do it?” Eddie asks.

“That was Plan A, but she actually has a date that night, and it’s kind of a big deal, so I don’t want her to cancel,” Steve says. “But I assumed you wouldn’t be busy.”

“Wow, rude,” Eddie scoffs, and Steve sighs.

“Fine, sorry, I just really hoped you wouldn’t be busy.” Steve gives him the most lethal set of puppy dog eyes Eddie has ever seen, as if there had been any chance from the beginning that he’d be able to say no. “Please?”

Just for show, Eddie lets out a long sigh, falling against his chair and letting his head flop over the backrest like he’s deflating.

“Fine.”

“Thank you,” Steve groans, sounding so genuinely relieved that Eddie almost feels bad about how quickly his thoughts dip into the realms of the inappropriate. “Oh my god, I owe you.”

Eddie glances back up at Steve, tongue darting out to wet his lips almost unconsciously. “You know I’m not as easy to appease as a couple of fifteen-year-olds, right?”

Steve’s eyes drop for just a second—maybe down to Eddie’s lips, maybe not; who can say?—before he looks back up, cocking an eyebrow at Eddie. “I think I can handle it.”

Slowly, Eddie grins. “We’ll see.”

[sugarcoatednightshade]

thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.

And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.

And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.

And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?

Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.

Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.

[nooling]

Finding 3-4 year old art I forgot to upload here. Old zine work and stuff

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[poorly-drawn-mdzs]

Reasons to play In Stars and Time: Canon Pronoun Warfare.

[marlynnofmany]

It’s back!

If you missed it the first time around, the “human are weird” anthology is back for a second printing. (There’s even a new story included: “Black Box” by Dara Brophy.)

Here’s the blurb:

In science fiction, humans are usually boring compared to other races: small, weak, with no claws or tentacles, and no special abilities to speak of. But what if we were the impressive ones, the unsettling ones, the ones talked about by all the other aliens? What if we're weird?

If you’d like a collection of excellent stories about humans inspiring awe, fear, and utter confusion, it’s available everywhere books are sold!