#this thing has so many plot threads

[ertrunkenerwassergeist]

I'm actually 4 pages deep into a new Dreams of Our Past chapter.

To the three people I know for a fact have been very patiently waiting for this one: Yes, it's really happening. No, I can't believe it either.

[bonefall]

As a big sibling with a lil sib with epilepsy, when they read TBC they Honestly thought if they got struck with lightning reciting the lord's prayer they'd be cured like Shadowsight is from their epilepsy. I had a discussion with them on how that's not how it works, but ge was so upset they took it away from Shadowsight that he hasn't picked the books back up and has stated that 'he hopes Ashfur wins and starts a new religion.,'

I do not even know how to respond to this besides saying that your little sibling is 100% right to be pissed and I now also hope Ashfur wins and starts a new religion.

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[godsfavoritescientist]

How do I explain the ways in which the bill origins fic 'A Romance of Many Dimensions' by haley3 rewired my brain without needing to give paragraphs upon paragraphs of context. The fic is something like 200,000 words long. Almost every single good moment calls back to things that are set up earlier in the fic

[anankos]

anselma von arundel i need to spin you in a microwave and pick your brains so bad

[pvremichigan]

love u guys :)

[9hikers]

finished the last chapter. what the fuck that was the best manga i've ever read.

[nobuverse]

( Added two small quality of life updates to the blog! One, the pinned post on this blog will display at what rate the current queue is posting

It's currently at 1, but should be expected to go up with the next week or two as I finished up on the last of my drafted replies

Two, decided to ditch the boring password at the end of my rules for this: I don’t require passwords, but if you wanna let me know you read these, you can send/PM your favorite historical figure! )

[haootia]

goals for june are to reread/watch media that makes me Feel Something and hopefully by july i will be able to synthesize that into meaningful artistic output

[caligvlasaqvarivm]

Murder, Love, and Destiny: An Eridan Ampora Character Study

Warnings for things from Homestuck, like discussions of child abuse, mental illness, murder, suicide, etc. etc.

Because there's a huge wall of text after this point, I'm going to summarize what I hope to convince you of in bullet point format, and then hope you'll actually read the rest of the text before arguing with me about it.

Eridan is the least casteist highblood, if you ignore all the slurs.

Those are his emotional support slurs.

Pale EriKar was not only canon, but set up to be endgame.

Eridan is incredibly plot-relevant, thematically relevant, and was definitely originally intended to be brought back to life, alongside the other dead trolls.

He's Sad.

The first thing we have to establish is what counts as "canon" for the purpose of this essay. I am only counting the original comic up to Game Over, after which there's a general consensus that Hussie kind of gave up on his original planned ending, and slapped together something that most people hate. So I am immediately disqualifying Pesterquest, supplementary material, fanworks deemed canon, the epilogues, and Homestuck^2.

Moreover, we are taking Hussie's commentaries with a grain of salt, for two reasons. The first reason is that I firmly believe - and will be arguing - that the original plan was to bring Eridan (and the other dead trolls) back; therefore, Hussie (who has a track record of playing coy with future plot twists) can't speak too fondly of him, lest he give it away. The second reason for de-emphasizing Hussie's words is that, post-retcon, Hussie isn't very well going to say that he had plans for a better ending, and then didn't execute on them; to save face, he has to act as though his trashing of several prior plot threads, including but not limited to Eridan, was the plan all along.

Therefore, this essay will not be putting too much emphasis on Word of God, and will instead be relying on textual evidence from the comic itself, of which there is plenty. So without further ado:

Eridan is a Consummate Murderer.

The reason I'm starting with this point is that, far more than any other, this truth lies at the core of his being. Eridan is formally introduced to us with a murder, and he's haunted by an overpowering genocide complex. He outright describes to Rose at one point that "killin is all i evver done practically," and uses "murder" as an expletive (ie "swweet stinkin murder"). With a conservative estimate of 5 kills per week for 4 sweeps (Vriska looks VERY young when she has to start killing, and Eridan was likely a similar age when he began), both Eridan and Vriska easily have bodycounts above 2000 - the real number is probably even higher.

At this point, many raise an objection that Eridan is only killing lusii, but I believe we need to count his kills as troll murders, for three reasons: first, a dead lusus results in the orphaned troll being culled; second, one has to assume he has had cases of trolls trying to defend their lusii, or coming after him for vengeance; and third - and most importantly - Eridan HIMSELF is thinking about the orphaned trolls.

Compare Feferi: Go Home:

That should keep her happy for a while. At least until she dies.

To Eridan: Go Home:

That should keep her happy for a while. And make a freshly orphaned troll somewhere very sad.

So Eridan, to a much greater extent than even Feferi, is thinking about the orphaned trolls he's leaving behind, and considers his own actions to be murder.

Now that we've established the facts regarding his murders - a rough bodycount, and the fact that, by his own admission, he barely had any hobbies outside of it - we can move on to the effect that it's had on him. It's not very good!

Vriska's manipul8tions and murders had to be done for her own sake - if she ever stopped, she died. Therefore, much of Vriska's personality revolves around justifying her own actions so she doesn't have to reckon with her softer feelings, like guilt or kindness - which she expresses would be viewed as scandalous by others of her caste.

But if Eridan ever stops feeding Gl'bgolyb, everybody dies. The stakes he has riding on his shoulders are, at all times, the fate of all trolls, including all his friends. Given Dualscar's title was "Orphaner," it's implied that killing lusii for Gl'bgolyb has always been a violet blood's duty, and is seen as such by the others, which is why nobody expresses gratitude for his hard work even a single time.

Which brings us to our next point:

Eridan is Crushed by Anxiety.

If Eridan stops killing lusii, everybody - especially his friends, but everybody else, too - dies.

If Eridan ever shows guilt or kindness, he'll be considered "weak" by the standards of highbloods - he shares this with Vriska.

Eridan is expected, by aristocratic tradition, to take on the mantle of his ancestor Dualscar and finish his work. Dualscar met a comedically cringefail end, so this is a massive undertaking.

Before finding out that god tiering is an option - so, for nearly his entire life - Eridan has had to live with the expectation that he will outlive all of his friends. The lowbloods from culling or dying on the battlefield, the highbloods from old age, and Feferi from being killed by the Empress when she gets old enough.

(This is reflected in who he talks to the most - Feferi, who's the only one with a natural lifespan longer than his, Vriska, who's a highblood, Kanaya, who's practically guaranteed to survive into adulthood, and Karkat, whose anonblood allows Eridan to give him the benefit of the doubt.)

Also if he can't land his concupiscent quadrants he'll die from that too, but that seems pretty secondary to the rest of his concerns.

He can't even make friends with the other highbloods, because sea dwellers are expected to hate and antagonize them.

He had a free ticket into adulthood, but would almost certainly be expected to join the army and serve as a commander. That is to say, his fate of performing the role of a vicious, murderous sea dweller seems dreadfully inevitable to him.

NO WONDER he can't stop having emotional breakdowns. NO WONDER his chatlogs swing wildly from relentless self-aggrandizement to traumadumping. NO WONDER he's obsessed with murder and death and genocide.

Doc Scratch calls him a "vengeful boy on the path of nihilism," and it's not hard to see why: Eridan's entire life has been about living up to the role imposed on him by society, sacrificing his own time and sanity for everyone else, which he "nevver got any appreciation for anywway." And all he had to look forward to was more of the same, all his friends dropping dead one by one before him. For Eridan, there has never been any hope.

SGRUB could have been a way out for him, but a combination of his own terrible choices, spurred on by his anxieties, and his teammates' unwillingness to knock some sense into him, meant that he only wound up mired even deeper in his hopelessness.

We all know about how Eridan wouldn't stop killing the angels on his planet, provoking their aggression and turning it into a ball of death. How he was definitely not supposed to be doing this, and how his stubborn insistence on it led to his further ostracization from the rest of the group. The thing is, when we look at his angel-murders from the point of view that Eridan's entire life has been about murdering things or else Something Bad™ happens, it actually starts to become... kind of sad.

KARKAT: BETWEEN A TRIGGERHAPPY PRINCE WITH A GOD WEAPON BLASTING ANYTHING THAT TWITCHED AND A MILLION CRAZED ANGELS HE DELIBERATELY ENRAGED, IT WASN'T WHAT I'D CALL AN IDEAL SOCIAL HUB. KARKAT: IF YOU WERE LONELY WHY DIDN'T YOU VENTURE OUT MORE OFTEN? ERIDAN: wwell i wwoulda but nobody else wwas vvolunteerin to pick up the slack on angel killin duties

Killing the angels is something he feels like his has to do, because his entire life has been about killing things he doesn't want to kill. He's unable to break out of that mindset on his own, and his unpleasant personality has scared off anyone who might want to help. No one on the team tries to understand his thought process on a deeper level, not even Karkat, who just tells him it was an idiotic thing to do without addressing his underlying anxieties at all. Indeed, "nobody understands."

And this is really the root of why I think so many people get the wrong read on Eridan - Eridan is constantly contradicting himself, constantly denying his own feelings, constantly pushing an image that he doesn't actually believe in, and constantly insisting that he's fine with all the horrible shit in his life - that he likes it, even. After all, he can't admit to his guilt for his murders, or how much he doesn't want to watch his friends die, or how scared he is about the future - that'd be weakness!

CC: I can't look after you anymore. CA: I DIDNT EVER NEED ANYONE TO LOOK AFTER ME CA: i was totally fuckin fine my ambitions were noble

You see his contradictory nature with his stated love of history, which he only ever offhandedly mentions - because he's not actually that interested in history, it's just something that's expected of someone of his station. And you see it with his wavy accent, which he himself calls "weird" and drops when he's trying to be emotionally sincere. And you see it with his dumbass outfit, which is very clearly an imitation of Dualscar (with the only exception being the wizard-ass scarf, because wizards are his actual interest. I don't believe he likes fashion. I genuinely believe - and Eridan himself says so - that he basically has no hobbies outside of murder).

Even being proud to be a sea dweller is pretty much an outright lie:

CC: You can't )(ave t)(e sort of affinity for "our kind" t)(at you profess if you've only spent, w)(at... CC: A few days underwater, maybe? IN YOUR W)(OL-E LIF-E!

One that he tells because he's SCARED OF THE OCEAN. Because he knows what lives in the ocean, because he's been feeding it his entire life. I see a lot of people who give Eridan an interest in marine life, and I'm telling you, that's just got no basis in canon. He's fucking TERRIFIED of the sea.

And for that matter, land dweller genocide. Eridan doesn't want to do it. Both Feferi AND his internal narration call him out for not actually wanting to do it. He outright states he wouldn't kill his friends.

CA: wwell CA: im not goin to vvery wwell kill you am i that wwould be fuckin unconscionable CA: wwhat kind of friend wwould i be

But he feels like he HAS to want it, HAS to believe in it, HAS to be talking about it constantly, because that's what's expected from him as a sea dweller, and a sea dweller is ALL that he will get to be. The mutation that puts a violet streak in his hair is damning. It's a fate he feels like he can't escape. Which brings us to:

Eridan is Not Actually Casteist, Well He Is But Not Like That, It's Complicated

Secondary title: Those Are His Emotional Support Slurs, Okay

In the exact same vein (haha) as secretly not wanting all the land dwellers dead, Eridan also genuinely doesn't feel like he's better than lower blood castes. Vriska and Equius obviously put quite a bit of stock into being nobility, and both have acted superior to Karkat for it. Feferi actually revels in her high status, and while she is genuinely well-meaning, she's not as interested in abolishing casteism as she is in changing the meaning of "culling" specifically (the hemocaste, aristocracy, and casteism still very much exist in a Beforus under her rule). Gamzee MIGHT be the only highblood less casteist than Eridan, but then again, as soon as he snaps, he does say a lot of casteist stuff to Equius, although it's unclear how serious he is, and he also proceeds to get really into his weird highblood clown cult.

Meanwhile, Eridan - despite all his slurs and talk of genocide - does not actually try to "pull rank" on a lowblood for being a lower caste than him with a single exception. That exception is Sollux... after he's already shown having entirely caste-neutral opinions on Sollux:

CC: But Sollux finally came t)(roug)(, and now I believe t)(e full c)(ain is complete! CA: man that guy CA: hes a fuckin drama machine it is fuckin pathetic CC: YOUR STUPID FIS)(Y FAC-E IS T)(-E DRAMA MAC)(IN-E T)(AT DO-ES NOT)(ING BUT W)(IN-E AND GLUB. CC: 38P CA: fuck SORRY CC: Anyway you s)(ouldn't say t)(at about )(im, )(e is a )(ero and )(e saved my life. CA: yeah sorry

CA: my feelins seem petty and meaninless noww CA: she had better things to wworry about than my ovverwwrought bullshit CA: like the dead guy wwho savved her CA: so forget it thanks anywway

It's only AFTER he's mad at Sollux for dating Feferi that he starts going in on Sollux with casteist rhetoric... which is treated as unrequited flirting and not serious casteism:

ERIDAN: hey finless this doesnt concern those wwith mustard sludge slippin through their vveins ERIDAN: its a matter for royalty only ERIDAN: so keep your mouth closed or ill slit you open ovver my next meal SOLLUX: w/e bro, not iintere2ted. FEFERI: -Eridan, please! I don't want to see any more dueling. FEFERI: Don't try to provoke )(im. It's not like I don't know w)(at you're doing! You keep trying to spark a rivalry wit)( )(im to get me to auspisticize between you two, and pull us out of our quadrant! FEFERI: It is t)(e oldest and lamest trick in t)(e book. It didn't work t)(en and it won't work now!

THEY don't even think he's being casteist.

In fact, directly contradicting this earlier argument he has with Feferi:

CC: T)(is is t)(e last time I will say t)(is. CC: W-E AR-E NOT B-ETT-ER T)(AN ANYBODY!!!!! CC: GLUB. >38( CA: pshh CA: hemospectrum begs to differ

He OUTRIGHT states his real feelings here:

CA: im the biggest fuckin idiot who ever lived CA: i cant BELIEVE i just opened up to you like a chump when i knew what was comin CA: i am one sad fuckin brinesucker CA: overemotional sappy trash youre right im not better than anybody CA: im worse than anybody CA: EVERYBODY CA: all the bodies

So the question of "is Eridan casteist" has an answer of "kind of, but also no." Eridan DOES espouse the rhetoric; he's constantly saying stuff that a casteist sea dweller "should" be saying. However, if you look at his ACTIONS, and the way he actually treats people, he doesn't actually care about blood color. He'll hit on anybody, and he's rude as fuck to everybody. The real problem with him is that he's terrible to talk to, not that he's discriminatory.

That's the thing about Eridan. Understanding him means looking past the way he presents himself, the lies he tells to himself, and even, at times, the way the narration presents him. His "overblown emotional theatrics" seem a lot less overblown when his problems ARE so real, deep-seated, and constantly causing him an unimaginable amount of anguish.

The problem is, the main people he has to bounce those problems against are Feferi, Vriska, and Kanaya, three of the people most comfortable with their privileged positions, for whom Eridan's genuine emotional distress seems like needless melodrama. Feferi loves being a princess, Vriska enjoys her noble privileges, Kanaya doesn't need to worry about culling. But for Eridan, his noble status, and the duties and expectations placed on him for it, have caused him nothing but pain - of course he would feel like nobody understands. Most of his closest friends genuinely don't, nor do they try to.

Because that's what he is at his core - a traumatized fucking child, who doesn't see any way out. Eridan is not a casteist genocidal sea dweller... he just wishes he was one, and tries to be one, because if he actually was one, he wouldn't feel so awful and scared and sad all the time. He'd be normal, like his friends.

The reason he constantly spouts anti-land dweller rhetoric and uses casteist language is to assuage this cognitive dissonance. That's why he has to come off so strong, present himself in such an aggrandized way, act like such a douchebag. They're his emotional support slurs. He doesn't actually believe what he says, which means he's a Bad Sea Dweller, which means he's Failing, which means Something Bad Will Happen, so he'd better get his ass in line and say something casteist!

And it's all made worse because:

Eridan is Dumb of Ass (and True of Word)

Oh my god you guys he's so stupid that it hurts.

Okay, that's not entirely fair. Eridan is clearly well-educated and book smart; he has some of the most elegant prose out of the trolls, and he's prone to going off on insane rants with it. (Actually, his language gets more flowery and showy when he's trying to impress a stranger, and gets progressively more laid back, chill, and even kind of "bro"-y when he starts talking to people he doesn't feel like he needs to impress.)

CA: at this point i find all her adorable black pixie dabblins to be prime kiddie playtime shit CA: all of her FRAUDULENT MAGICS cannot come close to posin threat to my mastery ovver the TRUEST SCIENCES CA: an wwith my empiricists wwand i servve as the righteous hope that wwill incinerate delusion and the deluded alike CA: my holy fire is the wwhite fury bled from the wwrath-wweary eyes of fifty thousand nonfictional angels CA: and wwhen theyre finished wweepin they wwill boww before their prince GG: wow what are you talking about

What I mean is this: his brain is so full of anxiety and cognitive dissonance and murder and death that he struggles to care about other people, which has devastating effects on his social skills. I go really in-depth on how his though process informs his behavior here. The question may have popped up in your mind already: if his casteism stuff isn't actually real, then what is Eridan actually like? The answer is, overwhelmingly, and discomfortingly, SINCERE.

This boy is gunning at 100% emotional earnestness 100% of the time, and it's deeply uncomfortable for others to deal with. He'll swing wildly from insults and derogatory language, to stating a desire to kill all land dwellers, to awe and amazement at his friends' prowess, to demanding that they do things for him, to traumadumping and venting, without missing a beat. Often in the same conversation.

CA: kan its hard GA: What CA: being a kid and growwing up CA: its hard and nobody understands

He's also specifically terrible at parsing hostility. Functionally, he interprets all hostility aimed AT him as either pitch/ashen flirting or "ironic repartee," and similarly views his own hostile words as verbal jousting, pitch/ashen advances, or even just factual descriptions of the world around him (ie calling Nepeta a "kittycat shipper cavve girl"). Hostility and aggression are just kind of his baseline, default state of being, and he basically has no ability to differentiate between good and bad attention. I talk more in-depth about his emotionally bereft upbringing (and shitty lusus) here, but suffice to say that our boy isn't getting any emotional support at home, and as a result, craves attention, no matter what kind.

This also means he's insanely gullible. For example, Rose calls him an idiot to his face, and then blows up his computer, sarcastically calling it "your first lesson in showmanship." Eridan proceeds to literally considers it that, blowing up Jade's computer after he's done talking to her. Furthermore, Kanaya sees him as a burden, insults him to his face, and pretty much just bullies him along with Rose for fun.

So she trains Eridan to become a powerful white wizard of hope to challenge her, as a joke.

And yet, in spite of all that, Eridan still has nothing but gratitude and praise for Kanaya:

ERIDAN: kan i been meanin to thank you KANAYA: For What ERIDAN: for all that trainin you did ERIDAN: i wwouldnt be the incredible holy wwizard i am noww wwithout your help KANAYA: But I Didnt Even Really Train You I Just Made You A Wand ERIDAN: yeah wwell thats all i needed i guess ERIDAN: i just needed for someone to showw a little faith in me so im sayin thanks i owwe ya KANAYA: Okay Then Youre Welcome KANAYA: I Hope You Use Your Magnificent Powers Of Light And Hope For Goodness And Purity And Lets Not Forget Science ERIDAN: dont wworry im all ovver that shit you dont evven knoww KANAYA: Uh Oh I Hope That Didnt Come Off As Too Sarcastic ERIDAN: wwhat KANAYA: The Thing I Just Said KANAYA: I Didnt Even Realize How Sarcastic I Was Being Its Starting To Become A Problem I Think KANAYA: Please Dont Take Too Much Offense ERIDAN: haha damn kan if thats your idea of offense bein made then i honestly gotta fuckin wworry for you ERIDAN: tell you wwhat ill givve you some lessons in dealin out the dark umbrage to repay you for your tutelage in the wwhite science

Like, he's in the middle of genuinely thanking her for believing in him, she makes fun of him to his face, and his response is to laugh it off and offer to teach her how to properly insult someone. It's honestly... kind of sad. Not that he doesn't deserve the ridicule, but what we're seeing here is a traumatized, emotionally neglected boy trying to communicate the best that he can that he loves and appreciates his friends, and receiving nothing but mockery in return.

It's really not a surprise, then, that he goes off the deep end. His entire life prior to the game has been shit; he got broken up with as soon as he entered the game (by someone who didn't even care enough not to use fish puns while doing it); he's ostracized and avoided for the game's duration; and then he spends the rest of his time on the meteor being bullied. He feels deeply hopeless and anxious about their situation because he literally doesn't know how else to exist, and his concerns are dismissed and mocked at every turn. When Feferi turns on him with intent to kill, that's his breaking point.

I see a lot of people say he goes grimdark, or succumbs to external influence somehow, but I don't think that needs to be true (nor is it) - he's just a deeply traumatized kid with almost no support network who's finally been pushed to the edge, despite displaying every possible warning sign and making multiple cries for help. Yes, ultimately, he's guilty for his own actions, but his killing spree - alongside Gamzee's and Vriska's - represents a cohesive failure as a team to address very clear problems in their midst.

So Feferi and Kanaya are sick of his ass. Sollux hates him platonically, Equius doesn't like him, and Nepeta thinks of him as a creep. Vriska is his awkward ex, and Terezi agrees with him when he calls himself pathetic. He never interacts with Tavros, Aradia, or sober!Gamzee. Is there anyone that treats him nicely?

Uh, okay, so I swear this isn't shipping goggles -

Pale EriKar Is Canon And I Can Prove It

So, I'm going to start this with a disclaimer: you can ship what you want to ship. I don't mind. I don't care. Headcanons are valid, death of the author, etc. What you do in your free time is up to you.

What I am attempting to argue in this section is that an Eridan/Karkat moirallegiance was heavily foreshadowed, one of the most heavily foreshadowed things in the entire comic, and - assuming that the original ending of Homestuck included all the dead trolls being brought back and redeemed - was going to be endgame. There's a torrential amount of evidence pointing to this, and very little of it is acknowledged even by the EriKar shippers, which is a shame.

At the very least, I'll be happy if I can convince some Karkat RPers to be extra nice to Eridans, because they are actually just friends who care deeply about each other. Canonically.

The first thing to note is that Eridan and Karkat, at least prior to SGRUB, talk all the time, to the point where Feferi feels the need to comment on it:

CC: You know, I'm not sure w)(y we never talk about our romantic aspirations. CC: We s)(ould more often. It is kind of -EXCITING! CA: shrug CC: Probably because you fill your gossip quota wit)( your nubby )(orned bro. CC: You leave not)(ing left to talk about wit)( your dear sweet moirail! CC: We are supposed to )(elp eac)( ot)(er wit)( t)(at stuff too, remember. CA: maybe CA: seems kinda CA: odd though

("Can you please stop having an emotional affair with Karkat" "Eh, I'll think about it")

The second thing to note is what the contents of those conversations entail. Sure, they "gossip," but it goes deeper than that, because they gossip about things that Karkat would NEVER gossip about with anybody else, because Karkat usually respects his "VERY GOOD FRIEND"s. For example, here Eridan mentions that Karkat has speculated on Kanaya's love life with him:

CA: you dont wwant to be our auspistice cause you dont wwant to get locked into that sort of relation wwith her i can respect that GA: No Thats Not It CA: yeah it is your real feelins run pretty awwful RUDDY methinks evverybody knowws it CA: especially that assblood karkat he and me havve you so pegged about that its upright silly

And it's not even a one-off thing, because here Karkat is again, mentioning Nepeta's crush on him:

KARKAT: OK, BUT TO BE FAIR, I'M PRETTY SURE SHE'S STILL OBSESSED WITH ME. KARKAT: IT'S A VERY UNFORTUNATE, VERY RED AND VERY UNREQUITED SITUATION I'VE BEEN TRYING TO TIPTOE AROUND FOR A LONG TIME, OK? KARKAT: HER DISINTEREST IN YOUR ADVANCE WASN'T A REFLECTION ON YOU AT ALL. KARKAT: COME ON, WE TALKED ABOUT THIS.

It's a situation he's been trying to "tiptoe around for a long time," and he tells ERIDAN, of all people? MULTIPLE TIMES? (AND HE ALSO TELLS ERIDAN THAT THE REJECTION WASN'T HIS FAULT???? WHAT??????)

So we've established that they talk frequently and about some pretty seriously sensitive topics. But did you know that they also talk about... their feelings?

See, the thing is, Karkat has always been weirdly nice to Eridan. Here he is in a memo near the very beginning of their game, when Karkat is at his most "rah rah, I'm the big bad leader":

FCA: i got a problem FCA: wwith feferi FCA: and im really kinda sittin here in bad shape about it emotionally speakin CCG: OK, WELL CCG: I GET THAT, I HEAR YOU BRO CCG: BUT THIS IS STILL NOT THE RIGHT PLACE FOR THIS SO I'VE GOT TO BAN YOU. CCG banned FCA from responding to memo. CCG: BUT SERIOUSLY JUST GET IN TOUCH WITH ME IN PRIVATE ABOUT IT, OK MAN? CCG: WE'LL GET YOUR SHIT STRAIGHTENED OUT.

Compare that to Tavros asking for advice later down in the same memo:

PAT: sINCE i DON'T KNOW WHERE YOU ARE NOW, bUT MAYBE HELP ME, PAT: aBOUT A THING THAT HAS TO DO WITH A GIRL, PAT: lIKE, PAT: a ROMANCE THING, yOU MIGHT KNOW ABOUT, CCG: YOU PEOPLE ARE IMBECILES. CCG: ALL OF YOU. CCG: I AM NOT POSTING THESE MEMOS TO COUNSEL YOU ON YOUR PAST AND FUTURE DATING PROBLEMS!!!!!!!!!!!!!!!!! CCG: WHY ARE YOU ALL SUCH BASKET CASES. I DON'T EVEN KNOW WHAT TO SAY ANYMORE. PAT: sORRY, CCG: SHOULD I BAN YOU? WHAT'S EVEN THE POINT ANYMORE! ONE OF YOU STOOGES WILL BE RIGHT ON THE LAST ONES HEELS WITH ANOTHER SOB STORY. CCG: JUST CCG: HURRY UP AND TELL ME WHAT YOUR PROBLEM IS BRO.

He then proceeds to dispense no actual love advice; he just points out that Vriska can totally read this memo too, and then mocks them both when she shows up - thus making it clear that he is giving Eridan special treatment.

You see it again in his discussion with Eridan in [S] Kanaya: Return to the Core, where Eridan invokes a "pact" between them, and Karkat immediately plays nice with him, despite himself being extremely high-strung and stressed out:

KARKAT: RIGHT, IT'S POWERED BY SCIENCE, I FORGOT. KARKAT: OR HOPE. WHATEVER THE FUCK THAT MEANS. ERIDAN: i dont fuckin need this from you i take enough shit as it is from the rest a you dirtscrapers i thought you and me had a kinda pact or wwhatevver KARKAT: OK FINE, SHUT UP, I APOLOGIZE. I KNOW IT'S TOUGH BEING YOU.

That's definitely pity, which Karkat states to be the basis of all relationships besides pitch. But, sure, okay, Karkat is sometimes nice to his friends. He is, after all, the Friendship Troll, so that's not necessarily out of the ordinary. But how about the fact that it goes both ways?

That's right, Eridan "100% aggro 100% of the time" Ampora is actually really considerate toward Karkat's feelings, and basically nobody else's. Upon hearing that Karkat is distressed that Sollux has died, Eridan actively puts his own meltdown about his breakup with Feferi on pause:

TC: BeCaUsE OuR GoOd bRo sOlLuX JuSt kIcKeD ThE WiCkEd mOtHeRfUcKiN ShIt CA: wwhat the fuck do you mean by that CA: are you sayin hes dead TC: YeAh :o( CA: oh fuck CA: oh god fuck noww i feel like an asshole

He then goes on to chastise Gamzee for his shitty advice, demanding to be given the chance to comfort Karkat himself instead:

TC: BuT I ToLd hIm tO Be cHiLl TC: BeCaUsE ThErE Is a mIrAcLe cOmInG, i cAn fEeL It CA: that is the wworst fuckin advvice CA: wwhat an awwful thing a you to say CA: MAGIC ISNT REAL STUPID STOP BELIEVVIN IN IT TC: i'Ve gOt tO BeLiEvE At wHaT My hEaRt tElLs iN Me, EvEn iF It's a fAkE ThInG TC: HoNk CA: this is a lot a pointless fuckin rubbish and isnt no emotional help to him or me either for that matter CA: put kar on

Before finally giving up when Gamzee insists he's "too scared of Jack" to help, drinking some Faygo, and trying to ask past Karkat for help, because past Karkat isn't sad yet about Sollux dying. So, to recap,

Eridan's first instinct when in emotional duress is to go to Karkat.

Eridan feels like he knows Karkat well enough to know that Gamzee's advice would be useless (and is proven right by the fact that Gamzee and Karkat's moirallegiance fails for similar reasons).

Eridan is willing to shelve his own emotional meltdown for Karkat's sake.

Eridan demands to be the one to provide Karkat with emotional support.

And this is, again, not a one-off thing. In the memo Karkat opens right after Eridan and Gamzee have both turned murderous, after he's spent several minutes making death threats toward Eridan and insulting him directly, he goes:

CCG: I'M SO UPSET, I'M JUST COMPLETELY FREAKING OUT IN EVERY WAY POSSIBLE. PCA: yeah i knoww wwhat its like you wwanna talk about it

Eridan spends this entire memo under the belief that it's a completely run-of-the-mill conversation they're having:

PCA: i mean yeah obvviously i kneww you wwerent serious PCA: i guess i appreciate the effort youre puttin into cheerin me up PCA: i can alwways count on you for some good ironic repartee kar nobody else really gets our sense a humor CCG: UGH, NO PCA: are you busy PCA: you said youd try to make it to lowwaa soon wwell howw about it

Which implies that offering to listen to Karkat's feelings is also a completely regular thing for them.

But something magical is ALSO happening within this last memo, and to really explain it, I'll first have to be a little mean to the GamKar shippers (sorry).

So, canonically, GamKar doesn't work out for them, despite also being somewhat foreshadowed. In fact, they feature on Nepeta's shipping wall, which is actually, in my opinion, foreshadowing that it WOULDN'T work out. (Nepeta's ships being wrong, and shipping being something she needs to learn to outgrow, is a whole essay on its own, that I'm not getting into here.)

But the thing is, the seeds for them not working out were also planted in the first - and only - real post-moirallegiance interaction that they have with each other, where Gamzee tries to calm Karkat down... and FAILS:

GAMZEE: naw brother, i was just about to all say for you to try and get your settle down on, maybe. GAMZEE: :o( ... KARKAT: OK KARKAT: OK YEAH KARKAT: I GUESS YOU'RE RIGHT. KARKAT: NO, YOU'RE RIGHT, I SHOULD RELAX. KARKAT: AND BREATHE. KARKAT: I MEAN, WHAT ARE MOIRAILS FOR, RIGHT? KARKAT: THIS IS HOW IT WORKS, I STOP YOU FROM KILLING EVERYBODY, THEN YOU RETURN THE FAVOR AND CALM ME DOWN AND I JUST KARKAT: BREATHE KARKAT: LIKE KARKAT: THIS... KARKAT: SNIIIIIIIIIIIIFFFFFFFFFFFFFUCK, THAT SUN IS BRIGHT. KARKAT: CALL ME CRAZY, BUT IT'S KIND OF HARD TO RELAX WITHIN A STONE'S THROW FROM, OH, I GUESS ONLY THE BIGGEST FUCKING STAR ANY MORTAL HAS EVER LAID EYES ON. ... KARKAT: BUT I MEAN, CAN THIS BE HEALTHY? KARKAT: AREN'T WE GOING TO GET BURNED OR HAVE OUR RETINAS SCORCHED BY LOOKING AT IT? KARKAT: OH GOD I THINK I'M HAVING A PANIC ATTACK.

But let's go back to that memo where Karkat is freaking out in every way possible. This is how he starts that memo - so upset about the deaths of his friends and terrified by Gamzee that he can barely string together a coherent thought:

CCG: WE ARE SO SCREWED. CCG: OH FUCK OH FUCK OH FUCK. CCG: GUYS, I AM TERRIFIED, I DON'T KNOW WHAT TO DO. CCG: I'M IN A ROOM FULL OF BODIES, AND I THINK I'M NOT SUPPOSED TO TURN MY BACK ON THEM? CCG: OH MY GOD, I JUST HEARD A HONK. ... CCG: FEFERI, I'M SORRY. CCG: IT WAS MY FAULT, I DIDN'T KNOW WHAT TO DO. PCC: Sorry for w)(at?? CCG: FOR CCG: I CCG: I CAN'T DO THIS CCG: IT'S TOO MUCH FOR ME, I'M SORRY.

In fact, he's so distressed that he bans Past!Feferi and Past!Gamzee almost immediately after they come in. But then Eridan comes in, and... I mean, first of all, just compare how long it takes for him to ban Eridan:

But more interesting are the contents of their conversation. Over the course of talking to Eridan... Karkat completely calms the fuck down. Like he's entirely forgotten that he's shitting his pants with fear. In fact, he even starts critiquing Eridan for his dumbassery:

PCA: evven if i wwasnt compelled to think you wwere still bein flippant and ironic wwith me you cant exactly outright reject me can you CCG: WHY NOT PCA: cause youre future you PCA: doesnt count unless its present you til then its all fair game CCG: IS THIS REAL, ARE YOU BEING IRONIC OR SOMETHING, I CAN'T EVEN TELL ANYMORE CCG: THE PROBLEM IS, I CAN'T PUT THIS SORT OF BEHAVIOR PAST YOU AT ALL, SO I DON'T KNOW. ... CCG: YOU'RE KILLING ANGELS NOW, AREN'T YOU PCA: no CCG: YOU ARE KILLING FUCKING ANGELS, RIGHT NOW, IN THE PAST, WITH YOUR SHITTY GUN. I JUST KNOW IT. PCA: wwell uh PCA: therere just so damn many kar and theyre not gettin any less bloody pissed is the thing CCG: THIS IS WHY IT WOULD NEVER WORK BETWEEN US, MAN.

It's extremely funny. Over the course of talking to Eridan, he goes from:

CCG: OH GOD OH GOD OH MAN OH GOD CCG: NO NO NO NO NO NO NO NO NO

To:

CCG banned PCA from responding to memo. CCG: ANYWAY CCG: THAT'S IT I GUESS.

Eridan isn't even trying to calm Karkat down. He still succeeds in doing so. This is because they are soul mates. And I mean that in the sense that the comic literally calls being moirails soul mates, which it doesn't do for the other quadrants:

A reasonable human translation would be the concept of a soul mate, but in a more platonic sense, and with a more specific social purpose.

That "social purpose" being that an even-tempered troll calms down a more hot-tempered one, and vice versa.

It also goes on to note:

But some pale pairings, as the one above [referring to a picture of Nepeta and Equius], will be strikingly obvious to all who know them.

But what's really interesting is the next page.

And yet others will seem to have been hatched for each other.

Did you catch that? Let me zoom in.

(Also, the blue and red cuttlefish to represent Sollux - Feferi and Sollux spend the whole game together, and even wind up talking about their feelings constantly in a pile - more on piles in a sec.)

In fact... in Eridan's first visual appearance...

The crab has always been there for him.

It's also important to talk about the bottle of Faygo that's been photoshopped to be candy red, Karkat's blood color. The path that it takes actually directly mirrors Karkat's relationships with Gamzee and Eridan - it's initially something that Gamzee has, but winds up being ejected out of his life, and washes up on Eridan's shore. In fact:

TC: SnAtCh aN IcEcOlD, dOg TC: MoThErFuCkIn cHuG ThAt sHiT LiKe yOu aNd tHe bOtTlE WaS ReUnItEd lOvErS CA: are you recommendin a bevverage to me or somethin CA: is that wwhat this is TC: YeAh mAn SlAm A FaYgO CA: i dont havve a fuckin faygo you stupid fuck wwhy wwould i keep that disgusting shit on hand TC: ArE YoU MoThErFuCkIn sUrE AbOuT ThAt? CA: oh CA: oh god youre right i do CA: i totally forgot about it TC: YoU SeE MaN TC: MoThEr TC: FuCkIn TC: MiRaClEs TC: :o)

When Gamzee and Eridan discuss this exact bottle, Gamzee even likens it to "reunited lovers"; it's something that Eridan has had this whole time (after all, he was cheating on Feferi with the guy), but never realized.

There are a few miscellaneous things that don't really mean anything on their own, but put next to all this other stuff, is worth considering, so I'll list those now.

First, they both do the bonk:

Second:

CG: ARE WE NOT FRIENDS ANYMORE BECAUSE OF STUFF I SAID. TA: eheheheh you LIITERALLY a2k me that every tiime are you jokiing. TA: ii cant even tell anymore. CG: IT'S A JOKE MORON. CG: HONESTLY I'M JUST GLAD NOBODY ELSE IS PRIVVY TO OUR CONVERSATIONS.

Third, Karkat muses to his future self about how he misses his friends, especially the assholes, two pages before staring at a dead Eridan's ass (joking, he's definitely looking at WV, but it's still significant that this thought is being associated with Eridan):

CCG: I MEAN, DON'T GET ME WRONG. CCG: I MISS ALL OF MY DEAD FRIENDS A LOT. CCG: EVEN THE ASSHOLES! I MISS THEM TOO. MAYBE EVEN ESPECIALLY THEM, IN SOME PERVERSE WAY. CCG: AND I SHOULD BE RELIEVED THAT THEY ALL SEEM TO BE HAPPY IN SOME WAY, EVEN IF IT'S BY FLOATING NEBULOUSLY THROUGH DREAM PROJECTIONS WITH THEIR FREAKY BLANK EYES. CCG: AND I GUESS I AM RELIEVED ABOUT THAT. CCG: BUT AT THE SAME TIME IT'S LEFT ME UNSETTLED.

Fourth, in the same conversation, he bemoans his failed relationship with Terezi, before Future!Karkat chastises Past!Karkat for his instability and mixed signals. Going back to the page on moirallegiances, an explicit function of a proper pale relationship is stabilizing a troll's other relationships:

The two partners in a strong pale relationship will serve to balance and complement each other's emotional profiles, and thus allow their other relationships to be more successful.

Of course, I don't need to tell you how messy and unstable Eridan's relationships have been.

And finally, Piles of Stuff™ are associated with moirails, and directly stated in-comic to cause an outpouring of emotion:

Standing near this pile stirs powerful emotions. The closer you stand to piles of stuff, the more freely the feelings flow. It is a law of reality.

So here's a seven-word tragedy for you: For Sale, Shitty Wand Pile, Never Used:

ERIDAN: at least i got the upright basic decency to hide my shitty wand pile somewwhere in the lab you wwont find it dont evven bother lookin KARKAT: WHY DO YOU ASSHOLES HAVE PILES OF THINGS, JUST STOP.

(Which he specifically tells Karkat about.)

So, yeah, what I'm saying is, there's just, like, a weirdly large amount to read into here. That Karkat and Eridan are probably soulmates or whatever. And that this is important because...

Eridan Is Plot Relevant (Well All The Dead Trolls Are But This Is An Essay About Eridan)

So. Now we are going to talk about themes. Yes, like we are in schoolfeeding again. I'm going to keep it simple, because "The Themes of Homestuck" is a whole essay on its own, and this one about just the shitty fish boy is already way too long.

I think it's fairly non-controversial to posit that the main theme of Homestuck is, "children should mature, care about each other, and throw off the shackles of their old society, because they will be responsible for a new world one day."

Up until Game Over/the Retcon, this is so prevalent and well-established that SBURB/SGRUB's coming-of-age themes will outright be commented upon by the characters, and the main villain is a child who deliberately stunted his own growth so he could go around kicking over other peoples' toys forevermore.

So, the thing is, with that being the theme of Homestuck, if ALL of the Alternian trolls don't survive to the end, the ending is thematically unsatisfying, because the message suddenly gains an addendum of "well, some kids just need to die," which totally sucks. Like, sure, Eridan was a violent, crazed murderer even at the best of times, but his permanent death within the canon ending kind of means that the comic is saying that people in his position don't deserve kindness or second chances. That position being a traumatized, emotionally neglected child, who was being bullied by people he considered his friends. It's a pretty terrible message.

It's even worse when you consider what other trolls don't make it to the end - Nepeta, the most outspoken troll against the hemospectrum (and Davepeta does NOT count, don't try to tell me the final culmination of Nepeta's character arc is being combined with some guy she barely knows and a bird). Feferi, who genuinely wanted the best for others, even if she was kind of a privileged princess. Aradia and Sollux also stay behind in the bubbles, even though their lives have pretty much been endless parades of suffering and being used by other people. Even Equius doesn't deserve it - he was kind of a casteist freak, but not irredeemably so, and the fact that he became kinder to Karkat over the course of SGRUB proved that he had the capacity to change. And Tavros, allergic to himself and being insulted by Vriska, is a terrible way to end his arc.

It's also really clear that, since half his friends are dead, Karkat just doesn't really have anything to do. His title is the Knight of Blood, and Blood is about bonds - romance, friendship. And yet, he ends the comic having never figured out what Blood was about, with no confirmed filled quadrants (sorry DaveKat likers, but within the comic itself, DaveKat is never confirmed), and most of his bonds nothing more than ghosts in the bubbles. It's a terribly unsatisfying ending for the most narratively important troll.

I think, then, that even if you don't agree that Homestuck should have ended with full revivals and redemption arcs for all the trolls, the essay is going to proceed on like you do, so, sorry, I guess.

The thing with Eridan, specifically, is that he's actually tied deeply into the plot and themes, and his return means more than just Karkat finally getting a date (although that's important, too). Eridan is directly intertwined with a prophecy to kill Lord English; he's set up to mirror Caliborn and Calliope; and thematically, his redemption would be the most clear instance of the "interrogating society" part of the theme of Homestuck, because Eridan is kind of the Society Troll. And also, he was definitely supposed to be Roxy's wizard boyfriend.

Just gonna get that last one out of the way real quick because it's a fast one, Roxy fucking loves wizards and is a hipster. Eridan is a wizard and is also a hipster. Roxy has a crush on a prince. Eridan is also a prince. Roxy wears a purple striped scarf. Eridan wears a blue striped scarf. Roxy uses rifles. Eridan uses rifles. Momlonde's introduction includes a passive-aggressive fridge battle that features a cameo of Eridan's quirk.

Using the colorful MAGNET LETTERS, you recently left a succinct message, which may or may not have been directed toward anyone in particular. But you couldn't find the letter W, so you just stuck two V's together. Your mother then purchased a fresh pack of W's and left them there for your convenience.

Yeah. So. Uh. Not only did Eridan need to be brought back to date Karkat pale, but he also needed to be brought back to date Roxy flushed. Can you imagine how funny it would be. They'd get together within 5 minutes of meeting for the first time and Rose would lose her shit. Anyway.

Him being a parallel to Calliope and Caliborn is also a quick one - Caliborn uses Riflekind/Sceptrekind, and Calliope uses Pistolkind/Wandkind. Eridan's two weapons are rifles and wands. Lord English is described as an evil wizard and at one point is shown using Calliope's wand. Eridan is also an evil wizard who uses a wand.

Look, I'm not saying that Eridan is necessarily directly related to these two, nor am I even necessarily saying that he and Roxy HAVE to date, but I am saying that he's got Weird Plot Connections that make him bizarrely relevant to characters that only come into play well after his death - almost like the comic was setting up that he would be coming back. His reaction to Cronus supports this, which I go into detail about here.

There's other strange "Eridan's plot important" things, too - like the fact that he's completely unimpressed by Faygo, considering it to be "just soda," and seems to be the only non-cultist who's okay with it. Or the fact that he's actually been awake on Derse since before the game (but unable to hear the horrorterrors, maybe foreshadowing some psychic resistance?) which he casually reveals to Kanaya and which Terezi is aware of, hence he's included in the people she names are "in" on the existence of the game. Or the fact that the genetic code for Alternia's first guardian was written within the pages of four FLARP books, with the addition of a fifth code Gamzee wrote in Karkat's ~ATH book... but Eridan was the fifth FLARP player in the team, implying that Doc Scratch/LE influencing Gamzee caused him to usurp Eridan's part of the first guardian code, giving LE his way into the trolls' universe.

Individually, it's all kind of nothing, but it just paints a bigger picture of Eridan being weirdly relevant, especially when we get to the juicy stuff:

The Prophecy

ARANEA: The 8ard of Hope may seem a little jaded these days, 8ut he once had a deeply a8iding faith in magic, and dedicated himself to 8ecoming a great wizard. He 8ecame convinced he was hatched to defeat an extraordinarily evil magician, one he swore the angels foretold of. ... [T]his magician once somehow from afar tried to strike him down at a young age, so he would never have to face him. 8ut the evil spell was deflected, sealing the magician's spirit away in a series of unassuming vessels until he could find some other cunning way to enter our universe. ... ARANEA: 8ut at some point he 8ecame disillusioned with magic. If there ever was any truth to his far fetched vision, the legacy of defeating the evil magician would have to 8e passed on to his descendant, or if his descendant proved to 8e as much of a failure as he did, then perhaps on to some other Hero of Hope.

ERIDAN: i slaughtered enough angels to knoww my limits and wwhere i stand against the lord of all angels they prophecized

GG: im pretty sure hes from the future! CA: wwhy GG: because he said hes my grandson CA: wwhat the fuck is a grandson CA: is that some kind of pervverse human familial thing GG: umm yes ... CA: that gun i just gavve you is somethin of a hatchright to the kid CA: happy i could play a role in your dirty stinkin lineage GG: like an heirloom? i guess it could be ... CA: i kinda think thats wwhy i found the gun in the first place CA: but noww im forsakin it because fuck i just found a better destiny than my old crappy one wwhich i nevver got any appreciation for anywway

Jake is supposed to have been the one to defeat Lord English. (No, Jake defeating pre-LE Caliborn right before he gets sealed into Cal doesn't count! He doesn't even get the final blow in that fight, DIRK does.)

But Eridan at one point had that destiny on his shoulders. Aranea turbohealing Jake, and the resultant hope field, summons a bunch of angels, which are heavily associated with Eridan - yet another random connection that Eridan has with future plot events.

Jake was another character, alongside Karkat, who was kind of reduced to a joke by the end, despite the fact that he had literally, directly, been passed the destiny of defeating Lord English. It's hard not to see this as a consequence, at least in part, of removing Eridan from the story. By cutting him out of the fabric of the ending, several plot threads - including this prophecy - are left dangling in irrelevance. And so Jake, like Karkat, now has nothing to do.

Homestuck is generally a series where every prophecy does come true, which makes it kind of startling when several prophecies fail to - Feferi's to "unite the two races," Jake's to defeat Lord English, and Karkat's to bring "compassion, forgiveness, and equality among all bloodlines" in the Signless's place.

That last one is actually relevant to:

The Thematic Importance of EriKar As Soul Mates

Eridan represents the worst aspects of Alternian society. He's a sea dweller at the top of the caste structure, with free reign to murder whoever he wants, soaked in the blood of thousands of innocent trolls. He espouses the casteist rhetoric that their society is built on, calling for the deaths of all land dwellers and the oppression of the lower castes. And while he should be benefitting from his position of privilege, it has also done nothing but hurt him.

Karkat, meanwhile, is a pariah. A mutant who would've been culled on sight, who spent his entire life living in hiding, and most of the game in fear that he would be ostracized or worse by the rest of his friends if they found out about his blood color. He's also the second coming of Troll Jesus, and thus, more despised by the Alternian ruling class than a mutant normally would be. For most of his life, he dreamed of nothing more than finding belonging within the society that had deemed him unfit.

Their friendship is something that "should not be." The highblood and the mutant. The royal-v and the off-spectrum. The empress's sea dweller and the second coming of the signless. Eridan "should" see Karkat as a miscreant to cull on sight. Karkat "should" be terrified of Eridan's very existence.

But in reality, Eridan doesn't give a shit about blood color, and Karkat just wants to be accepted. Eridan just wants someone to care about him, and Karkat loves his friends. Aside from Feferi, Eridan is the only highblood who never comments about Karkat's mutant blood, and they were best buddies even before Eridan knew.

Eridan and Karkat getting together isn't JUST the two most undateable trolls on the team finally landing a stable quadrant. These two, moreso than any other pairing, represent the themes of Homestuck. Children growing up, caring about each other, and throwing off the shackles of their old society.

In the pre-retcon timeline, their team failed to do so. This led to Gamzee falling into his highblood clown cult, Equius letting himself and Nepeta die by submitting to his place in the hemospectrum, Vriska killing Tavros because she couldn't allow herself to show weakness, and Eridan completing his caste's dream of genocide. Karkat spent the entire meteor trip and beyond beating himself up about it, since he considered it all to be his fault.

But with the introduction of John's retcon powers, they have the chance to, one by one, redeem themselves. I believe that's how the original ending would have gone: Terezi would ask John to bring Vriska back, because she only feels comfortable fixing her own mistakes. Vriska would then have asked John to bring back Tavros, whom she regretted killing. Tavros would be there for Gamzee, rendering him an ally. Gamzee would ask John to bring back Equius and Nepeta. Equius would ask John to help him not make the same mistakes with Aradia, and Aradiabot would catch John by the wrist and demand he bring her back in time to before she died, allowing her to circumvent her own death and Sollux's guilt. Sollux would ask John to keep him from provoking Eridan, saving Feferi. And Feferi would be pretty ok with the way things were... but KARKAT would then pull John aside, and drop an entire book of mistakes he made on John's lap, and this would result in a finalized timeline where all his friends are alive and god-tiered.

Because all the trolls SHOULD have survived.

Vriska should've survived because people should be allowed to have second chances.

Tavros should've survived because caring about each other, and being willing to show kindness and mercy, are good things.

Gamzee should have survived because people mired in religious fundamentalism and cults deserve to be offered a helping hand.

Equius should've survived because people should be allowed to grow and change their beliefs.

Nepeta should've survived because she was the anti-casteism troll. Casteism is bad, folks! Not only that, but I'm convinced that she was originally going to give the Ultimate Self exposition, and Davepetasprite^2 had to be contrived in the canon ending in order to shortcut Nepeta's character development, ruining it in the process.

Aradia should've been allowed to stay with the rest of the team and live a life free of the control of evil uncles and shitty ancestors.

Sollux should've been allowed to stay with the rest of the team because we all deserve to heal and be happy.

Feferi should've survived so she could be in a kismesistude with Nepeta, and realize that casteism itself is bad, not just the definition of culling, and then used her Witch of Life powers to even out the lifespans between the next generation of trolls, which needs to happen or else casteism will just happen again as long-lived highbloods inevitably amass power. And, also, it would complete the prophecy Gl'bgolyb gave her that she was intended to unite the two races (dream bubbles don't count, because by that metric, Sollux did more than she did by establishing a connection between the trolls and humans).

And Eridan should've survived, because the harm society has done to us can be undone. We don't have to submit to the roles it imposes, to the laws it wrote, to the abuse it inflicted. We can be free.

I've seen a lot of people who believe that such-and-such character did SUCH awful things that they don't deserve a happy ending. Oftentimes, it's Eridan, but nearly all of the dead trolls have gotten this treatment. So, let me just ask all of you who have gotten this far and still hold that opinion one thing. Do you think that's what Troll Jesus would have wanted?

This is why pale EriKar is so important: for it to happen, Eridan has to make a choice between upholding the beliefs of his shitty society, or pursuing a happier, kinder future, one where he outright rejects the caste system. For it to happen, Karkat has to shake all his insecurities about not being good enough by Alternian standards, and take on the duty of creating something better than what he came from. If pale EriKar happens, it means Eridan and Karkat choose love, not fear. Compassion, forgiveness, and equality.

This choice - this pairing - is the ultimate representation of giving Alternian society one big middle finger. Saying, we don't need you anymore, fuck off! Saying, we reject you at your core; we will choose something better! Saying, we will create a new world, and it will be kinder than the one we came from!

Pale EriKar means LOVE WINS.

Thank you for reading.

[peathepirate]

Part 22 - Finale

The one with criminal activities.

« PREVIOUS | BACK TO START

I can't believe this project is actually finished. I started sketching the first pages in January of 2021 (if my Instagram stories are to believe) and now I'm done? What am I even supposed to do now that I'm not drawing WINGS anymore?

It's not a perfect comic. It wasn't really meant to be a finished comic either, I was kind of messing around to see if I actually liked making longer comics. Turns out I do! I've always viewed this project as "practice", so the style is all over the place and at times, the art is really hard to look at (*cough* entire part 7 *cough*). But I finished it, all 206 pages of it! I never knew I had this much persistence in me :D

Things I wish I'd known before starting the comic: 1) Having a script will save you from many plot holes and plot threads that never lead anywhere (and it also gives you opportunities to do fun foreshadowing <- this is something I couldn't do for a Thing I came up with and had to drop because I'd already posted the first updates before writing the script). 2) Drawing in batches actually saves time, people aren't joking when they say that. It always takes time to get used to inking after sketching, or coloring after inking, etc. And when I say batches, I don't mean ten pages at a time, I mean like 40-50 pages at a time. I wish I'd realized this before the last 40 pages of this comic...

Thank you so, so much for each and every one of you who have been on this journey with me. It really has meant the world to me to have people I could share this story with. I hope you enjoyed it as much as I enjoyed making it <3

[sootsz]

qsmp has accidentally stumbled into a psychology experiment that would make the stanford prison experiment sob in fear. they’ve gotten a bunch of cc’s, and tens of thousands of viewers, to be deeply emotionally connected to pixel eggs. in doing so they’ve presented a problem:

how the fuck do you get outta this

the eggs were obviously never intended to be permanent (logging on every day to do tasks isn’t feasible to upkeep forever) and they were even given a vague limit of When Mama Dragon Comes Back (and then, of course, the “6 days til they die” thing). now you’ve made it so quackity (and his team) have a big ol dilemma, where two things are true: 1) they can’t keep the eggs forever since it’s not sustainable 2) you can’t take away the eggs without, oopsies, emotionally damaging your friends that you invited to have fun on your server.

turns out, when you give a group of humans all their own fully-realized individual who presents as a (weak, vulnerable) child that is in need of care from them, whatever instinct has kept us alive for generations goes “!!!!!” which is both really cool and compassionate, but also kinda concerning!

because, well: not sustainable! and if the eggs aren’t sustainable, what’s the alternative? killing them?? no! just look at jaiden’s reaction to bobby “losing” a life, even when it wasn’t his last one. or bad’s genuinely heart wrenching reaction to dapper losing a life. or how quiet and angry phil got after chayanne and tallulah had a “nightmare,” before it was resolved. that’s not acting. that’s real. what the hell will they do if the eggs actually die? from what i see, the cc’s are taking the “6 days til death” thing as something that’s avoidable. a threat that can be overcome. and for their sake, i hope it is.

ever played a dnd game where you actually feel insulted bc of smth someone’s pc did? yeah. that x20 because there’s SO much overlap between “streamer persona” and “literally just who they are”. and this level of roleplay character bleeding is cool, but i hope the eggs are handled carefully, or all those involved might end up actually hurt.

there’s also the whole added element of fans, many of whom only tune into the streams for egg content. the plot is very egg-centric. the roleplaying and characterization that the cc’s are doing is all centered around the eggs in one way or another. it’s been going on for a month, but it does not feel at all resolved, and plot-wise it would completely mess up so many plot threads happening if the eggs were all to go (charlie’s unresolved deal with lil j, quackity’s goal to bond with tallulah, the trial, etc etc) so if you take away the eggs, you risk messing up the whole vibe they’ve got going on, and facing backlash from fans who are also emotionally compromised by pixel eggs

we inherently want to protect the cute and vulnerable, and by god are these eggs cute and so very fragile. (then, there’s another layer of people’s own issues that they project onto the eggs. be it desire for paternity, some kind of maternal instinct, or, even in the matter of chayanne, using chayanne as a sort of way to cope with loss by making connections between chayanne and technoblade. which is beautiful and very sweet but would give chayanne dying some additional emotionally charged elements which i think should be avoided at all costs). there’s a reason that movies and other media generally do not kill named children characters—audiences really hate it. it’s taboo for good reason.

which leads us to

schrodinger’s egg: until sunday, they r both alive and dead. and this is both good and bad. god help us all

[kashimos-hajime]

—dissolve | fushiguro toji

summary: he tosses the pregnancy test aside, digs into his pocket, rips out his wallet, and flips it open, fishing out the few bills he has and sticking his hand out towards you.

“take the money and get rid of it.”

WARNINGS: pregnancy, angst, violence, mentions of sex work, emotional constipation and rep of ptsd pairing: fushiguro toji x fem!reader word count: 18.5k

a/n: came back from the dead to post this. i swear TO GOD!!! that this is not a pregnancy fic. in fact, it's arguably worse because it's a plot point instead. excuse any editing mistakes.

obligatory toji might be ooc warning, but we literally have never seen him act normal outside of his job so i make due w what i got.

inspired by dissolve by joji

on ao3 woohoo

(exposition)

Toji’s made a fair few mistakes in his life. It’s hard to count on his fingers alone how many he’s made, but this has to be on the top of the fucking list.

“What do you want me to do with this information?” he spits as he pulls his pants on past his waist. His skin is burning, flushed red from the haze of sex, or maybe it’s the scoring of your nails down his back. His chest feels like it’s stinging. 

You’re standing before him, raw power, untapped fury. You’re an unpredictability he has never encountered—you drive him crazy. 

You’re also an avid, self-proclaimed misanthrope (ironic, given your profession, and more than a lie, given that Toji knows you), so the fact that he’s still standing here and you haven’t flung a bottle at him once during this whole charade they’ve got going on is admirable.

You don’t look at him, but there’s slick dripping down your thigh, and he’s honestly surprised you’re standing so soon after he’s made a permanent indent into the bed in the shape of your body, but then again, he’s known you for a while now. You’ve always been stubborn, proud, and never want to be seen waiting on anything, so while he’s standing there, staring apathetically at your back, you busy yourself with straightening out bed.

Red neon lights. Men, women, people, all roaming halls, hidden behind purple gauze and thick smoke.

They said the one he’d paid for would be the last one on the left.

Shit, he’s sweating like crazy.

“I don’t know,” you say, tossing the stick behind you without looking. He catches it easily, and stares at the tiny plus sign before looking back at you. You’re rubbing your face with the heel of your hand, and when you turn your head, he sees the frustration etched onto your face. “I don’t know what you can do.”

Toji pulls the door aside, and the figure on the bed looks up, painted lips parting in surprise. He beats you to the punch. “You’re the doctor.”

“You’re the fucked up guy from the clinic.”

And, because Toji has faced real commitment once and lost it just as quickly, he does the one thing he knows best.

He tosses the pregnancy test aside, digs into his pocket, rips out his wallet, and flips it open, fishing out the few bills he has and sticking his hand out towards you.

“Take the money and get rid of it,” he says, but it edges more on an order. You slant your body, frustration dissolving into disbelief at his offer, and your eyes flutter from his hands to his face before your eyebrows furrow together. Your mouth drops open and snaps shut just as quickly, then you’re bending over to gather the closest thing you have to cover yourself. 

You shimmy into a shirt you’ve stolen from him, the one with the worn hole at the back of the neck, and threads coming loose at the sleeves.

Just another mistake he’s made letting you steal from him.

“You don’t get to fuck a kid into me only to tell me to get rid of it, Toji.” You straighten up, and walk up to his proffered hand. Snatching the bills, you smash them into his chest, your palm hitting him square in the sternum. His lungs hitch, but you walk past him to the kitchen and he’s left to watch the bills flutter to the ground. 

Turning around, Toji walks after you, ignoring his hard-earned money smearing the floor. It’s the last thing on his mind, nestled somewhere at the bottom with sex and affection.

Your presence, mellow and tired and unsure, mirrors him. 

It’s probably the realest thing Toji has right now.

“Do you want tea?” you ask without turning around to make sure he’s followed because you know he has, setting the kettle on the stove with a bit less finesse than normal.

“It’s three AM.”

“I didn’t know my question was made redundant,” you snap, and Toji wants to throw a book at your head, so he settles on scowling and grabbing a mug that’s designated as his and sets it on the counter, sliding it over to you. You stop it before it can crash and when they’re pouring over their cups of chamomile in the dead of night, on opposite sides of the kitchen island and illuminated by the single lamp turned on overhead, Toji thinks of you as a mother, carrying a child on your shoulders.

The image comes to him at an uncomfortably quick pace, and he checks his phone. He has a contract, and race bets to make, and he looks at you again. You’re already watching him, mouth hidden behind a mug with a dog painted on the side.

“Megumi is coming over,” he grunts, setting his phone back down on the counter and lifting his mug.

“And if I’m busy?” you ask, because it’s routine that you say it whenever he decides to leave his son in your hands. And they need routine. They need this charade to avoid the storm growing above their heads.

“I’m dumping him on your doorstep,” he answers, “and I’m leaving.”

.

You don’t text him while he’s out on the job, not even your usual restrained good luck.

It’s three days before he comes back, and when he lets himself in with the spare key you keep behind the loose ninth brick on the right of your door, in the fifth row off the ground, you don’t bring it up.

Mostly because Megumi is fast asleep under your arm, and you’re asleep with him, curled around the two-and-a-half year old baby like he’s the one thing you have to protect with your life. Toji doesn’t wake you, but he does remove your arm to pick up his little boy and Megumi knows his father better than anyone. The tiny bundle immediately tries to make fists at Toji’s shirt, and lets out an incoherent whine at being disturbed before burying his chubby little face into his father’s chest.

You shift in your sleep, muttering nonsense. You’re sweating, the back of your shirt soaked when Toji leans over to look. There isn’t anything on the nearby low table except for paracetamol, a barely-finished bowl of okayu, countless tissues and a thermometer. The apartment is mostly a mess, with dirty dishes in the sink, and ingredients left on the countertops.

Toji can still hold his son with one hand, so he uses his free hand to touch the baby’s forehead to find it slightly warm, and then, because he has nothing better to do, he crouches beside you on the couch, and touches your brow, too. Your face is shining with more sweat, and there’s a feverish twitch in your face when his fingertips meet your skin. You let out a soft snorting noise, and he grins blandly.

“You’re pregnant, huh,” he mutters, mostly to himself. Your eyes flutter open, and find his with a tired precision, before you let them shut again. “Hey.” You turn your face into the couch, and let out a crackled moan.

“Your son is sick,” you tell him instead, voice muffled by the couch. “He has the fucking flu.”

“His fever broke,” answers Toji. “Get up and shower.”

“I can’t. My body molded to the couch.” Your voice is thin with fire, hoarse with exhaustion. You’re a burnt out candle still smouldering, and when he touches your simmering cheek, you hiss, slapping his hand and grabbing the nearest cushion, burying your head beneath it. “Stop it. Just take your son and leave me the fuck alone.”

“Shower,” he barks. 

“Go fuck yourself,” you reply with the same burning annoyance.

Megumi yawns, ignorant of it all.

.

You work at a clinic, but call in sick for the next two weeks. Toji knows because he walks past the clinic sometimes on habit on his way back home, depending on the hour. You go on your smoke break at the same time if you can help it, and he’d catch you in an alleyway two blocks down because no one wants to see that their doctor smokes. There’d be a Mild Seven dangling from your mouth, and you’d eye him with an arched eyebrow, but you never questioned his appearance.

Sometimes, he walks you back even though you never ask him to, a new-burning cigarette slung from his lips, and he complains about your shitty taste in cigarette brands.

And you will always ask why he always takes the Mild Seven you offer, and he dismisses it with a shrug, some flimsy excuse of never biting the hand that feeds you.

Toji’s accustomed to stalling coming back just so he can walk past the clinic on his way home, or sometimes, he leaves the apartment with an excuse of groceries for Megumi just in case you’re there, doctor’s coat shed and a ratty hoodie pulled over your frame to hide the scrubs you don’t bother to change out of.

You aren’t smoking on your break when he finds you on one such ‘grocery trip’, but you’re still in the same alleyway.

“Toji,” you say before he’s even fully appeared at the lip of the alley, and you look up, pulling the hood away from your face. You look awful—swollen eye bags, peeling lips. There’s barely any life to your face, and you regard him wearily, something clicking in your hand. Upon closer inspection, it’s your lighter, and your thumb flicking it open and shut.

“What’s wrong with you?” He walks closer, but doesn’t lean on the wall. You look like you’ll lash out if he even so much as breathes in your direction. A rat skitters by his foot. “Don’t tell me it’s that fucking flu and you’re still contagious.”

“I’m pregnant,” you answer dryly. “And I have a nicotine addiction.”

“Smoke a cigarette,” he suggests, moving a hand to his pocket.

“I’m keeping the baby,” you reply. He pauses, blinks, and you only lift your chin at him, folding your hands behind you against the wall. Stretching your legs farther out over the concrete, you sink a few inches down. “So, I can’t smoke.”

“You’re keeping it?” Clenching his jaw, he scowls. “If this is to spite me—“

“Do you think I’m a fucking idiot? I don’t use human lives as playing cards.” Tilting your head back against the wall, you close your eyes. “Or human lives-to-be.”

“So, why the fuck—“

Your head jerks up. “Because I want this kid, okay? Is that so hard to fucking understand?”

“Maybe.” He shoves his hands into his pockets before laughing. “You’re barely a functioning person. What makes you think you’re fit to be a parent?”

“Like you’re the perfect father for Megumi,” you retort dryly. “I don’t have to justify my choices to you, and I don’t care if you’re in your child’s life. For all you care, this isn’t your child.”

Defensively: “But it is.”

“It doesn’t have to be. I’m giving you a way out,” you dismiss aloofly, pushing off the wall and straightening up. Meeting his gaze, you square your shoulders to his, and cross your arms over your chest. “I’m just that bitch you fuck when you’re bored, and you dump your son on me whenever you feel like it. You walk all over me, and I let you. At least you used to pay me for my services.” Toji’s blood begins to burn at the utter disgust and disappointment in your expression. “Do you think I don’t know what I am to you?”

And for a brief moment, Toji is speechless. Not because you’ve shocked him into silence, because he isn’t shocked, but because he genuinely doesn’t know what to say next. Every possible answer he has is shot down by rationale, and you search his face for any sort of response.

You find none.

Another mistake he’s made in his life is tallied down in some imaginary record when he runs out of time.

With a scoff, you shove past him, and disappear around the corner.

He doesn’t chase after you. 

Toji’s just not that kind of guy.

Instead, he takes the newly-purchased box of Mild Sevens from his pocket, flips it open to retrieve a fresh cig, and lights it, cupping the end and inhaling as deeply as he can. 

Pinching the cigarette between two fingers, he leans to the side in that alleyway and spits out a wad of saliva, the taste of the cigarette even sharper than normal.

“God, it tastes like shit,” he sighs to no one before inhaling again.

.

Toji’s kinda sorta fucked up.

He knows that doesn’t escape your notice. It’s how they first met after all—him a nineteen year old lumbering mess of blood and bruises, walking into the clinic mere minutes before your shift ended. You’d just been an intern taking the graveyard shift, and he’d pushed in, chin lifted high, eyes narrowed, finding yours.

“You the doctor?”

How did it spiral into this?

You snip the final suture shut on his shoulder and set the tools down, carefully piling the packaging together.

“Get outta here,” you tell him, slapping his shoulder to urge him off. You turn, disposing the trash, ripping off your gloves in the process.

“How’s the kid?”

“Megumi’s fine. He likes avocados now since I gave him slices with condensed milk on them,” you reply shortly. “Can you leave now?”

“I meant the baby,” he informs brusquely.

If it surprises you, you don’t let it show. “That is none of your business. Leave me alone.”

When he doesn’t budge, you stand there for a moment until he turns to look at you. In your scrubs, face clear but weighed down by exhaustion, you remind him of an exasperated cat owner. Hands on your hips, you worry your bottom lip until you realize he isn’t going anywhere he doesn’t want to and you sigh, gesturing for him to move over on the examination bench. Wedging yourself beside him, you grab onto the lip of the cushion and lean forward, shoulders hunching, head bowed. 

“What do you want to know?” you ask acridly. “I crave sriracha on everything, I puke, I feel exhausted, I want to smoke all the time, and I cry pretty much every night.”

Blinking, Toji opens his mouth to say something witty. He only barely manages out a quiet: “You don’t even like sriracha.”

“I know.” Miserably, you lift your head and let out a sigh that seems to take all the strength with you. “What do you want from me, Toji?”

“I was just asking how you were doing.”

“You never do that unless you want something,” you counter, looking at him. Your eyes are swollen, but Toji doesn’t know if it’s from crying or some other reason, and you smell like three day old clothes. Your gaze searches his, then flutters to a slightly crooked nose, to his lips, to the scars littering his chest. “I’ve known you for years. You disappeared on me, and you came back with a son and a new name, and I never asked questions, but you had to have known.”

“Known what?”

You don’t answer him. Toji isn’t sure if he’s grateful or irritated for it. “What happened to you, you idiot?” Your tone is somber, unbearably faint. It makes your words that much more nauseating. “Why did you come back to me?” He blinks, staring, and your gaze lowers. You quietly tag something to the end of your sentence only to yourself and he is punched by every syllable of the word you utter, every syllable you aren’t aware he can hear.

“Fushi-guro, huh.”

Sliding off the examination table, you smooth out your scrubs and make to leave. “Never mind. I think I’m just exhausted.” 

You reach the door handle. He watches. Footsteps softened by the sound of your crocs, you don’t bother to hide the effects of him keeping you overtime at three AM in the morning, because he’s bleeding and soiled and disgusting, has done to your spirit.

“I got married,” he calls, halting you by the door. Your shoulders have fallen, and your hand on the door goes limp. Toji stares at your back, and wonders when he became so intimately aware of the slope of your shoulders and how they sink even more in defeat when you understand what he’s saying. “She died when Megumi was… nine months old? I dunno. Blood disease, some shit like that.”

Your head turns enough that he can see a sliver of your face—you look pretty in the dim lights of the exam room. All soft edges, sad melted honey at the bottom of cold tea. Forgotten, distasteful. Like you can hold him carefully, and none of the jagged pieces he’s made of will slice your palms open. You look so much younger. 

Like the nineteen year old you were when he came to you in that room of purple silk and candlelight. So tender. Human. It’s been nearly ten years since then, and it feels so much longer.

“I’m so sorry,” you tell him, and he knows you mean it.

You leave to change, and come back to find him waiting in the receptionist area, a shadow in the pitch black as you set the security alarm before you go.

“Get out,” you tell him again, and this time, he complies and waits for you in the chilly night instead.

Toji walks you home, despite your unvoiced protest, and he pretends he doesn’t notice that his hand brushes against yours until their index fingers are hooked onto one another. Your gaze flits to him every once in a while, but he merely rakes his other hand through his hair, lips puckered around a smoke before he’s sliding that trembling hand of yours into his pocket.

“Megumi’s still asleep,” you tell him at the door. He leans over without meaning to as he watches your hands fiddle with the lock and key. Turning over your shoulder, you catch him staring, and arch an eyebrow. “What?”

“Nothing.” And he looks away.

You open the door and walk in, turning back when he doesn’t follow. Scowling, you swing your door open wider as you toe off your sneakers. “Are you coming in or not?”

He frowns. “Yeah, sure.”

Tonight, Toji’s not in the mood for sex, and you can barely stand on your two feet without swaying, so while you go to shower, he heads for the guest room that’s been changed into a makeshift bedroom for a two-year old boy who’s fast asleep, his snores filling up the room when Toji pushes in, careful to not let too much light seep in. 

Sneaking across to the crib, he reaches within to pick up his son, and Megumi, never the fussy child, only lets out a little noise of complaint before falling back asleep on Toji’s shoulder. He pats Megumi’s back, pacing around the room and gently bouncing him up and down into a deeper sleep. The walls are littered with terrible drawings Megumi’s made, but they’re hung like art pieces in the Louvre, and Toji stands by the column of light the door lets in, watching the sharp shadows it carves.

Everything still, he waits for something to appear. 

Nothing.

 Sticking out a hand, he splits his fingers into a shadow puppet of a dog, and opens its jaws a few time in a silent bark.

He knows his son has the Technique. He’s seen the hints of it ever since Megumi turned two—shadows flickering when Megumi claps his hands together, the Cursed Energy Toji can sense radiating off of the kid. It won’t be long before some rat starts looking for the inheritor of the Ten Shadows Technique as their new prince.

He sighs. It’s just another thing from his shitshow family to worry about.

“I’ve got blankets and pillows on the couch,” you tell him by the door, and he drops his hand, heat rushing up his face as you poke your head in to see him. Although he can’t make out your expression too well, Toji knows he doesn’t imagine the way your eyes soften when you look at Megumi. “I’m going to go to bed now. See you in the morning. Maybe.”

He nods, and you slip out of the room just as quickly, your bedroom door shutting a moment later.

 He heads to the living room, shedding his jacket and collapsing on the couch with a tired groan. The only light is moonlight filtering through your vertical blinds. His shoulder still burns something fierce, the numbing gel wearing off, and he cups it, rolling onto his side. Through the bandages, he can feel the even stitches you’ve knitted into his flesh, the delicate accuracy of the thread and needle. 

Staring at the table, he blinks at the tablets resting on a napkin right in front of him beside a glass of water, and he sits up.

The pill bottle rests nearby, and he grabs it, eyeing the ingredients. It’s some over-the-counter pain killers, but there’s sharpie that’s covered a lot of the text. Screwing up his eyes, he makes out the first character, and, as his eyes adjust to the darkness, holds up the bottle to the faint moon so he can read the rest of it.

FOR MY HEARTACHES. DO NOT TOUCH.

Eyebrows scrunch. His eyes run it over it again to see if he’s being fucking crazy and reading into it too much.

He shoves the bottle back onto the table before he can do it one more time and grabs the pills, uncaring if the water spills as he gulps them down, shaking his head at the iciness that seeps into his blood from the water. 

Throwing himself back onto the couch, he punches the pillow into shape, and rolls onto his back, haphazardly tossing the blanket over himself and slamming his eyes shut in an effort to block out your neat, slanted writing.

“…I never asked questions, but you had to have known.”

The pain in his shoulder dulls, but there is nothing that can douse the cold fire of his own hatred.

.

“For your heartache?” he asks the morning after like it’s a talk one should have over the coffee he holds in his hand. You’re making yourself oatmeal after spending the first hour or so throwing up. You look ragged, and you glare at him for even speaking. 

Toji sets the pill bottle down, and he watches your expression carefully. Your jaw clenches, and you roll your eyes, stirring honey into your hot breakfast.

“Painkillers that work best for heartburn,” you tell him flatly, snatching the pill bottle and returning it to where it normally rests. “I got this at like two AM a few weeks ago. Why, what’s wrong with it?”

Your heart skips. He ignores the slowly speeding rhythm of your heart echoing in his own chest. “Just never pegged you for the poetic type.”

“Oh, because you peg me for so many other things. Please get your head out of your ass.”

The tension that melts out of his body is profuse, and his shoulders fall as Megumi, with his spoon, flicks cereal at his father with a giggle. And although the relief is overwhelming, there is a peculiar sinking feeling that far outweighs any positive connotation in the fact that he thought you could’ve liked him and your confirmation that you don’t.

He’s insane. 

He’s insane to have thought you could have possibly…

“You’re cleaning this up,” you order. “I need to go to work and I can’t be late. We’ll… talk later. I guess.”

…ever had feelings for him.

Toji goes to fetch some towels and ignores the fact that his insides feel like rotting. What’s it matter anyway?

Except…

No. He’s not thinking of back then. That’s a section of his past he wants to keep sealed in the past, and thats final.

.

His son wants to go to the park one day. It’s how Toji finds himself sitting on a park bench, sipping on his iced lemonade, his son on his thigh watching everyone around them, his tiny hands planted on his father’s knee. Said father scrolls on his phone, reading his emails through his shades, but he always makes sure to kepe an eye out on their surroundings.

Opening up some bets, he leans back, settling his free hand on Megumi’s hip and raising his phone up as he looks through the races. 

“I want,” Megumi babbles.

“What do you want, ‘Gumi?” he asks, squinting against the sun. He should be getting results back for his last gamble in just a few minutes.

“I want dog.”

“Yeah?” Toji says as he lowers his phone and looks around them. “You wanna big one? How many?” There are a few dogs playing in the park around them, catching balls their owners through (“Go fetch!”) and a strange bitterness arises from him. He’s never been a dog person. Not with how he was raised to see them. 

Loyal beasts with no brain of their own. 

“Two!”

Meant to serve.

“Go fetch, dog. ”

Mindless.

“Papa.”

“And you dare call yourself my son?” 

“Papa.”

His phone buzzes, and he answers it like a habit. A swipe of his thumb. Behind his eyes flash a thousand purple bruises, and his scar aches like a sore on his lip as he lets out a tired breath.

“You were a mistake. You should’ve never been born.”

His world is so strangely silent. A curious, spreading emptiness seeps down the column of his throat and into his chest, inhabiting the giant space like a cloud of smoke as the line clicks, and he blinks at the sky. How many days had he stared at this sky, waiting for his world to grow infinitely bigger?

To escape that wretched place once and for all. He had the gall to do it, and the pit of curses had been colder than death.

If he could’ve just—

“Toji?” 

—given up.

“Hey.”

Your voice pierces the haze and he blinks, looking around. Megumi is clutching onto hs shirt with a tight fist, peering at him with frustration, and he uses his other hand to smack his dad in the chest. 

“You there?”

“Yeah.” He clears his throat. He sets a hand on Megumi’s head. His hair is so soft, and warm under the sun, and Toji wants to wrap his entire body around his tiny little boy, so he does the next best thing and hauls Megumi up onto his chest and swathes him with an arm. “Yeah, I’m here.”

“Is something wrong?”

“Nah. Why would you think that?”

“I dunno. You just sound off.”

“I’m fine. Can’t I enjoy a nice day in the park?” he remarks dryly, and you huff a snide, sarcastic laugh. 

“I guess you can. I was just wondering if you had plans in September.”

“That’s still a few weeks away.” He can hear your judgemental expression from where he sits so he adds, “No. Not yet. Why?”

“The Kichijoji Autumn Festival. I want to take Megumi.” You seem to speak to someone on the other end, and Toji looks down at his son who’s craned his head to examine everything around him. He wriggles until he’s facing forward, and Toji kisses the back of his son’s head grumpily. The idea of a big crowd never sits well with him. There are too many unseen variables, and too much noise.

“Doggy,” Megumi rambles, pointing out a stubby finger at a bounding labrador, trying to catch a frisbee with a massive leap and snagging it in its jaws.

“Is that okay?”

“What? Yeah. I’m going with you, though.”

“Fine. Yeah, alright! I’ll print it!” you shout away from the phone. With a tired sigh, you return. “Fucking idiot. Sorry. Work.” He shrugs, then says it’s fine, and you continue: “Are you going to be working a lot? I’m heading down to Osaka next week so I can’t take care of Megumi if you’re working.”

“Why?”

“Because… remember Hajime?”

“Skinny fuck with a big mouth. Talked too much.” A tall, lean guy who used to fuck with Toji as a teenager whenever he came to see you. He vaguely has an image of him in his head—cheeky smile, quick gaze, and an arrogance that was all a charade. The kid always knew when to shut up but he never did.

Maybe because he didn’t care. Toji had never seen his own pit eyes reflected in another boy before then, but Hajime still knew how to look like he was happy. Maybe that’s why Toji always let the boy bother him even when he was working maintenance around the House. 

He doesn’t think Hajime has ever smiled a day in his life. So, just like him, Toji knows your spot for your old colleague from the brothel is softer than you let on. 

“He’s not doing well,” you reveal. “I just want to be there when he passes and make it all easier for him. That’s all.”

His throat goes dry. “I see.” The unspoken question passes between them.

“Lung cancer metastasized.” You don’t let that sit for long. “So, it’ll probably be a bit before I see Megumi next.”

Words bite his tongue, and he debates letting them loose. But he wouldn’t. He’d never admit to it. “Probably. He’ll be fine, though.”

“I know.” A beat. “I’m just gonna miss him, you know. I want to see him before I leave.”

“Yeah.” And because it isn’t enough that you’ve been on the phone with him for this short while, he prolongs your hanging up with: “Yeah, you can do that. When do you go?”

“This Saturday. It was the first train I could get, so—” There’s a loud shout on the other end, and your pained groan— “Shit, sorry, I have to go. People don’t know how to do their fucking jobs around here,” you mutter foully, and Toji can’t help the small smile that stretches his lips. “See you when I see you.”

“Yeah.” The line clicks. Toji holds his phone there for a second more before drawing it away and staring at the his screen, His thumb swipes over the buttons to select his contacts, and it opens up to reveal lists of numbers in his history. They’d all been jobs, and he never bothers to write them down. The important numbers are memorized, but other than that, he’s never really kept a contact since he started working again.

Swiping to his saved contacts, there is one square there with a picture, and your name typed out in that little block font. Toji’s grip tightens as he clicks on your profile to enlarge the photo, and he scowls deeper at what it’s been set to. Rarely do they exchange photos, but the majority of the photos you ever send Toji are of Megumi, and in this one, it’s him sleeping soundly in your lap when he was still little.

Maybe ten months. He knows it’s a little after Megumi’s mom died because of how small his son is, and how Toji can’t remember this picture. That whole time period had been hazy. He had just focused on finding you, dumping his kid somewhere so he didn’t have to see the state his father was in, and going out to make enough money to make it last another fucking week.

A part of Toji knows now that you would never have turned him away even if you acted like you would. Even if he never had a baby with him. 

He snaps his phone shut. Your words still haunt him, and the more he dissects that moment—a sliver of a 3AM morning two weeks ago—he starts to wonder if he made another wrong choice eight years ago.

.

Here is where Toji finds himself Friday night: forced to do dishes while Megumi clings to your chest like a stupid fucking parasite. You lounge on the couch, relaxing your ass off. 

To be fair, and Toji rarely is, you had been called in an emergency consultation which resulted in you having to send your patient to the hospital after you couldn’t find out where the pain was coming from, and staying there because the patient had, quote unquote, no support system and was borderline hysterical with the symptoms.

 “She said she had these bruises on her legs and hips like someone was grabbing her, but I couldn’t find anything. I can’t deny that her pain is real—there’s no way she’s faking this for attention because she’s… sane. She knows she’s not making any sense and we had psych do an evaluation,” you had told him when they met up in front of your apartment door. He had takeout in one hand, and Megumi in the other as you jiggled the key in. “Nothing. It’s a mystery. Maybe she’s experiencing some type of phantom pain routed from trauma.”

And Toji knows the answer before you even suggest a logical conclusion.

“She still there?” he had asked.

“Sent her home. No valid medical reason, but I told her I’ll be away, and to call me if she needs anything.”

He scrubs the dish with a dinosaur design a bit too hard, and winces when he sees that the pink colour is fading, but other than that, it remains silent on his end of the apartment. You and Megumi have a nonsensical conversation at the couch and you turn on channel that has dogs on it somehow as he finishes up. He sniffs dish detergent scent clinging to his hands, nostrils twitching at how strong the lemon is before shaking his head and rinsing his hands again.

“Doggy.”

“Yeah. That’s what those are,” comes your lazy reply. Turning around, Toji wipes his hands dry to see you lying on your side on the couch, Megumi sitting in front of your chest. You have your arm draped over his lap and wrapping his waist loosely, but you look asleep where you are. Snorting to himself, he throws the towel down and shuts off the lights in the kitchen.

You raise your head blearily at the dim light you’ve sunken into.

“You finished?”

“Are you?” he shoots back, sinking into the loveseat near your head. You sigh, burying your face into a nearby cushion, and Megumi crawls towards his father, your hand falling to the sofa. “Go to bed if you’re tired.”

“I’m not tired,” you mutter. “I’m just sick of today.”

He picks his son up, setting Megumi on his chest and running his hand over his head. The boy’s dark downy hair spikes up, and Toji tucks his chin to press his nose to a smooth forehead. “Girl still on your mind?”

“Mhm.” You crane your head to look at both of them, and your stressed scowl melts away, the knot between your eyebrows easing as you reach across the gap to tickle Megumi’s tiny socked foot. Squealing, he kicks your hand away and you chuckle to yourself, pushing yourself onto your elbow to tickle him again. 

Crawling up his dad, Megumi’s chubby fists seek purchase as he scrambles to get away, and you laugh, a short, rusty noise. It sounds like a tool that doesn’t get used enough, and you cover your mouth when you laugh, a habit that Toji’s noticed you’ve kept over the years. Megumi’s complaining in his ear, but he can’t seem to tear his eyes away from the way your eyes crinkle when they shut from smiling.

Despite the eye bags, the way your cheeks have gotten puffy from throwing up, the way you shift every two seconds because something in your body’s upset one way or another—Toji finds the way your eyes smile the most brain-numbing thing. He could stare at it forever, but it’s so fleeting that he has the strangest urge to frame it in a picture. Considering rare is it that you’re ever smiling at him when Megumi isn’t with him (although it’s becoming more and more frequent these days), Toji doesn’t think he could’ve gotten used to your smile again.

When he was nineteen, directionless and searching for a place to make it through one day, you had bordered him up in your closet and asked the master of the house with your most charming smile to keep him around because “he’s real handy if he puts his mind to it. Just give him a chance—“

Toji swallows. Such an uncomplicated series of days. His mind always gets so fucking quiet around you. He doesn’t worry about the past, or the future, or any of the stresses of the present (money, food, whether he’ll survive his next contract and the next, long enough to teach Megumi how to throw a ball).

No, his mind is just blissfully silent, resting in the way your words bite at his ears, the way your laugh strums like a raspy harp. 

He doesn’t recall the last time it’s been this quiet as the dogs on the TV bark and Megumi echoes the noise, a sprite of light in the darkness of the living room. It makes you laugh. Makes him hear that warm noise again.

“Put him to bed,” you utter after a while. The documentary has finished, and your voice cracks as you wake up fully. Toji blinks, ripping his eyes away from the screen to see your sleepy face illuminated by the TV. Megumi’s gone quiet, his gentle snores puffing against his father’s jaw. “I’m gonna get into my own.”

“Alright.” He stands and you swing yourself up, tipping over a bit, and his knees lock when the urge seizes him to move forward to steady you. Stomach clenching, a harsh frown passes over his face and he turns around before you can spot it. Walking down the hall, he puts his baby boy to bed just as your shadow passes over the door. You poke your head in to mumble a goodnight again, before continuing on your way. Toji sits by his son’s bed until he falls asleep before he rises again. 

Closing the door behind him, Toji glances to your bedroom. There’s still a lamp on, and he wonders if you’ve just forgotten to turn it off (again), or if you’re still awake despite your previous promise, and for some reason, his feet lead him to this door. 

His hand raises to knock.

“Yeah?” you answer. He pushes in.

You’re on the bed, pushing your feet under the covers. You’re wearing nothing but a long shirt, and your face is soft, tired. You can barely keep your eyes open, and maybe that is what makes you so warm to him now. You don’t have the energy to be angry with him, their situation, for anything. 

“Toji?” you prompt, and he, without a second of hesitation, crawls into bed after you. Your brow furrows as he plants a hand by your thigh, but there is no defense as he pulls the covers away to get under with you. “What is it?”

“I’m staying here tonight. Making sure you don’t fuck yourself over for tomorrow,” he says simply, but the truth is, he hadn’t known that until he said it. Pulling his shirt off, he flings it to the foot of the bed and gets comfortable in his boxers underneath the coolness of your blankets. He’s always ran hotter than most. You keep yourself an appropriate distance, rolling onto your side to face him while he lies on his back.

This isn’t a very common occurence. Toji doesn’t know what to do with his hands, so he settles with just lacing them over his stomach, and when he turns to look at you, he finds you frowning thoughtfully.

“What’s wrong, Toji?” you prod quietly, resting your cheek on one of your hands. His eyelids flutter, invisible weight pushing them shut as he tries to scramble up an explanation. “We don’t do… this.”

“I’m just tired, I guess,” he grunts. Because, really, he has no idea why he’s here.

Why he’s in your apartment, in your life again. He left it for a reason.

“Okay,” you murmur. Your hand reaches to touch his bicep, and he can’t really remember that reason anymore. “My train’s early, so you’ll probably have to lock the door for me if you’re staying.”

You just rest your fingers there over the curve of his arm, thumb applying a soothing pressure into his eternally-aching body. Toji can feel your heat so clearly through your palm. A napalm grenade waiting to burst as soon as he lays a hand on you.

And he does, not even seconds later, grabbing your wrist and pulling you to him. 

“Stay here and sleep with me,” he whispers as your nose bumps into his, and it edges on an order without him meaning to. You swallow, exhaling shakily, and his eyes lift to yours. They’re dark, half-lidded but consumed with an unbearable desire for something that he doesn’t understand. Lifting a lethargic hand, he rests it heavily on your cheek. You arch an eyebrow, and he half-smiles limply, hauling you closer. 

You push yourself on top of him, sitting yourself over his hips, and fold your arms over yourself, fingers tugging at the lip of your shirt. Toji’s gaze widens as you lift it up to reveal a body he already knows every crevice of and he clenches his jaw, dark hair falling into his eyes. Hand shooting to grab your elbow, he stops you just as you slip your head and shoulder out, the shirt hanging off your other arm.

Your breasts are open for him to swing up and kiss, to bite marks into, and they heave gently as you breathe on top of him, perfectly still, your face a whirlwind of emotions as you try to make sense of him. He slides his hands down to your hips, and he presses his finger pads into your back in what he means as a soothing pressure. You let out a tiny sigh, wiggling a bit, and glance down at yourself. 

Your brow furrows. “Do… you not want to?”

“No, no, I…” He sighs, one hand reaching up to tilt your chin back up so you would stop staring at your body like that. You can’t ever think that—Toji won’t allow himself to let you go on thinking that you’re ugly. “It’s not that. I just didn’t mean it like that.”

“Huh?” You frown. He lets go of your chin and trails his hand down your chest, eyes watching his own fingers drift past your belly button until he rests on your abdomen. His lungs seize at the way it rises and falls against his palm. The fat he normally loves to grab and smear kisses all over while your legs shake over his shoulders is so familiar in his grasp. You’re still not showing though. Sometimes, Toji forgets that there’s a fucking kid—his fucking kid—growing inside you, but right now, it’s all he’s intimately aware of.

“It came out wrong.” He grimaces. “I meant… I’ll sleep with you. In the same bed tonight.” He strokes your stomach before grabbing the back of your neck and bringing you down to his level. Bending over, your lips meet his warmly, and you melt into his grasp, legs stretching over his, waist unfurling to lay flush against his body. Your arms sink into the pillow, and your fingers seek purchase in the fabric. Thumb on your chin, he gently pulls your back and he drags his nose along yours, inhaling the smell of your body wash. “Just sleep,” he mumbles against your mouth. “You need to rest.”

You pull away. “Just…?” The pause is audible. You shake the shirt off your arm and he wraps his arms around you, using one of his hands to run over your head. 

Toji wants to punch himself, face burning up in embarrassment. “Lay here and sleep. For fuck’s sake, you’re pregnant, aren’t you? Don’t expectant mothers have to make sure they get enough sleep?”

You push yourself up onto your elbows, face wrinkling. “Well, I, uh, yeah, but—“

“Then, sleep. I’ll wake you up, alright?” Toji pushes you off his body and you let out a soft chuckle, shimmying underneath the blankets. As soon as you’re comfy, he yanks the comforter over your exposed body, making sure you’re covered up, before scowling and reaching over you to switch the light off.

As soon as the room plummets into darkness, a hand slides along his jaw, and another grabs his chin. He looks down just in time for a pair of lips press against his warmly and it isn’t long before their lips are on one another’s, mouths slotting open to allow tongues to dip into mouths. Falling onto his back, Toji’s hand cups the back of your neck and you roll onto your side, your leg draping over his waist, your arms bent between their chests, palms flat against his neck.

Your thigh tightens around him as a soft panting breath leaves you in the form of, “Goodnight.” Toji’s foot slides up your calf. He strokes your ear and you’re resting your head on his other arm, so there isn’t much he can do besides pull you even closer by the shoulders until their bodies are semi colons of one another.

The break—the time to breathe—in each other’s life sentences.

You slither an arm around him. His arm curls around to your back. Their noses touch, and Toji lets out a comfortable sigh before kissing you. Your eyes shut as you mumble something incomprehensible about sleeping. Tiny moans escape your throat when he slowly kisses your bottom lip in a seductive, soothing drag, and another soft whimper sinks into his heart when he kisses the corner of your mouth, your lips chasing his. You whine something barely resembling his name as you tilt your head in an effort to try to reciprocate, a habit more than a choice. 

Toji nearly laughs at you, at the thought of it.

He kisses your chin instead, a wave of exhaustion slowly tiding into his pool of a body, then he returns his lips to yours, kissing you slowly. Sedated. Oozing like molasses into the next kiss, and then another, and the strength begins to leave him as your arm twitches against his body with every press, your leg squeezing over his waist. You’re panting, soft and needy, and your body wants to move, but you’re so tired you have to settle for the exhausted sounds you can muster to encourage him.

Like you want him to keep going, want him to know you’re still paying attention to him, even in your dreams.

You murmur something again. Something hushed in your breath.

“Toji…”

So soft. It reminds him of when they were younger. You were the first person he remembers uttering his name so gently—so undeservingly warm while his heart was trapped in an eternal blizzard. You said it like you meant to—like he deserved to be someone.

Against his will, something warm flickers in his hollow chest.

.

The woman is quiet as she stares at him, blinking owlishly in the way most non-jujutsu types do. Ota Hiroko, twenty-three. Lives with her mom, two younger brothers, and her grandfather. He’d found her pretty quickly, all things considered. You’d only given a name, mumbled into your pillow just to shut him up for five more minutes, but as soon as you’d gotten on your train, Toji had gone to work.

“Can I help you?” Hiroko asks thinly. She looks exhausted, pale, and she’s shaking as she’s holding onto the door knob. Toji almost pities her. 

“You Hiroko?”

She nods, then presses her lips into a thin grimace. “Whatever you’re selling, whoever you are, I’m not interested.”

Toji cocks an eyebrow, and shifts his weight to one side, scanning what little of house he can see over her head. It reeks of Cursed Energy. No doubt what’s made its home here.

“I don’t even know why I bother.” He cocks his head, arches an eyebrow. “Could you stop hiding behind that door? I’m a friend of your friend’s. The doctor from the clinic, remember her?”

The girl’s eyes light up at the mention of you, and she stops clutching onto the door barricading her from him like a shield and reveals herself a bit more. As soon as he can see one of her legs, he sees a pale, bumpy, and gnarled hand wrapped tightly around the woman’s waist, the arm winding around her thigh. 

“Did she send you? She said… she said she wouldn’t be in town, but—” The door swings open wider, and Hiroko leans forward, eyes widening with a sheen of desperation. Toji looks down at the Curse pressing its face into the woman’s stomach, and a coil of disgust wraps around his own gut. “Does she know what’s wrong with me?” 

“No, but close your eyes for a second.” She frowns, and Toji resists the urge to slap some sense into this girl. Taking a deep breath, he reaches for the dagger tucked into the back of his pants, and thinks of something nicer. Or tries to. Nothing clear comes to mind, and his words come out sharp, impatient. “Lady, I can do it with your eyes open, but you won’t like it.”

“Do what?”

“Fix your problem.” Fingers wrap around the handle, and then he thinks of you, sleeping on the train to Osaka. He wonders, idly, if you ate. 

Hiroko frowns, her head tilting. She looks sweet, really, and maybe a bit too naive, but Toji can see why she pulled at your heartstrings.

“Why are you doing this?”

He hasn’t a clue. “A favour,” he answers shortly. “Now, close your eyes.”

(recapitulation)

Stepping into the home, you slip off your flats and stuff them into the slippers, the grip on your bag of groceries tightening. The air smells sterile, dry, and it’s hauntingly silent, but you’ve grown used to it ever since you arrived two days earlier.

Announcing that you’re back, you migrate to the kitchen and set the groceries on the table, delegating what needs to be put into the fridge and freezer, setting the loaf of bread on the wooden board for later. 

“Is that you?”

“Yeah.” 

Closing the fridge once you’ve put away the vegetables and milk and juice, you continue onto frozen snacks and meat into the freezer. Then, you grab a bag of chips, a cup of water, and move to join your friend in whatever he’s doing. You shuffle down the hall where Hajime is already sitting up in what used to be the living room. The TV is on, some program you’re not exactly caught up on but he insists he can’t miss every Monday playing, so you had made him make a list of things he wanted to eat before leaving while he entertains himself with some melodrama.

Ever since his terminal diagnosis, Hajime’s moved his entire life to the first floor of his parents’ house, but that doesn’t mean it makes life any easier. Bypassing the pictures of his family, you sit down and rip open the bag of vegetable chips, tilting it towards him. Throwing aside his blanket, Hajime lets out a rough cough before reaching his hand in. You set it on his lap and touch the blankets pooling around his legs. It’s heated, the electric currents setting the soft fabric near-aflame against your skin, and your heart drops.

Making space for yourself on the couch, you adjust the pillows around yourself and get comfortable, putting the cup of water on a nearby table. On the screen, some people in scrubs are in a conference room shouting at one another, and you rest your cheek against your fist, raising an eyebrow.

“What’s going on?”

“Hospital chief was revealed to cheat on wife with one of his top residents.”

“Damn.”

“Anything this juicy where you work?”

You snort. “No.” 

You think of Toji, and wonder what he’s doing. Your phone buzzed for the last time this morning, when he texted you to make sure that you were still alive, and you promised you’d call him tonight, his job permitting. Your heart clenches at the last night they spent together. The way he had kissed you to sleep, and you had woken before him anyway, his finger curled under your jaw, his chin atop your head.

Your heart warms against your will, and then aches because you miss him. Which you hate to admit, but you do. You’ve long since accepted that your soft spot for the guy has returned stronger, darker. Part of it because he’s older now, they’re both grown, but another part of it is because he’s the same.

The same man who tries to protect you at any given turn, who steals your food, who gives you a little dysfunctional family even though he doesn’t know it.

“You’re all smiles,” Hajime intones suddenly, and you blink, turning to look at him. He’s sunken into the pillows surrounding his body, and he eyes you with an unimpressed disposition.

“Am I? I’m not in a good mood.”

“Because you drew the short end of the stick and came all the way out here,” he remarks, and your mouth opens to protest but he speaks over you, “Hey, you didn’t have to. You probably have a whole life I don’t know about anymore back in the city, don’t you.”

“I’m surprised you even called,” you admit softly. “After I left… I never thought you’d try to find me again.”

“I’m surprised you didn’t change your number.” 

“I didn’t change it just in case you’d call.” His eyes widen and soften, and he looks away, throat bobbing as he swallows. You add, “You were my only friend there, and I promised when I left that you could always find me if you ever needed me, and you need me now, so I might be pissed that you’re dying, but I’m not letting you die alone, alright?”

A beat.

“You’re a big softie, y’know that?” Hajime teases, but his voice is unusually thick. You give him grace and watch the TV as he clears his throat. “Underneath all that bitchiness, you actually care about me, don’t you?”

“Nah,” you say, but your voice is weak, thin. “Just for nostalgia’s sake at this point.”

.

They’re sitting on the balcony of his old room, in two rickety plastic lawn chairs that are weather-worn and cheap. You had carried him up there because there’s no way he’s strong enough to move, but just sitting here feels strange. You’d never known Hajime like this—never the type of friends to visit each other’s places.

Then again, that was back before he forced himself to get back onto better terms with his parents before they passed away. Before you just up and left him.

“Want one?” he asks, offering the box of cigarettes to you. His eyes are bloodshot, and his hand trembles. It’s not cold out, and it won’t be long, you think. You just have a feeling. You’re going to wake up and he’ll be dead.

“I’m good.”

“Never knew you to be someone who refuses a smoke.” He lights up and inhales. You steel yourself for the coughing fit that seizes him suddenly, and you try to pretend it’s not agonizing hearing him hurt like this. It dissolves into a fit that has him gasping, and you dart over, take hold of him as he curls in on himself, the bare bones of his skeleton poking at you through his skin. “F-fuck. Fuck. I’m… I’m fine. J-just—“

“Here. C’mon. You got this.” His heart is racing through his back, and you slowly ease him to the floor, so there’s more room, until he’s lying against you, his head tilted back onto your shoulder. His chest heaves rapidly, pumps of oxygen barely making it through to his diseased lungs, and his eyes flutter shut as he lets the red slip between his lips, down his chin.

Thick globs of dark red. It shines, rivulets that escape down his chin, to his neck. Over his quivering Adam’s apple, his lips parted; wine rose petals, tasting just as sour.

"I don’t smoke anymore,” you say, patting his chest with your hand that’s draped over his shoulder. With your other hand, you shake your sleeve down over your hand and wipe the blood away from his skin. “I’m… I’m pregnant. So, I can’t smoke.”

“Pregnant?”

“Mhm.” You look down, and stretch your arm so your sleeve falls back to your wrist before patting his head.

“It’s Toji’s?”

A lump in your throat. “Yes.”

“…I see.” Hajime turns his face away from you, and a shadow—no, that’s the wrong word—an empty void consumes his face. It makes him look young and weak and alone—everything he doesn’t want to be. 

“Yeah,” he finally adds at last. “You never did get over him.” The world goes mute as he laughs to himself, a soft noise that makes his eyelids flutter. “I’m glad that you came for my last moments even though he’s back. Y’know, I’m pretty sure he hates me.”

“Toji hates everyone,” you snort, ignoring the rot taking root in your chest. You drum your fingers on Hajime’s collarbone, sighing. “It’s him against the world so don’t take it too personally.”

“He doesn’t hate you.”

You chuckle. “I guess he can’t hate the person who takes care of his son seventy percent of the time.”

“He likes you,” Hajime corrects, and there is something in the phrasing—perhaps in the tone he says it in (like it’s the most obvious, simple thing in the world)—that flips a switch in your brain. Those three words take root in your head and even though your brow wrinkles and you frown and you shake your head, you still hear those three words.

He likes you. “No, he doesn’t. All we do is fight.”

“You’re the one who convinced the Master to let him stay and”—a sharp whistle. He likes you—“there were more than a few complaints about the muscle outside your room. Y’know,” he laughs again, “they always thought we didn’t need to be protected, but Toji… and don’t let him know I said this, but he made it better. He scared ‘em off. He did.”

Your fingers brush over Hajime’s temple. “I know.” Hajime twists to look up at you through barely-open eyes, and his breaths are flimsy against your neck, as you look down at him, smiling faintly. “Toji was probably the closest thing to a friend I had. Besides you. And the other workers there. But it wasn’t like we were buddies. We were sex workers and he… wasn’t. He was just some guy who lived there.”

“Yeah, that’s true.” Hajime’s cheek presses against your sternum. “I guess, he did do some handiwork, and you weren’t the personable type. You still aren’t.”

You snort. “Gee, thanks.”

“It takes a special kind of person to really, really understand you and—“

“Are you really inflating your own ego right now?”

“—and you didn’t want to be there for the rest of your life. Which was fine. But you closed your heart off because you didn’t want anyone to know how you ever worked to put yourself through school, which is fine, but he is the only one you ever opened yourself up to—“

“Okay, and?”

“And he likes you. You’re not half as oblivious as you think you’re being, but neither is he.”

“You don’t know that. You haven’t seen him in years,” you intone scathingly, but Hajime leans back, smiling, immune. He likes you. You shove him off you and get up. “You’re only saying that because you pity me. Just forget it, Hajime.”

Coughing, your friend wheezes out, “He’s texted you how many times since you’ve came here?”

“That doesn’t mean anything.”

“You’re playing house with the guy.”

“I babysit his son while he fucks off to god knows where. Do you think he really sees me as anything other than the person who gives him free stitches and puts a roof over his head whenever he wants? I don’t even know why we keep fucking. I don’t why I can’t say no.” You want to tear your heart out of chest and stuff it into Hajime’s mouth just to end the conversation. You walk to the end of the balcony while your dying companion clambers to his feet, grunting, hands clawing at the railing.

“You refused to see anyone else ever again after he left the House,” he wheezes. “You want me to believe that you don’t love him? Then, explain that.”

“That place robbed me of any sort of love. I hate you.” The wind carries and caresses your neck, stronger than Hajime’s own breathing, and you scratch at the nagging feeling, that itchiness spreading into your arms and making you uncomfortable in your cotton shirt. “And I hate him, too.”

“If he didn’t care about you, he would have left already. You know that,” Hajime utters softly, and you close your eyes. “You know he feels something for you. You’re too intelligent to turn a blind eye to that.”

“He’s in love with his dead wife.” The breath that leaves you takes everything you’re made of with it. He likes you. “I’m not going to compete with the person who gave him Megumi. I respect her memory too much to do that.”

“She’s dead,” Hajime murmurs. “And you’re still alive. What does it matter that he loved her? Why can’t it matter that he loves you?”

Can’t you understand? You want to scream in his face. He chose to stay for her.

.

At night, you make sure Hajime falls asleep before drawing yourself up for a vigil, blanket around your sinking shoulders. His breaths are frail, shuddering, and every time he coughs, you jump and take his slowing pulse. You don’t think you sleep a wink that night. Bones resting in a body that’s melded to the chair, you’re nothing but a pair of eyes trained on a face that you used to see every day.

You don’t even recognize him anymore. He’s lost so much weight and colour, and his hair is so thin and patchy. Hajime always refused to shave it, like he’s clinging onto some last part of the old him that doesn’t have cancer.

Tonight’s the night. It sucks. Everything fucking sucks. 

Before he goes, you manage to wake him up. His glassy eyes meet yours, and even near death, there is still that inquisitive gleam to his eyes.

“I don’t hate you,” you murmur. “Really just the opposite. I think I’m dying, too.”

His eyes squint in a smile before slipping shut. He’s too weak to even move his mouth anymore, and you think you’re going to puke.

You miss your old life. It was shitty, and repetitive, and made you repulsed by your own body, but perhaps you wouldn’t be so entirely alone.

You sit by Hajime’s bedside until his heart stops, and when you’re sure he is finally dead, you rise and clear your throat. Sniffing, you head for the surrounding woods. 

(coda)

You don’t call him for days. It worries Toji, but you had sent him one last text saying that Ojiro Hajime is dead.

Then, another text.

Arriving 6AM tomorrow. Hope everything’s fine. Will see you soon.

His answer.

Need anything?

You hadn’t answered. He gives you a grace period until ten PM, and when you’re still radio silent despite him calling, Toji packs Megumi into some second-hand pick-up and drives to the tiny city of Matsushima. There’s a certain panic that he tries to contain. Maybe it isn’t human, but when Megumi cries about being exhausted after waking up in a car seat four hours from home, Toji just barely manages the patience to calm his cranky son whilst trying to stuff down the harsh forces punching to his tongue.

A terrible rotting is festering in his gut. You’re either dead, or you’re in danger, or Ojiro’s death had destroyed you to such an extent that Toji needs to make sure you can still function.

He passes the town line, parks in the first place he sees, and gets out of the car, hiding his sidearm underneath the flap of his jacket. Picking up Megumi, Toji’s ears prick for noise. 

It’s almost two thirty AM. 

You had sent pictures once you arrived. The house is up on a hill. There’s no doubt you’ll still be there in the wake of his death if you’re okay.

So he makes that climb, and smells the wind for any signs of foul play, his one hand supporting Megumi despite being in a baby carrier, and his other hand ready at his handgun. Eyes dart from every stray shadow to another unfamiliar shape. This path is unfamiliar, and although he doesn’t sense any curses, every step makes his stomach coil tighter and tighter.

His steps are silent but hasty as he ascends, and before he knows it, his knuckles are rapping against the door, thunderous knocks that nearly rattle the door off its hinges. There’s the sound of a door opening upstairs before quick footsteps, and he hears you pause to glance into the peephole before the door swings open.

“Toji?” You sound confused, tired, and he grins lopsidedly at the way you still manage to glare at him. “What the fuck are you doing here? It’s late, I—”

“Unhappy to see me?”

Your jaw snaps shut, and you tilt your head to the ground as you mutter, “No. You should come in, though.” At this, your gaze lift to meet his. Exhaustion drags your features to the earth, swallows your eyes whole. “Megumi looks tired.”

“Yeah. He’s gonna be a cranky bastard in the morning.”

Your smile begins to grow, and it brightens your eyes as you slant your body to make room for him to come in. He starts forward, his boot lifting off the ground to step through the threshold of this home. Megumi shifts against his chest. His finger loosens around the safety of his gun.

There is a flash of movement out of the corner of his eye. It’s so fast he can barely detect it in time when suddenly, you’re yanked back into the darkness, a black sash wrapped around your mouth. Eyes widening, his heart freezes as a muffled scream wrenches out of your mouth. There’s a thud as the door swings shut, but he shifts his weight back and his foot bursts through the wood, splintering and cracking the night. Megumi lets out a strangled cry at the sudden movement, and Toji’s hand cradles around his son’s head, trying to protect his ears and skull as the smell of Cursed Energy drenches his entire body. It's reek enough for four or five sorcerers at most.

Stepping through the ruined door, he raises his gun into the shadows, blinking the light away. Moonlight streams in behind him, giving shape to objects but the farther away they are, the more they become a monotonous shape. Gritting his teeth, Toji holsters his gun and the Cursed Worm sitting in his stomach is pushed up onto his tongue. He spits it into his palm, guiding it around his neck and when his hand closes near the mouth of the spirit, cold chains push into his fingers.

His ears prick. 

Frantic footsteps, fingers scrabble against wood. A muffled struggle echoes down the hall, and despite Megumi’s rasping cries flooding his ears and giving away his location, Toji can’t escape the panicked racing of your heart above it all. He blinks, letting his eyes adjust to the darkness before winding up the chain in a sharp spin, trained wrist maneuvering the weapon like an extended limb.

A door creaks. Grunts. Soft socked feet shoot towards him. His eyes dart left. They’ve crashed into a wall. Collapsed, sounds like, and there’s a ragged gasp.

“Stop!” Your voice sends lightning down his very core, and his eyes widen. There’s figures tussling in a shapeless pile of black, and he swears for a moment, he can see your eyes—pits of black illuminated by pale dots of pure white fear—meeting his. “Don’t! Megumi—”

The toddler boy screams as a hand wraps around your face and drags you back into the darkness. It swallows your figure entirely, and Toji begs for his legs to move, but his knees lock and he looks at the wailing bundle strapped to his body, cursing its existence. There’s too much ambiguity in this hallway.  He can guess how many cousins and uncles and other off-shoot fucks playing at being royalty are lurking on the grounds. There's three in his immediate presence, but he can’t say for certain what sort of back up awaits a gunfight.

If he draws, you’re dead.

If he doesn’t, you’re lost.

The Zenin family won’t think a non-sorcerer civillian woman is worth the precious Zenin blood that Fushiguro Toji will shed, and cut their losses quick. A man steps out of the shadows as you are taken father and farther away, and he squeezes his eyes shut, trying to ignore the barbed wire gouging his heart.

“We have no quarrel with you, Toji,” Jinichi speaks, and there is that distinct oily disgust that rises when Toji hears his older brother speak. His eyes open to see him standing there, tall and solemn. “We want the girl and the child she carries, and we will care for her well enough to term.”

A harsh scoff. “Please. You’ll pamper her well enough for a prisoner, sure, but as soon as she pops out the kid, you’ll kill her, and the kid, too, if it doesn’t have what you want.”

“Any child of Zen’in blood is welcome. Perhaps she could make a suitable wife for one of our esteemed cousins,” he intones dryly. 

A pillar of fire shoots through Toji, and a harsh, cold laugh spills out of his mouth. “You think she’s well-behaved enough to be a wife. You have no fucking idea what she’s like.”

“Toji, don’t make this harder for yourself. I’m showing her mercy because you seem to fond of her, and you’re my brother.” His brother almost smiles, teeth gleaming in the dark. “Besides, that’s my nephew. I am not as wasteful as our father. I won’t spill promising young Zen’in blood.”

“If you’re aiming to play into some kind of sentiment, you’re stupider than I remember.” Toji’s grip on the Chain of a Thousand Miles tightens. Jinichi has always underestimated him. It’s been a decade. Toji is sure, sure he is faster. “Do you still wanna duke it out like the good ol’ days, big bro?”

“You kill me, she dies.” Jinichi turns around, and waves a hand. The Cursed Energy flowing around the house immediately begins to dissipate, and Toji, for the first time in months, thinks about the satisfaction he would feel putting a bullet in his older brother’s head. “You follow us, you’ll never see her again. You know better than most how serious I can be.”

Jinichi of the Hei glances over his shoulder to make sure the Sorcerer Killer does not mean to follow, and then he, too, sinks into the darkness.

.

They cannot stay in that home, so they do not. Toji takes Megumi on foot, and walks until they find a hostel off the side of the road. The guy manning the front desk is alarmed at Toji’s appearance combined with the baby who has cried himself to sleep on his chest, but he doesn’t ask questions.

Sitting on the bed, he sets Megumi down to sleep properly, and tries to ignore the speed of which his heart is beating. His stomach’s flipped over, and a harsh scream wants to explode from his chest as he shoves himself into the cramped shower. 

The shower boasts no temperature control, and his skin is red from both ice cold and burning heat when he steps out, wiping at the misted mirror. The scar on his lip has flushed where it crosses his lips, and he tugs at it absently.

They’d take you back to the main estate. Highest security, most isolated location, amongst other things. There was a collection of Curses in that cellar, but they wouldn’t keep you in there. There was no point in putting the pregnancy in jeoprady. They have no idea how far along you are until the doctor can get to you. 

But the Zen’in homestead is massive. If you aren’t at the main house, you could be in the acres of woodland surrounding it. No doubt there are hunting cabins, fishing huts, other houses for the branch families to stay in or use that Jinichi could stow you away in. Toji knows some of them, but he hasn’t been home in years. 

He’d have to go back to Hajime’s house, pick up a trail.

Toji exits the bathroom, rubbing at his scalp roughly as if that could work out the headache beginning to fester in the centre of his skull. 

Or, he could leave. Find a place to disappear to, find a new woman to play house with. A nicer woman. One who wouldn’t make such a fuss every time he so much as breathed. He could. What difference would it make? There’s no reason why he should go back to that hellhole. Why he needs to.

Megumi is holding onto his feet, rolling on his back, and there’s a slow, drifting movement between the beds as he giggles, oblivious to it. Toji reaches for the gun he left on the bathroom counter just as his son sits up to look at him, smiling toothily, and two sets of ears prick behind the mattress.

That night, the Divine Dogs come to his son for the first time. They’re nothing more than young pups, but they’ll grow even larger in time—outmatch the hungriest of wolves and the most monstrous of bears. 

But Toji doesn’t need another killer. He’s more than enough.

The shikigami sniff at the place they’ve been summoned to, exploring with keen eyes and wrinkling noses, and Toji stalks forward, crouching in front of the bed and grabbing hold of his son by the shoulders. Megumi lets out a shocked squeal, but he ignores it.

“Megumi,” Toji rasps, stares into those wide eyes. His son has his mother’s face, eyes, nose, mouth, and although it’s agonizing to look at from time to time, Megumi screws up his face the same way you do, and it strikes him now. Why he needs to do this. Why he’s done everything he has for the past few months. “Megumi, I need you to listen to me.”

.

Blood drips off the edge of the his knife as he pushes the door open silently. The figure inside scrambles back, and there’s a frantic, muffled scream as the dogs slither in past his legs. They sniff the air, panting, as Toji pulls his mask down. 

The black dog growls a low warning, disappearing into the shadows and there’s the sound of clinking chains as a heavy gasp pierces the darkness. 

Moonlight streams into the room, illuminating the white dog returning with a wet cloth that must’ve been a gag pinched between its teeth. Toji steps onto the mat, trying to keep count of the seconds he has before they’re inevitably found.

“Are you alright?” he whispers, struggling to push the desperation, the relief from his voice. His heart quickens as a glimmer of your eye catches his.

“Yeah, I’m fine,” you stammer. He can’t see the state of your body just yet, but the fact that you’re talking is a good enough sign. “How did you find me?”

“Dogs. Good sense of smell.” He breaks the chains easily with the hilt of the dagger. “Hold this.” Flipping the knife over, he extends it to you in the darkness, and you let out a grunt, fingers drifting over his own briefly before you lift it from his palm. When he tries to find your waist, your breath flutters against his cheek, but you make no other noise, lifting your head over his shoulder. “Can you stand? We don’t have a lot of time.”

“I think so. Move.” You clutch onto his shoulder and push, and he helps you to your feet as the Divine Dogs lope towards the lip of the room once more, alert and ears pricked for any approachers. “I’m fine. I can walk. I don’t know where we are, though, so I can’t be of much help.”

“That’s fine. Just get behind me and watch my back. We’ve got to get to a safe house.”

“A safe house, huh,” you mutter. “Something that comes with the job.”

Toji can’t help the wry smile twisting his lips, reaffirming his grip on his knife. As they approach the exit, he looks back just to make sure you weren’t lying. Your face is smattered with bruises, cheek swollen, and the side of your head is slick with blood, but your eyes are alert. You reach forward and when your fingers dig into his shoulder strongly, a great knot right in his diaphragm becomes undone. 

“Let’s go.”

Slipping out of the room, the two crouch and follow the dogs towards the forested acres surrounding the Zen’in compound. They’ll be able to escape to the river and lose the scent, before doubling back to where they need to go. The nearest safe house is a run-down motel where the owner owes Toji a favour. 

They can plan their next moves from there.

“We have to go back to Osaka,” you hiss as they slink into the gardens. It’d be best to avoid leaving a trail of bodies, although the ones Toji hid earlier of the guards near your rooms would soon be found if the incoming patrols were smart. “Hajime’s body is still in the house.”

“Going back there isn’t my priority,” he replies icily. His eyes scan the path by the koi pond. It’s out in the open, but it’s either that or risking making the bushes rustle as they try to skirt around the hedge wall. “C’mon. We’ve gotta be fast.”

Four shadows dart across the silver lawn, disappearing onto the other side of a well-worn stone path. The trickling of the pond chimes, covers their soft steps as they reach the other end without much trouble, following the path to the servant’s quarters on the edge of the estate. 

Signalling for a stop, Toji crouches behind a rock statue and you fall in behind him.

“Stick close. We reach the end of this building, and run for the forest.” He tilts his head, peeking around to scan the building. The shadows cast by this place are longer than he remembers, and his heart hammers against his sternum. Swallowing tightly, he closes his eyes for a brief moment. Fists take ahold of his gut, threatening to rip him apart from the inside out. If he stops for a moment, will it all come back to him? 

“Toji,” you whisper, placing a hand on his shoulder. He tears his eyes away from the grass. You shuffle closer until your shoulder is pressed against his own, and your fingers ghost over his cheek. “Lead the way. I’ll be right behind you.”

He jerks his head down before ducking around the corner.  The servant’s quarters have always been less extravagant than the main house. It is by no means unkempt, but perhaps it’s the best comparison when placed side by side with the luxury. The wood creaks when Toji steps up onto the engawa, and it whines even more as you ascend beside him. 

It won’t be long before someone comes searching for the source of the noise but they just have to round the corner. It’ll be thirty-three steps and then a sprint into the woods. Toji’s traced these steps before, twice. He hopes this third pass will be his last.

The dogs sprint forward, the white one a shining silver beacon and the black one its blurred shadow. They’ve almost made it, and with luck, they’ll be far away from here come the morning.

Your breath comes harsh and fast, excited or anxious, he’s not sure. He’s so attuned to it that it floods his senses. 

The rhythmic patter of your feet. You’re not far behind. They’re two seconds away from jumping off the veranda. The dogs reach the end of this wooden path. Tails thrashing, ears flat against their heads, they leap.

Then, the white wolf lets out a warning bark, golden glare gleaming like fire in the moonlight.

Toji is running too fast. He can’t think. His instinct is to duck. 

His body moves. His knees hit the hard floor, and he slides past the corner of the building just as a shadow of a man appears in the peripheral of his view. Mouth curling into a scowl, he shoots a hand to his gun. Draws. 

You’re trying to skid to a stop past him, in front of him. His eyes widen. The gun brushes your side, his finger twitching.

He can’t think. His instinct is to pull the trigger. Launch a bullet through your body, silence that man who will no doubt send all the fury of the Zen’in Clan onto Toji once more.

Blood splatters across his face. 

You shove the knife up with a short, sharp huff, piercing through the jaw and up into the brain. before the scream the man was about to let out can escape, and yank the blade out. Blood gushes over your hand in terrifying, oozing waves as Toji surges forward to catch the body, easing it to the ground and grabbing your hand. 

They run past, onto plush grass, into the forest and towards the river, and he can hear your frantic breaths, the thunderous echo of your heart. You turn back to look at the corpse, but it’s a fool’s task. You cannot see your work past the crest of the hill they run down.

His hand slips against your skin, but when your fingers wrap tightly around his own, he trusts you not to falter.

They run into the river, and Toji hauls you onto his back for the rest of the way. Your feet brush against the water and your arms tighten around his neck, but you don’t protest like you normally would. Instead, you rest your head down, and let him take you without any questions. 

They go downstream, then upstream. The shikigami have since been dismissed by the time they have to go back the way they came. Perhaps Megumi’s fallen asleep, but his son has done more than enough that Toji reminds himself that the next time he wants something, no matter how ridiculous it is, he will seriously consider buying it. 

Soaked to his torso, Toji adjusts his girp on your legs wrapped around his waist. You’re shivering against his back, and he catches a glimpse of your face when he cranes his head back enough.

“Fine?”

“Fine.” 

“Almost there,” he continues over the gentle flow of the river. “Motel. You can rest there.”

“That supposed to be safe?”

“Know a guy. Occupational acquaintance.”

“How generous.” You bury your face into his neck. “Thank you. You shouldn’t have come for me.”

“Don’t be fucking stupid.” Turning forward, he grimaces when the riverbed sinks, and he hoists you further up his body. He nearly sinks to his chest and you raise your head to look around. You’re remarkably calm. It’ll come crashing down soon. He wants to be within the confines of four walls before that happens. “If you’re awake, make yourself useful and keep an eye out.”

Your dry response pricks at his ears as your hands push up on his shoulders. “Yes, sir.”

.

The motel is a rundown shit-hole. 

Well, Toji never claimed himself to be a gentleman.

They’re cooped up in a cramped bathroom as he insisted that he look you over just in case there was Curse damage. The light flicks overhead, which you look at while Toji runs a rag under water.

“They won’t find us here?” you ask blankly. Toji turns and sees your placid face upturned towards him. You watch him with steady eyes that haven’t torn away from him for a moment despite how heavy they must feel. You’re exhausted, but by the way your hands are clenched at your knees, you can’t bare to close your eyes. 

“No. They won’t find us.” He crouches before you, and begins to rub at your face. The blood has crusted and flecks off when he touches your temple, and you flinch. “Did that hurt?”

“No. No, they didn’t… it was because I tried to run. They knocked me out.” Your fingers shake uncontrollably as you reach for your head. “Head wounds bleed a lot… I promise, it doesn’t hurt so bad.”

“Don’t feel rattled?”

“Not from a concussion,” you affirm. He gently pushes your hand down, and you let out a long, deep exhale. “They can’t hurt me when I’m carrying their blood, I think is what they said, so I’m okay, I think. I need to go to the clinic to make sure, but I’m okay.”

“You’re not going back there.” Taking hold of your shoulders, he is sure to look into your eye and speak slowly. “I don’t give a fuck about money—we’re not going back to Tokyo."

“We?” you echo. Your lips twist into a bitter scowl, and you push his arms away. “Toji, I don’t even know what happened to me. I got kidnapped because of you? Is that it?”

“Yes,” he snaps. “Because you decided to keep the kid. They found out, and they want that kid more than you probably do.”

“But why? They said something about a technique. Shadows, something.” You shake your head and your eyes narrow as you stand, stepping over and around him. Bracing yourself against the sink countertop, you stare at your own reflection. “What have you not been telling me?”

“A whole slew of things.” He rests on his knees, stretches the rag out to you. You turn to take it and begin to clean up your own complexion as he struggles for words. “A world you don’t know about. My job. You never asked questions.”

“You wouldn’t have wanted to give me any answers,” you retort. You temper your breathing, try to keep it even, but as you see yourself more clearly, Toji hears every painful inhale. Every agonizing hitch in your lungs. “I just wish I could understand.”

“I know. I know this shit doesn’t make sense. It’s not fair.” He shakes his head. “I owe you. I know that.”

“You never pay your debts.”

“That’s true.” A bitter chuckle escapes him. “But you can still… if you get rid of that kid, there’s a chance they won’t touch you.” Your lips part in protest, and you twist to look down at him. Rising, Toji feels gutted raw, everything inside him scooped out and replaced with nothing but sawdust. His joints ache strangely. His throat scratches, his eyes burn. He’s had enough of this sick existence, and he wants to throw up until his guts are clean of glass. “And I’ll disappear. You won’t ever hear from me again.”

Your erratic inhales quiver as he pulls the rag away and lifts his other hand to brush the side of your head. He dabs at the impact wound as you stare hollowly into his chest. 

“Do you think that pays back your debt to me?” you ask stonily. “That that even begins to cover what you owe me?”

“No,” he replies. The light flickers overhead. The buzz of old electricity hums between them. “No, but it’s the only way I know how.”

Your eyebrows scrunch when he presses too hard. Your eyelids flutter, but you don’t make a sound. Toji bites his lip hard enough he begins to taste iron, but he can’t speak. He doesn’t trust himself not to say something incredibly, irredeemably stupid.

You save him from that. You save him from so many other foolish things.

 “You don’t get to run from me and pretend it’s for my benefit,” you whisper in a dull, dead way. “That’s not going to happen. You understand me? This Zen’in Clan… they’re going to come for Megumi, too, aren’t they? Those dogs. He… he really likes dogs. You said they were his, so it must be what they want.”

He touches the rag to your swollen lip, his other hand tilting your chin up. “Yeah. And the Zen’in Clan is one of the most powerful political families in our society.” You peer at him in the pale, cold light of the bathroom. It paints you in an unflattering palette, but when Toji meets your gaze, a cold, icy dagger sinks into his back. You still look at him with the epitome of surrender. Underlying any sort of gentleness or hate or fury, there is that knowing. 

They are entirely at each other’s mercy.

“I see,” you reply measuredly. “So, we have no chance.”

“You do,” he insists.

“No, I don’t.” Your lips press together. “I’m keeping the baby. They’ll come for me regardless of whether or not you’re here. So, really, if you think leaving me is what’s best, I can’t change that about you.”

His heart flash decays in his chest and he shoots the rag into the sink bowl, planting a hand on the countertop and grimacing. Bowing his head, he digs his fingers into the porcelain and watch the blood water slowly trickle down the drain.

He doesn’t want to leave you, can’t you understand that? If he did, he would’ve left you with his family to die. That is the most permanent solution he could ask for. If it was the better choice for his own self, the guilt would eat him alive, and he would’ve let it, but he didn’t. Toji knew the consequences of the choice he made when he set out for his ancestral home. 

You’re here with a bounty on your head, and you’re asking him. Asking him to do something he can’t do anymore, and he knew you would.

He came for you anyway.

You exhale a shivering breath, inhaling another one before it can fully escape, and turn away from the mirror. The shadows nearly envelope you entirely. 

“I’m going back to Osaka in the morning,” you tell him with no room to protest. “Hajime deserves a funeral. You either come with me, or you don’t. I’ve killed someone today. I doubt there’s not much more I wouldn’t do to keep myself alive, so don’t do it out of some obligation to me."

You rest a hand on his chest, against his heart, before you nod to yourself.

“Goodnight, Toji.”

You leave. The handprint that lingers burns like arsenic.

.

Toji jumpstarts a car and they drive to Osaka in silence. Megumi is asleep in your lap on account of the lack of booster seat, and you don’t look at him the entire way there.

When they reach Hajime’s house, it is dawn, the air frosty despite the sun on their faces. The place is as Toji left it, with a hole through the front door. You don’t comment on the scrambled interior, and merely traverse through to the backyard where a stack of wood has already been cut.

“Help me build a pyre,” you instruct shortly. “It’s what he wanted.”

Toji spends the better part of the morning building the pyre. You stay inside to make food, and return with Megumi an hour and a half later. The boy is still asleep, which is both a miracle and a relief. Toji had worried that using the Ten Shadows would drain the child at first, but his son is strong.

He’s just finished the platform as you cross the lawn. Pulling off the gloves, he shoves them under his arm and meets you halfway. “Here.” You extend a plate towards him. Eggs, sausages, and half an apple laden the dish, and you jerk your head over your shoulder. “There’s rice porridge inside.” He nods, and your eyes drift to the pyre. “Here, take Megumi. I’ll continue where you left off.”

“Where’s…”

“Upstairs. On the balcony.” You grab the pair of gloves from him. “No good for Megumi to see that, y’know?”

He nods again. “Alright.”

Brushing past him, you make your way towards the chopped wood and lift. Together, they finish the pyre just past mid-day.

You retreat into the house and slip into one of the rooms upstairs as Toji finds anything that can be scrapped together into lunch. Holding a bowl of instant noodles and steamed vegetables, he finds you asleep in an empty room, curled atop the covers and holding a pillow tight to your chest.

Placing the food on the nightstand, he perches on the edge of the bed. He debates waking you up, his hand settling on your arm, but when you don’t stir immediately, he decides against it. You didn’t sleep much the night before, and woke up early. That, and all that pregnancy business. Toji doesn’t know half about it, but he knows enough.

Perhaps it’d be best if he left you be.

.

You wake up in the late afternoon. 

While you eat outside, Toji carries Hajime’s body and lays him to rest. It’s a pitiful thing to look at. The boy is pale, skin loose, hair patchy, and there’s a sort of fragility that unsettles Toji. He had been nothing but a bag of bones in the end, and resembled more of an old man, but his skin is so smooth, unwrinkled. 

How is that supposed to make any sense?

Toji wonders if you’ve ever smelt a burnt body before. When they light the pyre, and watch as the entire structure goes up in flames, Toji does not watch Hajime disappear. Instead, he keeps his eyes steadily trained on you. The fire reflects in your irises, brings a synthetic life to dead eyes.

For a long while, they don’t speak. Toji leaves briefly to attend to Megumi, and he watches through the window as you stare at the fire consume the remnants of your old life. He heats up leftover okayu for dinner, and brings both a bowl and his son out to accompany you.

Dusk slowly settles over the horizon as he hands you the bowl. You take it without complaint, sipping. He briefly squeezes your hands, touches the back of his hand to your forehead, and you shoot him an arched eyebrow. Megumi lets out an appreciative noise at the pretty fire, slapping his hands against his father’s forearm. Toji shrugs.

“He told me not to tell you,” you say as his hand falls away from your head, “but he was grateful to you.” Eyebrows shooting up, a deep frown twists Toji’s mouth but you only smile fondly. “You made sure we were safe, even if that wasn’t your intention.”

“I suppose.” His eyes drift distantly over the burning logs. "Tell him I say you're welcome." 

.

Megumi falls asleep again within the hour. It must be a combination of warm food, his father rocking him, and the exhaustion from the previous days lingering. When he rejoins you, you’re standing, your empty dish by your feet, and you greet him with a curt nod as he finds his place next to you.

The fire is steadily burning away, although it’s been a while now. The whole ordeal will be done before midnight.

You loop your thumbs through the belt holes of your jeans. “Will they know where I live if I go back?”

“Yes.” He kicks the disturbed dirt near his boot. The sound of the wood bending and finally snapping cracks the night. “They might offer you money once they realize you’re alone. When the kid is born, they’ll just take him if you put up a fight. If you don’t, they might let you stay. Then, they’ll wait a few years. Find out if the kid has what it wants. If it doesn’t, they’ll throw you out and keep the kid. If it does, they’ll marry you into the family. The claim is illegitimate otherwise.”

“What claim?”

“The Ten Shadows. If the child can control the Ten Shadows, then there’s no doubt they’ll groom them to be the next head of the clan. And they’ll treat ‘em like royalty, so maybe, it won’t be so bad for the kid. It might even be good. Better, if it’s a boy.”

“The same would happen if it were Megumi,” you point out. “You don’t consider bringing him back? Let him be raised as a prince?”

“They’d either pay me or kill me for him. I’ve considered it before,” he admits. “I don’t know why I don’t.”

“I see.” You lift your head to the smoke rising up into the inky sky. A signal to those around for certain, but Toji doubts the Hei would regroup and attack again so quickly. “They won’t let you stay with me.”

He shakes his head. You worry your lip between your teeth, and turn back to the pyre. The wind blows gently, pushing the ribbons of orange, yellow, and sparkling red towards the trees.

“You got a light?”

“Yeah.”

Reaching into his jacket, he sniffs. The smoke’s reminding him of his own nasty habit. “What are you thinking?”

“Weighing my options.” You shove your hands into your pockets and withdraw a lighter. Pulling out his box of Mild Sevens, he pinches one between his lips and cups the end. You lean over, torching the end and frowning delicately when you note the cigarette.

“Do y’mind?” he mumbles.

“No.” The sizzling end of the cig is covered by the sound of your lighter clicking shut and he takes a long drag, turning his head away. “Dick move to do that in front of me, though.”

He snorts in amusement, smoke escaping. “I’ll quit when the baby comes.”

“Whatever you say.” You hug yourself, tucking your chin in. “Do you… do you think you’ll be here when the baby does come?”

Toji blinks. Run, a voice inside him demands. You’ll kill her if you stay.

“It’s a nice image,” he says against his better judgement. Your eyes drag to his figure, and you take a half-step towards him, hand reaching out, but he jerks his glare down at your extended appendage. Immediately, your body freezes, and your hand curls into a tight fist. Softly, he rests a hand atop your knuckles and gently pushes down. “Megumi would like a sister.”

"Well, I want you to stay." The flames flicker across the apple of your cheek, and you finally take hold of his sleeve. “I want you to want to stay. I know it’s too much to ask. It’s selfish. But I have watched you leave before, and if I have to watch you leave again, fine, but only if I know it’s for the last time.” Your fist shakes. He pinches the cigarette between two fingers and exhales towards the pyre. “And you promise you’ll disappear. For good. You, and Megumi. You understand me?”

As tender as a man like Toji can be: "Yeah, I understand.” 

You let go of his sleeve, step away, and face the pyre too. The flames are not as tall as they were before, although they’re no less bright and voracious against the night. It’ll still be an hour or more yet until it’s snuffed entirely, which you seem to grasp as you sit down on the grass. Drawing your legs to your chest, you rest your chin on your knees and let your entire body slouch forward. Toji glances down at you before sidling in a little closer and finishing his cigarette.

Flicking the bud towards the fire, he lets out a cough. The taste is something he’ll never get used to. Soon enough, though, it’ll probably be the last reminder he has of you if he goes. Just some pack of cigarettes in a gas station as if that’s enough to represent you in your frustrating entirety. 

Toji wonders what sort of person he is to think about this when your best friend is burning in front of them. He wonders, too, about what Hajime had said about him. He hasn’t spoken to the boy in a decade, haven’t thought about him in years. There had been a time where they’d almost been brothers.

He debates smoking another cigarette, for his sake, but you wouldn’t appreciate that even if you don’t tell him no. 

He settles on not smoking, and watching the smoke on the pyre instead. Eventually, a weight leans against his leg. Your head against his knee, you don’t speak. Don’t move. Don’t give any indication that he’s even there. Lips twisting into wry, pitiful sort of grimace, Toji carefully crouches down, setting a hand on your head. You cant your head upwards, meeting his gaze.

“I’m sorry, too.” You lift a hand to his cheek, and your thumb stretches to brush over his lower lip. Your head tilts as you examine the scar, but then you’re lifting your gaze to his nose, trace the shape of his brow. “I just can’t let this one thing go.”

“I know.” He smiles grimly. “But to be honest, you hold a grudge.”

You mimic his smile. “Yeah, I know.”

Tilting your head forward with his hand, Toji closes the gap between them. Their noses brush, and your face, your exhausted, angry, beautiful face, is all he can see. The flecks in your irises, the stray hairs along your eyebrows. He runs his fingers down the side of your cheek as you turn to look at the fire, and remembers how hard it was to leave the first time. It rips apart old sutures in an ancient part of his withered heart. He wasn’t so much a coward that he left a note while you were asleep, but the way your face had glazed over into a placid numbness lingers.

“I know another safe house you can stay in long term,” he says as the wood pyre creaks and crumbles. There’s the sound of a few tumbling, crashing logs and your head snaps to the source. Continuing on, Toji tries to ignore the tight ball clogging up his throat. That damn fucking cigarette. It’s made his mouth feel all funny.

He plants a knee on the ground, and sheds his jacket. You’re about to shove him away but he lets out a sharp warning, forcing it around you.

“If you get sick after being out in the cold and inhaling all this smoke, how’s that good for the kid?” he snaps, and you stop, staring at him. “That place is good. They’ll keep you warm, and fed—”

“What about you?”

“What about me?” he asks. You pull the lapels of his jacket tighter around yourself. “I can take you there, and it’ll be near Tokyo. Somewhere more familiar.”

“And then you’ll leave again?” 

“I don’t know. Maybe.”

“Well, do you want to leave?” you press, pushing yourself to your knees. Toji pinches the bridge of his nose as you grab his arm. “Toji. If you’re just going to leave, what is the damn point of taking me somewhere else? Why wouldn’t I go back to your crazy fucking family when I know for certain they’ll take care of my kid?”

He nearly gawks at your stupidity. “Because they’ll treat you like shit. They’ll turn your kid against you. Do you think I’m the prime example of good family dynamics?”

“No, but…” Your fingers dig through his shirt. Clenching his jaw, he refuses to look at you as your other hand latches onto his shoulder. Why can’t you see? Is he not being clear enough? You can’t go back there. Toji knows you’ll die one way or another, and while he can bear it enough to be apart from you—to kill you is to inflict a mirrored wound on himself. 

“No.”

“I know what I am compared to you. Compared to them. I’m nothing, Toji.” His name slips from your mouth, reed-thin and desperate. “Toji. Look at me. Please.”

He’s never heard you beg before. It stings like a poison, swelling up in his lung. Silent, he only looks down at your hand. It springs off his arm as if he’s scalded you.

“I don’t know what sort of world you’ve been living in,” you admit dully. “And maybe that’s my fault for never asking the right questions. But you can’t expect me to keep listening to you like it’s for my own good.”

“I’m not looking for reasons. It’s what rational, you idiot. It’s because of your association with me that you’re being targeted. It would be smarter if we split up in case they come looking again.”

“Well, it’s too late now!” You shoot to your feet, yanking his jacket off your shoulders. “I’m scared out of my fucking mind right now, and you’re talking about dumping me at some safe house near Tokyo. As if I’d stay there when I know there’s a place I might be needed. I'd be irreplaceable if I go back. At least for a little while. Which is maybe more than I can say for how you see me.”

Rising, Toji bites back the harsh insults that want to pour out of his mouth. His heart splinters as you shove the jacket into his solar plexus and you let out a rattling breath, twisting to face the pyre once more. Oxygen knocked out of him, Toji lets his jacket fall to to the ground and his body moves before he can command it. 

His foot steps forward, his hands reach, and his mouth opens.

“Don’t play a hero, Toji.” You spit the words out bitterly, as if you cannot stand the taste of him anymore. “It doesn’t suit you.” Crossing your arms over your chest, you blink and your eyes begin to glisten in the firelight. Catastrophic amber set in your diamond-cut face. “If you’ve already decided, why can’t you just act on what you want?”

“Because what I want,” he murmurs slowly, fists clenching tightly as his sides, “is not the same as what’s best for you.”

Your head slants, just a fraction, and the corners of your eyes soften as you regard him. “Who are you to say what’s best for me?” Ducking his head, Toji squeezes his eyes shut and ignores all the voices in his head crowing at his stupidity. Every muscle in his body trembles as the grass crunches underneath a heavy foot, and when fingers brush delicately over his arms, he flinches back. “Toji.”

Tough, callused fingertips gently find his chin and tilt it up. His eyebrows knot together even tighter, and he jerks his head away but the hand is insistent, sliding along his jaw and pushing him back towards you.

“What I know is that the father of my child is the person best suited to protect me,” you utter with such misplaced conviction. Lips twisting into a pained scowl, he shakes his head. You cup his face, wrench his head so he is forced to look at you. A wet trail has carved a path down your cheek. His heart stutters in his esophagus. “You being here by my side in these damned woods makes me feel safer than if I were alone in some safe house because I trust you. Can’t you understand that?” Can’t you trust me, too?

The thing is, Toji has always trusted you. Had faith in you in a time when he didn’t believe in anything. The countless stitches that have been snipped by your scissors, and the gauze you’ve packed against his wounds are proof of all of that—invisible lines on his body that have healed perfectly because of your diligence and the long, pink scars in your absence weave a story he’s been writing for ages, but the endings diverge, and he tries to imagine both.

When you blink, another tear steadily traces the curve of your face, and he can’t stomach it. With a rough thumb, he swipes the tear away before grabbing you by your shoulder and yanking you into him.

Your arms immediately wrap around him, hooking on his shoulders. Holding the back of your head, Toji closes his eyes and buries his nose into the crook of your neck. Their bodies meld together, slot together like two pieces. As the fire begins to die and the smoke clears, clarity finally comes to him in the shape of that image again.

A child. A baby girl, Megumi’s sister.

“Take care of Megumi, okay?”

You had been right. His son has the Ten Shadows. If Toji sold him when the signs first showed up, he could’ve haggled enough to sate him for a lifetime. Why didn’t he?

Your lips brush the curve of his jaw as you let out a long exhale.

He can fool himself into thinking it’s because he wanted the certainty of knowing it’s truly the technique his family has been searching for, but it’s because he knows what princes are treated like in the Zen’in Clan. He wants the best for his son, really he does. He’d give it to him even if it meant he’d have to erase his blessing from his mind to make it happen.

But that possibility of you, out there, living a life he knows nothing about anymore.

Maybe that is the way. To keep his son happy, and to keep his son with him for the time-being.

Your fingers entrench into his shoulders hard enough to hurt. He runs a palm down your back before wrapping his arm around your waist. 

Toji wants to run. He wants to stay. He wants to make enough money to not worry about gambling debts, but he aches to see his son grow up. 

And, of course, now, he would like a daughter. He’s decided a daughter would be good, too, for the end.

“Do you think I don’t know what I am to you?”

Toji wonders if when you had asked that question, you had truly known his answer.

Only one way to to find out.

“Okay,” he finally whispers. Your head tilts inwards, your nose against the long cord of his neck. Your breathing is erratic, featherlight and hopeful as he closes his eyes. “Okay, I’ll stay.”

.

Three weeks later, a woman, a man, and a toddler boy walk past the torii of the Tokyo Metropolitan Curse Technical College. Despite the weapons trained on the man’s chest, he proposes calmly, almost arrogantly, a deal they’d be stupid to refuse. 

The service of the Sorcerer Killer in exchange for room and board for the three of them.

Yaga Masamichi accepts.

[anneapocalypse]

On Wuk Lamat, and Female Characters in FFXIV

The Thing with Wuk Lamat is you can tell me you think she had too much screentime; you can give me numbers on how many lines she had or how many scenes she's in relative to other characters or other expacs; you can prove to me "objectively" that she gets more focus than other main NPCs; you're simply not going to convince me that this is something I should be unhappy about. And not just because it's silly to think you can use numbers to prove a story is good or bad and make someone else go, "Wow, you're right, let me just throw away all the joy I experienced with this story and revise my opinion because you've scientifically proven to me that I'm wrong."

Because while I love Final Fantasy XIV and I have greatly enjoyed its story in so many ways, fundamentally one of my biggest beefs with this game has been how much female characters have been denied complex character arcs and growth and agency and interiority.

Minfilia gets treated as a sacrificial vessel who lives for everyone but herself and doesn't even get to have feelings about her own death because that entire arc is focused on a male character's angst about it instead. The game tells us in the Heavensward patches that Krile sees Minfilia as her best friend and then just forgets about that later and never follows up on what that loss must have meant to her. Ysayle is basically right about most of what she's fighting for but harboring a bit of self-delusion is apparently such a terrible sin that she has to pay for it with her life, while her male foil is deemed so worthy of salvation that there's a whole plot point about how important it is that we risk our lives and others' lives to save him. Y'shtola is a major character who's been around since the beginning, and the game keeps dropping maddeningly interesting things about her (apprenticed to a cranky old witch in a cave! saved her own life and the lives of her friends with an illegal and dangerous spell and it worked! reserved and undemonstrative yet regularly through her actions reveals herself to be deeply caring! disabled!) and then shows complete disinterest in following up on any of those things with the kind of depth and care shown to male characters with complex arcs like Urianger.

In general there is also a repeated thread of female characters being portrayed as weak or overly emotional: Minfilia is weak because she doesn't fight and needs to be eaten by a god in order to gain "a strength long sought." Krile is portrayed as not being able to pull her weight with the Scions (despite the fact that she actively keeps five of them from dying in Shadowbringers) and the only thing they could think of for her to do in Endwalker was be yet another vessel for Hydaelyn (hmm, that sounds familiar) and it's not until Dawntrail that she gets much actual character development in the main story and even that has to come alongside "Look, she can fight now so that means she's useful." (And I love Picto!Krile, I'm just saying, there's a pattern.) Alisaie, despite having very good reasons for needing to find her own path apart from her brother, is portrayed as having to prove herself when she returns, that she's "not the girl she once was," and "will not be a burden" (while Alphinaud is repeatedly given the benefit of the doubt and reassurance and affirmation from other characters even after he takes on responsibilities he isn't ready for and fucks up big time).

And if you follow me you know I adore Urianger, and I love Alphinaud and Thancred and Estinien too, so please don't misunderstand what I'm saying here! I'm not knocking those characters, or saying we shouldn't also love them. I just use them as a comparison to demonstrate how the female characters have been neglected.

Lyse has some of the stronger character development among the female Scions, and while she's still kind of portrayed as being too emotional and hotheaded in early Stormblood, I think it's actually explored in more depth in a way that I like; Lyse has good reasons for wanting to fight for her nation's freedom, but having been away from Ala Mhigo for several years now, she needs to understand the stakes for the people who've been there fighting for years, what they've lost and still have to lose. She grows as a person and rises to the challenge of leadership, and I'm even okay with the fact that she leaves the Scions afterward because it feels right for her to stay in Ala Mhigo, and at least she doesn't die.

And by all accounts she was, like Wuk Lamat, widely hated when her expansion came out.

Unironically I think the other female Scion with the strongest character arc is Tataru. She tries to take up a combat job, finds that it's not for her, and decides to focus on where her strengths are instead. In doing so, she both holds the Scions together as an organization in the absence of a leader by capably managing their finances, and also comes into her own as a businesswoman and makes international connections that benefit both the Scions and her personally. In contrast to Minfilia, she's not portrayed as weak because she doesn't fight, and is actually allowed to be an important character who's good for more than being sacrificed. Tataru is still distinctly in a supporting role for the player character, however, and her character arc happens as a side story that takes up a relatively small amount of screentime over several expansions, which I think is probably why she doesn't evoke such a negative reaction.

But there is a pattern of the game's writing showing disinterest in the interior lives of female characters generally, and in making their growth the focus of a story.

So yeah, I'm going to be happy about Wuk Lamat! I'm going to enjoy and celebrate every moment of her character arc, of her personal growth, of watching her put the lessons she's learned into action. I'm going to love and treasure every moment when she gets to be silly, embarrassing, emotional, scared, grieving, confused, upset, seasick, impulsive, and still deemed worthy of growing into a hero and a leader. I will love her with all of my soul and you simply will not convince me that it wasn't worth the screentime after such a profound imbalance for basically the entirety of the game. We've never had a major female character get such a strong arc with this much love and attention put into it and that means more to me than I can truly say. The backlash to it is disheartening, as this kind of thing always is, but I'm not going to let it ruin the wonderful experience I had playing it and how much joy it continues to bring me.

And for those of you who don't want any of that for a female character, thank goodness you have Heavensward and Shadowbringers and Endwalker and no one can take those away from you.

(And if you follow me you know that I love Shadowbringers and Endwalker and have very fond memories of Heavensward despite some issues with it, so not only can I not take that from you, I am not trying to!)

Some of us have been real hungry for a character like this with an arc like this, so, I think, y'know, maybe we can have that. As a treat.

[darlingofvalyria]

❝Will you forsake me, my love? And the babe I carry?❞

[ You had made a mistake. A slip up. You had overlooked the extent of Otto Hightower and his greed. Now you must make it right... or pay in fire and blood. ]

[ +18 MDNI ] [ 5,504 ] [ series masterlist ] | jacaerys velaryon x targaryen aunt-wife!reader (aegon's twin sister),

contains— canon divergence - manipulative reader— gets darkish but not yet dd:dne - targcest, angsty as fuck, pregnancy - nsfw: p & v sex, oral (male receiving) - no kings, no martyrs, no betas.

a/n— i... actually dunno how i got here tbh. thankfully, this isn't dead dove quite yet, but you, yes you, as jace's manipulative targ wife, almost did, girl, jfc. ahahaha! comments, reblogs & like at will, mwa! 💝 + now that there is a second part, and a third part i'm plotting (uh huh), this is officially a series!! its v loosey goosey, but it'll have a masterlist so... it means it has a taglist! message me to be tagged 💝 & if there are any drabbles/blurbs you wanna see!! message me lmk!! i have so many thoughts about jacey & manipulative reader hehe + dividers by @danowh0re

The only warning you receive is the missive hastily made by your twin.

In his panic, Aegon's scrawl had been barely legible, but the cold sweat that shot through your spine at making sense of the text had you keening over; fingers over your mouth, a dangerous gurgle in your stomach.

The world tilts, the air sucks inward.

Fear... Cold, weightless fear, settles in your heart.

"Princess!" Your maid, Dyana, shrieks, hands grasping your elbows to prevent you from falling. She turns to the door. "Call the maestre back! Now!"

You shake your head rapidly. "No, no. No Ser Addam. I am alright."

"But princess—"

"No, Dyana, I am alright." But you are pale, and a thrum shakes through fingers, rattling your ribcage and trying to yank your heart out of your throat. You have to find your footing or all will be lost. You grab Dyanna's arms and she winces. "Tell me- the prince - where is he?"

"I'm not sure, princess, I can—"

"Quickly! We shan't lose precious more time."

You turn to Meera. You had invested in her from the early age you had taken her in from the orphanage. Loyalty, in its absolution, must be rewarded.

And ease for your own plans can be disguised as a reward.

She steps forward obediently, hands clasped behind her back like a soldier awaiting orders. She is nondescript with plain features, easily able to hide between other common folk; and no one, truly, looks at a maid.

"Go to the Sea Dragon Tower, wait on the Rookery for Johan. Only Johan, do you understand me? Keep the missive that I will dictate to you close to his heart, hidden, and he must depart immediately. Throw extra gold at the captain, I do not care. Meera, no other eyes must touch the paper I will send, tell him of the utter import such a thing. No other than another Spider. We cannot unravel further than this or we will start burning."

Meera's gaze darkens, her posture straightening. "Yes, your grace."

You grasp her hands, your mind whirring— so many plots, so many lies, in between them, he flashes in your mind; the dark hair, the warmth of his hand, the sweet, simpered smile and the flicker of rage that dances like a flame. In and out and calmed and wild.

Dutiful. A Perfect Son. A Beloved Prince. Your Lord Husband.

He flashes in between plans and unraveled lies. Along it, Aegon's missive, quickly written, panic seeping in every vowel.

Grandsire had gotten to Aemond's head. Went to Storm's End. Met Lucerys. They are calling him Kinslayer.

Your head is pounding. Kinslayer, Kinslayer, Kinslayer. It churns your stomach, dries your throat. Lucerys dead. Aemond beheaded. Jacaerys' rage. Rhaenyra's. Dark Sister in the Rogue Prince's hand. All your clever threads, your webs and tales, everything you have sacrificed to get here— they are unraveling, the lives you care about, your fondness and love — the fear has moulded and churned; the Stranger now haunting the skies, searching for names, trying to grasp for your neck.

Aemond, You, Aegon, Helaena, Alicent, Jaeheara, Jaehearys, Maelor—

Aemond, Aemond, Aemond.

Your baby brother. Marred and disfigured, dutiful and dedicated. Sarcastic and princely; dancing with you if you ask. Reading with him in the library. A flickering hearth, a kind eye, a protective arm.

Your baby brother, beheaded, gaping mouth and bloodred eye.

Justice spun and spun, but oh so corrupted when they had taken his eye and no name step forth to claim.

Disfigured, marred, and dead.

Focus, you think, your mouth moving, words spilling, plans stretching. Focus.

Otto Hightower must die. It is a pressing thought, digging into the centrefold of your mushy, wet brain. Pressing and pressing like a fever as words of instructions, orders, must be sent along one spider to another.

Your hand drifts to your stomach as Meera leaves, in her head the words that must reach King's Landing. That must pass only the cleverest of hands. Your hand curls, your fist tightens enough that blood clots and beads through crescent rings. Clever girl. Clever spider. You have to believe in Meera and the people under your hushed employ.

You have no choice. You have built your webs, you must trust your spiders.

Not when you can't even trust your own fucking blood.

It took a while to get your network going in Dragonstone. As soon as the smell of brimstone and dragon broached your nostrils, the plans for moving what you had started in Kings Landing became the forefront plan. There is only so much movement you can make in a board full of enemies; and with so many more things to do, you cannot be restrained.

People with stakes, with ambitions and wants of their own— be that money, a good future, a house with warmth and love — if you can provide it enough, dash it in enough kindness and care, people, like ants, could move mountains for you.

It took most of hyour life to have what you established in Kings Landing. Most of your free time— feiging afternoon teas, walks along the garden; young lady things that will not arouse suspicion, fit for a pious, devoted daughter of Alicent Hightower — was spent building and building webs.

Thankfully, as a Princess of the Realm— and as the future Heir's wife, the future Queen of the Seven Kingdoms (the title tingles and throbs, comes alive in gasps and winning hands) — you can have your pick of maids and lady in waitings here too. Connections are important, and Jacaerys did not bereaved you of choice.

In fact, he so encouraged you to make changes to Dragonstone as you so chose fit.

"You are my wife," he sighed, pressing kiss after kiss to the side of your head. When he was wrapped around you like this— arms around your torso, a finger, almost absentmindedly, rubbing just the underside of your breast, and the smell of him, boyish but smoky, like a fireplace and first kiss, swaying you to a rhythm he is fond of, absentminded almost — it reminded you of how Vermax oft like to wrap around small hills and large rocks. A dragon mimicking another dragon; a twin soul so connected.

He sighed again as you run your own fingers against the back of his palm, against the side of his head behind you. "You may do so as you wish," he finished, nuzzling further into you as if he wants no more than to become one with you, flesh and blood. An engorged monster of sorts.

"Just your wife?" you teased. The wedding had only been a few moons ago. The missive had been immediately sent to Kings Landing (under your orders, of course, your new husband none the wiser as he had preferred a few more days of just you), and before lunch, your hand on Jace's thigh, his eyes more than hungrily looking at your lips— Caraxes screech alongside Syrax' wing pattern shook the walls, demanding answers.

Jace had looked nervous for a second, not at all prepared to be facing his mother so soon, his Queen, and his stepfather... whose own daughter he was supposed to marry. Better prepared to face all of them in Kings Landing was his plan.

But you had grasped his hands, had mounted girlish excitement shining in your eyes (an expression so familiar to you to adopt that it so perfectly hides the sharp edges of your excitement; your smugness. It oft reminds you of Aemond)— and Jacaerys had melted.

"My Queen," he reimbursed. You turned as his hands cupped your face. Gentle, possessive in its own way. You sighed, eyes fluttering close with a small, satisfied smile on your lips. "My beautiful queen."

A Maiden in love is not a hard thing to emulate. And he does not make it hard to be.

On some days, you even think it will be easy to actually fall in love with him. You already do so feel his warmth for you permeate your own being. His attention is addicting for one; it is whole and preserving. He makes it known when he is looking at his lady mother, at Baela, his former betrothed (who had given you a meaningful eye when Rhaenyra and Daemon escorted you back to Kings Landing to face the rest of your consequences), and other ladies of the court versus when he is looking at you.

He does not hide his adoration. His so obvious desire.

When you reward him for his loyalty, for private little ticked boxes you keep for him— siding with you in arguments, defending you upon ugly whispers in the Keep, requesting from his mother, a more permanent residence of your own in Dragonstone, in the guise of newly wedded bliss to hide growing your connections far and wide (once Rhaenyra takes the throne, Jacaerys will be named Heir and Prince of Dragonstone; your spiders and people must reach each end of Westeros, and Dragonstone is the perfect central chatter) — you mount him and bask at the lust contorting his features, at his hands gripping your waist in a staccato rhythm of feeling and gasp, each harsh bounce of your hips sending you both to bliss. You feel him inside you so deeply, enjoy his eyes rolling back and exposing his neck for you to sink bruises on.

Most oft, he enjoys mounting you. And you like the alternative of his choice to be buried so deep you feel him in your throat; to hold you down and hold you close, telling you to keep your eyes open for him as you come undone again and again— time and practice can manage his newness to the act. His enthusiasm, both for the act and for you, definitely helps his case, and he is so fond of finding your pleasure, of leading you to the precipe, so addicted to your sounds and writhes.

"There? Is that it, little dragon?" he huffs against your mouth, so attentive as he held your wrist and watch as you gasp, your face twisting as he hits that point inside of you, that sweet, sweet spot of undeniable pleasure buried so deep within— that he laughs. Not meanly, but of pride as he pulls back and hits it again. More insistent. You mewl and scratch his back, your toes curling as you seek the pleasure he so enjoys insisting you into.

"I've found it again, didn't I?" Another snap of his hips, another cry of your lips. "I will fuck your sweetest spot until you- are- crying- my name in that sweet, sweet whine of yours, shall I?"

But it's not really a question privy to an answer, surely not by your own mouth but by your body, as he manhandles you easily and does not stop until you are a quivering, overstimulated mess against wet sheets.

Sometimes, when you can't help but reward him as soon as possible— so excited from his gallant display; the perfect King bowing to his wife — you drag him to shadowy corners and solemnly drop yourself on your knees, unlacing his breeches with deft precision. You place your hot mouth against his manhood, your eyes fluttering delicately, making him reach completion enough times that he is left with a dopey, simpleton of a smile afterward, a soft, chaste kiss against your your head, your nose, your lips. So tender to how he was fucking your mouth not but seconds ago.

"I love you," he whispers against hot skin and cool, salty air.

And it eases, every time he looks at you like that, holds like you that. His love is patient, sweet, kind, and devouring. It overflows and seeps into you that when you whisper back, just as soft, just as troublingly honest, "Avy jorrāelan, ñuha zaldrīzes, I love you, my dragon," the truth of them bleeds further and further into your heart.

Jacaerys.

A warm grief swells within you. Your hands twitch, flattening your grief beneath your chest, deep in your gut. Deep below. You fought hard to be here. You cannot lose him now.

Otto Hightower must die.

A cruel thought, a natural order. With your marriage to Jacaerys meant a relative peace, a truce. Moving to Dragonstone many moons was more than just to establish your position, your future. It was also for your darling sister to take better control of her position back in the centre of power, alongside her husband.

Aged well with a stronger alley who most would not dare defy— a vainglorious guard dog, really, one who isn't afraid to sic people with a mere nod from his master — more than evens out the playing field.

The Queen To Be is prospering. And in her prosper, meant your husband's position more than fulfilled. He was to be King, and with you as his Queen, his reign will want for not.

You should have known it would put Otto on defense, would panic and use your siblings and your poor, nervy mother, to move in unfeasible decisions.

Aegon had taken to calling him grandsire again. Aemond... Your spiders had told you that Lucerys was sent to Storm's End as no more than a casual reminder of Lord Borros' oath. Viserys was in no doubt in worse conditions than he had been the last time you or your husband had visited him. Rhaenyra was settling on her position, reminding the Great Houses which heir was meant to rise soon, so close to the changing of the guard.

And your little brother no doubt was moved in panic.

This was a slip up on your part. Once the King was dead, Otto Hightower would hold no cards; Rhaenyra would never take him as Lord Hand, and his daughter would no longer be a foreground of power. Rhaenyra has her heir. The winning hand is more than ensured on her part.

His only move would be an usurpation, and would ruin your chance at being Queen... it was a good move. Your twin was not made for duty whilst you craved it. He knows you better than you know yourself; you will not be played in his palm. You would be useless to him.

"I should have killed him," you murmur to yourself.

Yna, the last maid in your arsenal, steps forward. She is the youngest of your main three wards, and the newest. She is still learning her letters, but she is young and always eager to serve.

"My lady?"

"I am going to find the prince. Whatever happens, tell them Vermax must not leave with his rider. Make up any excuse you must. My husband must stay in Dragonstone until I say otherwise." You raise your chin, tone icy. "Anyone who dares to defy my orders will be beheaded."

"At once, princess."

Your steps are measured, your breath held between lie and tongue. So many pretty rings on your fingers, twisting and twisting at the idea of the confrontation plagues you.

But you raise your chin. You will not be defeated. All is not lost.

Dyanna had caught you at Aegon's Garden, windblow hair and wide, fearful eyes.

You had braced yourself. "The Prince?"

"The Stone Drum, my princess, he is..."

"Angry," you supplied. She nodded jerkily. "Tell me everything."

"The Prince was talking with Ser Robert, was about the missive sent from Kings Landing says Kevan, not soon after your own." Another spider, one that follows most of your husband's movements. Unassuming and quick on his feet. A good soldier. "Prince Lucerys is alive but badly maimed." The breath you had withheld between grit and fright unrolled, the world slamming back into the ground in a giant's fitful wake. "He still hasn't woken up, says Arrax took most of the damage— one wing torn but is awake. Dunno about recovery for dragons, 'specially against Vhagar. Mournin' the prince, Kevan says. Makin' loud, sad dragon noises."

"But he is alive?" you pressed. Aemond's life hung in its balance. Your sweet, vengeful baby brother who bore his tragedies between muted teeth and rage.

"Yes."

"And Aemond?"

"No word in the missive or between them." It made your throat tight, the convulsion restraining your neck once more.

"It's fine. As long as there no mention of his death. Then that's all I need."

"My lady, there's more. There might be a reason we haven't been getting much word from King's Landing. Or Oldtown. It seems to connect is all."

Your pulse jumped. "Tell me later. I have to see to the prince. No one is allowed in Stone Drum for the time being. Not unless absolutely necessary." You think and you think hard. "Ready to call in a maestre."

Dyanna had looked alarmed when you left her, but you only gave a pensive smile. A soldier's nod.

He is bent over the Painted Table, shoulders so hunched, reminding you of monsters and tall tales. A dragon, really. He may not have Velaryon blood, your husband, but you— nor others — could deny the thrum of fire in his blood. Roiling and boiling, so engulf in his rage, his voice is quiet at the approach of your footsteps.

"You have bound me to Dragonstone," he says calmly with all the quiet rage you can hear in your very soul. It makes you shiver, but you stand resolute.

He is still turned away, away from you, palms flat on the surface. The iron brazier is lit up, and so is the Painted Table itself.

"Can you honestly tell me you won't try and kill my brother if I let you, ñuha valzȳrys my husband?" you say softly. You plead. His refusal to turn to you spikes your madness in corners. The night reaches and you finger your rings as you try not to spill all over the floor; your own madness, your own fears, your quiet, quiet webs. "Aren't you at least satisfied at the thought of your stepfather excelling at planting Dark Sister to his neck? At least cheery at the idea of him suffering inside those dungeons?"

He spins then, rage—white hot and spilling — breathes as he bellows, "He has harmed my brother!"

You calmly met his gaze. "You do not know that for sure."

He laughs without mirth, arms wide and daring. Crazed anger outlandish and wild, while in response you tighten and become small.

But you do not cower. No truth cowers. And you are a princess. A dragon the same as he.

Lest all, he is a mere husband.

"What else could it be? Your brother has called us bastards our entire lives," he spits. "Neither of us are blind to his dark looks. Despite your family's attempted plots, his rage beholds him. His grudge is stronger. He attacked Lucerys, on fucking dragonback— Arrax, a dragon Luke has barely flown against your brother's war dragon — and that makes him a kinslayer."

Your blood leaps, and you cannot control your own fear, your own anger. "Do not throw that word around so carelessly, Jacaerys! My brother has killed no kin!"

"He has tried, " he hisses and it makes your eyes burn because he has never looked at you so before. At his thunderous footsteps to reach you, to aggravate you, you fight the urge to flinch. His anger spills and spoils you. You try not to curdle. You keep yourself braced. Kinslayer is so ugly said aloud. "That is enough of a brand to call him kinslayer."

Your jaw tightens, tears unleashed from your eyes and there's a glimmer there— a spark, of your Jace. Your husband. It is small and short, a comet so faint it is almost nothing, but it is there.

He does not like to see you cry, your Jace. Not if it isn't from pleasure.

You raise your chin. "My brother is no kinslayer. Lucerys is alive. Do not make Aemond what he is not."

He laughs humourlessly against your face, his hand reaching for your jaw, thumb over your chin, but the mock gentleness wounds you worse. "And who has alerted you of the news? Your twin usurper?"

"W-what?" Blood rushes to your head. Something is missing. He knows. He knows about grandsire's plans. Dyanna would have said. Dyanna didn't know. "Aegon is not an usurper," you whisper, faint but firm.

His thumb rubs against your bottom lip, his eyes tracing your face. "Is this the plan all along, then?" he says softly. "While your brother and grandsire plot to usurp the throne from my mother, and your younger brothers raise bannermen from Oldtown to Storm's End, and try to kill my own when they get the chance, I suppose your job is to warm my bed and to ensure I'm out of the fray before you kill me in my—"

His words stutter for you have slapped him. It is not the hardest move on your part, and he stops not from pain but from shock. Tears freely flow down your face now as you push him off you.

"I know nothing of these plots you speak of." That in much is true. These plots are half-assed. Made in panic and fear, and it makes you curse Otto Hightower to the depths of further Hell. "And you may bully me as you wish, husband, but I will not take it as if it does not hurt me. As if- as if I would take pleasure from your death."

He raises his chin, so defiant in his own anger that he clenches his jaw. "Are you telling me you took no part in your grandsire's plans?"

"We have been married for many moons now. I think, out of anyone on this island, amongst our family even, you would know me best. I have only ever truly bloomed in your presence," you say softly. Lies and truths are balanced so precariously; they spin and spin in a tantalising grip that even you don't know where fabrication meets honesty.

If your own lies befuddle you, why not your truths to him?

"If you are doubting me, then you are doubting our marriage, is it not?" You give a mirthless laugh of your own, chin wobbling as you brush your tears away. His eyes track your movements and his brows are furrowed. "Is it ease, that has turned you so from me? Has your doubt been seeded long before you took us to Dragonstone? To affirm your mother that you have wedded me? Yes, Aegon sent me a missive a mere hour ago. He says Aemond had been urged by our grandsire, no doubt played with as he had done so to our mother, as he tries with Aegon. With me."

Jacaerys' eyes darken. Bottomless pits of dark, dark eyes. You've grown to love them you realised.

"I will give you all the violet-eyed heirs you desire," you had purred once in your new marriage bed, having just christened (one to a few times) your new marital chambers in Dragonstone. "But I do so wish I get a babe with your eyes."

"They are hardly exemplary," Jace had said, snorting. His hand rested on your back while you rest on top of him. The air is acrid in sweat and sex, but neither of you mind. "They are not a show of Valyrian blood."

"Who cares?" You reached to dance your finger against his lashes. "A daughter with your eyes... I fear, I would spoil her rotten. She would be an absolute beauty."

"Are you calling me a beauty?" he teased, trying to hide his rosy cheeks.

"Your eyes, yes," you teased back.

"If I was such a pawn to him," you say now. "If I was using you as you so callously accused me of, why would I bother with a marriage with you? You are right, they have accused you of not being a trueborn Velaryon—" He flinches. "—So why would Otto decide marrying you was a good idea at all? Any babes I carry would be questioned, and it would serve no benefit at all if the main plot was Aegon usurping the throne. To keep you entertained? Hardly. It would serve him better, as was his earlier plan, if I had married Aegon myself."

He loses his stance, a grit in his teeth gives you way to a slow curl of possession. A renewed sense of anger. His fists clenched at his sides.

You found a thread. You don't just unspool, you decide, you will yank, and you will yank hard.

"Aegon is a firstborn male heir, even as twins. It made sense to anyone who understood Targaryen customs that marrying us would be the natural order. It did not matter any past transgressions he may have had, I keep him better. I am his tether to this world. It was obvious to anybody with eyes that if we were to marry, we would breed good Valyrian stock, our children—"

But he has lurched forward, grasping your face, seething, angry at an idea, at a diverted road.

"He wanted us to marry," you continue, a snake's hiss that it is. "But your mother sent a missive asking for Helaena's hand, and I had already told her I wanted someone else. I wanted you." You grasp his leather, pulling him to you in equal ferocity. Madness meeting a mirror. "From the very start, grandsire could not control me for my blood sung for you. I had done my very best to free my siblings from him, resigned myself to be their forever protector inside that Keep with no real power of my own, but when the Gods gave me the chance to have you, I had been selfish. I abandoned them for you. Because I wanted to be yours for a night, I was willing to have that, if it is the only moment you will grant me."

You are crying again, and lies are spinning with their truths, golden and bloodstained, but you are cracking him.

"But it was you, Jacaerys Velaryon, who had asked for my hand. You wanted to marry, whisk us away to Dragonstone, and I love you too much to blind myself to the idea of becoming your wife would not be a totally selfish act, for what act of ours would be considered selfish if it was borne out of love?" you sob hard, grasping and reaching against him, trying to shake and ruin him. "I thought you loved me, and yet here you are, accusing me of plotting? What? Usurping your mother? Killing you in your godsdamned sleep?"

"Wife, I—"

"No. I am sorry for what happened to Lucerys. But if it is vengeance that is truly what you seek, and in the morrow my brother," my choke out. "My brother would be announced d-dead, I would rather you kill me now for it seems I have not only failed them from my grandsire's clutches, I have also failed at being your wife."

Your hands reach in and pull his dagger out, and he is instinctive, a true swordsman, holding onto the dagger before your own. But you do not give up. You yank him forward so suddenly, the dagger now positioned over your heart.

You keep him there, defiant as you are. As no true dragon is afraid of metal. Metal melt in the face of dragonfire.

The tip of his dagger deepens against your skin as war rages in his own mind. Truths and lies spinning and spinning in his head, but your thread— your thread is Hightower green clung in blood and gold — and it's the brightest, twisting beneath his lids and rage. Rage and grief, the tethering madness is spilling, trying to break into the dragon's clutches—

But your Jace is strong. He holds it at bay with a fury.

It is love, it is love, it is love.

But you are not sure. And you have to be.

You have been betrayed already, your Jace cannot betray you. If you are to have a future with him as King, there must be no doubts.

You step forward, letting the blade sink against your skin. It draws blood. A few beads bloom and slide. Thick red in a string or two. It makes his jaw tighten, and you feel, almost impercibly, the strain in his hand give.

That flash of panic, panic bathed in love, in adoration, is all you need.

You grasp his hands in yours, blade nestled between two grips now, and he gasps, thinking you were going to push him away finally, but no. You hold on tight to his hands, nails digging into his skin, keeping the blade where it is before you push forward once more. The tip sinks into your flesh, blood gushes as pain explodes.

"What are you doing!? Let go!" he roars, but you stare at his eyes, brown, so pretty, framed in featherlight lashes, did he even know there are violet flecks in his eyes?

You will not harm me, you think. You realise. For you have given yourself to me body and soul. Even the Gods know.

"Will you forsake me, husband?" your voice is no higher than a whisper, than a wind's hum. It is hollow and cracking. A siren song. In the silence, it is a whip cracking against petty flesh. Against a beating heart thrumming for you. "And the babe I carry?"

Before the words register in his brain, you yank his hands again with every strength you can muster, the dagger, to hover over your stomach. Your Jace roars, pulling with his entire strength as complete fear in floods his beautiful, brown eyes. The strength propels your force of gravity, and you fall with a hard thud. The dagger is flung in the second as he reaches for you, cold-curdled terror ruining his face as he tries to make sense of where to touch you.

The fall is hard enough that you wince. And your instincts, new as it is, is to curl your hands protectively over your stomach.

"M-my heart? Does it hurt? I-I am so sorry, I-A MAESTRE, CALL A MAESTRE FOR THE PRINCESS NOW!"

Your child is strong, you have always known that in your heart.

The second you held suspicion, pressing against the tender flesh of your breast to the nausea that kicked in out of nowhere, before Maestre Gerardys had confirmed: you are with child. Your firstborn. The heir of heirs. You could not wait to meet him.

"I hope it is a boy," you murmur weakly into the darkened space of your chambers. You don't turn as Jacaerys' head snaps, his hands over your own, sat on a chair by your bedside. Relief, guilt, fear breaks and crashes in waves against him, trying to nudge you, but you don't look. You stare from your position on the bed; forward and into nothingness.

"My love," he breathes, hands against your own warm and tight. "I am so, so sorry. I shall call for a maestre—"

"No need." Your other hand moves to your stomach. An emotion glimmers in his gaze at the movement. "My babe is strong. Blood of the dragon that he is. I know him already in my blood. Call for my maid instead. Any of them. Tell them to move my things to a different room, perhaps the one above Aegon's Garden. By morn, I will fly to Kings Landing to be with my family."

Panic fills and breaks. His hold tightens. "I-If that is what you wish, we can go as soon as Maestre Gerardys says it is alright for you and the—"

You turn to him, finally, your eyes dead of emotion. "I will go for I do not think you would like your would-be murderer to sleep beside you, haunting you with a dagger. This way, I can take advice from my mother about births and the like, and you can sleep comfortably. Do not worry, I will not poison you to your child's mind. You may visit him as you would like. You might even take comfort in knowing your mother would look for him as if he were hers. She is so very motherly, I'm sure she would enjoy a grand..."

Your words drift off as he had fallen to his knees, tears soaking your hand as he presses it to his face. You feel like the Mother, looking down on a penitent. Or the Father. Or the Stranger. You feel complete, as his apologies fall in graceless, shaky exhales and sobs. The axe is in your hand. His neck is exposed.

"—I will do anything, a-anything for your f-forgiveness. Y-You can move rooms if it comforts you, I will not s-shadow your doorway, but please. Please. Do not leave me. Anything. I will do anything."

You, and you alone, is the owner of his absolution.

You smile, despite yourself.

Maybe you should reward your grandsire after all.

TAGGED (bold means I couldn't tag you: @inkareds @marihoneywk @caterina-caterina @ahristata

[olderthannetfic]

A short while ago you mentioned fic on AO3 that was written in the “AO3 style”, or something to that effect. I was wondering if you could elaborate on what that means/is?

--

Oh god. This topic comes around every 6 months or so. Others should feel free to help me out here, but basically...

A lot of fanfic sounds like the other fanfic and other stuff that the same communities consume. In a given era and sector of fandom, that leads to a samey style. It often has a lot of overlap with a specific sector and era of genre fiction with a heavy dose of watches-tv-does-not-read-books elements on top.

AO3 House Style is relatively similar to the height of LJ Western slash fandom. Other fanfic styles are often similar but start showing other influences the more distant you get.

There are some major strains, not always in the same works:

Transparent genre fiction prose that doesn't call too much attention to itself. It's there to convey plot, not make you notice the language qua language. You'll see something similar in, say, a Mercedes Lackey novel (along with the terrible editing and protagonist centered morality that are also common in fic, haha).

YA boom era YA vibes.

Kind of forced "snark" and samevoice from many characters in a way that tells you the author spent a little too much time watching Buffy.

World building and complex thriller/mystery/etc. plots that actually work typically take a back seat to pining, angst with a happy ending, and other more ship-focused, character interaction-focused, and emotions-focused things. The general idea of a mystery, vampire AU, etc. is often present, but it's more of a backdrop. (Depends on the part of fandom though!)

Huge focus on the internal psychological and emotional state of characters.

Lots of hurt/comfort, both physical and emotional.

Lots of serialized work that shows the traces of being written that way (dangling plot threads, inflated word count, returning to similar plot points in a way that wouldn't happen if the thing were completely written, revised, and then only posted serially).

Certain cliched phrases like "He smelled of __ and __ and something uniquely him", carding fingers through hair (thanks, commenters for researching this one a year or two ago and proving it's way more common in fic!), "Oh. Oh.", etc.

If the fic is more self-consciously literary, it's full of sentences that trail off to the point where you're almost not sure what actually happened.

Often lots of very short paragraphs and lots of scenes that are almost all dialogue

Frequently third person limited present tense. Some third person limited past tense. Less of other stuff unless you're looking at a fandom where canon is first person or you're looking at readerfic (which is on AO3 but is not really "AO3 House Style").

Honestly, some people would just say "sounds like fanfic", but if you go read primarily on SpaceBattles or something, you're going to find a lot of stories that don't sound quite the same as your prototypical AO3 fic.