#this was a three page spread

[wallpaper-dreams]

[mousemannation]

🫵🏼🫵🏼 GAY PEOPLE IN MY MAGAZINE 🫵🏼🫵🏼

[kyouka-supremacy]

Well.

[loverboybrightsideghost]

lois: oh don't worry my husband has his own morning work out ;)

clark:

[nishiki-e]

Having Achieved Their Goal, the Faithful Samurai Withdraw to Sengoku-ji Temple and Assemble There, Utagawa Kuniyoshi, 1847

[cosmicrhetoric]

wano is so good tf

[a-chicken-with-adhd]

Full page art spread!

[unproduciblesmackdown]

NOTE: THIS ITEM IS CURRENTLY IN PREORDER. IT WILL SHIP IN JUNE-JULY 2023. We will be printing based on preorder size, so grab one now if you want one!

More than 40 trans writers and artists have joined forces to explore the deeper meanings of the Fast & Furious franchise (and also gender). There's really no way to know why this exists, but it does, and you can own it! Suitable for F&F fans and newcomers alike. Contributions include:

- A new short story by Manhunt author Gretchen Felker-Martin - A demolition derby driver’s perspective on 2 Fast 2 Furious’s derby scene - An essay contemplating the queer symbolism of Cipher’s bowl cut - The scoop on the franchise’s only canonically nonbinary character - Instructions for an F&F-themed tabletop roleplaying game - A contemplation of which Taylor Swift album represents each F&F character - Plus: Bingo cards! Comics! Haiku! And, of course, hot gay erotica…

2 Trans 2 Furious is edited by Tuck Woodstock & Niko Stratis, with cover art by Mattie Lubchansky and zine design by Shay Mirk.

~

This zine is 8.5" x 5.5" and perfect-bound like a real book — fancy! Interior pages are black & white. We're guessing this baby is like 100 pages long but we'll get back to you on that.

Currently only shipping to the United States, sorry! We're hoping to at least expand to Canada soon, and also plan to add a PDF ebook option, so keep an eye out!

(that "the scoop on the franchise's only canonically nonbinary character" is the page i contributed about our one & only beloved akd-acted cam stone!! plus also if you're interested in preordering a fancy printed copy of a zine about fast & furious, which you don't have to even know about or like, with all trans contributors. including me)

[bleaksqueak]

It's back to work on pages (and patreon) now that I've managed to get a Halloween illo out. Hooray?? Yah, that's a hooray. Like to think Audric's banana costume is still canon while Elias goes all out and dresses up full devil time. Since that illustration was done to match Maia's first year halloween illo, maybe next year i'll complete the pattern and do another candid photo-style halloween pic. Audric and (NAME REDACTED) need to dress up for real, too. We'll see how quickly I can get through more pages!! i'm ready for updates to resume... but in the meantime, my ask box is open while I work if anyone wants to send character/lore asks.

[chryzure-archive]

doesn’t help that the romance for two, maybe three, of these pov characters confuses me. where did we get that spark? why are we feeling emotions for each other?? i’m not sure what’s going on!!!

[ferronickel]

Girl help, this page already has 53 layers and I've only just finished the layout.

[stupidairsign]

Nov 4 2024 Celtic Cross

my first real attempt at the Celtic Cross spread & using my new Prism oracle deck-

i asked about me & B

pulled the RWS first then asked for clarification & this felt really striking with how well it fit. the 10 wands crossed with the 8 wands. all of the lines that kind of match the cross on rejection. the color similarity. and i really wasn’t sure what these wands were trying to say but when i pulled rejection it was like a gut punch because obviously i am scared of rejection from B... i am worried that everything is pushing me in the direction of possibly rejecting him and “moving on” as well as the rejection felt when he spends time with other guys instead of me

how well these oracles worked with the other cards felt really crazy. and really did give a lot of insight into what was going on here. self - i am trying to turn us into the 2 of cups and find the balance in the conflict to do that. environment - the people around me see it as a bad idea/heartbreak to come (3 swords) and are just being sweet & not being mean about not thinking i should spend time on him. hopes & fears - he shows up as the Hierophant for me so often and i think i’m scared he’s stuck as that & hope that we might be more. outcome - i get the knight of wands to represent him a lot so this feels like a message that our relationship is changing & that change might bring peace

full spread. i really love this Prism deck & how well it has seemed to sync with my deck. makes me feel like i am doing something right

[ihavesomejays]

tldr i’m gonna be posting more original art (read sketchbook stuff) here because i no longer feel the need to have my fanart and personal art accounts be separated

anyways theories on what’s happening in this one?

closeups below keep reading

[webism]

prt one, prt three

pornstar!satoru who pays for a month of your onlyfans—for research purposes. he needs to find out who this boyfriend of yours is, and figure out a way to get rid of him.

pornstar!satoru who knew it was a long shot, that you might not even show him on your page at all. and of course he got distracted a few times whilst scrolling through your posts, dick rock solid and at attention with each new angle of you of his screen.

pornstar!satoru who, when he finds the more homemade stuff, he’s pathetically jealous of the man that frequents your bed so often. how big his hands look as they lay lovingly over your skin, how in love you look as you suck his cock, how well his tip hits your g-spot over and over and—of course he fucking knows him. a video of you on your back piques his attention, your man in between your legs and lapping at your needy pussy like he’s starved. satoru knows that long hair, that cheeky sexdrunk smile that pulls at his lips while he eats you out, he knows those purple fucking eyes that turn to glance at the camera.

of course it’s pornstar!suguru.

pornstar!satoru who suddenly has his cock out, languid strokes of his fist over his length is nothing to the memories of pornstar!suguru's lips wrapped around his length. who is so enthralled by the knowledge that both him and his former co-star have gotten to feel the flutter of your pussy around their cocks.

pornstar!satoru whos fingers are frantic as he searches for more of you together, and ends up spending way too much money on subscriptions just to watch you get fucked stupid on the same cock that he once did for a film a few years back. who wonders if you feel the same stretch with suguru as you did with him. if you were forced to choose, relationships be damned, who you'd say made you cum harder.

pornstar!satoru whos dick gets impossibly harder at the thought of you not choosing at all. who lets himself picture it, you spread out for both him and pornstar!suguru, your eyes wide at the prospect of taking both of them at once. how he'd take your mouth first, how with each thrust of suguru into your pussy would push you forward onto his cock. how he'd kiss your boyfriend breathless while they're both balls-deep inside of you.

pornstar!satoru who strokes himself along to a video of you riding pornstar!suguru. who times his orgasm just right with your shared one, who goes fucking blind for a moment with the way his climax washes over him. your noises, suguru's noises, the imagined smell of sweat in the air. he moans, a dirty mixture of your name and his, something embarrassing and still he remains steadfast in his lust.

pornstar!satoru who, because he respects himself at least a little, gives himself fifteen minutes for post nut clarity to set in. and when it doesn't, he's texting his agent in the dead of night and very firmly requesting to be booked again

with both of you.

pornstar!suguru who, upon having you home from a particularly tiring shoot, is doting on you with heart-shaped pupils. He's got you laying down with him on the couch, big hands working magic on your sore muscles.

pornstar!suguru who doesn't always ask for details about your shoots. he knows it's just work, hell, he's a pornstar himself, he doesn't need the raunchy details of your jobs to keep himself from spiralling. but something about today feels different. today, you seem uncharacteristically fucked out.

pornstar!suguru who is more than surprised when you're still rearing to get fucked silly that night. you groan about your shoot with a new pornstar, and how his touch is still lingering on your mind. and suguru laughs, because jealousy doesn't come easy to him-- if anything, knowing you're still in his bed at the end of the day just gets him even more worked up.

its when pornstar!suguru bottoms out inside of you, that shared gasp of ecstasy leaving both your lips that you mention how he asked you out for drinks after the shoot. you add on, of course, that you turned him down, but the comment still has your boyfriends interest piqued.

pornstar!suguru who, with a kiss to the corner of your lips and a gentle thrust into you, asks who this admirer of yours is. and just as the names about to leave your lips, his phone chimes on the bed with an email.

an offer. a threesome shoot: him, you, and a second male. it's the best paying shoot he's gotten in a long time. he hasnt quite scrolled down to see who the other talent was, so when you snatch his phone, legs still wrapped around his waist, he catches that smile on your lips. he catches the way you clench around him.

"that's him," you speak, such pretty words from your lips as you turn the screen to show him the name and headshot of pornstar!satoru.

and pornstar!suguru's dick gets impossibly harder.

tags: @meowforluv @p1xlesk1nn @ch3rryistheg @miizuzu @okayiamkassandra

PART THREE HERE!

[nishiki-e]

Actors Sawamura Tosshô, Bandô Mitsugorô, & Bandô Tamasaburô, Utagawa Kuniyoshi, 1843

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)