#this time I think it might actually be true

[applecath]

Okay, op. That man "hated" and made fun of women's clothing is not an argument against it being a tool of the patriarchy.

Let me explain why.

Men have been ridiculing women's fashion for a very very long time. They do it now. They make fun of make up, they make fun of long nails, they make fun of new clothing trends.

I don't know if you noticed, but they (men) make fun of everything a woman does - and I would argue that in the case of fashion, it's the women they're making fun of, and not the styles themselves.

You can see that at the same time, the women who do not confirm to the fashion are made fun of as well. They "pretend to be a man", or are "ugly", or "dirty", or whatever else. It is a fine line every woman has to walk in order to not be made fun of - she either does something too much, or not enough. There is no golden standard in reality, because every man has his own opinion, the opinion that he sees as universal, and that he will express as such. Hence the praising and hating of feminity at the same time.

It is not an unusual concept of men to dunk on an activity they force women to do. Because men hate women, it's how patriarchy works.

(for other examples, think "women have to work in the kitchen to be a proper woman" and "being a housewife means you are stupid")

(or "moms are all unreasonable and dumb" and "every woman must have a child to realize her role in life")

It is true that often men don't directly enforce fashion on women, but it does not mean that they don't indirectly do it. The same way your mother might be the one pressuring you to wear makeup, other women could be pressuring a woman in the past to wear an uncomfortable and inconvenient garment.

Still, it is not a coincidence that only women engage in these extreme handicaping behaviour, it is not a coincidence that only they paint themselves, shape their bodies, wear heavy clothing, heavily decorate their hair. It is not a coincidence that only women make living their lives harder in order to look better, and to see why this happens we must look at the people who hold the power. Who has more money? Who can survive on his own? Whose opinion matters more socially? Who can make political decisions? Who writes the law? Who enforces the law?

It is easy to see that in the time of hoop-skirts, the same as now, men hold this power.

Did you know that women were actually arrested for defying female fashion and wearing trousers?

it’s hilarious to me when people call historical fashions that men hated oppressive

like in BuzzFeed’s Women Wear Hoop Skirts For A Day While Being Exaggeratedly Bad At Doing Everything In Them video, one woman comments that she’s being “oppressed by the patriarchy.” if you’ve read anything Victorian man ever said about hoop skirts, you know that’s pretty much the exact opposite of the truth

thing is, hoop skirts evolved as liberating garment for women. before them, to achieve roughly conical skirt fullness, they had to wear many layers of petticoats (some stiffened with horsehair braid or other kinds of cord). the cage crinoline made their outfits instantly lighter and easier to move in

it also enabled skirts to get waaaaay bigger. and, as you see in the late 1860s, 1870s, and mid-late 1880s, to take on even less natural shapes. we jokingly call bustles fake butts, but trust me- nobody saw them that way. it was just skirts doing weird, exciting Skirt Things that women had tons of fun with

men, obviously, loathed the whole affair

(1864)

(1850s. gods, if only crinolines were huge enough to keep men from getting too close)

(no date given, but also, this is 100% impossible)

(also undated, but the ruffles make me think 1850s)

it was also something that women of all social classes- maids and society ladies, enslaved women and free women of color -all wore at one point or another. interesting bit of unexpected equalization there

and when bustles came in, guess what? men hated those, too

(1880s)

(probably also 1880s? the ladies are being compared to beetles and snails. in case that was unclear)

(1870s, I think? the bustle itself looks early 1870s but the tight fit of the actual gown looks later)

hoops and bustles weren’t tools of the patriarchy. they were items 1 and 2 on the 19th century’s “Fashion Trends Women Love That Men Hate” lists, with bonus built-in personal space enforcement

[kinardsevan]

What is your opinion on Tommy coming back or not? And in they case we see him again, do you think it’ll be just for closure (ex: Abby in season 3) or maybe for a BuckTommy second chance?

fun fact: i was considering doing an entire breakdown with a bunch of Oliver's interviews from the start of this arc until now to point to my opinion:

Tommy is coming back. The romcom theme is still in effect, and we're only about midway through the 3rd act.

Long story short (and without sources right now), I think that the interviews were actuallly pointing in this direction with the wording for a hot second. We have OS telling us that he thinks the best relationships have a "will they, won't they" bit where the audience and the characters are pining. We've seen this play out on the show. And we also have to remember that Oli knew during this interview that the breakup was coming. We also have the interview (I believe it was the Decider one I linked last week) where he mentions choosing to fight for the relationship or not. I feel like a lot of people have taken the context of that and twisted it into "they didn't do it right away, so they're not going to". Except, there's ANOTHER quote of relevance, which is Oliver talking about how Buck's queerness isn't tied to Tommy or Eddie, and only to himself.

Obviously, there have been things said since 806 that would point towards me being delulu, except, here's the issue: TM, OS and LFJr are NOT going to tell us that Tommy is coming back if that's the intention. It would spoil the surprise of it all, and the win of it all. What fun is there in that? What TM has said is that Tommy is Buck's romantic past but that doesn't mean he won't turn up again in the future (all relevant and true facts which do not shut down a reconciliation). Lou never out-and-out said he was done with the show. He's said time and time again that he wants to come back. TM has mentioned Tommy coming around again. OS literally said in an interview "they may run into each other on scene and have it be awkward".

Now obviously we don't actually have the full story with how things went down and the show decided to go with splitting the boys up. I think the fact that Lou has called out the bullying but says he wants to come back suggests that it wasn't him saying it was too much. I have two theories that could honestly run concurrent with one another:

Evan and Tommy break up in 806 at the end of the episode. With 911 having 18 episode seasons, this quite literally only makes up the first third of the season. It set up the beginning of the year for us. We're now two episodes into the second part of the season with a pretty clear idea of where the next three will go and suggestions (by fans, nothing official) that the "soonest" we could see LFJr again is 812. This is reasonable, as it would be the end of the middle of the season. Knowing that TM has suggested he might do a multi-episode season finale, pushing LFJr back into the show in 812 (or even the end of 811 if we go with my theory that Eddie could possibly leave around this time and Tommy helps them pack up/his and Buck's first time spending time around each other again), there would still likely be something around this time period that would be around when they would open the doors to this. As it is, we know that 809 and 810 go together, and then we'd have 811 to really flesh out the end of Buck's fling. I think there's even more possibility of LFJr being in this episode as well because if the plan is to bring them back together (which everything has been suggested so far ON screen in terms of keeping Tommy "in" the story), three-episode arc gives us several things: a. it allows the show to make the point that Buck's queerness is not intrinsically attached to Tommy; that his interest in men is as equal as he know his interest in women is. b. it gives them the ability to also show that his feelings for Tommy are not based in Tommy being his "first", or Evan needing to "discover" more about himself. They're in love with each other, and the show has given us the pieces for that. LFJr has acknowledged it in an interview, Tommy loves Buck. We also know that Tommy's line to Evan is "you'd end up breaking my heart, and I don't think I could deal with that". When I hear that sentence, what I'm actually hearing is "I'm already in love with you, and if I let myself fall more in love with you by being with you every day all the time and this ends, I won't survive it". By relation, we have Josh ask Buck if he loves Tommy and Buck waffles, but I think this has more to do with his lack of understanding of what a healthy love is in a relationship, given his past relationships. He never got to tell Abby. Ali left. and saying I love you to Taylor wasn't about the core of actually being in love with her, which I think is another important piece for BuckTommy: they don't just love each other, they're in love with each other. Still, sometimes it's hard to quantify that feeling, and I think (as I've referenced before), for Evan it was easier to ask Tommy to share a living space with him than to share how he feels about him because historically, things haven't worked out well for him when he's been in love outwardly. Further, the questions Josh asks Evan are directly correlated with loving someone, and Evan answers yes to all of them. (I don't think I need to add this, but he also sees a future with Tommy, talks about being engaged or married. He's serious about Tommy in a way he never has been before.)

There's also the theory that the breakup happened because of scheduling conflicts. Now obviously the show could've found other ways to work around LFJr's scheduling issues by having Tommy go on a trip or what-have-you, but let's remember OTHER things that have been said by OS in prior interviews: a. back in June, he did an interview where he stated that he wanted and hoped that BuckTommy would go through issues that couples normally go through in their first year together. He wanted normal issues. This storyline IS normal. b. he didn't want to repeat Tarlos. By the very definition of what the show is doing right now, we're not. Tarlos and BuckTommy are their own things with their own reasonings.

One of the other things I also keep being pulled back to is these issues: first of all, we know how LFJr plays with the 911 demo, given that they got to see it last season. It's why he was written into more episodes after his initial four episode arc and brought back. ABC has also used BuckTommy in their own adverts, which suggests that they are very supportive of the relationship continuing because it draws in viewers. Truly giving that up for good feels like dousing yourself in gasoline and then considering striking a match. Second, people also keep calling out that TM only plans a few weeks in advance. I believe this is true with story beats. We know that the writers room has a general idea on character arcs, thanks to some of the discussion on the cheese page post-806. I really struggle to believe that TM didn't know going into going forward with the breakup whether or not he wanted to bring LFJr back. We know he waffled back and forth on the idea of the breakup, meaning he probably had other solutions on his mind for whatever LFJr's schedule needed adjusting for, and this is what he decided on. Also, even if 8b hasn't been broken down yet (we know it hasn't), they would still know at this point what they do or don't want, what their ideas might be. Solidification for why Tommy should be brought back is directly shown in the reaction by the GA and the fandom to the breakup. They may not know exactly how that reunion happens yet, but what they have suggested is that Buck's new relationship will be short-lived. That he's using it to cope. We also know he's still processing the break-up and still misses Tommy. These are all things that point to the story not being over. Plus, I feel (once again), if the story really was over and they didn't have plans to continue this in 8b, LFJr wouldn't be talking about wanting to go back. It be far more "yeah that sucked, but it's over now and what can you do? I'm off to this new show and I'll never be back." (I've commented also on the fact that the fangirlish interview comment about his "i'm going here, doing this, have some opportunities" statement is very run-of-the-mill. Obvs I could mean something. Or it could literally just be a canned answer.) (This might feel a little off-center, but I think his commentary on trusting TM and knowing what he's doing in one of his post-806 interviews directly suggests that he believes the story is going to be handled properly.)

I realize at the end of the day, all of what I'm piecing together could mean zilch and Tommy could possibly never come back. They could truly just drop the story and never circle back around, set fire to a beautiful arc and lose thousands (possibly millions) of viewers. I've certainly suggested myself being one of them. But I don't see BuckTommy only getting an Abby fix for two reasons. LFJr wants to come back and continue the story, and Connie Britton only ever intended to do one season. Also, the fling has been called out as being planned to be short-lived. Why bother mentioning that if you don't have other plans for the story.

The last thing I'll leave you with is my commentary from the interview Oli and Aisha did with the guy from Chicago. That reporter obviously liked the BuckTommy storyline and said he's choosing to believe that the relationship is paused, not over. By relation, we had Oliver say three things: (1 and 2) Buck is still looking for love, both in himself and with another person. (3)The season is only half over. Circle that back to 806-808. Buck is finding love in himself by dealing with it in a healthy way (so far) with the baking. We've also seen the "cracks" Oli mentioned with his continued urge to want to text Tommy, as well as him fighting it off by baking (referencing the "pendulum swinging"). Looking for love in others will likely be this arc where he tries to deal/move on. I feel like we collectively watched the end of 806, and then 807 and 808 yelling at the TV "you're in love with him, piece it together already!" (or maybe that was just me???). But truly, whether it's a fling, his therapist, or Bobby/Maddie/Eddie who finally spells it out of or him, I think there will be a point at which we see that come to fruition. The seeds were sewn in for it in the scene with Josh. Now it's just about watching those seeds sprout.

Final note: we've had a good run up to this point with these two. Did we truly thing that the honeymoon phase would last forever? (I didn't. Conflict and the pink bubble popping have to happen eventually.) If we really want to suggest that what BuckTommy has is real, they have to go through this and come out the other side. I think everyone is justifiably frustrated due to the 4 month wait on new episodes (I personally would not have left people hanging quite like this, but that's just me), but the narrative does lead us toward what the show is doing with the suggestion that it does have a natural (and good) conclusion. (Possibly with a helicopter/truck/jeep crash?!)

And just as my singularly LAST note, here's my other thing: Evan and Tommy both have abandonment issues. (Tommy's are clear based on the break up and we know Buck's.) By that correlation, when these two finally get back together, they're never going to fucking let the other go.

(This was so much longer than I intended it to be, but that's my answer 😂😂😂😂😂😂)

[salty-autistic-writer]

Buck sits on a hospital bed and looks down at his bandaged hands. Mild burns. They add to the considerable amount of smoke inhalation that makes his throat feel as dry as sandpaper. At least his coughing already got better. Buck's doctor assured him he would be able to leave soon. Too bad there's no home he can return to. 

He stares at his hands and feels … numb. It happened so fast. So fast, it almost seems like a dream. But it’s real. And everything still smells like smoke.

His loft. It’s gone.

In the middle of the night, flames consumed the walls in that scary astonishing speed he’s so well familiar with. And he couldn't stop it.

So many memories. Burnt down to ash. Buried underneath rubble. Gone.

A light knock at the doorframe makes him perk up. Buck expects to see Maddie who left to get some water and a snack. Or Chimney. Or Hen. Or Bobby. But it’s neither one of them.

“Tommy?” Buck looks up, too surprised to prepare himself for the pain he feels when he actually sees Tommy. For the first time in weeks. “What … what are you doing here?”

“I … Howie called me,” Tommy says, avoiding direct eye contact.

“Of course he did,” Buck mutters, looking back down at his hands, picking at a loose thread. Chimney. The ever-hopeful matchmaker.

Tommy clears his throat. “Are you okay?”

Buck flinches. The soft tone with which those words are spoken feels like a punch to his gut.

Are you okay? 

Okay. 

Anger wells up inside Buck’s tight chest like dark ice water, rising to the surface of his mind and fading out all the sadness. Buck glares up at Tommy. “Seriously? That’s what you’re asking about? After weeks of silence. Of nothing. You dare to show up here just like that and ask if I’m okay?!”

It’s Tommy’s turn to wince, his eyes widening slightly. “I’m sorry.”

Somehow, that only makes Buck even angrier. He knows it’s true. Honest. He knows that Tommy cares. And he kind of wishes Tommy wouldn’t. But here they are. Still care about each other way too much.

Tiredness creeps into the murky combination of anger and sadness.

“It burnt,” Buck says quietly.

“What?” Tommy asks.

“My scrapbook. It burnt. All the pictures too. The pictures I put on the fridge. And now I have nothing left.” Buck can feel the tears coming. He doesn’t want them. Doesn’t want to cry in front of Tommy. “All the memories I started to collect. They’re gone.”

I used to look at them. I used to remember the time when I thought I was finally on my way to happiness.  

“It’s all gone,” Buck breathes. And then he really cries.

An ugly sob that escapes his lips. And he hates it. Hates it so much. But he has no energy left to hide.

“Evan,” Tommy says, barely audible. And even though the sadness is suffocating him, Buck has the space for a relieved sigh. Not Buck. Still Even. And it still sounds so right … How does it sound so right after all the wrong directions their path took?

The bed dips as Tommy sits down beside Buck, hesitantly putting a hand on his heaving back. “It’s not all gone,” Tommy says.

Buck wipes at his burning eyes. “It’s not?” He asks, doubtfully.

“No. I … I’ve been collecting memories too. I can share them with you. If you want them,” Tommy says.

“That would be great,” Buck admits, trying to take a deep breath through his stuffed nose with a grimace. “Because … Because they really make me happy. The memories.”

“They do?” Tommy asks, his hand still on Buck’s back, but apparently not daring to move. “Don’t they make you … angry?”

“Not really. Sometimes they make me a little sad. Because I start to think of what could have been,” Buck says. “I start to picture all the happy memories the future might have given me.”

“But you don’t know if those memories would have been happy. What if … What if that future turns out to be so painful that you end up wishing you wouldn’t have lived through it in the first place?” Tommy asks, his voice strained. “Aren’t you scared of what you can’t know?”

Buck shakes his head. “No. I can’t live like that. The future isn’t set in stone. And as long as I think the memories I want to make are worth fighting for … Things will be alright.”

We would have been alright.  

Tommy’s hand is burning him. But when it retreats, Buck almost tells him to put it back. Maybe that’s pathetic. But he can’t find the energy to care.

Tommy is silent for a long moment. He seems lost in his own thoughts, his fingers rubbing over his jean-cladded knees in rhythmic movements.

Buck glances at him. Through a blur of his lingering tears, he suddenly realizes that Tommy looks … rough. 

His edges are sharper. The lines on his face seem deeper. There are shadows under his eyes and he’s close to growing a beard. 

And maybe that’s pathetic too, but Buck suddenly wants to hope that Tommy is feeling that same ache Buck has been feeling for such a long time now. The ache that forces him to bake. To keep his hands busy and his mind empty.

He wonders. What is Tommy doing to soothe his ache?

Buck almost asks.

But before he can, Tommy gets up. He clears his throat. “Are you staying with Maddie and Howie?”

“Yeah,” Buck says quietly. “For now. I guess.”

Tommy nods. He’s chewing on his lower lip. Lingers. Seems like there’s something else he wants to say.

And the silence stretches like a rubber band. The tension is almost palpable in the room.

Finally, Tommy says, “If I would text you in a few days. Would you read it? Would you read it all?”

“I would,” Buck says, remembering the bubbles. “I promise,” he adds.

Tommy exhales shakily. “Okay. Alright. I’m truly sorry, Evan. For the loft. And for what you lost. I can't change what happened. I can’t give the past back to you. But whatever happens, whatever you do after you read what I am going to write, I will give you everything I have. So that you can start a new collection.”

“Thank you,” Buck says, his throat tightening.

Tommy nods. He starts to walk out of the room with slow heavy steps.

Before he can disappear, Buck works up the courage to say, “Tommy. Wait.”

Tommy stops, glancing back at Buck.

“Are … are you okay?” Buck asks.

Tommy’s brows furrow with surprise, but then his eyes soften. “Honestly? No. And I haven’t been in a long time. But I am finding ways to keep the hope alive,” he says. “Goodbye, Evan. Rest well.”

And then he really leaves.

Buck stares into the void and the ache is back. But the pain has a note of hope in its bite. Maybe it’s the same kind of hope Tommy was talking about. And maybe he shouldn’t allow himself to feel it. But he can’t help it.

Apparently, his heart, even though covered in the ash the night left behind, is still convinced that the future he pictured is worth fighting for.

(AO3 Link)

[habken]

Hi there!

I have been rewatching MHA and came across many accounts that support bkdk. So i wanted to ask you the following:

Bakugo wanted to kill Izuku on their first day and during the bomb test. He tormented him for over 10 years, insulted him, bullied him, tortured him. Because he has "promise" Aizawa never called him out on his toxic behavior, but threatened Izuku with expulsion all the tims, labeling him as "problem child". All Might never did anything, even after Bakugo states, that he wanted to kill Izuku. Bakugo never faced a consequence for his oppressive behavior, he even bullied his so-called BakuSquad. (He got himself captured by the league and only denied their offer becUse they were "losers") Meanwhile, Izuku clearly shows signs of PTSD, wincing everytime when Bakugo was near him. Bakugo used so many explosions on him, he should be covered in scars. It's clear that he is Hori's favorite. The MHA fandom is pretty toxic, we all know this. Bakugo's "character evolution" didn't make him a better person. He never really changed or helped Izuku. When he "moved out of instinct" he did so because it's "instinct", because he trained so much. He didn't care that it was Izuku, he didn't think about it. After the second/ third season, the other characters just didn't care anymore about his behavior towars Izuku. Aoyama's parents wanted Aoyama to have a quirk to prevent him from being left out of society, so basically to protect him from people like Bakugo. He was the most privileged person (hit the genetic lottery, intelligent and rich parents). But still, MHA clearly shows that if you feel insecure you can bully and torture and there will be no consequences. I love Todoroki and Izuku much more, because they at least help and support each other. Shoto had a terrible childhood, but he never turned into an abuser. He never turned into his father. Bakugo's "excuse" towards Izuku was just laughable (makes the whole Sasuke/ Naruto episode after their big last fight look like true cinema). In the end, the fandom (and Hori) support an abuser/victim relationship.

Why do you support bkdk?

Their relationship gives people a false sense of what a victim of abuse should do. MHA never took Izuku's pain and past seriously. They portrayed Bakugo as "tsundere" instead of showing the real consequences of being the abuser for over a decade. Kirishima showed how to behave if you feel "unmanly" or "inadequate". Bakugo in the MHA world was a racist the minute he found out that Izuku didn't have a quirk. He victimized himself and tortured Izuku because he thinks that the world revolves around him. Shouta from "A silent voice" shows how to seek redemption and forgiveness. Bakugo just wanted to be Nr1 hero, but never a good one who saves people.

MHA clearly shows that you can bully someone, torture someone, torment someone- and you will never have to face consequences. A spit-out "sorry" after 10+ years of bullying and right after insulting someone's mental state is enough to be forgiven.

jesus christ lmao

See I could rebute your long ass essay and give my reasons for liking the ship, but you don’t actually care about what I have to say. I’m not going to spend my time defending myself to someone who’s arguing in bad faith. I spent years defending the ship, getting hate comments and death threats, and I’m not ever doing that shit again.

If you want to goad me into defending a dumb shonen ship, pay me $50. Until then, fuck off. Go find like-minded people under the “bakugou faces consequences” tag on ao3

[applecath]

It is not about being "witchy" and witchcraft, it's about the fact that witch burnings were acts of terrorism against women. A lot of times knowledgeable, important women were targeted, such as healers, so that they couldn't obstruct male power.

The phrase is not meant to be taken literally, it is a celebration of women's power, which cannot be eliminated fully, and still exists. It is a sign of resilience in the face of male terrorism.

"...for most of history the concept of "witches" [...] was lumped in which other concepts such as balto-german werewolves... But most important, many of these concepts were unisex, also contradicting the pop-feminst angle" First, it is irrelevant if the word "witch" meant something close to "werewolf" and changed overtime. We all know that they didn't burn "actual witches", because witches don't exist. Today, "witch" means a woman, in many cases a woman who stands up to male power and is inconvenient to the patriarchal establishment. It matters what the word means now, since the slogan is used now don't you think? You might also say that the witch trials were an important event in shaping the meaning of this word. Secondly, it is true that some men were also killed during witch burnings. However we know that the majority were women, and it is a significant fact.

"Trivialising the torture and live immolation of real actual people by implying they somehow weren't strong or clever enough to avoid being burned at the stake?" The phrase does not imply that the people who were actually executed were in any way "weak", I certainly never thought of it that way. Again, the slogan is a celebration of perseverance.

"Invoking a legacy that categorically does not belong to them in an attempt to claim an oppression they and their ancestors never faced?" How can you claim that our ancestors didn't face this? Not only is it possible that members of one's family were persecuted, it is also true that this event changed the lives of many people, and the gender dynamics in their societies, even if it didn't impact them directly.

I don't see how your criticism applies at all.

There are a fair few faux feminist statements I hate, but “We are the daughters of the witches you couldn’t burn” is one of them.

[thesiltverses]

Who are the people who win the status quo in the TSV world?

In ours there are capitalists who have, for all intents and purposes, *won* the system — more money than they can ever sanely spend in their lifetimes, being able to afford any material luxury they ever so desire, beyond the reaches of mortal laws and jurisdictions, insulated from common political concerns by heinous wealth.

What does that look like in TSV? Someone untouchable by gods, maybe only hoarding the positive blessings with 0 negative effects, deflecting harms onto people lower down the food chain.

It feels like everyone in TSV is living precariously to me — walk by a coffee shop at the wrong time and you might get caught in a deity of sleep publicly-broadcast ascendancy. Who are the people completely immune from this? Is it only the gods themselves?

Well, I don't agree with the premise, I think; even the gods live precariously, for all their power, because they'll never be rid of their lousy insecurities and their implacable desire for attention and love, and because you cannot buy your way out of time, change, death, or your own fundamental incompleteness.

We don't present anyone within the TSV setting who's 'won' and lives in complete existential safety, because I'd argue that doesn't feel true to life or capitalism: our most powerful characters and entities remain hungering little things, expending a huge amount of energy on the desperate pretence that they aren't hungry and they aren't desperate and they aren't alone and they deserve to have the power that they have.

Anton Chigurh can claim to be some kind of inhuman agent of remorseless fate and then still get sideswiped by a random car. Our billionaires can buy themselves a governing share in the most powerful nation on the planet and yet remain a sad little twerp desperately and vainly hunting for reassurance from internet strangers that he's actually likeable and cool. And tomorrow any one of them may be wiped out by hubris, obstinacy or just bad luck, no matter how many preventative advantages or how much financial invulnerability they hold over the rest of us.

There's a consolation - even if there's not a huge amount of hope - in knowing that even the tallest trees do not grow whole within this walled garden, under this light.

[warningsine]

Wait a second. Glinda is lesbian in the book? How many characters are gay?

Glinda’s sexuality in the "Wicked Years" series is not explicitly defined, but there's room to interpret her as either a closeted lesbian or bisexual.

What you need to understand about Maguire's books is that the default orientation is not heterosexuality, but bisexuality.

So even when a character's sexuality is not stated, never assume they're straight until proven otherwise.

Liir, Elphaba's son, is explicitly bisexual. He has sex with Trism, a soldier, and often pines for him.

While he is unconscious, a nun, Candle, rapes Liir to save him from dying and impregnates herself.

(Liir sleeping beside Candle)

Elphaba's parents were in some sort of 3-way relationship with Turtle Heart:

(he is talking to Elphaba in the last one)

There's talk about Elphaba being intersex when she's born:

(Fiyero talking about Elphaba's genitals and wondering whether his tattoos rubbed off on her there or if it's "a scar")

Later in life, she's quite androgynous and defies traditional gender roles.

Elphaba is not supposed to be conventionally attractive, yet, both Fiyero and Glinda find her "beautiful."

Rain's (Liir's daughter) sexuality isn't stated, but her relationship with Tip is the heart of the last book and there are romantic undertones in their connection.

Who is Tip? A young boy Rain meets, except by the end of the book, we learn that Tip is actually Princess Ozma, the rightful ruler of Oz, who had been transformed into a boy by Mombi (the witch who raised Tip) to hide her identity. Upon this revelation, Tip is magically transformed back into Ozma.

Then there are Crope and Tibbett, flamboyant gay students at Shiz University and friends of both Elphaba and Glinda in "Wicked." They're a couple.

Tibbett sleeps with a male Animal and then dies to a disease that sounds like HIV complications.

There are other minor/side characters that it's implied they aren't straight.

But back to Glinda.

She's a background character. One of the things the musical has over the books is that it made Glinda a coprotagonist, but it also made her shallower (bookverse Glinda seems like an airhead, but she's actually much smarter), so check and mate?

Maguire about Glinda and Elphaba:

It's open to interpretation whether Glinda is in love with Elphaba. (Personally, I think she is, given how she:

waits for her and hopes against hope that Elphaba is alive and will come to free her from her imprisonment (to the point that Rain, Elphie's granddaughter, and other characters think that she lost it due to her age),

helps Liir and later Rain, whom she raises as her own child for some time.)

She definitely has romantic tension with Elphaba and there's a kiss--two kisses--when they part ways.

It's also open to interpretation whether they slept together or not. The Midwife says to the younger characters that they might have been more than friends.

Glinda gets married, but it's a strategic decision. Her marriage is devoid of passion. There are rumors that she did it to hide her true interests.

When she is young (at school), she lets Boq kiss her, but then she regrets it.

Glinda and Fiyero are not a thing in the books. Only Elphie has an affair with him.

There's a brief moment where Glinda fantasizes about sex with a rich guy (when Morrible talks about her future) except it is unclear whether that thought arouses or repulses her.

So, yes, there's a good chance she's not straight.

[mc-lukanette]

"Luka, do you believe in soulmates?"

Luka nearly stumbled after that question left Marinette's mouth. While conversation was common between them on their walks - regardless of if it was a walk to go somewhere together, a walk to find inspiration, or a walk to simply walk - he hadn't expected a topic like that.

Just about anyone wouldn't, actually, not when a vast majority of the population had soulmate marks. Luka himself sported one, as did Marinette.

He looked to her for clarification, but her gaze was distant, drawn up towards the sky like it might give her whatever answer she was looking for. Wanting to consider her question seriously, he asked, "Are you talking about destiny?"

"No ...maybe?" Her brows furrowed and she appeared just as confused as him by her own thought process. Throwing a hand out in exasperation, she tried again, "We're chosen. That's the idea, right? Because someone, or the universe, or something did it?"

"Yeah?" He supposed that was accurate even if he didn't know himself. No one could ever agree on the true cause and evidence was nonexistent, so it was largely left up to interpretation.

More religiously-inclined individuals would call it a God giving people a sign of their all-knowing nature, or giving their approval of two people being together. Depending on one's view, that theory ranged from being about a holy entity asserting their omnipotence to being about the most powerful shipper to ever exist trying to pair up the population to their liking.

For others, it was just a force of the universe, whether a conscious one or not. The way the marks changed as cultures did could answer questions about that, or it may only add them.

Some theories left it down to the individual: that people were magical or that their souls called out and found another, which ultimately manifested in a soulmate mark.

Luka didn't know, and it wasn't something that kept him up at night. The pondering of why soulmate marks existed and what they truly meant held about as much weight to him as why some random person on the other side of the world chose to eat an apple instead of an orange that day.

Of course, it wasn't always like that. There was a time when he was younger when he looked at the mark near Marinette's elbow, listening to her ramble excitedly about who her soulmate might be and what kind of person she hoped they were, and he felt jealous. He'd loved her knowingly for years, probably loved her unknowingly even longer, but he was happy.

In a way, not being her soulmate meant that she had no incentive or suggestion to be close to him beyond enjoying his company. That alone held great value to him, and he liked the simplicity: importance to someone without need of a fancy fate tattoo slapped on at birth to show for it.

"Ugh," Marinette groaned, running both hands down her face. "I get a headache whenever I think about it. It doesn't make sense."

"Which part?"

"Mm..." She pouted. "The good part?"

He still wasn't following, though he did like hearing her talk. He was happy to be her black-and-blue rubber duck if she needed it.

"Everyone thinks that soulmate marks are soooo great," she continued with an edge to her voice, waving her arms wildly, "but they don't always think about who, or what, or whatever's behind it! What if it—"

"Look out."

Luka caught a glimpse of what was about to happen just in time, reaching out to grab her shoulder and pull her back, the honest-to-God cream pie that'd fallen from above splattering on the sidewalk below. He looked up to lock gazes with the person who'd appeared to either accidentally drop or knock it over, but they were already ducking back inside in embarrassment.

Giving a quick glance at her shoes to confirm that the pie didn't get on them, his eyes went to her face next. "Are you okay?"

She didn't answer, staring solemnly at the dessert on the ground, though that may have not been entirely accurate. It almost appeared as if she were looking at things all around it that weren't actually there.

He knew then what was happening in her mind before she spoke again.

"What if it doesn't care about you or thinks you're a joke? What if it gave you a soulmate just for a laugh?"

Marinette had never had good luck. Having known her since they were both kids, Luka knew that for a fact. He'd become so used to it that anticipating and preventing whatever insanely unlucky moments he could was like muscle memory to him. His body simply felt the signs and acted on its own.

Thus, her conclusion didn't come as anything strange to him, however depressing it sounded. The thought that there was some higher being taking delight in... whatever this was, it didn't sound impossible.

Cautious with suspicion of what her answer may be, he asked, "Did something happen with him?"

He normally wouldn't say anything about that relationship, nor do so much as to speak the boy's name. After countless times of watching Marinette lamenting some perceived failure that was, more often than not, either terrible luck or the universe personally spiting her, he stopped bringing it up. It made her miserable to talk about it and he had a dog in the proverbial race, so it was convenient for both of them if he kept quiet.

No matter how much he wanted and also didn't want to know how it was going or if any sparks were flying, that was her business and he would only pry if he felt it necessary. Most of what he knew was simply that she had seen the soulmate mark by accident and her soulmate had yet to see hers.

"Ha," she scoffed, turning her face away from him. "Nothing happened, that's the problem."

She went to keep walking, not feeling right standing in the same place on the sidewalk, and nearly stepped in the fallen pie before he caught her shoulder again. She tossed him a grateful look and they continued their walk side-by-side.

"I just wanted to get to know him better! Isn't it normal to want to know what your soulmate is like?" She huffed, face pinkening in shame. "But any time I try to talk to him, it all comes out wrong and it doesn't make any sense, and not even in a way that makes sense!"

She held her hands out, feigning holding a box.

"And the other day, I put a box of my parents' macarons on his desk with a note on it, but Chloe took it and told him they were from her! He even bought it!" She stopped talking, squinting at nothing as she turned to him and corrected, "Her story, not the macarons."

He nodded along and let her continue.

"Anyway!" She faced the sky with a glare, fists tight against her chest. "Like Chloe would ever be caught dead in my parents' bakery. She wouldn't even take the time out to buy a gift herself unless it was for herself!"

He chuckled, though there was sympathy too. He couldn't imagine what was crazier of a thought: that Marinette's parents would sell to their daughter's bully, or that someone would be unaware enough to believe such a story in the first place. The macarons couldn't have been that good.

Head tilted up towards the sky, she clasped her hands together behind her back and sighed. "Maybe my standards for guys are too high, or I'm missing something about soulmates. That's why I asked." Eyes drifting towards where her partly hidden mark was, she grumbled, "I don't think it's a coincidence anymore that it's where my funny bone is..."

Luka hummed, a question lingering in his mind but not one that was relevant to hers: in all of his knowing her, she'd never dated anyone, so he couldn't imagine where her "standards for guys" had come from, but he thought better of saying it aloud.

Turning his head to look at the rest of the world, so far removed from the little bubble they'd crafted for each other, Luka took in their surroundings: the pigeons flying overhead, the cars passing by, and a couple having snacks at a table outside a cafe. His lips twitched at the latter sight as a thought occurred to him.

"Do you remember when we were kids?" He met her confused gaze. "My favorite Jagged Stone song was Bottomless. I thought it was the deepest song I ever heard."

Marinette snorted, a delightful noise that he always loved hearing. "And when he got asked what it meant, he said..."

With a dramatic groan hearkening back to the emotions of his childhood self, he lamented, "That he was hungry when he wrote it."

Her chest heaved as she snorted again, putting a hand over her mouth as she tried to contain her laughter. It was all in good fun and he had fond memories of her comforting him at the time as if the revelation had destroyed his psyche, wanting to protect his innocence.

"I was devastated," he half-joked as he slipped his hands into his pockets, "but then I realized that it didn't matter."

Her laugh cut off with a choke, shocked by the statement. He didn't blame her, as he'd never really expressed the thought to anyone before.

And Luka Couffaine, not caring what Jagged Stone had to say about his own song? Unheard of.

"It didn't change how I felt about it, or what it meant to me," he explained. "Just because he was the one who made it didn't mean I had to see it the way he did."

Marinette was smart, and he could see the parallel clicking in her head. His thoughts on Jagged's song were much like his thoughts on his mark, or soulmate marks in general, in that he couldn't care less about anyone else's theories or ideas about them. Maybe his mark genuinely meant that the person with a matching mark was destined to be with him, or the exact opposite. Perhaps it was a warning about someone he could never get along with, or there was no person at all who matched his mark.

But he knew how he felt. He knew what he wanted, and it had nothing to do with a nonconsensual tattoo he had on his neck.

"What about you, Marinette? What do you want your mark to mean?"

They came to a crosswalk, the warning sign flashing red. Stopping along with her, Luka's hands fell back to his sides as he waited for Marinette's response. Her gaze was locked to her feet, which shifted against the sidewalk while she mulled over her answer.

"...I don't want it to mean anything. My life's already complicated enough without thinking about what I'm supposed to do about it," she decided. "I don't need a soulmate either, just something simple: someone to talk to, someone who comforts me like I comfort them..."

"I think that sounds great." He beamed, charmed by the promised simplicity.

She continued, voice quieting, "...someone to go on walks with."

...Wait.

She gripped the bottom of her shirt with the hand furthest from him, tangling her finger in the fabric. "Someone to hold hands with..."

Then he felt it. It was the lightest of touches, but he knew with certainty the feeling of her other hand's knuckles brushing his. The way her face pinked at her cheeks only supported that.

It was a question in the form of physical contact: Do you want this? Is this okay?

Without having realized, Luka had fallen into the trap of assuming everything about soulmates without meaning to, contrary to his own opinion. Marinette had put so much weight onto it when they were kids that he didn't dare to imagine anything else but that she wanted them romantically.

Had she really just wanted to get to know them? Or had she wanted him to be sure that she wasn't interested in them first? Was that why she'd asked him in the first place? To know whether it would matter to him or not?

A car driving by, causing wind to rustle their hair, brought Luka back to reality. Not wanting to be misunderstood for even an instant, he took her hand in his and brought it to his chest, holding it there so she could feel his heartbeat.

She gasped, but didn't pull away, staring at their joined hands in awe.

"What else?" he asked, sending every implication at her through his tone.

"Ah—" The pink on her cheeks spread further along her face, but she still answered, "S-someone who will touch my face, like..."

She trailed off, lost for a way to describe it, but Luka needed no further instruction. Taking a single step to be even closer to her, he raised his free hand. Fingers bent, he glided the backs along Marinette's cheek, a pleasant heat coming off of it.

"Anything else?"

She opened her mouth, paused to swallow, then gave him a hopeful smile. With only a hint of shyness this time, she requested, "Kiss me."

He did, his hand going from her cheek to the back of her head as their lips met. Cars continued to pass by, but he couldn't hear them over his heart pounding so loud he could feel it in his skull.

"Lu—" Marinette started to say, but whatever it was must not've been more important than kissing him. She tightened her grip on the hand he'd been holding, the other pulling at his jacket to keep him close.

As if he would've ever gone anywhere but right in front of her. The mere thought baffled him.

When they pulled away, hands still intertwined, it took Luka a few seconds for the world to come back into focus. The crosswalk sign signaled that they could walk now, but he couldn't say for sure whether it had done that recently or if they'd been kissing for so long that they'd missed a prior chance to cross. He couldn't bring himself to care either, not when she held his hand like it was something precious.

She smiled gorgeously at him and tugged him along. He followed after her eagerly, silently wondering if she had any further "requirements" that he could meet.

[daddyd0nt]

I can be patient with an afab person who doesn’t realize she’s complicit in their own oppression I have no patience or civility for Amab people who want me to accept a less safe world to spare their feelings and validate them. I never said the BIGGEST threat to afab people was trans women but that does not mean they don’t still pose a threat. There is no way to tell for sure who is a “good one” and who is a predator and like I said the safety of even one single woman on the planet earth is not worth risking to spare Amab feelings or be “fair”. Patriarchy isn’t fair. The fact that I can get pregnant from rape and an Amab person couldn’t isn’t fair. The fact that no matter how I present I won’t be safe but an Amab person couldn’t isn’t always take off the dress and cut their hair and regain their full Amab privilege if things get too scary/hard isn’t fair. I’m not obligated to be fair, I’m trying to be SAFE. Sad Amab people even devistated Amab people is a small price to pay for afab physical safety. True biological sex is 100% real, GENDER is fake/made up/a construct.

My anger and fear is not misdirected, all Amab people are privileged and all afab people are oppressed under patriarchy regardless of how you identify. You might not be more privileged than cis AMABs but you still have privilege over afab people. Our movements can even work together on 99% of issues but I will not be spoken over by an oppressor trying to infiltrate afab safe spaces. Birth sex privilege is immutable the fact that you experience oppression for not being cis does not mean you face the same oppression AFABs of any gender face.

Make. Your. Own. Spaces. Afab people had to fight for ours drop the entitlement and do a single step of your own fucking legwork. Also SA statistics across the board show Amab people of any gender commit 96% of sex crimes. Also the statistic for violence against Amab trans people shows when dissected that almost all trans women killed are killed by cis men and most of them are full service sex workers of color, white non-FSSW actually have a significantly lower rate of attack than cis women with the same qualifiers.

Womanhood is not for Amab people who “failed out of” manhood that’s disgusting to say and shows you think of afab people as inferior. Women are not failed men. And what you described is still literally male socialization afab people aren’t privileged to get to cry or do girly things we are allowed to do those things because they are considered degrading/training for subservience and afab people are considered weak by default. Also boo hoo you got called some names I was raped for the first time before I was out of diapers and grew up being called a “fat dyke” for not fitting into patriarchal femininity again the hardship u faced for not being cis is not worse than what afab people face for being afab let alone if you are non-cis on top of it.

Are you delusional about how bottom surgery works? A trans man can’t impregnate me. Putting birth sex markers on ID would be a perfectly easy solution.

Trans women are a risk to AFABs in afab prisons. I don’t care what happens to them in Amab prisons, a single afab person put at risk to protect an Amab one is patriarchal and unacceptable. If you don’t like how ur treated in Amab prisons once again demand for and fight for your own spaces like afab people did. The source on the sex crimes statistic was a 2018 MOJ study showing half of trans Amab prisoners had committed one or more sex crimes. Studies behind The Equality Act of 2010 came to the same conclusion.

Ellen is a narcissistic oligarch with ties to human trafficking so of course no right minded political activist wanted to back her but this literally isn’t about gay women, gay AFABs pose no statistical threat to other AFABs in these spaces? But yeah like I said all these spaces started integrated and had to be made separate because of the high rates at which Amab people sexually abused afab ones. I’m not talking about capitalism or the rich or the PIC I’m talking specifically about patriarchy that is the axis this conversation is about idgaf what other privileges you don’t have and if being told you don’t belong in a space you don’t belong in causes you to manipulatively threaten suicide you need to be in a hospital until you sort that out and can cope with a world that isn’t specifically catered to your validation at any cost to more marginalized people.

IDGAF who is “at bat” for feminism supporting a movement does not mean entitlement you to the resources of that movement that would be like me complaining that the NAACP doesn’t cater to me and should because I’m anti-racist. Once again your problem is entitlement. Idgaf about “outnumbering” you literally should not be extracting a single resource from the feminist movement to serve Amab people. If you actually support feminism you will continue to support it despite this.

Gender oppression does exist as an extension of the intersection of patriarchy and homophobia.

“You are like the white people who harassed Ruby Bridges or the cops at stonewall” could you be any more self important or obsessed with making yourself the victim? You are not Ruby Bridges for telling afab people we should sacrifice our physical safety to indulge your feelings/identity expression. You are a whole-ass entire AMAB oppressor throwing a tantrum about Afab people prioritizing our physical safety over your emotions. You are not the ally you think you are.

"OP is a terf" is a thought-terminating cliche meant to keep you from questioning the status quo and keep you afraid of being labeled a heretic should you come to your own conclusions about anything.

[alikuarso]

To answer your question about Fresh: Fresh is actually a parasite! He dresses in his 90's-themed clothes and speaks in a silly way so that others underestimate him. His main and utmost goal is to Survive, and the way he does that is by infecting other people with his parasites and draining the life from their souls. Being seen as harmless lets him get closer to them and gives him easier access for possession. He hopes to eventually take over the multiverse, spreading his parasites in every corner of it and having absolute control.

He also has no emotions. He is capable of them, but for whatever reason he is unable to feel much, besides the rare instance of anger. He does frequently feel fear, though.

He is a bit sadistic, and he likes seeing others suffer. This is because when he takes over someone he drains their soul of life, which causes them pain. And to him, taking someone's body means safety, it means he can survive a bit longer as long as he's snatched their body. So he's come to associate the pain of others as something good.

And he's also aware of the creators/viewers, thanks to an event called the Loveball, which is canon to his character.

Going to copy and paste my own words for this [I was talking to a friend about Loveball]:

"So, like seven years ago there was a fandom-wide event called the Loveball, where people gathered their OCs and had them all attend an UTMV dancing ball. Fresh went, of course. There, he met a Frisk called Pacifrisk. Even knowing who he really was [90's parasite], they still believed he could be good. Before this, he hadn't ever really felt a connection to anyone, or even positive emotions in general. But Pacifrisk's faith in him made him feel positively towards them. This freaked him out. [No Fr@ns though, don't worry. That wasn't the intention for this plot.]

As a result, not only did he try to kill them, but he also went through with his plans: the Fresh Takeover [I forget what it's actually called]. His true reason for attending the ball. OCs were either possessed by the parasites or tried to fight against them. Apparently, some people used alcohol to ward the virus off, as Fresh hates substances such as that.

Fresh wanted to take over the multiverse, with this Loveball being the first step for his total domination.

But then right in the middle of things, a Sans AU [which I totally forget the name of X,D] grabbed Fresh and basically yeeted him into an alternate state of being. One where he could see the creators, all staring at him. An audience.

The Sans revealed the nature of Fresh's existence: That he was simply a character in a story. And if the creators got bored of him, he could easily be written aside and forgotten. Erased. His conquest didn't matter, in the end.

Predictably, this gave him an existential crisis. I'm not sure what happened after, but he stopped invading and went somewhere to contemplate his existence in a depressed state.

Afterwards, he had a new goal: To entertain. To convince the creators that he was worth keeping around. Similar to his previous goal of survival, but now with more dire stakes."

His creator @loverofpiggies has some posts about the Loveball, tagged under either the 'fresh sans' tag or the 'loveball' tag, which I recommend you check out! ^^

But yeah, to answer your question: The reason Fresh fought Ink was probably 1: because he saw it as a good way to keep himself alive and 2: So that he could be relevant and interesting to the viewers.

Hope this answered any questions you might have about him! ^w^

THANK YOU BECAUSE THERE'S NO WAY I WOULD HAVE FOUND ABOUT ANY OF THIS OTHERWISE😭😭😭 THAT'S A LOT

Now I want to draw fresh existential crisis mood, That's something I never would have imagined existed

Im still a bit confused about fresh not having emotions¿ but I think I got the idea, but still, why does he feel fear?

I think fresh is becoming my favorite now, help, error do something

(Thank you again for your time✨️)

[fuctacles]

<< 2

The quickly approaching Saturday would be impossible to forget even if Steve wasn’t excited about it himself, because Max had been discussing her outfit every single day. 

When Eddie’s van came screeching onto their curb, her wardrobe was all over her bedroom while Steve was busy doing the dishes. He could hear the familiar sound of his garage door opening, the steps approaching the side door, and the tiny knocks Eddie always gave as a warning before popping his shaggy head into the kitchen to say hi.

Steve, despite himself, was already smiling as he turned towards him. The man waved his fingers in greeting, grinning back.

“Hi.”

“Hi. Excited for today?”

“Man, am I?” he hopped up and down on the balls of his feet. “We haven’t played a weekend gig in forever. The turnout is always so much better.”

“I can’t wait to see it.”

Eddie opened his mouth to say something, but loud stomping on the stairs interrupted him.

“Mr. Eddie!”

“Yes, Mad Max?!” he yelled back to match the girl’s volume.

Steve winced at their antics.

“Is this good enough for a metal concert?” she asked as soon as she barged into the kitchen. No greeting, just her spreading her arms and doing a spin. Eddie, of course, humored her, rubbing his chin in thought.

“I’d say so, yeah. Personally would add more rips in the jeans, but it’s good anyway.”

Steve whipped around, eyes wide at his kid's outfit: Black and white T-shirt, jean jacket, and black ripped jeans. His eyes narrowed.

“You don’t own ripped jeans,” he pointed out. The redhead looked up at him like a deer in the headlights, her lips pressed into a thin line.

Next to them, Eddie wheezed in barely contained laughter. Steve turned to glower at him.

“So this is why the parents don’t like you?” he asked the man covering his mouth.

“Excuse me, I go to work dressed professionally with no holes in my clothes.” He raised his hands in defense.

That much was true. He dressed differently from the rest of the staff but not enough to be unprofessional. He often came to practice at Steve’s place soon after leaving school so today was a rare day when he could see how the metalhead dressed off the clock. He was wearing a Dio crop top, jeans shredded to pieces and a studded belt.

“Actually,” Max spoke up, pulling him away from eyeing his metalhead guest (friend?). “I saw it in a photo of Dio in an article.”

“See?!” Eddie gestured pointedly.

Steve scoffed, wiping his hands, so he could cross them and convey his annoyance properly.

“She wouldn’t know who Dio is if not for you.”

Munson, of course, exhibited no remorse. Instead, he smirked with satisfaction.

“And you wouldn’t either.”

“I don’t think it would change much in my life,” he said, rolling his eyes.

“He was already listening to a lot of rock,” Max pointed out, the little traitor. “He kept most of Billy’s tapes.”

Steve’s eyes darted to Eddie, whose eyebrows were raised with curiosity. He didn’t say anything, though, and Steve was grateful for that.

“I see,” he nodded instead, dragging his eyes along Steve’s body. “I hope you'll dress your father accordingly as well.”

Steve frowned, looking down at his polo and jeans.

“What’s wrong with my clothes?”

Max sighed deeply and Eddie leaned back, with played-up pity in his eyes.

“Oh, darling, where do I even start?”

Darling, darling, darling, darling.

Eddie loved his nicknames and playful banter, but they usually didn’t have time for it. Which might be a good thing, considering how quickly Eddie’s whole persona was growing on Steve.

Thankfully, Gareth's voice came through the garage door.

“Eddie! We don’t have whole day!”

The man straightened up, fumbling with his back pockets.

“Coming!” he yelled back, before turning back to the Harringtons, holding something out. “I got you these, just in case. I know it’s not the most kid-friendly environment but backstage will be open for you guys to hang out without being trampled by drunk metalheads.”

Before Steve could react, Max was snatching the offerings from Eddie - two lanyards with laminated plaques.

“Holy shit!”

“Language,” murmured Steve, eyeing what appeared to be backstage passes for the two of them. He looked up, meeting Eddie’s gaze, and felt himself go soft. This guy was thoughtful enough to think about Max. “Thank you. That’s very considerate of you.”

“Yeah,” Max nodded along. “Thanks.”

“No problem,” he shrugged. “Wouldn’t want my suburban middle-class guests to mingle with the common folks.”

“That an insult?” Steve raised his eyebrow, to which Eddie started backing out toward the garage.

“Ehhh,” he waved his palm in a ‘kinda’ gesture. Then he pointed at Max to say, “Dress him up!” before disappearing.

She grinned at him, but her smile faltered when Steve’s gaze dropped to her pants.

“Don’t think I forgot about the pants, Maxine.”

“Will you forget about them if I help you to impress Eddie?” she asked innocently, making Steve straighten up.

“What?”

“Don’t make me spell it out for you,” she rolled her eyes. “You acted the same around Billy.”

His head whipped to the garage, but the doors were already closed and the faint sounds of a guitar were coming from behind them. He leveled Max with a gaze he hoped was threatening but she was, of course, unfazed.

“What? You’re allowed to date, you know?”

“I know,” he gritted out,  brows furrowing at being reprimanded by a teenager.

“We’re doing well. My therapist thinks so, and so does the social worker,” she points out, the little smart ass. Steve wouldn’t change her for anyone else. “We can move on.”

Steve hummed in consideration. Maybe he should have gone into therapy as well. It was true he hadn’t dated since Billy. His death, fighting for custody while trying not to lose his business, and then dealing with a kid aged him ten years in a short time. But they settled into a comfortable routine now. Max might be right, as insane as it sounds.

“Fine,” he spat out. “I’ll forget about the pants if you keep your hands out of my love life.”

Her eyebrows shot up mischievously.

“Who said anything about love?”

“Go. Go call Mike to brag about the passes, I know you want to.”

“Hell yeah I do!” she admitted with a wide grin before darting to the phone.

------

Steve didn’t want to admit the comments about his appearance got to him, but the fact that he was staring at a pile of rejected tops was speaking for itself. His hair was certainly ruined by now with the amount of frustrated finger combing he was doing.

“Need help?” Max’s amused voice approached from the entrance of his bedroom. He turned over his shoulder, glowering. Her smile only widened. “Because I might have just the thing,” she continued, waving a piece of fabric in her hand. Steve’s eyes followed.

“What is it?”

With a smile that said evil demon child spawn of Satan, Max let the fabric unfold. It was a raglan t-shirt with a logo Steve recognized from the drums residing in his garage. His eyes widened.

“Where did you get that?”

“Won it at a music trivia Mr Eddie was hosting. It’s not exactly kid-sized though, sooo…” she trailed off suggestively.

“They have their own merch?” Steve asked curiously, motioning with his hand for the shirt.

“Yep. Mr. Eddie makes it himself!” She beamed like it was her own accomplishment and not just her music teacher being a crafty nerd. Steve smiled despite himself.

“That’s pretty cool,” he admitted.

“He makes t-shirts for school clubs too. He said he’ll try to host a screen printing workshop in the summer,” she said with that particular intonation that made Steve know she wanted something.

“Hm. That sounds like a fun activity to keep you away from drugs.”

“It does, it does,” she agreed, nodding aggressively.

“Well, consider me convinced. Now shoo, I'm not stripping in front of you.”

“Okay, Dad,” she rolled her eyes, pushing herself away from the door frame and skipping away.

As he pulled his shirt off, Steve remembered his concerns about raising a teenager by himself. Meanwhile, Eddie was a significant enough influence on her to make him feel more at ease. Was he a cookie-cutter role model? Hell no. Was he a responsible teacher who also remained cool and aloof enough to make kids listen to him? Absolutely. With someone like that on his side, parenting didn’t sound that scary.

The t-shirt with Corroded Coffin’s logo, while not being kid-sized, wasn’t Steve-sized either. It stretched across his chest and ended just at the hem of his jeans. When he pulled his arms up, his happy trail was on display.

But…

Seeing Eddie’s band on his chest, wearing a t-shirt he made himself, made all the best knots in Steve’s stomach tighten. He ran his fingertips across the exposed sliver of skin above his waistline, wondering fleetingly if the girls wearing his letterman felt similar to this.

He found a flannel Robin left in his closet at some point and threw it on to finish the look. He looked at himself in the mirror, rubbing the fabric of the overshirt between his fingers. The memory of his best friend soothed his nerves a bit.

He ran downstairs, eyeing the clock. The Hideout wasn’t a far ride from their place, so they still had time to grab a bite before leaving. A quick PB&J sounded perfect for his nerves.

“Maaaax!” he yelled from the kitchen, halfway through lathering a piece of bread in peanut butter. His precious housemate came rumbling down the stairs as he expected, just as eager to leave as he was. In fact, they still had sandwiches hanging from their mouths as they entered the car.

it's been A WHILE and this and the next part will be lower quality than my current writing bc its OLD so let me know if u want off the taglist i dont care if u do: @blasvemous @wheneverfeasible @phantomcat94

@dreamercec @theohohmoment @ellieslapdancer @hellowhatthehellisgoingonhere

[glassladyoftheopera]

In Stars and Time But It's a Musical (Part 1)

Okay hi I need to tell you all about this concept.

First off all I just need to say credit to @openphrase123 for the amazing 'ISAT but as a ballet' posts (here and also here and there definitely more but those are some of the big ones) which definitely inspired some choices here and in general inspired me to do this.

So basically I'm a big old musical theater person (and specifically musician / singer) so I've been fleshing out concepts for a what a musical re-telling of In Stars and Time might look like. I'm honestly not going to get into like... the logistics of how you could actually do it, because even with condensing a lot of things Musicals aren't typically long enough to tell this kind of story, so we're just... ignoring that when I don't have ideas to get around it.

We will start with all of the main characters, their voice types, and their characteristic musical styles!

Mirabelle Mira is our soprano, but mostly her singing and music is very much in the style of Disney Renaissance musicals. Think Belle, Ariel, Hercules, etc. I think it fits her up beat but still sometimes anxious personality. Near the end of each King Fight she gets a cool high notes as she finally has some true confidence in herself!

Bonnie Bonnie would be played by a younger performer with an unchanged voice. This wouldn't really be a dance heavy show, but when there is dancing they would take the lead b/c that's cute. In terms of their singing though it's mostly inspired by classic kid characters from Broadway, namely Annie, The Artful Dodger, and Matilda (especially for their more emotionally intense moments). Their music isn't as difficult, and in group numbers they typically sing the melody with at least one other person.

Odile Odile is the alto of the quintet. It helps her sound more mature than Mirabelle and fits her vibe of not taking on the flashy role. Her music leans a bit more classical, almost Gilbert and Sullivan-esque in her more playful moments. Overall though it tends to be a bit more melodically challenging, but not super fast or syncopated. There would be melodic and instrumental flourishes in her music unique to her that are basically 'Ka Buan' musical elements.

Isabeau Leading man baritone! His style also fairly standard musical theater, but leans a touch more modern in it's styling to accommodate his more emotionally open vibe. He'll have the pop-inspired rhythms and chord progressions, but in group numbers he's the rock solid bass part holding everything together.

Siffrin Siffrin... does not sing almost ever for the first chunk of the show outside of group numbers. He's a tenor, and helps fill out the harmonies, but the impression the audience should get at the start is that they aren't really a soloist. As the loops go on, they gain a bit more confidence, taking bits and pieces of all of the other character's musical / singing styles as they go on. They don't get a full length solo to themselves until Mal du Pays. But the character that most influences their style is...

Loop Loop is full on Broadway Jazz, baby! Syncopated rhythms, brassy sound, fast patter lyrics, the whole shebang. Don't look behind the curtain at what all that glitter might be hiding, stardust~

The King Super bass, in the tradition of opera villains usually being basses. At first the only super stand out thing about his singing is that his range is so distinct, but in later encounters he gets both more delicate moments and moments where the true power of his voice to intimidate comes through.

(Also yes all of the Forgotten Island peeps will have a few musical elements in common to set them apart don't you even worry we'll get to it :3)

Euphrasie The Head Housemaiden has a short little mini song she does for the first bit of her speech. It's simple and catchy. Every time it transitions into her final speech as the musical motifs are distorted.

Dormont The people of Dormont sing mostly in a grand opening number ala the opening numbers for Beauty and the Beast, Fiddler on the Roof, The Music Man, etc. Little bits and pieces of the song come back in various combos and Sif loops and jumps around asking people new things. They would also double as disembodied voices for certain musical numbers that could use extra voices for full out harmony, dramatic effect, etc.

More will be coming soon, so I hope you enjoyed my ramblings.

[tenebrius-excellium]

This is an incredibly uncomfortable post (because I love Toothless and want to keep loving him), albeit on a topic that we might finally need to have a conversation about.

Toothless is very sure of himself because he is naturally powerful. He knows he's the special one. He knows he's the king of dragons even before the sequels or the show, and he enjoys that humans fear him. He doesn't really defend other dragons or people except for Hiccup and the ones Hiccup specifically asks, pleads or commands him to. He only kinda ever reacts to things when it's Hiccup's life on the line or when something is important to Hiccup. He assumes power in an almost lax way, but not even because he feels much responsible for his fellow dragon or anything... he only steps up to a larger dragon or political dilemma, if Hiccup gets hurt when he doesn't do it.

As a predator animal, Toothless, on his own, mostly chills. Because he can. Nothing attacks him. He doesn't know what it feels like to fear being hunted, because usually, he is the hunter. But that in turn means that Toothless doesn't have a whole lot of natural compassion. He cannot really be bothered by other people's or dragons' issues, because he is not directly being affected himself.

I believe Toothless never encountered the meaning of true kindness until Hiccup shot him down and he was suddenly at the mercy of someone truly good. I believe Hiccup's goodness humbled Toothless to a degree, causing him to become fascinated with it, because in Toothless' world, there exists only the law of the stronger dragon. And he is the strongest.

So to meet Hiccup must have opened up a whole new worldview to Toothless the Night Fury, the proud Unholy Offspring of Lightning And Death Itself. For the first time, he realizes: "Oh, physically weak creatures require kindness to get along., and that works better than intimidation." It was only sudden physical weakness that caused Toothless to become a limitedly social creature, aware of something like right and wrong. He was always the abstract other, a lone wolf, equipped with incredible strength that alienated him from his peers because he couldn't fathom needing grace or help.

But Toothless then proceeds to cling to Hiccup as if Hiccup is the only thing preventing him from forgetting kindness again. Stoick, Astrid, Hookfang and the Skrill would all have bitter feuds with Toothless until death if it wasn't for Hiccup standing between them.

The not-so-pretty truth here seems to be: Toothless is a bully without Hiccup, because he's never had to think beyond himself without Hiccup, even AFTER their friendship blossomed. Toothless keeps struggling with looking after others and with caring about someone other than himself. He is only capable of tolerating those that Hiccup instructs him to. That's mere basic consideration for others.

But one thing Toothless knows: He needs Hiccup to keep him in check like that. He wants Hiccup in his life more than he wants to be the most powerful creature, because Hiccup is GOOD. And so he asks Hiccup to ride him again WITH the prosthetic fin in Gotnf, lest his regained independence will make him unkind and asocial again.

The missing tailfin is, unfortunate as it seems to be, the only thing which keeps Toothless, who perceives himself to be the deserved lion among dragons, kind. And he knows it and has the sense to admit that he is actually in constant need of this reminder.

Because Hiccup is the only one who ever overpowered him in an even battle, fair and square, Hiccup is his conscience.

I like to think the rest of Berk, kinda continue to be wary of Toothless. They like him, they know he’s not going to hurt them. But they also know the only reason for that is Hiccup. These people have grown up not even knowing what a nightfury looks like. All they know is that you do not engage one, you don’t try to kill it, you hide and you pray. They know that when that scream is heard, something is getting destroyed, every time. Because it does not miss. They know the unholy offspring of lightning and death itself. And they know Toothless is capable of all of that. Toothless is that. So while they get used to the dragons being around, the nightfury is always going to be a little different. It always was.

But they’re all nice to Toothless. Because who could dislike him, and because he’s Hiccup’s dragon. And maybe a bit, because they really do not want to end up on the bad side of the nightfury. When he’s with Hiccup - which fortunately, he is most of the time - it’s alright. But no one want’s to be alone with the nightfury. He’s different then. He’s a bit colder. A bit more distant. They can tell they’re being tolerated. Even the rest of the riders, while Toothless does like them, have a healthy amount of…let’s just call it respect, for Toothless.

And Hiccup pretends he has no clue. If someone ever mentions how Toothless’ entire presence can change when Hiccup is gone, he’s just like ‘What? This little guy? Scary? Please.’ But he’s very much aware. He also knows that sometimes Toothless does it on purpose. And maybe, he doesn’t mind that. Maybe he kind of likes it. Maybe he likes for people to remember what kind of a being they’re dealing with and what he’s capable of.

[faithshouseofchaos]

The boxing wing aka thanksgiving dinner — Sebastian Vettel x GN!reader

Word count — 793

Fluff

The tension in the car was already mounting as Y/N parked outside their childhood home. The crisp November air smelled of leaves and the faint aroma of turkey wafting from inside. Sebastian sat in the passenger seat, calm and collected, casually checking his hair in the mirror. Meanwhile, Y/N was running through a mental list of all the potential landmines the evening might hold.

“Okay, quick reminder,” Y/N said, unbuckling their seatbelt. “Don’t bring up politics. Don’t bring up football. And if my cousin Sarah starts talking about her essential oils business, for the love of God, just nod politely.”

Sebastian chuckled. “I think I can manage. But are you okay? You look like you’re heading into a boxing ring.”

“I am heading into a boxing ring. We call it Thanksgiving dinner,” Y/N muttered before turning to him. “You sure you’re up for this?”

Sebastian grinned, his warm, easy charm on full display. “Free food and a little family chaos? I’ve driven through Monaco in the rain. I can handle this.”

The moment they stepped inside, the chaos hit. Y/N’s mother swooped in with a flurry of hugs and questions, barely giving Sebastian a chance to introduce himself. The sound of kids yelling and a football game blaring in the background filled the air. From the dining room, Y/N’s dad called out, “Who’s this guy? Did you bring a date?”

“This is Sebastian,” Y/N said, forcing a smile. “He’s my… uh… boyfriend.”

That word hung in the air for a moment, and then—“Boyfriend?” Aunt Linda exclaimed from the kitchen doorway, wiping her hands on her apron. “Well, it’s about time! We were starting to think you were allergic to relationships.”

Sebastian, ever the professional under pressure, stepped forward with a smile and extended his hand. “It’s a pleasure to meet you all. Y/N has told me so much about their amazing family.”

Y/N snorted quietly. That was a lie. Sebastian didn’t even know half their relatives’ names.

Dinner was a mix of triumph and disaster.

Sebastian charmed Y/N’s dad by discussing sustainable farming practices and even managed to compliment Uncle Steve’s deep-fried turkey without wincing. But then Sarah brought up her essential oils business, launching into a monologue about how they could cure anything from headaches to heartbreak.

“Actually, I’ve read that lavender oil can reduce stress,” Sebastian offered diplomatically.

“Oh, he’s smart and polite,” Sarah cooed, throwing a pointed look at her husband, who was glued to the football game.

Things took a turn, however, when Aunt Linda, emboldened by a second glass of wine, leaned forward with a knowing smirk. “So, Sebastian, how serious is this? Are you two thinking about the future?”

Sebastian glanced at Y/N, who was frantically trying to signal him with wide eyes. Without missing a beat, he took Y/N’s hand and said, “I think we’re taking things one step at a time. But I’m very lucky to have found them.”

Y/N’s mom nearly teared up, while Grandma muttered something about finally getting great-grandkids before it was “too late.”

And then, inevitably, the chaos began.

Uncle Steve decided to weigh in on relationships, launching into a loud argument with Aunt Linda about how “kids these days” rush into things too quickly. Cousin Sarah started arguing with Grandma about the validity of essential oils. The kids were screaming about the pie being served too late. Y/N sat back, watching the chaos unfold with an air of resignation.

Sebastian, however, was unfazed. Leaning over, he whispered, “Is this the part where I should stage a distraction?”

Y/N grinned. “If you can get my dad to break out his embarrassing karaoke machine, you’ll be my hero.”

Sebastian raised an eyebrow. “Challenge accepted.”

True to his word, Sebastian had the karaoke machine plugged in before dessert was served. By the end of the night, Y/N’s dad was belting out a rendition of “Sweet Caroline,” Grandma was clapping along, and Aunt Linda was too busy singing backup to argue with anyone. Y/N leaned against the kitchen counter, watching the madness with a newfound appreciation for their unexpected ally.

“You survived,” Y/N said as Sebastian joined them, a smug smile on his face.

“Not just survived,” he said, holding up a container of leftovers. “I thrived.”

Y/N laughed, shaking their head. “Thanks for doing this. You didn’t have to.”

Sebastian shrugged, his expression softening. “It wasn’t so bad. Your family’s crazy, but… kind of fun. Plus, now I know where you get your sass from.”

Y/N rolled their eyes but smiled. “Well, you’re officially invited to every Thanksgiving from now on.”

Sebastian’s grin widened. “Careful. I might take you up on that.”

[nekrosmos]

questions about nikolai and price (originally from an ask meme about original characters but i wanna hear your thoughts):

what do they want to hear?

what do they need to hear?

what do they dread to hear?

Thank you for the ask !! I honestly struggled with the answers, I'm not the best at deep character introspection so this really had me scratching my head. I hope what I came up with makes sense !

What do they want to hear?

Nikolai: "I trust you."

Nik is intimidating, isn't he ? Intelligent, strong, well-connected Nikolai. People know that. It usually takes only a half a second glance to know that you do not want to be on this man's bad side. He's used to it, really. But how many times as he entered a room only to see people shift uncomfortably, suddenly very aware of his presence? He makes people uneasy, whether he wants it or not. It's fine when he's on an op and needs to be menacing, but it gets old quickly when he just wants to relax, sometimes.

He's trustworthy, despite his shady dealings, he's loyal. Thankfully, a handful of people know that.

Price: "You made a difference"

Yes, his hands got bloody, but it was all worth it in the end, right? He saved people by pulling the trigger when it needed to be done. No hesitation, it's what the world needs. So what if he can't sleep at night and his file is covered in black ? He made a difference, the rest, he can live with.

What do they need to hear?

Nikolai: "You need to think of yourself, too."

Nikolai puts others first, this has always been true. He likes to help out, likes to feel useful, ready to answer a call. Loyal to a fault, devoted to his friends. But when was the last time Nik put his needs as a top priority ? Has he ever done that ? He has no trouble flying to the other of the planet at a moment's notice if someone asks him to. How many nights of sleep has he missed because someone needed a hand? How much time has he spent fixing up his helo because it got banged up the last time a friend needed transport in hostile territory ? It's always others first, never himself, and he needs to be reminded of that.

Price: "You matter."

It's easy to forget that you're someone when you've been used as a weapon since you were 16. You forget that you have a purpose outside of your work, too. You forget you're a human first, with needs and wants and desires. You are Captain John Price, but you are also just John Price, and he matters too.

When he comes home for a break, what does he see outside of blank walls and a barely lived in house he never really took the time to make his ? It's temporary, he thinks, he doesn't really live here.

Maybe John needs to be reminded that he exists outside of his work.

What do they dread to hear?

Nikolai: "You don't belong here."

From either side. I think Nik feels strongly about his relationship with his home country, how he's been working against it and how his actions might be perceived by his countrymen. I think he's scared of losing this part of himself, and being rejected, even though all he's done was in the name of his country.

And then on the other side, Nik knows he stands out, knows people see him as a "could have so easily been the enemy" kind of guy. People like him, sure, but how many, aside from Kate, John and Gaz actually trust him ? Everyone else sees him as useful, but ultimately, they still look at him with a suspicious eye.

Where is home for Nikolai, really ?

Price: "You failed them"

Losing people, he's used to it. It never gets easier though, does it? Men and women under his command, people he's known for years, people who trusted him, friends. But, there is something entirely different between losing someone when you did everything you could have done and it was the way it was supposed to go, and losing someone because of your mistake. He failed them, he knows that, and it haunts him.

[acourtofthought]

With it officially being the holiday season it makes me think of where we're at on the ACOTAR timeline which is either April at the end of SF or July in HOFAS.

From a narrative perspective I doubt that Sarah is going to write a third Solstice where Elain and Lucien's bond is unresolved. At that point the story becomes extremely redundant, with his longing from a distance and her accepting his gifts without interacting with him for the third year in a row.

I truly think on their timeline, the next holiday season that we see is going to be Elain and Lucien together and with a love story that was well worth the wait. Maybe even with the news that our resident Earth Goddess and Lord of the Sun will soon be adding a cousin for Nyx into the mix.

With the sisters all having found their place in the world of Prythian, where they've overcome the issues of the past, where they finally see the other for who they actually are and not who they assumed them to be.

Where Cassian, Rhys, and Lucien are together as official brother in-laws.

Where Az learns to let go of his jealousy towards Lucien and can enjoy the holidays with family and not wasted on obsession with women who were never meant for him.

Where Gwyn and Emerie might end up spending Solstice with the IC for the first time, giving the readers new crumbs as to their future love stories.

I have a feeling the next Solstice we read about is one where everything is different, where it's full of actual joy for everyone and not sadness the way we saw for Cassian and Lucien that first Solstice, for Lucien and Az the second.

Where Nesta has gotten gifts for everyone.

Where she and Lucien are finally at the point of teasing one another.

Where all the characters are together as family, in the true sense of the word.