#this took too long to write but

[guppyfish77]

So about the Battle Subway Trains

Hi, I love trains! And the Trains in Unova have a surprising amount of detail? And nobody talks about it? And if I don't talk about it I will explode!?!!!

So despite Unova being inspired by New York you'd think the Battle Subway Trains would be based on The New York Subway Trains? However they look like they are more based on Japanese Railway Trains!

I'd like to preface before going into this that despite talking a lot about the Japanese Railway, I am not Japanese, while I did my best to research as best I can, some stuff may fly over my head, I also used an online translator for some information so it might not be 100% accurate.

Alrighty lets get into this! This is mainly for fun and its going to be under the Read More because it is verrrrrrrrry long, I hope that you enjoy!

If you aren't aware, each train in the Battle Subway has lore! All the lore comes from this Worker NPC on the bridge in Anville Town. Depending on the day, a different train will show up on the turntable, and he'll give you a little dialogue for that train! This dialogue is what I'll be mainly analyzing :]

Single and Anville Town Trains:

"This is a Single Train! It's the oldest train in the Battle Subway. It's for a loop line to go around the Unova region! Do you know Tubeline Bridge? The train that runs on it is this Single Train."

"As you know, this is a local train to Anville Town! Isn't it just so cute? This one is a little slow and heavy. When it runs, the whole train sways. The train car is the same model as a Single Train. Because it is an old train car, I hear the maintenance is hard, but it's the one I always ride, because I loved it as a kid!"

So! The Single and Anville Town Trains are the same model of train, you can actually see this in their designs where they both share the same face but they differ in the livery. (Livery is a term referring to the train's decor/color, the color is often associated with a particular company or in this case a particular train line.) I'm going to use this fact to assume that if one train has one feature, then it's likely that the other train also has that same feature. Such as how the description of the Anville Town Train says it sways as it runs, if that is the case then the Single Train also probably sways. (which sounds kind of awful to battle on, unless you have good train legs I suppose X_X)

It is stated that the Single Train is the oldest in the Battle Subway. I believe though, that it means the oldest train that is currently running in the Battle Subway. As there is another train that seems much older and no longer running, but I'll get to that train much much later.

Older trains are indeed harder to maintain, and expensive too. This is because the older the equipment, the harder it is to get its parts as they become more obsolete. Though I will say this, trains can last a long time! The average service life of a train is about 30-50 years, it really varies from train to train. These trains would most likely be on the older side.

There is a slight possibility that it has been continued to be maintained past it service life. Given how fond the Worker NPC talks about the train, it might have high sentimental value. Therefore if it is past its service life, it has not been scrapped or recycled yet because of it. I doubt this is the case though, usually it is never worth the maintenance cost (especially for regular operation.)

Like the description says, you can see the Single Train running on the Tubeline Bridge, here's a video of it! Apologies for the way I am recording this, I don't exactly have a capture card, but I wanted to show you guys regardless

You can see how fast the train is going as it passes below you! At least the just Singles Train anyways, seems to me like it's going about 20-30mph? I tried doing math to find the exact speed but that's difficult for several reasons (no idea how large a "tile" in Pokemon really is and objects in the overworld are not very accurate in size so I can't exactly do any comparisons. The perspective of the camera also makes it tricky.) Given how the Anville Train is described as "slow and heavy", I would hazard a guess to say that the other trains of the Battle Subway may run faster than this.

You can also see that each train is made up of 7 cars as it passes below you if you slow down the footage. Which is not surprising, you have to win 7 battles in a row to complete a "set" where you are then dropped off at a rest stop. I believe the Battle Subway trains to be electrical multiple units (EMUs) so it would probably make them 7-car sets.

It also looks like the Singles Line is very busy with the trains only being seconds apart! Now I know this is more a visual thing so the environment would be interesting to look at, but I'd like to think it indicates that the Battle Subway/Singles Line is very popular! (and very well organized!)

As for Real life train inspirations I think perhaps the Tobu 10030 series?

The Tobu 10030 is a version of the Tobu 10000 series with some minor changes, such as the design of the face and using a bolsterless bogie. (Bogie is a part of the train that refers to a frame that holds sets of wheels as well as the suspension, breaks, etc. in which the body of the train car rests upon.)(A bolster is a part that connects the side frames of the bogie and the underside of the car's central pivot point.)(A bolsterless bogie is a bogie type that doesn't have a bolster). The front of the train is covered in fiber reinforced plastic and the outer panels are "bead molded" (which... I have no clue what that means...) This series has been going under renovations since 2010.

Double Train:

"This car is a Double Train! This is a mass-produced car from a decade ago! Compared to a Single Train, the number of parts was reduced so it could be built for a lower cost. The number of parts influences the budget and construction time. The streamlined and beautiful design of the Double Train is still valued today."

So the Double Train is at least 10 years old! (That's what decade means!) Honestly though, I think the Double Train might be older than 10, in Japanese the description just says that it is a "mass-produced train from a long time ago" and doesn't mention a number... Another reason is that in the Multi Train description, it mentions that it is a test model for future trains that will replace the Double Trains. Which means perhaps that the Double Trains may be reaching near the end of its service life, which again average 30-50 years. It could be a possibility that this train may have a shorter service life than usual, who knows. This all speculation really.

As for lowering the amount of parts, from what I found it makes the train lighter. It would also probably lower the cost as well like the description says (trains are really really expensive to build! EMUs can cost $2mil-$10mil per car!)

It also mentions that it is a mass-produced car! It's a train made with mass production for commercial purposes! I believe it's usually for train lines that are really busy, where they would need a lot of trains? It typically means that there are a lot of them. (All this makes me wonder about train production in the Pokemon World...)

As for Real life inspirations, I think that the Double Train is inspired by the Tokyu 1000 series train.

The Tokyu 1000's design and equipment is similar to another train, the Tokyu 9000 series, with improvements such as improved handling and making it easier to do inspection and repair work. As well as reducing the amount of spare parts from the Tokyu 9000.

Multi Train:

"This car is a Multi Train! Few cars of this model were produced. This is a test car to develop future mass-produced cars that will replace the old Double Trains. The technology born during the creation of this train car made the Super Single Train and Super Double Train possible!"

The multi train is a test/prototype train! A little surprised that an entire line is running off a few prototypes. Like the description says, not many are produced as the purpose of a prototype is to test features and improve upon them if needed before they are put into mass production. Given that it says the technology from this train was the reason the Super Single and Super Double Train was made possible. I'm thinking it was most likely testing some eco friendly features? As it is the Super Single and Super Double Train's main feature.

Perhaps them using a model with so few trains means that the Multi line isn't that busy/popular? (Surprising then the train platform is not swarming with more train photographers haha!)

As for real life inspirations, while the livery may not be the same I think it could be the Keisei 3000 (2nd Generation.)

The Keisei 3000's body is made of lightweight stainless steel and the passenger doors have a paper honeycomb structure. When they were designing this train, they wanted it to be both environmentally (energy saving) and customer friendly (being accessible to elderly and those with disabilities.)

Super Single and Super Double Trains:

"This Super Single Train is a new mass-produced car! It's an environmentally friendly train, because they revised all the parts to drastically reduce power consumption! Newer trains have to be built in a way that's both functional and environmentally friendly. Compared to the past, they've improved significantly."

"This Super Double Train is a new mass-produced car! Such a streamlined and refined design! Beauty and utility working together! That kind of beautility is unique to mass-produced train cars! It uses the same train car as a Super Single Train. The only difference is the appearance. It is a superb train car that will go down in the history of the Battle Subway!"

The Super Single and Super Double Trains are the same model. Honestly the description of these trains doesn't give me a lot of information besides the fact that these trains are eco friendly. So I'll talk about what trains do to make themselves (even more) eco friendly!

They are stated to be eco friendly by reducing power consumption. I think it could be referring to a "VVVF inverter control" (it stands for variable voltage variable frequency. In English its mainly called the VFD or variable frequency drive.) A VVVF is a type of system for an AC motor that can reduce energy consumption! (There are two types of electrical current, DC or Direct Current and AC or Alternate Current. An AC motor is a motor that is driven by AC electricity.) It is important on energy saving trains! I won't get too much into how it works, but essentially it controls the AC motor's rotational speed by controlling the frequency. By controlling these, it can control the speed and acceleration of a train. You'll find that a VVVF is often paired with a three phase motor (I will not go into that...) Let's just say that these systems are very efficient at using power and help save energy.

Really, reducing power consumption usually means being more efficient at using power. Like using LEDs, using better insulation to retain cooling or heating, and generally using parts that use less electricity. It could be that the train is lighter in weight too (lighter vehicles use less power.)

Both of these Super Trains are mass produced! Which tells me that there are a lot of Super Single and Super Double trains! Its lines are probably busy.

As for real life inspirations, it is very much inspired by the E233-2000 series train

The E233-2000 is a little bit of an oddball in the E233 family exterior design wise. Its design was inspired by the Tokyu 5000 series. Its basic running equipment is the same as the E233 trains before it though.

I think it is a bit of a stretch, but I'll mention it anyways. The E233 (which the E233-2000 is a subsection of) is a train that has won the Laurel Award in 2007. The Laurel Award is an award given to trains by the Japan Railway Friends Association for trains with an excellence in technology and design (specifically geared towards commuter trains.) It could be what all the "beautility" comments could be referencing to? They do look verrry different though, and the E233-2000 came after the award was given...

Super Multi Train:

"This train car is a Super Multi Train! This is the latest train car! Improved acceleration and deceleration! Automated train-car controls! It's full of cutting-edge technologies. Also, a regeneration brake system, a car-body tilting system, a whatchamacallit system, a thingamabob system... I don't remember all the details, but it's just a big festival of all the latest technology!"

Ohhoho! The Super Multi Train description is a goldmine of details! This train is the whole reason I wanted to make this post! Let's run through its features!

Improved acceleration and deceleration means that it can run between stops faster, allowing for quicker operation time.

Automated train-car controls or ATC is a safety system on trains that prevents trains from going over a certain speed! If the train goes over the maximum speed permitted then the ATC will pull the brakes automatically to reduce the speed and release the brakes when it is below maximum speed. It also displays the maximum speed to the driver. It is an incredibly important safety system!! From what I understand, the term ATC is very common in Japan, in other countries the ATC would simply be a part of cab signaling (it is a safety system mainly for the driver and train crew, it tells them track status and condition information) and train protection technologies. ATC is installed on all Shinkansen trains, it is also installed in some subways and heavily used railways.

Here's an example of what it looks like! The green triangle there is the (current) maximum speed. There are a lot of different types of ATC systems and this ones a D-ATC (stands for Digital Automatic Train Control) from within an E233! There are a whole lot of different types of ATC, and they can come in many looks! I would show more examples, however, I have hit the image limit on this post... :[

A regenerative brake system is a special type of breaking that allows a train to generate electricity via breaking! The electricity can either be used immediately, stored, or returned back into the line. You might've heard this feature on electric or hybrid cars. It is a common eco friendly feature!

A car-body tilting system is a feature in trains that allows the body of the train car to tilt into a curve! It allows the train to go faster on a track (not needing to slow down on a curve) but the feature is mainly for passenger comfort! When you ride, you don't feel the centrifugal force at all when going around a curve! And it makes the ride so smooth! Here's a short video demonstrating what it looks like:

There are essentially two major ways to do a car body tilting system. There is active tilting (forced body tilting) or passive tilting (pendulum system). A forced body tilting system uses computers to tilt the train using track data or sensors, telling the train when and how much to tilt. If the calculation is not done correctly, it can leave passengers with motion sickness (An infamous example is the Advanced Passenger Train in the UK). The tilting itself I believe is done via hydraulics. Forced Body Tilting is more popular in European and American trains.

As for passive tilting, the train in the video uses it! (A controlled pendulum train!) It means it uses natural forces to tilt the train car. I'll dive deeper into this type of tilting in the Wi-Fi train section because it actually mentions it's a pendulum train! As to which tilting type the Super Multi train has... it could honestly be either.

(Ah! I forgot to mention this, but tilting trains are especially useful in mountainous regions, where there are a lot of curves.)

In the Japanese version of the Super Multi description, it also mentions that it has a "earthquake warning system" and a "tornado monitoring system".

An earthquake warning system is not something fully installed into the train, rather it's mainly a set of sensors installed along the track, coast, and major inland areas. For passenger rail, if any signs of an earthquake are detected, it will alert any trains in the affected area and drivers are required to apply their emergency brakes. For shinkansen trains it will cut off power to the affected area which will automatically activate the emergency brakes.

Well, I found something close to a tornado warning system. There is a "gust warning system" where sensors measure wind speed and to predict where strong gusts of wind would go. Again, it's not a system that is installed within the train. From what I could tell, they would restrict travel speed during strong winds. If wind speeds are too high, then they would shut down the lines. (I suppose would be very useful, especially when there's some legendaries that cause powerful storms roaming around.)

In the Japanese version of the text, it also states that the Super Multi Train is also a test train. Which again means there's also not a lot of this train. It also states that some of it's features are unnecessary due to it being a test train lol

In the description all these features are stated as "cutting edge" and "a festival of all the latest technology" when these features are not all that new? And Regenerative breaking seems to be pretty common? (Every irl train I have shown thus far all have it.) Eh, I don't think it's that big of a deal. They are just fictional trains after all.

I originally thought the train looked like an Eizan Railway Deo 800 series, but thanks to the leaks, it looks like that the JR East 205-500 was used as a base to design the Super Multi Train? With probably heavy modification to the final design. (While I don't condone the method that these leaks were obtained, curiosity did get the better of me. This is the only train that I ID-ed this way.)

This Train was exclusive to the Sagami Line, though it ended operation in 2022 and every one of these trains have been scrapped. The blue color I believe is an homage to the Sagami River that runs along the line. The Train used a semi automatic door system for its passenger doors. Which means that rather than the conductor opening and closing the doors, the passengers would press a button to open the door when the train has stopped.

Wi-Fi Train:

"This train car is a Wi-Fi Train! It is the fastest long-distance high-speed train in the Battle Subway! This is called a pendulum car. Its body tilts while going around curves, so it can run without slowing down! Faster! Farther! Our engineers' spirits are infused in it!"

A pendulum car is a very specific term!!! Like I mentioned in the Super Mutli Train section it is a type of car body tilting. There are multiple types of Pendulum systems, There is Natural Pendulum, Controlled Pendulum, Air Spring (also called Simple Pendulum), and Hybrid.

Natural Pendulum is just using the centrifugal force of when it goes around a curve to tilt the train. This type was known to cause motion sickness in riders because when it straightened out, the car would "lag" or wobble. Sometimes the force was not enough to tilt the train and this would also cause passenger discomfort. These issues were fixed later with a controlled pendulum, where there would be a degree of control to the tilting. Using mechanisms similar to forced body tilting, it would prevent wobble and ease the tilt. The air spring method, as suggests in the name, uses air springs to help with tilting. It is similar to the controlled pendulum, though it tilts less than it (controlled pendulum can tilt 6 degrees and air springs can only tilt 2 degrees). Air springs are cheaper to build though and still are able to make the train go faster. Hybrid is the combination of controlled pendulum and air springs, allowing for an 8 degree tilt.

I hope the Wi-Fi train is not a natural pendulum? You're telling me you have to battle on that and you might get motion sickness?? Though it sounds like it might be more high tech so it is most likely the other types... Hopefully...

It also states that this train is the "fastest long-distance high-speed train in the Battle Subway!" Looking at Japan's tilting trains (that are not shinkansen), they go about 120kmh-130kmh (about 75 mph-81 mph.) So it could be a possibility that the Wi-Fi goes something along those speeds.

I've looked through Japan's tilting trains, and the closest one might be the JR Hokkaido Kiha 201 series? It's not at all close though... I can't really find a good match tbh. I think the 113 series seems to be a bit more closer visually.

The one on the left is a Kansai livery and the right is a JR Shikoku livery. They are both the same train, JR Shikoku bought the 113 series from JR East to replace some aging trains and then modified it. Which is why they look a bit different. The modifications include strengthening the front of the train and adding shock absorbing material inside.

So Those are all the trains that run in the Battle Subway! However there are 2 trains that don't, instead they only show up in Anville Town on certain days. I'll be calling them "Old Train Car" and "Futuristic Train Car"

"Old Train Car"

"This train car is the kind that ran a long time ago. Compared to contemporary train cars, it has more parts, so I heard it was difficult to build. The old train cars built with lots of small parts have their own unique beauty and attract a lot of fans. Those cars no longer run in the Battle Subway, but I hear they're still used in a faraway region. Ah... I'd love to be on that train!"

So this sort of car used to run on the Battle Subway. It's said to be still running in another region, though with how old the train looks I can only think that maybe it would be running by railway preservationists.

The design of this train reminds me a lot of old Japanese electric trains and trams. Especially trams with that double roof. I don't think it's really based on any particular vehicle? Here's a couple that I found;

The only one I feel like is worth mentioning is the Jomo Electric Railway Deha 101 (this specific car is the Deha 101, others of its kind are called Deha 100 type) and the Nagasaki Electric Railway 160 type. Both of these vehicles I believe are still running to some capacity.

The Jomo Deha 101 has been running for over 90 years. While car 101 still resides at Jomo Railway, other Deha 100s have been transferred to other private companies where they have been scrapped. I believe the only existing Deha 100s today are Car 101 and Car 104 (which has been painted bright yellow.)

The Nagasaki Electric Railway 160 type used to belong to the Kyushu Electric Tramway where it was called the Type 1 Electric Tram. When it was transferred to the Nagasaki Electric Railway it was renamed into the 160 type. Today, there is a single car in operation. I believe it is the oldest wooden car in Japan that is still in service.

I suppose I will also mention the Keifuku Electric Railway Mobo 21 Type Train, it does look the most similar. Though, it's purposefully designed to look like an old style tram.

"Futuristic Train Car"

"This train car is a new train to run in the future! Wooo! Cool! Super cool! The latest motor breathes fire! Uh-oh, if it really breathed fire, that would be bad! But it is full of the latest technologies! It's undergoing a lot of testing. It's called a gauge-convertible train. It's a sweet car that can adjust its wheels to run on any rail!"

So first off, I'd like to say that this train visually kind of looks like a "Sonic" 883 series (nothing to do with the blue hedgehog, it was just a coincidence lol)

However the description!!!! A "gauge convertible train" that is undergoing a lot of testing... That description matches exactly with the GCT! (literally standing for Gauge Change/Convertible Train, though in Japanese it's called FGT or Free Gauge Train!)

The GTC is the project name for this experimental shinkansen. The one in the picture is the GTC-01, the second generation of its kind (as this is the version they would be testing before and during the development of the game, there is now a 3rd generation.) So, the term gauge refers to the distance between the two rails. Different trains run on different gauges, they can come in either narrow gauge, standard gauge, or wide gauge. Japan's rail network is mostly narrow gauge (specifically Cape Gauge.) The main exception are the shinkansen trains, which run on standard gauge. This shinkansen like the description says would be able to run on any gauge. It used to be under a lot of testing by the Free Gauge Train Technology Research Association. Today though, the GTC-01 second generation sits on display in the Shikoku Railway Heritage Museum.

There are a lot of challenges that the GTC faces. It takes a bit of time for the wheels to adjust to the gauge and you need to go slower when it's doing so. It has increased maintenance costs. The heavier specialized bogie creates more wear on the rails as well as making the train harder to detect. (Ok! Basic explanation for Railway Signaling! Tracks are split up into sections called "blocks", and a small electrical current is run between the two tracks that makes up the block. When a train runs through, the wheel and axle of the train disrupts the current, which then the system detects that block as being occupied by a train. If it is occupied, the signal lights at the end of the block will be turned red, preventing other trains from entering the same block, thus preventing collisions. The problem arises in the GTC in that the wheel and the axle are separate, thus something about this is making it hard to detect on the rail.)

With this train being a "gauge change train" it really made me wonder what gauge the Battle Subway trains runs at? I thought maybe standard gauge or maybe even wide gauge because you can only make the train so wide depending on the gauge. And you'd probably want it wider so that there is more room, especially if you are fitting a battle arena in it! However in Japanese the description mentions that "The rails are a little wider on the tracks that run at higher speeds." Which is... exactly how Japanese rail works? So the Battle Subway lines are probably narrow gauge?

Another thing that's interesting about the "Futuristic Train" is the date that it actually shows up. In Anville Town the way that each train shows up is dependent on the last digit of the day of the month, like so:

0- (10th, 20th, and 30th) "Old Train Car"

1- (1st, 11th, 21st, and 31st) Single Train Car

2- (2nd, 12th, and 22nd) Double Train Car

3- (3rd, 13th, and 23rd) Multi Train Car

yada yada you get the point (4- Super Double Train, 5- Super Single Train, 6- Super Multi Train, 7- Anville Town Train, 8- Nothing, 9- Wi-Fi Train)

The only exception is the "Futuristic Train" who will show up ONLY on February 1st, June 12th, October 1st, October 14th, and December 30th, pretty random huh? haha of course not! These dates are dates significant to the History of Japanese Railway/Transportation!

February 1st: The opening of Japan's first electric street car in 1895!

June 12th: The temporary operation of Japan's first passenger railway in 1872!

October 1st: The release of Japan's first Shinkansen, the series 0 in 1964!

October 14th: The official opening of Japan's first passenger railway in 1872, with the first two stations between Shimbashi and Yokohama! This day is also Railway Day in Japan, celebrating this event, Tokyo holds a Railway Festival and train companies like to do events on this day as well! 

December 30th: The opening of Japan's first subway line in 1927, The Ginza Line!

Rails, Station Platform, and More Train:

So the Station, there are a few details I can pick up on here!

The type of track that the trains run on (at least in the station) are ballastless tracks! It means the rail is tied directly onto a slab of concrete rather than having ballast hold it up (ballast is that rocky gravel that you often see beneath the tracks.) This type of track is quite expensive to build and makes the place a lot nosier, but it has a lot of advantages! For one, because there is no ballast to maintain, it has lower maintenance cost (ballast must be packed every now and again using a ballast tamping machine. Which lifts the track and jostles the ballast beneath it. Ballast also needs to be replaced after a while because the rocks have to be irregularly shaped for it to work, and natural weathering can make them smooth out.) It is also easier to clean and has a longer lifespan. Because the rail is tied to slabs of concrete the rails are less prone to deformation, which is good! Though it is also that same inflexibility means that it is difficult to change anything about it and takes longer to repair.

Their buffer! (that little black thing at the end of the line, I think it is a buffer?) It doesn't look like that effective of a buffer... The purpose of a buffer is to stop a train if brakes fail. Though this thing seems to be more for the driver telling them where the end is, hence all the, what I presume are, lights. Let's hope they have some sort of other safety system in place (like some sort of Automatic Train Stop system.)

There doesn't seem to be a third rail. I have a feeling that might be because most Japanese railway trains are powered via overhead wire (literally every irl train I have shown is powered this way.) Maybe the Battle Subway trains might be powered via overhead wire? I might be over analyzing here, they might not have thought of modeling such a small detail haha

The train itself has some sort of device on top (that box thing.) I believe it to be some sort of air conditioning unit. Given how each train car has one large unit on top of it, I believe that it uses a centralized cooling system, which means there is one large air conditioning unit. (There are 2 other types, they are distributed cooling which consists of 6-8 small units and centralized distributed which consists of a couple of medium sized units.) Central cooling systems are easier to install and maintain because there is only one unit to worry about.

Signboards:

The Buildings in between routes have a electronic news bulletin board, and depending on which city is connected to it, the news bulletin will give a little flavor text about the city. There's some flavor text about the Battle Subway when it's about Nimbasa City, and it different depending on whether you are playing the first one or the second one, here they are:

BW

"Run and battle! Trains never stop!” Battle Subway in Nimbasa City"

"They say someone who loved battles also happened to be a railway maniac, and thats why we now have the battle subway"

So, this might be a coincidence, but there is an old name that Japanese Train Fans used to call themselves. The name was "Railway Mania" (鉄道マニア direct translation). It was used up until the 1950s. Today it's seen as a derogatory term but it was used very commonly back in its heyday (even more popular than "railfan" apparently.) I think it is kind of interesting that the term "Railway Maniac" was chosen for this flavor text and I wonder if it has anything to do with this old name. However, I say it might just be a coincidence because the term "Maniac" is not unheard of word in Pokemon (Item Maniac, Poke Maniac, Hex Maniac, etc.) But regardless, there's that little fun fact for you!

B2W2

“Get on a train and fight!” Battle Subway in Nimbasa City"

"The energy generated by heated Pokémon battles is the fuel that keeps the Battle Subway running"

I'm going to get a little headcanon-y here. We can interpret this figuratively, as in if there are no battles then its not really a Battle Subway is it? But I think it would be fun to interpret it literally! What if Pokemon Moves could get absorbed somehow to power the Train? And if the Train doesn't need it it could go into the line to power something else in the Subway! I think that would be cool :]

Extra Stuff:

●I think the Battle Subway Map could also be inspired by JR East's rail map, the main reason is the single lines (dark green) which goes in a loop around the Unova Region...

Reminds me of the Yamanote Line (light green) which also goes in a loop connecting a variety of major stations together in Tokyo and is a very very important line!

●While I do believe Gear Station is inspired by New York's Grand Central Station, I do think there's a lot of design elements taken from Tokyo Station as well

●The gray bodies of the Anville, Single, Doubles, and Multi cars are probably meant to represent an exposed steel/aluminum body rather than the ones painted white like the Super Trains.

●In the Anime, the trains are said to have an ATO system, this is also a real system, it stands for Automatic Train Operation. It's a system that allows a computer to control when the train stops and goes with no driver involved! I don't think that the trains in the games run on an ATO system though, as there are Depot Agents who talk about train driving (Depot Agent Cameron who says "I’m good at driving, but I’m not good at dealing with Pokemon." at the start of battle, and a way more obscure Depot Agent whom you can talk to on the platform after 14 wins on a Super Train who says "I’d rather have an exciting battle than slowly drive the train.")

●In the Anime, there's a stamp rally, which is a real thing! There are station stamps in Japan which tourists can collect. Though, occasionally Pokemon will collaborate with JR East to create a Pokemon Stamp Rally! The most recent is this Pokemon Horizons Stamp Rally promoting the show! Here's a map of what stamps you can collect at each station and the prizes you can get!

●In the Nacrane city library there is a book that mentions that Nacrane used to have steam locomotives running through it!

"This book is about the things you can ride in the Unova region, such as Castelia City’s cruise ship and Mistralton City’s planes. Before there were planes, locomotives carried people all over Unova. The railway in Nacrene City is a legacy of those lines." (B2W2)

What kinds of Steam Locomotives? I suppose we will never know, as we never see one in game.

●There's an Roughneck NPC you can talk to at Tubeline Bridge in B2W2 where he says

"Watch it! People use “railway fan” as a catchall term, but there are many types of railway fans! There are riding fans, detraining fans, station fans, train-car fans, schedule-table fans, picture-taking fans, recording fans, and more! Don’t go thinking they’re all the same!" (B2W2)

So in Japanese, Railway is Tesudo (鉄道, testu 鉄- Iron and do 道-Road) and a Railway Fan is Tesudofan, however fans will abbreviate to just Testu and stick what aspect of trains they enjoy with it, so like 乗り鉄 (Nori 乗り-Ride, 鉄-tetsu) as a Train Riding Fan, or 撮り鉄 (Tori 撮り-Taking a Picture, 鉄-tetsu) as a Railway Photography fan. There are a lot of these and the NPC does go over some! There's also Railway Modeling Fans (Fans who collect model trains and/or construct model railways), Collecting Fans (Fans who collect railway related items such as tickets or stamps), Operation Fans (Fans who like researching railway operation and equipment), Regulation Fans (Fans who like researching railway handbooks and laws and regulations that go into a railway), Simulation Fans (Fans who like playing train driving/railway management games), Artists/Writers, Urban Explorers, and Railway Preservationist (I gave up on the last ones lol). There are lots of ways to enjoy trains!

There's also the super specific terms of "Mama Tetsu" where a mother becomes a railway fan because of their children's interest or "Oyako Tetsu" where a child becomes interested in trains because of their parents.

●The badge on Ingo and Emmet's hats probably represents the logo for the railway company that they work for, while researching about Japanese Railway Companies, I noticed that they have a lot of circular logos, here's a handful:

From what I could gather, these types of black and white circular logos are called a mon, kind of like a crest? If you wish to scroll about the logos, here is the link for the Wikimedia commons list.

The company's logo is also what's usually depicted on irl conductor's hats anyways, in the exact same place too.

(I was looking for a screenshot to showcase the hat to put here, but instead I found this promotional video! It's actually pretty good at going over the basics of what a driver and conductor actually do! Please feel free to check it out)

●The name "Depot Agent" is a little bit of a strange name, in Japanese the name is simply "Railway Worker", a depot is often referred to a train yard, however depot can also refer to a station, given where we see this trainer class working (at Gear Station), it is most likely that the depot in this case is referring to station, so they are station workers!

Final:

After all this I have come to the conclusion that somebody at Gamefreak really liked trains! And I really think all the little details are so awesome! and it really cements the Battle Subway as my favorite battle facility!

Anyways I hope you learned a thing or two and I hope you gained a new appreciation for trains and the Battle Subway! Thanks for Reading! ✌

(If I got anything wrong, please feel free to correct me, there was a lot of information I had to sift through and I am NOT an engineer * _ * and if you have something to add please do! I would love to learn more! ^ ^

[red-writes]

jjk x reader--dilf hcs

characters: nanami, toji, gojo, geto.

summary: dilfs raw dog you <3

content contains: smut, raw sex, creampies, age difference, oral, choking, nicknames like kiddo and good girl. 

red’s note: finally wrote something longer than 50 words hooray!! and truthfully I really just needed a man to call me kiddo

⟶Nanami

Nanami likes to take care of you. He likes to be depended on and it makes him hard when you ask him for help or ask him for something you need because he just loves to meet all of your needs. Loves to see you fully satisfied. making you cum is his love language <333

It feels so good. His cock is rubbing along your pussy lips, his thumb rubs soft circles onto your clit and you can simply feel your cunt pulse and leak in desperation. Nanami tsks at you, “You really are desperate, look at how much you’re dripping” he chuckles out and you sigh as you feel the tip of his cock prod your cunt and slowly push its way inside. 

“K-kento..feels good” you whine and he cups your cheek stroking your cheek with his thumb. His thrusts are slow but deep, he can feel the clench of your cunt whenever he tries to pull out and it’s making his head feel lightheaded. sex with nanami always left you with sweat dripping down your body and no thoughts in your head. all you can think about is the way his dick glides against your most sensitive parts and all you can do is sit there and take it. 

“where are you drifting off too sweet girl? hm?” he asks while his fingers slide down between your thighs and rubs soft circles onto your swollen clit. you can hardly warn him as your orgasm rolls over you. but he knows because he can feel the way your pussy pulses around him and the way your eyes roll back into your head and your body shakes.

“there she is, let go my love, such a good good girl for me”

⟶Toji

Good gracious..toji is a selfish lover. his sexual needs are at the base of his Maslow’s hierarchy. he will quite literally stop time to bust a nut. its horrible but when he asks you just can't say so no :(

His hands grip the fat of your midsection as hips grind against yours from behind. his exposed cock nudges at the fat of your cunt from between your thighs and your face heats up.

“Won't you help this old man cum?” he thrusts his cock forward against you, “can’t you feel I need you bad kid?”

you whine as you pull down your pants, “We gotta be quick, people will be here any minute.”

“Keep it tight for me kid” he says as he presses your thighs together. you let out a whine as his cock brushes against your clit with the head of his cock and you thrust your hips back against him, desperate to feel the sensation again. at your show of desperation toji stands still and watches you throw your ass back against him. 

the pseudo sex had your cunt dripping down his cock and the slick smeared against his pelvis. toji couldn’t deny how hard it made him seeing you so horny, it made his dick twitch between your thighs. you heard the doorbell ring and you whined and your hips slowed down but toji slapped your ass and spread your ass apart before pushing his cock into your cunt, the feel of you wrapped around him already makes him want to cum but he was holding back for you. 

“toji..they’re here we can’t” you moan into the granite countertops and gives your ass another spank

“let them wait”

⟶Gojo

similarly to nanami he’s such a giver. he wants you to feel good and take care of his little girl’s needs but he wants you to ask, wants you to say please and grip his bicep with teary eyes. it gets him going like nothing else.

“come on princess” he says, he blows lightly on your clit and you squirm on the bed. “say it~” he says as he eyes the way your pussy clenches and drips down between your ass cheeks. 

“please ‘toru..” he hums slightly and leans in and presses a kiss to your throbbing clit, “not enough” he says and you whine, bucking your hips up into the air. 

“please ‘toru...suck my clit” you say using your arm to cover your eyes, shielding yourself from the embarrassment. he chuckles at your shyness and wraps his lips around your achy clit, sucking on the bud with little care to the wet sounds his slurping made as he attacked your sensitive clit. it felt too good. your back arched off the bed and he used one of his hands to press down onto your lower stomach to prevent the movement. he used his free hand to gather your wetness and slide two of his slender fingers in your spasming cunt. the long appendages didn’t take long to drill against that soft spot inside of you. your head felt full of cotton. light and thoughtless the only thing you could think about was how the hand on your abdomen on top of the fingers pressing diligently against your g-spot were going to make you squirt all on the mans face. your hands dug into his platinum hair, attempting to force his head back but he wouldn’t budge. instead he pressed harder on your bladder and began flicking at your clit with his tongue. you were right on the edge, pussy sucking in his fingers so tightly. you were so wet he slid in a third finger and curled all three of them up against that little sensitive bundle of nerves inside of you and that’s all it took for your eyes to roll back into your head and for the wetness to spray from between your thighs. gojo didn’t stop however, he kept on. his fingers were working at what felt like a mile a minute and he kept you riding the high of your orgasm until you eventually managed to wiggle away from him to catch your breath, body trembling and shaking as he chuckled and put his fingers in his mouth to taste you. 

⟶Getou

getou likes praising you so so much. he says it with such a lovely voice that makes your pussy clench and squeeze around nothing. getou is so sweet that it makes you melt and wanna squeeze his balls dry 

getou loved 69ing you because he likes how tight your throat gets when his curved cock is snugly shoved down your throat, his hips gently thrusting in and out of your mouth while you choke and sputter. his hair is pulled out of it’s bun and is hanging low on his back and face. the ends of it tickle your thighs and it makes you squirm and buck into getou’s mouth. 

his fingers are ruthlessly fucking into your cunt, it’s sloppy and messy, your juices are streaming down into a puddle underneath you. getou moans softly when he feels your throat constrict around him. 

“oh my, you really are a good little girl aren’t you? so eager to please me, god--” he says as he rocks his hips a little harder into your mouth and your hips buck up as you plead with him silently to pay attention to your clit. it was swollen and throbbing and his chuckle turned into a moan when he felt his tip hit the back of your throat. 

“there there pretty girl ‘m gonna take care good care of your sweet little pussy” he says and his lips wrap around your clit and suck and it makes your back arch off the bed, your struggling causing him to hiss as your throat constricts around your cock. he quickly pulls out and he grips his cock, stroking himself twice before he cums along your face. 

“fuck..fuck..mm sorry my love but you’re just too good I couldn’t help it” 

[drundertalescum]

HAPPY Let Papyrus Say Fuck 2024 (Late Edition)

[runningupthatvecna]

get the peach(es)

bestfriend!eddie munson x reader

it's the day after chrissy got vecna'd and you and the gang decide to check up on eddie at rick's. he's still in so much distress that you can't help but selflessly stay with your best friend (who you've been harboring a crush on for quite some time) and keep him company. 6k words, not proofread.

cw: the good old friends to lovers trope, eddie is an anxious bean who just needs to be held (by you, ideally), mutual (and not so secret at all) pining, i wrote this with fem!reader in mind (she/her pronouns) but can also be read as gn i guess, fluff, hurt/comfort (for eddie), pet names, mentions of chrissy's death, there shall be kisses and a lot of softness. nothing too explicit but minors are still advised to LEAVE

a/n: totally not self indulgent, that scene of him being so terrified in 4x02 ripped me to shreds so this is my fix-it attempt, trying to still my need to hold him and scratch his head. disclaimer: this piece of writing is based on the ending of that episode, meaning all credits for the setting go to the respective writers. sources to the header images here, here and here. lovely divider by saradika. ok thank you so much for reading byeeee love y'all <3

–––––

The overwhelming need to befriend the satanic metalhead found you at that party at the Wheeler house. You had almost said no to Nancy when she invited you, knowing damn well how the night would end. Steve passed out with a girl on his lap, Robin silently pining after Vickie from some corner of the room while clinging onto the red plastic cup in her hand, Jonathan getting higher than a kite with his old school mates, the younger kids asking you every five minutes if you could give them a ride since you usually were the one staying sober.

Additionally this time, there would be Eddie Munson. This familiar stranger Dustin, Mike and Lucas had met and somehow befriended over the last months, due to them joining his DnD club. "He might come off as a bit intimidating ... but I promise he's super chill and easy going!", Mike had tried to convince his sister, poking the tip of her shoulder repeatedly with a bunch of pleases during lunch break in the editing room of the school's newspaper. Until she rolled her eyes theatrically and agreed to let the ambiguous stranger, which the whole town collectively perceived as not really fitting in (and who you both certainly knew under the not so chill reputation he carried around), attend the celebratory events at Casa Wheeler. Occasion: Karen, Ted and their youngest leaving the house for more than one day, off on vacation.

You'd always kinda stayed out of his ways, used to observe his antics back at school with a silent laugh and this .. intrigue poking at your guts. To you he always stood out, and if anyone asked you'd be hesitant to admit it, but his willingness to go against the flow and not conform to the acceptable standards set by society was honestly impressive. And besides, surely this whole mysterious drug dealer rockstar image must just be a fassade and deep down he's just a dork, right?

His eyes follow you through the living room, an echo of your name crossing his mind repeatedly after having pulled Dustin into a corner for a brief interrogation. He finds it endearing how quickly and almost bashfully you look away every time your curious gaze meets his. As you redirect your focus to the conversation you're becoming engaged in, there's a soft smile creeping onto your lips. Little did he know it would soon start to haunt him in his dreams at night.

"Anything specific you're looking for?"

God, his voice. The close proximity invites your nose to inhale a mix of fresh cigarette smoke, bergamot and sandalwood, allowing you to sense what can only be him standing behind you as you skim through the cabinets of the Wheeler kitchen. You turn your head for your eyes to confirm your assumption and what they find is the deepest brown of round baby cow eyes they've ever met, up so much closer now. The paring of his gaze and plush smile somehow manages to dissolve every little prejudice you've been involuntarily harboring about him. Eddie Munson, the town's freak. Prime reason for the existence of the satanic panic. Drugs. And then you realise that you should probably do the polite thing and give him an answer. "Yeah uh, I was just trying to find the peach syrup", holding his gaze with a small lopsided smile, lost in its warmth which you wouldn't have dared to expect from it, before facing away from him again. He snorts a little, "peach syrup?", pauses to bring a thumb to his upper lip, lightly scratching the skin above as if to wipe something away, before he removes it again and the dimples appear around the corners of his mouth, "that is oddly specific." His response spreads a smile over your face, and the next thing he says widens it, "looks like you have taste though."

You move one step to the side, about to investigate the insides of the next cabinet, the kitchen itself almost empty of people with only three others chatting away in the corner across the island. He follows, undoubtedly trying to stay close, and the heat from the fire he just ignited somewhere inside of you rises to your cheeks. "Thanks, I really like peaches. Especially in my drinks. It adds a little ... kick to my sobriety", you explain, Eddie now quirks an amused eyebrow paired with a lopsided smile at you, and as you get to the last cabinet it dawns on you (and also Eddie) that this household severely lacks peach syrup. An atrocity. Thanks Ted.

After he helped you rummage through the entirety of the kitchen without success but under a lot of small talk, the metalhead vanishes from the function for an hour or so. At least that's what your brain concludes when your vision fails to spot him among the people who are in attendance. Maybe he's selling out of Nancy's bedroom. Maybe he's puking up his insides in the bathroom because he had too much of that weird beer he's been downing all night. Maybe he's banging some random girl in the bathroom upstairs. Or summoning a demon. Or both. At the same time. You once again try focusing your attention back to the conversation you are involved in. Munson already feels so dear to you that the lack of his presence is starting to form an ache in your heart. It's tugging on those strings with how much you already want him near you. Yeah. You're gonna be in trouble with this one.

And then he stumbles into the room from the direction of the front door, an event you're totally unable (and unwilling) to miss. He doesn't look like he just puked, nor sold a whole lot of the stash since you notice it still bulging out the left ass pocket of his black jeans. Instead, as he pushes past the small groups of people socialising – and towards you – while you notice a red net of round fruits dangling from his right hand, and you start to think that his disheveled hair and that rosy tint on his cheeks might actually not be from shagging either. He meets your gaze again as he approaches you with a grin and your heart dares to swell at his attentive gesture (you think you might as well pass away on the spot).

"Have some, peach."

It's not syrup, but you'll take them anyway. And with your next drink, you swallow down not only that peachy sweetness on your tongue, but also whatever this tingly feeling in your chest is.

"Chchhrhch.."

Pause.

"Hey, uh– chrhchhr.."

Silence in your bedroom, the only thing illuminating the space is the moonlight softly falling through the window.

"Chrch– a-are you there?"

You stirr awake from dozing off in your bed, trying to piece together the information your senses are giving you.

Eyes gone dry, you have to blink a few times. Figure out which year it is and so on.

Confusion lies between the static crackle for a moment. That nap after your shift at the diner was necessary. God, you need to fucking quit.

"No I'm sure she'll pick right up, just– hey pleeease b-be awake, goddamn it!–"

Is it already past midnight?

You don't know and you can't tell, the clock on your nightstand still broken. What you do know though is that the familiar voice belongs to your friend Dustin and it's desperately trying to get ahold of you.

They must have found him.

"Dustin? I copy, where are you? What's going on?", you finally grab the device from the nightstand, fully awake and aware of your surroundings now.

You need to know. If he's okay.

There's that all too familiar instant tingle in your chest again, an ache that made itself familiar to you for the first time when he was introduced to you at the one and only Wheeler party several months ago. The dungeon master of Hawkins High's Hellfire club, the lead guitarist of Corroded Coffin and a super chill and easy going guy, to put it in Mike Wheeler's words.

What you didn't expect back then was your heart starting to develop that feeling, that tingle you'd always get to feel when you were in his presence, or like now, when his name is threatening to spill from your friend's lips on the other side of the connection at any moment.

"Aha! See? I told you she'd respond in no time."

You can practically feel Dustin's shit eating grin through the frequency, basking in being correct over Steve Harrington once again. It never gets old between these two.

"Oh my god", Steve's muffled voice is what you can make out vaguely from the off, he's probably palming his face.

"Dustin!", your voice disappears into the device, and your impatience grows with every passing second, hoping he gets the hint.

There's the sound of a door falling shut, leaves rustling under shoes, he must be outside now.

"Alright, okay yeah, so we found him at Rick's and he's really upset and he's been asking for you. I know it's late but can you meet us out here? And maybe, uh, stay with him?"

It's not even worth questioning. You're already wearing shoes. Your biggest hoodie in tow, you stumble into your kitchen with the intention to raid your own snack drawer. Pulling out Eddie's favourite, which you of course had stocked up on ever since hanging out with him at your place had become more of a weekly routine for the both of you.

Ten minutes, you told him. You'd be there in ten.

The drive feels like forever. The longest ten minutes of your life, you think.

You know the route like the back of your hand, having driven along the gravelly road leading from the last intersection before Hawkins' border to the outer world, to the serene woods surrounding Lover's Lake countless times. Eddie would take you here ever so often, for picnics, an occasional smoke after picking up a new delivery from Rick's, cloud or star gazing, listening to Metallica and Tears for Fears on Wayne's old walkman.

The gravel crunches underneath your white reeboks as they land on the ground. You close the door to your car as quietly as possible after you've taken out the bag and your hoodie.

Dustin and Steve are stood outside the boathouse, waving like madmen in the darkness once you come into their periphery.

The younger boy hugs you tightly.

"So glad you could make it", he gets out, the relief palpable through his voice as well as the grip he holds you in for a brief moment.

You look at them both after Steve presses you against him cordially, and breathe out through your nose, making your nostrils flare.

Dustin cracks open the case to you as he starts to ramble about the state in which they found your best friend, "well first he attacked Steve with a broken bottle, we had to put in great effort to convince him that we'd be on his side, and we came to the conclusion that he was in the wrong place at the wrong time, basically."

What you want right now goes without saying. Everyone here knows how close you and Eddie are. As friends, of course. No one would think anything different.

Without wasting another second, the boys lead you inside where Max and Robin are knelt on the wooden floor. Heads turning towards the entrance of the room where you're now standing.

The sight of what's offered to your eyes, sitting opposite of them, breaks your heart.

You can see that he's slightly shivering, eyes glassy in the dim lit room. A small smile tugs at the corner of his lips though once his brain grasps your presence, and he can't help anymore but let the water fall once his eyes lock with yours.

The pain that is swimming in those two deep warm brown oceans hits you like a dagger to the chest. Over the months of being friends with him you'd seen him various different states, none of them comparable to this.

"Peach", his shaky voice announces your arrival and the sound of your nickname spilling from his lips cracks through your bones. The bag that's slung around your shoulder drops onto the wood with a dull thud.

Wobbly legs carry him towards you with a gentle shove past Robin and Max. You're once again reminded of your best friend's sheer physical strength as he wraps his arms around you, instantly burying his face into the crook of your neck.

One arm of your own sneaks around his torso, pressing him against you as tightly as your own strength allows you, while your other hand comes up to bury itself underneath the mane and to end up scratching soothingly over the scalp above the nape of his neck.

Eddie lets out a muffled sob, sniffling into the collar of the sweatshirt you threw on in a haste. He doesn't really want anyone to see him like this, certainly not Steve Harrington, so he clutches onto you so tightly that he thinks you might just feel his heavy heart beating anxiously against your chest.

And you do. How could you not with the amount of world he means to you? Like an automatism your other hand rubs slow circles over his back. Comforting him in the best way you could. Not a conscious decision you make.

"Okay so, m'not meaning to ruin the party, in fact I'd love to stay for another round of doom talk, but I really should get home soon, guys", Robin scratches the back of her head after she gets up from her huddled position next to the wooden crate Eddie had been sitting on. Max joins in and agrees, mumbling something about having to move her mom from being passed out on the couch again into her bed.

"Yeah me too, actually. My dad's gonna be fucking pissed. We'll see you tomorrow, yeah?", Steve's voice echoes through the room and you can tell he's already shoved Dustin back outside, itching to drive the kid home.

As Eddie processes having to stay in hiding, added the possibility of everyone leaving without him, his grip on you tightens even more.

"It's okay, Eds", you speak softly, head slightly tilted so your cheek rests on the dark frizzy mop you could call his hair. The skin on his neck and scalp so warm underneath your fingertips as you keep scratching it, emphasizing your presence, "I'll stay."

A soft muffled whimper is what you get as a response, and the way he lets you see him in this state melts your insides to a puddle.

You just need him to be okay.

They wave their goodbyes behind your back, accompanied by mumbles of "see you in the morning", and you can't even bring yourself to turn your head around, fully focused on making the young man in your arms less terrified of the world. A world he was sure was now going to come for him with all its force – in deep conviction of him being responsible for Chrissy's misfortunate end.

The door falls shut and Eddie muffles a quiet thank you into the fabric of your sweatshirt. The skin on your neck is damp with his tears, wet eyelashes tickling every time he blinks.

"It's okay, Eds", you softly keep repeating your words to him while continuously rubbing over the denim of his signature Dio vest in a slow motion, when he feels the urgency to claim the truth into the collar of your sweater about what has happened, "I– I didn't do it, I swear."

As if you would need any convincing.

"Oh no of course you didn't, I know that", you're looking for a way to ease the distress this entire situation is causing him, his quivering voice adding to your desire to soothe him to inner peace, "can I make a suggestion?"

Eddie nods with another sniffle against your collarbone, the round wet tip of his nose brushing against the column of your throat lightly. To his ears, your voice sounds like silk right about now.

"How about we head over to the main house and get ourselves a little more comfortable? Since we're gonna be here for a little longer? My god you probably haven't slept or eaten at all, have you?"

You can feel him nod his head again with a hum this time, and you start to think that the tears might not just be pouring because he just witnessed someone suffer a gruesome death right in front of him, but also due to physical exhaustion.

It makes your heart ache even more, that tingle still present, even more so now. It hurts to see your best friend hurt.

He just needs to be okay. And in that heart of yours there's that little spark of hope that leads you to believe you could be the one helping him with that.

You'd really want that. Be all his to find comfort in, to hold close, to kiss stupid

Stop.

A sigh escapes your lungs at the thought. That tingle, that longing, it's selfish. It familiarly pools in your belly and slowly drips downwards. You push your brain aside. This is about soothing your best friend now.

"C'mon then", you utter softly, encouraging him with your hand to lift his head from where it leans against your shoulder.

For your heart it's almost too much to look at, the hurt still swimming in the glassy big brown irises, his waterline red and puffy. The soft smile returning to his lips causes the wet apples of his cheeks to push up slightly, reflecting the dim light coming from the one torch Robin left you, placed on one of the crates.

He really hadn't been able to close an eye for a single second since he he'd gotten up for school the day prior.

You smile back at him almost bashfully as you slowly create space between your bodies.

Eddie is grateful that it's you who grabs his ringed hand next.

He squeezes yours, hoping to get the message of this meaning something to him across.

And he closely trails behind you as you lead the way.

The house feels empty, like no one's really been here in months. You'd never been inside. The few times you'd accompanied Eddie grabbing stash you'd stayed in his van, waiting. But as far as you now can make out in the darkness, there's a couch with knitted blankets, a little TV with a whole stack of VHS almost rising as high as the screen itself, spilled and spluttered empty cans and papers and wrappings littered all around. Maybe this is why he never let you come inside with him. Keeping you out of this definitely not sterile mess. Along with keeping you out of the business.

In the middle of the living room, you let go of his hand and shuffle one step away from him. He's inside now. Safe. Job done. Doesn't need physical contact. You shouldn't, he's your friend. You feel like something between you would break if you'd go there.

Eddie thinks otherwise, regarding close proximity at least. He promptly follows you into what you believe to be the kitchen where you hope you might find a tea bag or two. He comes up behind you and encases you in his arms as you rummage through the cabinets (feels familiar, hm?), not at all ready to say goodbye to the warmth of your body pressed against his own just yet.

You giggle at the silliness of him putting weight on you just to make it harder for you to reach into the cabinets. It's endearing. And very Eddie.

Twenty minutes later and there's two mugs – cleaned to your best ability – with steaming hot liquid on the sixties wooden coffee table. Next to them a plate filled with the almost equally hot insides of a ravioli in tomato sauce can. Thank Rick for a still functioning microwave.

You drape the knitted blankets over both you and Eddie as you settle into the cushions. The only light existent coming from two lit candles on said coffee table. It wouldn't be too wise setting up the torch you think.

The side of Eddie's face glows in the orange yellow, his wide brown bambi eyes dried after the first grand storm, and there's this tug on the corner of his pink plush lips again. He exchanged his leather jacket for the freshly washed hoodie for comfort and a small part of you hopes he doesn't spill his dinner onto any of it.

You lean back into the backrest of the worn out couch and watch as he eats, a domestic thing you've done a thousand times already, yet you still find comfort in knowing that he's nourishing himself.

Or well, in this case, inhaling the raviolis.

"Thank you Peach", he moves to put the empty plate back on the coffee table and it makes the spoon chink and glide along the edge, "I really needed this."

His voice is a little hoarse, probably from the emotions of the hours behind him. Maybe he has indeed calmed down a little. His hand moves down to your thigh, squeezing.

You give him the most empathetic smile you can bring yourself to display, painfully aware of the blaze that is transpiring through your leggings and seeping into your bones, "it's no big deal, really. I mean it is– uh, being there for you, is."

And he can't bring himself to look up at you. Instead, he stares at the empty plate on that coffee table in front of him.

"And to me as well. It really helps that you're here."

He doesn't bother moving the calloused warmth of his hand from the soft warmth of your thigh. It lights your entire nervous system on fire. In a good way.

And that's when you begin to wonder if everything that has just happened and is still happening right now changes anything.

"I'm so glad it does", is all you're able to get out.

Eddie decides that it's time to lean into your side and wrap his arms around your torso once again, drop his head back to its favourite place with a soft content little hum.

He just needs physical comfort. Of course. Just that. Nothing more, nothing else.

The words are redundant but your mouth articulates them anyway, "try to get some sleep, yeah?"

His back already lifts and falls evenly. You place your hand on the back of his head that rests in the crook of your neck again, scratching through the curls lightly, searching to help him shut off even deeper.

–––––

The candles have gone out by the time your eyelids slowly open. It takes you a moment to recall the location you fell asleep in, and you hope that the nightly darkness the whole room is now filled with hasn't invited any stranger to take advantage of your unconsciousness.

There's a warm hand holding your face, the pad of a thumb tracing over the apple of your cheek softly. It makes its way from the bridge of your nose to the outer corner of your eye, and back. And forth. And back. And forth.

You must have moved to lie down on your back in your sleep, with Eddie's weight still on your body, legs entangled. It's not the first time you've slept like this, there had been movie nights that had ended similarly.

His hand caressing your cheek though, yeah that is new. There's something unspoken in the air this time around. Your stomach is doing flip flops when you realise that he is propped up on his elbow, just .. looking at you. With eyes that don't require light to hint at whatever it is he is trying to say, or maybe not trying at all.

"Eds, what are you doing?", you ask almost in a whisper followed by a lopsided smile, expecting an unserious answer, because he always tends to make a joke whenever he tries to avoid conversing about emotions regarding his heart.

His thumb stops its acrobatics on your cheek, comes to a halt.

"I'm–", he takes a deep breath before he continues, "I'm just so grateful it's you that's here right now."

Your hand comes up to cup his. Brush over his rough knuckles with a thumb of your own. Enjoying the warmth that is seeping from his palm into your skin.

"Yeah, I figured you were gonna be a little opposed to spending the night with Harrington", you laugh, an attempt to turn your nerves into humour.

Eddie snorts a little, "yeah right, it's almost like you know me", he grins and pushes himself even closer to your face than he already is. It doesn't necessarily help in extinguishing the fire that's consuming you whole at this point.

"It's almost like we're best friends and I know what you think of him because every time Dustin or literally anyone else mentions his name around you, you're not necessarily secretive about it."

"Hey, my own worldview is not my fault, it's just– ... he just kinda seems like a douche of the highest order."

"He's quite alright, Eds. Try giving him a chance, I think he'd look great as Coffin's tambourinist."

He snorts again and you feel his breath on the column of your neck next when he dips his head down, nose pressing against the soft skin, his small giggle being swallowed by the collar of your sweatshirt.

Your favourite sound. Ever. Followed by the relieved moan Eddie lets out at the way your other hand is softly rubbing over his shoulder blade. The vibration against your neck makes you twitch as much as being pinned into the couch cushions by his body allows you.

It's soothing as much for you as it is for him.

When he lifts his head, the soft gaze he eyes you with is enough to let the goosebumps erupt. Even in the darkness of the room you can still make out those round buttons that could melt the entire north pole.

"Thank you, Peach, really. I'd be goin' mental right now and probably tryin' to counter that by smoking an equally mental amount of the stash I've been hiding here."

Your heart aches.

"I'm just glad I can be that kind of comfort to you, Eds. You don't have to go through whatever the fuck this is alone."

"I know I'm never gonna be alone as long as you are there."

You almost cry yourself now, his words making your hand travel from his own to his cheek, almost passing out from the way his eyes bore into your own once again.

Eddie isn't sure what it is that is making him feel lightheaded right now. The whole rollercoaster of events of the past hours. Or your words of affirmation. Or mayhaps it is your cute soft hand with that little ring on your thumb which is gently swiping over his damp skin.

That cute soft hand he'd been imagining countless times at night, silently yearning for your eyes to look at him differently, to finally see him in a different light the next time you'd hang out.

Probably a combination of just everything.

You reciprocate his soft half-lidded gaze, hand moving from his cheek to tuck some of his hair behind his left ear, revealing that delicate silver hoop earring you'd gifted to him for his birthday, after having talked your ear off about getting his ear pierced for literal months.

He'd insisted you join him for the appointment, "another metal moment for the books", as Eddie had called it, the need to have his hand held during the stab comically urgent in the way his voice sounded when he called you that day. And in the pace in which he picked you up.

"I'm here no matter what", you respond to his sentiment, that hand that brushed his hair away resting on the side of his neck while leaning the weight of your head into his palm that is still attached to your cheek.

Eddie's confidence reaches a new all time high with the admission of your unconditional support being stirred into the cocktail of hormones and emotions that's been circulating in his bloodstream for a generous amount of time now.

Because then he goes on by saying impossible things.

Impossible things with a slightly less platonic undertone.

"You're so fucking sweet, has anyone ever told you?"

You smile as you shake your head, heat rising to your cheeks once again and you're sure he won't be able to see just how flustered he's getting you (joke's on you he does).

You're also sure he's out of his mind for saying that. Now.

"A shame, honestly. You should scold your best friend for not telling you sooner. Tell him what a fucking idiot he is."

Eddie earns another giggle from you. Music to his ears. Better than Metallica. Okay maybe not but .. pretty fucking close.

"I'll let him know next time I see him", you say with a grin, playing along with pleasure, and you ask yourself why it is only now that you realise just how fucking close his face is to yours.

There is a moment of silence in which Eddie hesitates articulating whatever is seemingly bugging his mind.

"Do you, uh, still like him?"

If you lifted your head just a little your noses would be touching. A silly and utmost redundant question, and yet, Eddie dreads your answer. If the circumstances were different, less dystopian and tragic, you'd seriously wonder what would spark the doubt in your friendship in him, but considering that everyone else would be going to pour their judgement over him, you understand.

Every word exchanged between the two of you at this hour is soaked in mutual infatuation, something the idiots in both of you are slowly starting to fathom as well.

"Of course I do, he's everything to me."

As you say it, you can't help the grin which reappears reliably each time you finish verbalizing your thoughts. It's contagious, you notice.

"And do you think – just hypothetically of course", it's only then he breaks eye contact to clear his throat, "of course", you interrupt him still smiling and cocking an eyebrow at him, "d'ya think it would be okay for this best friend to, uh, maybe...", Eddie pauses, internally watching the ship containing his confidence set sail slowly and ultimately letting the irrational thoughts win for tonight, "would you let him..."

Eddie generally wasn't someone who lacked confidence. It showed in the way he boisterously wandered the halls of Hawkins High, the way his demeanor never changed, his mask never faltered no matter who was around. Except for you. You who he had always granted a look underneath the impulsive, extroverted surface.

"Eds", you try everything in your power to stay calm even though everything inside of you is screaming right now and you're certain you can feel your pulse in your earlobes.

"Would it be just insane of that best friend to kiss you right now?"

You want to squeal and kick your feet, pull him into your face, pinch your own forearm, pass away, leave the house and never return, and stay right where you are forever, buried underneath your favourite metalhead, the parts where your bodies are touching practically on fire, cosy and content.

Instead, the most fond smile spreads over your lips as you try to contain your internal overwhelm.

It's still dark, the only light source being the full moon outside. Eddie's so hopeful of your reciprocation and even more terrified of ruining his entire life at the same time, those deep doe eyes at this point pretty much resemble the shape of the space rock orbiting earth. Rejection from you, his pretty Peach and the Bonnie to his Clyde, would be unbearable.

"I think so," you almost whisper, the hand that's been rubbing over Eddie's back coming up to lightly trace one of his eyebrows with your index finger because you just can't seem to not touch him in some way, "but you should know that I love his insanity."

Your small giggle is being silenced by a soft and cautious kiss from Eddie Munson. Like he doesn't want to break you. Or he's afraid you'll snap out of a haze, slap him and leave if he starts kissing you like he really wants to.

And then it's you who goes for it, you feel at home, right where you belong, you don't think you've ever felt this good. The hand on his jaw tugs him closer softly, pressing your lips to his with a bit more urgency.

It gives him all the confirmation he could possibly need.

That tingle, it grows and fills up your chest and shoots through your entire being, goosebumps and all. Eddie moans and breathes against your lips, tongue dancing over the thin skin, asking for permission.

His ringed hand digs deeper and slowly moves to the nape of your neck, intending to hold you in place, afraid you could slip away from him if he didn't. This blossoming thing between you could slip away from him. If he didn't.

It's so soft, the way his lips touch yours, and before you know it they move to your cheek, to your jaw, down your neck before Eddie comes up again, smiling from ear to ear, to gently bump his nose against the tip of yours and his lips return home with a soft and deep hum escaping from his lungs into your mouth.

Relief floods his veins along with whatever it is you're doing to him. The ability to shut out the insanity of the past hours is what he so desperately wants to cling to for as long as you allow him, even if the dawn will remind him of the horrid reality he's involuntarily become subject to live through now.

"You're making things so much better, Peach, you're so sweet, so fucking cute, so fucking good for me, do you even know for how long I've been dreaming of this?"

Eddie greedily pulls your face into his again, not even giving you a chance to reply and not nearly getting enough of your affection it seems with how fervently his tongue searches for yours.

A gentle collision of skin.

The soft whimpers you let out only spur him on. You not backing away from him, staying with him, letting him be this close to you?

You, the only constant source of consolation Eddie's ever really had.

Life changing.

Soft touches follow soft touches, your thumb traces his jaw repeatedly.

"You don't–", kiss, "for how long–", kiss, "I've been dreaming–", kiss, "of you as well", you breathe against him and Eddie thinks he might be about to resort to sniffling into your collar again with the amount of relief he is experiencing.

You'd let him.

"Yeah?", he presses his nose into your cheek with his eyes closed, smiling from ear to ear, relaxing his entire body into yours as you let him slide inbetween your legs.

"Yeah, you know how much of a sucker I am for peaches", you grin, another peck to his cheek, his jaw, his neck, your hips slowly finding a rhythm against his own.

Eddie groans at your allusion with a wide grin on his face (and the feeling of your warmth against his dick), before pressing his lips against yours again lovingly, "me too baby, me too."

–––

taglist (thought you might be interested): @josephfakingquinn, @ghost-proofbaby, @analogkraken, @wroteclassicaly, @songforeddiemunson, @joejoequinnquinn, @somnambulic-thing, @trashmouth-richie, @eddddiemunson, @ceriseheaven, @userchai

comments, reblogs and other forms of affection towards the author are greatly appreciated thank youuuuu <3

[tylidae]

A I L U R A N T H R O P Y 1 0 1

[royalarchivist]

Foolish: You know what? Fit: it's the perfect alibi. "Just a janitor," going through... just to cleaning around everywhere... talk to a lot of people... and you're just bald and such, you know, no one would think twice that you- may be you'd up to something.

Fit: Foolish that's- that's literally the entire point, we've been over this.

Pac: You like the plumber's work, right? You like to get your hand in the plumber's and- do the stuffs, and plumb [makes a very loud popping sound] those pipes, right?

[Everyone loses it and starts laughing]

Pac: I'm sorry- I'm sor- I'm- [laughs] I did- I didn't mean-

Fit: WAS THE SOUND NECESSARY???

Foolish: No, the sound made it.

Pac: I didn't- I didn't hear myself- sorry, sorry, sorry. Oh my god, I'm so shy right now, I'm just gonna sit.

[Full transcript ↓ ]

Foolish: You know what? Fit: it's the perfect alibi. "Just a janitor," going through... just to cleaning around everywhere... talk to a lot of people... and you're just bald and such, you know, no one would think twice that you- may be you'd up to something.

Fit: Foolish that's- that's literally the entire point, we've been over this.

Foolish: Have we?

Fit: I said I'm- I'm trying to find out more about like, the Code Monsters!

Foolish: I thought you just wanted- liked being a janitor.

Fit: Well, I actually do kinda like it, I'll be honest with you, I like getting paid, but-

Foolish: Wait damnnit, Philza's doing it right.

Pac: You like the plumber's work, right?

Fit: Yeah.

Pac: You like to get your hand in the plumber's and- do the stuffs, and plumb [makes a very loud popping sound] those pipes, right?

[Everyone loses it and starts laughing]

Pac: I'm sorry- I'm sor- I'm- [laughs] I did- I didn't mean-

Fit: WAS THE SOUND NECESSARY???

Foolish: No, the sound made it.

Pac: I didn't- I didn't hear myself- sorry, sorry, sorry. Oh my god, I'm so shy right now, I'm just gonna sit.

[fawnnpaws]

I need u to hear me out on this one Ok. Ok so. listen to me im on some devious shit. 30s art somno… years and years of tennis is catching up to him and his body just doesn’t keep up. he’s a major sleepyhead (like, clinically, he should see a doctor) and takes a nap or two everyday. it doesn’t bother you, of course, you know it’s good for him and what he needs, plusssss he looks so delicate when hes sleeping. he’s a relatively light sleeper too, but falls back asleep really easily so he’ll jostle a little when you start to grope him but falls right back to sleep when he sees it’s only you. etc etc u see whats happening.. hello can anyone hear me is this thing on

i love that u prefaced me needing to hear u out when i was on board the second u mentioned somno I’M SAT !!! I LOVE SOMNO !!! <3333

oohhh he looks so pretty when he’s sleeping, it’s so hard to resist waking him up so you can kiss him stupid. you find him asleep all over the house for a while, sometimes on the couch, sometimes at his desk in his office, but usually he’ll put himself to bed when he knows he needs to sleep for a couple hours mid-day. you know he needs the extra rest, but something about how soft and pliant he gets in his sleep makes you ache to touch him. it shouldn’t be hard to resist, really. you tell yourself you should have the self control not to touch your husband while he’s sleeping, to wait until he’s awake. but you don’t have that self control. how can you when he sleeps in nothing but his tiny little blue briefs and kicks the covers off himself when he gets too hot? how can you when he lets out the softest little whimper when you skim your hand down his chest and graze your fingers over his dick? it just makes you want more.

you move him gently so he’s laying on his back with his legs spread for you to sit on your knees between them. you’re so careful not to wake him at first, but the more you touch and grope at his body the more his dick starts to fill out and strain against his briefs. he’s letting out these soft sighs that have wetness pooling in your panties and suddenly you don’t really care about being careful anymore. you toy with his waistband and smile to yourself at how his hips lift towards you. he’s still so reactive even when he’s asleep. you don’t even take his underwear off fully, just pull his waistband down under his balls and climb on top of him. you’re thankful you wore a dress today as you move your panties to the side and sink down on his cock in one fluid motion. finally, his eyes flutter and his brows knit together. he peeks one eye open and visibly relaxes again when he looks up and sees you. his voice is thick with sleep and you can tell he’s barely half awake, “baby?”

you roll your hips and grind his dick against that sweet spot inside you. “just me, honey, just - fuck - needed you. it’s okay, go back to sleep.”

he doesn’t need to be told twice, just lets out a whiny mhmm and closes his eyes again. his jaw goes slack and you can’t help it, you start bouncing yourself on his cock. you brace your hands on his chest, squeezing his pretty tits as you work yourself up and down. it doesn’t take long for you to get close to the edge. somehow even in his sleep, art’s dick hits that soft spongey spot inside you every time you rock your hips down and he’s still letting out those pretty sighs. it feels dirty, using his body like this when he’s not even conscious, but the power he’s giving you makes your head spin. you could do anything to him and he’d let you. he’d have no choice. you bring a hand to your clit and you can’t help the staccato moans falling from your lips. what finally sends you over the edge is the feeling of sticky warmth filling your pussy as art cums and his hips involuntarily jerk up into yours. “oh fuck—” you follow immediately after, cum so hard you think your eyes cross. a full body shiver wracks through you and you fuck yourself through it, art’s body limp beneath you.

you gingerly lift yourself off of him, readjusting your panties and his briefs. you should clean him and yourself up, but you revel in the feeling of his cum leaking out of you and soaking into your panties. you lay down facing him, now craving a nap of your own, sighing happily and weaving your legs with his. his arms instinctively wrap around you and pull you close until you’re flush against his chest. as you drift off to sleep, you can’t help but think about making him suck your panties and pussy clean of his cum. it’s only fair since he came before you <33

[burnthatbridge]

8x01 misery missing scene

post the sad zoom birthday party also on ao3 if you prefer

They stick around long enough to help clear up. 

The party decorations come down faster than they went up. Each balloon that Buck pops is a perfect mirror to the ball of excitement in his chest that had shattered at Chris’ lacklustre response, at the stuttering video connection. Except, instead of slippery, soft rubber, the shards it left behind are hard, cutting glass. 

“The cake was excellent,” Tommy offers, with forced cheer, into the silence that descends once the sound of balloons bursting and streamers rustling stops. 

“Take the rest with you,” Eddie says, turning away, heading into the kitchen.

Buck follows him, Tommy close behind, and watches Eddie shove the happy birthday banner into the trash, the party hats too. Buck bites his lip on the protest that Eddie should keep them for next year — he doesn’t think he can bear to hear Eddie voice the fear that they might have as little use for them then as they did today. 

“You’re serious about the cake?” Tommy asks, crossing to where it sits on the kitchen table, one solitary slice consumed. Buck had a bite of Tommy’s, and it was good, but he didn’t feel like having his own. And Eddie hadn’t seemed up to stomaching any at all. 

“Yep,” Eddie nods, without looking over. “I don’t want it.” 

Buck pulls a large tupperware container from the cupboard, hands it over to Tommy, who boxes up the cake. But Buck also takes down a smaller container, saves a single slice, and tucks it away in the fridge. He knows Eddie will crave it later — maybe not tonight, but certainly by tomorrow morning — and will wish he hadn’t given it all away. It will be a nice surprise for him — a much needed one — to find that Buck didn’t let him. 

Buck walks the knife used to cut the cake to the sink and Eddie steps in to wash it. Buck hovers at his side, taskless. They had been going to stick around after surprising Chris, have a couple of beers, watch something, but, with how things went, it’s clear that’s not going to happen. 

“Eddie,” Buck starts, wants to ask if he’s okay — knows he’s not — but Eddie cuts him off. 

“Thanks for coming,” he says, clearly a dismissal, bidding them goodnight without looking up for scrubbing at a knife that must be long clean. 

Tommy replies, “Thank you for inviting us,” even though technically only he was; Buck — never a guest in Eddie’s home — more co-host than attendee, had helped to plan the party, and his presence was assumed, certain. 

At the same time, Buck says, “Of course.” He wouldn’t have been anywhere else today, on Chris’ birthday. Not unless flying to Texas to actually see him would have been an option. Hell, if Eddie had wanted to drive over to El Paso to visit, Buck would have gladly played chauffeur for the whole twelve hour drive. 

Tommy drops a reassuring hand onto the stiff surface that is Eddie’s shoulder, pats it, once, twice, three times, to no noticeable softening. “See you later, man.” He moves to the kitchen door, pauses, looking back at Buck. 

Buck takes a tentative step in Tommy’s direction, says, “See you tomorrow, Eds?” It’s supposed to be a statement, like Tommy’s. A stronger one, even, since Buck and Eddie have a shift together the next day, so their seeing each other should be a concrete occurrence, not a vague likelihood. But the words come out sounding more like a question and he doesn’t follow Tommy out of the room until he sees Eddie nod in answer, agreement. 

They only make it as far as the front door before the gnawing concern in Buck’s gut is too much.  

“Wait,” Buck says as Tommy turns the handle.

Tommy stops, door cracked open an inch, but not opening it any wider, and twists to face Buck, looks at him, expectant. 

“I think–” Buck starts, but he doesn’t quite know what he thinks, only that he shouldn’t be leaving now. Even though there’s nothing left to do: all traces of the party stripped away, their evening plans abandoned. Still, he shouldn’t be leaving. Shouldn’t be leaving Eddie. Not like this.

And he should tell Tommy that, explain it to him. Except… He probably doesn’t need to. Tommy knows him, knows Eddie, and he saw firsthand how things went down tonight. So Buck simply asks, “Can I make my own way? Catch you later?”

“Sure, babe.” Tommy’s expression is full of understanding, eyes soft. He tilts his head, slightly. “I’ll wait up for you?”

Buck nods. “Yeah, please.” He leans in, putting his mouth to Tommy’s mouth, pressing goodbye and gratitude into the kiss. 

Tommy pulls back, graces Buck with a small curling of his lips, the smile dimmer than his usual given how the evening has played out, and then he’s over the threshold, toting the tupperware filled to the brim with uncelebrated birthday cake with him. 

Buck closes the door behind him, gently, then pads back through the house. 

Eddie is in the kitchen, but not quite how Buck left him. He’s still facing away, but now, instead of washing the same spot on the blade of the cake knife over and over, he has his hands braced on the edge of the counter, his head hanging down, like the effort of keeping it up has become too much.

He’s got to know Buck hasn’t left, must hear him reentering the room, a single set of footsteps, but he doesn’t acknowledge him in any way. 

Buck goes to him. Stands at Eddie’s side, tries to see his expression in his dim reflection in the window, but it’s tricky with Eddie’s face lowered. “Eddie,” Buck says and is finally rewarded with Eddie looking up, raising his head so that his eyes meet Buck’s in the window.

The agony in his gaze is palpable.

Buck doesn’t know how to help. He saw how little comfort Eddie took from Tommy’s touch, so it seems pointless to try the same. But his hands itch to hold, to smooth over Eddie and check for points of pain, even though he knows his hurt is of the heart, not body. Knows it, because his own is the same. Buck hurts too: for Chris, for Eddie, for himself. 

“Eddie,” Buck repeats, with no destination in mind except a route out of Eddie’s misery. But, if anything, the anguish displayed plainly on Eddie’s face only deepens. He squeezes his eyes shut and his hands fist, fingers curling in so tight his knuckles whiten. 

“I’m losing him,” Eddie says. 

“You’re not,” Buck answers back, automatic, but no less insistent for it. Eddie isn’t losing Chris. He can’t be losing him. They can’t be losing him. 

“I am,” Eddie pushes back, lifting his hands from the counter to gesture wildly, grief uncontainable. “I’m losing him and it’s all my fault.”

“No.” Buck catches Eddie’s wrists, squeezes them, tries to press his belief, his faith, in Chris and Eddie’s relationship into Eddie’s skin, to transfer it to him. “You made a mistake, but he’s going to forgive you. He just needs a little more time.“

“I don’t think I can take any more time without him,” Eddie confesses, and there are tears shining in his eyes. 

Buck drops his hold on Eddie’s arms, but only so he can wind his own around him, tug him into an embrace.

Eddie lets him, tucks his face into Buck’s neck, chokes out, “I just want him to come home.”

“I know,” Buck murmurs, smoothing one hand down the line of Eddie’s spine, his other arm wrapped firmly round his shoulders. “I know. I do too.”

“He loves his grandparents,” Eddie goes on, voice muffled in Buck’s shirt collar. “He could decide to just stay with them.”

“He loves you,” Buck states, an irrefutable fact. This he knows: he has been privileged to witness so much of the love Christopher has for his dad. “He’s not going to stay with them forever.”

“But,” Eddie protests, sounding lost and unsure, his fingers wound in the fabric of Buck’s shirt, his breath damp against Buck skin, “You love your parents. That doesn’t make them good ones. Ones you’d want to be with if you had a better option.”

“You are nothing like my parents.” Buck squeezes Eddie tighter to him, in tune with the ferocity of his words. “You– you are the best father I have ever seen. You love Chris so, so much. And– and he knows you do, he doesn’t have to doubt it.” Not like Buck did, every day of his life.

He continues, “Your mom and dad are not the better option for him. Sure, he’s having a nice summer with them. But, even if he’s still upset right now, I know he’s missing you too. He’s going to come home, because he belongs here, with you.” Of that Buck is sure. It’s Chris and Eddie: their bond is too deep, their relationship too strong, to be broken. 

“But,” Eddie says again, “But what if he–”

“No,” Buck stops him, not willing to let Eddie hurt himself with his thoughts, his fears, more than he already has. “Chris loves you, Eddie. And he’s going to come home to you. He is.”

Buck doesn’t know if Eddie fully believes him, but his words are enough that Eddie slumps completely against him in something like relief. And all his stress and hurt over being separated from his son comes pouring out.

As he sobs, the spasming of his chest heaving against Buck’s and the trickle of his tears sliding down Buck’s skin, Buck holds him. Holds him and presses his lips to his temple and thinks please, Chris, please come home soon. Come home to us. 

[drurrito]

a/n: untitled beach fic; another shot at writing smut; 18+ only

pairings: Natasha Romanoff x Submissive!Reader

warnings: some degradation; light choking; cursing; dry(?) humping...

----------------

"You haven't looked at me the entire time we've been here, you know?"

The water is suddenly ice-cold and your muscles bunch up into one big knot. You turn to look at Natasha for the first time since you pulled up to the beach and the realization that she would be in nothing but a bikini for the entire day smacked you in the face like a stray frisbee.

"What?" You try to sound offended. Natasha holds your gaze. Your freshly sunscreened face begins to burn. You look back towards the shore where the rest of your friends are tanning, talking, and laughing. Steve chucks a football far enough to make Bucky sprint after it, but he trips over a kid's abandoned sandcastle head-first. You thought you could find reprieve in the water after a few minutes of just staring at your toes in the sand while Sam talked about bar-hopping last night. You watched Natasha follow you into the water the same way a bleeding seal watches a circling shark's fin.

"Haven't I?" You ask, your eyes briefly passing over Natasha's form. She watches you flounder in the water. You're wishing and hoping for a wave to swallow you whole right now.

"I wouldn't have said anything if that were true."

"Right," you run a shaky hand through your hair and collect yourself enough to look Natasha in the eyes once more. She's closer now, your eyes dive into the shrinking space between you and her.

"Did I do something to upset you?"

Your eyes resurface, landing on hers, "no, not at all!"

Natasha moves closer, you fight the urge to look away, you can't let her think you don't like her.

Because you do, you do like her. So much so that you can't focus on her in that bikini for more than mere seconds. Any longer and you just might faint, or melt into the sand, or both.

You're in a staring contest with her now, you're determined to count every speck of amber floating in her deep green eyes and--

Natasha is moving even closer now, this time she goes left--then right--then left again--your eyes track her perfectly, not once straying away from her pupils.

"Huh," she tilts her head in amusement as a small wave swells and rolls through you both before crashing onto shore. You still don't break eye contact, only letting your eyes bounce around the borderlands of her irises.

"You can't look at me, can you?" Natasha smirks and you flinch, finally blinking.

"I'm looking at you right now?"

"At my eyes, yes," another wave rolls by, a bit bigger than the last, "but only my eyes."

You swallow down a wad of nerves. Natasha is a riptide ready to pull you under. You’re thinking about how hard you need to push against the Earth below you to get out of the water as fast as humanly possible.

“I’m just—“

“Being respectful, I know baby,” Natasha cuts you off—you’re too stuck on how easily those words rolled off her tongue to notice that her bare torso is only a hair away from touching yours.

Another wave, even bigger this time, throws Natasha off balance, sending her right into you. Your arms quickly shoot out to catch her while her own arms hook around your neck to steady herself. You’re actually looking at her, scanning her body for anything that can tell you this is just a fluke. Your mind is screaming at you to let her go and bolt but your body betrays you by keeping her close.

By the time you both collided, the water had risen high enough to kiss the space right below your chests. To the rest of the beach, you both basically look floating heads. You admire Natasha’s profile as she looks out towards the beach for a few moments before turning her attention on you. You barely catch the stormy look in her eyes before you’re reminded of her arms around your neck when her nails graze the base of your skull.

“Do I make you nervous?” Her tone is dark now. Your body goes rigid while your mind fumbles around for an answer. You nod, no use in lying now, not when Natasha could probably feel your heart beating against your rib cage since she’s so close.

“Say it.”

“Yes, you make me nervous,” you do a piss-poor job of trying to keep your voice from trembling with want. Natasha’s lips curl into a smile and she chuckles. You start seeing stars.

“Don’t be,” Natasha starts to pull you impossibly closer and you meet her halfway. She only gives you a few seconds to process the fact that she’s kissing you before she slides her thigh between your legs. Your spine feels a chill under the hot sun.

“Do you wanna be good for me?”

You couldn’t look any dopier, nodding with your jaw hanging low.

“Words baby.”

“Yes,” you sound dumber than you look.

“Then start humping.”

You cough like you just swallowed a gallon of saltwater, “what?”

“I know you heard me.”

“Right…right now?” You sputter, frantically looking back towards the beach, “in front of everyone?”

Natasha roughly grabs you by the chin to pull your attention back to her.

“Start. Humping.”

Her hand lowers to clamp around your throat and that makes your knees buckle. Your arms tighten around her waist and your body dips down until you feel her thigh against your core. You let out a surprised grunt and Natasha smirks while she watches you begin to find a rhythm. It feels good, too good to stop. Your eyes flutter and threaten to roll back into your head, your body overwhelmed by how much you want this, how much you wanted to do this for a while.

“You look deliciously pathetic you know that right? Humping my leg for everyone to see,” Natasha mocks as your pace hastens. You rest your forehead on her shoulder to try and keep yourself afloat.

“Fuck,” you hiss, grinding harder and faster against Natasha’s thigh. You’re not even going to chance a look to see if anyone is actually watching you both. The longer this goes on, the less you seem to care anyway. You litter the sun kissed window of her cleavage with sloppy, desperate, open-mouthed kisses. Your hands groping and grabbing at her waist, her thighs, her ass, anything that can help you get a better grip and bring you as close as you can get to her without having to jump into her skin.

“So needy—like you’ve been dreaming about this,” she teases, you blush. Her hand glides from the back of your head to the tip of your chin and lifts it, “look at me.”

You obey without a second thought, a small whimper escaping your lips when you do. 

“That’s it,” she patronizingly coos as her nails dig a little deeper into your jaw, it stings in the best way.

When you finally look around, you realize the water isn’t covering you as much as it was a bit ago.

“Shit, the tide—” your movements start to slow, but there’s no chance you’re stopping.

“Better hurry then,” Natasha’s hand on your jaw moves down to your throat to give it another squeeze, “you want to cum for me, don’t you?”

“Yes,” you manage to choke out, your whole body is buzzing.

“Then don’t keep me waiting, or else everyone will get to see what a pitiful fucking sight you are right now.”

“Yes, Ma’am,” you don’t waste another second to quicken the movement of your hips.  Before you know it, your senses are electrified, the pressure against your cunt becomes borderline overwhelming.

“I’m—I’m close—" You stammer against her neck, your hips bucking erratically against her thigh. You feel her laugh rumbling through your lips when you open your eyes and—

“Fuck.”

“Whiny little mutt,” Natasha scoffs.

“No, there’s…there’s a wave coming right at us,” your eyes widen but you don’t stop, you’re too close to give up. You keep going, growing more frenzied as the wave swells to the biggest one you’ve seen since you been here.

You only get moments to appreciate the high you worked so hard to chase before you have to throw yourself and Natasha under the so it doesn’t wipe you out.

You both come up laughing, Natasha pulls you in for a kiss, smiling against each other’s lips.

[zucchiyeni]

Officially present to you,

🌈I D O L F R E S H🌈

✨✨✨✨✨✨✨✨

✨✨✨✨✨✨✨✨

It issssss the man himself!!! That one mad man that everyone knows about!

He can uses every single modern instruments that you can think of, and he WILL nailed it perfectly...his way ofc

Thankiu u guys for helping me coloring this man, i really appreciated it <3

[q1ngqve]

What if Ratio's s/o is feeling a little insecure about herself and Ratio's like "Are you saying I have bad taste? 🤨 Quite dumb of you to say. Allow me to show you how much I adore you..."

Fingers his s/o to the point where she squirts, and then stuffing his cock inside her cunny while whispering about how much he loves her...

"perfection is not defined by arbitrary standards imposed by society. true beauty emanates from authenticity, and you, my love, possess an authenticity that shines brighter than any star in the cosmos."

CW; insecure reader, fingering, squirting, overstimulation, penetration (v)

he'd be offended (lowkey) because he thinks very highly of you! so don’t blame him when he frowns, a slight downward tilt on his lips as he asks why you would ever feel / think this way

"are you saying I have bad taste? quite dumb of you to say so." despite his harsh words, his tone is soft and comforting, wrapping his arms around you in the process, head resting on your shoulder

you are literally the most amazing person he's ever met (I would say perfect but he knows nobody is perfect), he just couldn't wrap his head around your reasons for being insecure, but he understands that everybody has their low days, and it just so happens to be yours!

and what good is he as your boyfriend if he doesn't cheer you up and show you just how beautiful you are to him?

plants kisses on the side of your neck lovingly, and you giggle softly as his hair tickles you, making him chuckle between his kisses. separates himself from you before grabbing your wrists and leads you to the bed, gesturing for you to lie down

"god, you are beautiful."

leans down to kiss you passionately, tongue running along your bottom lip as he removes your pants, flinging it to the side of the room. you pull back to catch your breath a few seconds later, eyes flickering away from his intense gaze. his red eyes burning straight through the wall you built, staring right into the deepest part of your soul, and you suddenly feel incredibly vulnerable

"I'm not..."

your boyfriend's head shakes, a sigh leaving him, "then allow me to prove you otherwise, show you just how much I adore you." your eyes meet his once again, and you feel your cheeks heating up at his statement

with a small nod of head as consent, his hand reaches for your face, cupping your cheek for a moment before moving down to your neck, to your collar bones, his mouth following after the trail he left behind

you squirm in place, feeling extremely insecure about yourself, today really isn't your day. he notices this almost immediately, and distracts you by sucking on your nipple through your shirt, letting his warm tongue prod at the perky bud

whines leave your lips as his hands trail further down, dipping in your damp panties, drawing slow, sensual circles on your clit with his middle finger, "ratio..."

your body tenses when a finger slips in, "stunning. absolutely stunning." a breathy laugh escapes him as your hands fly to the back of his neck, pulling him down to kiss him fervently, "feels good, hmm?"

another finger joins the first, embarrassing squelching sounds fill the room as he pumps them into you with precision, hitting all your sensitive spots. it doesn't take long before you come undone on his fingers, and you feel a shudder run down your body when he smiles, "one more."

he doesn't give you the chance to calm down, plunging his fingers back in, and you clench around him, hard. the overstimulation making your head go empty, all negative thoughts of your body leaving your brain

when he hits that one spongy spot deep in you, your nails instinctively dig into his shoulders, successfully making your boyfriend smirk at your reaction

"wait— slow down! or I'm gonna—"

and of course he doesn't heed your warning, pushing and curling his fingers at a faster pace, thumb rubbing your clit, the occasional brush of his ring leaves your knees weak, your hips bucking on its own accord, trying to get that delicious friction again

a sudden warmth fills your core, your brain shutting down, and all you could hear was white noise buzzing inside you, your legs clenching together with his arm still between them

ratio curses under his breath at the sight before him — you with your back arched, eyes closed, mouth open, hips grinding against his hand as you ride out your high. he knew you were cumming, but he did not expect you to squirt, drenching his lower arm with your juices, the wetness shining under the bedroom light

your legs are pushed apart as you feel him climb between them, the clanking sound of his belt falling to the ground has you opening your eyes. you find yourself whining his name pathetically at the sight of him stroking his erect dick, the tip red and angry, curving at a slight angle with his veins looking like they may burst anytime

"apologies, my dear, but my patience is running out."

air gets knocked out of your lungs the moment he pushes all the way to the hilt, pulling a scream out from you. your body shakes uncontrollably from the overstimulation, hands desperately clawing at his chest and shoulders, trying to ground yourself with all your might

his hands grab at your hips, lifting you up slightly to thrust into you better as he kisses you again, this time so hard and rushed that your teeth clanks at some point. he'd pull away when you push at him, almost suffocating from the kiss, and you'd watch with tears in your eyes as he grits his teeth, jaw flexing each time he hits your cervix, soft grunts sounding at the back of his throat with each thrust

"you. are. absolutely. phenomenal." each word comes out hoarsely with each thrust, "every inch of you, perfection." tears stream down your face at his words, tiny gasps of whatever insecurities leave your body, "and don't you ever forget that."

you feel your pussy spasming around him, you're so so near to the edge, and you know he will he send you over with ease — angling his hips at the perfect angle, his own high approaching with each spasm of your warm gummy walls

"fuck— cum with me, please."

and you tense, gripping down on him like a vice, barely registering his groan of your name against your neck as you fall over the edge yet again. spurts of hot liquid fill your insides, leaving you a whimpering, crying mess under him. your boyfriend above you pants against your neck, his arms giving out slightly to press his body weight on you, trapping you beneath him, the weight and heat a comforting anchor for you to come back down

it takes a few minutes for the both of you to recover, and when you do, he's already kissing your collarbones, hands kneading your body softly, massaging at the red hand prints of his grip on your hips from before

sobs leave you unexpectedly as you wrap your arms around him, breaking down against his chest, wetting the fabric there. ratio's hands reach for your hair, pushing the fringe on your face back behind your ear, his thumb brushing the stray tears away from your eyes

soft tenderness appears in his own eyes as he leans closer to you, forehead touching yours, "while I may not fully comprehend the intricacies of your emotions, rest assured that my commitment to you remains unwavering. you are the reason my heart beats with such fervor, and you are cherished beyond measure."

you break into small giggles as more tears pour, and your hand reaching up to cup his face when you notice his nose and eyes turning red, tears welling in those beautiful shades of red and purple

"I love you."

[necrotic-nephilim]

au - tim sneaking out of jason's room one night at the manor and accidentally locking eyes with dick who is sneaking out of bruce's room at the exact same time, breakfast is very awkward the next morning

(i did think of having it be jason instead of tim but honestly jason has 0 shame and even less issue outing himself if it means fucking with bruce and, to a lesser extent, dick)

i'm cackling I love these types of things so much. they're so silly. sometimes we deserve mindless crack for these ships. have a *very* low effort ficlet bc this just makes me snort, enjoy <3

Dick closed Bruce's door as quietly as he could. Usually, he didn't have to sneak around when he slept with Bruce. But the temporary room Bruce had given Jason in the manor was just down the hall, and Dick didn't feel like looking Jason in the eye if he walked out of Bruce's bedroom in the morning at the wrong time.

Just because he was pretty sure Jason knew, didn't mean he needed confirmation and confrontation.

Dick had almost caved to staying in bed with Bruce when Bruce tried to pull him back down, but he kept some level of wits about him, prying Bruce's arm off of him and giving him a final kiss on the cheek before heading for the door.

The one thing Dick did allow himself, though, was wearing one of Bruce's shirts instead of his own. It was a size too large on him but smelled safe and comforting. Dick breathed a quiet sigh of relief when the door latched silently. He let go of the handle, turning around to creep off to his own bedroom in another wing.

And found himself staring at another figure.

With all of the lights off and only faint moonlight streaming through the windows, Dick couldn't tell who it was, at first. His reaction was embarrassing no matter who it was, jumping nearly a foot backward and clutching a hand over his chest.

He was a goddamn vigilante. This was just embarrassing.

The other person wasn't nearly as shocked as Dick, but they stood perfectly still, staring with wide eyes that faintly reflected what little light illuminated their face. Dick squinted, leaning forward to see who it was.

"Tim?" Dick hissed, trying to keep his voice to a whisper. Bruce had fallen asleep and if Dick woke him up now, he was never going to get the stubborn bastard back to bed.

Tim, still looking like a deer in headlights, just blinked at Dick.

"What are you doing up this late?" Dick asked. They'd all agreed to take tonight's patrol off, letting Babs, Helena, Dinah, and Zinda handle it in exchange for tackling the massive human trafficking ring in the morning with fresh eyes and cleared heads. The job was the only thing that had gotten Jason to agree to work with them in the first place. Bruce barely managed to strong-arm Jason into sleeping in the manor, with a decent amount of guilting from Alfred.

Jason, who was in the room only a few feet away from Dick. The room that Tim's hand was resting on the doorknob of.

"That's Jason's room," Dick said slowly.

Tim just nodded. "I know." He wasn't whispering like Dick was, but his tone remained impossible to read.

He just saw Dick walk out of Bruce's room. Had he put it together? It was Tim, after all. if he hadn't yet, Dick assumed he only had a couple minutes before it dawned on Tim.

"What were you doing in Jason's room?" Dick frowned. If he focused on Tim, it could keep the focus off of him for as long as possible. Dick tried to ignore how fast his heart was beating.

Tim's expression was hard to make out in the dark. "We were talking about the case." Still, his tone remained entirely neutral.

Too neutral, for Tim.

"At two am?"

"Well, what were you doing?" Tim huffed slightly when he said it, folding his arms over his chest.

He was shirtless, Dick just realized.

Shirtless and coming out of Jason's room.

"I was-" Dick stumbled over his words, choking as he tried to come up with an alibi. "We were talking about the-"

"I already used that excuse, pick your own," Tim deadpanned. Dick was pretty sure he also rolled his eyes. "I've known about you and Bruce for years, you know. You don't have to pretend."

The noise that came out of Dick's throat was almost as mortifying as the realization that not only did Jason likely know, but so did Tim.

"It... okay it has not been years," Dick's face was hot and he was glad it was too dark for Tim to see his blush. "I mean- it's been a while but not years-"

"Whatever you say." Tim shrugged, sounding unconvinced. "There have been feelings between you two for years, close enough for me."

If Dick died, right here, in this hallway in front of Bruce's door, he hoped the cause of death would be put down as homicide instead of natural causes. Because every word from Tim's mouth made another piece of Dick die inside, just a little.

"It's none of your business either way." Dick tried to stand up straight to sound more in control of the situation, clearing his throat.

"Trust me, I don't want it to be my business."

Dick would've laughed, if this was happening to anyone but him.

"What about... you and Jason?" Dick asked carefully.

Tim shifted on his feet. "What about it? I told you, we were talking about the case."

"Right." It was Dick's turn to roll his eyes. "In his bedroom, at two am, without your shirt?"

Tim stared at Dick for a long, torturous moment. A moment that made Dick agree with Tim, about not wanting to know any sordid details.

"I'm going to bed," Tim said suddenly, turning away from Dick. "Goodnight."

Dick had a thousand more questions he wanted to ask. How Tim and Jason even got together, when it happened. Last Dick knew, they could barely stand to be in the same room.

But Tim was walking away at an alarmingly brisk pace and Dick just sighed. He was too tired and mortified about his own secrets to chase Tim down for an impromptu interrogation that would just end up embarrassing them both more.

Maybe it was best for Dick's sanity if he didn't know the specifics.

Dick didn't consider how awkward it would be until he was standing in the kitchen, staring at Jason bent over a cup of coffee.

Did Jason know Dick knew? It didn't seem like he did, but he had always had a good poker face.

When Tim ambled into the kitchen and grabbed overnight oats from the fridge, he didn't even look at Dick. He seemed to be pointedly avoiding it, sitting as far away from Dick as he could at the oversized dining room table.

All while Dick couldn't seem to stop staring.

"Your cereal is going to get soggy," Jason muttered, and it took Dick a moment to realize Jason was talking to him. "At least eat it before trying to explode my head with your mind, or whatever your staring problem is."

"I'm not-" Dick stuttered. he shut himself up with a mouthful of cereal when Cass gave him an odd look.

Would she be able to figure it out just from his body language?

Dick had never fully understood the lengths her ability to read people could go. he looked away from her and stared at a random spot on the table, trying to eat at a normal pace.

Bruce was the last to wander into the kitchen. He squeezed Dick's shoulder as he walked by, making Dick jump. It was an innocent enough touch that no one would question, but all Dick could think about was the brief look from Tim before he quickly averted his eyes again.

The silence around the table was going to eat Dick alive. He started eating cereal faster.

"Oh for fuck's sake," Jason broke the tension, throwing his head back and slamming an empty mug down onto the table. "Everyone knows you two are fucking, alright?" He gestured between Dick and Bruce. "Stop being so goddamn weird about it, you're acting like there's a bomb in the room."

Bruce choked on his coffee. "Jason." He tried to sound reprimanding, but his voice was a few octaves too high.

Dick threw his hands in the air. "I knew you knew about that, but I didn't know about you and Tim until last night so excuse me for feeling a little awkward."

"You didn't know about what?" Bruce nearly yelled, spinning around to face Jason.

"Damnit, Dick!" Tim groaned, putting his head in his hands.

Jason just scoffed, pointing a fork at Bruce. "Oh don't even give me that self-righteous bullshit-"

Their argument went back and forth while Tim just rubbed his temples, muttering to himself and glaring at Dick.

Worst of all, Dick was pretty sure Cass was giggling next to him under her covered mouth.

Dick just sighed and ducked his head, dutifully waiting for the ground to open up and swallow him whole.

So much for his breakfast.

[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[remxedmoon]

“the valiant bison. it leaps to protect its fellow creatures, but not you.”

hooved

2 power - 8 health - 3 blood

protector - when a creature on this card’s side of the field is about to take damage, this card will jump forward to take the hit instead.

sharp quills - once a card bearing this sigil is struck, the striker is then dealt a single damage point.

BISABEAU!! YIPEEE! and a fancy custom sigil to go with him! wow! writeup below, as always

that custom sigil huh!! i had to rewrite that description SO MANY TIMES and it STILL ISN’T PERFECT GRAAAA. i couldn’t fit it into the proper description, but isa’ll return to his original spot after taking the hits. he basically redirects all attacks on his teammates to himself. like a moleman but in reverse.

also ^ he won’t try to protect terrain cards! because that’s a boulder. not his friends. the entire concept around the sigil is based around him protecting his friends from harm.

sharp quills is there to let him counterattack while covering for his allies! fun fact, in my original concept for this card, this was replaced with the mighty leap sigil?? for some reason??? even though airborne cards can’t attack cards on the field?????? idk what my thought process there was. thank god i caught that before finalizing his card

don’t ask how he has sharp quills btw. it’s uhh. his horns. yes. the quills are his horns.

i went back and forth between calling him a bison or a buffalo. his design was based more on water buffalo than american bison? but i ended up going with bison just because it was shorter lol. plus the bisabeau pun. i am beholden to the pun.

you might’ve noticed that the patch is in a different spot here! i couldn’t find a spot that didn’t cover an important part of the card. so i had to go through the miserable experience of moving the patch and cutting it out even more thoroughly to prevent it from messing up the pixels around it. somehow that damn patch was harder to make than the CUSTOM SIGIL.

speaking of the sigil patch. he gets burrower! which makes him move to any empty space that’s about to be attacked. functionally, this means that ALL damage on the board will get redirected to him. except for airborne attacks i guess

this card doesn’t have a hidden trait! and there’s a reason for that! because…

“a meek, unassuming calf. it has not yet learned its own strength.”

hooved

0 power - 2 health - 2 blood

fledgling - a card bearing this sigil will grow into a more powerful form after 1 turn on the board.

clinger - when one of your creatures is placed in a space, a card bearing this sigil will move towards them as far as possible.

TWO CARDS!! he gets to have a fledgling form :3

fledgling is self explanatory i think? i wanted to keep some kind of reference to his Change and this was the best way i could think of! lil baby thing based on his past self…

clinger is a sigil from act 3! it’s like. only on the lonely wizbot i think. initially i was just going to give them sprinter (which makes them move to a different space after attacking) but it felt… too similar to the elk fawn for my liking. and it felt more appropriate character-wise

this card is also part of the reason why i went with bison. buffalo calf is a long name!!!

idk how well it comes across but they have their lil braid!! i wanted to include the glasses in some way but it felt a little out of place with the card design. so they only have the braids. a necessary sacrifice

i realize that burrower is a TERRIBLE sigil for this card but! i had to keep it consistent with his mature form. hope your bison calf doesn’t fling itself into danger and die! oops!

that’s everything to do with these cards! phew! that was a lot of text. here’s the patchless versions!

[slytherizz]

Fight or Flight - Sebastian Sallow/F!MC

Summary: Sometimes sleeping dogs don't lie.

Two years after his uncles death and with Anne missing the last remaining Auror who scents deception requests a testimony from the only person witness to what really happened between Sebastian and Solomon in the catacombs that day. In a bid to protect those memories and keep him out of Azkaban their marriage is arranged - A marriage Sebastian is hell bent on putting a stop to.

Word count: 15,000 (remember when I said I’d keep it under 10k)

Tags/Warnings: Arranged Marriage, 18+, Explicit Sexual Content, Smut, Angst, Masturbation, First Time

Link: You can find the complete fic on Ao3.

A/N: Sebastian ‘my wife’ Sallow. To the anon who requested this, I’m sorry it’s so late but it was so much fun to write.

Sebastian is almost certain he’d been on the receiving end of a lethal confundus charm. Either that or he was at present suffering a massive life altering haemorrhage somewhere amongst the sun deceptively warming his cheeks and the familiar groan of the dragon bones anchored above them, as it tilted its great head in greeting when they'd arrived in Hecate's office. Full of mysterious tombs and the lingering scent of smoke. Ash trampled so tightly into the grooves in the floorboards he doubted even the house elves could scour out the smell. 

He’d gotten too comfortable. No. Down right complacent as of late and now his psyche in a riotous act of self-preservation was giving him a blistering slap back into reality. 

Pull yourself together. 

Sebastian dug his nails into the soft flesh of his palm. He hissed at the sharp pain as he broke the skin. Felt the blood prickle hot against his sweat slicked palms as it beaded along the thin superficial wound. Uncomfortable. Stinging. And far, far too real. 

“What-?” he managed to croak around a lump in his throat. Praying to Merlin that if this wasn’t a dream it was some elaborate and albeit cruel practical joke. 

“Spousal Privileges,” Hecat repeated. Matter of fact. Her features were drawn and to his dismay betraying no hint of amusement. 

Sebastian choked violently on his own saliva. A hacked cough, raw against his throat. As if the wind had been knocked out of him by a patient and vindictive phantom.

“What this means is you couldn’t be forced to give a testimony or surrender any memories pertaining to anything to do with Mr Sallow. With his sister still missing, the only people who know what really happened in that catacomb are the two of you. If you can’t be forced to corroborate this theory that has been gaining traction at the Ministry that’s the way it stays,” his professor continued to address the witch beside him, unmoved by the blood draining rapidly from his face. 

Her eyes were fixed intently on Hecat, chin raised as she refused to meet Sebastian’s increasingly panicked eye. He shifted in his seat towards her. Turning rapidly back and forth between her and their professor. 

Waiting. A heartbeat and then more passed. Mounting up until it became a deafening drum in his ears. 

He wanted her to laugh. Let it loose. Burst the dangerous tension mounting with every second this insanity stretched on for. Most pathetically of all - he wanted her to save him. Wanted to watch her face crease with laughter at the absurdity of what Hecat was saying. Cling to some sense of normalcy, her stability by his side whilst the rest of him was spiralling out of control.

She was uncharacteristically still in her chair. As frozen as the statue of the mourning lover in the courtyard. Her fist clenched so tightly in the pleats of her skirt her knuckles blanched. A half finished braid she’d been fiddling with behind her ear hung abandoned. Not a shadow of humour remaining. 

“Why now? It’s been years since…”  she asked, with a more measured tone Sebastian felt the situation did not warrant.

She spared him a glance which did little to put him at ease. If anything the serious crease to her brow set him on a razor's edge. 

Sebastian was unravelling. The thread he’d used to stitch back together a semblance of a life was pulling apart at an alarming rate. And the only two people who had any hope of holding him back together were entertaining this insanity. 

“Some of Miss Sallow’s effects were uncovered at the former Feldcroft residence. It seems no one had tended to the home since your Uncle passed…unexpectedly. My contact at the Ministry informs me that there's only one Auror pushing for those memories. Sergeant Tuttle. Old guard. Worked closely with your uncle when they were both juniors in the department. The rest are happy to let Solomon’s memory remain as it has been for the past two years - the heroic final act protecting his young charges from a horde of uncontrollable inferi,” she paused and Sebastian felt the weight of every word. “Personally I am inclined to agree.”

Hecate’s already thin lips pulled so tight they almost entirely disappeared. Her inscrutable brown eyes peeling back the curtain seeing far beyond the truth to the crux of him. Weighing his mettle. And he wasn’t sure she’d be impressed at what she found. 

Because what he was - was careless. Sebastian supposed he could argue that his distress over losing his sister had made it too painful to return. Knowing Anne was not there, Feldcroft seemed rather pointless. 

But really all he’d been was too eager to turn his back on that hovel that had never been his home. Ivy grew thick over its stones and he hoped one day it would pull it down entirely. No one had touched the wards in over a year. Perhaps when he’d boxed up his feelings and shoved them away in his desperation to move past what he had done, he didn’t consider the possibility that there were others out there who, unlike him, may not want to move on so hastily from Solomon's death. 

Anne certainly hadn’t. 

“With you two being so close, this is the cleanest option-” Hecate continued. 

“I don’t bloody care about clean!” Sebastian broke from his stupor. Fist slamming on the table rattling the spoon from where it rested against his saucer. “Tell me the other options. I don’t care how messy they are. I’ll do them.”

“Perhaps I should rephrase,” Hecat said sharply. “This is your only option. And you’d do well not to leap to such dramatics if you want this to work, Mr Sallow. In particular I’d advise against taking such a tone with me.” 

Sebastian didn’t care. He’d already geared up to argue back against this preposterous idea when the statue of the witch beside him suddenly came to life. As if Pygmalion himself had loved her into life just to spite Sebastian. 

“We’ll do it,” she said firmly. 

Sebastian choked again, head snapping to look at her. “You can’t be serious!” 

She simply glared back at him, as if he wasn’t the only reasonable person left in the room. “I’ve kept you out of Azkaban this long-“

Their professor cleared her throat, having little patience for the squabblings of teenagers that was beginning to unfold in her office. It set Sebastian even more on edge. She’d thrown a bomb into their lives and was now regarding him as some petulant child causing a scene. As if instead while he was scrambling to hold it together she expected him to thank her for it. 

“I’d choose your words more carefully in front of an audience but I admire the passion. If you want this to succeed you’ll have to make them believe this. Believe you. You can’t cast any doubt on the reason for any of it. A young couple, so in love they simply cannot wait to be married.”

***

It was like taking a match to a forest doused in kerosine. How quickly word could spread overnight when students kept such close quarters and they were eager for anything to save them from revision. Whispers billowed up from steeped mugs. Steam laced with secrets curled around their lips. Huddled so tightly together they looked like hydras. Each set of eyes alight with amusement. Teeth bared ready to feast on their speculation. 

From the moment Sebastian had stepped into the Great Hall he’d felt it. The oppressive shift to the atmosphere that usually welcomed him each morning. Clouds dark, heavy with the foreboding rain swirled on the enchanted sky. At least it was fitting.

Instinctively he sought her out. Looked for hers amongst the hundreds of eyes turned towards him. Which he pointedly ignored instead following the remaining half who stole glances towards her. 

Blue. Green. Brown. Shifted between them assessing to see what they might do. 

She was boxed into the middle of the table by Onai and Sweeting with Reyes taking up the spot across from them. A vicious hound guarding her flock ensured even the most brazen little wretch who considered interrupting would think twice - give her wrath a wide berth. 

Reyes to her credit - snarling banshee that she was - looked as deeply horrified by the pathetic silver band on her friend's finger as Sebastian felt it deserved. 

They’d transfigured it hastily from a pair of silver spectacles once they’d stumbled out of Hecat’s office the previous evening. One she kept in an odd tangle of items in her satchel and the rushed magic had already begun to tarnish its appearance. It was a wonder anyone actually believed them with how dull and thoughtless it looked sitting on her hand. 

If her smile wasn’t so tight, or her laugh a little too airy she would be executing Hecat’s ludicrous scheme to perfection. 

Sebastian swallowed around the lump in his throat and sheepishly changed course. Rerouted himself away from the group of witches throwing his bag down on the bench and slumping into a seat at the Slytherin table. Which seemed to delight some of the onlookers. Clearly humiliation was a good seasoning for eggs, he thought as he poured himself a cup of tea from the pot and took out his potions essay in an attempt to look busy enough no one would suspect exactly why he was sitting alone. Or worse, try and talk to him. Not that they would dare when his face looked as thunderous as the sky overhead. It didn't, however, stop him from overhearing their animated gossiping. 

‘Do you think she’s…you know?’ 

‘Obviously! Who in their right mind gets married a month before they leave school? Clearly they’re in a rush before she starts to y’know...’ one girl smirked with an exaggerated flourish over her stomach.

Sebastian shot a glare across to the gaggle of Ravenclaw’s in the year below. Who giggled even more loudly when they caught his eye, one turning pink from the tips of her ears to well past the neckline of her jumper. Sebastian on the other hand felt like someone had doused him in a bucket of water from the lake. 

If Reyes didn’t skin him for the insulting piece of jewellery she certainly would if she suspected he’d gotten her favourite flying partner up the kyte. 

Sebastian tried to focus on his potions essay. List even a single ingredient of ‘Felix Felicis’ which was proving to be impossible when behind him a brazen fourth year proclaimed and loudly he’d caught them sequestered away between the stacks of the restricted section - her body bent over a desk. Sebastian’s grip on the quill tensed as he strained himself to write the differing effects between wyrm and dragon scale on a potion - and not a very vivid description of what he apparently looked like on his knees buried between her thighs. Ink blotted on the parchment. 

Sod Hecat on ‘selling it’. Why did they need to go to such lengths when apparently every gossiping vulture was content to click their beak and do all the work for them? 

Surely Azkaban couldn’t be worse than this? 

Well, that was delusional - but if he overheard one more person comment on if her robes looked bigger he was more than likely going to do something that would get him thrown in Azkaban regardless. 

Sebastian had anticipated suspicion but he still wasn’t prepared for how much it would chafe. 

He knew if they were not at the centre of this farce, the two main players on the stage they would have jovially picked apart their performance too. She would have speculated over their sanity as she picked idly at her cauldron cake. Made some snide comment about being too eager to get his leg over. He’d bet her a galleon they’d see the proof in nine months and she would have snorted, undignified unladylike into her pumpkin juice. 

Being the subject of this speculation however was mortifying. 

Would that be next? Bringing a child into the fucking mess he’d made just to cover his own back? If the thought of dragging her into a marriage him feel ill it paled in comparison to the feeling of crippling dread that conjured. 

But would she want that one day? In a young witch's sacrifice to keep him had she truly considered all the things she was giving up in his stead. Things she may not know she even wanted until the opportunity had already been bartered and sold off for the price of his freedom. What kind of man was he to take the hope of any kind of family from someone who already had none to show for it? Take away the chance for someone to love her. 

Or maybe she never intended to give up on that particular dream. And Sebastian would be expected to play his part - the cuckolded husband. 

Work late until the candles burned down to the wick to give her lover time to retreat. Share her with one; or with many. 

Vow now to never let her go without. 

Even go as far as to raise her children as his own. Glamour their cheeks with foreign freckles he’d wish were inherited. Brand them with the Sallow name with ink on thin parchment but not their blood; their ties to him just as flimsy and performative as hers.

Her easy smile as she lathered honey onto her toast set his teeth on edge. Sebastian felt in that moment like he never really knew her at all. Head pounding Sebastian stuffed his ink pot and notes back into his bag. Abandoned his breakfast in a rush to get out of the stifling hall. Away from the whispers that he knew would also be deafening in her ears. Perhaps even more so.

‘I didn’t even know they were courting. It’s a shame he’s off the market.’

‘Here’s the thing - I don’t think they were. Clearly, he’s marrying her to do the right thing. Now that she’s trapped him with a baby.’

She caught his eye, her eyebrows stitched together in concern but it did not offset the rigid lock of her furious ticking jaw. Teeth set, clamped together as if Hecat had clamped a muzzle on a fucking dragon and then handed her chains to Sebastian. 

Shamefully, he couldn’t bring himself to hold her gaze. Couldn’t even bear to face her in that moment despite knowing he was the reason she had to listen to these lies spread. He should tell her he was sorry. But instead he fled. 

Complete fic can be found on Ao3.

[arttsuka]

I LOVE Teen Stan and Ford, it’s sad they don’t get drawn enough, so thank you so much!

Does Ford ever help Stan when he gets overstimulated? Or maybe when he has a rage response and suddenly starts crying and calls himself stupid?

Here's the other post with Ford