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good-to-drive · 1 month ago

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Abuse, Silence, And Why Kevin Can Fuck Himself

I recently finished watching Kevin Can Fuck Himself on Netflix, and, aside from being the most brutally honest portrayal of domestic abuse I have ever seen, I discovered a beautifully written examination of narrative as power and silence as abuse and how this manifests in our larger culture.

Without going into too much detail, the show is filmed in two distinct styles that are interleaved throughout each episode to tell a cohesive story. Allison and Kevin’s relationship as seen by the rest of the world is told through a multi-cam, laugh-track sitcom that depicts a very typical “goofy husband, shrewish wife” mainstream comedy. Allison’s life through her own eyes is told through a single-cam drama/thriller about Allison planning to murder Kevin to escape his abuse.

It’s an absolute masterclass in screenwriting, but more than that, every episode explores the difference between truth, fact, and reality, and how none of these things are quite as much or as little as story. But while the process of transforming the chaotic and plotless reality of life into a story is as involuntary and essential as breathing, misogyny and the degradation of women is just as ubiquitous in our society, and a story that exists at the expense of another person’s lived reality is a refutation of their humanity.

It's also just a great show for anyone who likes to engage with history (or reality TV or true crime or “real life stories” in general), because while we have to tell ourselves stories about her own lives, we have to tell ourselves stories about other people as well. Eternal silence is narrative death, and the perpetual silence of an unspoken narrative is often the last death we can visit on someone whose story we’d rather ignore.

I also pulled up some books – Lolita and Disgrace – that dealt with similar themes, but from the perspective of the abuser. And what strikes me the most is that, across three beautifully written stories about narrative and silence within a culture that normalizes abuse, Allison, who began her story within a state of narrative death, was the only point-of-view character who had any chance of surviving.

One of the main themes of Kevin is that a compelling story is often a story that reinforces what we already believe or like to believe, and while the story may be factual and true it often also exists at the expense of someone's lived reality. The exact same series of events can be a silly joke or a harrowing tale of abuse depending on the lens through which we view it, but historically we've only been willing to see the multicam, laugh track, sitcom perspective on unbalanced relationships.

The alchemical process of turning a series of disjoint facts and experiences into a narrative creates something new and compelling, and erases much of what previously existed. In this way, it’s entirely irreversible. We spin our experiences into a very thin thread, a story we can tell ourselves that elicits something within us, something we need in order to live with the complex, uncertain, and unsatisfying reality of life. In think in many ways the thing we elicit in ourselves is truth. But truth is both more and less than fact, often more a reflection of our own beliefs and desires than the events of our lives. And in telling that truth we may never stray from the facts, but we almost by definition cannot give voice to another person’s reality.

There's a scene in season 2 of Kevin when Allison is hit by a door – a la the classic excuse – because of Kevin’s carelessness. And while he absolutely did not hit her, the way it's written is such an incredible allegory for how Kevin has curated their story and curated their friends' and family’s perceptions of their story such that even if she tells everyone the exact, unvarnished truth of what's happening to her and begs for help, they will only be capable of seeing the laugh-track, sitcom, “Kevin is a harmless goofball and his wife is a total shrew” perspective on the events of their lives.

As so often happens with abuse, their friends and family saw Allison being hurt because of Kevin. But the alchemy of creating a narrative around Kevin and Allison is irreversible, and the series of events they witness can only be spun together to a joke, an accident, a silly, childish mistake. Allison’s reality, Allison’s pain and fear, is completely elided. Like a lost sound in the middle of a sentence, her experience goes silent, and their larger understanding of her relationship never has to change. And you feel so acutely how Allison lives her entire life in that silence.

Storytelling is human, it’s essential, there’s no other way to engage with our own lives. And it’s not lying. It’s never lying to tell the truth. But it doesn’t reflect every reality, either, because another person’s reality can’t be reflected within our own narrative, because that’s what it means to be another person. To spin two different threads.

And because narrative is the essential process by which we understand our reality, denying someone their own narrative, or denying that this narrative be heard, is inherently abusive. To allow someone a voice is to give them humanity, and to suppress it is to strip that humanity away.

Disgrace, by J.M. Coetzee, follows the story of a professor, David, who rapes a student and then fails to protect his daughter, Lucy, from being raped by intruders in their home. He destroys his daughter’s life – not through failing to protect her, but through twisting her rape into a story about why the rape of his student wasn’t wrong. The main theme of the book is generally considered to be exploitation, but Coetzee doesn’t deal with the exploitation of the rape. That’s too direct, too immediate, too easy for the reader to understand as misogynistic and wrong. Rather, Coetzee delves into “the innocuous-seeming use of another person to fill one's gentler emotional needs” (Ruden).

The rape is how we understand David as a fundamentally exploitative person, a person who denies others their humanity by converting them into a vessel for his own desires, who erases their voice in order to speak through them and give himself the things he needs. And that’s how we recognize that the way he absorbs and claims the stories of his daughter and his student is another kind of violation of their humanity. Another way of turning women into vessels for men’s pain and fear and need.

What’s fascinating is that David's student finds her voice – files a complaint against him – and is eventually able to continue with her life. The woman he raped is less damaged by him than his own daughter, because she was the woman he couldn’t permanently silence.

In Lolita, another brilliant novel about abuse, dehumanization, and storytelling, Humbert turns to the reader at the end and says, “Imagine us, reader, for we don’t really exist if you don’t.”

It’s not that Humbert knew he was fictional, but that he knew everyone was fictional. Believed the entire world only truly existed in his own mind, because anything beyond that was irrelevant to his needs. He coped with the collapse of his ability to dehumanize Dolores (who he called Lolita) by demanding that his voice be resurrected. Demanding immortality. Demanding his narrative exist in another person’s world, and thereby be given the existence and humanity that Allison and Dolores and Lucy and David’s student were denied.

Pushing his needs, finally, onto the reader, because we are the only person he has left, and a person like him can only exist through the use of another. In that way, Humbert was powerless. In that way, Kevin and David were powerless, too.

In Disgrace, David’s dream is to write an opera, and at the end of the book he realizes he’ll never finish his magnum opus. He’ll never be able to terminate the process of converting himself, his world, into a story. But he does learn to decenter himself in that narrative. And it’s when he loses all fear of death, and any conception of the self, that he gains the ability to give dogs – who he generally equates to women – a voice within his opera, his life’s work.

It’s in death that we discover our true unimportance as human beings, that we learn to let go of vanity and our conception of the self entirely. And David had degraded women so thoroughly in order to justify how he used them to meet his own emotional needs that it was only in losing all value for his own life that he could gain the ability to see them as equal voices. To actually put those voices into his own life story. It's at the cost of himself that he allows other people to truly exist, in the death of the self that he finally allows the world to exist outside of himself. It’s almost a positive character arc. Almost.

When Kevin finally loses the ability to abuse Allison, he, like many abusers, loses all desire to live. His world was built on a structure of superiority and inferiority, on beings and vessels, on the inherent value of men and the inherent meaninglessness of women’s lives. The system on which he based his entire reality has been destroyed by Allison’s declaration of the self. And, if he was a being because she was a vessel, then in losing the ability to treat her as a vessel, to fully and completely dehumanize her, he has lost his own humanity.

It may be perfectly summed up here: “Become major. Live like a hero. That's what the classics teach us. Be a main character. Otherwise, what is life for?” (Coetzee).

If you’re not to be a main character, if there indeed is no split between major and minor characters, between people and the paper dolls that populate their story, between living beings and the vessels into which they pour their need – what is life for?

Nothing. At least, not for people whose narrative must exist at the expense of another.

And that’s why I say that only a narrator like Allison could survive this kind of story. Despite beginning her story trapped in eternal silence, her reality fully elided no matter how immediate and obvious it became, Allison was the only point-of-view character of any of these three stories who didn’t establish her power through the degradation of another. Who didn’t conceptualize the world via being and vessels. Whose narrative didn’t exist, by necessity, at the expense of another person’s humanity. Whose thread could exist in a larger tapestry without destroying her sense of self.

Don’t get me wrong, she’s not generally a likable character. She’s misogynistic, cruel, selfish, jealous, desperate, afraid, and in pain. Like anyone in an abusive relationship, she’s not at her best, and she’s often pushed to do things that are ugly and disturbing because she’s simply been pushed too far.

But, for me, the power in her character is in how her last scene never felt like a final scene. Her story didn’t have to be killed, her conception of the self didn’t have to be killed, in order to reveal the brutal reality of stories twisting and intertwining without any inherently superior truth or narrative among them. Allison’s story was one of declaring herself. And that’s why it didn’t feel like it ended at the end. Instead, this felt like a beginning.

#this is probably the most egregious 'post that no one asked for' that I've ever written #but man this show HIT me y'all #and then I went back and reread parts of disgrace and that hit me too #it also made me reconsider my online presence and how I myself engage with narrative in the very small little world I'm a part of #I caught some shit a while ago and made a conscious decision to never comment on the narrative around the beatles #and to be clear I was just talking about a general narrative in society at large I wasn't bringing up anything specific or attacking people #more how larger social narratives filter into and sometimes come to define individual stories #but it was upsetting to people and I figured instead I can just try to express a compassionate perspective on the mentally ill myself #but now I wonder if I've gone too far #idk without naming any names I'm getting unblocked by people who should definitely still find my mindset intolerable to their worldview #and I don't blame them because we all have reasons for the things we believe and we're all just doing our best #but it's a canary in the coal mine #it makes me think I've become so focused on not ruffling feathers that I'm tacitly approving some disturbing beliefs #and I think I could have happily ignored that if I hadn't just watched this show #posts that no one asked for #kevin can fuck himself #kevin can f*** himself #op #longer rambles

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spotaus · 1 month ago

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Hi guys, this is usually what a doodle page ends up looking like <3 (oh, and @ancha-aus thought you might like this! Not writing but certainly fuel to my fire lol-)

This one is New Age filled!!! (Close-ups abd Lore beneath the cut!)

1) Night and Cross!

Night is actually very clingy once he's a teen. He doesn't usually realize it, but around the castle he'll snake to be closer to his Knights so long as there's no one he needs to keep his composure infront of is nearby. Cross is the one who's not used to physical touch (when it's not Ink ofc) so Night in his personal bubble makes his heart melt but also scares tf out of him <3

2) Error and Night's Meeting!

Error was carrying his whole life on his back and trying not to get arrested for unintentional property damage at this point, so when he saw the chance to get back at his brother and prove he was strong enough? Yeah, he got that on chance instantly. And was VERY smug when Nightmare chose him. (Also, Error is wearing gloves, so less Haphephobia)

3) Dream and Blue designs!

I think these are good tentative designs! Dream probably has a more regal fit, but he likes to play up that rugged exile look- He's inspired by Archers, while Blue takes on that classic Knightly-vibe. Their equipment is mostly stolen from Night's troops or brought with them from Blue's home kingdom.

Also, Dream is approx Killer's height at this point, shorter than Cross and *much* shorter than Apple!Nightmare. (Hc that Skeletons tend to be tinier in stature thanks to weird monster beauty standards. Horror and Geno's fam are outliers.)

4) Horror and Dust designs!

Horror is naturally a very *large* monster. He's very malnourished when Nightmare meets him, but by the time he's a Knight Nightmare has made sure that's no longer the case. He actually loves comfy, simple clothes, but to play up the whole 'strong mysterious' bit he wears a more barbaric Knight's garb. He doesn't mind acting scary, it's more fun that way :]. Dust is very very small, and envies horror sometimes for his size, but his tiny stature let's him control his body and move a lot quicker. He's very much based on a rogue, and usually covers the lower part of his face w/ a black cloth, and the upper part w/ his hood or mask. Dust only removes both to bathe, eat, or relax in a safe location. (Ignore that I can't draw the stupid gaster blaster lmao-)

These last two were space-fillers, but Cross and his Borzoi (Windmill, otherwise known as Milly (Killer named her-)) and really bad first wips of Ccino! I think Ccino was a chubby, happy toddler, but lost a lot of 'weight' (bone mass? Magic?) due to stress and pressure and bad eating habits. So it isn't until a while after the Coronation that he starts to relax abd feel safe enough to eat normal meals (Nightmare used to guilt him into eating snacks together, but as his boss (and younger brother) he can encourage it more often). By the time Killer shows he's still not quite healthy, but he's better. As more weight is lifted off his shoulders, the better he is. (That 'beauty' most people saw was a more stereotypical slimness, but Killer never stopped seeing Ccino as beautiful-) I think he never looked traditionally underweight, so no one noticed, and it was only much later that Night processed it. (And maybe it's why Dream hardly recognized him later on-)

#new age au #I love showing mundane life things-#and also these designs beamed into my brain #I can't draw Ccino for anything but the others? yeag #Blue is definitely my fave. and just like every au I will draw Blue perfect the first time and draw Dust 6 billion times 😔#Horror is kinda banger too tho #makes me laugh to imagine Horror picking up Dust mid-fight out of convenience and Dust weighs nothing to him #(also this size difference is exactly why Dust and Horror fight in the non-magic training. and why Horror accidentally obliterated his #shoulder later on lmao- Dust needs to be able to dodge any enemy. Horror needs to aim for small and quick targets.)#(Meanwhile Cross is the newest and Killer the oldest and if Cross adapts to Killer then he'll adapt to the others more easily.)#oh! and Ccino w/ his arc? I think I really like the idea of a Ccino with a plump body-type. but that conflicts with my vidion of Ccino kinda #losing track of eating and being co-erced by adults to skip meals just enough to make him the 'right amount' of curvy #so when Nightmare takes over it's a habit he's so used to he hardly notices that he's doing it. but. Night picks up on it because Ccino is #almost akways with him. their relationship is very much Ccino giving his life to help Night #but it's also Night recognizing that and giving it back to Ccino along with more the moment he can #just smth smth this au is full of fit and exercized people and I think Ccino deserves some comfort and healing and positivity <3 #also I am SO fond of Nightmare getting up in people's bubbles. he does it most to Killer and Ccino for obvious reasons but #god forbid a noble be talking behind his back because he *will* twist around and shove under his knight's arms or sides just to #read them the riot act or stare them down <3 #and I think when he was an adult Night was... kinda like the big brother? like. not an experienced one by any means. but he wasn't *not*#affectionate then either. he was better at being serious about it and more discreet. but like #Nervous Cross escorting him in public? Night nudges his shoulder briefly with a Tendril to try and comfort him. Dust having a magic overload #? personal Training against just Night so there was no risk of harming anyone else. then snacks and tea after.#Horror is homesick? Woah look at that a scheduled trip back to visit with Crop and side-track back to Horror's village? huh?? wild...#Killer upset at all? Night will find a solution. just you wait. a cat. two cats. perhaps even a cat in a little sweater? or y'know. just a #chat or a combat?#Nightmare showed his affections but was just more distant about it.#Oh also. all four were used to tendrils lifting/tugging them subconsciously. usually during trainings to avoid them hurting eachother by #mistake in their early days. Killer misses it sometimes

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insane-weasel · 9 months ago

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I barely watch Schlatt anymore but when I see a clip of him absolutely gushing and losing his marbles because he spots a cat in the background of Ted's video and immediately cooing and talking about Jambo it reminds me why I love him

#Jschlatt #I wish his core audience sometimes wasn't so wretched #He is actually a soft and dumb and loving man and Im aroace but for people like him I'd die #Like just look at his eyes light up!#Look at his absolute joy!#Men who love cats make me think I could be gay #Honestly anyone who shows real true love and care about a cat melts me #People who own cats but don't seem to care about them make me so upset #Anyway I'm high

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mumblesplash · 2 years ago

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might be swinging a bat at a hornets’ nest here but how are some people out here getting real life angry at fictional characters and then sticking around to hate on them. it takes like 2 mildly upsetting writing decisions max to make me abandon media entirely where are you guys getting the tenacity

#one thing about me is i will just walk out i’m already leaving i never took my hand off the doorknob actually #i am simply gone i am hitting da bricks #like yes i ‘hate’ endeavor bnha but like in the sense that he’s the reason i stopped watching the show #literally the second i caught wind of a possible endeavor redemption arc my emotional investment in the whole story just evaporated #i mean i guess i understand getting upset at like. writing choices that makes sense i do that sometimes #but genuine personal animosity toward specific characters is just baffling to me #mumbling

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laurrelise · 2 months ago

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once again rambling about five and lila because i’m fucking pissed. enjoy

“five and lila were perfect for each other because they had so much in common” yet so many perfect couples have absolutely nothing in common???

they could relate to each other in ways that made them hate each other and that’s why they were SUCH good foil characters, i don’t understand why the romance had to be necessary.

there is absolutely no reason that this romance plotline should’ve been created. it was so ridiculously off-focus from what the plot was (AND should have been) and it literally only made the season so much worse.

do writers understand that not every single character has to fall in love with one another? i mean genuinely?

personally i don’t believe five is aro (though he could be ace) because i can’t help but love five’s love for delores (even if she wasn’t real) but i completely understand five aroace truthers because he truly can be independent romantically as we saw in the show.

i cannot wrap my fucking head around the fact that the writers saw two awesome, dynamic, badass characters with arcs and goals outside of love and attention and decided to turn their personalities inside out and upside down for a dumbass dead-end romance that makes zero sense.

five and lila were the only two people on god’s green earth who could understand each other and hated the other for it. why couldn’t they just be frenemies and call it a day?

god fucking damn it i’m so upset

shoutout to 13 year old 58 year old five hating lila and 29 year old lila despising the fuck out of little five !!! <3

fuck you to the worst, most nonsensical couple of all time and space ❌❌

#it is once again hating five x lila hours #you know what the worst part is?#seeing five in love was fucking beautiful #i didn’t even hate that part #yknow who would’ve been a better character for him to fall in love with?#LITERALLY. ANYONE. ELSE.#lila was just there and they decided that her entire arc this season could become ‘‘woman 2 men fight over’’#hey assholes #this is LILA WE ARE TALKING ABOUT #literally one of if not the most badass woman in the show #and her entire plotline became ‘‘desperate housewife in need of romance with a man that isn’t her husband ’’#here’s a personal letter for each and every writer of the umbrella academy season 4:#fuck you #sorry this might be really agressive out of nowhere #and i feel like most people have already calmed down about this for the majority #but sometimes i see a five x lila post that just pisses me off so badly that i need to rant all over again. i’m so upset #someone sedate me please #tua s4 hater !!!!!!!#laur says stuff #laur rambles #the umbrella academy #tua #umbrella academy #number five hargreaves #tua five #number five #five hargreeves #tua s4 #tua season 4 #lila pitts

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triglycercule · 3 months ago

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murder time trio should get to all experiment with dead bodies. why? because they can and it would be cool (okay but seriously i'll provide an explanation). all these freaks are scientists. i think it would be cool and funky if they all got to experiment! except morbidly and bloodily because none of them are right in the head now

killer like has his whole thing with wanting SOULs for some unspecified reason??? i'm just gonna steal the common interpretation that it's so he can find a way to fix his own soul through coding. but like,,,, what does he do with the desd bodies??? all the fellas he stole those souls from??? well this is where dust and horror come in

it's One Panel and i'm ABSOLUTELY reaching here but there's a (single) panel in horrortale where horror's pulling apart some sort of human limb like an arm with a device. why? what for? i dont fucking know at all man like papyrus said why is he always doing something weird in his room. anyways i'm just gonna guess its probably for rationing in horrortale (but it could also be that horror just felt like ripping apart an arm. for scientific purposes. or because he did this after ripping off aliza's arm so maybe he's doing some sort of recollection reflection or something i dunno im not a professional on this man). killer could totally send all the already dead HUMAN bodies horror's way for horrortale's food situation. maybe horror likes to dissect the humans yk maybe he's not just the type of bash (a head open) and dash. monsters dust so you cant see their guts but humans dont so horror gets prime time first hand experience on the human body! and then after he's done poking around in the brain he can give the meat and organs to papyrus for him to do his specific spaghetti confectionery

but but but what about the monsters that killer takes the souls from! surely he doesn't just take from only humans (dude idk if he actually does take from only human or monster. probably not right? he needs to study BOTH types of code so he can be most informed) so he must also take monster souls. and fortunately for dust (i do NOT think he'd quite like handling gore) monsters don't leave behind bodies or blood or allat they leave behind dust. hah. dust experiment with dust. i think its already a headcanon out there that dust likes to study dust. i cant exactly recall WHY exactly but maybe it's for sentimental reasons or just something to do to pass time between resets. so killer can just pass on whatever dust he gets to him and he can put it under his little microscope and be a little nerd what a GEEK. give this guy glasses and remove all his teeth but one i guarantee you he'll look like 🤓

and once again i hear you cry out but but triglycercule! why would killer even give the dead bodies and stuff to horror and dust in the first place??? erm number one because i said so silly. jk. and number two (if we're going in a nightmare's gang context here) it could be as a way for killer to gain horror and dust's trust. a way for them not to tattle on him for stealing souls for some unknown reason. maybe there's somehow important coding information left behind in the bodies/dust (because that's literally what utmv is made of) and killer wants dust and horror to do that work for him for some reason. maybe just a way for him to get rid of evidence maybe if theyre buddy pals and close enough just as a gift. i dunno man there's a bunch of reasons as to why he could possibly do this. i just really liked the thought of the trio all wearing fancy lab coats and goggles and i was like damn how can i make this a real possibility

#you can really sense the i dont know what the fuck i'm talking about energy in this one #all i had was a SINGLE!!! just ONE vision and there was straws for me to grasp so i fucking CLASPED those straws man. i'm totally reaching #listen when you gotta make do you gotta make do. the idea's cool and funky though i really like the vision #is the utmv code based or is it creativity based. which one #does the utmv look like a bunch of files or does it look like the doodlesphere. is it a concept or code???#i think that it's up to personal interpretation. it could also be both #i love the different possibilities that could be made based on the different code vs concept utmvs #with code you have possibilities like changing the files and breaking the game and stuff like that (error and killer etc)#BUT ALSO with creativity and concepts you can come up with characters just by saying oh i drew them or something like that (ink)#it just depends on the vibe you're going for i guess. darker stories sometimes have more associations with code #i like to think they both coexist but also are different #there are sections of the utmv that are purely coded like the antivoid and then section purely creativity based like the doodlesphere #and then there are worlds that have both like the code makes up the concept. or the concept makes up the code. either one #goddamn it everything just leads back to error and ink's digital vs traditional motifs AGAIN. i'm back at the fucking building AGAIN!!!!!#those two and their sick ass motifs can every elude me i feel like concepts in the utmv always have something to do with them #heh.... just shows how cool error and ink both are...... theres a reason theyre creativity and destruction (coolness factor)#hey hold on! this doesn't have anything to do with the murder time trio! triglycercule GET BACK IN YOUR NICHE!!!!!!!!!#looking back at my old posts to my new ones and i can see what lingo and typing styles i've faded out over time is so fun #or maybe i'm just the exact same and i havent change styles at all and i'm hallucinating and need to be put down #first day school is upsetting (as usual) so i need to think and post about the mtt to feel better #my favorite coping mechanism is thinking about murderous little creepypasta versions of a fictional guy from undertale #killer sans #dust sans #horror sans #murder time trio #bad sanses #bad sans gang #utmv #god i have NOT used tricule hc in a while........ i really should more #tricule hc

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