#this started from me planning a different drawing and rewatching the episode and taking a few screenshots then i was like maybe ill warm up

[tarantula-hawk-wasp]

"You've been broken and reformed..." "Do you really think a monster like you could be a Voltron Paladin?" "Crystal Venom " lives rent free in my head. Shiro spends that episode making so many exceptionally distressed expressions.

[noangeleither]

yin and yang: carmy and sydney's creative processes + menu planning

what i love about analyzing carmy and sydney is the way they mirror each other. their similarities and differences, and how they have the potential to complement each other well. truly make each other better at this.

this is most evident with the way they approach creating a dish.

sydney's creative process

evidenced by sheridan (s01e05) and sundae (s02e03), sydney is very imaginative when it comes to creating a dish. the editing in these episodes gives us an intimate view of her creative process. recipes often come to her in dreams/daydreams.

sydney gets inspired by her passion for cooking, her family history and her city/world around her (architecture, nature, other restaurants in Chicago). this really fits into sydney's motivations as a chef.

Sydney uses food to make people happy. She likes to take care of people. someone on here explained the significance of sydney wanting exactly one michelin star, which would signify affordable high quality food that normal everyday people have access to. in braciole she mentions to marcus that her dad and her didn't really go out to eat so when they did, they made it count and it was special. she wants to create an experience like that with her own spot (the Bear).

so naturally that is reflected in her food. its not simply a great meal, but a fabric/archive of her culture, history, worldview and entire character.

while sydney has a very imaginative creative process, she often just jots down her ideas in her little notebook(s), for later reflection.

carmy's creative process

carmy has a more tense relationship with cooking. while sydney and carmy are both amazing chefs, carmy seems to be more jaded and detached from his work.

for carmy he grew up in a household where food was a big part of his family. his mom, mikey, and nat can all cook well. he is naturally very great at it. he uses food to be closer to the people he loves. thats why in the face of rejection from his brother, he goes off and becomes one of the best chefs in the country out of spite. why he uses the beef to try and fix his relationship with mikey. why he was so devasted when syd quit and why he started his dream restaurant with her after she came back.

because we dont get an intimate look into carmys psyche when creating a dish, its harder to say but based off his monolouge in braciole (s01e8) and the way he uses food to connect with people he loves rather than having passion for it independently i can surmise that carmy isn't imaginative as sydney. food is more like a math equation (ironic)/a science.

“he’s the best bc he didn’t have any of the bullshit”, emotional ties/relationships of any kind. his career esp at EMP were isolating, rigid and cold. he was the best bc he was calculating, precise and competitive. which breeds excellence in his field while straying him further away from love and true passion.

i imagine carmy to be more pragmatic with creating a dish.

but carmy is a creative person at his core and while creating a dish might not be as colorful as when sydney does it. we do know that carmy can draw and visualize his ideas onto paper. "Sistine Chapel" level drawings according to syd.

sydney + carmy - potential true partnership

on my 3rd rewatch, i couldn't help but feel so dissatisfied with their partnership. granted this is on purpose since the show is only 2 seasons in and they are trying to do a slow burn in all aspects, not just romantic.

it really hit me that carmy and sydney have never - at least on screen - created a meal together. in s1, we never see the risotto come to fruition, we just get carmys input but never the finished product. in s2 finally, carmy and Sydney work together now that their dynamic has changed from boss and employee to partners. we get like what? 4 scenes of them creating the menu, and having this amazing professional chemistry but ultimately leads to two failed dishes, which would be ok if they worked together after that. but they dont...

instead for the rest of the season, we see them (mainly Syd) working on the menu separately. the menu is....alright. mainly has carmy written all over it (he has a the seven fishes + cannolis, weird homage to one of the worst nights of his life).

*putting on another pair of shipper goggles to say this makes the whole "you make me better at this" confession, even more mind-boggling bc better at what? you guys haven't even worked together all season. this = life , i rest my case*

in s3 and beyond, im excited for them to truly start working together as partners and actually see them create a dish together.

i want to see how their approaches to creating a dish can help the other.

how sydneys creative process can help carmy

besides the obvious romantic implications of the palette cleanser outing, the potential for them to understand each other on a deeper level in regards to food is something i mourn everyday.

after sydney goes on her trip solo, we see her ride the ferry and just take a look at her surroundings. shes thinking about the food she ate, shes looking at buildings, windows, looking at the snow. all inspiration for a dish.

imagine if carmy was there with her. he would be curious about what she's thinking about, get insight on how she creates and maybe want to learn to see food in a less practical way.

i mean he hadn't drawn in years it seems until he was inspired by sydney and the chaos menu to draw again....now imagine if he didn't ruin the moment by bringing up claire (LMFAO). the point is, sydney naturally sparks creativity and passion in him, even when they aren't together.

i know many people are theorizing that carmy will leave the culinary industry (and i agree most of the time) but i also think sydney is slowly but surely helping him discover/re-discover a passion for cooking. i think that carmy likes that sydney likes to take care of people because subconsciously he knows he does the same thing or has the potential for it (i.e making tiff sprite from scratch when she was experiencing morning sickness). evidenced by fishes (s02e6), care often feels like an obligation (he takes care of drunk donna when shes going through an episode) but it doesnt have to be this way. and now carmy wants to get a star for her....their interests are slowly aligning.

how carmys creative process can help sydney

this isn't as concrete as the one above but i found it interesting thinking about how carmys more pragmatic approach and sydneys idealistic approach can work in tandem.

first scene in pop (s02e5) shows sydney and tina late at night working on the tasting menu. later in the episode we find out that carmy has been pushing back menu planning leaving sydney on her own. she trying an elements concept which is extremly creative and impressive but even tina says, which sydney later agrees, that its a lot for a tasting menu.

im stretching maybe....but based on carmys comment on her risotto from the season before (needs acid) + his practical approach, it seems like he acts like a buffer when sydneys ideas get "a lot".

*in chemistry buffers are solutions added to resist pH changes when acidic and basic components are added*

so if carmy needs to be more creative and sometimes sydneys ambitions gets ahead of her....

sydney is the heart, while carmy is the brain (???)

one cannot work without the other. when they truly come together to create the menu, they both need to learn from one another to elevate the restaurant. not to mention with carmy's italian american roots and syd's Nigerian-Caribbean/southern roots, they have the potential for amazing fusion dishes and real partnership. i and others want the menu to physically reflect both of them.

conclusion

i literally dont know where im going with this. sorta kinda meta but its more like hopes and dreams for next season and me wanting to type my ideas down.

they complement each other well ok? and have potential for a great partnership once they communicate better. i like this part of the definition of yin and yang:  Their interaction is thought to maintain the harmony of the universe and to influence everything within it.

carmy and Sydney are the leaders of the bear, their relationship is foundational to the success of their restauarnt and team, once they work together truly, play to their strengths and weaknesses, then will come true harmony in their universe.

bonus

more sydcarm parallels/similaries/differences/yin yang moments:

carmys gold chain, syds silver earrings

carmys white t-shirts, syds white button ups

carmy is bad at math, syds great with numbers

carmy wasn't really great at school, this is sorta fanon but i can imagine syd excelled in school

both wear birkenstocks (more a chef thing but i still think its cute)

sunshine x grumpy trope but like better...usually the sunshine (syd) is more emotionally vulnerable making a space for grumpy (Carm), but they switch positions. carmy allows sydney to be more emotionally vulnerable often initiating deep conversations, while syd is more closed up/guarded

overall tho i think its cute that they are both shy/emotionally stunted but i do think purely aesthetic wise, sydney has a softer exterior ( doe eyes, colourful scarves, awkward) while carmy is more intimidating (tats, smokes, looks angry all the time)

both fight dirty - i.e their individual fights with richie (review, the bear)

carmy tho is more prone to outbrusts of anger/violence while sydney lets that shit shimmer until she explodes on you

both their passcode being 11111

carmy having dark mode on his phone, syd having light mode in s2

their matching clothes moments earlier in the second season and in bolognese

if theres more, pls comment/reblog, bc i always think of this shit and need more to cry about

fin!

credits: gif 1&2 , gif 3 and gif 4

[the-bi-space-ace]

Before I rewatch season 1 & 2 of The Bad Batch I wanted to watch the season 7 episodes that the bad batch is in and I have so many thoughts.

I’m going to put it below the cut because it gets very long and kind of chaotic.

The Bad Batch - TCW S7 E1

Quote - Embrace others for their differences, for that makes you whole

AH FUCK YEAH CODY IS HERE. I love Cody. I love that Cody comes to Mace and Anakin and is like Rex has thoughts and you should hear them. Good brother energy.

Rex standing here saying that the Separatists know his plays and they know his strategies despite them being unique to these new battles is so interesting to me. How he can see them taking advantage of new tactical plans and is worried. ALSO that Anakin knows immediately that something is off about Rex. Rex lies, says that’s all, but Anakin knows. He knows. It's also great that Cody says that Rex is one of their best and if the Separatists have found a way to counteract Rex's strategies this effectively then they've got a problem. He believes so strongly in Rex. Again. Good brother energy.

THIS MOMENT THAT FOLLOWS IS WHAT I WANNA TALK ABOUT. Rex is staring at this photo of him, Cody, Echo, and Fives. And he’s thinking. And Cody says this line that kills me every single time: In war it’s hard to be the one that survives. But Rex follows it up with “I know. That’s what I’m worried about.” And he knows it might be hard to believe. He knows it might make him seem unstable but he tells Cody anyway. He tells Cody that he believes Echo is alive. He already knows. He already feels it. Cody tries to bring him away from this theory. He doesn’t want Rex to start holding onto “misplaced hope”. I think there are a few reasons why Cody tries to steer him away from this idea. Partially because this is a major distraction for Rex on this mission. He must carry so much guilt about everything that has happened and Cody must know this, so he’s trying to steer Rex away from this theory. Because what would that even look like? Let’s say he’s right and Echo is alive (we know he is) and that leaves two choices: he’s turned on you willingly or he’s being used against his will. In Cody’s eyes they need to not put too much stock into Echo being alive because none of the outcomes seem favorable and he needs Rex’s head in the game. It has to be Rex’s overactive guilt that’s creating this not because Cody wants to discount him but because it’s better if Rex doesn’t draw conclusions before he has evidence. How many times can I point out that Cody has good brother energy before it becomes annoying?

Also because I love this line: “Echo’s fingerprints are all over this.” Rex knows. He has probably always known. I think he never gave up, never stopped believing that Echo was alive somewhere. It probably ate him up inside. But he knows a plan that Echo has touched, he knows how Echo’s mind works.

Oh hell yeah here come our boys.

Rex already likes them (partially because Cody likes them so much) but also because of this line: “99. Nice touch.” Rex thinks that’s a nice homage. He appreciates what they’re trying to do.

They are all so fucking dramatic getting off of that ship I love them.

Uh oh. Crosshair is already confrontational on the ship on the way there and Jesse is taking the bait so easily. He’s practically itching for a reason to fight and I think Crosshair picks up on this and baits him on purpose. Crosshair also wants a reason not to like these three and is pushing. He’s pushing for some sort of satisfactory reason to hate them. I do appreciate here that Cody tells them to cut the attitude. They’re on the same side. Jesse and Crosshair have already been openly antagonistic towards each other and it needs to stop. I have a feeling Cody would’ve kept them in line had he not gotten hurt.

They really made Wrecker seem like such an adrenaline junkie in this episode lol. I love how chaotic he is.

Ugh. Okay. I can see why Jesse doesn’t like them but I do wish he liked them more. I mean, their plan worked! They may have ignored Rex to do it but it worked and Rex didn’t balk at them not listening to him. BECAUSE IT WORKED. He appreciates a good strategy. I can see how Jesse in particular has already seen things he doesn’t like and wants to put them in their place for it. They’ve been showy, they ignored Rex’s orders, Crosshair has been a dick (crossy, baby, maybe shut your mouth. Hunter said you weren’t a conversationalist and you’re out here running your mouth), and he already didn’t like them before he even met them. “It’s not that they win, it’s how they win that worries me.” - Okay, Jesse, yeah, that’s fair but you were judgey before they even got off the ship. I get it. They have a reputation. They swoop in, don’t have much regard for the things they destroy or the other clones that might get hurt in the process, they think only about themselves, they’re cocky, they wear their differences from other clones like it’s a badge of honor. I know that’s irritating. That’s insulting. That’s hard to watch. You want to know how you could actually get under their skin, Jesse? Shut up. Crosshair wants a rise out of you? Laugh. Just laugh. Wrecker says something about ‘regs’? Don’t engage. The less you engage with antagonistic behavior from them the more irritated they’ll get with your lack of response. Act as unbothered by them as possible. Act like you couldn’t be more bored with what they're saying. It’ll drive Crosshair, in particular, up a wall because he wants to get a rise out of you. I see your need to get a few solid shots in at them, to defend your captain, to stand up for other clones. I see that. I think your instinct to defend is strong and admirable. But you judged them before you even meet them and, ya know what, they did too. They have preconceived notions about you and all other clones. There is judgment and antagonizing from both sides and Crosshair has latched onto Jesse because he can already sense that there is a rocky start here. He's going to try to exploit that.

What I think this episode is trying to say is that mixing up tactics is what is going to give them the advantage. The Separatists have found a way to understand their next move. That’s why Clone Force 99 is so effective here. It is not that other clones aren’t good at what they do. But this situation in particular requires plans that Rex didn’t come up with on his own and are not in widespread use. They’ve found a way to counteract his strategies, they need a different approach. Clone Force 99 does just that. It’s a balance.

Oh boy okay. Boys… I am trying to find ways to make Jesse and Kix like you but you’re making it difficult. So, Crosshair is fighty again and this time it’s towards Rex. I find it interesting that Rex doesn’t balk at the disrespect. Because it is very disrespectful. Rex doesn’t entertain it with a response even if he doesn’t look pleased (he takes my earlier advice, maybe?) Rex knows he’s a good leader, knows Cody doesn’t doubt him, so why fight with Crosshair over something he is not insecure about? He doesn’t need to fight this battle, there’s no reason to. Then Jesse defends him in, honestly, a very reasonable way and Wrecker LIFTS HIM OFF OF THE GROUND. BOYS. BOYS PLEASE. IS IT ALWAYS LIKE THIS? IS IT? STOP FIGHTING CODY IS HURT. THERE IS MORE AT STAKE THAN THIS. THIS IS NOT A REASONABLE WAY TO RESPOND TO JESSE TELLING YOU THAT YOU CAN'T TALK TO REX WITH DISRESPECT.

Rex is starting to lose his patience now, I can see that. I mean who wouldn’t? Jesse is being held off the ground by someone who clearly finds it humorous despite the fact that he’s probably hurting him. Crosshair is pushing Kix around. Cody is hurt. They will be two men down when they attack the tower since Kix is going to stay behind with Cody to wait for the evac. Tech, very interestingly, is trying to mediate. Ya know, I’m starting to see that here Tech is more curious than anything else. He answered Jesse and Kix’s questions about Hunter’s capabilities. He told Wrecker and Crosshair to calm down. He looks a bit horrified that Wrecker is holding Jesse off the ground by his neck (I’m horrified. I’m horrified for sure.) He’s curious about these new clones they’re meeting.

Hunter steps in and they behave, they stop fighting, they even look a bit shameful about it. If Hunter is angry with them then they’re taking it too far. It’s interesting how they don’t want to disappoint Hunter even if their structure as a squad is a bit different than the rest of the clones. This is where Hunter concedes, probably as a gesture of good faith, that Rex is in fact in charge (because he is, command structures and all) and Rex gets to do what he does best: lead.

Here is where Rex shows why he is a good leader. He liked their strategy from before when they crashed. He wants to use it. He doesn’t stick to what he’s used to because he saw something he liked and wants to try it. He takes the good ideas of those around him and implements them. He’s not focused on being right, he's focused on using what is working with the team he has. He is using their tactical advantages because he has observed the ways they can all work well together.

The way Rex’s face changes when he hears Echo’s voice. It breaks my heart. Tech asking Rex what the number meant and Rex telling him is also such a good moment. Again this to me screams Tech being curious about them and what they know and who they are. Tech is curious by nature, he saw how Rex reacted and he wants to know why. I love this moment.

As a whole I think this episode does a good job at showing that they all needed to embrace each other’s differences to get this mission to work. If the batch keeps going off on their own and doing whatever they want it’s not going to work. If Rex and Jesse stick to how they’re used to doing things and don’t use the batch’s tactical advantages to their advantage then they won’t get anywhere either.

Overall a great episode to introduce the Bad Batch in and it really does build up the tension for the three after it.

[canary3d-obsessed]

Restless Rewatch: The Untamed, Episode 25, part one

(Masterpost) (Other Canary Stuff)

Warning: Spoilers for All 50 Episodes!

Holy crap, Episode 25! We’re halfway through! *Cue Bon Jovi*

Hunt Invitation

After taking a nice long break to watch Word of Honor pick lotus pods, Wei Wuxian and Jiang Yanli return to stressing over the shitshow that is the post-Sunshot cultivation world. Jin Zixuan has come to invite them to the Phoenix Mountain Hunt, with a special invitation from his mother to Jiang Yanli. Jiang Cheng reacts to this in a mature and reasonable manner, while Wei Wuxian...doesn't.

On the surface, Jiang Cheng has matured in recent months; much more than Wei Wuxian, with his secret burdens, has. But it's only on the surface, as we'll see later in the episode, when Jiang Cheng's insecurity will take the reins.

Jin Zixuan is adorably pleased by Jiang Yanli's acceptance of the invitation. Wei Wuxian is less pleased, but sort of tries to suck it up. 

Jin Zixuan kind of undercuts the romance of his errand by asking Wei Wuxian for the Yin tiger amulet as soon as Jiang Yanli is out of earshot. 

As always, Jin Zixuan makes an impression by being the best Jin currently in existence, but the Jins are terrible. JZX is working to advance his dad's ambitions, and as such he is currently Wei Wuxian's enemy.  

(more after the cut)

Opening Ceremonies

There's a bunch of cultivators arranged for the opening ceremony. Later someone will say that this is more than 5 thousand people. Ok, sure.

As I've said before, it's best to think of it like a theatre production and assume the other 4,900 people are offstage or, you know, painted on the backdrop.  

The young lead cultivators from the four main clans are standing together. Nie Huaisang is trying out some new body armor.

The clan leaders are seated up on the stage, along with Jin Furen and Jiang Yanli. Unfortunately Jin Furen doesn't seem to have a personal name that I can discover. Her title Fūrén ( 夫人)  means she's the primary wife of the head of the family, according to this excellent meta. 

So “Madame Jin” is a decent translation...if you're French?  I feel like instead of English subtitles including borrowed words from French (”Marquis” in NIH), Greek (”Water of Lethe” in WOH), and other European languages, we could try borrowing Chinese words instead. Jin Zixuan's mom is titled, not named, Jin Furen. Since we don’t know her actual name, I'll call her that and abbreviate it JFR.

Wei Wuxian's childishness continues at the opening of the hunt, as does Jiang Yanli's encouragement of his childishness. I know she's had a rough couple of years, and it's understandable to want to baby her little brother out of a sense of nostalgia. But it's not good for him, and she shouldn't do it; she should encourage him to be more mature, just as she does with Jiang Cheng.

War Crimes Contest

Jin Guangyao says they're going to have an archery competition, and they're going to liven it up by endangering some prisoners. These prisoners are Wens in Wen cultivator uniforms, meaning they're not the noncombatants that were being hunted down earlier. But they’re still helpless people in chains. 

There are three different reactions when the Wen prisoners are brought out.  All the Jins are pleased, or neutral. All of the Jiangs, including Wei Wuxian, are upset.

The Nies and the Lans, what we see of them, are a little shocked, but not obviously upset. Based on those reactions, it seems like this is a maneuver that in-world is considered shocking and cruel, but not necessarily unethical or immoral.  Shocking, cruel displays of power are pretty normal in this world; remember when Wen Chao lit a Lan cultivator on fire just to say hello, and nobody complained? 

This whole scenario, of course, has been designed to provoke Wei Wuxian. One major goal of this event, and the whole reason for wanting Wei Wuxian to come,  is to get the Yin Tiger amulet.  Making him lose his shit in front of 100 5000 cultivators is a good step toward compelling him to hand the amulet over.  

We see Jiang Cheng and Jiang Yanli both signaling Wei Wuxian to keep it together, and he takes a step back and tries to chill.  

Meanwhile, Jin Zixuan seems annoyed by all this, and goes to take a shot at it, making it clear from his demeanor that this is easy and JGY is making a show of nothing. 

He hovers in the air and makes a perfect shot, pleasing most of the crowd and impressing Jiang Yanli. 

Then his cousin Jin Zixun taunts the crowd, challenging anyone to do better.  This presents a bit of a problem for Wei Wuxian. For the sake of the Wen prisoners, Wei Wuxian should just take this taunting and let the contest end, if no-one else is willing to take a shot. But for the sake of the Jiang Clan’s status, and his continued control of the Yin Tiger amulet, he needs to put the Jins in their place.  

Every Day is Blindfold Day

This moral dilemma is resolved with an abrupt tonal shift, where the humanitarian concerns of all parties seem to vanish. Wei Wuxian flirts embarrassingly with Lan Wangji and then goes as far over the top in besting Jin Zixuan as it's possible to go.

The flirting hits differently, incidentally, when you edit Jiang Cheng's annoyed reaction out of it: 

Lan Wangji doesn't seem embarrassed by Wei Wuxian's request, despite it happening in front of 100 5000 of their fellow cultivators. He looks Wei Wuxian straight in the eye for longer than necessary before turning away; it’s not exactly stern disapproval. We’ll get very used to this look, in Wei Wuxian’s second life. 

Fortunately, Wei Wuxian carries a blindfold with him wherever he goes, (gifset here), and he is such a good cultivator he can hit 5 parallel targets simultaneously without even holding his bow straight or tightening the string.

(OP fixed the angle of the bow for this gif, which is why everyone is standing on a hill in the background).

Everyone is pleased by this shot except Jins Guangyao and Zixun; even the Jin cultivators are clapping, and Madame Jin is presumably this happy any time Jin Guangyao’s plans go wrong.

With that they start the hunt. Jin Zixun challenges Wei Wuxian to do the whole hunt blindfolded. Wei Wuxian agrees, but the censorship committee said no, apparently, so we don’t get to see that.

Flute Hunting

We do get to see Wei Wuxian luring monsters into his nets by being too sexy for his robe, too sexy for his robe, and playing the flute.  

We also get to see Jiang cultivators looking puzzled while random monster roars happen in the woods around them. We do not get to see any monsters, which is probably just as well.

Jiang Cheng is annoyed and concerned, muttering "I told you not to overdo it" which means he didn't, you know, tell Wei Wuxian NOT to do this, just not to do it quite so well. Jiang Cheng knows what Wei Wuxian’s abilities are and he is making use of him, as he should, but he doesn’t have the courage of his convictions. 

Tree Confession

Wei Wuxian sees Lan Wangji and starts to say hi, but then he has a desaturated flashback to Lan Xichen telling him to back off, so he stops himself.  But then Lan Wangji comes over to talk to him.

Lan Wangji starts off talking to him about his latest anti-resentment musical discoveries, and Wei Wuxian pushes back, even calling him Lan Wangji, but gently.  Wei Wuxian asks "who am I to you?" and Lan Wangji turns the question right back at him, then waits a looooooong time, eyes downcast, while Wei Wuxian thinks of a serious answer.

Wei Wuxian says "I used to treat you as my zhījǐ" --which, as we’ve discussed before, is variously translated soulmate, confidant, intimate friend--with a strong meaning of "the person who truly knows me." Lan Wangji says "I still am." Coming from Lan Wangji, who NEVER says how he feels about Wei Wuxian or about anything, really, this sounds a lot like a confession of love. 

It definitely takes the form, visually, of a love confession, as Lan Wangji speaks, then gazes at Wei Wuxian while he waits for a reply.  Wei Wuxian's reply is this:

I don't think Wei Wuxian is oblivious (I'm speaking strictly of CQL, not MZDS, as always with these posts; they are different works). I think he loves Lan Wangji back, and knows it. But Chenqing and everything it represents are between them.

Lan Wangji is quite literally NOT his zhījǐ any more, because he doesn't truly know Wei Wuxian right now. He loves him desperately, but he doesn't know about his core, and hasn't accepted his cultivation method.  So Wei Wuxian answers his confession by showing him Chenqing, effectively declining to accept his still-conditional love.

Snake Measuring

Next we get terrible hetero courtship in the form of Jin Zixuan finding snake discharge on the ground and talking to Jiang Yanli about comparative snake measuring. Seriously: that is the actual conversation that they are having.

Jin Zixuan boasts for a bit, and then awkwardly tries to ask Jiang Yanli on a date. When she turns him down he gets mad, because he's a typical heterosexual dude even though he's secretly a delightful person...very, very secretly. Jiang Yanli, for her part, can't string a fucking sentence together to save her life whenever he's around, so she's not helping their mutual understanding. 

Lan Wangji attempts to hold Wei Wuxian back from beating Jin Zixuan’s ass yet again, but eventually JYL wants to leave, JZX tells her to wait, and WWX intervenes. Why doesn't Jiang Yanli have a maid or Jiang cultivator with her while she's on a date, incidentally? These kids are confused about whether they're doing feudal patriarchy or whether they're doing modern social life.

Jin vs. Jiang

Wei Wuxian jumps in between Jiang Yanli and Jin Zixuan, which JZX objects to. Jin Zixuan has no fucking business objecting and Wei Wuxian is 100% right, at this point. As soon as WWX shows up JZX should hand her off to her Shidi, bow, and leave her the fuck alone. Instead, he draws his sword on Wei Wuxian, and kind of on Jiang Yanli since she's right behind Wei Wuxian.  Fortunately, Lan Wangji blocks him. 

This instantly blows up into a Jiang-Jin Clan conflict, with Jiang Cheng unfortunately absent since he let his unmarried sister go off in the woods alone with the son of the Cultivaton world's most famous lecher. It looks like it’s a personal conflict, but since Jin Zixuan already told Wei Wuxian directly that Jin Guangshan wants his amulet, any arguments between them are part of a larger power struggle. 

Cousin Jin Zixun comes running up to start shit. Wei Wuxian pretends--I am SURE he's pretending--not to know who he is. The dude hassles Wei Wuxian every time he sees him; Wei Wuxian is a troll, and right now CJXZ is butting in to something that doesn't concern him. Rather than argue, Wei Wuxian insults him by telling him he’s not memorable.

Jin Furen shows up with several maids and cultivator dudes in tow, which is the proper way for a highborn woman to wander around in the woods. She also brings Clan Leader Yao, because if it's Wei Wuxian Blaming Hours, Yao is going to be there.  

I initially found the deep friendship between superhot Yi Zuyuan and dumpy Jin Furen implausible, but then I remembered that my lifelong bestie is a smokin' hot redhead with impeccable fashion sense, while I am a roly-poly nerd.  Friends don’t always match. Also, Jin Furen's actress, Hu Xiaoting, looks like this: 

...so she is actually hot in real life. Not as hot as Zhang Jingtong (who plays Yu Ziyuan) but literally nobody is as hot as Zhang Jingtong. Don't @ me, you know I'm right.

This is a heck of a long scene, so we’ll pick it up in part two! 

Soundtrack: Livin’ on a Prayer by Bon Jovi

Writing prompt: Newly-divorced, cold-hearted CEO Yu Ziyuan buys an apartment next door to newly-divorced, warm-hearted pastry chef ...uhh let's call her Jin Dàngāo (蛋糕), sure. She can name her business after herself. 

They discover their daughter & son are in the same college class, and so they meet up over coffee....several times...trying to matchmake their hopeless, hapless kids, while bonding over their own terrible (former) taste in husbands. Who will Cupid strike first, the kids or the moms?

[jess-the-vampire]

Sooooo whatya think of the new episodeee?

Oh it’s definitely my favorite episode of the series so far, i was having such a good time at every turn. I’m glad i went out of my way to avoid spoilers, cause i was glad to actually be surprised by some elements on first watch.

I think this had by far the best opening for an episode so far, we finally get back to the villians, we meet the coven heads, we get insight on belos’s plans-

and then belos gets constipated, which starts getting into the more character driven lore, which is the best part. You instantly can tell GG and Kiki have some bit of tension between them to be Belo’s favorite, though granted i wonder if hunter is the only one to know belos is cursed and actually just always insists to help belos with his fits to prevent others from seeing them.

Including kiki.

It’s honestly unclear how aware anyone is that belos is cursed, like him eating pailsmans is apparently not something he hides, but like....i feel him being cursed is something that people would know universally if it got out...so i’m left wondering if anyone knows besides hunter.

Regardless, belos turns into a goop monster with an angry side, and i guess his mask doesn’t transform with him compared to the rest of his body so he breaks it again because i guess he goes though masks like crazy.

Hunter turns away in this scene from his outburst and even though he’s masked here i can already tell he’s most likely pained in these scenes. Like he’s probably seen this happen so many times, and i can’t imagine it gets any easier for him, it’s probably awful to watch belos suffer like this for him (Regardless of the abuse)

And to be honest, it seems pretty painful for him, i think this ep seems to at least confirm whatever this thing is that takes over belos’s body.....belos never actually wanted it in the first place. 

Yeah so after Hunter tells belos there’s not enough trees to medicate him anymore, we’re hit with the “UNCLE”. Which, when i first watched it i needed a second to even process the fact they confirmed their relation.

and i was like “CLOSE ENOUGH”, not his kid but uncle still works just fine for me, i’m just happy my assumption they were related actually came to ahead.

And i rewatched this episode a few times, and on second watch i realized more what happened in this scene. Hunter was talking about his interest in wild magic, and making more pailsman to help belos, and some method that could heal him and as soon as belos looked at him he instantly shut down.

He was clearly rambling about wild magic cures for belos because of his interest in it, and then suddenly remembered his uncle hates wild magic and felt super awkward.

It seems highly likely his interest in wild magic came from trying to cure belos and spending a lot of time reading up on the stuff. 

And then we get hit with the whole “Our family is dead because of wild magic” line, which.....i’m curious to know what happened there. But it does at least explain why belos feels how he does, if wild magic both killed his family beside hunter AND cursed him in the first place. We’re just gonna need more info on what exactly happened.

Also while Belos is def abusive and does not treat hunter how he should, this scene actually does read off to me like belos does care about hunter to some degree. If belos is cursed and his curse works in similar ways to how Eda’s curse works, then it’s worth reminding ppl that eda mentions early this season how stress can amplify the curse even more.

And sure enough, belos goes goopy on hunter’s shoulder all of a sudden when he grasps him. Which could be considered a sign of stress and that the idea of hunter dying or being in danger actually does stress him.

You could very much also assume this is just due to his curse not being fully handled and just getting worse, or that belos only cares about hunter for selfish reasons....but i’m not taking anything off the table here.

Belos can still be a shitty uncle, and still care about hunter, these aren’t mutually exclusive traits. But we need more episodes for now on this.

But anyways he asks hunter if he can rely on him, kiki is pissed......and we move on.

So i’m glad luz’s impulsiveness is addressed a ton in this episode, they actually bring up a lot of good points. That luz has no plan, that the time she’s spending here might render moot if she goes back to earth, ect ect.

Hunter even calls her out a lot later for not thinking things through, it’s a whole deal in this episode. I’m glad it was brought up cause it’s actually worth asking a lot of these things.

the set up here works, they actually made a good reason for why a pailsman didn’t bond with her. Speaking of which the adoption thing is cute and i love it, it’s a great idea. The designs are all very cute and fun.

Bump face reveal was a lot for me to process, but i find the idea of his pailsman being a pet that can help with his disabilities a good idea.

Also like, i did find it odd that they got staffs so early because we’ve never seen kids their ages with them before, but i guess it’s a new tradition? Does everyone at hexside now have one?

Honesty not sure why batqueen left the nest there overnight, i meant i guess she assumed they were safe with that shield but in context i dunno why she didn’t take them home after the school day was over.

but whatever, luz stays there overnight hoping  a pailsman will bond with her and GG just kidnapps them cause of pure luck on his part a bunch of pailsman were in a vulnerable spot tonight.

So GG continues to be charming, by whistling the theme song and then being blasted off his ship hilariously, before cockily teleporting himself right back on it seconds later. Like he and luz have great banter, he’s so extra like this it’s so funny, and god he’s so FAST with that staff it’s scary but so awesome.

Yeah so then hand dragon crashes them and i was so excited cause it meant face reveal. Poor dude looked so in pain and then we find out kiki tried to effing murder him because of course she did. But like, i think killing your boss’s nephew is the WORST way to get a promotion tbh.

(Also i got confused for a bit cause his mask has always been drawn as a mask, but now it’s a helmet in this scene for whatever reason but-)

Anyways, face reveal, Like honestly ppl weren’t too far off with their guesses, really the only thing people didn’t get was the tooth gap (That was fair tho, we couldn’t have guessed that). But it did make him even cuter.

like the banter is funny, he licks her hand, she slaps him, he looks SO pissed at her for this mess.

and i guess that outfit is his under armor apparently.

He’s lucky she didn’t run away immediately and followed him, but maybe he assumed she would since she had no where else to go.

Also his expressions in this ep are glorious, these had to be fun to draw.

Also we find out that the coven team members have never seen his face i guess? They just assume he’s a silly kid and are awful to him, so i guess he’s not only the youngest member of the coven but he never really shows his face much.

(”Call your parents”, ha ha.....whose gonna tell them who his uncle is?)

He is however, REALLY good at parkour and he’s fast even without his staff, so he’s well trained alright.

And then they reveal he’s not magical and i was SO happy cause i was so sure something was up when he wasn’t doing magic like the other witches despite his pointy ears. So they outright confirmed what i thought.

Hunter is pretty smart tho, like he can tell luz wouldn’t hurt him and wouldn’t flee so he knows he has the high ground here. Like he might be being a bit of a dick, but to be fair luz has been nothing but a dick to him throughout the whole episode (Everyone in this episode has been a dick to him tbh)

They team up and i get excited cause i love this kinda stuff and it gets more wholesome because hunter is super interested in her magic, he thinks it’s cool and you can tell how much he actually loves wild magic but then again...shuts himself down because of belos making him fear the stuff.

An then because luz asks, he tells her his backstory.

honestly with how this world treats people who aren’t magically powerful, living and growing up in a world that would find you useless sounds....awful. Hunter must be an anomaly around here, human blood or not.

Luz coming here to learn is different then growing up in a world and being the only one with no abilities and no future without them. Belos provides him with magic and a future, it’s no wonder he stays with him despite everything.

the whole “Found me” thing is weird, cause belos implies they’re blood related and hunter makes it sound like belos semi-adopted him. Which....if he did i dunno why “Uncle” and not “Adopted dad”, but ok....guess that’s for later.

Apparently hunter is important for something tho with the “Titan has big plans for me” thing, not sure what, but-

But yeah as soon as Hunter talked about wanting to make his own future and Rascal tried to land on him i knew EXACTLY where this was going, it was so cuteeeeee. The lil birb wanted to be with hunter, that’s so wholesome.

And he’s so terrified because of belos and what wild magic did to him, the poor bab.

But yeah, luz then trusts him with his staff back, because again....impulsive. But hunter does actually ask if she’s sure, so he might as well be asking if she trusts him.

The plan goes ahead, and hunter nearly betrays her.

though granted, hunter never promised her he’d stop and let her take them away, the truce was supposed to last till kiki was stopped and they were gonna fight out who got the pailsman. But it does bother luz cause she was hopeful he was better then this.

But just like he did before, she calls him out and he doesn’t betray her, because he’s ALSO too nice to do it, just like he said she was. He says his name (Which also took a moment to process), and then beats the crap out of kiki while letting luz get away and protecting her like a badass.

He might not have magic, but he’s good at fighting

like he can easily teleport to luz and take the pailsman, but he doesn’t, he lets them get away and luz knows this. Even though she also knows hunter has to go back to the emperor too and they have to separate.

It’s only slightly bitter terms, because in the end he came through for her and she knows it.

honestly, the worst part is i can’t even be mad at hunter for it, i’m sure he was terrified to fail belos. Both because he loves him and doesn’t want him to suffer....but also because of well...being punished. Really says something when his near betrayal doesn’t even make me mad at him, and i can understand why he nearly did it.

He let her go, knowing he’d be in SERIOUS trouble and that it would hurt someone he actually loves, so....ouch.

so yeah at this point i knew rascal wanted him so it was only of matter of what happened next.

Which was, luz getting the wood, which i like more anyway. Eda and King doing this offscreen and coming home like this is actually very funny, and honestly i appreciate the message of it being ok to wait.....means a lot to me.

yeah so belos is like...being an ass, like the kid tried his hardest, you don’t need to hit him with the “Is this the thanks i get?”. He’s a kid and he’s trying to cure you you dick, give him a break he doesn’t remotely have to help you like this.

Also apparently belos has not even told hunter HOW this happened, like...dude. Hunter is trying to be entirely reasonable here and belos spikes at him, which does imply some physical abuse though the only reason hunter doesn’t get a new scar is because he moves.

but how he reacts implies this has happened before, he is bracing for impact and he flinches. It’s pretty sad tbh, especially since hunter loves him and belos’s respect means something to him.

Belos is such an idiot, like c’mon dude, hunter is trying to help you and you don’t listen to him you dick. Kid shouldn’t have to say sorry for anything he did nothing wrong, he was just trying to help.

Anyways, he gloats at kiki (So at the very least she knows what he looks like under the mask), which he deserves a chance to do anyway. So i guess he didn’t rat her out for trying to kill him, personally my guess why is blackmail.....he was gonna hold it over her head to keep her from doing it again and threaten to tell belos.

But kiki quickly tells he LET the pailsman get away since he was the one to fight her (Curse his cute loose hair strand). So i guess now they have dirt on each other, so that’s fun.

His room is adorable, though the med kit by the bed is concerning.

Rascal comes for him and it;s so cute....though you can tell hunter nearly hurts him on instinct because of force of habit, but it’s so cute how he cares and how the birb loves him and is his new staff.

it was well hinted to as well, it’s so subtle, but the bird being cheery, curious, and his constant habit of escaping boundaries was perfect for hunter. He represents what hunter wants to be and why they got matched is done so well, all without explaining anything.

Hunter indirectly stated his deepest wish, to make his own choices, and rascal resonated with that. 

can’t wait to see where this goes.

great ending shot, love me some conflicted shots looking out of windows like trapped birds.

also this title was a pun the whole time i can’t-

[omar-rudeberg]

Omg I have been loving your Parallel posts and reading your take away from different scenes. Especially the one you did on colour theories!! How did you learn about all the meaning behind tiny details and nuances? And do you really think they had all of those details so intentionally in their minds when they were creating it? Specifically things like Wille always being surrounded by blue (the Queens outfit for his first statement, his scarf, his bed covers etc), and how golds and yellow kind of followed Simon. I also loved what you wrote about character growth with the two parallel of the boys at the windowsill and the two scenes in the music room.

I just think to be able to notice these seemingly insignificant details and take such clear intention from them is amazing insight on your part and it’s been so interesting to read them then go rewatch the series with all that in mind.

I really hope you’ve got more thoughts to write!

I need you to know that first and foremost I am jaw-droppingly surprised that you took the time to pop in with this message, and it’s so thoughtful and considerate !! Thank you so much ?!

My Young Royals Parallels posts are the first seeds of ideas I thought others may possibly be interested in, and the first content I really made, so they’re like my little babies - thank you for treating them with so much TLC !!

Look, in terms of whether or not the show’s creators had every single minute detail that I’ve alluded to in the front of their minds when planning and shooting the series... no. I don’t think so. Some of it I believe was definitely intentional - all the B L U E in the boys’ end of episode 4 sequence? I’d have a hard time believing that was coincidence, especially with the removal of all their blankets and deep blue pillows for the start of episode 5. The Queen I’m on the fence about, as blue has been a Swedish royal colour for a long, long time, but I do think some of Simon’s golden imagery was very planned. Specifically the “We haven’t done anything wrong.” scene, where the blues & golds (or orange & teal, if you follow modern mainstream film critical colour theory) are screaming that they’ve been put there to serve a higher purpose.

Whether the writers / directors / set designers / costumers / cinematographers had all of this planned out to the tiniest detail or not though is, in my mind, irrelevant. I subscribe to the death of the author theory, which I believe I may have alluded to in my post about ‘blue curtains’. Once a piece of Art is released into the world, there is birthed an Audience for the Art. And this Audience is comprised of different perspectives that will reflect the Art back on itself in different ways, always and evermore creating New Art within the initial frame. As a viewer of Young Royals, you fill in the gaps in the story with your own experiences, and connect the dots in your own unique way. Your Young Royals is not My Young Royals, is not anyone else’s. But some of our beliefs, thoughts, ideas about the show may overlap; your ideas may spark ideas of mine; my ideas may feed into yours. The sincerest joy I have known in this Young Royals tumblr space is that there seems to be this inherent respect between different people’s interpretation of the Art, and willingness to engage with different perspectives to greater your own knowledge and depth of understanding of the emotion in the work. This is community. This is storytelling. This is connection.

Now... you wanna know a secret? I’m not really sure how I’ve come to think in these parallel-esque ways. I despised studying Literature in high school. I did a business degree and am currently working in quite a procedure-driven job. I’m not even a fan of too much critically “Good” media - you know, those books & films & tv shows & plays that people tell you to read/watch, because you simply ‘have to’, because they ‘changed the face of xyz’, generally filled with allegories and symbolism out the whazoo?

But I was a prolific reader when I was younger, so maybe that helped? I’ve been making & playing music since before I could spell my own name. And I’ve always had this innate ability to draw in information, synthesise it together and put out a coherent narrative - both with Things and with People / Relationships, so possibly that too? I also have such a passion for the abstract / absurd / impressionist perspective, and this has led me to think about colour, line, mood and metaphor in intricate ways.

But at the end of the day, I’m afraid I don’t have any real answers, my friend. I’m convinced that somehow Young Royals is just zapping secret sauce through our screens into the brains of us all who have been mysteriously, creatively awoken (again) by it’s siren call.

I’m just following the call & diving in deep.

[where-theres-smoak-2]

So I was doing a rewatch (yes another one, and yes I am obsessed) and I got to the collar scene, now usually I just skip over this scene because my poor girl Alina having to go through that is awful, not ok Aleksander. But this time I actually watched it again and I noticed something...interesting, I guess you could call it. See I always assumed that Alina didn’t know that having the collar put on her would take her powers because she seemed so horrified when Aleksander did take control of her powers after the collar was put on her. The other thing I always assumed that she didn’t know was that the amplifier would be fused into her collarbone. But when watching again I realised that actually she did know both these things before the collar was put on her. Which made me wonder why she seemed so surprised by it. I mean it could just be down to continuity errors in the writing I suppose but if its not, then what other reason could she have for reacting the way she did? 

In regards to the collar, like I said, I figured she didn’t know it was going to be fused to her because she says to M*l earlier in the episode that she would ‘wear’ the bones which implies its something more similar to what was in the books and its like a necklace. But then in episode 3 the apparat tells her that the amplifiers work by ‘melding a piece of it into their bodies’. This wording does very much describe how the collar was melded into her, so this is information she had. On top of that Ivan was standing right behind her and obviously she has spent a lot of time with him by this point and you can see his own amplifier, the bear claw, is fused into his hand. I mean I guess its possible that Alina just forgot that was how it worked, or my best guess is its a case of knowing that its going to be fused into her and actually experiencing it being fused into her are two very different things and so there was just no way for her to be prepared for it. I mean it was a rather large piece to be melded to her collarbone. 

Then there’s the whole knowing that it was going to transfer her powers. Again I totally missed this the first time around and thought she was so upset because she didn’t know he was going to take her powers from her. But rewatching the scene I realised he tells her that’s what he’s going to do. At the very start of the scene she asks why David is putting the collar on her when Aleksander was the one to kill the stag, that its his amplifier and he gets its power. Aleksander replies ‘you asked for this yourself, when we met. To transfer your gift to someone who could use it.’ What’s funny is I remember the line, I’ve even talked about it in my Darkling analysis post but for some reason never made the connection that this would mean she knew what the collar would do. But anyway, I actually think her reaction is less shock that he’s taken her powers and more something else. The part in this scene that was interesting to me is that Alina in the beginning (as she often is with Aleksander) is being very confrontational and her primary emotions seem to be hurt and anger at him for lying to her. As he approaches her she does show some wariness and kind of flinches away from him, but to me I didn’t read this as her flinching away in fear, more that she was putting her guard up against him because she knew he was about to try and manipulate her and because as angry as she is with him she still feels that draw to him and so she’s wary that he might be able to break down her walls and manipulate her again, she’s worried she’ll fall for it again. What is also interesting is Aleksander reaction to seeing her flinch from him. He kind of pauses for a moment and then lowers himself down to her level. He puts them on the same level and makes his speech about all the things they can accomplish together. You can see Alina struggling with herself throughout the whole conversation where she really wants all the things he is saying, she wants them to work together to end all wars, she wants to be at his side and to work together to make ravkans and grisha safe and she wants them to work together to destroy the fold. She wants to believe him. You can see the moment she sort of surrenders to that desire, right after he says they can do anything. In that moment she chooses to trust him and she takes his hands and stops her struggles. Now I just want to be clear here that I am in no way insinuating that she consented to have the collar put on her, I mean for one thing her hands were in shackles and M*l was being held captive, for another she didn’t know what Aleksander was planning to do with her power once he had put the collar on her. But it is still interesting to me that even knowing that it would transfer her power to Aleksander, she choose to once again trust him in that moment and believed him when he said they would do everything together. Which again brings me back to that question of if she knew it was going to transfer her power to him and she had decided to trust him, why was she so shocked and hurt when he was controlling her power? 

Well like I said up until this point Alina had shown that she was hurt and angry and that she made the decision to trust him and after making that choice she seemed calm. But the fear came in when Aleksander looked away from her. This is something he’s only done before when threatening M*l. I think she knows him well enough by now to know that him looking away is because he is about to do something that he knows will hurt her, that will upset her. This is what makes her afraid, seeing him look away from her. This is when she starts to feel confused and starts asking what is happening and saying she doesn’t understand. It’s not that she doesn’t understand what the collar will do, she just doesn’t understand why he isn’t able to meet her eyes. I think this is further exacerbated by the fact that David also looks visibly upset. She’s realised that Aleksander is hiding something from her and isn’t being entirely truthful and that in turn is making her afraid. I do think that she takes some comfort from Aleksander’s eyes, throughout their whole relationship they had a thing about eye contact, right from their first scene together in the tent in episode 2. So when she seeks out that eye contact for reassurance only to find that he is avoiding her gaze it unsettles her.

 Another thing I noticed is that when Ivan slows her heartbeat at first I thought it was to stop her from struggling, but then I realised she wasn’t actually struggling by that point, she was asking alot of questions but not struggling. It might still have been a little to keep her under control but right before moving away from Alina he looks first to Ivan and then David to indicate to them to carry out the plan. So I think Aleksander arranged with Ivan to slow Alina’s heart rate more as a sedation, I think Aleksander didn’t want Alina to feel pain or fear when the antlers were fusing to her. Of course that doesn’t make what he did to her ok but it does show that he had some level of care for her that he didn’t want her to experience pain, unlike if he was a full on villain who wouldn’t give two hoots if his victim was in pain.  

I also think her shock after the collar had been placed on her, whilst some of it is the horror of feeling the antlers fused into her, its also because she once again trusted him and I think whilst she knew it would transfer her powers to him and that he would be able to use them, I think when she choose to trust him she did so believing he wouldn’t use her powers against her will. She believed him when he said they would do it together. So in my opinion it is less shock that he has access to her powers like I first thought and more betrayal that he is using them against her will, if that makes sense. If he had kept to what he said in his pretty little speech about doing it together and used her powers through the connection but only when she gave permission, and whilst keeping her in the loop of what was happening and what they would be using her powers for, if he stopped when she said she didn’t want to do something, then she would have been ok with it. It’s the realisation that doing it together is not his goal, that despite all he told her he is the one in control and that he isn’t treating her as a partner but as a slave and as a tool to be used in his grand plan no matter whether she wants to help or not. Once again he has tricked her and once again she is left feeling betrayed and like a fool. I think this is why she doesn’t believe or trust him later during the make me your villain scene when he is pretty much pleading with her to understand him, which lets be real is probably a conversation they should have had before he forced the collar on her, maybe then Aleksander wouldn’t have felt that action was necessary and they could have come up with another solution together that didn’t involve making Alina a weapon against her will.       

Anyway think I have waffled on long enough. So there we go end of random thought dump. 

[captainsspnanon]

C2E40 - Dubious Pursuits - rewatch

IT’S A HALLOWEEN EPISODE I FORGOT IT’S A HALLOWEEN EPISODE

for a split second I was trying to remember if we got the happy fun ball early, but no, that’s going to be probably the NEXT Halloween episode (“Jester! Put it down!  NOW!” is burned into my head.  I can’t tell if it’s Caleb or Liam but *fans self*)

Aw, no Laura this episode.  And I love that Travis’s costume is a hat and M&M gloves.  How is Sam’s ketchup costume more put together??? XD

Oh!  Liam’s back to the dark mug!  (and Travis’s gloves have come off INSTANTLY)

I love Liam doing the ‘Kylo Ren’ voice because I don’t watch Star Wars (I’m not a big action movie person, star trek tv shows tend to be more my jam. Hence why I’m also not big on the new star trek movies that were just action movies), so I have no clue if it’s accurate or not.

THEY BROKE MATT!!!! It’s so so rare now that they get him with a shout out, I love when it happens!  Travis did it this time ‘round.

...Caleb asking how many eyes he has right now hits WAY different XDDD

What the fuck is that flask Sam omg

Ah, the three murals with the three eyes in each, a deliberate red herring from Matt.  It was fun hearing him talk about this and what plot threads could have come from this during the wrap up.

I like that the Uk’otoa mural has amber eyes all along the body, and I’m just here thinking that Caleb should pry some out so he won’t need to buy any for his eventual Vault. XD

Hmmm.  After last Talks Machina where Liam said that Caleb would try to stop Fjord from raising Uk’otoa, I wonder if Caleb grabbing Fjord to talk before he could follow Avantika into the well was planned deliberately.  It ends up not making much of a difference, because Fjord does still get there first and just fails to figure out how to place the eye, but still.

HOURGLASS!!!  We never got many of these.  Have they ever actually run out the time on camera?

Enlarging Caduceus! Very smart move!!  (also I totally think Matt wiffed the roll for Yasha, and that’s why he gave Beau advantage instead.  He’s a very generous DM)

LOL as I bring it up, the sand runs out.  Penalty is only that the water fully fills the chamber, which is not too bad.

I like how after this, they I think always have someone with the spell water breathing.  Burn me once!

Faaaaaack another combat.

Ah, the Kiss of Life.  This is one of those moments that so small, but it’s so hard to imagine the campaign if it didn’t happen.  Though a part of me does wonder how the scene would have played out if 1) Caduceus was the one with the key, or 2) if Laura was actually there.  I feel like at least part of Fjord’s decision came from Travis not wanting his wife’s PC to die while she wasn’t there, and I do wonder if he would have gone for a kiss had Cad been the one instead, or if he would have done a more physical attempt of taking the key and dragging Cad along or something like that.

I like when Matt starts the chase skill challenge he straight up says that they have six rounds of it.  It gives them an idea of what to expect, because six is a LOT when you don’t know how much you have to do, and I can see them keep asking after three if they hadn’t made it yet.  So saying six ahead of time means that they’re aware of exactly how long this can take.

They don’t roll damage for the fluffernutter, so I don’t think we actually find out how much damage it can do!  Sad times.

Nott drawing the attention of the lizard-folk hits a LOT harder in hindsight knowing about her sacrificing herself to save Yeza and Luc.  This is, apparently, a trademark tactic of hers, despite her as Nott seemingly being very ‘selfish’ (except not really).  It also adds to both Veth and Nott’s stories.  It’s not her first choice to be self-sacrificing.  It’s not her second choice either.  But when the chips are down, it’s the risk that she will take herself rather than risking those she cares about.

Even though it was Taliesin’s idea, I like that it’s Yasha who is picking up and carrying Caleb when he hits two points of exhaustion.  I JUST WANT MORE YASHA CALEB INTERACTION.  These little guilt ridden introverts didn’t get enough time together. :(

Oh wow, after break almost EVERYONE is mostly out of costume except for Matt!!  (I suppose Sam is too, but he’s wearing a fricken ketchup costume, it’s hard to count it.  I suppose props for still wearing the hat, as that’s got to be uncomfortable)

I find it very very funny that the Squalleater name just sounds super wrong.  It’s the Ball Eater, Matt, get it right! XD

LOL after calling them out, Sam takes off his costume too.  PROPS WITHDRAWN.  ONLY MATT WINS.

It’s very interesting hearing Fjord pretty vehemently reject the possibility of releasing Uk’otoa at this time.  When they are in Xhorhas and his powers are taken away, Travis confirmed (I think in the wrap up, but maybe in a Talks) that he was 100% ready to go and release Uk’otoa just to get his powers back.  Knowing that, and seeing how against it Fjord is here is a fascinating play of how one can feel in control when one has what they want.  Fjord very much wants to continue to get more power, perhaps not the power that he would get from a full release, but the Control Water – he is very disappointed that he didn’t get it and is very driven to get it.  With his powers lost entirely, he seriously considers a prospect that he had rejected out of hand.   ...I have thoughts about this tying into his decision to serve the Wildmother, and Travis’s decision to multiclass, but I don’t have the energy to put it into words, so just assume that I said something very thought provoking and well worded.  (so not like my usual write ups XD)

Fuuuuuuck, Caleb’s face when he tells Fjord “you do what you have to” in regards to Avantika and the glass of wine.  I would not have been so aware of it had someone else not done a fantastic write up of how Caleb was taught to use his sexuality and how that colors his views of how the Avantika/Fjord interactions should go.  I can’t remember the post or who wrote it, but I did reblog it when I saw it ages ago.

AWWWW, Nott giving Fjord the vial of acid and the genuineness of the interaction.  Team Green, I believe is the name, SUCH a good combo of sass and feels.

I very much appreciate the fact that Matt is clearly giving Travis the opportunity to have these RP sessions with Avantika without having to have it go into overt sexuality, something that he knows Travis is uncomfortable with.  Matt gives little winks and nods, allowing the opening if Travis wanted to take action, but in no way makes it a ‘must do this to proceed’ sort of thing.  It makes Travis being willing to take that step fully his own decision without feeling pressured.

I like how “Seamen, seamen everwhere” “and not a drop to drink” ended up being the thing that broke Matt.

@suicidallyreckless

[zkfanworkweek]

ZFAW Fan Content Creator Interviews: HayleyNFoster

Hey everyone! We hope you’re all excited for ZFAW, and to honor (ha!) ZFAW’s commitment to supporting and celebrating fan content creators in the Zutara fandom, we’re going to be rolling out a series of interviews with well-known and widely-beloved content creators over the next few weeks. We’ve got artists and fanfiction authors, some names you recognize as well as a few phenomenal up-and-coming talents, and we can’t wait for you to meet them all!

For the second interview in this cycle, we have our best propaganda creator and this fandom’s hottest new artist/undisputed queen of the animatic, @hayleynfoster!

1. Tell us about how you came to ship Zutara. What does this ship mean to you?

When I was around 14 or 15 and caught Avatar: The Last Airbender on television, I was drawn in by the art style, the humor, and the wonderful characters. I caught the episodes out of order, and the first one I saw and wasn’t prepared to be sucked in by was The Waterbending Scroll. It intrigued me at that age, and the line “I’ll save you from the pirates” combined with the tension between Katara and Zuko in that whole scene was electrifying. I remember my teenage self thinking these two have so much chemistry! And when I saw a commercial on Nickelodeon that featured fanart submitted by fellow Avatar fans, I realized that I could do that to! So I set about making Zutara fanart for myself. I stumbled onto Youtube, practically in its infancy, and discovered that people set clips of Zuko and Katara set to music (And this was still in season 1 days… so people who made these amvs were the real mvps because they were able to make compelling narratives in their amvs with like practically nothing to work with!). The AMVs really spurred my interest in this couple, I remember distinctly one Zutara AMV using the Dido song White Flag utterly capturing my imagination. I found fandom shortly after, getting into deviantart and forums. But the ship really began to mean something to me when, as I was working on my drawings in the computer lab at school, a buoyant presence hovered over my shoulder noticing my Zutara art on the computer screen. The girl was someone I had never really talked to and had only seen from afar but she immediately started excitedly saying she shipped Zuko and Katara too! In this simple shared obsession, I made one of the best friends I’ve ever had and we’re still friends to this day. We would theorize and fangirl over Avatar like it was nobody’s business; we poured over bootleg San Diego Comic Con footage that showed spoilers for season 2 before it aired; we lost our freaking minds when we finally saw The Crossroads of Destiny. We had watch parties every week as Season 3 of A:TLA aired, and comforted each other when the show ended as it did (much ranting was shared). Those are some of my happiest memories from high school… all because this one pairing from this wonderful show. Even though Zutara didn’t happen, we still chat every now and then about it. Zutara will probably be a lifelong obsession, always bubbling under the surface. And without it, I would have never realized that animation was a viable career path. It really did inspire everything including the work I’m doing to this day in the animation industry. I owe a lot to this ship and to Avatar: the Last Airbender.

2. What inspires you to create zutara fanworks?

The resurgence of Avatar: The Last Airbender this year really helped sort of spark that dormant love I had for Zutara. The show’s ending still disappointed me on the rewatch, but Zuko and Katara’s relationship arc was as captivating as ever, so I turned to some fanfiction and looking at people’s pretty Zutara art and AMVs to just revel in fanon instead of getting to hung up on the actual ending of the show. But then I realized, with quarantine and my work load being pretty light, I had time to actually make all new Zutara art for myself, art I was never fully capable of making as a kid, but now could do with my 7 years of industry experience and just… life experience. And I was inspired to do some corrective animatics to satisfy my own desire for a different ending. I just really like exploring these two characters, doing different and interesting things with them, and frankly I’m inspired to make cute, fluffy, romantic art simply by virtue of living in a really sad and depressing world. Things are so crazy right now, creating art about two characters I love being in love, is comforting. And it helps to have inspiring music and amazing Zutara amvs to just sort of stir up my emotions and imagery in my head to make into animatics and art.

3. Be selfish - if you could request one fanwork based on your own art/fanfic, what would it be? What would you absolutely love to see someone create?

Ohhhh… Well, It’s always nice to have people write fanfiction that puts words to my animatics. I am not that great at coming up with dialog myself, so I’ve just chosen to indulge in visuals and emotions for my boards. But when I read things like RideBoldlyRide’s take on my Reunion Animatic, it makes me pretty giddy. (They finally have voices!) :) And this is the MOST selfish thing I could request, but I’m not shy about saying how much I love well done amvs, so I will literally kill for someone to make Zutara AMVs to songs I like… Like, most of AURORA’s songs but especially Exist for Love, Sunseeker by The Naked and Famous, Promises or Take Me by Aly & AJ, Adore You by Harry Styles, Human Enough by ONR, Never Let Me Go by Florence + The Machine, and/or Almost (Sweet Music) by Hozier just… I can see the AMVs so clearly to any of these songs in my head, but I don’t have the tools or skill set at my disposal to make a compelling fan video. When I was in high school, I originally thought I wanted to go into video editing simply because I loved making very crappy AMVs (they were so bad you guys), but I figured out being a storyboard artist was more in my wheelhouse. haha

4. Any words for people who are new to the fandom and/or nervous about sharing their work for the first time?

If you’re new to the Zutara fandom, just have a good time! Don’t waste too much time arguing with people over your shipping preferences. I wasted so much of my teen years having pointless shipping wars with people on DeviantArt, and I’m just so much happier nowadays because I’m just making Zutara art in my little corner of the internet, and honestly, in the politest of ways, I don’t give a shit if people don’t like my art or Zutara. haha I think that’s sort of a key thing for people thinking of posting creative works here in the fandom, just make art for yourself, satisfy your own desires for the pairing, get your creative sparks flying, and create just for the joy of creating. It’s always nice to get comments and such, but simply making the art should be what spurs you on, not the external validation. And have a good time, don’t worry too much - I say as someone who worries about EVERYTHING. But honestly, making art for A:TLA is some of the most relaxed I’ve been because I make it just for me. I’m lucky others seem to like it too!

5. What’s an idea for a fanwork that you have but haven't gotten around to making?

I have an idea for a second generation storyline with my Zutara kids that involves Kya (the eldest firebending daughter) falling in love with an airbender boy (tentatively named Gora in my headcanon who’s a bit of a rabble rouser and one of Aang’s kids he had with a Kyoshi Warrior), and then they start a socialist revolution in the Fire Nation in order to dismantle all of the hierarchical societies across the Avatar world… Together Kya and Gora Fan the Flames of revolution… ehhhhh... Get it?? Oh! Oh, and then Katara, who had put in legit liberal reforms in her time as Fire Lady listens to her daughter after resisting in the first part of the story, but then realizes she can actually play a part in the dissolution of the royalty and is also active in the revolution realizing that moderate liberal reforms are no substitute for a society free of serving royalty (which she had always been uncomfortable with but had rationalized with herself that she was doing good in her capacity as Fire Lady.) I just feel like there’s a lot of cool potential for discussing these ideas and also having some aspirational change in the Avatar world. lol For aesthetics and just happy fluffy times, I can indulge in Fire Lady and Fire Lord Zuko stuff, but really at the end of the day, I take issue with the structures in a society that have to exist for monarchies to exist. Soooo, I kind of want to do my own corrective story for that… if I ever have the time or guts. On a less ambitious note, I would love to do a Zutara sparring animatic to practice doing action, but I need a good story; I am not good at doing fights just for fighting’s sake. Those are just some things I have rattling around in my head.  

6. Are you participating in ZFAW? If so want to give us a hint as to your plans?

Yes! The most I can say is I have one animatic almost finished and one that’s still being thumbnailed. The rest are probably going to be comics or emotive single pieces based on the fanfics I really like right now. :)

[delyth88]

Loki episode 5 rewatch

It’s been a busy week so it wasn’t until yesterday that I had a chance to watch Episode 5 again. And I was a little worried I might not like it as much as I did on first watch, but thankfully I did still find a lot to like about this episode.

Spoilers below...

Firstly, I think it’s taken this long, but I’ve finally gotten used to this new variant of our Loki. To this overly emotive, sweetly stupid at times, often bewildered version of the character.  Let me be clear, he is absolutely not being presented in the same was at the first three films, Infinity War, or even Ragnarok. But I’m finding him easier to watch now that I have no hopes or expectations that he will be the Loki I was hoping we’d get to see again.  Sure, I’m sad they didn’t give us a continuation of the Loki we’re grown to love, but this guy seems to be starting to find his feet, and I’m curious to see what his potential is now.

I was again struck by the increased sense of purpose (no pun intended) of this episode.  It seems to be going places more so than previous episodes were. And again I loved the opening sequence and the music as we travel through the TVA and then out into the Void. It did make me wonder whether the destroyed city was actually a version of the timeline where Loki/Thanos win the Battle of New York, and that’s as far as the significance of that set goes.  My hunch is that we won’t see that long shot of Loki from the trailers in post-apocalyptic New York. They opted for the mirror of the Avengers scene instead as the way Loki finds himself in this place.

I laughed at Loki’s little rant this time too. Particularly the line “plus an alligator, that I’m heartbroken to report I didn’t even find all that strange!”.  In fact there were a few moment when I felt we were getting a little bit of Loki’s old humour. Such as, his “Delightful.” In response to kid Loki talking about cannibalistic pirates, “This is a nightmare.” and “Don’t die isn’t a plan, it’s a general demand of living”.

I do wonder though if this is just about comparison with the other Lokis?  Like they’re all so very much more on the extreme end of comical that it makes our Loki seem the straight guy in comparison? *shrug*

After several days I am still taken by Old Loki and his story.  And on watching it again I was able to appreciate the little moments leading up to his fighting Alioth. He gives the impression of being just so Over It and his crazy comics outfit also directs the audience away from how much he actually cares.  For example he is really quite upset at Lokis in general and presumably also himself after the betrayal by Boastful Loki. He says “We cannot change. We’re broken. Every version of us. Forever.”

And he seems quite affected by Mobius’ offhand comment that “it’s never too late to change”.

And then that look back towards Loki and Sylvie as Alioth approaches.

Gah! This is the kind of thing I wanted for our Loki.  I don’t have the right words to describe it, but it’s partly the back story, partly the change of heart, partly the stakes, the emotional depth. I’m really quite sad that we won’t see more of him.  :( 

@scintillatingshortgirl19​ you asked me what I thought of Loki’s response when Sylvie asks, “How do I know that in the final moments you won’t betray me?”

“Listen Sylvie, I…” Loki pauses and takes a deep breath “I betrayed everyone who ever loved me.  My father, my brother, my home.  I know what I did, and I know why I did it. And that’s not who I am anymore. Okay? I won’t let you down.”

To be honest on my first watch I think I just let it slide over me as yet another one of those lines where they keep telling us what we’re supposed to think of Loki (whether it’s true or not).  I think Episode 4 might have broken me – I didn’t even blink an eyelid.  I think I’ve just heard so many people saying things that I think are absolutely wrong about Loki that I’m just… used to it now?  I dunno. Maybe it was just my mood, or the fact that there were enough other things I enjoyed in the episode that I could ignore it.

But since you pointed it out I’ve been thinking about it and after my rewatch I kinda think Loki has been a little bit influenced by recent events and conversations.  He’s just watched with embarrassment several different versions of himself strike bargains and then betray each other, in such an extreme example of this behaviour that it seemed absurdly comic. Boastful Loki even says “I betrayed you, and now I’m king.” And as they leave the Loki fight behind Old Loki says “We lie and we cheat! We cut the throats of every person who trusts us! And for what! Power!”  So I can kinda see why betrayal is on his mind.  

And perhaps this is something he’s been thinking about for a while now.  Since he tried to strike a bargain with Sylvie before he even really knew her. Old Loki ask if Loki trusts Sylvie and he says” “She’s the only one [of the Loki variants] I do trust! “

But I guess the way I interpreted it is not just literal betrayal like he just watched with the other Loki variants, but also letting people down. Letting himself down. In this context betraying his father would be the events of Thor 1 where he betrays his father’s trust by letting the frost giants into the weapons vault (I think he’s talking about Odin here, not Laufey), and then by not being able to be a good king in the eyes of his father or even his own standards while Odin was in the Odinsleep.  I don’t think he would be thinking of the moment where he lets Laufey into Odin’s chamber because he always intended to betray Laufey and save Odin. Although maybe he feels guilt for that too, in terms of lying to his father.  In regards to his brother, I’d consider any of the times Loki is acting against his brother’s interests, in a serious way such as the times that he was evading and fighting against Thor in Avengers, or when he sent the Destroyer in Thor 1 as betrayals of a sort, and the frost giants at the coronation again. And in regards to his ‘home’ I assume from his perspective this is again about the coronation and the events that led to the destruction of the Bifrost and as far as he’s aware war with Jotunhiem.  Perhaps he’s thinking of the moment when Odin says to Thor “... you are unworthy of the loved ones you have betrayed!” Potentially he’s also thinking of Ragnarok and his actions in causing it after what he read in his file in the TVA. Personally I think he knows it was necessary but still feels a ton of guilt about being the one to actually do it. In this case it’s a betrayal in action but not in heart.

So I think he’s kinda focusing on the guilt he feels. And I think this is why he feels it could extend to Frigga, although he doesn’t mention it I think we as the audience are meant to assume it.  But again, this is in terms of the guilt he feels at a future version of himself inadvertently causing Frigga’s death – as he’s heard this story second-hand from Mobius. You know how if you start feeling bad about something it’s very easy to expand that to a whole bunch of other things you’ve done?  These are the times he feels guilty for his actions in hindsight.

I also think he’s kinda lumping a bunch of things together under the umbrella of the wording of the question that Sylvie has asked.  I think if she’d used a different word he would have echoed that back to her too.

I also think he starts of with “Listen Sylvie, I..” because he was about to defend himself, refuse to acknowledge that he would do such a thing and minimise it, by saying some version of “I would never do that”.  But he catches himself and takes the opposite approach of laying all his faults out plain. Admitting in a slightly exaggerated way that he has betrayed people in the past and he knows it, which he considers is more likely to be believed, and that he won’t betray Sylvie because he’s changed since then.

So I don’t know if I really have a conclusion to draw from this, but I think Loki is exaggerating out of guilt. 

But this is also one of those lines that where the character is telling us not showing us.  Which seems to have started in Ragnarok and is being continued in this series. It’s frustrating, I don’t like it, but it seems this is what they do now.  :/

***

So, it’s taken me a whole ‘nother day to get to finish writing this, and I’ve realised that this is the first episode in a while that has been on my mind since I watched it.  I’m actually invested again! Which I was very much not after Episode 4.

This episode had another piece of Loki’s story, in the form of Old Loki, and that was wonderful, and tragic.  And we’re starting to get somewhere with the plot now.  

And unlike in previous episodes where it looked like they’d left hints of things to come but that turned out not to be the case, I actually feel like we might get payoff for all those comments about Loki’s magic.  Probably not in a way I’d prefer, but at this point I’ll take any sort of change that gives Loki a bit more control over his life.

I’m also feeling again like this story matters.  With episodes 3 and 4 I wasn’t really feeling it.  I hope I’m not too disappointed. lol

I still don’t like the romance, but having resigned myself to the fact this is what they’re doing last week I was better able to watch this.  The fact that Sylvie is as utterly incompetent at personal relationships as our Loki does make it more tolerable to me, and if I take it as some weird AU (which lets be fair is exactly what this is) it is kinda cute. In a way I like that they’re both late 30s/early 40s in appearance, not teens or twenty-somethings. It adds this extra layer to their awkwardness and I think brings home how weird tit is that these thousand year old beings don’t know how to be friends if you can do the mental jumps required to believe this in the first place. I still want it to be platonic or at least not taken any further.  I will gag if they kiss in the finale. 

[sirtadcooper]

🎨 🥺👉🏻👈🏻

Astrid, Astrid, Astrid, what am I going to do? Sort through your consistently perfect gifs? Pick favourites? You have truly set me a great challenge.

Usually I will go through a person’s whole edits tag but I have sorted these into Narcos and The Mandalorian because I was just looking to see how much you had made and accidentally saw a major spoiler for The Mentalist which I am only on season 2 of. I’m looking forward to [redacted] happening, though, because I was starting to ship them a few episodes in! Anyway, onwards with my impossible task.

Narcos

So before I start on this list I want to say that your colouring? It’s perfect every single time. Seriously. Fair warning: I’m going to be saying “perfect” a lot.

Javier Peña + that thing he does with his right hand - A great compilation! I never noticed this little detail so this gifset was a real (pleasant) surprise. I was checking the notes just to see what the general consensus was and I like the he-wants-a-cigarette theory. Just excellent acting from Pedro what a very keen eye you have! Or maybe you just spend a lot of time fixating on Javi’s hands...

Javi being snarky - Gosh, I love this one! Javi’s sense of humour got me though Narcos, although I think only one or possibly two of these gifs is from season 3? The way the life drains out of him over the course of the series just breaks my effing heart, baby. By the end of the three seasons I was pretty cross with the guys in episode one for calling him an asshole, but maybe I can see their point now, haha! But I still love him. I will protec.

1.05 There Will Be a Future | 3.01 The Kingpin Strategy - It was a great choice to jump from one scene to the other like this. Really adds to the heartbreak. It makes the contrast between his life now (sharing stories in the cool dark) and what it could have been (warmth and light and checked shirts) all the more vivid. The way he looks back at her in the last gif? Ouch.

Narcos, “The Palace in Flames” (2015) | We Can Be Heroes (2020) - A parallel I love and respect, thanks for making such good gifs of it. Shout-out to @keanurevees for being the single funniest person on this planet.

“Jungle Rescue Javi” in Convivir - Listen Jungle Rescue Javi can come and rescue me anytime. You’ve done a great job of colouring so many scenes with different lighting conditions and still have that green shirt look like a green shirt. Like it’s the same hue in each one. How did you do that? That’s pretty neat.

We’ve all gone off the rails down here, Javi. - This scene! I’m not okay! I love the colouring work you have done here. It’s just so perfect, so nice to look at. The whole set has this earthy colour palette and I mean, even Javi isn’t wearing a colourful shirt for once. This is serious.

Javi wearing a leather jacket - These gifs are so HQ I could practically reach out and touch his jacket, you can just feel the textures... with-with your eyes...? You’ve picked shots that all work together as a set, nothing stands out for the wrong reasons. No wide shots, no super close-ups, nothing to throw us off of our jacket appreciation rhythm.

Javi and his yellow aviator sunglasses - My biggest “YEAH BOY!!!” ever for this one. The amount of work that must have gone into this. 24 individual gifs coloured to your usual levels of absolute perfection and then laid out in this very pleasing and completely accurate, not-a-pixel-out-of-line way. Amazing.

Javi chasing Franklin Jurado through Curaçao in Best Laid Plans - Gosh this scene was so tense! You’ve done a great job colouring this despite the changing lighting conditions and the blazing sunshine. Well done! And I never noticed until I saw this gifset for the first time that he’s wearing a pink shirt and jumps from a pink building, haha!

Javier Peña leaning over tables - You see stuff like this? This is why I consider you to be the ultimate expert on Narcos. You make compilations like this and make it look effortless. I wouldn’t know where to start looking for scenes like these without having to rewatch the whole series and take notes. But, hey, maybe that’s what you did. But the fact that you did and made this set is still amazing.

NARCOS | 1.06 EXPLOSIVOS - Great job with such a dark and unforgiving scene! You have the Talent. He looks really pretty here.

Javier Peña + favorite look - Gosh, yes. I’ve said it before and I’ll say it again, Pedro Pascal is a very talented actor. He takes clunky vintage tactical equipment and makes it look flipping incredible, like something he was born to wear. Also thank you for that delectable bonus gif. Arms.

The Mandalorian

Okay I have rambled for, like, 800 words already so I’ll try to say a bit less about these. I’ll try.

Din’s beskar spear heel kick in The Rescue - First of all, I saw this and now I’m pregnant. This is on the list because not only is it Din’s hottest moment for me, but because colouring-wise it is impressive. It’s bright, there’s no colour cast at all, and yet the blacks are really deep and rich. Gideon’s I’m-evil-I-must-wear-nothing-but-black cape looks especially good.

Din’s walk - You are the compilation queen! There’s nothing really that I can say here that I haven’t already said about your other compilation gifsets, it’s just perfect as usual, ya know? You make it look so easy. How does Din look so good when [New Yorker voice] he’s just walkin’ here?

Din just being a dad - Yeah. That’s the Good Stuff.

Din’s shoulder/waist ratio whenever he walks into a room - Everyone shut up I am Thinking.

Din engaging in a dogfight while his son has the time of his life on the backseat in The Siege - Like with your set of pink-shirted Javi chasing that guy in Narcos, you have a real talent for giffing action scenes. You’ve coloured this really well. You can still see details in the clouds and the shadows and your colour balance is impeccable.

Din lifting his helmet to sip soup in The Siege - I love the warmth of this little scene and the colouring you’ve done here. And the bonus gif... same, Grogu, same.

And I think I’ll stop there. I have sadly had to leave out some really excellent posts but I had to draw the line somewhere, haha! You, my friend, are just incredible. Time and time again you grace us with perfect gifs in crisp HD 4K 1080p HDR. And for what? Not for money or reward, but for love. Thank you for all that you do, because you may make your gifs look effortless but I know it is anything but. You’re amazing, you’re talented, you’re perfect.

creators send me 🎨 and i’ll tell you my favourite of your last ten creations and why

[fandomlurker]

A Ponderous Rewatch: In the Garden of Mindy

So today’s episode is neither a regular Pinky and the Brain skit nor a mere cameo. Today’s episode is…different, as the opening that spoofs the 1980s CBS Special Presentations pops up.

Perhaps the Warner Siblings can shed some light on this?

“Hi. We’re the Warner Brothers.”

“…And the Warner Sister.”

Look at these smug little gremlin children. You just know something is wrong when they make faces like that.

“And we’d like to invite you and all the members of your household…”

“…to gather around the TV set and join us now…”

“…for a very special episode of Animaniacs.”

“And what’s so special about it?”

“I’m not wearing any pants!”

…Wakko, you’re never wearing any pants.

Okay, okay, so we have the usual opening song and then the real explanation comes along.

“Welcome to the Animaniacs test kitchen!”

Oh no…

“We’re cookin’ up something really different for today’s show. All we need are our ingredients!”

Oh, kids, no!

“A dash of Pinky and the Brain!~”

WARNERS, PLEASE!!!

Man, the mice look so worn out. Did they…try to escape the Warner Siblings to avoid this whole thing? Like, that’s the only reason I can think of for why they look so tired as opposed to surprised or nonchalant like the other characters: They’re exhausted from attempting to run away. And for Pinky to be tired out is very, very telling.

“A cup of Slappy Squirrel!~”

Slappy is resigned to her fate.

“A tablespoon of Goodfeathers~”

I’m sorry about the smear face I managed to capture on you, Yakko.

I love how Bobby’s smirking a little, Squit is grinning like usual, and Pesto is looking at both of them like “If this is in any way you guys’ fault, I swear to the Godpigeon you’re all in for a beaking.”

“Add Rita, Runt, then swirl!~”

Meanwhile, Rita and Runt are just baffled.

“We add a pinch of Hippos~”

Why do you only have one of them?

…Wait, this is a fat joke, isn’t it? Goddammit.

“Buttons and Mindy, too~”

“Now top it off with Skippy Squirrel~”

Buttons and Flavio right now:

“What’s that make?

Animaniacs Stew!~”

Well, okay. We can at least call everything that results from this by a catchy name: The Stew AU.

“What’d we come up with?”

“Just watch…”

Oooh, children. You’ve committed a culinary evil this day.

“They’re Mindy and the Brain~”

So we’re mixing up the Animaniacs cast of characters and shows today.

[sighs]

Okay, so I guess it’s time to explain the basic premise of the Buttons and Mindy shorts and why they’re not fondly remembered, huh?

Well, the whole thing with Buttons and Mindy is a variation on the Baby’s Day Out type of scenario. Buttons the family dog is put in charge of guarding and babysitting Mindy, a friendly and curious toddler, by the mother of the family. The mother leaves to go…somewhere, and Mindy inevitably wanders off to chase after a bug or something new and interesting that she sees. Buttons goes after her because he loves Mindy very much and wants to keep her safe and be a Good Dog, and Mindy naively and unknowingly wanders into increasingly dangerous and life-threatening situations that Buttons must save her from, all the while getting beaten and bruised by the situations that were threatening Mindy.

The shorts usually end with Mindy and Buttons somehow ending up back home with Buttons ragged from the abuse he’s endured and Mindy perfectly fine except for maybe not being tied to her tether or in her playpen or whatever. The mother comes home and sees that Mindy is not quite where she was when she left her, or the surrounding area is a mess or something equally not that terrible, and berates Buttons for not taking better care of Mindy and calling him a Bad Dog.

And that’s where it ends.

If you’re not busting a gut at that description, congratulations, you are just like 90% of the Animaniacs audience.

The reason these shorts just don’t work for a lot of viewers, myself included, is that this kind of scenario is only funny once or maybe twice. After that, you just end up feeling bad for Buttons and don’t want to see a cartoon dog go through a conga line of pain that he doesn’t deserve. Not to mention that the whole premise can be boiled down to “Severe Parental Anxiety: The Show”, and not a lot of people like feeling that way for ten minutes or so per cartoon episode.

The reason the scenario works for a comedy movie like the aforementioned Baby’s Day Out is because the people going after the baby in that movie are kidnappers and obviously terrible people who only look out for the child’s safety so they can hold the kid for ransom, thus the pain they go through while the child remains okay is funny. Trying to do the same thing with an innocent family dog that just wants to keep a toddler safe? Not very funny at all. It’s just sad.

“Mindy and the Brain!

One’s a small child,

And the other’s…the Brain!~”

So now we have a Buttons and Mindy episode with Brain filling in for Buttons. Already this is…not great, but I suppose it’s the only suitable fit for Brain because he’d have it so, so much worse if he was put in the cast of the other skits.

I like the Goodfeathers skits, but I feel like Bobby and Pesto wouldn’t put up with his world domination shtick and end up berating him and/or beating him up. And Squit? Squit’s a do-gooder but he definitely doesn’t have Pinky’s level of passive subordination. Brain would be completely out of his league.

This isn’t to say that I wouldn’t want to see Brain interacting with the Goodfeathers, because holy shit yes PLEASE I would love the chaos that would ensue. I just think Brain wouldn’t last on his own with them.

Brain would, again, be completely out of his element in a Slappy Squirrel cartoon. Slappy’s skits hinge on her being a senior Looney Toon-type who knows just how to handle absurd scenarios and villains. Brain gets lost and confused incredibly quickly when unexpected situations pop up. He’s not a quick thinker in general. He’d be toast.

Being inserted into a Rita and Runt skit… Well, Rita wouldn’t be a good partner for obvious reasons that will become even more apparent later. And Runt is kind and a bit dimwitted but he’s no Pinky. Runt isn’t the type to be interested in helping to take over the world. He just doesn’t have the skills to do…almost anything that Pinky can, and he doesn’t have the drive to do it. Runt just wants a home and that’s it.

As for the Hip Hippos, there’s a skit of theirs down the line where Brain is involved and it honestly turns out about as well as it does for Brain in this episode.

So, let’s see how Brain fares in a world without Pinky.

“He uses his lobe

To overthrow the globe!~”

Also, we’re again treated to TMS doing the animation, which certainly elevates this skit quite a bit.

“She’s whimsy,”

I love how Brain goes from shock and surprise to absolute petulant grumpiness after seeing that Mindy put him in a jar.

“They’re Mindy and the Brain, Brain, Brain, Brain, Brain!~”

If only this was the extent of your humiliation today, Brain. If only.

[Various raspberry and baby babbling noises]

“Hi, Lady!”

“It’s ‘Mom’.”

This is honestly the only joke I ever liked in the Buttons and Mindy shorts. Apparently it was based on something a real child of a friend of an Animaniacs creator would say to their mom.

“Now listen, honey, mommy has to go to a better parenting conference. You stay right here and play.”

A “better parenting conference”, huh? Lady, you need it more than you know. For many reasons.

“Okay Lady, I love you, buh-bye!~”

Is anyone else getting a horrid sense of foreboding and dread from Mindy’s doll looking like a simplified Elmyra?

“Now, Brain, you keep an eye on Mindy while I’m gone.”

Nothing like leaving a mouse in a cage in charge of a toddler, huh?

Gosh, brain’s so adorably chubby in this episode. Look at him. Look at that grumpy face and that pudgy belly.

“I always get an attitude from him…”

Yeah, he’s… Yeah. That’s Brain, all right.

“At last, that meddler is gone! I’m free to begin my plan to…conquer the world!”

I love that back shot of Brain so much. It’s perfect. That’s the perfect Brain proportions and I can only dream of being able to draw cartoons that well.

“First, I’ll use telepathy to open the cage.”

C-come again? “Telepathy”?

Brain, honey… You’re looking for the word “telekinesis”. You should know this.

Also I guess Pinky’s not the only one with telekinesis capabilities.

The fact that he cocks his head to the side when he turns the trowel with his mind is a nice little detail.

“Now to get Mindy…”

That strut, though. He’s a mouse on a mission.

“Come, Mindy, it’s time for us to conquer the world!”

...Okay, I’ll say it: Mindy is very cute in this shot.

Meanwhile Brain...looks like a gremlin.

“Why?”

“By right of superior intelligence, I am best suited to guide the destiny of this planet.”

Careful, Brain. You’re getting dangerously close to--

“Why?”

“My empirical powers give me the mandate.”

BRAIN, this is starting to sound like eugenics...!

“Why?”

“Because it’s something I want to do!”

Oh lord, without Pinky to reel him in and remind him of all the real reasons he wants to conquer the world, the Brain of this universe has devolved into a mouse driven purely by ego and spite.

His little tantrum is adorable, though.

“Okay, I love you! [MWAH~]”

“I am uncomfortable with that.”

The Brain be like: What is this...”affection” you speak of? This is new and scary to me.

“Now listen closely, Mindy: Using the gardener’s weed killer, manure, and a little zoysia grass,--”

Zoysia grass is an actual thing, by the way. It’s the kind of grass you see mostly on golf courses.

“--I will construct a powerful stink bomb!” 

GAH! No need to punctuate the term by making your eyes bulge, Brain.

“We’ll use the lawn mower engine to construct a rocket and fill it with the gas. When precisely launched, the prevailing winds will spread the gas across the world’s capitals.”

As impressed as I would be with you being able to make a rocket from a lawn mower engine, Brain, it’s kind of overshadowed by you doing that thing again where you make a drawing animate like a video. Another strange power to add to the list, I suppose.

“As the stench drives the government officials out into the streets, we will rush in and seize power!”

Good lord, Brain, calm down. You’re gonna break that pointing stick!

“You understand?”

“Mousey!~”

You’re...not very good with kids, are you, Brain?

“Pretty Brain mousey…!”

“I am mortified.”

I don’t see why, you look positively precious.

“Little mousey big head!”

Mindy, dear, I too wish to squish this cute little megalomaniacal mouse sometimes but you’re doing it way too hard.

“Put me down, Mindy, or I shall have to hurt you.”

“Okay, I love you, buh-bye!”

The Brain: [is a mouse with genius intellect and gadgetry know-how with the drive to take over the world]

Also The Brain: [gets dunked on by a toddler merely dropping him on the ground]

“I sense I’ve completed the first step of my plan: Finding manure.”

That’s one way to look on the bright side, I suppose.

Sweetie, you’ve got something stuck on your head still.

“Pungent aroma, if I do say so.”

“Now to construct the rocket…”

...Why would you take the mask off now? You’re still right over top of the stink bomb! Brain, have the fumes messed with your thinking abilities already?

I do like the animation of him tearing the mask off, though.

“Buggy! Buggy!”

“All right, Mindy: Bring me the mower!”

If you ever need a pose that sums up Brain perfectly, it’s this one right here. This is him distilled down to his purest form. God bless TMS for this.

“Soon the world will be mine!”

Uh, yeah, about that...

“Woooow! Buggy go fast! Wheeeeeee!~”

“Whoooooaaaa! GAAAAAAAAHHHHH!!!”

“Beh, peh, EUGH!”

Brain’s plans go to shit really fast without Pinky around. Sometimes quite literally, it seems.

“Buggy go ‘round!”

[Running in the 90s starts playing]

“Ahahaha!”

Don’t worry folks. As always, Mindy is okay. Brain, however...

“AAAAAAAAHHHHHH!”

Something I missed on my first viewing of this episode: the grass around Brain’s feet as he walks around covered in his stinkbomb juice dies near instantly.

“Wahahahaha! Silly Brain!”

“This is most unexpected.”

Is it, though? Is it really, Brain?

So, uh, something that caught me off-guard while watching this for the first time is what happens next.

Pinky and the Brain is, obviously, a Warner Brothers cartoon with some Looney Toon sensibilities. Despite that, though, while there is the occasional being-flattened-like-a-pancake or being-covered-in-soot-after-an-explosion types of cartoon slapstick and such, it doesn’t really go much beyond that when it comes to cartoonish injuries and such. The worst I’d ever seen it get in this show is at the end of Opportunity Knox when Pinky and Brain are all wrapped up in bandages and some of their fur has been scraped off raw. Even then, that was surprisingly “graphic” for the show.

But this upcoming bit?

AAAAAAAAAAAAAAAAAAAAAAAAAAHHHHH!!! D8

--was my reaction the first time. It’s not bloody and gory, but seeing Brain being sliced into sections by a lawn mower is just...startling, to put it mildly. To my knowledge (and well, it has been decades since I regularly watched the show, so take this with a grain of salt), the Pinky and the Brain Animaniacs sketches and the spinoff never does something this Looney Toons to them.

And what really gets me is that he’s not just cut into sections with his eyeballs popped out, it’s that there’s an obvious hole in the middle of each section??? For some reason??? What that to imply space for his skeleton?!? A creamy center filling?!?

TMS, you could have just animated him in sections like some kind of mousey marshmallow, why did you include the holes?!?

[Press F to Pay Respects]

“Bleh! Brain smell like poo-poo!”

“I must re-think my present career…”

Honestly, Brain? Without Pinky to help you, I’d say it’s a good idea to just try and escape this family first and then maybe try on your own to take over the world. You might have a slightly better chance then.

“What’s that horrible smell?! Is that you, Brain?! Have you been allowing Mindy to feed you old cheese again? Bad mouse! Bad, bad mouse!”

Wait, “again”?

“…I hate being chided.”

You know, it’s interesting how he says that about this human woman chiding him, but in the regular Pinky and the Brain universe Pinky will sometimes chide Brain for doing something dubiously immoral, and while he may hate it there too...he more often than not backs down and admits to his faults when it’s Pinky doing it.

“But she’ll be gone soon, then I can begin my plans for tomorrow: Another plot to take over the world!”

“But first: A bath.”

I mean, yeah. Priorities.

“He’s stinky,

They’re Mindy and the Brain, Brain, Brain, Brain, Brain!~”

Well, I never thought we’d get a Brain bath scene until the comics but here we are.

I wonder if Pinky would find it equally as appealing to watch as that one...

Okay, that sure was...an episode. Let’s see how the other half of the equation is doing.

“They’re Pinky and the Cat!

Yes, Pinky and the Cat!

Her name is Rita,~”

Oh NO... 

I love the contrast of these two shots. It’s as if Pinky’s self preservation instinct kicks in only long enough for him to be vaguely worried about having a cat in his cage...and his lack of attention span overtakes it and he does whatever the hell this is.

“He’s a lab rat!~”

“A mouse!”

At least he still has it in him to be offended enough to correct the Warners about his actual species.

“They live inside a cage,

Making less than minimum wage.~

Aww...

Oh, Pinky, sweetie... I’m so sorry. I’m so sorry for what’s about to happen.

“It’s dinky,~”

“They’re Pinky and the Cat, Cat, Cat, Cat, Cat!~”

Pinky making faces in the reflection of the water bowl is another bit of animation that’s used in the spin-off’s opening theme. It’s kind of weird to pull something from this particular segment, but whatever.

“What do you want to do tonight, Rita?”

It was so difficult to get a shot of Pinky’s cute little coy stance here, but it was worth it. Look at this cute, naive little mouse. He just wants to be friends, Rita!

“I dunno, eat you for supper?”

[GULP]

[Press F to Pay Respects...Again]

“So far, this is my favourite episode.”

“Narf! Oh, roomy accommodations, Rita!”

Don’t worry, folks, he’s fine! Yup. He’s okay somehow.

Lord, I hope this didn’t awaken a vore fetish in anyone.

“She ate the rat

‘cause Rita is a cat, cat, cat, cat, cat!~”

So yeah, that’s the end of this little experiment by the Warner Siblings. Well, the end of what’s relevant to this blog series, anyway. There’s also a skit with Pesto and Runt trying to find a home, which is honestly the best one out of this whole bunch of AU one-shots.

Then there’s a Katie Ka-Boom and Chicken Boo crossover, which is as underwhelming as you can imagine.

There’s a short where Dot takes the place of Slappy Squirrel, which goes about as well as it can after the theme song repeatedly calls her “Dottie the Squirrel”.

Lastly, Slappy takes the place of Dot in a Warner Siblings skit (with a cameo with Flavio as Skippy) where the Warners barge in on a very thinly veiled parody of Saddam Hussein and, uh... Well, it’s about as awkward to watch as it sounds. Props to Slappy for not really being interested in any part of that skit, though.

Man, after this utterly bizarre set of skits, I think we really need that full episode length Pinky and the Brain episode, don’t we?

Soon, folks. Soon.

See you then!

[canary3d-obsessed]

Restless Rewatch: The Untamed Episode 21, second part

(Masterpost) (Other Canary Stuff) (Previous Post)

Warning: Spoilers for All 50 Episodes!

Flute Solo

For some reason Wei Wuxian has decided to take a walk outside of the fortress, or behind the fortress, or something? Can people just take a stroll outside during wartime? Seems unwise.

There are guards and these extra-bossy crows herding some Wen prisoners along, and Wei Wuxian stands up above and gets totally overwhelmed by resentful energy.  

He falls to one knee while clutching his chest, in the spot where all cultivators seem to stow a bag of holding. I guess this is the Xuanwu sword? Or maybe it's his surgical incision; those things can take a while to finish healing. I think the golden core is further down in the abdomen, though; this is right over his heart. 

Wen Qing, Granny, and Fourth Uncle are in the group, but Wen Qing has her hood up so Wei Wuxian can't see her, and he's unlikely to remember the other two, since he only saw them that one time at the shrine, and he doesn't remember people he's literally had dinner with.  

The guards decide to be assholes and beat the shit out of a prisoner because he fell down, which inspires some extra aggressive crows to swoop in and attack the not-dead guy on the ground. That is...not how carrion-eaters behave, generally. They're pretty good about waiting for you to stop moving.

Wei Wuxian continues to struggle, obviously having an orgasm in a lot of pain, and starting to leak resentful energy.

(more after the cut)

He brings his flute up and starts playing it, which causes the wind to rise, rocks to fall from a nearby cliff, and the whole group of people on the ground under him to start having Yin Iron lines crawling up their faces.

Would Wen Qing be a beautiful fierce corpse? She would. 

Eventually Wei Wuxian stops torturing everybody, having gotten it out of his system for a bit, and stands up.  The group gets up, skin clearing up, and starts moving along again, a little shook. Wen Qing looks up and sees Wei Wuxian and hides her face in anguish.

She was there in the dungeon, listening to the same flute music, when he was resentfully slaughtering everyone around her in Yiling. Does she understand what she’s seeing, what he’s become? 

Her hood is off and it seems that he sees her, or at least that he is trying to figure out what he's seeing. But Jiang Yanli arrives before he can do more than look puzzled and cast his eyes around.  

Jiang Yanli asks him what just happened and he laughs and says it was the strong wind, in an extremely transparent lie that Yanli nearly chokes trying to swallow. She drags him back to the meeting while he continues to look troubled.

War Council

Meanwhile, the war council is meeting. This is mostly a boring rehash of stuff we already know, but someone has drawn a nice big map that's been installed in a custom frame. Because apparently the table with the mountains on it is not a good enough representation of "and then we will walk from our house to Wen Ruohan's house," which is basically their plan. The gist of this scene is that Wen Ruohan having the Yin Iron gives him an advantage, in case we needed to be reminded of that. 

The doors fly open and Wei Wuxian and his fabulous ass literally blow into the room. 

Everyone reacts in a comically extreme way. 

He casts his eyes malevolently and/or sexily over to Lan Wangji, who is still grumpy with him, while Jiang Cheng comes up and stands almost as close to him as Lan Wangji used to.

He tells everybody that he might have something to counteract the yin iron.

Everybody: Really? Do tell!  

Wei Wuxian: Happy to!

Wei Wuxian: *theatrical side-eye at judgy ex boyfriend* 

Wei Wuxian: Actually, nope.

He says "we'll see in about a month" while fondling whatever is hidden next to his ribcage.

This behavior, while ridiculous, isn't quite as absurd as it seems from a corporate-meeting standpoint. Part of what cultivators do is invent and refine spiritual tools. So when Wei Wuxian makes this speech, the people in the meeting are going to infer that he is creating a spiritual tool to counter the Yin Iron.

Now it's Lan Xichen's turn to ask everybody’s favorite question. Lan Xichen wasn’t at the party when everyone else asked him, and we're apparently supposed to believe these gossips haven't been talking about the not-sword-carrying 24x7.

Wei Wuxian says he's just not in the mood, and we get to see Lan Xichen's impressive ability to hold his face completely still while he represses his desire to slap someone.

Jin Zixun complains about Wei Wuxian after he leaves, but for once his bitching is on point; he correctly surmises that the counter to yin iron is...yin iron. 

Now, to be fair, the yin tiger amulet is different from the yin iron because it exists in the novel Wei Wuxian specially refines it to be more manageable than the sword it started from. And maybe it’s gel coated to be easier on the stomach. But it's basically the same shit.

Lan Xichen and Nie Mingjue exchange intense gazes, just to prove that the young people aren’t the only ones who know how to eye fuck. 

Lying Is Forbidden 

Lan Xichen talks to Lan Wangji, and we discover that Lan Wangji is perfectly capable of lying. He manages to maintain a reputation for not lying but I think the trick is that he just avoids talking in general, so when, for example, people in later years say "who's your masked boyfriend" he just doesn't answer, which isn't really lying. (How many times did Lan Qiren and Lan Xichen ask “where did you get this kid?” and just not get an answer, I wonder.) 

At other times he actually directly lies, as when he claims he is “just passing through” Yiling on a night hunt. The current conversation with Lan Xichen definitely involves actual lying.

Let's play multiple choice answers with the Lan brothers!

Q:  Why is WWX so confident we can have Yin Iron against WRH in a month? 

a.) Because he's been walking around with that Xuanwu sword for months, and it is obviously made of Yin iron b.) because he used a fucking ghost flute to flay Wen Chao more or less in front of me, so he is clearly down with some dark magics c.) I don’t know

Q: Was the death of people in the Yiling supervisory office really related to yin iron?

a.) obviously b.) maybe he was using some other source of overwhelming necromantic power c.) no, he’s not like that

Q. When you approached Yiling, was there anything unusual?

a.) yes, the talismans had been altered to draw in evil spirits b.) yes, everyone except his particular friend Wen Qing had killed themselves in horrifying, outlandish ways c.) are there rules already set for everything in the world?

Xichen, bless him, actually lets Lan Wangji change the subject like that and answers his question honestly.

Xichen: Actually, rules are pretty much shit Wangji: fucking hell, you're telling me this NOW? What have I been doing for the past 18 years then?

They both look just ridiculously beautiful in this conversation. Lan Wangji’s affect with his brother is so interesting. He’s trusting, emotionally open, willing to be seen...but only because he knows Lan Xichen won’t push past his barriers, won’t force him to speak the truth of what’s on his mind.

Awkwardness

The Yunmeng bros roll up, and awkwardness ensues. 

Wangji is frowning hard. His frowns are of the micro variety just like his smiles, but boy they are consistent and Wei Wuxian and Xichen both know how to read them.

Wei Wuxian gives Lan Xichen a small, sunny smile--it seems genuine, not like the fake ones he's trotting out on demand for his family. 

Then he gives Lan Wangji a pointed gaze of yearning and reproachfulness, which Lan Wangji returns, switching from frowning to a softer expression that seems about equal parts hurt, apology, and thirst.

Wei Wuxian reacts to that by bowing again and leaving, with Jiang Cheng quickly following, wondering what the fuck just happened.

Lans Xichen and Wangji pivot gracefully to watch them go, which Lan Wangji should know is not correct post-breakup behavior; you're supposed to act disinterested, my dude. 

And then Lan Xichen asks Lan Wangji what the fuck is going on. Lan Wangji gets one more lie in, saying he's not worried about Wei Wuxian, before reapplying his frown and walking away from the conversation.

Macroexpression Brothers

OP was wrong about Wei Wuxian not hugging Jiang Cheng any more--here he is hanging on him just like the old days, and Jiang Cheng is shoving him off, just like the old days. However, it emerges that this is mostly an act that WWX is putting on to seem normal. 

Jiang Cheng wants to know what's wrong between him and Lan Wangji, and asks why they broke up. Wei Wuxian points out that Jiang Cheng didn't like him dating Lan Wangji before, so why is he pushing him to get back together with him now, and Jiang Cheng says that now they're allies in a war, so Wei Wuxian needs to do his duty and help keep Lan Wangji in fighting trim, nudge nudge. 

Then he starts lecturing Wei Wuxian about sword cultivation and generally good behavior, and Wei Wuxian theatrically nods and give him appraising looks, telling him he really seems like a clan leader now.

Jiang Cheng headshakes this away. Wei Wuxian actually giving Jiang Cheng a sincere compliment here, disguised as teasing, and he's not wrong. Jiang Cheng has matured and is becoming a strong leader. Not strong enough to ignore peer pressure, but that’s true of most clan leaders in this environment. They’re not supposed to ignore peer pressure. 

Wei Wuxian is pointing it out for his own reasons - he doesn't want to be having this conversation - but it's nice to see him giving his clan leader his due.

Jiang Cheng walks away as Wei Wuxian smiles after him; as soon as he's out of sight the smile falls off of Wei Wuxian's face as fast as fast as gravity can take it. It's like someone snuffed a candle.

No one bites back as hard On their anger None of my pain and woe Can show through

But my dreams, they aren't as empty As my conscience seems to be I have hours, only lonely My love is vengeance that's never free

More Awkwardness

Lan Wangji and his ambivalence come looking for Wei Wuxian, standing outside his door and raising a hand to knock before changing his mind and fleeing. 

Lan Wangji is on the back foot for the first time in his relationship with Wei Wuxian; this boy who pursued and pursued and PURSUED him is now a man who won't speak to him.  This boy who hung on every one of his words, and saw through all of his minute facial expressions, has become a man who won't listen to him. Lan Wangji is in the position of pursuer, now, and it's not a role he's well equipped for.

Yanli stops him as he's bailing. He looks so relieved to see her, but he tries to escape immediately after greeting her. She stops him so she can ask what the fuck is going on. 

Unfortunately, Wei Wuxian rolls up while Lan Wangji is in the middle of talking to her.  He's telling her about the heterodox cultivation, and Wei Wuxian busts him. Wei Wuxian steps up and asks what he was telling her, and Lan Wangji says "Wei Ying," but doesn't get much further than that.

Nunya

Wei Wuxian reminds him that he told him to stay out of Jiang Clan business. Now, here I want to mention that "private" and "not your bidness" are culturally specific concepts. OP, for example, grew up in version of Irish-American culture so secretive that the problems of a person's life and (often) the cause of their death are things only discovered by whoever inherits their papers. [OP inherited 3 generations of letters a few years ago, and HOO BOY]

In the version of Chinese culture which we see in this drama, your choices, thoughts & troubles belong to the family and clan, not just to you.  Wei Wuxian, in shutting his elder sister out of his struggles, is not family-ing correctly. Jiang Yanli is right to try to get around that by asking his friend. His friend is also right to give her--in sanitized form--the information she is asking for. 

Wei Wuxian has zero trust in Lan Wangji at this point, unfortunately. He doesn’t know that Lan Wangji has been lying to cover for him; he just knows he’s being a grumpy aggressive holy roller. Now, when Lan Wangji has just been given permission to disregard all 3000 rules and look at a person’s heart, that person’s heart has been hardened against him. 

Yanli is used to dealing with Wei Wuxian's moods at this point -- after all, a lifetime of Jiang Cheng has got her used to volatile little brothers, and Wei Wuxian is clearly a new, not-improved man since his return. 

She tries to get him to chill out while Lan Wangji gives him a death glare -- not a return to the earlier generalized frown, more of a specific "I can't believe how full of shit you are" frown.

Wei Wuxian calls him Lan Er Gongzi, like a dick. Lan Wangji started this but at this point Wei Wuxian is kind of in the lead for who is being The Worst. Lan Wangji executes a beautiful 180 and walks away at top speed. 

Wei Wuxian asks Yanli if he talked about Yiling and when she says he didn't, he realizes he fucked up. 

He goes running after him and calls him Lan Zhan and says "listen to me" but Lan Wangji is no longer in a listening mood. 

Eat A Dick Sword

Lan Wangji is so far in his feelings at this point that he just hauls out his sword and goes after Wei Wuxian, taking complete control of the interaction and forcing Wei Wuxian to concede the fight. Aww, he’s so angry! I love him. 

This is a rough moment for Wei Wuxian. He really genuinely can't hold his own against Lan Wangji, unless he's going to directly use necromancy against him the way he does later in their final confrontation. 

When they first met he was able to defend himself on the rooftop without drawing his sword, but he's weaker now; Chenqing is an adequate hand weapon against most cultivators and puppets, but it's not a match for Lan Wangji's full attack. 

Wei Wuxian is not enjoying this fight, and can’t win in, so he just throws in the towel, exposing his throat and trusting Lan Wangji's control.

On the surface, this fight appears to re-establish their former rapport, but it puts them on such an uneven footing it might actually drive a larger wedge between them.  I think that Lan Wangji has made a strategic error in doing this.  

Lan Wangji seems to want to prove to Wei Wuxian that his new style of cultivation is inadequate, that he would do better with a sword. Swordplay was the beginning of their relationship; their matched power was the source of their mutual attraction. Lan Wangji can't accept that Wei Wuxian has given it up; he doesn't (yet) respect his agency enough to assume that he has a good reason.

This fight functions as yet another punishment that Lan Wangji doles out to Wei Wuxian; not a physical one, this time, but a psychological one, and their relationship pays the price. 

By attacking Wei Wuxian and forcing him to concede, Lan Wangji is showing that they're unequal. By criticizing Wei Wuxian's lack of progress and asking him the same goddamn question everybody else is asking him -- where is your sword? -- Lan Wangji is humiliating him. 

This encounter does not re-establish Wei Wuxian’s trust in him; it just forces him to accept Lan Wangji’s authority, for now. Which is not what either of them really wants. 

Soundtrack: Behind Blue Eyes, by The Who

Writing Prompt: What would Wei Wuxian have said if Lan Wangji had listened to him instead of drawing his sword?

[traumatizedkids]

Some fun facts, info and More about the S3 and the comic in general.

 I made this long ago with the S2 hiatus, so i decided to do the same again with new funfacts, and some new info about S3 (without going into spoilers of course, i hope you guys like it)

As you can notice, the new profile cards has a section called Logo, those logos are a new thing i added to the comic, What’s the purpose? They are made for pannels were the character’s talk but they are not in scene, this is an example from the new season:

When i announced King in Black i didn’t have almost any plans for the next issues, but i liked the Agony plot so i decided to make the story about that.

The Scene were Alec uses Jake as a Bat is a reference to the Blackbird Epilogue were it’s said Jake turns into a Bat of Intention releasing Andrew’s soul.

I wanted to elaborate more the scene were Jake is awakened from the illusion, but it was too many pages and i had to use the Bro thing, i am sorry if it was Lame, for me, at least it is.

When Alec met Hazel, i had plans to explain Alec dad’s were already dead, but i decided to not add that scene.

Alex (Hazel’s daughter) is 10, and She’s a Demi-Girl, 

The reason why i started to read Disney Chills was because i wanted to find new traumatized kids from a different media than the ones i already use.

In the moment i read Planet of Symbiotes: Toxin i knew Bren has to be in the team.

Millie was intended to appear revived for a Symbiote after KIB, but i discarded that because we don’t really know her fate and there’s chances she could came back in FF epilogues.

Hazel works as a Lawyer

I want to make season 3 more separate from FNAF, because this comic was turning into a FNAF comic more than a crossover.

The Bonnles came from a Joke i made long ago on Twitter

I suffered a lot in season 2 because i really wanted to use Dylan, but the idea of a Time skip was soo good to not use it, Return of the Kids was totally my fav moment.

Oswald’s Scar plot from Familiar Rabits is gonna come back on the Summer Special.

Traumatized Kids Island is gonna be 10 episodes long i dunno if it’s gonna be Weekly or every 2 days, i have to think that.

Sora Ogami was a character i loved to add and i hope to use it more in future episodes.

I already told that, i changed the Henry’s hairstyles to make them inspired in the actor Jared Gilmoire, the one who interprets Henry in Once upon a Time.

The real name of this comic is: Niños Traumados.

Not gonna lie, i want to add Sleeper in this comic, but i don’t know what happened with him in comics, i am worried :(

The reason i am redesinging some characters is to gave them a personal touch (and because their shows are over)

Dipper and Mabel were requested a lots of times, i hope to use them more on season 3 now i rewatched the show since years.

I dunno if someone get it, but this is a reference to Kingdom Hearts:

I have plans to do a reference to the original trilogy of FNAF Books.

I started this blog because an user called Puffy started to reblog the first 3 episodes saying she was enjoying them, i am very grateful for all her suppor and i love her reblogs, thank you so much.

This also goes for Hide, i dunno if you’re reading this, but thanks for all your support, i love to have you here.

Bren Waters and Dylan Brock are gonna be gooooood friends.

I think it’s pretty obvious, this is an AU, so i take some creative liberties for some designs and relationships, i still use the actual stories from the characters, but some things like Normie and Dylan friendship (who in comics stopped being friends in a comic that we don’t even know if it’s canon) are changed.

In King In Black 3 in the Adults plan i had plans to introduce the crystal gems, but i thought Connie would be a better idea so i could introduce her.

Yeah, Connie is gonna come back, also she accepted Steven proposal after Steven got corrupted again, 

There’s gonna be more adults on the Season 3

Not gonna told who, but one of the Founders members of the Meeting has appeared on one episode, not gonna tell wich.

Oswald loves more Springmatt than the Bonnles.

At first i didn’t wanted to confirm Chuck and Sam relationship, but then i was like: Why not?

Season 3 is ubicated AFTER The cliffs epilogue, but BEFORE Gumdrop Angel epilogue.

I confirmed 4 new kids, but i don’t deny maybe new kids would join in the future, someone wants to talk about dinosaurs?

What Oswald says about the name is already taken in KIB 1 is a reference about the fact there’s already a Symbiote called Agony.

At first i had plans to make art-trades with people to have variants of King in Black with another artist but i wasn’t brave enough.

I want to apologize about my shitty english lmao, sometimes i mess up the translation.

If you’re still reading this reblog with a #Yes

ok thanks, i aprecciate that.

sorry for this being so long lmao

For the people who read Disney Chills (and the people i hope i introduced to them like that ask someone sent me) i am aware about the Second Star to the Fright ending, but i wanted to use Barrie anyway, i love that boy.

Not gonna lie, i would love if someone makes a fanart or a dub of this series, if someone wanted to but was afraid to ask, you can, don’t be shy.

For the people who doesn’t knows, i am making an Into the Pit Graphic novel and a Dylan and Normie Graphic Novel, this comic is helping me to practice with Panel composition.

This is the first Splashpage i ever made, and i am very proud of it, i hope to make more on the future:

Goblin symbiote design was inspired in the Goblin Childe and the colors of the green goblin.

Some kids like Oswald are not going to have a Profile Card yet, that’s because Season 3 spoilers.

Im doing an Animatic about Dylan in the other Earth talking to Codex, at first it was a personal project, but i decided to add it to the traumatized Kids Canon.

When Robin is with the Cape on is because i am lazy to draw the body, sorry, i am human too lol.

I am sad no one got it, but that answer about the meeting room and a cat of the founder members was a Doraemon reference, yes, i confirm it, Nobita Nobi is in the 80s meeting.

At first i had plans to introduce Billy and Tommy into S3 but then for obvious reasons i didn’t (But i still can, maybe someday)

Steven’s weeding is gonna be a S3 arc, and it’s gonna be the last time we are gonna see Steven, it’s hard for me, but some kids have to leave in order to other to enter.

Welp i think i gave so many facts, this is a long list, i dunno if people is gonna fully read them, but if you did, thanks a lot for your interest.

Soon i will share more things in this acc, have a good summer.

[sanstropfremir]

Okay, time for my weekly rant so buckle up. The vocal stages were okay-I cant really remember them well because I watched them only once so take what I say with a grain of salt. Well I watched the Spark one once and I only got through half of the other one because I can’t stand ballads especially when there’s no interesting movement on stage to keep me engaged. Like it’s no fault of the members themselves or the song (I actually think their singing was incredibly beautiful and Eunkwang always sings like his wife just left him with the kids which is how you know he’s good) but I physically could not pay attention. That’s why I liked the spark stage a bit better-there was enough movement that I was able to focus on it. I really liked the use of the fire and the way they were walking in and out of the frame trading off parts so there weren’t too many awkward moments where the other members where on stage but not doing anything. The opening was gorgeous with each members being lit by the spotlight as they harmonize. So stagewise, I prefer Spark but vocally I think the other group was stronger. I love Spark and Taeyon is such an incredible vocalist (I mean the song is great because of her) so I don’t get why their delivery was, I don’t want to say weak, but subdued might be a better word. The only one that really stood out was Junhoe (but also that man couldn’t not stand out even if he tried, not with that incredibly rasp) and even he seemed to be holding himself back a bit. Though it was a bit slow it built up well to the two last choruses but still the first half could have been stronger. I know they were trying to draw it out to a strong pay off but I don’t really know if it was enough. And yes the suits were *chef’s kiss*. I think at this point in their career the FNC stylist has put SF9 in so many suits they’ve got it down to a science. Also I’m a sucker for those shirts with the triangle cut out and we got not one but two of them here.

Okay moving on, I’m not sure which group was next but I’ll talk about the Ikon stage. It seems like they finally realized that they’re on a performance based competition show so they decided to pull out the big guns. Love the little skit at the beginning (making sure people don’t forget that they’re YG), it was cute and refreshing. I really appreciated how they leaned into the campy acting in this stage (Stray kids did it too-just adding to the similarities between their stages). The song was meh but I also don’t really like BP especially not their recent stuff so it’s not a big deal. I would have preferred if they had gone with another song maybe Whistle or As If It’s Your Last or if they’d done a 2NE1 song like Chanwoo mentioned some point in the episode. I also think the stage would have been way smoother if they’d let Ikon and Lisa interact. Like if the boys appeared in her set after her section and then they all moved back to the first jungle set and then the whole thing turns gold and they did a dramatic outfit change (but with better jackets because theirs look like they came out of Party City). I also get what you mean about the dancers outfits not being that great. I actually really liked the outfits of Lisa’s dancers in isolation but they didn’t match with her or the set so they threw me off a bit. At least with the ikon members they were going for a modern look so the dancers outfits didn’t look that strange in comparison. Do you think it would have been better if they were white? How would you have improved then? The best way I can describe this performance was that it was a stage, stuff happened, I enjoyed myself but I don’t plan to revisit it anytime soon. Oh and we also have to give points for them cursing on national television not once but twice (at this point Jinwan deserves to say fuck).

Now to Stray Kids. So I feel like I need to preface this with the fact that I am actually a stray kids fan (I won’t call myself a stay because I don’t associate with the fandom) and though I’ve been really critical of them and their stages tend to be my least favorite I still have a soft spot for them (I got into this show because of them after all). I loved, loved, loved the intro with Felix (and yes his biggest flaw is that he’s Australian but I forgive him for it) and the way it immediately transitions into the chorus of DDD-the abrupt transition does fit really well with the Deadpool theme and I guess it is the closest they’re going to get to the feeling of yeeting themselves into traffic like in the movie. Interesting choice to start with the chorus. Now that I’m rewatching it I do really wish they stuck with the comic theme. I think that’s my gripe with SKZ-they have a lot of good ideas but they move on too quickly from them. Just pick a handful of things and sprinkle them throughout instead of cycling through them at breakneck speed. Like okay they’re doing Deadpool and he’s a comic character so keep the comic styling (it would have been a good thing to put in the projection behind Seungmin’s scene), maybe in the subway they could have had some fight choreo so the guns coming in at Lee Knows part aren’t out of nowhere (also someone please tell me they were trying to recreate the meme with the cat and the knives, please I need to know). I absolutely agree that them having a goal or an antagonist would have really helped the story along. I mean they literally have a spoken intro so why couldn’t Felix just tell us who they were fighting (and I’m pretty sure in the movie Wade tells us he’s trying to kill Francis in that scene sooo). As always they put more focus on the rappers (please can we get less Changbin and more Seungmin, Jeongin, or Lee Know or at least give Felix more parts). Seungmin was the real mvp of this stage and he had the best outfit (I think it qualifies for Hanya’s best gay little outfit list). Personally I with they hadn’t gone with Gods Menu again. I’ve been hoping that they would perform My Pace (and maybe remix it with their B-side TA off their Go Live album) because that would be such a fun stage. Again, I enjoyed myself but I won’t revisit it anytime soon. At this point the only groups I actually look forward to are BTOB and SF9 (they’re doing fucking Move and I don’t know whether to be excited or terrified-there’s a clip of Taeyang covering Move from a variety show or interview and I think he does it really well so I know at least one of them can pull it off). Again thanks for creating space where I can info dump and I hope I said something of interest to you!

i think you wrote more than me!! i love this, im gonna put my response under a cut im not being super obnoxious on the dash.

i get that the mayfly stage would be not as visually stimulating for people and usually i would count myself in with that crowd because i love a good spectacle but i think because i watched the spark stage first and my colour perception is sometimes weird so when there's a lot of movement with very little colour variation my tiny pea brain loses track of whats happening really quickly. especially with red. so it was kind of difficult for me to pay attention to the spark stage in the second half. also i absolutely HATE watching people flub on stage because it brings up such visceral secondhand feelings that i couldn't even watch the stage when i started the full episode today.

i love a good suit but you know what i would also love: sf9 in more costume variations. tbh im just getting nitpicky about it because im a costume designer down to the core and i got trained by a designer who specialized in doing avant garde costuming so i tend to skew more towards wild than reserved. it looks like the move stage wont be be suits so ill take it, but oh man to do i want to see some really crazy stuff. which i know they'll never do because idols have to be pretty at all times or the fans get mad but oh i want it so badly.

do you mean how i would improve ikon's backup dancers outfits or lisa's? here why dont i do both. for lisa's dancers i would have just done away with that harness shape all together, its almost exclusively a military style. the jackets by themselves would have been fine but really what they should have done was put them in something that matched the gold but contrasted enough to give them shape. by having at least her dancers in all black on a gold stage there was a lot of "haha look at me do a duck walk because lets throw in some voguing for spice." they could have gone with a mesh bodysuit idea similar to what she was wearing or even just different colour coats. as for ikon's backup dancers, firstly pants. not black. or even a longer skirt. genuinely a part of the reason why i dont watch girl group content is because i HATE the hem length of the shorts they make everyone wear. words cannot describe how much i hate that cut. kpop is so obsessed with showing off women's bodies and especially their legs but they do it in the LEAST flattering way possible because it "can't be too risqué," just shoot me now. i hate it. i hate it so fucking much. yea yea everybody was on cocaine in the 80s whatever but at least they were all wearing french cut bodysuits so their legs looked fantastic. stop interrupting the lines!! anyways. pants so the only section of skin showing is thigh to mid calf, especially because they weren't even doing any fun legwork! if they really wanted to keep the full sleeve bodysuits they shout have done them in a fabric with a texture or external embellishments, like a patent/vinyl or sequins/rhinestones. something to catch the stage lights so we can actually see the shape of the limb. but the easiest way to fix it is literally just cut the arms off the bodysuits. stages are lit to show off skin, sometimes the best way to have something be seen is just to have it bare.

i agreed skz cycles through ideas way too fast, they need to just pick a couple and stick them out through the stage instead of just adding more and more different ones throughout. also ok good someone else noticed that there is just...so much changbin. we don't need that much changbin. i know there's other boys in the group let them do something! also im pretty sure theyre not recreating the cat knife meme but actually the promo image from john wick chapter two, which i also could have sworn i saw a deadpool version of as an instagram ad back when movies were happening, but now that im looking for it it doesn't exist so i might be crazy.

im excited for the move stage but im also trepidatious because...its move. i have NO clue what the concept is from the previews so i just hope its weird enough to take it enough out of the taemin context for me to enjoy it.

[ordinaryschmuck]

What I Thought About “Enchanted Grom Fright”

Salutations random people of the internet who probably won't read this. I am an Ordinary Shmuck. I write stories and reviews and draw comics and cartoons.

When I started doing reviews, I told myself to stay limited to specials, movies, seasons, and even entire T.V. shows. I didn't want to do reviews for regular episodes of a show, mostly because there wouldn't be enough to talk about in a single post. For me, an episode has to either be astounding enough or important enough to warrant a review. And low and behold, The Owl House did just that with the episode "Enchanting Grom Fright." Keep in mind that I am going to be spoiling everything that happens in this episode. So if you somehow haven't seen it yet, I highly recommend that you do so. And if you haven't seen The Owl House yet...what the hell is wrong with you?

With that out of the way, let's get started with-

WHAT I LIKE

Luz independently looking for new glyphs: This scene is excellent for two reasons. Reason number one: It shows how dedicated Luz is to learning magic. So far, we have yet to see Hexide teach Luz anything regarding her unique way of doing magic. This is why it's great to see Luz try to find glyphs on her own so she can at least attempt to catch up with everyone else. There's also the implication that it's not an easy task for her, given the multiple crumpled up pieces of paper, which must have been failed attempts to make the plant glyph. This scene adds continuity from "Adventures of the Elements" as well, proving that Luz had learned her lesson in said episode. As for reason number two for why this scene is excellent: It sets up how Luz and Amity defeat Grom. Luz could have used her other two glyphs to destroy Grom, but doing so would take away some neat symbolism with the tree that was grown (more on that later). Therefore, Luz finding the plant glyph was a great set up with a proper pay off. Which is what I love about The Owl House. It takes things you wouldn't think twice about and actually makes something beautiful. Case in point: A 'Grom Night' poster was shown in a previous episode, hinting to the glory that is this episode.

Luz barely texting her mom back: I like this because it finally addresses Luz's conflictions for lying to her mom (Something I may or may not have toyed around with https://archiveofourown.org/works/23321692/chapters/55864000). These scenes present moments of how Luz isn't always the happy go lucky teen that she is. And I like that because it adds layers to a character who is already engaging enough.

That Gromposal: I made a post of all the things Disney has approved of before approving Lumity. I guess you can add to the list a character presenting an anatomically correctly drawn heart with the word 'Grom' written in what I can only assume is blood!

(Jokes aside, I legitimately like the dark humor in this scene, as well as Skara saying yes to the poor boy. It was adorable, damn it!)

Amity’s hostility swapped with being friendly: Here's a nice bit of character development for ya! It's just a few seconds, but those seconds show how far Amity has come since episode FIVE! Which is why Amity is one of the best characters in the show. Her development is so impressive that it's legitimately jarring to compare the Amity who was angry to see Luz, to the Amity who immediately apologizes, to Luz. But she still has years of conditioning from her parents to deal with, so of course, Amity's first instinct is to bare her fangs. And I'm more than positive that that instinct is going to leave her pretty soon.

Eda: While we're on the topic of great characters, let's take a moment to talk about Eda in this episode, shall we? Eda, throughout "Enchanted Grom Fright," has fully embraced her role as a maternal figure for Luz. The way Eda attempts to warn Luz about the dangers of Grom is a testament to how much Eda truly cares about 'her human.' And it's not like Eda doesn't acknowledge Luz's efforts at survival. She knows Luz can take care of herself, but that won't stop Eda from drawing the line when she knows Luz is in over her head. The best part is that when Luz admits that she was wrong, Eda doesn't respond with anger or even with a smug "I told you so." Instead, Eda's reaction is calm and nurturing. A response that Luz needed at that moment. It's sweet and genuinely heartwarming to see.

(And I love how Eda constantly admires her own beauty throughout the episode. Which is something I'm sure most fans can relate to.)

Luz and Amity’s talk in the forest: There is a lot to love about this exchange, due to how adorable it is. So here's a quick list: The clearly romantic music playing in the background. The way Amity slipped in the mud and was inches away from accidentally kissing Luz when getting pulled up. The fact that Luz sits down into the mud so as not to make Amity feel self-conscious about being filthy. Luz's sweet, sincere, and instant "I would" when responding to Amity wondering who would take her place as Grom Queen. The fact that Amity was surprised that someone would be willing to take her place in the first place. The payoff to Luz learning that she really did have a spider on the back of her head (Alright, that one wasn’t adorable, but it was definitely hilarious!).

Amity “destroying” Hooty: While I do enjoy seeing Amity act all sweet and gushy, I will admit that feisty Amity is still best Amity. Plus, this scene was remarkably funny.

Training Luz for Grom: This scene was a fantastic showcase for each of the Blight siblings. Now, because I've talked a lot about Amity (and will continue to do so), I want to start talking about Edric and Emira first. When first introduced to Ed and Em, my initial reaction was that they were meanspirited versions of the Weasley Twins from Harry Potter. Sure, Fred and George are known to cause mischief, but they do realize that there's a line you don't cross when it comes to family. That is something that Ed and Em ignored during their debut episode, where they tried to reveal Amity's diary to the world. Luckily, the writers picked up on this quick and made a subtle detour in terms of Ed and Em's personalities. They're actually decent supporting characters, and it's legitimately sweet with how they willingly help Luz. As for Amity, it's great to see that she still takes things seriously despite crushing on Luz. Most shows fall into the trap of making characters a nervous wreck when around their crushes. And while Amity does have those moments, there are still scenes like this that prove she isn't just some smitten kitten-and I hate myself for saying that. Amity is the voice of reason to her and Luz's relationship. And I'm glad that the writers mostly focus on that aspect of her personality rather than write her off as a flustered girl with a crush.

Those boys dancing together: While it's nice to see Luz and Amity's relationship blossom, that doesn't mean we should sleep on great representation such as this. While it's great to see so many romantic pairings between females in the last few years, it's rare to see two boys liking each other, especially in animation. Sure, male pairings exist, but I haven't seen them as celebrated as often as female ones. This is why it's nice to see that The Owl House crew sprinkled in these two boys dancing with each other. Representation matters for everyone, and this little acknowledgment is something worth mentioning, even if it isn't the main ship.

The hallway scene: But let's face it, this is what we came to see. Now when you think about it, there's nothing all that special with this scene. It's a typical romantic moment with a heart to heart discussion followed with witty banter, all while a romantic melody is playing in the background. You see this in multiple types of media, especially in Disney cartoons. The only difference is that this scene features a same-sex pairing and that what makes it amazing. It's essentially normalizing something that has been seen as inappropriate for years. And the fact that Disney of all companies is the one that greenlit a scene like this? That just makes this moment all the more impressive. Plus, I mean, c'mon. You have to have a will of iron not to think these dorks are adorable with this little exchange.

Splash zone: There's not much to talk about or analyze here. I just think the dark humor of a kid waiting in the 'splash zone' is funny. Because what does the splash zone get used for? Grom? The fighter? I don't know, but the fact that a splash zone exists for either of those reasons is what gets a chuckle out of me.

Skara and her date getting hyped for Grom fight: That's it. Skara is officially the best background character. I'm sorry, but a character earns that title when they immediately switch from wanting to kiss their date to "WHOO! BRING ON THE GORE!" 

I don't make the rules. I just abide by them.

Luz’s greatest fear: This is something fans could have seen coming due to rewatching and reanalyzing the promo that dropped a little over a month ago. But for fans who ignored the promo, the episode did a great job of setting up this reveal. From the two times that Luz practically ignored her mother's texts, it can be pretty clear that Luz's fear would be something involving Camilia. However, before the episode premiered, everyone jumped on the idea that Luz's greatest fear would be Camilia forcing Luz to come back home. Instead, the scene portrays Luz's greatest fear as her mother's negative response to Luz lying for weeks. That idea is much more interesting to me because it reveals how much Luz cares so much about what her mother thinks of Luz. And unlike Amity with her parents, Luz's fears are much more justified due to Camilia actually being a good mother. A mother who planned to send her daughter away to summer camp, sure, but still a mother who would do that type of thing out of love rather than to protect an image. Which makes me hope to see more of Camilia in the future, just to witness the mother/daughter relationship she has with Luz. Because honestly, it feels like I've been working triple time with portraying that relationship myself.

Amity’s greatest fear: Ah yes, the one thing none of us could have predicted...ok, that's not true. Some of us did predict this, but most of us didn't take those predictions seriously. And BOY, were we wrong to do so. Because the idea that Amity's greatest fear is being rejected by Luz is both sad, yet kind of adorable. It proves just how much Amity has come to care for the same human she nearly got dissected, in episode THREE. It's a nice bit of character growth that I just can't help but gush over how sweet it is. But again, it's also depressing knowing that Amity is afraid by being rejected by Luz of all people. Luz! The girl who's sweeter than honey and would absolutely let Amity down gently if Luz didn't feel the same way (Which she does. She just doesn't realize it yet.). What's even more interesting is that it makes so much sense as to why Amity is more afraid of showing her fear to the school. Not only would Grom reveal that Amity has feelings for Luz, but it also has the problem of outing Amity as a lesbian, presumably long before she's ready. And seeing how her parents reacted to Amity's friendship with Willow, imagine what would happen if word got out that Amity had a crush on a human girl. Yeah, let's just say that Amity must be really grateful that Grom morphed into a vague, shadowy figure.

(Speaking of, can we PLEASE calling Luz oblivious for not knowing that Grom morphed into her? Yes, to us, it's painfully apparent who Grom was supposed to be. But it also looks vague enough to the point where it isn't unbelievable for Luz to not know it was her. Because from where Luz is standing, the only similarity is the height and body shape. If the crew stuck to using Luz's more apparent traits, then I'd say it's fine to say Luz is oblivious. But as is, it's not too far of a stretch for Luz not to know it was her.)

That dance scene!: Remember how some fans have been hoping for a slow dance between Luz and Amity? This is better.

From the choreography to the smooth animation, to their expressions, to even pure epicness of this scene. Everything about this dance is just so astonishing that I am convinced that several fans have watched it over and over and over again since the episode's release. And you want to know the best part? This scene has so many problems that I don't care about due to how great it is. Why does Eda just stand there and do nothing? I don't know, and I don't care. Why does Grom stand there and do nothing? I don't know, and I don't care. How did Luz and Amity come up with this perfect plan without communicating? I don't know, and I don't care. How did Luz catch Amity, even though it looked like they jumped off of the abomination at the same height, and would've landed at the same time? I don't-Ok, you get the point by now.

Don't get me wrong, these are all valid criticisms. But that's the testament of good writing to me. Because if a scene can make me forget/ignore the problems within it, then it's ok in my book!

The cherry blossom: And now we get to that symbolism that I've mentioned before. Because according to a five-second Google search: The Chinese describe the cherry blossom as a symbol for feminine dominance and, of course, a symbol for love. Now the feminine dominance part is clear, but I'm confident that The Owl House staff concentrated more on the whole "symbol of love" thing. Because how else are they supposed to hint that Amity and Luz are meant to be the endgame relationship? Reveal that Amity's gromposal was meant for Luz? C'mon. That would be-

It’s revealed that Amity’s gromposal was meant for Luz: ...You know those moments that are so awesome, iconic, and downright perfect that you just can't help but give a grand old cheer to it? That's this moment right here. Speaking of which: WAH-HOO-HOO-HOO-HOO!

Seriously, some of you have no idea how big this scene is. It would have been so easy to cut the scene short at Amity throwing her half of the note, and leaving it up to interpretation for who the whole thing was for. But the fact that we get to see that it was meant for Luz, thus confirming that Amity has a crush on her, is absolute perfection. Not only is it because this is a big step for Disney in terms of representation, but to me, it seems like a normalization of gay culture. This type of reveal is something that would be done for several heterosexual relationships. So to confirm that Amity has a crush on Luz as if it was nothing...that's...that's just awesome. It's awesome, and I am so happy that Disney even greenlit this decision. And I'm not even gay! So I can not comprehend how some of you are feeling about this moment!

(Also, this does not mean that Lumity is canon. But it does at least mean that Lumity is going to be canon. Only now it's a question of when rather than if.)

Luz’s Text to Home: This was just a sweet moment. You get a better understanding of the love Luz has for her mother within these few seconds, then you did throughout the entire series so far. I also like that this implies that Luz is going to try being more honest with her mom about being in a whole new dimension. Which is again, is something I've been playing with.

Speaking of my aforementioned fanfic, during this entire scene, I was thinking to myself: "Man. Maybe I don't have to write a chapter based on this episode, after all. It pretty much did the job for me. I'm just glad that show didn't do anything that would make what I wrote completely worthless. Because that would just-"

Camilia is getting LETTERS?!: “...Well shit.”

Ok, gags and goofs aside, I honestly love this reveal. Because this presents a whole lot of questions. Like, how is Camilia getting these letters? When did she start getting them? And more importantly: Who the hell is sending them?! This is another thing that I enjoy about The Owl House. Just when you think you're satisfied with the episode you're given, the writers throw in something you could have never expected in a million years. This is why lately, it's a toss-up between The Owl House and Kipo and the Age of Wonderbeasts for the best show of 2020 for me.

(BTW, WATCH KIPO AND THE AGE OF WONDERBEASTS! It's SO GOOD!)

Those Grom pictures: These were just cute. Especially the last one.

WHAT I DIDN’T LIKE

...Uh...Oh! I know!

King’s B-plot: A small complaint that I have for The Owl House is that most of the b-plots in several episodes just feel unnecessary. Episodes like "The First Day," and "Adventures in the Elements" had b-plots that were pointless and not as engaging as the a-plot. What's worse is that they seem like padding for time, when most of that time could be used for significant moments in the main plot. And honestly, King's story in this episode is the worst one yet. It's filler that is poorly paced and wasn't really all that funny (aside from the other b-plots which at least offered a few good jokes in them). I don't know. Maybe it's because I have Lumity brain rot and wanted more moments between those two, but I just could not get engaged in King's story.

And...yeah, that’s about it.

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This episode deserves a well earned A+! Sure it has its fair share of problems, but the many, MANY, things it does right outweighs what it does wrong. On top of that, its one of the few episodes of any show I've seen that kept me up at night. Why? Because I couldn't stop thinking about how amazing it was. "Enchanted Grom Fright" is a worthy contender for the best episode of the season, and probably the entire series. It was heartwarming, engaging, and quite possibly the most important thing Disney has made in years. What else could you call it other than Enchanting.

(And no, this doesn’t mean I’m reviewing episodes of The Owl House from now on. Just the ones that are worth talking about.)