#this seems bad lmao

[writerig]

alrighty besties, these have some mystery and shit but also dark themes- so please don't read if you don't like darker themes-

The police sirens were still echoing at the back. The corpse would definitely need a post mortem - or at least according to the laws it would.

And Yumi in fact hated this whole thing - the corpse being of her sister. Her eyes were attached to the corpse and she can't even run up to that dead body which once was alive.

Even though there was some distance between the corpse, she could see the differences. It had a small thin line on her neck. Which was neat since it was barely noticeable.

Of course, this wasn't a matter of someone killing themselves. This was a murder. Sure there were a few scars on her hand which probably the killers tried to make her look like she did it by herself, but alas, that was a poor attempt.

"This is a murder-" "I know." The woman spoke. It was well aware, that Charlie would know that. What was Yumi doing? Perhaps making a fool out of herself.

"If so, then we can investigate it, right Charl?" The tall woman remained silent, she bit her lip.

"No." "...no? Why not-"

Charlie took a deep breath, her fingers running through her face as she let out a sigh. "You know that everyone here is bought with money, right? That over here any one can die. There's no such thing as justice over here."

"I too have influence-"

Yumi was shot with a look. "Oh? Darling, you don't have enough influence yet. What are you? A CEO? Yes, that's right you are but you have a spokes person for you. Doesn't really matter because that bastard has more of influence then you do. Starting to model? Yes, you will get some recognition. Yes, people are will to die for you - well your body and you can tell them lies, but till how long? Not like, you will become supermodel in one day."

She took a deep breath before looking at Yumi. "Yes, true you helped Sophie with half of the cases, that you got the info, but this? Darling just no. It might cost you your life."

"I am ready for that." Of course, Yumi would be determined. Once she made up her mind there was no way that she would let that mystery go. Especially right now.

"Are you going to stop me-?" "Hon, I know I can't."

Charlie smiled at the child - well know a legal adult. "I will get back to you with details when the piece of shit tells us some info. Though it might take a day or two."

Yumi's frowned, a day or two? That's a long time. "At least tell me something useful-"

"Sorry hon, can't do that right now. I have to go."

And Yumi was back with her thoughts. To pin point on who had murdered her sister. The motive was clear, it had to be related to be one of her cases, the cons of being a lawyer.

She took one look at the corpse of her sister, pale as ever. Her eyes closed. Blood on her black coat as she was carried to the ambulance, for God knows what.

Even if they were to classify the case as murder, they'd just find a random person and make them view the killer by some random bullshit which would somehow close the case.

Or maybe they would not even bother doing that. Simply classify it as unsolved.

There were many possibilities and she didn't know in which one to look at.

@yourlocalintrovertt , @starboo-txt , @hollowedart

[sophfandoms53]

Anyway shout out to Dewey who constantly looked like he was having the worst time of his fucking life in the pitches

Just an 11 year old pissed off at the world it seems😭

[buggachat]

honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.

i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue

[charcubed]

There's one specific aspect of Deadpool & Wolverine that's important in relation to the queerness of Wade/Logan:

The fact that Vanessa isn't single.

I'm not kidding lol

Doesn't seem like people are talking about this so I'm going to be the one to say it I guess!

So… beyond trying to save his world / family, Wade's (flimsy) motivation is indeed partially motivated by Vanessa – or more specifically by things she said to him during their break up. He wants to figure out how he matters or how he can be a hero without being an Avenger, etc.

Shitty as it is that Vanessa is relegated to being a two-dimensional motivation mouthpiece… She and Wade didn't just break up; they tell us immediately that she's seeing another guy. By my memory, Wade never disrespects that, not even jokingly. And the plot isn't framed as a quest to ~win back the girl~ either.

The end scene underlines this too, where [SPOILER] he says he did it for her even if she doesn't want him or whatever the line is. Their little hand touch isn't really a romantic rekindling.

So, what am I getting at?

This all gives weight to Wade's mischievous flirting and (later) built connection with Logan.

If Wade and Vanessa were framed as "taking a break," or if she was still single and he was trying to win her back, the queerness with Logan wouldn't work quite as well. There'd be more room to claim it's an unserious joke.

But Vanessa's moved on.

Wade, taking LOGAN home, did too.

[theswirlersisterscircus]

Because of this post reminding me about the Bad Kidz Parent Polycule, I present to you the Bad Kidz Family Cluster.

[ID: A family tree of all the Bad Kidz and their parents using the updated official art. In the top right corner, Gorgug has a solid green line connecting him and Roz and Gorbag. A dotted green line connects him and Digby and Wilma. Roz, Gorbag, Digby, and Wilma are connected by a solid black line with a question mark below it.

Below that, The Applebees are connected to Kristen, Bucky, Bricker, and Cork by solid green lines. Kristen and Tracker are connected by a solid pink line with a red X crossed through it.

Tracker is connected to "Unknown Parents" by a solid green line. "Unknown Parents" is connected to Jawbone by a solid blue line, and Tracker and Jawbone are connected by a dotted green line with a question mark above it. Adaine is connected to Jawbone by a dotted green line, and Aelwyn is connected to Adaine by a solid blue line.

Jawbone and Sandra Lynn are connected by a pink line. Sandra Lynn and Gorthalax are connected by a pink line with a red X crossed through it, and Fig is connected to them by a solid green line. Gorthalax and Sklonda are connected by a pink line with a question mark below it. Sklonda and Pok are connected by a purple line that is bisected by the skull and crossbones emoji. Riz is connected to them by a solid green line.

Sandra Lynn and Gilear are connected by a purple line with a red X crossed through it. Gilear and Fig are connected by a dotted green line, and he and Hallariel are connected by a pink line. Hallariel and Bill are connected by a purple line that's bisected by a skull and crossbones emoji. Fabian is connected to them by a solid green line, and Fabian and Fig are connected by a dotted blue line. End ID]

Green means parents/children, Blue means siblings, Pink means dating, and Purple means marriage. Dotted lines mean non-biological. The black line means I have no idea what the Thistlesprings and Roz and Gorbag have going on.

I wasn't sure if Gorthalax and Sklonda are actually dating so I put a question mark, and I wasn't sure if Jawbone actually adopted Tracker or was just letting her live with him. Regardless, here's the full family tree. I hope it gets worse <3 thanks for your time.

[yo-yo-yoshiko]

Watching this man and his misfortunes like a sporting event.

plus a closer look at these cause i legit pulled an eye muscle drawing them...

[sergle]

man, you know, nobody asked me, but I have such conflicting opinions on some of the fat falin art, where on one hand: it's always nice to see A Fat Body in fanart anywhere + it's being done in positive ways, for funsies and on the other hand, there is something so familiar about how you are automatically The Fat One if you are a woman simply standing next to a more petite woman, bc I've had a 0% hitrate in seeing people change Marcille's body type and keep Falin's, or change both of them. it's just Falin

[bigfatbreak]

Since Fu and his methods have been kinda debated on in this fandom, I've just making sure. Is Marinette over-positiving her memories with Fu since she blames herself for him getting mind-wiped or would he be really scold her on recklessness and taking care of herself?

former. grieving his memory wipe is making any kindness he did seem to gleam like precious stars in her memory, which is making it hit that much harder. she's definitely spiraling around losing him right now, and not seeing the reality that he chose child soldiers to fight a supervillain. he really might've scolded her for being reckless, but nowhere near as lovingly as she's imagining he would - she's putting positive words in his phantom mouth because his loss hurts her more than she's willing to communicate, and its become the cornerstone of her isolation.

[triona-tribblescore]

he just has a stummy ache guys dw uvu /ns <3

First/ Prev / Next

[itseghost]

sketch of my warden :] really enjoying origins so far

[dabruzzy]

I wish something more people understood about Moomin and Snufkin's relationship is that the pining is mutual. Snufkin keeps coming back to Moominvalley every spring for a reason. He also admires Moomin and wants his approval, that's where his inner conflict comes from. And Moomin isn't nearly as clingy as people think. In fact, he tries his best to avoid showing Snufkin how much he misses him, even though Snufkin can tell, and never asks him to stay. Also saying that their relationship could never work completely ignores the character development they got in the last two books which would've led to a healthier relationship between them had they reunited.

[thetriangletattoo]

grocery shopping

[recycledraccoon]

I have evolved into Scuttlespring anon, just say anything about them. I love them so much

THE ANON PANTHEON GROWS

Ok so. Gorgug likes Mary Ann because she absolutely infuriates him but also, and perhaps more importantly, because she has a type of confidence I think a younger Gorgug would have deeply envied. She's so weird, but entirely sure of herself. She likes what she likes and anyone who would have a problem with that is absolutely beneath her notice. She has friends not despite her oddities, but because she refuses to bend about them and that confidence is incredibly attractive in a person. Mary Ann Skuttle see's something she wants and she just...goes and gets it, easy peasy. Tiny little kobald strides, but when she puts her foot down with force, Gorgug thinks she could crush a mountain under with nothing so much as a blink or falter of her stride. She's certainly physically strong enough for it, and while Gorgug is undisputedly the better fighter, Mary Ann has a physical strength hidden under soft pastel pink hoodies and can, has, and will knock Gorgug on his ass. Gorgug got THRASHED at those Bloodrush field tryouts, and I'm certain he probably got his ass handed to him more than once during the year while at practice but before he quit the team. She made him so damn mad, everything that year was, and endlessly kind Gorgug got real mean to her over it. She was better than him, more casually confident, and didn't blink ONCE at his outburst. And later? When she was resurrected and freed from possession? He talks to her, acknowledges that it was just a game but he had been actually mad to be so easily knocked aside. He never really had to work at Bloodrush to be good at it, he just was, until suddenly she proved herself better.

And yet, without flinching, Mary Ann, famous for not giving a shit but listening to Gorgug say how much he had, just....asks if he has a girlfriend. Unparalleled confidence, shooting a shot he was unprepared for. Planets aligned even as his own orbit was knocked off course. And then, when he admits he doesn't even know where to get a quokki pet, something its been explicitly known to be something she really cares about? She writes down her number, letting him see that folded paper. She initiated this, and he got swept up in it, but instead of just handing over the number and allowing him to be swept up- Mary Ann Skuttle puts the number away and tells him shes gonna put it where you get quokki pets, and if he wants her number he's going to have to go get it. He's not allowed to just be swept up in the force of her, she wants him to put in effort, prove to her and himself that this isn't just a moment but a starting point. He cant be swept up by the tide, he's gotta swim. Gorgug liked Zelda, but their relationship started because they thought she was in danger and Gorgug had the best in. He stumbled into that relationship unsure and off balance, he never would have had the confidence to pursue Zelda without his friends hands on his back and their advice in his ears. Later on he gets more serious, he did love her and he put in the work to maintain that relationship, but it didn't work out and that's ok. Ever confident Mary Ann tho? She doesn't want unsure stumbling steps into this relationship. If Gorgug doesn't make the active decision to chase her, to WANT to be with her and putting deliberate effort to get there, then she doesn't want him at all. Gorgug, confused, asking where you even GET a quokki pet? And she smirks, calls him a loser, and walks away leaving him reeling and dumbfounded. Mary Ann Skuttle wants Gorgug to work for this. And who is Gorgug Thistlespring, but someone who puts in the work for things he wants? He did the seemingly impossible by creating his own subclass of Barbaficer, even if he had to take four years of schooling all at once. He puts in the work and makes the impossible possible, the greatest wizard of this age. So yeah. Yeah. Gorgug Thistlespring likes Mary Ann Skuttle because she makes him work for it.

[vaguely-concerned]

there are a lot of daddy issues to go around on DS9 in general, but odo, bashir and garak are really in their own special little fucked up 'what am I but wrought in my father's image' club

[skitskatdacat63]

"it was good fun! Surprisingly competitive I would say!"

[aroaceleovaldez]

i'm so happy you brought back up the topic of rick's shitty writing of anyone even remotely non white / "white passing"

with that being said, do you think the shitty script he gave to annabeth in the show has to do with him just being deeply uninterested in adapting his story to include characters of color? bc it seems like once rick encounters a character that cannot be easily erased all ethnic or racial identity of to fit them into an usamerican specifically white ass narrative, he gets lost.

i just keep thinking how the only thing that "changed" about annabeth as presented in the show was her race but her plot relevance and her characterization got downgraded severely. meanwhile percy, whiter than before (wheres the mediterranean god look......................................), got half her functions. like i just look at rick in context and i wonder if he just gives so little fuck about characters of color he cant even write a decent character arc for an adaptation of a very established persona

thoughts? thank u!

I wouldn't be surprised if it's Rick (and the writer's room, since it actually seems Rick isn't all that heavily involved if much at all with the script itself based on some interviews) just has internal biases that he refuses to reflect on. It would be a consistent trend with the uptick in offensive writing in the books themselves (see: the troglodytes in general, all the Jewish kids in CHB being in Hermes cabin, etc etc). Rick seems to want to engage with these topics but refuses to actually assess how he's approaching it and his own biases while also overemphasizing his engagement with the topics. It's a kind of big talk/words vs actions type thing to me.

[this got a wee bit long so throwing it under a cut]

I was having a couple of conversations about this topic recently - one being group reading/discussion of WottG and how, allegedly, the slightly different characterizations in that book are inspired by the actors in the show. Annabeth is repeatedly and frequently described as motherly and maternal in the book, plus some other misc characterizations that make you tilt your head and go "Wait, what about Leah made you want to write Annabeth this way?" and concerns about it leaning into stereotypes. (It's also strange, because in the show Sally is MUCH more aggressive and less maternal, and this is painted like it's supposed to be a girlboss thing cause her being too soft and motherly was too weak or something? But now book Annabeth is now being described as all soft and maternal??? What. What is happening.)

Another conversation that i had with my therapist (cause we talk about pjo a lot lol) and later repeated and discussed more with other folks on discord more specifically regarding the show was a lot of discussion about the casting. Particularly casting choices and how the writing either is refusing to take casting into consideration to respectfully approach how things would be changed to avoid problems or are actively changing the script for characters in a way that is potentially if not downright offensive. Clarisse is the number one example i bring up because a lot of people say that the reason a plus sized actress wasn't cast for her was to avoid the "fat bully" trope. The thing is, there is ALSO a POC bully trope that is just as bad if not worse, so if they were actually taking offensive tropes into consideration one would expect them to avoid that too (especially since Percy was cast as a pasty white boy - which just makes it all look worse)? (Also other plus-sized characters like Dionysus and Gabe were also cast as skinny, same with Tyson. So it just seems like they don't want to cast plus-sized actors either.)

But also they're rewriting stuff that actively puts the casting decisions into worse tropes. Like hey, why is Percy (a white guy) the one who knows the "real" versions of all these myths and is expositioning them to Annabeth (a black girl), who in the books is supposed to know more than him? Why does he know better than her for some reason and have to guide her? Why is Percy teaching Annabeth about pop culture and how to be a kid? Not to mention stuff like the show constantly encouraging the viewer to doubt or distrust characters like Grover and Clarisse and Annabeth as red herrings as to who the traitor is. Plus there's no adjustments to stuff from the books like Annabeth initially being somewhat aggressive/antagonistic towards Percy, or Clarisse's aggression and bullying towards Percy to try and circumvent those being bad tropes in the contexts of the casting.

And there's an ongoing trend of characters who are antagonistic towards Percy in the books being divided into two groups: those who continue to be antagonistic towards Percy in the show, or those who are tweaked to suddenly become kinda silly-goofy and significantly less threatening. Gabe, Dionysus, Ares, and Hades are all examples of characters that should be antagonistic towards Percy but are softened SIGNIFICANTLY and played for laughs in the show. Echidna is played as a twist antagonist because she initially because she approaches the kids as very sweet and helpful. And they're all cast as white! Meanwhile other characters like Clarisse, Luke, Zeus, etc, are still antagonistic towards Percy (plus also like Annabeth initially and again, Grover being painted as a major red herring). Plus some new additions like Hermes, Mr. Lin Manuel Miranda himself, being wholly introduced into the plot when he's not supposed to appear until book 2, and all he does is sabotage the quest. Like, it's weird! That's a weird writing decision!!!! I get wanting to get that sweet sweet LMM cameo money, but, why is Hermes an antagonist here???????? he's not even supposed to be here yet!.

We also have stuff like Poseidon (who, like many of the god/major kid pairings so far seems to have been cast to match each other appearance-wise) saving the day for Percy and being this weirdly good dad, versus the books where we get the iconic "I am sorry you were born" line and Percy and Poseidon's tension is part of their arcs. Notably, Poseidon does this by ceding to Zeus, who is actively about to start a war. While Gabe is rewritten to be a total loser, Sally is MUCH more aggressive and her yelling and screaming at young Percy is supposed to be sympathetic for some reason? If Gabe were acting like Sally does in the show, he would actually be significantly more like his book counterpart! The show is making active decisions to paint these characters the way they do!

Admittedly, part of it may just be they got overzealous with their casting (not inherently a bad thing! diverse casting is good!) and then proceeded to not consider how that casting affects the way the characters are perceived. It also doesn't bode well for certain guesses we can make going further into the show - Thalia is very at odds with Percy initially. She's a very aggressive character. They fight a lot! Also Annabeth's description already implies that they're tweaking Thalia's character to be more "tough love" versus the books where she's significantly more of a bleeding heart when she first meets Annabeth. Like, I'm very happy about Thalia's casting, her actress seems amazing, but also I'm VERY concerned with how they're going to approach her character to make sure it doesn't end up wildly offensive. Athena is similar - we can guess based on casting decisions so far that they're going to try and cast Athena as similar in appearance to Annabeth/Leah. The show has already painted Athena has antagonistic and uncaring towards her daughter. If projected trends continue, these things are not gonna be great.

And the show does seem to rarely want to engage with these topics - like the scene with the cop in the train. You can tell what they wanted to address by having Annabeth be the one to confront him. The thing is they were too cowardly to actually have that conversation! They paint the kids as being unreasonable and getting unnecessarily upset when they aren't directly being accused of destroying a room, therein painting the cop as the one in the right in that situation. The implication seems to be a little bit they were going for "Oh, this is Annabeth's hubris getting them into trouble" but. that's such a bad way to do it! That's like the worst way you could have done it! (This is also a trend in books from HoO onwards, more or less - Rick tries to engage with certain topics, often using characters of specific demographics, and then proceeds to do a really bad job of it.)

There are also some aspects that are just like - in the books, Luke being a middle-class blond-haired blue-eyed pretty white boy is relevant! Because the fact that he has privilege from that particularly in how he's perceived is part of how he came to where he is and why he acts the way he does. Percy not having those same privileges, and having aspects like constantly inherently being labeled as a trouble-maker just based on his atypical (neurodivergent) behavior and coming from a lower socioeconomical background play heavily into his character!!! Percy being both a poor and disabled kid (and implied potentially POC) plays DIRECTLY into why he feels so strongly about standing up for other disenfranchised kids (in SoM, explicitly including other disabled kids and kids of color). It directly relates to his experiences and standing up for kids who are like him because he didn't have that, versus Luke whose perceptions and goals are very self-oriented. Now, in the show, we've essentially swapped Percy and Luke's appearances, and that paints a very different narrative. And that's important to acknowledge!