#this series makes me insane for how fucking good is has consistently been for over 25 years

[rosefires20]

Mentally insane over One Piece every day these days.

God. The amount of rants and tangets I could go on about the characters, world, themes, settings, situations, writing, designs, and and and and and and and

Honestly it boils down to how human One Piece is. Like the whole is complete fantasy but the characters themselves are relatable and realistic. I always think about how openly emotionally the main cast is and how important that is to see in literature and media. The situations are also realistic and occur in different ways in real life and history which makes the world so much deeper and interesting to explore.

It has its issues, but it also has an insane amount of good and interpretative themes and aspects that help balance some of the issues.

[twoa-plus]

it’s 2:00am and this is more of a character thing than a genuine theory but *claps hands for the drama* same coin theory. what if both of the stans are bill

or like. a parallel to him. like i said this isn’t a super serious theory i’m mostly just back on my character analysis bs lol

so i haven’t gotten to talk abt this much but i am a firm believer in that there is not a superior stan. from a personality perspective this is obviously entirely subjective, but i mean that there isn’t a superior one when it comes to their objective traits and how useful they are

ford is. ford. i don’t really have to say anything here he’s super smart can play the piano or whatever etc etc. however one thing that i will say that i think is important here is that i am like. 99% sure this man has a higher tolerance to The Horrors than other humans do. dude spent 30 years in that portal and came out pretty much the same level of crazy, and we all saw what happened to fiddleford. i know fidds saw bill take off his exoskeleton or whatever but u can’t convince me that ford traveled the multiverse - with all sorts of monsters and non-3d dimensions and god knows what else - for 3 decades and didn’t see some shit that would make anybody else lose it. like at this point u could tell me this guy could have a casual conversation over tea with cthulu and be fine and i’d believe u

as for stan - and i mean this in the absolute best way possible i love this guy - he’s like the world’s most charismatic cockroach. he’s fantastic with people and just straight up refuses to die. for the first point i don’t just mean this in the conman way, when it comes to the people that actually matter stan always manages to win them over in some way or another (soos, wendy, the kids, ford, etc) and one does not simply survive for a decade on the street without needing the occasional favor from someone who actually likes you. “oh but rico-“ man when u’ve been living as a homeless criminal for a decade and the list of people that want to kill u consists of 1 person and the government u’ve done pretty damn well. anyways as for the cockroach point, he’s alive and has his memories. i don’t even have to say much here stan went through all of That, lived through the series itself including The Literal Apocalypse, metaphorically (something something people are just a collage of their life experiences) died at the end of it all and then came back to life. that’s hardcore as hell man. in a less literal interpretation of the “refusing to die” bit, he’s also just. insanely determined. the biggest example is ofc him never graduating highschool and yet teaching himself god knows how much math and science and whatnot over the course of 30 damn years because he just refuses to believe that he can’t save his brother. stan pines is a force of nature i swear

[additional note while im already ranting about this guy, im not a personal believer in the “stan is just as (academically) smart as ford” theory. first of all i feel like this entire theory is kind of rooted in the idea that he has to be/be on the same level as “the smart one” to have value, which is an idea that the stans’ entire backstory is based around criticizing, and i think stan has something just as if not more valuable than freakish intelligence - raw fucking grit. he wasn’t the one to open the portal back up because of some intellectual advantage, he was the one to open the portal back up because he wanted to, god damn it, and best of luck to you if you’re gonna try and stop him.]

anyways as for the same coin thing, everybody knows the stan part. his casual references to the impending apocalypse, “you’ve been buying gold, right?”, him being such a good conman, etc etc. while i’m already ranting about stan’s determination, bill’s got that too - he’s been trying for like thousands of years to take over the world and he just Won’t Stop. point is there’s a lot of character traits they share

(i know in the original same coin post a pretty major point is stan not making a deal with bill, but i think that could probably be pretty easily explained without the need for divine intervention. the only times bill makes a deal with someone without them summoning him first is after he’s kind of left on a loose end with gideon, and everyone knows stan wouldn’t fall for his lies in the first place)

bill also shares a lot of traits with ford, though. both have some kind of physical anomaly (bill’s eye & ford’s hands), both can see/understand things others of their species can’t, they’re both egomaniacs (listen i love ford but the guy has issues), etc. u could even argue that, at least at the time they meet, they have some kind of connection through their loneliness

so. with the theory of “bill was reincarnated to make up for what he did,” what if it wasn’t just stan? what if he was split in two, and his “reincarnation” is both of them? they’re flawed enough to make it a lot harder for either of them to take over the world (ford’s lack of social skills & stan’s lack of freakish academic knowledge), and they have something bill doesn’t - each other.

bill is alone. that’s his whole problem. he killed everyone he loved, treats everyone new he meets like shit, and now he’s Like That. throughout it all, the one thing the stans have always had - even if it was just in their memory - is each other. “oh but ford-“ shhhh. shhshhshshshhsh. shut up. ford has Problems but i genuinely don’t think he ever stopped loving stan. love is weird, first of all, and secondly he clearly never stopped trusting him. no matter what he might say about stan being a liar or a conman or whatever, who’s the one person he goes to when he’s forced to admit he needs help? ford is a weird guy and has an… odd way of showing it but he loves his family just like the rest of the pines and i will die on this hill

i’ve been writing this for over an hour straight and i think my brain is melting but i’m sure at this point u get the idea. both of the stans, together, serve as a parallel to bill, and the one thing they have that he doesn’t is love. that’s what killed him.

something something killing an interdimensional dream demon with the power of friendship and this gun i found

[kibblemode]

I know like nothing about any of ur ocs or works so, could you sum up telling me about whichever you want so I can ask more questions in person? Please feel free to make the ask as long as possible!

stares autistically...YAYU..galaxy quest is my Main ocverse bc its almost 11 yrs old now and its just been a default in my mind since i was 11-12ish but capitalist creepshow is a close 2nd with how fleshed out it is...my oc carrd has some good info character wise but its lacking on worldbuilding + plot stuff bc im insanely character focused and suck at that shit badly LOL, also the plot/episode page and number of seasons on gq's page is outdated bc i recently like completely redid the plot and havent updated it yet 😭 anyway u can have existing gq lore. sorry if this is weirdly worded and hard to understand im at work rn 😢 i also have a couple scattered tumblr posts on random important bits of lore/character stuff ill get them later. oh ya and toyhouse if u want to see whos who or whatever. a couple side characters havent been redesigned yet but ill get there eventually lol

gq is like. a 90s-2000s CN styled adult cartoon (i always sum it up as if futurama and chowder were 1 cartoon. BIG BIG influences from chowder especially with the voice acting my goddd )..its Planned to have 5 seasons, it used to be 4 but with the new plot i had to add one to fit it in without Completely starting over on every single season lol, also perhaps 1 semi canon movie and a small side series for a bunch of silly mostly canon fillers i couldnt fit into the show itself.

so like i said im bad at having a consistent plot, also words are hard for me so ur getting a Very shitty bastardized version of what i Do have.

Basically it takes place mostly on 2 planets, earth and alkaliba(i hate this name i made it up when i was like 15ish, i just cant think of something better rn😔) its initially in 2009, but actually this is like a Different 2009. bc basically there was a mass extinction like several hundred million years ago and everything just kinda started over but like only Slightly different (sounds stupid af out loud but just trust me ok) alkaliba had existed for a Very long time the next galaxy over and it just so happens that the planet is dying and all their natural resources are fucked. so melody (lenarrs mom) set up an agreement with alkaliba that they could borror resources from earth. (melody is thousands of years old, but thats a secret lol) also melody was from another dimension Also a very powerful sorcerer and kept most of her spells and whatnot in her journal But its written in her native dimensions language which nobody on earth (except lenarr) can read. anyway she used her magic to connect the 2 planets using a series of portals called stargates (again. subject to change, also they connect to a Lot of other planets besides just earth but whatever) that allowed ppl to easily travel between the 2. bc of this alkaliba Kinda "colonized" (FOR LACK OF A BETTER WORD) earth? and that was normal for a few thousand years.

anyway for s1 jump ahead to where canon starts (2009) tix is sent to earth by meredith (queen of alkaliba, tix is her son but u dont know that until later in s1 when they actually Go to alkaliba) to pretty much track lenarr down and convince him to use his powers he inherented from melody (lenarr is not aware of this at all) to pretty much save alkaliba (BIG SPOILER. THIS IS SOMEWHAT DISHONEST. sure lenarr could Choose to save alkaliba but that would result in the destruction of earth or it could be vice versa. it cant be both BUT youll see) so he find lenarr Completely by coincidence after lenarr offers to help him bc tix has never seen snow or ice in his life and is having Difficulty. anyway this is ridiculous that i havent figured this out after 10+ years but tix does Something to convince lenarr to go with him, bc obviously lenarr would be very hesitant to. a bunch of shit happens u know the drill 1st episode shit to establish everything. i could type out a full episode 1 plot but i don't particularly want to rn😢

s2-3 is just mostly playing toys w my characters and tix teaching lenarr how to use his powers (s1 finale is when lenarr starts to Get it but u know) also s2 is noodles villain arc and s3 has eugene in it which is so fun bc i really really like noodle and eugene is funny. OH AND THE MAIN VILLAINS. hydro is the Main antagonist but he has 5 other idek what to call them. henchmen????? that either work for him (griff, dimentia, derric) Or are loyal to him bc he practically saved their life (grem and pixie, also dimentia a little? its complicated) and while Yes hydro IS a villain and he IS evil, hes actually just trying to save earth bc in his mind alkaliba is actually like the typical alien invasion thing u see in movies (not exactly whats happening but it Is possible u could see it that way) he just goes abt it in the weirdest most fucked up way possible. also BIG plotpoint worth mentioning, grem and tix were dating for at least 3000+ years before tix left him for his (now deceased) wife, which grem is Extremely bitter abt. so hes obviously loyal to hydro bc hydro helped him escape his abusive father BUT hes also doing it for himself to get back at tix. (important note tix Was the asshole in that situation 100%, grem is actually right to be upset a little but probably not That much) anyway once lenarr tix and zach(forgot to mention zach is tixs best friend who tix brings along bc hes smart and good at strategizing, also bc tix is GAYYYYYY) get to alkaliba finally it is literally impossible to conceal the fact that tix is a prince there. and bc lenarr doesnt know the Real reason why hes there he doesnt think much of it, in fact he finds it weird that tix wouldnt tell him that.

jumping allll the way to s4 when the Actual shit goes down. this is where shit gets less in depth bc its Extremely new..this is when lenarr learns that hes being used to basically doom earth, u know. his home planet. (considering having either hydro or grem tell him, not in a nice way either) obviously he gets really upset abt this, Especially bc its been at least a couple years since canon started and zach and tix are basically like family to him at this point. he probably runs off idk. i need to think abt it more bc i JUST made this up but im considering recycling an OLDD concept from like early highschool gq where lenarr gets to visit melody in her home dimension. also forgot to mention. melody and lenarrs older brother ruben both committed suicide when lenarr was younger. melody only did it to go back to her home dimension, but ruben did it bc he got rlly depressed after melody died ÷(

anyway lenarr gets to see melody, its very sweet ÷) he talks to her abt his problem abd she gives him some kinda cryptic advice bc Plot. this changes lenarr basically, at this point hes mastered melodys spellbook and Now he can create his own spells or whatever. SO. he comes up with a way to make it so NEITHER planet gets destroyed somehow. this works bc lenarr is actually like twice as powrful as melody at his full potential. after this the main villains would most likely have their redemption arcs somehow i havent thought up What exactly happens yet. and for s5 its basically just me wrapping things up and playing with my toys freely...theres still active plot happening thats very relevant to the story obviously but its a liiiiitle less high stakes and thats all i got in regards to the main plot bc if i sat here and typed a detailed explanation of my fun fillers id be here for years

SOME GENERAL TRIVIA FUN FACTS DEVELOPMENT SHIT 4 FUNSIES TOO.

originally gq was Not supposed to be a cartoon nor was it an ocverse. it was a fucking spm fan spinoff i made up bc i was autistic af and 12. grem was my first ever oc that was Not a fursona and he was actually terrible like as a person. i mean hes kinda terrible now but not as bad

griffs name was changed a few years after i made him. it used to be falcon (STUPID AF BUT I WAS 12. REMEMBER THIS.) also i thought itd be funny for his name to be griff bc youd think its short for griffon but no its short for grifford. also texs and tiabia names were changed too. tiabis name was janette and she was actually originally an adult but i thought itd be better if she was 7

like 99.999% of my original designs and concept art + silly little comics of my villains bc it was just them when it was still a mario thing is lost media forever bc my mom accidentally threw it all away when we moved to a new house i miss it every dayyyy id do Anything to see it again..... the Only original stuff i have is from highschool and i fucking hate my artstyle then so its sad af...its just lenarrs finalized design (which actually barely changed since then) and MAYBE if i looked hard enough thru my old computers i could find zachs original design too? idk i dont feel like looking

speaking of the spm thing. dimentia was supposed to be dimentios little sister which is why shes named that (original i know) but i decided to take the name a different direction after it became its own thing

grem went through the most design changes by a huge margin, but imo derrics few redesigns were the most insane and drastic. pixie went through One change and it got reversed a couple years later LOL

some Stupid reasons behind design changes were 1. hydro used to have 4 heads, hence the dumbass wordplay on "hydra" but i got so fucking fed up with drawing them every time + i kept forgetting to so i just made him a regular dragon. and 2. griff has his mask bc i literally just kept getting mad trying to draw his face right. thats literally it. thats the only reason.

fun fact noodle was probably my least favorite oc before i redesigned him. i hated him SO FUCKING MUCH especiallyafter i came up with his villain arc. now hes my favorite toy and i lovie

HUGE props to my bff @/killer12345blog. hes literally my cowriter and theres a couple characters of his in the main canon that play a HUGE part (eugene, daffodil, and louise) also eugene was actually a joke character and i HATED HIM (AS PART OF THE BIT) but i randomly got really attached to him now hes the villain for s3😇

gq was actually RECENTLY renamed. it used to be H.I.D.E. dont ask me what it means or what it stands for idfkkkkk i thought itd come to me eventually but it didnt so i changed it bc w/o a meaning it was just dumb af

tix was originally very very small. like around pixies size. also gq was still a video game for a bit but it was like its own Thing by then. tix was intended to be the tutorial character kinda like tippi

also im going to go ahead and say this LMAO. the original alkaliban designs were Heavily inspired by homestuck bc thats what i liked back then. ive tried soooo hard to make it not as obvious but i feel like itll always be so so obvious 😭

im actually kinda considering having gq be 3d animated instead of 2d, stylistically if that were the case itd look kinda like. idk. do u remember that moomins cartoon they made a few years ago. like that. but i seriously doubt ill end up making it 3d anyway

i fucking hate musicals usually but my GOD are there a couple showtunes i want in there. jfc. i have a dedicated yt playlist of songs i want in gq Or relate heavily to certain characters/events. hi. speaking of i like to think gq would have a very 80s cartoon soundtrack like the one in labyrinth or something similar

tix and zach were originally Much younger. tix was like 19 or 20 and zach was 17 iirc? i changed that bc 1. dumb and 2. i wanted tix and zach to be in love i didnt quite like the age gap it was a little iffy

the origin of lenarrs name is kinda silly. i was having trouble coming up w a fitting name and one day after school we drove past a sign for lennar homes or whatever the companys called and i went AHAAAAAAAH!☝️🤑

i think noodle was originally brazillian, idr why that changed..also tex was japanese iirc

tix is like Billions of years old probably. its intentionally left unclear and vague but also IDEFK.

im probably forgetting LOADS of important shit but whatever....u get the idea + ive been typing for like 2 hours in between work shit

[alvivaarts]

About Separate Ways (Spoilers)

Wow, guys. I was super excited to get gameplay footage/input from friends about Separate Ways (too broke to own the base game myself) to put into my longfic, but aside from some super cute Luis/Ada moments, I am... dissapointed.

Capcom hire me, at least I can keep the plot consistent because what the actual fuck.

Will discuss below to avoid spoilers (much more story than gameplay, but gameplay wasn't great either), but I'm not going into insane detail save for some things. READERS BE WARNED!

I'm also specifically looking at this through the lens of my own fanfic, Simulation Swarm, which is my take on how Las Plagas works and infected!Leon (in addition, infected!Ashley and a lot of Leon's unacknowledged trauma and relationship issues throughout the game series). I was majorly excited about Separate Ways because it implied that Ada also gets infected- which I really want to still implement even if it changes a LOT of major things about the fic.

I'll go over the good stuff first. AKA, stuff I'm keeping, and not retconning.

1- Luis' characterization was still amazing. It was really nice to see his character balance out Ada's, how he's still as chipper as he can be. Additionally, it's VERY clear how much he cares for Leon and Ashley alike, and he goes out of his way to get Ada the suppressant and still respects her throughout that process. 2- Pesanta/IT/U-3's design with slightly more of a scorpion shape. That was sick! 3- The fact that Ada was aware of most of Leon's movements and a lot of what happened, and in a way was following him around and handling things he couldn't/wasn't aware of. * 4- Ada didn't help Leon into the chair, Ashley did. But that scene isn't even shown. 5- Luis and Ada def had chemistry, and it was so cute!

Well! Short list. Now for the bad stuff. AKA, shit I'm retconning/ignoring/pretending never happened (most of the DLC).

1- Ada's infection is weird as fuck. She got... shot? And infected? And then, infuriatingly (because I've spent WAY too much time thinking about the physiology of Las Plagas and researching w/ the help of others how the infection would work) PUKES UP her plagas?!?!? HELLO!? This in particular drives me insane because like. Las Plagas nests and develops behind the sternum, between the lungs, where it can attach to the nervous system along the spine. It is TOO BIG for a human body to fight against, it's growth shoving lungs out of the way is why people cough up blood. It's nowhere near the throat or stomach and clearly it's extremely well engineered/evolved for human hosts not to end up in conveniently the wrong location. And if she did puke it up, at that point, miraculously, after two days? Her intestines are fucked. She's dying of internal bleeding. I don't fucking care how much of a bad bitch Ada is because at that point Wesker wasn't gonna help her. The fuck? Capcom, know your own lore challenge. 2- We got NO backstory, not even HINTS about Ada's past and origins. Again. 3- * Seriously made Ada's character into a very flat character and removed a lot of the urgency/clear want for her to help Leon from the original DLC. Seriously, she does not gaf about anything but her mission and making it more convenient for herself. Everything she does to help Leon is sheerly coincedence- which, honest to fuck, does not line up. Especially considering she appears to completely lack empathy until... uh oh, Wesker wants to kill a bunch of people? Like sure, she has that BRIEF conversation with Leon in the boat but like... what happened to the people she has history with, the people she could've ABSOLUTELY been saving to spite Wesker and allow her to have her own motives until whoop-de-doo, uh oh, gotta stop a genocide! Be so for real. 4- Bonus: After Luis helped her and she'd made the deal to get him out, he, still dying, calls her with a warning about Krauser. It took a long time for him to die. She SHOWED UP after witnessing the fight and pretty much just... left him. Despite all of that. Which I get from a 'not fucking with canon' standpoint, but seriously. 0 effort. 5- Krauser literally fucking gets away when she fights him???? 6- Wesker keeps making appearances. For some reason. It's not even clear why, he literally just shows up to be intimidating and to threaten Ada into doing the job but like. At that point, honest to fuck, he could've done it himself? Also it was majorly hard to empathize with Ada considering we STILL KNOW NOTHING ABOUT HER OR HER MOTIVATIONS. 7- Luis has no distinct fire trauma. (Okay. Revoking this after the discussion, I just had a no media literacy moment after everything I was taking in. Luis' response was actually pretty good and honestly? Should be appreciated. Though it does bring up another point- while I love Luis, I guess I was walking in with it more being an expectation for it to be 'Ada's Story'. We didn't get that, though the Luis background was great!) 8- Ashley's interaction with Ada was a single line asking for help and Ada just. Walks off.

Anyway, everything I've seen first hand and have discussed with others has left a sour taste in my mouth. Boo, @Capcom. Good thing I can make up my own stupid little stories and pretend that none of that happened.

[hyewka]

List your favourite writers + why: Gooo!!! 💌

Been around since when you first started this blog and I can confidently say that every single writing you have put out is a piece from heaven. I really love your style of writing and choice of words. The way you write and plots always have me on the edge and thirsty for more. Thank you for always keeping me entertained! Been too shy to say anything before but you really deserve the love. ❤️❤️

Also can’t wait for the beomgyu series you’re coming out with.❣️

I’m sooooo genuinely flattered aww 😭😭 I’m happy you got to tell me eventually because I’m currently like…flying over clouds out of just pure appreciation, thank you baby for sticking around ❤️

When it comes to my favorite writers, I definitely like to look around here and there hehe I feel like I’m always reading something, and there’s always new writers popping up lol so it keeps it fresh. I’ll limit it to TXT smut writers to make it easier. I feel like this list will consist of me hyping up my mutuals and the people I follow so🥲

- @fairyofshampgyu

among my favorite writers because i was sooo into their fuck you series, and their writing in general is easy to follow and digest but its still not too simple to the point it detoriates the quality of their work, its a perfect balance of being complex and not being too confusing for me to follow after a long 12-hour shift. another point—characterization i feel is such a big part of fanfic and its always believable for me in nini’s fics! it makes it 10x more enjoyable.

- @koqabear

i looove long fics, and i’m always looking forward to whatever sol posts next. what i’m jealous most of her fics is just how the setting is built, its so immersive and insanely detailed. it makes the long read interactive and again, enjoyable making her easily one of my favorite writers. and the diversity of her masterlist? chefs kiss, they have a lot of range and its admirable because it shows skill.

- @itgirlhub / @itgirlgyu

i can practically feel anything qiwi writes sometimes it feels like i’m in a movie. i feel as readers, everyone loves that. her advanced vocabulary is also a favorite of mine, it feels like im learning a new word every now and then, which i deeply thank her for 🥲 but also her writing feels real, other than the topics she chooses to write about, i feel like whenever i sit down and just digest every word, i feel like im reading about real characters, and it gets me so incredibly invested. that is why i’ll be on the sidelines awaiting the day she writes a big FAT oneshot, i’d eat it up like an insane ravenous bitch.

- @wildernessuntothemselves

i love morts blog to the core, just a week ago i went through her entire masterlist and honestly, i’d recommend each and every one. an insane writer with plots that totally hook in everybody. i was not a fan of hybrid smut until i caved and read one of theirs and god, now look at me. she also has so much range in her writing, its fun to read. though i feel almost all of her fics have messed up or sad endings 😂 they’re always fitting though so i don’t mind as a ride or die happy ending whore lol

- @beomsight / @gyuthmics

common theme here is that i love range even if some of it doesn’t appeal to my tastes, i just think it’s so cool when writers tackle random ideas they get in their head and go through with posting even if it might be peculiar for massive consumption. i don’t think what mj writes is ever not my taste. that’s how good i find their writing. even just a small thought, and i’m pumped, giddy, everything lol. and as a perv txt enthusiast, their blog is heaven sent. everyone say thank you for writing mj!

- @tyunkus

if i’m ever in a really terrible, downright nasty taehyun mood (i am a very big advocate for rough dominant taehyun) i go to their blog and search up the taehyun tag. but also other than providing some of the best taehyun writings to ever grace this site, they’re just a generally really good writer. their biggest strength i feel is imagery/description and of course dialogue. amazon wishlist was such a strong piece of writing because undeniably the smut lol but also the dialogue. it’s so real, and makes the characters that much more enjoyable to read. i love love dialogue, and tyunkus absolutely uses it to elevate their writing to untouchable levels. insanely good writer, i'm always psyched for anything new :)

- @pink-tea

its as simple as i love sub txt with all my heart and i love anybody who writes for them 😭 op is a master at it, especially their headcanons. i always end up discovering a new kink just because i havent been deep into the femdom black hole yet unfortunately 😂 their sub!hueningkai stuff is some of my favorite of all times as well.

I have a lot of writers I consider to have consistent hits with what they release (if the question was which writers i enjoy...this list would be very very long 😭) hence I thought of doing an honorable mentions section but keeping it short and simple I think is good. Sort of as to say that these are really my top favorites, like people who I just enjoy everything from no matter the said content even when I am normally a selective person. Hehe this was fun, again I really appreciate your support, it reaches me during a stale not so fun time lol

[sp-ud]

Genloss is a tragedy. No not the actual content, but how hard it fucking fell off.

Now, I know there are still people who enjoy it, even enjoy the new things and are excited with each new release of the founders game chapters.

And if you are one of those people, good for you. Genuinely, good for you. Don't let me being a hater ruin your own enjoyment. So I'd recommend maybe not reading this post cuz im not gonna be sympathetic to genloss or ranboo. If you couldn't guess by my opening sentence.

Anyways, I don't know it's just. Sad. To see something that had so much potential just fall flat so quickly. In retrospect as soon as the founders cut took more than 3 months it should have been obvious the whole project was kinda fucked.

And tbh I do not care about any thing like "ranboos just one guy", "it's their first project", "their adhd medication wasn't being properly supplied" etc etc. Like 1) ranboo literally isn't the only guy credited as editing the founders cut in the version that did end up releasing. 2) okay, same with like. 99% of other indie horror things. And those guys usually don't start out with enough money to rent out malls and buy expensive props that can only be used for one thing. 3) we loop back to the team thing. I'm someone who genuinely can barely function on days I don't take my adhd meds btw

Back on topic instead of countering arguments I've seen before but haven't actually been brought up to me.

It's just, there's this lack of cohesion and planning in what we've gotten since TSE that is just. So strange. I would say it comes from ranboos perfectionism but everything that keeps coming out is half-baked shit that sure seems unfinished.

Like, the founders cut was so fucking unpolished which is insane for something that took over a year. And we can't try to make it an in-universe thing, be for fucking real. Ranboo wasn't thinking like that.

And ngl when ranboo was reacting to that fnaf timeline video and like, praised "community storytelling" (aka when u throw a bunch of shit out, seen fans theorizing and go "oh wait ahit that's smart, yeah that's what I meant haha") it just. Made me feel so defeated cuz that kind of storytelling isn't fucking good.

It works well enough for fnaf but that's cuz it's fnaf. Look at how little attention generation loss gets outside of its initial and constantly shrinking bubble.

Admittedly it was gonna always be hard to follow tse, those kinds of productions are pricy. No shit. But the next steps being:

1: Twitter acc that kept going on hiatus because ranboo hadn't even fully planned it out before ranboo just decided to scrap the Twitter acc and just vaguely promise zero will return somewhere else

2: a slapped together cut of tse that completely fails at being a quicker introduction to the series compared to watching the original streams that clearly doesn't understand any of the elements that made tse charming and enjoyable even if cringeworthy at times

3: a second person pov book disguised as a choose your own adventure where not a single choice has actually mattered, not even the ones that were voted on and had to wait a whole week to find out what happened next.

Is just kinda insane to me. Like idk how u fumbled it that hard.

Yall remember how ranboo gave us a generation 2 Spotify playlist? Oh or what about "generation 0: the story of lostfield" which they showed off the title card for at twitchcon and vidcon? Where the fuck is any news even about those. I'd at least like some clarification about if the founders game is tied to literally either of those.

Getting off track here but tbh this is just me collecting all my annoyed/frustrated generation loss thoughts into one post.

But it's just like. Idk it's just weird that it took over a year after Tse for ranboo to get enough of a team to keep them on track and producing things consistently. And then for that thing to be. Literally none of the things we were expecting.

And now that we're 7 weeks in, technically 8 if we're counting the skipped week. 9 if we include the week we waited for after inputting the password. I'm just tired man. I'm tired of waiting for genloss to be good. Of trying to trust the process.

"Letting ranboo cook" only for Tse to finally be what we got did work, but it just. Really doesn't feel like ranboo gets why tse worked for so many people. And no, it wasn't just the inclusion of other popular ccs although that did certainly help if we r being blunt.

Tse had a story that left you guessing what was intentional and what wasn't. Only for the final reveal to be that it all was intentional, it was us the audience that was being experimented on, being tested. And that was cool as shit!

But, nothing has been able to get even close to that yet. This newest chapter of tfg's did briefly give me an "oh shit" moment at the start. But then the chapter just. Went no where. It was empty. And now we have to wait another week for the payoff. Another week on top of 7/8/9 weeks.

And listen, I get good stuff takes time. I get that many other indie horror things go months without updating. But like. There's just nothing aside from a small sense of obligation and vague interest to see if it's finally interesting or if I'll just have something to complain about with my friends that keeps me coming back.

It's not engaging, it's not something I'm really all that invested in. I keep fucking forgetting every week that a new chapter is coming out cuz there's just nothing to be excited for.

Im not even excited that we will be talking to the founder or whatever in the next chapter which is crazy cuz I feel like I used to be pretty invested in the founder specifically. Like I was the guy who constantly brought up the merch site's about page that was a message from the founder when no one else did.

Anyways that kinda wraps up my frustrated thoughts on genloss at this current point in time. Sorry it might be hard to follow.

Also, if ur someone who genuinely has still been enjoying genloss and/or the founders game who actually did read through all of this, I'd be genuinely interested in hearing ur opinions. I mean, you read through all of mine so its only fair. And also I just. Genuinely want to know what other people r finding fun abt the recent things as pretty much everyone in my direct sphere has roughly the same opinions as me.

[craetor]

What are your top 10 favorite media ever (can be anime/manga, tv series, books, movies, games, etc)? Why love them? Thanks ⭐

Hehe thanks for the ask! I'd be happy to comply!

I can't pick dude. If you just want me to ramble about media, I'll start by talking about some pieces that have positively surprised me.

• Spaceman

Tuned in for the hot spider from the instagram clips, stayed for the interesting social commentary. I'm sure it would help a fuck ton of cis men if they just watched it. I loved Hanuš even more than I expected. Turns out an emotionally wise & relatable alien is better than one that would gut me after all.

• Pop Team Epic (season 1 especially)

It's one of those out-of-pocket pieces of media that have a ridiculous production value and passion behind it. Like, genuine production value. It's like anything Studio Trigger has made. An old friend and I were obsessed with PTE during the pandemic and pretty much made it half our personality to like it and other media like it (e.g. Way of a House Husband, nyan neko sugar girls, Backstreet Girls (That was a solid 6/10. Good watch dude). I also have Cromartie High School on my watchlist we'll see how that goes)

Now onto some books & poetry

As some may know from reading my fics & following my Lawlight obsession, I'm a big fan of poetry. I enjoy Goete a lot. He's the only name I've consistently been satisfied by. Naturalism is just my tea, as is pretty plain to see in anything I create. I'm bad at reading due to ADHD but I get it done sometimes. Blood Meridian by Cormac McCarthy is insane. Paradise Lost is great. Can you tell I get my book recommendations from Wendigoon? Holes by Louis Sachar reminds me of kids at Wammy's House but also I like it because every plot point in it leads to a perfect circle and I never fail to be amazed by good writing like that.

My favorite music genre is anything that counts as goth music. Sometimes emo if MSI is emo (I know and I'm sorry. Guilty pleasure). Darkwave & Post-Punk are my go-to for over half the year, but I listen to anything if it captures a vibe well. Anything from Mitski & Penelope Scott to Depeche Mode, Twin Tribes, Vestron Vulture & Bragolin to Lady Gaga (empress of my childhood) to Odetari. Oddly enough, however, my favorite band is Glass Animals. Zaba is a masterpiece, but I love several songs from their other albums too (Hot Sugar, Pork Soda, Life Itself...)

I'm not a huge fan of irl shows but I have enjoyed all 6 seasons of Peaky Blinders for the second time last month and have seen Interview With The Vampire a couple months back. That one also left me extremely surprised with how good it was. I've been disappointed by 'queer' stories before. They were scrubbed of any realism and dumbed down to make them more palatable, which I just couldn't watch for the life of me. As you may know, IWTV is the complete opposite of that lol. I've also peeked into Hannibal a couple times. It was good but I don't have time like that.

Animated shows & manga that I enjoy are:

• Death Note ofc

• Kakegurui (I rewatch s1 & s2 every year. Last year twice, I think)

• [Naoki Urasawa's] Monster (animated by Madhouse♡ I've been considering rewatching that too...)

• Paradise Kiss (just hits different in summer. The outro is Do You Want To by Franz Ferdinand. Love that song)

• Madoka Magica (the themes are Crazy.)

• Chainsaw Man (as fucked as they are, Mappa's creative team absolutely devoured. The outros are all incredible)

• Buddy Daddies (>>>>Spy X Family)

• Dandadan is looking pretty good

• The Summer Hikaru Died manga (impressive pacing, stunning art work, stellar character writing👌)

• Over The Garden Wall🎃🍂🌲🖤

• Arcane (a masterclass in character writing)

Aaand • Gravity Falls because it's literally so good, not just as nostalgia

My favorite movies:

• ARRIVAL (man I have to rewatch that)

• every single Pirates of the Caribbean movie (how had I never seen them as a child? Kinda happy about it though. Now i got to enjoy it with my adult mind spoiler-free)

• Princess Mononoke (to the surprise of no one)

• Spirited Away

• Ponyo (the implied 'children can consent' part is iffy but it's magical. My first Ghibli movie)

• Shawshank Redemption

• Disney's Atlantis (yup. That's what I was super into as a child. Had those on cassette. Every Sunday... I'm convinced the whole experience of the misty town from the second movie has singlehandedly made me who I am today)

• Dou Kyu Sei

• Godzilla 2 (THE CGI???? Also I'm a monster enthusiast)

• Portrait of a Lady on Fire

• that fucking Czech Cinderella movie that's on TV every December

Thank you again for the ask, OP🙏🏻 I love sharing these things. Now my arm hurts

[goblins-riddles-or-frocks]

I hate SJM and the Rhysand writing but Feyre was pretty decent overall. What were the very dumb incidents?

Basically she makes a lot of poor choices that I might forgive in isolation for plot convenience, but they compound on each other. A lot of it is just bad character writing, her motivations often don’t line up with her actions or feel particularly grounded in anything, so it ends up reading like she’s just dumb.

The very premise of the first book hinges on her recognizing the wolf she kills in the beginning as fae (and even being warned about it beforehand!) but doing it anyway and thinking there will be no consequences. This is the main one I could roll with but my girl literally never thinks of consequences.

The driving conflict of the first book, until the Under the Mountain one woman Hunger Games segment, is basically just trying to come up with the most lukewarm reasons for her to escape Tamlin’s court possible— but without skirting into anything that would demand real emotional urgency bc… that would actually be interesting and keep some tension going, and we hate good pacing in this series.

Feyre has a deepseated need to take care of her shitty family, not out of any actual emotional attachment, but because of a promise she made to her dead mother— who she doesn’t seem to care about very much at all??? She’s technically fulfilling this promise by sticking around the fairytale castle, because it’s been well established that as long as she stays Tamlin will ensure they’re cared for. But she… has to go watch over them herself, I guess?

Her wanting to a) escape captivity and b) be allowed to see her damn family is very understandable! I would not begrudge her this! However the book really goes out of its way to make it absolutely clear she doesn’t feel any particular attachment to her cruel family— and it actually draws a connection between the fae belittling her and how Nesta treats her. It seems like she would be happy never to see them again, if not for the promise that… is already being fulfilled? Meanwhile, the fact that she is, in fact, a fucking prisoner is just not really given much weight. Past the initial scene where this is laid out she has no real, emotional qualms with captivity, to the point where that itself feels like a bizarre naivety. So… what is driving her? Unclear!

However she’ll just keep trying to run away, recklessly, and never with any real planning, but also not in a panic. Meanwhile, she gets warned multiple times to be careful of dangerous fae on the grounds but keeps walking into trouble anyway. There’s the entire fucking Calanmai sequence where she’s warned multiple times that going out would be particularly dangerous for her… and then she does it anyway. twice lmao. The second time is even more egregious because she already got caught once and had to be rescued!! But no, she needs to casually wander the halls, so sex pollen-ed Tamlin can pin her up against a wall and we can get a weird charged scene between them.

I do really want to stress that my problem isn’t that she didn’t like sit down and shut up and do everything the male characters told her to do. But she’s never doing anything to a fucking purpose or even from a set of consistent values or emotional state. She just does whatever!

I’ll give her a free pass for most of the rest of the first book, but things only get fucking worse from ACOMAF on. SJM’s idea of character growth seems to be rash decision making with no thought behind it. Feyre’s often stubborn for like… no reason? 70% of that entire fucking book is “I hate Rhysand but I like Rhysand. I wonder why he’s being nice to me 🤔🤔” Like can you please rub two brain cells together and come to a goddamn conclusion!

(Meanwhile he is not nice to her! He’s actively being awful but I guess he invented feminism! But that’s just insane SJM bias so I won’t put that at Feyre’s feet lol)

Also every single politicking scene with her made me viscerally cringe because the choices were all so dumb. That bit where they’re trying to win over all the High Lords to band together against Hybern or whatever his name was, and she decides to go completely off script and iirc undermine their original talking points? And it’s like go girl give us nothing! Woo girlboss moment!

I think I reread the first book back in 2019? But I haven’t reread any of the others literally since ACOWAR came out, so my memory is admittedly fuzzy. But I remember finding her endlessly frustrating as a protagonist. A lot of it was just writer limitation but it does end up reflecting on her too.

I still laugh remembering the ACOMAF cliffhanger, as if she’s going to go in and do so much spying but her idea of sowing discord in Tamlin’s court is… mildly negging Ianthe? Please 😭😭😭

[infinitelycomplexpuzzles]

“ 🔥 “ tell me more comic grievances pls 👀

// Hm. do I step on a landmine, or do I throw myself into a bonfire with this? well fuck, you're the only one who's sent one, so I guess we're just going to give you a hot take that I know is going to piss at least a few people off.

So let's talk multiverse, casting, and adaptations, yes? Because the way I see it, most people can't keep their outrage or fandom straight, and it bugs me.

Give you an example. Everyone lost their shit about the Scarlet Witch casting. Lost their shit. Torches and pitchforks and all that shit. Doesn't matter that she's a person who in her own series has an entire town begging her for death rather than living under her control, nah, the only thing anyone can talk about is who's playing her.

And you know what? They have a point. Or they would, if they didn't immediately adopt entirely counter opinions that contradict that one.

Because you know, Quicksilver is in that show too. And he's been in the MCU too. And he's had two actors. And he's her biological brother. But I don't see any huge outrage over either of them. I don't see people going 'if you use either of them as a FC I will literally call you hitler.' So what gives? Because the thing is, if you're mad about her casting, and there's good reason if you are, you also need to be mad about his, because they're the same. Imagine if some insane guy decided to cast Black Panther and Storm as white people, but people were only mad about one of their casting choices. That doesn't make sense! You either need to be mad at both of them, or neither of them, because the same rule applies to both. Both of them are whitewashing, which means that it's entirely contradictory to have a fire and brimstone take on one and not the other!

But while we're on the subject, I distinctly remember that for a while on tumblr, people were mad pissed about genderbending. And you know what? They had a point! Saying it was transphobic is a perfectly acceptable thing to do. Personally, I think it's a weaker argument than saying it's sexist, as the idea that men and women live exactly the same lives with no differences is not a thing that happens, but I see the point being made with people who think it's transphobic.

And then the multiverse got popular.

Apparently, all you need to do in order to get rid of the transphobia stink is say 'oh, it's not a gender bend, it's an alternate universe.' So now we got everything from a female Batman who Laughs to female Dr. Octopus to female aquaman batman, and everyone is like 'yay! multiverse!'

Now I will say that this may be because this only seems to go one way. I'm not seeing anyone make an alternate universe version of Batwoman where Kate Kane is a gay man or anything.

But it also comes off as distinctly hypocritical because the entire argument before was 'if you change this character's sex you don't change their gender, and thus you're being transphobic by doing so.' Apparently, the only thing anyone needed to say was 'oh it's just the multiverse' and everyone agreed that was fine.

Like I have seen people's rules that say, explicitly, 'I don't write with genderbends' and then literally have multiverse characters that are exactly what they say they hate. Apparently, it doesn't count if a megacorporation does it! Then it's not bad, it's just creativity.

Sorta like how no one gives a shit if your dude is not romani, they only care that the woman is. 'The dude is hot and we like hot sexy guys, so who cares if both the guys we had play him aren't romani? I know we said that a white woman playing a romani woman is bad, but a white guy playing a romani man isn't, and I am entirely consistent!'

Drives me up the wall. Absolutely blows my mind.

All I ask is that, whatever your take, whatever your belief is, just be fucking consistent, or at least, admit what your actual beef is. Because you can't clothe yourself in moral righteousness while you're engaging in the very things you claim to hate. That's like if you claimed to hate drinking while you were four shots into a bottle of tequila.

It. Makes. No. Sense.

[zeciex]

I went back and forth between sending this, but I think it’s necessary to convey how much your ‘A Vow of Blood’ series has been a joy to read as my first fanfiction. It was the only series that caught my attention. The series piqued my interest because of your writing style and unique approach to the adaptation of source material. It’s hard to find writers here that are consistent with character development without divulging entirely from their original rendering, to the point where it isn’t feasible/outlandish.

I read Season 1 in two days when I discovered your account! Unreal. I will be rereading Season 1 while I recover from an ACL procedure last week in anticipation for this Friday’s chapter. Keep up with the good work. I am very excited to see what Season 2 brings to life. ☺️

^^Literally me right now

That's amazing to hear as a writer and it makes it all worth while! Also, how the fuck did you devour 800k words in 2 days? Are you like a super reader? Did you download it straight to your brain? I'm insanely flattered! And Im so happy to hear that my efforts in writing consistent characters that develop and change over time--while I also try to make then the characters we know and love.

Season 2 will get a bit of a overhaul in some places and with other characters since I wasn't satisfied with the show. I hope it adds more to the story. There will also be new pov's and more scenes following other characters---BUT this is still Daenera's and Aemond's story and we will definitely still see much of them.

I hope your ACL recovery will go well and that you get lots of rest so you can heal <3

[x0401x]

The saga continues.

So it's been a year since the anime ended, and a little bit more than that has passed since I got these asks. As you guys know, I always reply to messages, no matter how long it takes. And I really needed time to reply to these. I don't even mean just because I'm living alone in Tokyo and have to juggle grad school, part-time job, my actual job and doing all the housework by myself, plus occasional fun immigrant paperwork things. I mean all of this and the fact that I had to go out and actually do research for a lot of things regarding volume 3, in order to confirm the conclusions I took reading it. I also went to Japanese Twitter to see people's analysis of this volume and of the previous volumes, especially MasaMina, because this book is one of the most complex novels I've ever read. The amount of hidden meaning in EVERYTHING is no fucking joke. And as I wrote, I just kept finding more of it. I remember saying way back when S1 was airing that Tsurune had many, many layers. This volume, however, had infinite layers. Again, no joke.

I feel like what has transpired in this book is what Ayano Kotoko actually wanted to do from the very beginning, but there was no guarantee of whether the series would be successful enough to get a continuation, so she had to hold back at first, and then she dumped into volume 3 all that she hadn't been able to include in volumes 1 and 2. It's honestly no surprise that this one was so convoluted. It made me start to think that series should've been a seinen manga instead. So yeah, there was a lot that I had to check while writing this actual essay. Because yes, that's just how gigantic it turned out to be. 20 pages on Word. Even I was surprised when I finished it. Scratch that, I was terrified.

I have to say that I feel utterly insane for making this post. I know that a lot of you guys are aware of how difficult life has been for me over here, how I haven't been able to stay consistently active online in the past two years. I also know that the fandom is dead as hell right now in the overseas side. I'm sure nobody would've minded if I had never finished writing this thing, but I wanted to. More like I wouldn't be able to rest easy unless I did it. I feel like I needed to have the hidden things, theories and interpretations of what happened in this volume written down all in one place, even if we never get any more volumes. Kind of like a reference book so that people can look back on it whenever they need to remember what is what.

I have noted that most novel readers on both the Japanese and the overseas sides of the fandom have either gravely misunderstood this volume or didn't really get much of it. No surprise here, because, I have said this six years ago and I will say it again: although Tsurune is an amazing novel, it's not well-written. Especially volume 3. So this is an attempt to explain what transpired in it, at least on the MasaMina side of things, which is what you guys have requested. That's about 2/3 of the book anyways, lol.

Warning for insanely long post under the cut.

Before I begin, by all means, guys, share this post with anyone you know who also has questions or things they didn't understand about volume 3. Chances are you will find the explanations for them here. If you don't, then don't hesitate to hit me up, because for now, I'll have more free time to answer asks.

Anyway, here's the much-requested continuation of the Tsurune Bible, one year in the making (which now even has its own tag, just to make things easier for you guys and myself, lmao).

This volume already starts out serving MasaMina from the cover. It’s just so cute that Masaki has been slowly approaching Minato in each cover until they’re finally side by side, lol. Gotta love that Minato’s yugake and underglove look like a hand on top of another in the back cover. Good symbolism, good food.

In this volume, Masaki and Minato’s first interaction is kinda like volume 2, where Masaki amuses himself with shit Minato says. The boys are fucking around with Minato, having told the kouhai that touching his forehead brings luck and proceeding to come up with different versions of the rumor, in all of which some part of Minato’s body brings good fortune. Masaki says it’s actually Minato’s feet that they have to rub, and tells Minato to “get his legs out”. Yes, this is the mandatory old man joke, because Masaki just has to tell at least one in every volume, and it has to involve Minato. Minato asks him to cut it out, saying that he’s neither Pindola nor Billiken, which reminds me of an interaction from volume 1, where Masaki beckons Minato into the dojo like he’s a small animal, prompting Minato to assert that he’s neither a dog nor a cat. Masaki breaks into giggles and contemplates patting Minato’s head like usual, but doesn’t do it. We readers know that this novel always comes full circle later on, and this interaction is no exception.

The initial portrayal of MasaMina in this volume immediately turns angsty despite this wholesome moment, because Minato is actually having a hard time dealing with Masaki avoiding him lately. The yearning and obsession with Masaki’s eyes has reached a new level in this volume, if that was even possible. Masaki has been consciously dodging Minato’s eyes, and this upsets Minato to a point where he starts doing the same to Masaki, because finding Masaki’s gaze only to have it turn away from him is too much for Minato to handle. And unbeknownst to Minato, Masaki doesn’t really want to be doing this, but he has to, and he also feels bad when Minato avoids him.

Following this bullshit is a hint that I’m sure most people missed, and I would’ve missed it too if someone hadn’t pointed it out on Twitter. This novel, as we’re painfully aware, is full of galaxy brain shit, especially when it comes to MasaMina. But this volume goes so fucking overboard. Around page 66, there’s a joke about Seiya mothering Minato, because that’s also mandatory, but the joke isn’t like the previous volumes. “Seiya home security, protecting you 24 hours a day 365 days a year”. 365 days a year, meaning leap years are not included. If the year has 366 days, Seiya won’t be able to protect Minato for one day.

No, the OP wasn’t reading too much into it, I promise. Stick with me here, y'all.

I know that the anime might have confused everyone as to which year Tsurune is supposed to be set in, as the second season implies it's set in 2023. However, the novel begins from the year 2016, its year of publication. That means Minato was born in the year 2000 and that the accident that killed his mother happened in 2012, both of which are leap years. He also had his first proper meeting with Masaki in 2016, yet another leap year. So basically, Minato's most life-changing events happen in leap years.

Apparently, same goes for Masaki. He had to change his name in his last year of high school, and in that same year, he got target panic and his master forsake him. The following year, 2012, was when he received the death certificate of his brother and became estranged from his grandfather. That was on his birthday, so it was summer. The novel doesn’t mention in which season the accident with Minato and his mother happened, but according to the anime, it was in summer. Both events definitely did not happen on the same day, ‘cause if Minato’s mom’s death was on the same day as Masaki’s birthday, this would’ve already been mentioned at some point. But they happened within a short time gap from one another, that’s for sure.

Soulmates just be synchronizing like that. It’s been going on since volume 1, where they’re so obviously mirrors of each other that literally everyone can see it. Not to mention that really bad things and really good things happen to them alternately, in a way that they always come off as even in the end. The scars, losing members of their families to tragedy, target panic, “I now understand where my master was coming from” moments, near-death experiences related to car accidents, sixth sense, a keen connection to gods and the supernatural, get along well with nature and now, as established in this volume, allergy to poison/venom. I say poison because ginkgo fruits and seeds are actually poisonous on main, but most people can handle eating them if it’s in small amounts. Minato can’t, though. As for giant hornet venom, it usually doesn’t go as far as killing people, but Masaki must've nearly died from it, or else he wouldn’t carry an antidote with him. All volumes are adamant about Masaki and Minato being mystic creatures living amongst men, who find comfort in the natural and spiritual worlds, and who are pure not just in mind but also body.

Let’s not forget that just like Minato, Masaki also has someone who acts like a guardian around him. Ren, who wanted to protect Masaki from his issues with his grandfather, but failed at it. Who wished Masaki would quit archery for his own good, only to watch him go back to it because Minato happened. Who watched Masaki almost die saving Minato’s life and God knows if he really meant what he said when assuring Minato that it wasn't his fault. Who messes around with Minato to no end, and maybe he does it partly to take out his frustration with Minato's existence on Minato himself. Who is always the one to reveal the dark parts of Masaki’s past and how Masaki isn't a normal person. Who called Minato a marebito. Seiya probably has a similar sentiment regarding Masaki. “Maybe it would’ve been better for you not to have met him,” is what both he and Ren implied at first. But turns out neither Minato nor Masaki would be where they are without meeting each other, as confirmed way back in the last tournament of volume 1. Bad things have always happened to them, but they can overcome them thanks to their karmic connection to each other, be it direct or indirectly.

Ayano just loves this bound by fate trope and takes it to extremes. No news spotted.

Back to the dog and cat thing, the next MasaMina hint we get is actually in a scene where Masaki doesn’t show up—the one where Minato tells his teammates that he feels like he’s being watched lately. Obviously, Masaki is the one watching him when he's not looking. He just doesn't realize that because he's also incidentally avoiding Masaki.

A little later into that scene, he has The Talk with Nanao about Masaki not looking him in the eye lately. This part is ridiculously funny for so many reasons. Firstly because it bothered Minato so much literally everyone could tell. Because of course it would. Not getting his daily dose of Masaki’s undivided attention is torture for this poor little bastard. Secondly, the suggestive way that Minato talks about anything concerning Masaki is just too much. Ayano doesn’t even try to hide that Minato’s wording gives people the wrong idea—Nanao immediately assumes he's having love troubles, because of course that’s what it sounds like.

When Minato says that’s not really it, Nanao resorts to calling the individual in question “the person Minato is interested in”, which… still makes it sound like it’s love troubles, lmfao. And it's a deliberate word choice, because when Minato denies that it’s love, Nanao prefaces his next sentence with a “hmmm”, as if he doesn’t believe it for a single second. Maybe this doesn’t translate well into languages other than Japanese, but it’s the sound that people make when they don’t really believe what they’re hearing. Kind of a “you sure, buddy?” expression. Then again, Minato isn’t lying. I have said it time and time again, but this isn’t a BL novel, yet the author loves her ships and would totally make them canon if she could. Therefore, her approach is to make it so that the characters’ feelings for each other can be taken as both platonic and romantic, with neither canceling the other.

In Minato’s case, he does love Masaki. The whole series makes it clear enough. However, that love can manifest as anything. As in, it’s a platonic relationship on main, but if there were a window for it to turn into a romantic one, I honestly doubt he’d turn it down. Because there was one later in this volume, and he didn’t. Ultimately, Minato seems to be in love, but as it is posteriorly revealed, he’s happy just being by Masaki’s side. Therefore, he doesn’t see Masaki as a possible target for romance—actually, this volume suggests that he has to make a conscious effort not to see him as such. So when Minato denies to be talking about love, he means it, because he isn’t trying to pursue Masaki. But that, again, is a deliberate word choice from the author. He denies to be talking about love, but he never denies being in love. Nanao’s reaction is also deliberate, and surely he knows exactly who Minato is talking about. Or else, his reaction wouldn’t make sense.

And then comes something that just shook me to the core when reading this scene for the first time. They hear the cry of a varied tit. In Japanese culture, the varied tit is known as a tricky bird, lmao. This, too, is deliberate. Even because it’s not the first time that a bird is used to represent what’s going on in a scene. In volume 1, when Minato is riding his bicycle and ends up at the Yata Shrine, he’s guided there by a grey wagtail. In Japanese, the name of this bird is “kisekirei”, which can be read as “spirit of miracles”. Someone on Japanese Twitter pointed out that the grey wagtail is said to be a herald of love (as in romantic love, exclusively) in Japanese culture. Again, Minato denies to be talking about love, but narrative devices come in to suggest that he is in love, regardless.

Nanao is one of these narrative devices. He’s presented as being in the same situation as Minato in this scene, essentially saying the same things as him. When he says he isn’t too bothered at being dropped as a regular and that all he wants is to be around Kaito, he means it, but that's not entirely true. It’s revealed afterward that he actually was frustrated. He fights hard to be placed as regular again, and Kaito is the one to give him motivation for it. Like Minato, Nanao wasn't lying. It's just that, at this point in the story, he hadn’t yet realized how he truly felt.

And all that shoujo jazz.

Hilariously enough, much like Nanao didn’t seem to believe Minato, Minato also doesn’t seem to believe what Nanao says. He translates Nanao’s thoughts like he’s reading Nanao’s mind (“I want you to be by my side”), because that’s exactly how he feels too, about Masaki. But again, although just being around Kaito is what he wants now, Nanao starts wanting more later. Then what about Minato? Does he start wanting more along the way as well? Ayano flings that information at us and tells us to make of it what we will, but the text throws a big “yes” at our faces later on.

Following this comes the infamous “don’t look at me like that” scene, where Minato is trying to talk to Masaki and Masaki insists on leaving it for after the training camp. The way that Minato just comes at him with a question worded in the most painful manner possible is fucking delightful. Masaki had the whole trauma with being ignored by his master in the past, so when Minato asks if he’s so bad a disciple that it warrants Masaki ignoring him, that’s probably the worst thing he’s heard so far as a coach.

Similarly, when Masaki tells Minato, “I’m really sorry, but please don’t look at me with those eyes”, that’s probably the worst thing he’s heard from him. At least I can’t recall anything else Masaki has said that brought him to the verge of tears like that. But turns out it’s the opposite of what he thinks: Masaki is avoiding him because it’s so obvious that he’s The Favorite TM that everyone else is getting jealous. And then the whole thing just transforms into double-entendre, because it’s also mandatory for these dumbasses to have at least one conversation that makes them sound like a couple in every volume.

“You too, Minato—you wouldn’t react when I waved at you.”

“That’s ‘cause I thought you didn’t want to look me in the eye.”

“It’s not like I don’t want to, but it puts me in a spot sometimes.”

“What do you mean ‘in a spot’? Just spill it out.”

“There are times when I also really wanna stroke that forehead of yours, but I can’t let anyone see us like that now, can I?”

“Wha… Wha… What’s up with that?”

That's fucking clownery, Ayano. Low blow, Ayano.

No, but, seriously. How does this woman come up with such out-of-pocket shit like this? It’s better than any romantic comedy I’ve ever come across in my life. Minato completely misunderstanding and assuming the worst when the truth is that his master is actually looking after him is no news in this series. It has happened in the previous volumes as well and it's one of the staples of their relationship, but it’s also so chick flick-like it drives me nuts. The whole “you were actually being showered with care and kindness in the only way he could give it to you at that moment” thing is delicious. And so is Minato’s realization that Masaki is feeling just as bad as Minato for having to distance himself. That he wants things to be like before but can’t afford it because it would disrupt the harmony of the club. Like, yeah, king! Go get punched in the gut with affection! You (unironically) deserve it!

This follows a pattern that happens in every volume, where Masaki always, at some point, has to do something for Minato’s own sake that ends up upsetting him, which in turn upsets Masaki as well. And when Minato confronts him about it, he finds out that Masaki was actually caring for him all along and gets all flustered. In volume one, this happens when Masaki tells Minato that he should join his friends at the club because he wouldn’t be coming to the Yata-no-Mori kyudojo forever, which means Minato would eventually be drawing his bow alone. This completely screws Minato up internally, because how dare you give me so much and then suddenly announce that you’ll leave me in the near future. But turns out Masaki just thought that this would be the best for Minato, and when Minato finds out the truth, he’s “so embarrassed he could die”. Jump to volume 2, where they fight over Minato’s recklessness in regard to his injury and his bad form, and Masaki finds himself having to forbid Minato from coming to practice. Minato loses it because you’re the one who got me back into archery, yet now you try to take the bow away from me. And then he realizes where Masaki was coming from, and calls him an idiot because he’s frustrated.

Ayano clearly likes to do this kinda shit where Minato gets insecure assuming the worst whenever he’s deprived of anything related to Masaki, only to reveal that it was for his own good, then having them resent the lack of proper communication in-between. All in all, these situations are portrayed in a heartwarming way that showcase Masaki is actually a responsible adult and Minato is, as he says, a very cute disciple. But it also makes it look like married couple bickering, because this woman just loves fucking with us like that.

And also because this follows the same pattern as what archery means to Minato.

In every single volume, something happens that deprives him not only of Masaki, but of archery itself, because to him, those two things are connected. When he feels like Masaki is about to disappear from his sight in volume 1, he begs him to stay. When he’s forbidden from coming to practice, he could’ve just gone to Saionji or practiced at home with the rubber bow if he wanted, but instead, he kept coming to the dojo like the jealous little bitch he is to watch Masaki teaching everyone but him. Minato’s love for archery and his love for Masaki are portrayed in the very same way. He gets burned by them at some point, but he also gets healed upon understanding that the burn was for the sake of growth. Just as it says in the last tournament of volume 3:

“Goodbye” is a spell. Something devised from the very beginning.

The sound of a knock on the door. Ringing through.

Yearning, chasing, wishing.

Crouching down, struggling, being doubted and scorned.

Raging, despairing, cursing.

Repenting, lamenting, accepting death.

And when one gives up…

They bow down their heads, love, forgive. Thus the door finally opens.

“Welcome,” it greets.

To love means to forgive yourself and others.

Just like with archery, Minato yearns and chases and wishes for Masaki, but he hits walls along the way. It breaks him and he literally goes through the five stages of grief when it happens, but then he decides to accept it and face Masaki about it. And in doing so, he finds out the truth, and with the truth comes the catharsys. He finds himself even more in love with archery, so I'm willing to bet that his love for Masaki also deepens whenever these misunderstandings are solved. The reason why he gets so disproportionally flustered in the aftermath is because, on the inside, Minato is like, “So you were thinking of me all this time??? You weren’t trying to abandon me???? I love you so much????? Fuck you?????”

And maybe he also gets flustered at how Masaki words his arguments? I mean. “I can’t let anyone see us like that” undebatably refers to not letting other people see them being intimate with each other. It’s not the first time that Masaki talks like this. In volume 2, for example, there was that one scene where Masaki told Minato to not “take on anyone’s style” but his. Minato was also extremely flustered back then, thinking that Masaki didn’t have to word it that way. This is one more thing that only works in Japanese, because the expression he used was “don’t dye yourself in anyone’s color other than mine”. “Dyeing oneself in another’s colors” means taking on someone’s way of doing things, and it’s an expression most often used to describe the role of a wife in marriage, where she’s expected to “dye herself in her husband’s colors” (as in, to follow his way of thinking and do what he says). This is a double-entendre that can be read as “don’t you cheat on me”, and we’re completely free to interpret Minato’s reaction as “you didn’t have to make it sound suggestive, what am I supposed to do with that thought now”.

In that same fashion, when Masaki says they can’t afford to let other people see them being so close or else it’ll give them the wrong idea (which is actually the right idea, because Minato is indeed his favorite disciple), it gives Minato, for a split second, a free sample of what it would be like if they were in a relationship. Because if Minato were in love with Masaki, as the birds imply, then this way of interpreting Masaki’s words is 100% something that would go through his head in that moment. Actually, even if he weren’t in love with Masaki, the wording is inexcusably implicative. There’s a million other ways he could have put it. But if we take it from a “Minato is in love” perspective, it’s easy to understand why Masaki’s word choice only adds up to his frustration, and his reaction makes even more sense. Again, the text gives us leeway to read it like that, and it’s intentional. It wasn’t written in this way by coincidence, nor is it a coincidence that we get this kinda shit at least once per volume.

I feel like I’m repeating myself a lot in this analysis, but much like everything else in Tsurune, their relationship is cyclical. This shit is going to happen all the time with these two, as if it’s a rule between them. Masaki does the best for Minato and ends up hurting him in the process without meaning to, which means he’s also hurting. And when everything is solved, Minato doesn’t know what the fuck to do with himself, because that’s how much he loves Masaki. It’s almost like Masaki himself is an embodiment of archery for Minato at this point.

The whole process of shooting in Japanese archery, as stated in volume 2, is about severing your life and being reborn. Minato’s journey with archery has also been one of having his love for it be tested, and when it seemed he was about to lose it, the fire is set alight again by Masaki. His affection for Masaki goes through the same path, and just when he thinks Masaki is about to turn his back to him, he gets this kind of dopamine dump and is able to reaffirm that their bond would never break so easily. In fact, any little bit of logic would be enough for him to realize that, but although Minato is a pragmatic person in general, logic just doesn’t apply when it comes to Masaki. This is entirely mutual, because the same things happen to Masaki as well. He can’t look at Minato in the eye because it obviously makes him feel guilty, and when Minato dodges him, he gets a taste of what he himself is doing to Minato. It's all about retribution, which is a concept present in Shinto, Buddhism and Japanese archery.

The realization that Masaki was avoiding him for his own sake makes Minato lose it. He probably would’ve reverted to calling Masaki an idiot or a pervert and lashed out at him like usual if his grandparents hadn’t arrived to the scene. And then what happens next felt like a fucking fever dream. I still remember the first time I read it so damn vividly. The way the elderly couple just stormed in and presumed that Minato was crying for entirely different reasons. Minato trying to undo the misunderstanding. The car accident suddenly being brought up. The iroha poem that Minato’s mom used to sing being mentioned out of fucking nowhere. Masaki being Masaki and interpreting it for Minato and, again for whatever reason, has to put a hand on Minato's back while doing it. It’s all just so fast and ridiculously shippy. The stupid couple vibes, the way that Minato’s grandmother seems to approve of Masaki and bless the relationship by asking Masaki to “take care of Minato forever”. Seiya and Kaito watching over them from a distance and worrying whether everything was gonna go well or not. It’s all like a reverse parallel to when Ren asked Minato to take care of Masaki, except unfortunately very rushed. Just MasaMina being shoved down our throats as per usual, except lightning style.

On the topic of shoving down throats, the following scene with Masaki spitting his coffee when Minato’s apron fell down has puzzled people for the longest time now. To this day, I can’t really explain what happened here. I’ve seen people speculating that it was “lucky lechery”, and ugh. Ew. Gross. But though I can’t really imagine it, it’s true that he didn’t spit the coffee due to the sight being funny. He wasn’t laughing. And he was the only one who was so weirdly surprised. I have a lot of qualms about thinking of it that way, but Masaki has always been portrayed as having the dirty mind of an old man. Honestly, it’s disturbing to imagine it, but an intrusive thought isn’t... too far-fetched. What makes me feel not so bad about this is the fact that, looking back on the talk between Minato and Nanao, it’s easy to figure not only that Minato is “interested” in Masaki, but also that, whatever the way he looks at Masaki is, Masaki doesn’t correspond. With that in mind, I'd rather interpret this apron scene as Masaki being caught off-guard.

As Minato says, he’s looking at Masaki, but Masaki has his eyes on the Gods. Of course, Masaki was properly looking at Minato, as we know, just in a different way from how Minato looks at him. Masaki was being a responsible master and watching over his disciple in spite of everything. So by all accounts, Minato’s feelings are not reciprocated, which again pushes the idea that Minato is in love. If his distress was just from him being concerned with his master as a disciple and nothing else, this would fall into their master-disciple dynamics and therefore would automatically be reciprocated. There’s no other way around it. Masaki is looking at him as a disciple and Minato is… doing something else entirely. Again, whatever that something else is has been left to our imagination, but the birds are just fucking unexplainable from any perspective that isn’t romantic. They didn’t even have to be there. Hell, the café scene was also completely unnecessary.

Amazing how this book still has the power to make me lose my fucking mind.

First hint of the “imina” is dropped as Masaki tells the boys about it, and Minato concludes that it is “the name of a life”. In Japanese, this is written as 命の御名, and there are two ways to read 御名. One of them is “gyomei” and the other is “mina”. “Gyomei” is used when referring to the name of the emperor, while “mina” is used when referring to a name that is sacred, such as the name of a god. The one that Ayano chooses as the furigana here is “mina”. Of course, this also is a reference to Minato’s name, as well as foreshadowing to the whole thing with Masaki’s birth name.

More foreshadowing ensues as Minato is shown giving instructions and teaching the kouhai in the next scene. I didn’t catch it at first, but it was really just him doing that amongst the upperclassmen, so yeah, future coach!Minato putting his skills on display once again. I say once again because it’s not the first time he gives advice to people regarding archery. He’s been doing it since volume 1, with Manji. Many mistook him for being savage back then, but he was giving candid advice when he warned Manji about target panic. Not to mention that he has the ability of setting people’s souls ablaze and making them want to draw the bow. He’s got talent for it.

This goes on right before Hikaru watches him talk to Masaki like they’re a married couple. Just obvious as fuck. Hikaru is shipping this shit. I’m only half-joking when I say this, because he quite literally considers himself “lucky to be around them”. He’s canonically enjoying this domestic load of bull. Now, I don’t know how many people noticed, but the way Hikaru thinks of them is pretty damn unnatural. Maybe it’s just me, but this struck me as intentional. I feel like he was being used as a reminder for how the readers should view these two. Unfortunately, thanks to the anime, many people got the wrong impression about Masaki and his relationship with Minato, which is most definitely not how Ayano wants people to see them. I mean, let’s be honest, fellow readers. We know that Masaki is her favorite character and this is her favorite relationship. I honestly believe she wants us all to see them in the way Hikaru does: a master and his disciple being cute with each other.

The dialogue is also gold. The way that Minato is able to deduct that Masaki’s offer to come to his place and look for the book he wants inevitably means having to clean up in the process. The way that Masaki can tell that Minato knows what’s coming just from him saying that it’d be a pain in the ass. Him responding with, “Don’t think you can get fish without doing some work” and Minato retorting that he’s more into red meat than fish. This was the author’s way of showing that these idiots are in the same wavelength. The good humor and wholesomeness is palpable in how sassy and comfortable they are with one another. There’s mad levels of intimacy here, which is, again, completely unnecessary plot-wise. It’s there because Ayano wants it to be there. Not to mention that there’s double-entendre again.

I’m talking about the “vegetarian” and “carnivore” part of the conversation here. In Japanese, “vegetarian” and “herbivore” are the same word. Y’all know the terms that Japanese people use to define who’s passive and who’s dominant in a relationship? Yep, that’s right, it’s “herbivore” and “carnivore”. Maybe I’m reading too much into it, but with the amount of hidden meaning, suggestiveness and word play that this volume has, I don’t even doubt anything anymore. And we gotta be real here: as far as all 3 volumes go, Minato is ridiculously physical when it comes to Masaki. Not only is Masaki the person he has more physical contact with, he’s the only character whose touch and presence Minato actually craves. He’s always reaching out to grab Masaki, and just the prospect of not getting his fix of head pats is literally enough to make him tear up. And Minato isn’t even the kind of person who likes physical contact. More often than not, he’s annoyed by it, if it’s coming from anyone else. That aside, he’s also weirdly physical when he’s thinking about Masaki. I’ve said this time and time again, but Minato often describes Masaki in his head in ways that sound very much like he’s physically attracted to Masaki. So far, the descriptions of Masaki that we’ve gotten from Minato’s point of view are:

He’s got basically every Japanese ideal trait of conventional attractiveness

Has “adult charm but still retains some childishness in him”

Warm hands, slender fingers, bewitching eyes

A smile like the New Moon

And as most recently defined by this volume, smells really fucking good (at least to Minato)

All of these are physical things. And we always get this from Minato’s perspective only. Meanwhile, Minato obviously has nothing that Masaki would be physically attracted to, of course. But even while putting Minato aside as an option (because he’s not at all an option), Masaki is a priest. Yes, Shinto priests can get married, and they don’t even have to be married to have sex, so there are no inhibitions imposed on him in that regard. But even then, due to their lifestyle, Shinto priests tend to be abstinent. This is something I read on an interview with an actual Shinto priest, and Masaki seems to fit into the stereotype, given that he doesn’t seem to be remotely interested in romantic relationships or being sexually involved with anybody. He doesn’t have a girlfriend, isn’t anyone’s “friend with benefits”, and doesn’t appear to give a shit. This isn’t because he’s too busy or doesn’t have social life. As established in volume 2, he has always had many friends, and he himself says it in volume 3 that he thinks all women are beautiful. However, “the only ones he considers to be cute are his disciples”. What I’m trying to say is: regardless of Masaki’s dirty jokes and old man attitude, he might actually be the more pure-hearted one between him and Minato in that regard. He definitely doesn’t have any idea that Minato thinks those things about him, and if he knew, he’d be taken aback for sure.

By the way, quick translator's note here, but when Masaki says that “the only ones he considers to be cute are his disciples”, the word “disciple” is actually not in plural form. Basically, we're free to interpret that as either him talking about all his disciples... or just one. And the second option is the most likely to be what he means, because the club is full of female members now. It wouldn't make much sense for him to draw a line between "women" and "disciples" when half of said disciples are girls.

Just take that piece of trivia and run with it.

Another implication that Masaki doesn’t get the effect he has on Minato is the scene where everyone goes out to play in the dog and cat park. Seiya had clearly planned for Masaki to go with the first-years instead of with them. When I first read this volume, I was weirded out by how Seiya suddenly turned into a prick to Masaki and began to resemble his anime counterpart. But then, in-between, he would be acting like his usual self, teaming up with Masaki to debate with Kaito and Keima, unintentionally laughing at Masaki’s old man joke, lending the marker to Masaki so that he can scribble on Takumi’s face, etc. Minato and Kaito’s passiveness also struck me as kind of weird, because if Seiya were being outright hostile on purpose, they wouldn’t stand for it. This led me to believe he wasn’t just being a little bitch, and at some point, Seiya in this volume started reminding me a lot of how Kaito acted with Minato when they had just met. And then I realized that this is probably what Ayano was going for here.

Back when Minato was still trying to avoid being part of the archery club despite Seiya’s attempts to get him into it, Kaito was criticizing him for not making it clear enough that he was never going to join. Minato obviously gave off the vibes of someone who still loved archery and wanted to do it, so in spite whatever he said, Kaito was basically arguing, “Well, it ain’t working. Try harder”. Seiya is taking this same approach with Masaki, except without saying anything directly to him. Other than that, he also seems to be doing kind of the same as Ren does with Minato.

Seiya was the one who did the poll with the club members, so he was the first person to find out that they thought Masaki favored the second-years, especially Minato. And the problem here is: the first-years aren’t wrong. Masaki really does lean towards the second-years, not exactly because he likes them more, but because he’s closer to them, having already been with them for a whole year. As for Minato, the second-years know how deep his bond with Masaki goes, but the first-years don’t, so there’s no convincing them that this is fair. What does Seiya do? He pushes Masaki away from them—away from Minato, in particular—and onto the first-years. And in this process, he’s probably aware that he’s hurting his best friend, which definitely leaves a bitter taste in his mouth, so he takes it out on Masaki. It’s killing two birds with one stone. He gets to throw shade at Masaki for making him do this while also being like, “Who said we’re close to this guy? Nuh-uh, not me” in front of the first-years.

Speaking of shade, the comments Seiya makes on Masaki in this volume are pretty damn interesting. They all have something in common. Can y’all guess what it is?

“Amazing, Masa-san. So you’re a mix of monk, priest and old man.”

“Now, Masa-san, please go tag along with the first-years. You’re the one responsible for looking after us, right? Your club president will be watching over the second-years, so rest easy.”

“He’ll be just fine; he’s an adult.”

“If you know it, Masa-san, that means you’re also someone from ancient times.”

Yep. All of them contain reminders that Masaki is a grown-up, specifically. It’s like Seiya is saying, “You’re a grown man; get your act together”, just like Kaito was saying to Minato, “You’re an archer; get your act together”. It’s funny as hell that Minato is always present during these moments, so it might as well also be a reminder to Minato that Masaki is an adult and he isn’t, lmao. Other than that, this attitude of Seiya’s also feels like one more dig on the anime and how it portrayed him and Masaki. How it looks on the surface like Seiya is being gratuitously offensive when, in reality, he’s siding with Masaki.

It’s almost like the author is doing her own little rebellion and I’m here for this shit.

On the topic of making digs on the anime, I have to be honest about one thing that I felt throughout this whole volume. We know that the tendency is for it to get gayer the further the story progresses, but even so, we gotta admit that Ayano tripled down on the gay this time around. It was a lot, to the point that I saw people from the Japanese side of the fandom calling Tsurune a BL novel, both ironically and not, and saying that this volume had “too much gay”. This isn’t normal, guys. But although it makes me feel bad for the author seeing reviews like these, I must say I kinda get where they’re coming from. I was highkey shocked every time the characters had a “moment” with each other—not just Minato and Masaki but also Seiya and Kaito, and although they barely showed up in this volume, Eisuke and Koushirou too. Because, my God, it was all so visceral and heavy. Some parts gave me diabetes while others basically ripped my heart off my chest.

Am I complaining, though? Absolutely not. I’ll take a whole ton more of that. Still, there’s something about it that I can’t shake off my head even now. Very often did these passages feel like covert criticism toward the anime, as well as Ayano’s compromise with what she wanted her story to be. Like, “Oh, so the anime is portraying Masaki as an asshole using his students to seek revenge on his dead grandfather? Here’s him and Minato being domestic as fuck.” Or, “Oh, so the anime ignores Seiya and Kaito’s relationship? Here’s Seiya being sweet to Kaito and acting like his girlfriend.”

And don’t get me wrong, I do think she’s eternally grateful to KyoAni for picking up her work and not only publishing but also animating it, but that doesn’t mean she has to agree with what has been done with her story and characters. I mean, it’s so far removed from what she’s doing. I also see people in the Japanese side of the fandom commenting about how different the anime is from the original, and that it’s best to view both as separate stories. This isn’t normal either, although I saw it happen to Violet Evergarden as well. Add that to the fact that Ayano never gave any interviews, or even wrote a creator’s comment outside of the novel afterwords. I reiterate that do think she is thankful to KyoAni, but yeah, I also believe she resents the anime to an extent, and it shows in this volume.

Now back to the analysis.

One of the gayest things ever presented in the entire franchise is the reference to “Greensleeves”. Nothing could’ve prepared me for that shit. I have answered an ask about this scene where I break down and analyze the KaiSei side of it, which can be found here. This is one of the many instances where KaiSei is a direct parallel to MasaMina. Kaito talks about how the dog that Seiya is petting is “so clingy”. Minato has to deal with sharing Masaki with more club members this year, many of whom are openly crushing on him, so he’s jealous all over again. Kaito wonders if it’s okay for him to try to catch up to Seiya, who is full of secrets. Minato often tells Masaki not to treat him like a child and it’s always through him that we are shown Masaki and Ren keep a lot of secrets. Kaito wants to know what burdens Seiya and hopes that Seiya would share the load with him, rely on him. Meanwhile, Minato doesn’t mind Masaki not wanting to tell him about his circumstances, because an adult shouldn’t try to rely on a child to share his problems. However, Minato makes it very clear that he will stop Masaki if Masaki ever attempts doing something dangerous. Which means Masaki doesn’t even have a choice here—he will have Minato pull him out of the Crimson Lotus Hell whether he wants it or not. But I’m now getting a little ahead of myself. Let’s go back to “Greensleeves”.

English: Alas, my love, you do me wrong Greensleeves was all my joy Greensleeves was my delight

Japanese: Aah, my love, you're such a cruel one Greensleeves, you were my joy Greensleeves, such merry days I was happy just being by your side

The author’s choice of song and verses are… interesting, to say the least. The translation that comes with it is very interesting too, because it’s how she interprets the lyrics. The fact that “alas, my love” is a phrase we can canonically associate with KaiSei and MasaMina still sucks away all of my sanity, especially when thinking about how the lyrics fit into their interactions.

“You do me wrong”, “you’re such a cruel one”: Seiya was a dick to Kaito when they first met, until they had that big fight and later made up. Whenever Seiya was a dick, Kaito would answer at length and they would clash, so this was technically a mutual thing. As discussed above, Masaki sometimes has to do things that hurt Minato for his own good, which is also mutual, as Minato’s response hurts Masaki as well.

“You were my joy, such merry days”: Minato is happiest when Masaki is there. That much has already been stated since volume 1. Before Masaki joins the club, Minato is happy to be back to archery, but also feels sad that he’s no longer able to draw the bow with Masaki, until we get the most “surprise, bitch” scene of the series. Nothing of the sort had ever been implied for Kaito before, but this volume raises the question of whether or not Kaito is okay with Seiya going somewhere far away. Unsurprisingly, he never says he’s okay with it, because no one in this novel says things they don’t mean. What he does say is that it’s Seiya’s own decision. Regardless, everyone can tell how much it affects him. Now maybe that’s a big claim to make when it comes to Masaki and Seiya, but Masaki literally went to Kazemai because he wanted to keep teaching Minato and Seiya has gone to individual competitions because of Kaito.

“I was happy just being by your side”: Again, it has already been stated, quite literally, that Minato just wants Masaki to be by his side. Same for Kaito with Seiya. He wants Seiya to rely on him, but regardless of whether Seiya does it or not, just being by Seiya’s side is enough for him. This is actually an authentically Zen-like way of thinking and highlights how pure of heart Minato and Kaito are. It also affirms that they have a lot of feelings piled up, but they’re keeping it to themselves. Again, this is mutual. Suppose Masaki couldn’t teach at Kazemai anymore, he’d still be happy so long as Minato kept coming to Yata Shrine to learn from him. As for Seiya, he knows his time with Kaito is limited if he’s going to choose the path of medicine, so he’s enjoying what he can get for now.

The way Kaito’s red shoes chase after Seiya’s blue ones also feels a lot like the way that Minato is always chasing Masaki, both in the literal sense and not. And the way that Kaito and Seiya eventually end up walking together might very well apply to Minato and Masaki too. Masaki is a figure of authority in the dojo, but essentially, he and Minato are equals. From the get-go, Masaki allows Minato to speak with him informally and use a nickname to refer to him. Minato makes fun of Masaki, scolds him, yells at him, calls him an idiot, a pervert, a shitty old man, etc… because he can. Not because he doesn’t respect Masaki (“respect” is literally the word that defines their relationship in the official character chart), but because they’re on equal grounds with each other. Masaki knows better than to follow the stupid “I’m superior to you because I happened to be born first” unsaid social rule of Japanese society. He isn’t worthier just for being older and Minato isn’t lesser for being younger. He’s always poking fun at Minato for being a “little kid”, but that’s because he thinks Minato is cute when he acts childish. He’s not actually belittling Minato for being a child.

Aside from that, the things Seiya said about Bernese dogs also feel like a MasaMina hint. He talks about how they have a short lifespan even amongst other dog breeds and that any amount of years they live past the average is a “gift from God”. This is a reference to Minato. In every volume there’s at least one scene where Minato nearly dies. The car accident, the truck accident, the boar incident and Takumi’s little “prank”. Not to mention stuff from the boys’ childhood that is mentioned in-text, like falling from a tree along with their tree house, getting lost in a forest and accidentally eating a ginkgo fruit. Masaki even comments in volume 1 on how Minato gets injured often, and sure enough, he also gets wounded or sick in every volume. He injuries his hand when he and Masaki first meet, then hurts his neck after his fight with Seiya, then the ganglion happens, the fever, the allergy. In these cases, he always gets saved by sheer coincidence. Most of the time, the coincidence is the fact that Masaki is there for him. On volume 1, coincidences and encounters are described as “gifts”. Masaki is Minato’s “gift from God”, who keeps him alive despite his lifespan being at constant risk of running out.

Skip to the tournament and more foreshadowing of future coach!Minato comes up as he gets Hikaru to cast away his insecurities and shoot. I have discussed this before in previous analysis but Minato does it in an essentially Zen way, where he never outright tells Hikaru to “just do it”. He motivates Hikaru by telling him about bullet train names, which seems like a completely unrelated topic, but then he connects it to tsurune and makes Hikaru want to shoot. He’s being exceptionally sensible here, communicating with Hikaru in a way that sounds abstract, but which Minato knows will get through to him. That’s exactly how Masaki gets him to do things and it’s how masters usually do it. Zen is really just like that—you have to get people to find their own answers. This is the author telling us that Minato is in the right track to following Masaki’s steps.

After that, “Greensleeves” comes up again. Kaito’s interpretation of the lyrics is superb. Especially the ending, which he translates as, “This is goodbye, but please come here one more time and give me love”. That’s Minato whenever he thinks his relationship with Masaki is going sour. And although the verses are the same in English in this scene, the Japanese translation has additional verses for some reason.

Aah, I feel my chest about to burst You, who bestow me with love, what a cruel one you are You let me bask in your affection, only to say that you will abandon me Is this a test from the Lord?

Bro, that’s. That’s fucking Minato there. It's especially literal when applying it to volume 1, when Minato thought Masaki was getting tired of him after humoring him for a while with overcoming target panic. Where he was basically a parallel to Fuu, who returned to the forest after Masaki healed its injury. Except Fuu eventually came back, and so did Minato. What I get from this is that the gods are always testing how much he loves Masaki, and so far, he has given them the right answer every time. Minato also always almost leaves, but in his case it’s literal—he always almost dies. These near-death experiences always seem to kind of come outta nowhere, but they do have a proper reason to be other than ship tease. It’s the heavens above announcing that Minato’s time is up, except Masaki is there to intervene.

Masaki interprets “Greensleeves” as “an arm that is green”, with “green” being not exactly the color but rather a way to describe something miraculous. Touch it and you will be graced with a miracle. Meanwhile, Seiya says that the lyrics feel like someone’s words to God—a song of lament and resignation, with a hint of criticism in it. Sound familiar? Yeah. “Yearning, chasing, wishing. Crouching down, struggling, being doubted and scorned. Raging, despairing, casting curses. Repenting, lamenting, accepting death.” Saying “goodbye” (“this is goodbye”), and when one is about to give up, the door opens, and in comes forgiveness (“but please come here one more time and give me love”). “Greensleeves” is presented here as an equivalent to what the universal experience of doing Japanese archery feels like. Ayano Kotoko interprets it as the definition of “one shot and expire”. And by no coincidence, it’s also a description of the roller coaster that is Minato and Masaki’s relationship.

The origins and meaning of “Greensleeves” are unknown, so Ayano is taking the liberty to offer her own view of it. The way she conceptualizes it, it’s an analogy to coming of age. How is that related to Japanese archery? Through the process of honing oneself by way of practicing a Zen art, people grow—they “come of age”. Or, as the novel puts it, they become “adults (saints)”. Masaki has pointed out in the first volume that he’s like a baby to people who are older than him—age doesn’t really define how mature someone is. Reaching enlightenment equals reaching spiritual adulthood. True adulthood.

And how does that apply to Masaki? I don’t know if anyone’s been keeping track of it, but Minato and his feelings for him have come a long way since volume 1. He’s less reckless, less impatient and less greedy. He no longer freaks out or gets sad when Ren tells him shit, he shares Masaki with even more people at the club now and doesn’t pry on Masaki’s business. Slowly, through repeating this process of one shot and expire, of nearly giving up and then seeing the light at the end of the tunnel in their relationship, Minato and his feelings have slowly evolved and ripened.

So again, Minato’s love for archery and his love for Masaki are portrayed as following the same pattern.

Minato interprets “Greensleeves” as being a “naru poem”, a song that celebrates coming of age, as described by his mother. Later, in the last tournament, Ayano reiterates that affirmation in the text. And since the characters discussed about not just the song but also the individual referred to as Greensleeves in it, then there ought to be an equivalent to that as well—a character who is considered “a miraculous hand” by another character. Someone who gave them a gift, a miracle, once they made contact with them. In other words, “Greensleeves” as a song is the definition of how Japanese archery feels to everyone, but each character has a Greensleeves of their own in their lives.

To Kaito, it’s Seiya. To Ryouhei, it’s his sister. To Seiya, it’s Kaito. To Nanao, it’s also Kaito. To Shuu, it’s Minato. To Masaki, it’s his little brother. More on these later, because for now, the focus is on Minato.

Masaki suggests that Greensleeves is someone who cannot be touched even if one gives up everything for it. Minato opposes to this so vehemently it feels unnatural. He’s too outraged, but it’s because this hits a sore spot for him, without him even knowing it. He absolutely doesn’t want that to be the case, because it would mean that Masaki is out of his reach. Masaki all too often seems to slip from his grasp, off to somewhere far away (or as the novel puts it, to the “Other Side”, the “Farthest North”, the “Crimson Lotus Hell”, etc). And every time this happens, he grabs Masaki’s arms and begs him not to leave (again, one shot and expire). When he thought Masaki was a ghost and was about to pass on in volume 1, he grabbed both of his arms. When they’re in Masaki’s car in volume 2 and Masaki is lamenting how useless a teacher he is, Minato has to hold himself back not to grab Masaki’s arm before affirming that Masaki will be his master forever and always. The last scene of that volume is Minato falling asleep on Masaki while holding onto his arm.

Who else could be Minato’s Greensleeves, I fucking wonder.

Next scene is about future plans for the boys’ careers. Just a KaiSei galore. Fast forward to Seiya and Minato walking Kuma. And then it happens. The biggest middle finger that Ayano flips on the anime.

“The moon’s beautiful, huh?”

“Yeah, it is, very much. Minato, do you know about Natsume Souseki’s anecdote?”

“That he had the habit of plucking out nose hairs whenever he had writer’s block and would line them up onto the manuscripts?”

“That’s the one you went for? I meant the anecdote that Japanese people use other kinds of expressions when professing their love instead of saying ‘I love you’.”

“Sorry, I don’t know that one.”

“Minato, you and Kaito just don’t get fazed, do you?”

I’m sorry but this was fucking brutal.

So the author here takes a very common trope in literature, manga and anime. A classic that everyone loves to use for their ships. And then she completely destroys it.

Minato not knowing something that all Japanese people know is 10000% a stretch. Doesn’t matter that he’s a teenager—everybody and their mother knows this anecdote over here. And yeah, that wasn’t him being funny or embarrassed, because Seiya would’ve noticed it. This is meant to show that the gag was on purpose. That a romantic trope is the last thing Ayano would use for SeiMina. Instead, Minato is thinking about Masaki in this scene, as he asks Seiya if he wants to see some dormice. That’s a confirmed volume 1 reference, because Minato had brought the dormouse mascot that Masaki gave him to Seiya’s house. And Seiya is thinking of Kaito, because why would he bring up Kaito’s name out of nowhere? Did he ask Kaito the same question? In what fucking context? What the fuck did Kaito say back? I need answers, Ayano.

Fast forward further to Minato talking about his plans for the future for the first time. He’s at a loss, but he’s interested in what the job of a Shinto priest is like. In any case, it seems he’s going to find an occupation that is related to it, just not necessarily as a priest.

Fast forward even further to the Meigen Ceremony. In this ritual, Shuu is Kyoka Suigetsu, the “moon over the water surface”. Meaning he’s someone that can’t be reached, no matter how much one tries, because the moon’s reflection is but an illusion over the water, and the real moon is somewhere completely out of grasp. That’s basically what Shuu is to Minato. Minato envies Shuu just as much as he admires him. He strives to be a great archer like Shuu, but in the end, Minato can never be exactly like him—he can only be like himself. That’s just how archery works. This is, needless to say, 100% mutual.

Meanwhile, Masaki is Katsura Otoko. That’s the name of a youkai who lives on the moon. He’s said to be so beautiful that once one looks up at him, they become enthralled to the point they can never take their eyes off his figure. I’m sure we’ve read enough of Minato’s monologues about Masaki to understand that this is exactly what Masaki is to him. It checks all the boxes.

Ayano said “motherfucker is thirsty”.

Later on, Minato’s “sixth sense for Masa-related matters only” starts tingling as he feels chills at Masaki asking Nanao for that one picture. Minato can’t exactly tell, but he can feel that Masaki is up to something. More sixth sense bullshit ensues after Masaki’s traditional court music performance along with his mother and Ren. Minato asks Masaki about the Heart Sutra, which he remembered Saionji telling him to study in the past. They debate about it until Ren interrupts and, as Masaki takes his leave, the mandatory exposition of Masaki and Minato’s karmic connection comes to punch us directly in the face. We already knew that both of them have scars because they “belong to the gods”. We already knew that Minato can see people’s auras. Now we’re told they also see light differently, feel people’s energy and can hear things that normal people can’t.

Ren describes the two of them as having a “disposition for the spiritual” and wonders if Minato is like that because someone in his family was also like that. Seiya had previously asked if Minato’s mother had that kind of disposition, except the word was written differently when he said it. The term he used was 巫女気, while Ren used 神子気. Both read as “mikoke” in furigana, but they have different meanings. Seiya was asking if Minato’s mother had the natural disposition of a shrine maiden (巫女). Ren was affirming that Masaki and Minato had a natural disposition for something else entirely. 神子 reads as “miko” but doesn’t mean “shrine maiden”, exactly—the literal meaning is “child of the gods” or “child of a god”. This is a gender neutral version of “shrine maiden”, referring to people who carry out the same duties at shrines but aren’t women. There’s no translation for it, as far as I’m aware.

Many people on the Japanese side of the fandom have theorized about the implications of this interaction. Everyone seems divided between the following options:

Masaki and Minato are gods or demigods

Masaki and Minato are candidates for becoming gods

Masaki and Minato are descendants of gods

Masaki and Minato have been either gods or god candidates in their past lives

Masaki and Minato are the reincarnations of gods

In any case, the two of them are once again officially set outside the scope of normal human beings because they “belong to the gods”, one way or another. Personally, I lean onto the “god descendant” theory because of the mentioning of Minato’s mom. I also lean onto the “god candidate in a past life” because this volume brings out the topic of past lives and characters experiencing memories and feelings that aren’t their own. So I guess my bet is that they were god candidates in past lives because they’re god descendants.

As for what gods they are or have descended/reincarnated from, people mostly agree that it’s probably Amaterasu for Minato and Tsukuyomi for Masaki. I’m on board with that as well. Even if none of these theories turn out to be true, the fact that the two are parallels to Amaterasu and Tsukuyomi in the text is undebatable.

Minato and Masaki are often portrayed as the “shining sun” and the “guiding moon” of the club. Minato gets people motivated, “sets a fire” in them, and is associated with fresh verdure, which evokes the image of sunny summer days. Meanwhile, Masaki is a beacon—he’s there to lead these kids through the dark. This is even included in his character song. Yata Shrine is also associated with nighttime and it’s no coincidence that Fuu is an owl and not some other animal. Plus, Masaki is the first character to be described as having his soul “set on fire” by Minato (moon reflects the light of the sun).

Their birthdays also play into it. Minato’s birthday falls on the winter equinox in, you guessed it, fucking leap years. As volume 3 so eloquently puts it, that’s the time when the sun “dies and is reborn”. Masaki and Minato met for the first time in fall—a time of decay, of death. And then they met again in spring—a time for rebirth. When Minato came in contact with archery for the first time, it was the end of life as he knew it, and he began a new one. When he moved from middle to high school, having lost sight of his form and “given up” on archery, it was the end of that cycle, and yet another cycle began. Masaki was there in both of these moments.

Before meeting Masaki for the second time, Minato had a different attitude towards archery. He was in kind of a comfort zone as the oomae because he knew he could count on Seiya and Shuu, and didn’t like the cheering of the crowd because it was distracting. He was also a little averse to the Buddhist essence of archery and how it seemed to cross the boundaries of what he considered human, which is why Saionji told him to study more. It lowkey felt like he was looking for vestiges of his mother in doing archery, as suggested by the references to “Kaeru no Uta”. But now he is pretty much the opposite of all that. He’s the ochi instead of the oomae, which made him realize all sorts of things and has come to feel gratefulness for everything he has. And he himself attributes it all to meeting Masaki that night, during the last tournament of volume 1. In the same paragraph, it’s confirmed that Masaki would also have given up archery and be in a bad place if he hadn’t met Minato.

One of the first people to notice the change in Minato is Shuu. He says in volume 1 that he wanted to “shoot through a certain someone’s heart”, and of course he meant Minato, only to then realize in volume 2 that Minato’s heart had already “been shot” by someone. As if that wasn’t already enough of a shocker, Minato suddenly only had eyes for this person, meaning he wanted to shoot through their heart too. It’s said in this volume that “Bows and arrows had come into the world as tools to sever the lives of others, but archers used them to sever their own lives. And then, to be born again.” It feels like Minato and Masaki use bows and arrows to server not just their own lives but also each other’s. And when they’re “reborn”, their bond grows even stronger. They continuously do this dance together in every volume.

And for the billionth time, archery = their relationship.

As for Masaki’s birthday, other than it being exactly one month before Japanese archery day, it also falls on the 6th moon day of the lunar calendar. It’s a day for assimilation of cosmic energy, where one will find grace, love, forgiveness, mental and verbal work. It’s also a day associated with “prophecies” ("something devised from the very beginning", as the novel always says). If those are not perfect definitions of Masaki and Minato’s relationship, I don’t know what is.

There are other things that add up to the Amaterasu and Tsukuyomi theory. For example, Minato shutting off to everyone when he is in a slump because of target panic, just like Amaterasu hiding in a cave and taking the sunlight with her. People try to lure her out, just as Seiya and Ryouhei try to convince Minato to join the club. I’ve seen someone on Twitter discuss about Tsukuyomi being a violent god when provoked, relating that to Masaki’s “gorilla moves in the Kujou villa” (OP’s words, lol). This same person also theorized that the Kazemai archery club being dubbed the “mustache club” is also an Amaterasu reference. “Mustache club” in Japanese is “hige-bu”. “Hige” in this case means “mustache”, but can be written as 日下, meaning “under the sun”. The colors of the mustaches are also the colors of Japanese dragonfly types, so they are indeed a direct reference to Minato. There’s also Eisuke and his photosensitivity. He can’t handle the sun just as much as he can’t handle Minato.

“But Amaterasu is a female god” yes, and Minato has been confirmed as non-binary in the afterword of volume 3. The author had already set him up as an androgynous character from day one, but now she just went and said it: Minato is neither male nor female at heart. That’s also very Zen-Buddhist, because it means he’s detached of the very concept of gender—he’s just himself.

And of course, there’s the elephant in the room. The fact that Amaterasu and Tsukuyomi are both a couple and siblings. We’ve had Kaito monologuing in volume 2 that Masaki is the “big brother” of everyone in the club. In this same monologue, he also notes that Minato is closer to Masaki than everyone else. There’s something between them that goes beyond what Masaki has with the other club members. It's technically the same relationship as Masaki has with the others (master and disciple), yet it just goes deeper. Kaito never really says that Masaki likes Minato more, but it's what he seems to think. And he probably isn't wrong. Masaki loves Minato and all not-Minatos equally. I recall seeing a few people go, “so we’ve been BroTP’d” when the translation of this chapter came out, but one thing does not cancel the other. Masaki can be a reliable big brother figure to the club and Minato can still have the biggest crush on him. Shocking surprise, I know. Even more surprising considering the fact that Minato himself was never shown to think of Masaki as a big brother, and neither does Masaki see Minato as a little brother.

Then again, it's siblings and married couple. And now, thanks to volume 3, we can count “marriage proposal” as one of the things to associate with these two.

Chapter 5 was really something. I mean, I know volume 3 is literally “MasaMina the Book”, but this fucking chapter. Masaki just so happening to see a bicycle that looked exactly like Minato’s outside the store he was going into proves that he also has a fate-powered radar. He can find Minato even when he isn’t looking for him or doesn’t even expect Minato to be anywhere nearby.

The talk about the jeans is also funny as hell because the sentence “indigo blue seems like a good fit for you” is just too much. Too fucking much. I don’t even mean the literal implication that Masaki’s designated color suits Minato best. I mean the fact that you can read “indigo blue” as a euphemism for “Masaki”. It’s the whole “don’t dye yourself in any color other than mine” all over again. Fuck off, Ayano.

This whole scene is the cutest sequence ever. The two of them looking around the store together, and then going solo only to give each other presents after they were done just... rotted all my teeth off my head. Both of them asking for the presents to be put in wrapping, and it turning out to be the exact same wrapping, was a cherry on top. The ribbons got me a little off-guard because anyone would be embarrassed to do that shit. You don’t have to go this extra mile of present wrapping, but it's natural for them. And it’s absurdly adorable that they’re speechless for a moment at the coincidence.

Did they. Did they also realize how extra they were being? Did they?

Color matching is again implied as Masaki gives Minato a green shirt because it’ll “look good with the pants”. We get it, Ayano. Enough is enough, Ayano. And speaking of colors, way back in ancient Japan, blue and green were conceptualized not as different colors, but as different shades of the same color. The word “blue” was used for both for a long time. And by that I mean really fucking long. "Green" was only introduced in the Heian period, but it wasn't widespread until after freaking WWII. That's extremely recent. The Ainu go a step further and still conceptualize not only blue and green but also white as the same color. White is also one of Masaki’s colors, given that he’s a Shinto priest. Very predictably he wears white during important ceremonies at Yata Shrine.

Their colors are one and the same. These two idiots are one and the same. Yeah, we know, Ayano. We fucking know.

As they arrive to Masaki’s apartment, it’s revealed that Minato had already been there before. It’s also implied that he has slept over at least once, and that when he spends the night, they sleep together in Masaki’s bedroom. I was wondering why there was a brief moment earlier in the volume where Ren asks to stay at Masaki’s apartment for a while, only to be turned down. There seemed to be no reason for it, but apparently it’s because Minato stays there every now and then. Good fucking god.

Masaki’s habit of being messy in contrast with Actual Housewife Narumiya Minato is a voice whispering in the background that Masaki needs someone like that living with him. The part where their legs bump under the kotatsu and their reaction to it is to look at each other and laugh fucking ended me.

When Minato tells Masaki that Ren said things about his vision, Masaki tries to dodge it by saying, “yeah, I have good vision because I grew up in a place surrounded by greenery”, and surprisingly, Minato can see through it. He knows Masaki doesn’t want to talk about whatever Ren told him, and that his reaction means everything Ren said was true. And he backs off. He really wants to know but he gives Masaki space. I feel like this wouldn’t have happened in the previous volumes. Again, Minato is becoming more mature and less impatient as the story progresses.

Then comes the revelation of Masaki’s real name. I have talked about this scene at length in a previous post, which I’ll copy-paste here:

So Masaki’s first name was originally “Tamamori Masaki”. “Masaki” was written as 正樹 in the past and later became 雅貴, because he changed his first name as well when changing his last name. Same pronunciation, different writing. Just a random observation while we’re at it, but “Tamamori” is a weird surname. In a good sense. Like, it means “soul protector” in a very not obvious way. “Tama” means “sphere”, which has the connotation of “spirit”/“soul”. “Mori” means “protection”/“protector” (think of protection charms, “omamori”, for example). It’s not a common name by any standards (in fact, I didn’t even know this name existed before), and damn, does it define Masaki well. As a Shinto priest, he is literally a protector of spirits and gods. As a coach, he’s the protector of his disciples. And in general, he’s Minato’s protector.

We’ve known since volume 1 that Masaki had changed his surname to “Takigawa” because his mother had divorced his biological father and remarried. We also knew that he didn’t have his grandfather’s surname (Yasaka) before that, because that’s his mother’s father. He originally had his father’s surname, and until now, we didn’t know what that was. And we also didn’t know that Masaki had changed his first name along with his last name. There shouldn’t be any need for that. In fact, there shouldn’t be any need for him to change his surname either. Just because his mother remarried doesn’t mean he’s obligated to have his stepdad’s surname. Something else was the issue.

The issue being that Masaki’s biological dad is on Trash Dad Team.

Volume 3 is the one where we get the most of Masaki’s past until this point, so be ready for one hell of a ride now. For starters, his grandpa’s family is special. Not just because they run a shrine, but also because the people of their bloodline have a strong sixth sense. They can see and feel certain things that normal people can’t. I’m sure everyone could already tell that from volume 1, though. It’s always been hinted that Masaki has some sort of connection with the supernatural and the mystic aside from the fact that he’s a priest. It’s been even more strongly hinted that the same goes for Minato, and in this volume, we get a confirmation of it.

So there you have it. Masaki is a descendant of important people who have a long-standing, intimate relationship with the “other side”. One of his ancestors has their remains enshrined within a forest in another town and is worshiped by the locals. And here’s where things get wild: his father stole one of this ancestor’s bones from the shrine and ran the fuck away with it. His goal was probably to sell it to the black market or something. That kinda shit gets you an insane amount of money in Japan. However, before stealing the bone, he had tried to have the remains exhumed and handed over to him from the local people, claiming that he was one of the descendants of whoever was enshrined in that forest. From what the text implies, the actual descendant wasn’t him, but rather someone who was related to him.

Who that someone was? Masaki’s brother.

No, not Ren. Masaki’s biological brother.

Yes, Masaki has a sibling. Or had, before their father kidnapped him.

Masaki’s brother is three years younger than him and his name is never revealed. All we know is that they were close and Masaki loved him very much. When his father left, he took his youngest son along without anyone’s consent and ran away. Masaki and his mother have not seen him since.

“But wait, Japan is a country where the law actually works. How is it that the police hasn’t caught this guy? Is this a stretch from the author? Perhaps just bad writing?” you might be asking yourselves. Sadly, no. The author is actually being realistic here (and likely providing an educated critique to how flawed Japan’s law is when it comes to caring for minors in general). I know that what I’m about to say is going to sound crazy, but parental kidnapping isn’t a crime in Japan.

I wish I was making this up.

If two parents get divorced and one of them takes their child along when leaving, even if by force and without the consent or knowledge of the other parent, this isn’t considered kidnapping at all. Why? Basically, children are viewed as property of their families in Japan. If one of the parents wants to take their kid to their new home and raise them there, it’s completely legal. Their child, their choice. The child doesn’t have any right to object. The only one who has that right is the other parent, but they can only exercise it if they manage to catch the kidnapper in the act. Otherwise, if the other parent tries to get the child back after the child has been kidnapped, they need to have the permission of the kidnapper, because by then the child would be in a new residence that doesn’t belong to both parents, only to one, and accessing it without the consent of the residence’s owner would be invasion of property. And that is a crime that could get the other parent in jail, even if they’re literally just trying to save their child.

All of this felt completely insane to write and I presume it feels even more insane to read.

As to why Masaki’s dad took his brother away, it’s because of their special bloodline. Apparently, Masaki’s brother was just like him. After his father left with his brother, Masaki and his family figured that he’d come back to take Masaki too, and that’s why he had to change his name. That way, Masaki now belongs to his stepdad’s family, meaning that if his father tried to take him, then it would be legally considered kidnapping. It’s not very clear why Masaki also changed the writing of his first name, but it’s suggested that he did so because his father was the one who picked it for him.

But oh, it doesn’t get better. A while after the kidnapping, Masaki’s dad sent his little brother’s death certificate to them. On Masaki’s birthday. Ever since then, Masaki’s birthday has been his brother’s death anniversary.

Death and rebirth, and then death. The usual.

Masaki doesn’t think his brother really died. His father probably pulled some strings to forge the death and then got his brother a new identity. That way, his ex-wife’s family would give up on trying to get him back, and even if they decided to do otherwise, the chances of them succeeding would be next to none. Like, suppose they happen to get ahold of him by some dumb luck, they’d still never be able to prove that it’s him (with him being legally considered dead and probably having a whole different name now).

Masaki is understandably the most bitter creature on earth over this whole thing. He despises his father with a passion and hates his birth name. During his conversation with Minato about this, he says that his birth name is an “imina” to him.

We’re now coming full cycle with one of the earlier foreshadowings, so I need to contextualize imina a little more. Before the Meiji Restoration, Japanese people had a custom of using several different names for themselves, as well as taking on many different kinds of epithets, pen names and titles. People hardly used their birth names even to sign official documents or works made by themselves. This was so that it would be the hardest possible for their real names to ever be disclosed. Only their families would know their real names until they passed away. That’s when their names would finally be engraved in their tombstones, family altars and whatnot.

Other than family, the only person who would know another person’s real name was the one they were making romantic advances on. It was okay to pull this move because, during those times, people flirted with the ultimate purpose of getting married, meaning their sweetheart would become part of their family eventually. But there was always a chance of them being rejected, so it was a risky feat. It meant they were betting everything on getting a "yes" as the answer. Wars and battles over territory, political power and assets were an everyday life thing, and so were betrayals, spying, ordered assassinations and coup d’etats. People had to protect their identities at all costs back then. Revealing your real name to an outsider was an act of absolute trust, and this is mentioned in the novel—it was like entrusting the other person with your life. Of course, this isn’t the case anymore, but Masaki revealing to Minato his birth name, as well as telling him this extremely personal and heavy story, is act of absolute trust, equal to putting his life in Minato's hands. Remember chapter 1: imina = "the name of a life".

But Masaki knows that he can share this with Minato. Minato won’t be put-off by it, won’t be judgmental towards it, and most importantly, won’t ever tell a soul about it. It’s actually real funny to me that Minato listens to this absurd story without batting an eye. He just accepts all of it, no questions asked. And the only thing he isn’t okay with is Masaki talking about his own name as if it’s disgusting and a burden.

Now I have to leave a translation of this part here because it’s fucking golden. You've gotten through this wall of text. You deserve it.

“‘Tamamori Masaki’. That’s my former name.”

“Your birth name?”

“I changed my first name along with my surname. My old name is an imina to me. Don’t really wanna be reminded of it.”

Masa-san was giving a bitter smile – one that was not like him. First there was Ren the other day and now this; these brothers just had too many secrets. Minato did not mind that they would not tell him about the circumstances. However, hating your own name was simply too sad.

“That doesn’t feel right. Imina were used up until the Meiji Era and they were something precious that only your lord and family members could know. Apparently, you’d only tell it to other people when courting them.”

“Fuh, that’s dangerous. Seiya would beat me to a pulp if he found out. Well then, mind giving me your reply?”

“To what?”

“To my marriage proposal.”

“Heh? I-I don’t know anything about that kinda stuff.”

“‘That kinda stuff’, huh.”

“I’ve never thought about that kinda stuff.”

“You just said ‘that kinda stuff’ twice.”

“You’re the worst master ever.”

“Minato, you’re like a jack-in-the-box. Whatever’s inside is always beyond my imagination.” Masa-san giggled.

——Looks like he was teasing me. Geez, I’m seriously no match for this man.

Minato stood up. “About time I head home.”

“Want me to give you a ride?”

“I’m good.”

When he pushed the door open, a gray sky spread out before his eyes.

“Uh, it’s raining. I didn’t bring my raincoat today.”

“Well-timed shower, huh? Wanna drink some coffee?”

“Hm.”

Minato closed the door.

Filed under: jokes that mean exactly what they mean.

I love that in Tsurune, the punchline in these moments doesn’t come from double entendre. The joke is precisely what it sounds like. When Masaki says “proposal”, the word he uses is specifically meant for marriage. But no, he’s not really asking for Minato’s hand. He just worded it like that because he knew it’d get a reaction out of Minato, and that’s where the humor lies.

I have seen some people (even some influential artists) in the fandom honestly believing that Masaki really was proposing to Minato in this scene, and if any of y’all ever happen to come across someone posting about that, rest assured. He wasn’t. It’s the same as when he joked about teaching Minato “the basics of a relationship”. He wasn’t being serious at all, but when he said “the basics”, it meant exactly what it sounds like.

I also think it’s really funny that Minato makes a mental note on the fact that he was being teased, which means he at first thought Masaki was being serious. For a hot minute, Minato honestly believed that Masaki was proposing marriage to him, in canon. His realization that it was a joke is literally written there. And the best part is, he didn’t say no. He took Masaki seriously for a moment and didn’t reject him. This had my head spinning when I read it for the first time. I was straight-up fucking disoriented for a while. I don't know how many people truly understand how outrageously big this is. Minato basically just said... that it was too early for him, lmfao. It feels like he was asking for time to reply. Like, "Gimme a few years so that I can say yes."

But don't be fooled, y'all. Masaki wasn't proposing, yet he was asking Minato a question that he wanted an answer to. Except this question wasn’t “will you marry me”. It was something else, hidden between the lines, which the novel comes back to in the last tournament. More on that later.

And just to finish up the analysis of this scene, gotta love the weather suddenly turning on Minato just so that he’ll get to spend more time with Masaki. He’s about to leave out of sheer embarrassment but the gods say, “Oh, no, you don’t”. And when he goes back in, it just feels like he completely forgot about how flustered he was a second ago. Speaking of flustered, this doesn’t translate into English, but the way Minato thinks about “being no match” for Masaki is distinctively feminine. It truly feels like a girlfriend or wife thinking about her man. The text pretty much slapped me in the face ‘cause it’s by far the girliest thing I’ve read in the entire novel.

Cut to Takumi’s first attempt to sabotage Minato and Masaki coming back after a week of looking for his brother. Mandatory Missing Masa-san Hours and wanting to go to him for advice are over, and Minato is relieved to see Masaki’s smile for the first time in a while, because this is also a mandatory “Masaki’s smile has a healing effect on Minato” moment.

New yugake in hand, Minato goes to Yata Shrine to get used to it, because duh. When Masaki misses the target more than once during their little practice, he gets dodgy again, except this time it’s hard to notice. He says it’s because he hasn’t drawn the bow for a whole week, and while this also plays into it, the main reason is his current state of mind. Which is also the reason why he doesn’t want Minato to touch him as he is now, as well as the reason why he was asking his grandfather from beyond the grave if he was really qualified to do purification rituals. Because right now, he's as impure as can be.

Masaki has murderous intent towards his father for ruining the lives of his family, especially his brother’s. When he swears that he’ll find his father and "choke the life out of him", he means it in the literal sense. He up and declares to the gods that he’ll kill his father with his own hands. And it's not valid for just this life, but no matter how many times they’re reborn, he’ll end his father if he ever finds him.

Don't know about you guys, but this reminds me a lot of S1 Masaki. More specifically, this feels like the author's take on S1 Masaki. Him being all bitter and gloomy, missing the target and bearing heavy negative feelings toward someone from his family is a first in the novel, and it's all stuff that S1 brought about. But the way S1 did it was just so wrong on so many levels and butchered Masaki's character so blatantly that I can understand if Ayano felt tempted to do her own fix-it of that. Feels like it's her saying, "If Masaki wanted revenge for being done dirty by a family member, this is how it'd go." It takes parental abuse and child kidnapping for Masaki to actually wish for something this serious. That's how far it'd have to go for it to taint his thoughts even when he's in the dojo, to the point he loses sight of himself for a moment and misses the target.

But anyway, back to the scene at hand. Masaki's desire to have his brother back feels more like a curse than a prayer to him at this point, but there’s someone who can break it. That’s why he doesn’t want this someone to look at him with “those eyes”. It's not just Masaki who has a healing effect on Minato—Minato, too, has a healing effect on Masaki. Again, everything is mutual and equal in this relationship. But Masaki can't afford to be healed just yet. He probably feels that if his hatred for his father dies out, it’s the same as giving up on finding his brother, and turning a blind eye to everything his father has done. However, Minato can hear what Masaki isn’t saying: “I wasn’t born for the sake of hating someone.” Masaki has made up his mind, but he actually wants out. He doesn’t hate his father because he wants to, but because he can’t help it. What he truly wishes for is that none of this was happening, and that his brother was there with him.

Minato knows that full well, so he nulls the fucking contract.

“Correction; I’m taking that back. What you said earlier isn’t valid. Masa-san is nothing but a perverted, shitty old man! That’s all!”

“Mi-Minato?”

“It’d be a problem if a Shinto priest says something like that and it happens to come true, yeah? I’ll go learn pro-wrestling. I’ll pin your arms behind your back and stop you.”

Masa-san blinked a few times, then burst out with a “pfft”. “That’s too much, Minato.”

“What’s too much?”

“Well, just everything. Just as I thought, my disciple is cute.”

“Hah? Don’t call me cute. And saying stuff like, ‘My birthday doesn’t matter’ even though everyone celebrates it with you... how can you spout something so selfish? There’s this thing my mom used to say. That a birthday is the day when people express gratitude to you for being born.”

“All right. My apologies. I will keep that in mind. I take back what I said a moment ago.”

“You’re talking like a middle schooler, Masa-san.”

“That’s rich coming from a little kid.”

“Don’t call me a little kid! I’m 16 and a second-year in high school!”

Masa-san laughed with a hand over his stomach.

——Isn’t that rude? I’m being serious here.

The bright red thing that had been surrounding Masa-san disappeared.

“Crimson lotus” was originally a Buddhist term, and the seventh of the Eight Hells, the “Hadoma Hell”, was also known as the “Crimson Lotus Hell”. It was said that those who fell into this hell would have their skin and flesh torn up from the excessive cold, thus their body would be dyed in the colors of fresh blood and suffer extreme pain. It was said that this made them look like a crimson lotus flower.

——I’m begging you, please don’t go away to that farthest north. Don’t disappear from my sight. Ever again.

So to break this one down, when Minato says “I take that back” and “what you said earlier isn’t valid”, he’s referring to Masaki’s declaration. He’s talking to the gods and telling them, “don’t listen to him, he doesn’t know better”. And then Masaki himself takes it back. The contract isn’t valid anymore, and even if Masaki tries to go through with it, Minato won’t let him.

It’s said earlier in the novel that breaking a contract with the gods isn’t easy. Once you put it into words, your fate is no longer in your hands. But Minato did it. Because if it’s Masaki, he can. Whatever concerns Masaki also concerns him. In that same scene, Masaki was thinking about how “First meetings are like the moon in an overcast night. Like a blink of peridot”, and then the Kazemai kids come to mind. This is a parallel to the ending of volume 1, where Minato tells Masaki about his grandfather's last words about him, and where first meetings are described as a “gift named coincidence, as if someone else had devised it”. This moment was a “gift from the gods” that Masaki received from the boys, all thanks to him meeting Minato.

Masaki bestows Minato with gifts, but he gets gifts in return.

This brings us back to “Greensleeves”. One of the many interpretations from the boys is that it’s a declaration of “I’ll hold your arms and stop you no matter how many times it takes, no matter how many times we’re reborn”. When Minato talks about pinning Masaki’s arms behind his back to stop him, that’s a direct reference to it. He’d already asserted in volume 1 that he’ll go after Masaki if Masaki dies, and now he’s asserting that he’ll go after Masaki into any number of next lives. This implies they’ve been through multiple reincarnation cycles together. Of course it’s not just You and Eddie who have known each other from past lives. No way that the author would introduce the concept of reincarnation only to limit it to secondary characters. None of this started now—it was, again, “devised from the very beginning”.

So if you put Minato's statemens together, what you get is: “If you die, I’ll go after you, and I’ll find you and hold onto you again.”

Minato is literally saying he’ll be with Masaki forever, beyond the borders of time. His grandmother asked Masaki to take care of him forever, Ren asked Minato to take care of Masaki, and now Minato is saying that Masaki doesn’t even have a choice—he will take care of Masaki whether Masaki wants it or not. All in all, I think Masaki isn’t completely free yet, but this is the first step to getting rid of his “curse”. I don’t know how many people realize that this means the fucking world to him. Minato is helping him pull himself out of his own personal hell, and I firmly believe that, in this moment, he thought the same thing that Minato did during his “proposal”. That he's no match for him.

Fuck me sideways.

Next thing we know, the boys are at the prefecturals. Masaki once again sweeps Minato’s thoughts during Kazemai’s turn.

“The pure of heart were fragrant. He knew with every inch of his body that this was no metaphor. Whenever he brought his face close to the owner of the fragrance, he was ecstatic. He could hear a whisper saying, ‘I want to let it intoxicate me for good; I wouldn’t mind even sinking to the bottom of a lake if it would mean that I can keep him to myself’, but those were the words of a demon. He must not fall for the sweet talk of the one who bore the same face as himself.”

Ex-fucking-scuse me, but why the fuck does this sound like a scientifically accurate description of what being in love is like from a biology standpoint? Feeling ecstatic whenever he comes closer to Masaki and is able to smell his scent? Is that fucking pheromones or what? Hello???

Amazing how literally all of Minato’s internal struggle in this volume consist of him trying not to give in to his desire of monopolizing Masaki. And my God, boy would go some crazy lengths for that desire. I've said this in an ask reply before, but I need to reiterate that it's just delightful how Minato's whole deal isn't whether or not he wants to cross the line with Masaki. It's that he does want to cross the line and he fully acknowledges it. He even seems to believe that he'll get what he wants if he pushes hard enough. But he won't cross the line because he "mustn’t fall victim to temptation". I mean, regardless of the nature of it (be it romantic or platonic or whatever), that is temptation, undebatably. It’s quite literally being presented as such by the narrative.

Masaki is very much tailored to Minato’s tastes, interests and necessities, we been knew, but this also means he’s Minato’s probation. He says earlier in this volume that being human comes with basic necessities, like hunger, sleep and libido, and that there’s no need to try to eliminate them from our lives. What we need to do is not to exaggerate—in other words, to fight back greed. Minato has to resist the urge to take Masaki for himself, 'cause that’s the only thing he’s greedy about.

Yeah, that checks it out. Minato is a carnivore, all right.

What also checks out is that MasaMina covers up depictions of all five senses. There are very specific things between them that correspond to the five senses, plus the two being gifted with sixth sense.

Hearing: tsurune, Masaki's laugh, and now meigen

Taste: coffee

Smell: the above-mentioned scene

Sight: always looking at each other and wanting each other's attention, plus the dozens of references to each other's eyes

Touch: two normally-not-tacticle little bitches have a terrible, horrible, no good, very bad time whenever they're unable to touch each other for an extended period, what the fuck is this novel

Yes, Ayano went Six Base Senses on us. MasaMina is Buddhism too, guys. Just gotta love that it’s not even a matter of whether Minato wants to cross the line or not—he does, and his whole arc in this volume is about him trying his best not to do that.

Bonus: one more thing from this scene that doesn't translate well is the sentence “bows and humans—a world for just the two of them”. This is very ambiguous in English. It might sound like “two of them” refers to a person and their bow, but in Japanese, the word used means specifically “two people”. Minato is thinking about Masaki here. No one else would make any contextual sense.

“Masa-san, there’s something I wanna tell you. I want you to listen without laughing.” Goddamn. That is one fucking way to start the second section of the last chapter.

So Minato has had a strange experience years ago but could never tell anyone about it, because Seiya would think he’s gone crazy and Ryouhei would dismiss it as a dream. Coincidentally, Masaki also has had a supernatural experience that he’s never told anyone before. For the millionth time, they entrust each other with a secret.

Minato has had an episode of sleep paralysis as a child. It was on Setsubun, the day on which Japanese people traditionally throw beans outside their houses to ward off evil spirits. He was feeling particularly out of it on that day and had no memory of the previous one—might very well be an indication that the veil was thin in that occasion and Minato was feeling the effects of it. During the sleep paralysis, he heard six sci-fi movie-like sounds shooting past him.

Masaki in turn tells him about the time when he fell into deep depression because of the whole thing with his brother and grandfather. He was sent by his mother to a temple to recuperate, but just kept having suicidal thoughts every single day, until he heard a voice from above the left side of his head saying, “all right”. Someone on Japanese Twitter pointed out that this the position of the head of the family in a family altar. That was Akihiro cheering him on. Masaki wanted to disappear, to never wake up again after going to sleep, but when he thought of his family, he couldn’t afford to take his own life. So he didn’t. He just continued doing his best, and Akihiro was seeing it all from the other side. This was also acknowledgement—the acknowledgement from his master that he longed so much for. That’s when he began to get better.

Not sure if Minato understands any of this. But their reaction is once again to look at each other and smile.

“Gives you kind of a weird sense of empathy, doesn’t it?”

“Yeah, that’s true. You can tell other people about this day when the time is right—when your words are filled with your truth.”

This moment is described as a “secret between master and disciple”, but the word “secret” in this case isn’t the commonplace 秘密. Nope, it’s 秘め事, which is, more often than not, used as an euphemism for “secret love maneuvers”. Deliberate, deliberate.

Please kindly go fuck yourself, Queen.

The six sounds Minato heard on that day come back to him during the last match of the final tournament. They are distinguishable from one another and take the form of “arrows of light”, piercing through his body from his head into the ground. It’s implied that these sounds are “meigen”. This might very well be the boys’ shots, plus Masaki’s, taking on a spiritual form and traveling through time and space to reach Minato, after he has found his “truth”. Maybe from a past life, where they did the Meigen Ceremony together, or maybe from something else that they will do in the future.

The shots are apparently compared to dragons in flight by the narrative, and it’s even suggested that they might have colors. The reason why they come separately in bouts of three might be a reference to the ultimate goal of Japanese archery (truth, goodness and beauty), as well as the three sounds that define a good shot (sae, tsurune and matooto). Can’t forget the references to Buddhism. Six is probably the most recurrent number in it, and Masaki even talks to Minato about the six realms, six senses and six cycles of reincarnation earlier.

People are shouting, “all right, all right” as the boys hit the targets, one “all right” for each of them. But Minato can hear a sixth “all right” immediately before the arrows of light hit him. Perhaps that was his mother.

Minato thinks to himself, “The days I’ve spent with you. The days I’ll spend with you from now on. Who am I supposed to thank for this happiness?” The “you” is in singular form, meaning he’s thinking about Masaki.

Kazemai is once again associated with the sun as the boys are described as “those who gather under the sun” and “heading towards a bright place”. They are depicted as dying and being reborn, becoming babies and growing up all over again, and at the end of that process, they will become true adults (saints) once they’re able to embrace even those whom they despise. Minato is very much on the way for that, as he despises neither Takumi, who literally almost kills him later, nor Eisuke for being a general dickhead or the twins for picking on him. He also was never depicted as hating the driver who killed his mother or the one who almost killed Masaki—this wasn’t ever even mentioned, and instead, he blamed himself for being the one who got the long end of the stick in both situations. And by the looks of it, he doesn’t hate Masaki’s dad for everything he’s done to Masaki and his family, either. He treats everyone equally.

“The sun was in itself a form of unconditional love. It shone down on everyone equally—both the good and the bad. The Japanese called that star Amaterasu Oomikami.”

Minato recalls his most recent encounter with Saionji, where he has given his answer to the Heart Sutra. Saionji basically tells him that he’s in the right track. This, added to his monologue above, makes me think that maybe. Just fucking maybe. Minato is always able to forgive everyone and everything because thanks to all of it he’s been able to meet and spend time with Masaki. So he’s grateful for both the good and bad things in his life.

The boys then go back, in their own heads, to the day they heard “Greensleeves” at the park. Seiya is thinking about what he was going to say to Kaito under that tree, meaning that Kaito is Greensleeves to him. Ryouhei probably has his sister in mind, as he had a two-page monologue about her in an earlier chapter. Nanao is also thinking about Kaito and how he gave him strength to not give up his position as regular. Kaito is most likely reminiscing to the monologue he had when chasing after Seiya. And Minato is speaking to his mother about the meaning of the song to him.

Minato’s interpretation of “Greensleeves” is that it’s a song where a master asks his disciple for the answer to a problem, and then smiles when the disciple answers. The problem: “Mind giving a reply to my marriage proposal?” The answer: “I’ll go learn pro-wrestling. I’ll pin your arms behind your back and stop you.”

Yep, that’s right. The “pro-wrestling” thing is one more of the many word plays of this novel. In Japanese, the words “pro-wrestling” and “proposal” sound very similar. Minato could’ve just said he’ll hold Masaki’s arms and stop him. He didn’t have to mention pro-wrestling. But he did so because Ayano wanted us to associate “puroresu” with “puropozu”. She wanted us to remember the marriage proposal scene when reading this part, because that was Minato’s answer to it.

In Japanese culture, if it wasn’t already obvious enough, you say things without really saying them. In Zen martial arts, this also applies, because everyone has to find their own answer to the problems and doubts they encounter along the way. And in romantic relationships, too (throwback to the Souseki anecdote).

Masaki reveals to Minato the darkest truth about himself and shows Minato his ugliest side, then basically asks him, “So what are you gonna do with that, now that you know?” (proposal) and Minato’s answer is “I’ll take care of you” (pro-wrestling). Roundabout as can be, this is intentional. This bullshit is very well concealed in all these word plays and cryptic expressions because it’s supposed to hit you like a truck when you realize what they truly mean. Just like it hits Masaki like a truck back then. He most likely understood what Minato was really saying. Fundamentally, Minato was telling Masaki that he loves him without directly saying “I love you”.

The moon is fucking beautiful, huh.

And then Masaki laughs. The master asks, the disciple answers and the master smiles in response. “Greensleeves” has now come full cycle. This is also an ultimate Zen moment because Minato was essentially accepting everything that Masaki is, even the worst of him. This is quite literally a promise—a contract that Minato has made with him.

You know what else is also a contract?

It’s not a marriage proposal... but it is, actually. Those are not marriage vows... but they are, actually. Ayano is fucking with us.

She’s fucking even more in the following paragraph:

“Attraction towards the opposite sex and affection between parents and children are biological desires based on the prosperity of offspring, and it is not so difficult to love someone who has been kind to you. True friendship is beautiful and hard to earn. Those who walk the same path, master and disciple, are also friends. The only difference is that one is going ahead and the other behind, but the two of them continue on a never-ending journey together.”

So, before anyone goes “we’ve been BroTP’d” again, Ayano is affirming here that friendship is also an aspect of Masaki and Minato’s relationship, specifically, and that this is purer and more beautiful than love between couples or family. Now, what exactly is the extent of “friendship” here? Welp, traditionally, in Japan, “friendship” includes a lot of things. If we look back into Edo or Heian, both periods of Japanese history that are constantly referenced in Tsurune, “friendship” between men often included courting for a certain period. Especially between master and disciple. This was actually the common sense back then.

Yes, I’m talking about Shudo. I’m also losing my fucking mind, so bear with me here.

Ayano is definitely aware of the whole wakashu thing. This woman knows her history, okay? The “monk” jokes about Masaki aren’t for nothing. Monks used to work as Shinto priests as well back in the day and vice-versa, for Shinto and Buddhism were intimately connected for a long time. There’s also the ceremony that the boys participate for the Star Festival in volume 2, which, according to Masaki, was performed by chigo in the past. Chigo aren’t a thing anymore, of course, but this seemingly unnecessary comment indicates that, if this were a few centuries ago, Minato would’ve been a chigo and he and Masaki would obligatorily be in a relationship.

Now, remember the past lives theory? If Masaki and Minato have been master and disciple in their past lives, then they have been in relationships with each other in all of the lives where both of them were born as men. But that also means they had to marry a woman later on, because those were the times. In that paragraph, Ayano is quite literally saying that, regardless of who they marry, whatever they felt/will feel for their partners doesn’t hold a candle to what they feel for each other. "All women are beautiful, but only my disciple is cute."

But what would have happened if one of them was born as the opposite sex, you may ask. Amaterasu and Tsukuyomi all over again, probably. Minato is non-binary on the inside, so he would probably see and treat Masaki the exact same way and there would still be friendship between them.

Besides, once again, this is deliberate wording. “The two will go on a never-ending journey together”, “a world for just the two of them”, etc. Why do these sentences refer only to Minato and Masaki? Masaki isn’t Minato’s only master and Minato isn’t Masaki’s only student, so why does the narrative act like only the two of them matter here?

Japanese Twitter has speculated about this too. The conclusion is that maybe this is Ayano enforcing the concept of soulmates, and perhaps even of twin rays and twin flames. It’s often brought up how similar Masaki and Minato are, and twin flames/rays is based on the idea that each soul has its own frequency, which complies with the theory that “the world is made up of tsurune”. Not to mention the whole fate element and the implications that they’ve known each other from past lives. It honestly sometimes feels like the author is trying to say that Minato and Masaki are just one soul dwelling in different bodies or two separate souls that were once one. And they’re not the only characters who are implied to have a “half”—it’s very obvious that there’s a bunch of pairs in this story, and it’s not for nothing. Most likely, what Ayano means here is that Minato and Masaki will go in a never-ending journey not just regarding archery, but regarding life in general, including future next lives.

Ayano is being pretty realistic here too, because there are lots of little gay ships in Tsurune, but they will never be canon. MasaMina and KaiSei might have a veeery slim chance, but probably won’t either. Yet she’s laying the foundation that no matter who they end up with, their friendship is many steps above it. Have to admire her completely crushing the dreams of fans who ship themselves with the characters, lol. “He will never love you as much as he loves this other guy”, basically.

So in short, Masaki and Minato are master and student, which means they’re also friends. They’re sorta like siblings by default as well, and act like a married couple. All of this fits Amaterasu and Tsukuyomi just right. It also fits what Ayano says in the afterword about liking things that “are in-between” and “waver”—things that “can’t be put into a mold or categorized”. You really can’t put this relationship into a mold because it’s in all molds at the same time. It’s Everything and nothing at once. An optimal relationship from a Zen standpoint. A truthful, good and beautiful relationship.

The ultimate ideal.

Speaking of ideal, Masaki and Minato’s relationship is, in itself, the ultimate Zen ideal. I’m not just talking about how their dynamics literally follow the same flow as of Japanese archery, but also their relationship is the pinacle of what Zen standards consider to be pure. Minato never asked to be Masaki’s disciple and Masaki never offered to teach him. It just happened naturally, just like how they got into archery. Before they realized, they were doing it. Minato simply asked how Masaki was able to shoot so beautifully and told him about his target panic. Masaki, in turn, revealed that he also suffered from target panic in the past. And that was that. The next time Minato came to the dojo, Masaki started teaching him. Unprompted, unsolicited—directly, at least.

Minato needed to be taught and Masaki needed to teach.

So, back to this volume. The tournament ends and so nearly does Minato’s life. Another gift from God is bestowed upon him as Masaki saves his ass from imminent death for the nth time. Dramatic as fuck, like always. Yet he still says “excuse me” before shooting the allergenic into Minato’s tight, what a gentleman. Seiya’s reaction was priceless, I gotta say.

Masaki going after Takumi was kind of a shocker when I first read volume 3, but after reading it again in order to make this post, it was actually to be expected (notice that I'm saying "expected", not "okay", because that shit wasn't okay at fucking all). He has a lot of pent-up anger, but even if he didn’t, he’d never forgive anyone who puts his students in danger, let alone in a near-death situation like that. 'Cause Minato would have died if Masaki didn’t have that syringe with him. Minato, on the other hand, hasn’t yet learned pro-wrestling, but as promised, he comes to stop Masaki and shows that he, too, can be extra as fuck.

The afterword is packed with MasaMina this time around. Not just the confirmation of non-binary Minato and the uncategorizable things part, but also Masaki being described as someone who is human yet not. She really just up and said it, huh. Masaki is in-between the realm of people and the realm of gods, and more than once did he almost cross over to the gods’ side, but Minato was there to hold onto his arms and stop him. As Ayano herself puts it, she wrote this story because there are people whom she wanted to stop and keep by her side, and this shows in the way she writes about the main relationships of the story, especially MasaMina.

There’s also the way she describes what Tsurune is about—“this is a story of master and disciple and of bow friends”. The fact that she felt the need to clarify this and place “master and disciple” first speaks volumes about how this woman views her own story. This feels like another tiny act of rebellion against the anime, which makes it all about bow friends and barely shows any of the master and disciple aspect. Heck, it barely shows Masaki at all, period.

And like, this isn't even a matter of being salty about a fandom favorite getting sidelined, although that alone is already valid enough of a complaint in my opinion. It's also about the essence of keiko and how it simply doesn't work without the active participation of a master. It makes the whole thing seem to be about knowledge and practice (sport), when actually contemplation and looking inside oneself plays a much bigger role (art). Not to mention that it gives people the wrong idea about what the story and its characters are supposed to be. I've had people straight-up try to argue with me that Tsurune is about the main five boys and Masaki is secondary. I think we can finally put to that discussion to sleep, now that the author herself has spoken.

Tsurune-centric accounts on Japanese Twitter usually have the words "original work" in their bios. There's a reason for that, and it's the same reason why AO3 has separate tags for the Tsurune novel and the Tsurune anime. Even if we ever get to see volume 3 animated, it will only be as loose of an adaptation as can be, and we'll continue to get more and more anime-original content. I hope next time, if we ever get a next time, Masaki won't be borderline ignored again.

But he probably will, and that's what this post is for.

I hope this has clarified some things about volume 3. As I have already announced, I'm planning on making more analysis on other things that I wasn't able to include here because this post is already enough of a monstrosity as it is. I'll see you guys in the next ones!

Okay already.

Y’all are really damn eager for it, so here you have it: the infamous List of Erased Gay, AKA a glimpse of how we could be having it all if KyoAni weren’t doing us so dirty this year, Tsurune edition. The Violet Evergarden edition seems to have left a big impression, so maybe this listing will become a thing.

Then again, along with the canon gay that we lost, we gained a lot of anime-only shippy service that is not only weirdly fixated on Minato alone but also ruins the nature of many characters. KyoAni has been outright baffling this year in how little it understands the novels that it has been adapting, and even more in how proficient it has become in destroying the main relationships of each title. All in all, the personalities and purposes of the main characters have been severely altered, and there has been a disturbing trend (not only in Tsurune, but also in Violet Evergarden and Liz to Aoi Tori) of making the protagonists obsess with someone who apparently does only the minimum for them and being lukewarm with the people that seemingly care more for their wellbeing.

That’s not what any of these novels are about.

But since this post is centered on Tsurune, I’ll only talk about how the aforementioned major flaws apply to it. That boils down to KyoAni erasing most of what Masaki did for Minato and about 85% of the scenes they had together, replacing it with additional scenes without much purpose involving other characters. For whatever incomprehensible reason, KyoAni is hellbent on enhancing Minato’s relationship with everyone except the person he has the strongest bond with in the books, and a lot of you guys seemed to notice this. So, in order to address the cringeworthy disaster that the Tsurune anime has become, I’m naming this one as the List of Erased and Misplaced Gay.

Had to put it under a cut because of how long it got. While we’re at it, please consider reading the novel translations.

Keep reading

[beacon-lamp]

with hermitcraft season 7 slowly coming to an end, i figured it was time to consolidate all of the Informative Posts about hermitcraft that i and some of the other members of hermitblr have made over the last several months.

if you enjoy:

minecraft youtube content, but want to see more traditional vanilla minecraft gameplay like building and redstone

fun, lighthearted interactions between genuine friends including Elaborate pranks, collaborating on massive projects, light roleplay, proximity voice chat mod

weekly 20 - 40 minute long youtube videos and consistent upload schedules

chill grind stream weekends where CCs interact with chat and each other

an entire youtube channel dedicated to weekly 20-minute recap videos on what all the hermits have been up to so you don’t have to piece it together from the posts on your dash/timeline

insanely talented people who have been doing mcyt for nearly, if not more than, a decade and essentially built minecraft youtube from the ground up

give hermitcraft a try!  

you will find all of the information you will Ever Need below the cut.  it’s Very Long so view it on desktop.

and if you ever have any more questions, just shoot me an ask :)

what is hermitcraft?

the Basics: what, who, where, how

more details on the Basics

bonus: the historical impact many hermitcraft members have had on mcyt

where do i even start watching?

start with grian.

good mix of Incredible builds and fun server shenanigans.  instigator of many server-wide events.  interacts with many other hermits.  generally entertaining to watch.  but zero redstone knowledge.

check out hermitcraft recap.

great way to be introduced to other hermits and learn what everyone’s up to.  if you find what a hermit’s been working on interesting, go watch their video and maybe give them a like and subscribe.

official hermitcraft website with links to every member’s channel

more information on every hermit’s attributes and general vibes

do hermits every stream?

short answer: yes, most do!  but these streams are mostly chill grinding or buildling streams.  and you don’t have to watch the streams to be caught up on content.  check the official hermitcraft website for each member’s twitch links.

long answer that covers most of the hermits

what do they do on hermitcraft?

let’s start with some examples of their incredible builds.

hermit cribs: some of the megabases in s7

goodtimeswithscar’s s7 magical village with shaders

stressmonster’s bakery and ren’s star wars world

Capitalism

they have a shopping district where hermits can set up shops and sell items and resources that other hermits can buy with diamonds.  here’s season 7 shopping district set on a mooshroom island:

some of the most advanced redstone you’ve ever seen

if you’re more into the technical side of minecraft, you can be rest assured that hermitcraft has some of the Biggest Brains in redstone.

tangotek: a fucking madlad.  Singled-handedly created the minigame Decked Out.  im Begging you to watch his tutorial video on how to play.  currently finishing up his Among Us but in minecraft minigame. all of this was built Entirely in survival vanilla minecraft.  get this man to 1M subscribers.

mumbo jumbo: the man himself.  built a 128 x 128 block industrial district in both season 6 and 7 packed to the Brim with mechanical farms.  half the brain behind the masterpiece of engineering that was Sahara in season 6.  currently working on Pacific, the sequel to Sahara, in season 7.

iskall85: the other half of the brain behind Sahara and working on Pacific with mumbo in season 7.  also has an industrial district like mumbo’s in season 7.

xisuma: built an automatic potion brewer in the second half of season 7.  this thing churns out potions by the Shulker Box.  can also turn a shulker box full of potions into splash potions and extend duration all with a press of a button.

impulseSV: incredible example of form + function.  farms are scattered throughout his base.  he has a farm for nearly every farmable resource in vanilla minecraft.

etho: the pioneer of some of the most widely used redstone mechanisms to date.  content isn’t super redstone-focused.  mostly does compact modules that serve a specific function.

zedaph: makes strange contraptions.  he’s basically if grian knew how to redstone.  impeccable vibes and fairly underrated.

bdoubleo100: he occassionally does this segment called “redstone with bdubs” and it’s the only redstone i understand so that’s why he’s here.

what about roleplay?  and lore?  

yeah they have Plenty of that too.  

it generally comes in the form of self-contained storylines that involve most members on the server and take place over the course of several weeks in multiple videos.  it’s fairly light roleplay, if that’s not your thing.  but the plotlines also have a Massive Potential to be angsty and whatnot if you really look into it, which a lot of people also do.

here’s a more in-depth look into the Major Plotlines over the last 2 seasons (season 6 and 7).  huge spoiler warning though.

um also there’s this post that highlights how truly cursed hermitcraft can be if you dig deep enough hahaha.

so do the hermits only make hermitcraft content?

nope!!  many of them are involved in other mcyt content as well and are friends with other prominent members of the mcyt community!!  

MCC

mcc9 blue bats video essay: the time the hermit team won the whole damn competition.  a wonderfully made video worth Every second of your time.  especially if you don’t typically watch the hermit teams.

falsesymmetry: mcc10 ace and mcc’s First Back-to-Back Winner

lord grian dreamslayer: that time grian Popped Off, killing dream, tubbo, and fundy in mcc9 survival games

Vault Hunters

a modded minecraft server coded entirely by iskall85′s team.  all the content is streamed live on twitch.  

current members are: Iskall85, AntonioAsh, Stressmonster101, HBomb94, CaptainSparklez, Fundy, CaptainPuffy, 5UP and Tubbo

more info on the series 

3rd Life SMP

hardcore minecraft server with a twist that started on 4/20/21.  all content is posted to each member’s respective youtube channels.

every member has 3 lives, as indicated by the color of their name: green for 3 lives left, yellow for 2, red for 1.  if they lose all three lives, they can only spectate the world (like in hardcore mode).  the series ends when all members have lost all three lives.

the twist: once a member is on their 3rd and final life, as indicated by a red name, they are Hostile and their goal is to take the lives of the remaining players.

the members (hermits are italicized): BdoubleO100, bigbst4tz2, Etho, GoodTimesWithScar, Grian, impulseSV, InTheLittleWood, Renthedog, Skizzleman, Smajor1995, Smallishbeans, SolidarityGaming, Tango, ZombieCleo

the tumblr tag for 3rd Life is “#3rdLife”, “#3rdLifeSMP” and “#3LSMP” if you wanna see more content, as it’s Not supposed to be cross-tagged with “#hermitcraft”.

do you have any free serotonin to spare?

here’s a bunch of posts that’ll make you smile

scar’s friendship with a bunch of the hermits

grian, false, cleo, bdubs, iskall: why they deserve so much respect

same post as above but with an addition about ren

small hermit things that give you serotonin

why you should watch tfc

if you’ve made it this far you are Contractually Obligated* to watch one (1) hermitcraft episode and reblog this post.

*for legal reason, this is a joke.  you’re not contractually obligated but consider this: Please. i spent way too much time on this.

shoutout to everyone who’s posts i’ve linked and anyone who has helped answer a question about hermitcraft.  this all started because i was frustrated that people were writing the hermits off as cannon fodder in mcc and im genuinely so glad that many of you have given hermitcraft a shot.

[wallylinda]

may i ask what was the comic you hated? or rank the worst comics you've ever read? ffgjfjf

yes absolutely here are the top ten comics never to fucking touch if you even remotely value yourself and your mental health, in ascending order of how much I fucking hate them:

Animal Man (1988)

Okay, right off the bat, I'll have to admit: Morrison's run is decent. But everyone who claims that this comic is a "classic" or a "masterpiece of what you can accomplish in the medium" has thankfully only ever been subjected to Morrison's drug-fueled meditations on the nature of parallel universes and the importance of animal rights and not the complete and utter shitshow that was 50+ issues of: Animal Man turning into the knock-off Jersey Devil, Animal Man losing control of his powers and running around the suburbs naked and howling at the moon, Animal Man turning his daughter into the figurehead of a cult for reasons I still do not understand and do not care to comprehend. 

Like I cannot even describe to you how divorced these plotlines are from any semblance of thought processes other than "how do I make this as fucked up as possible?" And I know it's a Vertigo title and I know that it's kind of par for the course in that regard but surely. Surely we can do better than this. Anyway, my favorite character was Animal Man's son, Cliff, who didn't deserve literally anything that happened to him I hope he has a good life. 

2. Aquaman (1994)

I know. I know that a lot of people like this book. It is apparently a great book when you close your eyes and ignore everything that actually happens in the book. And let me tell you I tried. I read about ~60 issues of this garbage fire before giving up. It's just gritty, meaningless nonsense intermixed with feeble attempts at worldbuilding and increasingly icky romantic ventures. Like, Aquaman loses a hand to a bunch of carnivorous piranhas (haha), gets possessed by alien technology he found under Atlantis (???), and flies into frequent rages over the people around him, understandably, refusing to obey his every command (good for them). He's an asshole! And not even in a good way! No one in this comic has any semblance of an emotional connection to each other, be it good or bad, and their motivations often fall flat because of that. Not to mention that the colorist just. Pinkified the Inuit character. Great. Awesome. I hate it here. 

3. Plastic Man (2004)

How. How did this book get an Eisner Award. Did we read the same fucking comic??? Was bribery involved??? I feel insane. All you need to know about this book is that its very last issue had a joke about the act of necrophilia on a minor. And for a book that was marketed based on its humor, it had one (1) funny panel, and that was it. Bad. I'm so sorry Plastic Man maybe you'll get a series I'll actually enjoy reading one day...

4. Green Lantern: New Guardians

Congratulations, you gave Kyle superpowers equal to a god! Now what interesting and impactful stories are you going to tell with this newfound power of his that doesn’t completely detract from the previous themes or further convert the franchise into blatant military propaganda? ...What do you mean you’re going to make Ganthet into Kyle’s father figure. Why did you create a romantic relationship between him and Carol. Why is every modern Green Lantern comic obsessed with the supposed benefits of a universal police presence when everything prior to the 2005 series consistently denounced it. This entire book was just a paltry imitation of the Ion arc of the 90s, and you should that instead of this, because this was just OOC nonsense. 

5. Green Lantern: Rebirth

Parallax retcon written by Geoff Johns. Enough said.

6. The Flash (2011)

Once again mutilated from the corpse of actually good material, this comic is a coagulated monstrosity of editorial bullshit and increasingly desperate attempts at portraying the cops as the Good Guys. Hell, during this shitshow of a book, Barry arrests his own future nephew for spray-painting anti-Flash sentiments onto an alley, who, may I add, was introduced in this scene, and as a black character. Love that. Furthermore, Barry’s personality solely consists of being overly attached to his work and his primary motivation to being a hero is a rip-off of Batman’s origins. Iris has been dumbed down and smoothed out into unrecognizability and her romantic relationship to Barry has no basis or emotion to it. Just. Everything about this comic is OOC and completely disingenuous to previous canon and deliberately mean-spirited towards its fans. It doesn’t even feel like it wants to tell a good story. It just feels like it wants to shame the readers for liking the characters and themes that existed before the reboot.

7. Fate

The epitome of everything wrong about 90s comics. A powerful protagonist with no motivation behind any of his actions, overly complicated storylines with no plot cohesion, and a constant gritty and pessimistic atmosphere that serves no purpose other than to exemplify the main character’s unlikability. You could, in theory, say that that was the entire point of the comic, but that still doesn’t change the fact that this book is needlessly preachy and self-absorbed and just plain boring. Loved it when the main character died in JSA. Bad. 

8. Secret Six (2006)

On rare occasions, I see individuals lauding Gail Simone as this beloved icon of feminism in the comic industry, and I urge those same people to read Secret Six because their opinion will change. The one WOC, Chesire, is demonized into one of the worst racist caricatures I have ever had the displeasure of reading, which of course means that she has the dubious honor of playing the part of the Dragon Lady and the Asian Baby Mama trope. Jade is a completely different character in this, and the text is all but too happy to ignore her prior history in favor of making her as immoral and sexualized as possible. Everything has to relate to sex. The dialogue is clunky and unrealistic. And like, this comic has been upheld for its queer representation before, but having queer characters doesn’t mean that it is any way good, and it certainly doesn’t mean that it should be excused for the blatant mess that it actually is. I hate it so much. 

9. Heroes in Crisis

Do I even need to explain.

10. Green Arrow (2011)

THE WORST COMIC I'VE EVER FUCKING READ. MY GOD. You might be thinking to yourself right now, “oh, how bad can it really be?” and the answer to that question is BAD. Here are some plot points: Ollie fucks a group of triplets in the wilderness while being chased by bears (idk but i’m not rereading this goddamn thing to give you the exact details) while everyone around him rightfully assumes he’s died in a ditch, Ollie finds out he’s the rightful heir to a magical arrow cult and gets tortured by his father for it (???), and Shado, a woman who in previous canon was involved with Ollie, now has a daughter with his father. Like. It’s bad!!! Nothing about it is salvageable!!! Nothing about it is a Green Arrow comic!!! Don’t fucking read this!!!

in conclusion: i hate all of these please please please take my advice and never touch them. do this for yourself and not for me. also if you are a fan of any of these comics sorry that i despise your beloveds or whatever please make your hate post about me on your own blog and not on mine thx 😭🙏🙏

[makeste]

BnHA 323: “I Don’t Know How to Explain to You That You Should Care About Other People”

Previously on BnHA: Kacchan was all, “Izuku, I’m sorry.” Bakugou Stans were all, “[sobs for a week straight and tearfully awards him the Nobel Prize for character development].” Deku was all, “[faints in Kacchan’s arms].” Iida was all, “[trying to decide if Ochako genuinely tried to kill him a few minutes ago].” Horikoshi was all, “NO TIME FOR HUGS WE MUST GET BACK TO UA.” The civilians holed up at U.A. were all, “WE TOOK A VOTE AND DECIDED THAT WE’RE ALL GOING TO BE JERKS ABOUT THIS AND MAKE A BIG FUSS ABOUT YOU LETTING DEKU BACK INTO THE SCHOOL.” Deku was all “[stands there looking like he expected nothing less and breaking my heart more and more with each passing moment].” Ochako was all, “that does it, looks like I’m gonna have to do something about this... next chapter, that is.”

Today on BnHA: Flashback!Rat Principal is all “I just want you all to know that I spent nine million dollars turning U.A. into a giant Battleship-style grid that can burrow underground and zoom around in a giant subway maze because Horikoshi lacks a grounded understanding of both civil engineering and economics.” Back in the present day, Jeanist is all, “EVERYONE TAKE HEED, MY COMRADES AND I HAVE DEEMED IT EXPEDIENT TO CONVEY THIS AUSPICIOUS YOUTH BACK TO THIS STRONGHOLD. WE ANTICIPATE THAT WE MAY DEPEND UPON YOUR GOODWILL AND ACQUIESCENCE TO THESE TERMS.” The civilians were all, “NO.” Ochako was all, “EMPATHY, MOTHERFUCKERS, DO YOU SPEAK IT?!” The civilians were all, “oh shit.” Anyway so Ochako is a giant badass, but I’m a little worried that she’s going to get struck by lightning. Please come down from there.

so before we start this chapter, I would just like to apologize for having not posted the ch 321 recap yet, and would like to reassure everyone, and especially Iida who is staring at me with Sad Wobbly Guilt Trip Eyes, that I will get to that as soon as I can

OMG FLASHBACK??

yes please Horikoshi please show us more of class 1-A and their Deku intervention strategy jam sessions

oh dear

Iida you are too pure and good for this cruel world. [sprays the U.A. civilians with a water bottle] NO. BAD CIVILIANS! NO OSTRACIZING SCARED AND EXHAUSTED CHILDREN IN THE HOUSE

EXCUSE ME RAT PRINCIPAL WHAT’S WITH THESE MIXED MESSAGES

???

RAT PRINCIPAL: he’s free to return to us at any time!!

ALSO RAT PRINCIPAL: but it’s too risky for him to return to us

?? ??????? ?????????????????????

so now he’s going on about how strong the U.A. Barrier is, and how it’s comparable to the defensive capabilities of Tartarus. this would have sounded a lot more impressive before chapter 297 lol

OH!!!! HELLO, WHAT’S THIS!!!

A TIMELY CALLBACK TO A CERTAIN MYSTERIOUS EVENT WHICH HASN’T BEEN REFERENCED SINCE USJ? [U.A. TRAITOR MUSIC INTENSIFIES]

so now Rat Principal says he upgraded U.A.’s security systems with his own “modifications”, whatever the fuck that means. I mean look, I’ve been saying for a long time now that U.A. is the best place for everyone to hole up, don’t get me wrong. but that was mostly on account of there not being any other practical alternatives. but you’re making it sound like you figured out a way to actually make it Decay-proof or some wild shit like that

-- hold up, DID YOU ADD A FORCE FIELD. DID YOU TRICK THIS SCHOOL OUT WAKANDA-STYLE YOU CRAZY MARSUPIAL. HOLY SHIT. because that would actually be perfect

LMAO

WHAT KIND OF GALAXY BRAIN BULLSHIT. “NAH THERE’S NO NEED FOR A FORCE FIELD, LET’S JUST PUT WHEELS ON IT”

oh okay so the whole campus is basically capable of burrowing itself underground. that’s insane lol I wonder how they pulled that off. probably got poor Cementoss working overtime

blah blah blah so basically the entire campus is split into a grid and each section of the grid is capable of its own independent movement. lol this is just the Merone Base from KHR. you thought no one would notice this casual plagiarism ten years after the fact, but YOU UNDERESTIMATED YOUR AUDIENCE, HORIKOSHI

“joke’s on you imma just lampshade it” WELL ALL RIGHT THEN

“look at me I’m so fucking self-aware” fucking swear to god. I can’t believe this man is my favorite mangaka of all time smdh

“excuse me, I wasn’t finished describing all the rest of this bullshit yet,” Rat Principal breaks in impatiently. “we also added a steel wall all around the underground of the campus that’s 3000 steel plates thick. that’s fifteen fucking meters of solid fucking steel just fyi. and if anyone fucks around with any part of it the defense system will activate immediately! and also all of the plates are independently motorized, whatever the fuck that means!! in conclusion you’re gonna need a fucking tower crane to suspend all of your disbelief by the time I’m through with this paragraph”

“also Shiketsu is almost as reinforced as U.A. but not quite because we still had to make sure we were better.” but of course. and apparently the two schools are connected via a secret tunnel as Hagakure mentioned earlier

LSDKFJLSDKJFLK

“WAIT WHAT” LMAO YOU HEARD HIM, NOW INASA CAN VISIT YOU BOTH IN THE MIDDLE OF THE NIGHT AND TELL YOU ALL ABOUT THE WEIRD DREAM HE HAD. GOD BLESS YOU HORIKOSHI

(ETA: moment of appreciation for Shouto and Katsuki having the same thought at the same time and making Knowing Eye Contact and saying the exact same thing out loud in perfect unison like the best friends they are. what a blessed day.)

so Tokoyami is all “but wait if you engineered all this shit all the way back during the Band arc how did you even know that Tomura’s quirk awakening would become a thing, Horikoshi -- uh, I mean, Principal Nezu”

and Rat Principal is all “lol idk”

“basically I just woke up one morning and was all ‘say, you know what this school really needs? a fifteen-meter-thick underground steel wall, and the ability to break up into little pieces that individually zoom around wherever the fuck they want.’ jesus christ. lol if money and common sense were apparently no obstacle why didn’t you just teleport U.A. to the fucking moon or something. maybe I should shut up before I given him any ideas

dsfaelkjldkjgl

you heard it here first, folks, all of this cost a grand total of nine million U.S. dollars. well technically it cost “more than” nine million dollars. never has that distinction been more important lmao. are we sure this barrier was really made of steel and not cardboard? who the hell sold it to them, Ea-Nasir??

this is my favorite manga series of all time. yes I am ashamed

“in conclusion please do your best to reach Deku-kun” SO WHAT WAS ALL THAT NONSENSE ABOUT IT BEING TOO RISKY THEN. anyway thank you for this super informative and edifying flashback, Horikoshi. I will cherish it always. I don’t even want to read another translation of this absurdity lmao, there’s something special about it just the way it is. pretty sure Horikoshi just had a cracked out fever dream one night and transferred it to the pages of the manga verbatim

anyway so back to the unruly mob

not their finest moment. please excuse me while I cover poor Deku’s ears and give him a good shoosh pap

oh wow the parents are out here too

is Mitsuki trying to hold Inko back?? that’s the last thing this fandom needs right now is more Mitsuki discourse fffwlkjs. and even Jiroudad, scientifically proven to be the best dad in all of BnHA, is just standing there silently looking vaguely unhappy. way to rise to the moment you guys

MONOMA

so this settles it for me that Aizawa is not at UA. I know a lot of people have been wondering about his whereabouts, and if I had to wager a guess it would be that something happened with Shirakumo/Kurogiri. I can’t think of anything else -- even the loss of an eye and a limb -- that would keep him from his kids at a time like this

anyway but this is excellent Monoma content right here though. I love that he apparently adopted Eri after a single interaction with her. also WHERE IS SHINSOU DAMMIT. THE PEOPLE NEED TO KNOW

and Kouta’s there too looking like he wants to run over to Deku but Ragdoll won’t let him :/

it’s gotta be pretty upsetting for him to see his hero like this and not having anyone stand up for him. [taps megaphone] IS THIS THING ON. OKAY YEAH IT SEEMS TO BE WORKING. AHEM. PAGING URARAKA OCHAKO. GONNA NEED YOU TO GET OVER HERE ALREADY AND MAKE THAT BIG DRAMATIC SPEECH WHICH YOU ARE CLEARLY DYING TO MAKE. IF YOU DON’T DO IT SOON I’M GONNA HAVE TO STEP IN, AND YOU REALLY DON’T WANT ME TO DO THAT SINCE MY SPEECH WILL NOT BE VERY GOOD OR INSPIRING, AND WILL PROBABLY JUST CONSIST OF “HELLO, YOU ARE ALL STUPID, PLEASE SHUT UP AND GO AWAY”

so now Mic is telling them to calm down. at least someone’s speaking up here, geez

OH MY GOD

MY MAN JEANIST OUT HERE DOING WHAT HE DOES BEST: MAKING EVERYONE FEEL GUILTY AND JUDGED

OH MY GOD HE IS GIVING SUCH A LONG AND BORING SPEECH LMAO IS YOUR STRATEGY TO PUT THEM ALL TO SLEEP OR WHAT

truly in awe of this man’s ability to take messages which could easily be conveyed in ELI5-speak, and stubbornly convert them into incomprehensible language the likes of which you need a graduate degree in order to understand

“hey guys, so originally our plan was to use Deku as bait for the villains, but that didn’t really work and also we realized it was kinda dumb and was probably gonna get him killed, so we brought him back here instead.” was that really so hard, Jeanist. also are we all really just gonna sit back here and watch Jeanist take full credit for Bakugou’s plan just like that lmao

(ETA:

WHERE DID ENDEAVOR GO AND WHO IS THIS DIABOLICAL MASTER OF DISGUISE. lol I genuinely didn’t notice this because I was too busy digging through thesauruses trying to rewrite Jeanist’s speech; many thanks to @class1akids​ for pointing it out and making my day immeasurably better. take it easy there Dick Tracy.)

“anyway so please stop being dicks and let him fucking rest so he can save all your ungrateful asses” what an impassioned and inspiring plea. time to see if the masses will listen to reason

narrator: they did not listen to reason

oh my god finally Ochako is doing something. YEAH OCHAKO WOOOO SHOW THEM HOW IT’S DONE

hmm

this entire chapter is truly and utterly nonsensical to me lol

(ETA: on my second readthrough I’m fucking dying at how she stole the megaphone right out of Mic’s hand lmao. and how Kacchan is all “fuck yeah nothing I appreciate more than some quality fucking larceny.”)

oh I see she was jumping on top of the main building so as to scream down at them all more impressively

“ANYWAY DEKU IS PRETTY COOL ACTUALLY, YOU GUYS ARE JUST MEAN” couldn’t have said it better myself Ochako

lol uh

gotta say I did not have “Ochako reveals the secret of OFA to the entire U.A. Citizen Clown Parade” on my bingo card for this week. it’s a bold strategy cotton let’s see if it pays off

SDLFKJSL

“NO, SERIOUSLY, HAVE YOU LOOKED AT HIM YOU GUYS. YOU THINK HE LIKES RUNNING AROUND DRESSED LIKE A RUSTED OIL DRUM?? HE DID THAT FOR YOU YOU UNGRATEFUL SLOBS”

so she is basically explaining the entire Deku Angst arc to them and explaining what a good and selfless protagonist Deku is, YES, PREACH

OMG IT’S THE GIGANTIC FOX LADY

not to insinuate anything, but what exactly were you doing standing out here with the hysterical mob, Gigantic Fox Lady? you’re better than that

-- KACCHAN SIGHTING!!

sdlkfjl. thanks for weighing in with that helpful and important observation. where have you been for the last five minutes. were you asleep. was it Jeanist’s speech

never mind, now he’s yelling at the civilians so I instantly forgive him

THE FUTURE NUMBER ONE HERO, EVERYONE. THANK YOU, THANK YOU. HE’LL BE HERE ALL WEEK

“anyway so I’m just going to end the chapter here” lmao seventeen pages truly do go by so fast. at least he didn’t try to force in a cliffhanger at the end this time. dare I say, growth

so I guess the civilians are either gonna have a Kamino and/or Fukuoka-esque moment where they remember how to be decent people and apologize to this poor young man, or else they’ll remain unpersuaded, and so Kacchan will have to knock a few of their heads around until they become more inclined to be reasonable. either option is fine by me lol

[theoriginalcarnivorousmuffin]

"Tom Riddle effectively destroys the country from the inside out, which I believe was his true goal the entire time" (c) wait a second, so you think that he wasn't going to really take over or anything, just destroy the fuck out of w britain?

I have avoided this ask long enough.

I’ll start by saying that asking me about Tom Riddle is like staring down into a bottomless rabbit hole. We could travel down that path, but it is a dark and perilous journey, and by the end of it I will come out looking like the Mad Hatter.

It also requires a few prerequisites that you’re just going to accept as true (or else got off the crazy train here).

We know very little about Tom Riddle or Voldemort

What we do know of Tom Riddle comes to us from suspect sources

I’m just going to go out there and start with the basis that Tom is not crazy

Elaborating a little on number 1. We never actually see much of Tom Riddle or Voldemort directly. He’s a bit like Thanos in the MCU, or Palpatine in the first two movies of the Original Trilogy, he’s this looming threat that we pass by and glimpse every once in a while but never really get quality time with.

Generally, Voldemort makes an appearance in a moment of crisis.

He and Harry fight over the philosopher’s stone for Tom’s very survival. He and Harry fight over the diary for Tom’s very survival. He resurrects himself with Harry as a witness. We get those very strange dreams from Voldemort’s perspective (half of which we later learn are fabricated).

None of these really lend to our, or Harry’s for that matter, understanding of Tom Riddle. There’s too much going on, it usually happens far too fast, and there’s usually something Tom Riddle desperately wants or needs that eclipses all other concerns or else he has an audience.

This is part of the reason we get those Halfblood Prince pensieve lessons: Harry knows nothing of Tom Riddle and doesn’t understand him at all.

Which leads us, of course, to number 2, most of what we know about Tom Riddle comes from Dumbledore. I’ve talked about this before, so I won’t spend much time on it, but Dumbledore has a very clear agenda in relaying these memories to Harry. Dumbledore already has strong suspicions of what objects are horcruxes and where they’re located, he already has Snape as a very reliable agent to continue work when he’s gone, his job here is to convince Harry there is no path but suicide. And that involves portraying Tom Riddle as the most evil man who ever eviled, was born eviler than the antichrist, and will die eviler than the antichrist. 

Now, does this make Tom necessarily good or bad? No.

However, it does mean when Dumbledore tells us things like, “See, Harry, an impoverished child was upset when I lit all his belongings on fire! What a monster!” (especially given that, in a similar situation, Harry thought it was hilarious when Hagrid gave Dudley a permanent physical deformity and Harry was told he was an angel child) we should take it with a very large grain of salt.

Right, so, with all that backdrop what I’m getting at is that a) we can’t take Dumbledore at his word b) even if we could he could be wrong c) Harry doesn’t have the introspection to be able to figure himself when a or b is happening. I won’t elaborate on this last much, suffice to say that Harry’s world is very black and white, divided into the camps of those who personally like him and those who don’t.

So, why do I think Tom’s goal was not to rule the wizarding world but instead to destroy it?

A few things.

First, there are so many easier ways he could have ended up ruling the wizarding world. More, even when he effectively does rule the wizarding world in book seven, he takes very strange actions so that he’s never directly in power.

Second, I never really bought Tom’s racism. It’s too convenient and too contradictory with his backstory.

The second first, because we’re going out of order today. I’ve gone over this before, but I don’t believe Tom had minions early and I think he was effectively treated as a muggleborn (see here and here) until he took on the Voldemort persona many decades later. I’m hard pressed to believe someone as intelligent, angry, and proud as Tom Riddle would willingly believe and accept he was inferior to the likes of Abraxas Malfoy. More, even if he wished he was a halfblood, I think the evidence of him being muggleborn would be stacked too high against him to deny even to himself (and when he finds out it’s not true, he has maybe a month or so before he realized that he’s the bastard son of a squib). 

And it’s just so convenient. All the people with the power, with the money, who are itching for a cause against a threat that doesn’t really exist believe in blood purity. Ergo, Voldemort shows up suddenly espousing over the top blood purity rhetoric (rhetoric that directly clashes with his “there is only power” philosophy at that). 

In other words, I think Tom Riddle gave himself a line that he knew would get him places very quickly.

And now for the first. For a guy who has had the entire country in the palm of his hands twice, one time taking it over in a bloodless coup, he’s really big on causing collateral damage and really small on actually doing the ruling thing.

The first wizarding war, Tom Riddle as Voldemort has the backing of the heirs of the most prestigious and wealthy noble houses save a select few. These are people with seats in the Wizengamot, which has a frightening control over the government itself (including the minister of magic). I imagine, in 1980 had Tom Riddle wanted to be elected as Minister of Magic, he would have been elected as Minister of Magic. If he wanted a friendly face in office then he probably could have made that happen to.

More than even this though, by this point, Tom had already won. By having control over the majority of the Wizengamot he owns the government. He’s done, it’s over, it’s finished, and many of the characters admit as much which is why Harry Potter was such a miracle. So why all the seemingly random, exceptionally pointless, terrorism? 

One answer is that Voldemort is crazy bananas. And sure, I guess we can go with that, except for someone insane he’s oddly effective and very consistent. 

I believe Tom was systematically destroying the very foundations of the country through its core aristocratic families. Within a few short years Tom decimates the Black family, it goes from having five heirs to none, and while some of this isn’t Tom’s fault he does take care of quite a few of them. He brands Lucius for life, while Lucius rises high in politics he never escapes the stigma of being a known Death Eater and in the end cannot escape the consequences for his actions. The Malfoy family is very nearly destroyed by the end of the series, had Draco died in the Fiendfyre. The LeStrange family, presumably decimated as well.

More, this is mostly me headcanoning, but I imagine Tom fuels an extremism that the Wizarding World had never contemplated. I imagine, previously, anti-muggleborn sentiment was probably fairly rampant among purebloods. Oh, some were very pro-muggleborn I’m sure, but I think most were fairly “eh” on the people and felt they were a drain on society (such as requiring constant funding for the obliviation department).

However, when Diagon Alley starts getting blown up every other week, when muggleborns start being tortured and murdered, when purebloods who aren’t anti-muggleborn enough are being tortured and murdered, this starts wigging people out in a way they’ve never wigged out before.

By the time we get to Harry Potter’s canon, it is now only a minority that are anti-muggleborn, and they’re perceived as raving lunatics. Nobody wants to be grouped with these people. Which, just goes to show, how much Voldemort rattles the wizarding world in a very small amount of time.

Then there’s Deathly Hallows, rather than become minister himself Voldemort installs a puppet minister. He shows no signs of wishing to change this and instead does things like destroy the sorting hat (which again shakes the very foundations of the wizarding world as whta will we do if we don’t know who’s a Gryffindor anymore?!)

So, where is this ramble going?

Given the results we see, that more than any others it seems to be the purebloods and often Tom’s own followers that suffer colossal losses, I think Tom’s actions are, in part, a means of vengeance against the entire damn wizarding world (but especially the purebloods).

He makes fools of these people, brands them as his slaves, and has them participate in the most over the top ridiculous rituals (the cloaks, the masks, the entire theatrics of it feels like Tom got drunk one night and planned this whole thing out). He destroys them entirely, and better, enables them to completely destroy themselves and the country they believe they’re trying to save.

Basically, I think by the time the series begins Tom is fueled by a nihilist rage that knows no bounds. But dammit all, the wizarding world is going to burn.

[doubleca5t]

i know you’re not a fan of the citrus anime, but is the manga any good?

short answer: no

long answer:

if you spend any amount of time in the yuri fandom, you will eventually have to contend with Citrus. It’s one of the most popular manga in the genre, so it’s kind of unavoidable. And whenever Citrus comes up, you’ll usually hear from a lot of people telling you not to read it because the core premise of Citrus is two girls, Mei and Yuzu, falling in love shortly after becoming STEP-SISTERS, and the first few chapters involve Mei repeatedly sexually assaulting Yuzu (this actually goes the other way around at one point as well, though that doesn’t exactly make things any better). I am here to tell you that those people are wrong.

Let me explain.

Citrus is an infuriating 10 volume cocktease of a manga. What I mean by this is that reading Citrus, it gives you the impression that it could get really good like any chapter now, and then it just never does. The art is good, the main character, Yuzu, is super compelling and entertaining (and imo I think she’s the reason this manga has such a massive fanbase because she can be a Mood And A Half sometimes), it’s got some pretty strong emotional moments and a lot of good comedy here and there. But this is a situation where the whole is very much less than the sum of its parts. This manga has a lot of elements that are individually satisfying, but they don’t come together into a compelling narrative. I think there are two big overarching reasons why.

1) Citrus does not create and resolve conflicts in a satisfying way

A romance manga like Citrus is very much about the journey, not the destination. You know Mei and Yuzu are going to get together, it’s just a matter of how they get together and what sort of obstacles keep that from happening until the very end. This is why so many romance manga rely on tsundere/enemies-to-lovers scenarios. The harder it is for the characters to admit their true feelings for each other, the more you can stretch out the narrative and the more chapters of manga you can get out of it. A good example of this in the yuri world is Bloom into You, where the main characters have done so many mental gymnastics to convince themselves they either can’t love or can’t be loved that as the audience you’re like “shit, I know these two are gonna get together eventually but how the fuck are they gonna get out from this nonsense?”

Citrus has no goddamn idea how to do this.

A huge chunk of the first four volumes is spent introducing side characters who appear to be potential romantic rivals for either Mei or Yuzu. These characters  can be pretty entertaining in their own right, but all the dramatic tension around them falls consistently flat. The solution to every problem presented by these rivals is just talking to whichever girl they were interested in, because said girl (either Mei or Yuzu) was never interested in the rival to begin with. These arcs feel unsatisfying because the way the problem is resolved would suggest, on some level, that these were never problems in the first place. All of this could have been avoided if the characters had just talked to each other.

And this same problem rears its head near the end of the series as well, the worst example being the ending. Mei separates from Yuzu suddenly and in dramatic fashion because her grandfather is forcing her into what is essentially an arranged marriage. The chapter where we learn about this is legitimately emotionally affecting, with the slow build-up to Yuzu learning that Mei never wants to see her again. It gets you in a way that nothing else in this series really does. But then the solution to all of this is just Yuzu proposing to Mei? And the whole family just goes along with this?? Despite them being step sisters???? Like you’d think the problem here is that Mei’s grandfather is very traditional and conservative. Like he doesn’t just want her to get married before she took over the academy, he wants her to marry a specific person from a rich family that he chose. But no, apparently the step sister marriage is a-ok! which means the only real problem here is that Mei didn’t tell Yuzu about any of this shit until it was already in motion, which brings us to the second core issue:

2) Mei does not change or improve

Mei causes a huge percentage of the conflict in this series. And not only does she cause it, she causes it in exactly the same way over and over again. Mei’s big, defining character flaw is that she’s emotionally distant and bad at communicating. Because of this, Mei repeatedly conceals information from Yuzu for, at least as far as the audience can tell, no discernible reason, creating conflict that never needed to be there. This takes the form of the previously mentioned final chapters, the first volume or so where Mei forces herself onto Yuzu rather than just telling her how she feels, that whole nonsense with Sara, and so, so much more. Citrus runs on the logic of a corny 90s sitcom. Every problem is based on a misunderstanding or a miscommunication, so everything can be resolved if the characters just fucking talked to each other. This sort of storytelling can work if you’re writing a farce (like every other Shakespeare comedy was based on a case of mistaken identity) but in a drama it’s fucking infuriating.

It would be one thing if there was an arc where the core problem was that Mei doesn’t know how to communicate, and at the end of that arc, she realizes what the problem is and spends the rest of the series actively trying to improve. That would be fine. But instead, no matter how many times Mei is shown that failing to talk to her step-sister/gf causes nothing but trouble, she just... keeps doing it, either because Saburouta thinks that’s such an important element of her character that it’s not possible to change it, or because it’s a cheap and easy way to add conflict to a relationship where none would exist otherwise.

I think the final straw for me was when I tried reading Citrus+, which takes place after Yuzu’s proposal in the final chapter of Citrus. Within the first volume, Mei goes right back to her old tricks of being moody and evasive and leaving Yuzu to guess at what might be wrong. THESE TWO ARE FUCKING ENGAGED TO BE MARRIED, BUT THEIR RELATIONSHIP HAS BEEN STUCK IN THE SAME PLACE SINCE VOLUME 5 BECAUSE MEI CAN’T IMPROVE! At some point, it starts to feel like that line about the definition of insanity from Far Cry 3. You’re just doing the same shit over and over again expecting different results.

So to put it bluntly, it would be inaccurate to say that you shouldn’t read Citrus because it’s about a pair of step-sisters taking turns sexually assaulting each other.

You shouldn’t read Citrus because it sucks.